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| this is the end full movie sockshare: Thirteen Reasons Why Jay Asher, 2009-08-06 Clay Jensen returns home from school one day to find a mysterious box, with his name on it, lying on the porch. Inside he discovers 13 cassette tapes recorded by Hannah Baker - his classmate - who committed suicide two weeks earlier. On tape, Hannah explains that there are thirteen reasons why she did what she did - and Clay is one of them. If he listens, he'll find out how he made the list - and it'll change Clay's life forever. |
| this is the end full movie sockshare: Jacob Two-Two Meets the Hooded Fang Mordecai Richler, 2009-09-17 Poor Jacob Two-Two. Not only must he say everything twice just to be heard over his four brothers and sisters, but he finds himself the prisoner of the dreaded Hooded Fang. What had he done to deserve such a punishment? The worst crime of all – insulting a grown-up! Although he’s small, Jacob is not helpless, especially when The Infamous Two come to his aid. |
| this is the end full movie sockshare: The Films of Woody Allen Sam B. Girgus, 2002-11-18 Publisher Description |
| this is the end full movie sockshare: Shōgun James Clavell, 2018-09-11 After Englishman John Blackthorne is lost at sea, he awakens in a place few Europeans know of and even fewer have seen—Nippon. Thrust into the closed society that is seventeenth-century Japan, a land where the line between life and death is razor-thin, Blackthorne must negotiate not only a foreign people, with unknown customs and language, but also his own definitions of morality, truth, and freedom. As internal political strife and a clash of cultures lead to seemingly inevitable conflict, Blackthorne’s loyalty and strength of character are tested by both passion and loss, and he is torn between two worlds that will each be forever changed. Powerful and engrossing, capturing both the rich pageantry and stark realities of life in feudal Japan, Shōgun is a critically acclaimed powerhouse of a book. Heart-stopping, edge-of-your-seat action melds seamlessly with intricate historical detail and raw human emotion. Endlessly compelling, this sweeping saga captivated the world to become not only one of the best-selling novels of all time but also one of the highest-rated television miniseries, as well as inspiring a nationwide surge of interest in the culture of Japan. Shakespearean in both scope and depth, Shōgun is, as the New York Times put it, “...not only something you read—you live it.” Provocative, absorbing, and endlessly fascinating, there is only one: Shōgun. |
| this is the end full movie sockshare: The talented Mr Ripley , 2008 It's better to be a fake somebody than a real nobody. That's how working class struggler, Tom Ripley (Matt Damon), feels. So when a wealthy shipping magnate mistakes him for an Ivy league classmate of his son, Dickie (1999 Academy Award nominee, Jude Law), Tom allows him to believe it. Dickie's father then has a proposal for Tom: bring his wild playboy son back from Southern Italy and he will be paid handsomely, It is an offer someone like Tom could not refuse. And so the wheels of deception start rolling. Tom finds and befriends Dickie and his gorgeous girlfriend, Marge (Gwyneth Paltrow) who are unaware of his false identity or his motives...and they also never suspect the dangerous extremes to which Ripley will go, to make their lifestyle his own. |
| this is the end full movie sockshare: Days of Splendor, Days of Sorrow Juliet Grey, 2012-05-15 A captivating novel of rich spectacle and royal scandal, Days of Splendor, Days of Sorrow spans fifteen years in the fateful reign of Marie Antoinette, France’s most legendary and notorious queen. Paris, 1774. At the tender age of eighteen, Marie Antoinette ascends to the French throne alongside her husband, Louis XVI. But behind the extravagance of the young queen’s elaborate silk gowns and dizzyingly high coiffures, she harbors deeper fears for her future and that of the Bourbon dynasty. From the early growing pains of marriage to the joy of conceiving a child, from her passion for Swedish military attaché Axel von Fersen to the devastating Affair of the Diamond Necklace, Marie Antoinette tries to rise above the gossip and rivalries that encircle her. But as revolution blossoms in America, a much larger threat looms beyond the gilded gates of Versailles—one that could sweep away the French monarchy forever. |
| this is the end full movie sockshare: The Stanley Kubrick Archives Alison Castle, 2016 A comprehensive exploration of American filmmaker Stanley Kubrick's cinematic life's work and creative process featuring film stills, articles and essays by Kubrick and Kubrick scholars, letters, interviews, notes, and photographs. |
| this is the end full movie sockshare: Ways of Seeing John Berger, 2008-09-25 How do we see the world around us? The Penguin on Design series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever. Seeing comes before words. The child looks and recognizes before it can speak. But there is also another sense in which seeing comes before words. It is seeing which establishes our place in the surrounding world; we explain that world with words, but word can never undo the fact that we are surrounded by it. The relation between what we see and what we know is never settled. John Berger's Ways of Seeing is one of the most stimulating and influential books on art in any language. First published in 1972, it was based on the BBC television series about which the (London) Sunday Times critic commented: This is an eye-opener in more ways than one: by concentrating on how we look at paintings . . . he will almost certainly change the way you look at pictures. By now he has. |
| this is the end full movie sockshare: The Gorehound's Guide to Splatter Films of the 1980s Scott Aaron Stine, 2015-09-18 Reviews of The Gorehound's Guide to Splatter Films of the 1960s and 1970s: recommended--Booklist; exhaustive...useful--ARBA; a solid reference work--Video Watchdog; bursting with information, opinion and trivia...impeccably researched--Film Review; interesting and informative--Rue Morgue; detailed credits...entertaining--Classic Images. Author Scott Aaron Stine is back again, this time with an exhaustive study of splatter films of the 1980s. Following a brief overview of the genre, the main part of the book is a filmography. Each entry includes extensive technical information; cast and production credits; release date; running time; alternate and foreign release titles; comments on the availability of the film on videocassette and DVD; a plot synopsis; commentary from the author; and reviews. Extensive cross-referencing is also included. Heavily illustrated. |
| this is the end full movie sockshare: The Oxford Handbook of the Digital Economy Martin Peitz, Joel Waldfogel, 2012-08-23 The economic analysis of the digital economy has been a rapidly developing research area for more than a decade. Through authoritative examination by leading scholars, this Handbook takes a closer look at particular industries, business practices, and policy issues associated with the digital industry. The volume offers an up-to-date account of key topics, discusses open questions, and provides guidance for future research. It offers a blend of theoretical and empirical works that are central to understanding the digital economy. The chapters are presented in four sections, corresponding with four broad themes: 1) infrastructure, standards, and platforms; 2) the transformation of selling, encompassing both the transformation of traditional selling and new, widespread application of tools such as auctions; 3) user-generated content; and 4) threats in the new digital environment. The first section covers infrastructure, standards, and various platform industries that rely heavily on recent developments in electronic data storage and transmission, including software, video games, payment systems, mobile telecommunications, and B2B commerce. The second section takes account of the reduced costs of online retailing that threatens offline retailers, widespread availability of information as it affects pricing and advertising, digital technology as it allows the widespread employment of novel price and non-price strategies (bundling, price discrimination), and auctions, as well as better tar. The third section addresses the emergent phenomenon of user-generated content on the Internet, including the functioning of social networks and open source. Finally, the fourth section discusses threats arising from digitization and the Internet, namely digital piracy, privacy and internet security concerns. |
| this is the end full movie sockshare: Digital Disruption Dina Iordanova, Stuart Cunningham, 2012 'Nobody knows anything', said William Goldman of studio filmmaking. This statement is proving increasingly apt as we begin to survey the radical changes that digital distribution, together with the digitisation of production and exhibition, is wreaking on global film circulation. Will digital dissemination produce a massive disruption to the film industry, as it did to mail delivery services, bookselling and music distribution? Is cinema about to move on-line? Digital Disruption: Cinema Moves On-line helps to make sense of what has happened in the short but turbulent history of on-line distribution. It provides a realistic assessment of the disruptions that moving from 'analogue dollars' to 'digital cents' has provoked in the film industry. Looking closely at how the majors have dealt - often unsuccessfully - with these challenges it also pays equal attention to innovations and practices outside the mainstream. Throughout, it is alive to important entrepreneurial innovations, showcasing the work of Mubi, Jaman, Withoutabox and IMDb. Written by leading academic commentators who have followed the fortunes of world cinema closely and with passion, together with experienced writers close to the fluctuating fortunes of the industry, Digital Disruption: Cinema Moves On-line is an indispensable guide to the dramatic changes that film is currently experiencing. 'It's hard to overstate the importance of this collection of essays. Ever since digital technology began to transform the media landscape, various self-appointed pundits - myself included - have been predicting the final outcome, with results that have ranged from a utopian belief that film is finally being democratised to various versions of the end-of-the-cinema-as-we-know-it scenario. Now, at last, we have what we needed: some rigorous academic thinking on the subject combined with detailed analysis of what exactly is going on in the fast-developing world of downloads, streaming video and Swedish pirates. The people who really need to read this book - the Hollywood studios - probably won't. But anyone else remotely interested in the future of cinema should do so.' (Nick Roddick, Sight & Sound's 'Mr Busy') 'Digital Disruption is a must read for all researchers and practitioners interested in the changing shape and circulation of filmed content. This book amounts to much more than the sum of its parts by addressing compelling and highly relevant areas of enquiry and employing fine research delivered in a transparent and accessible writing style. Digital Disruption enables the reader to leap onto a fast moving train without being knocked off balance by the rush of the wind. Highly recommended.' (Angus Finney, consultant and industry executive, Film Business Academy, London and author of The International Film Business: A Market Guide beyond Hollywood) |
| this is the end full movie sockshare: Chasing Hillary Amy Chozick, 2018-04-24 New York Times bestseller “The Devil Wears Prada meets The Boys on the Bus”—New York Times The dishy, rollicking, and deeply personal story of what really happened in the 2016 election, as seen through the eyes of the New York Times reporter who gave eight years of her life to covering the First Woman President who wasn't. For a decade, award-winning New York Times journalist Amy Chozick chronicled Hillary Clinton’s pursuit of the presidency. Chozick’s front-row seat, initially covering Clinton’s imploding 2008 campaign, and then her assignment to “The Hillary Beat” ahead of the 2016 election, took her to 48 states and set off a nearly ten-years-long journey in which the formative years of her twenties and thirties became – both personally and professionally – intrinsically intertwined to Clinton’s presidential ambitions. Chozick’s candor and clear-eyed perspective—from her seat on the Hillary bus and reporting from inside the campaign’s Brooklyn headquarters, to her run-ins with Donald J. Trump and her globetrotting with Bill Clinton— provide fresh intrigue and insights into the story we thought we all knew. This is the real story of what happened, with the kind of dishy, inside details that repeatedly surprise and enlighten. But Chasing Hillary is also a rollicking, irreverent, refreshingly honest personal story of how the would-be first woman president looms over Chozick’s life. And, as she gets married, attempts to infiltrate the upper echelons of political journalism and inquires about freezing her eggs so she can have children after the 2016 campaign, Chozick dives deeper into decisions Clinton made at similar points in her life. In the process, Chozick came to see Clinton not as an unknowable enigma and political animal but as a complex person, full of contradictions and forged in the political battles and media storms that had long predated Chozick’s years of coverage. Trailing Clinton through all of the highs and lows of the most noxious and wildly dramatic presidential election in American history, Chozick comes to understand what drove Clinton, how she accomplished what no woman had before, and why she ultimately failed. Poignant, illuminating, laugh-out-loud funny, Chasing Hillary is a campaign book like never before that reads like a fast-moving political novel. |
| this is the end full movie sockshare: Coreyography Corey Feldman, 2013-10-29 A deeply personal and revealing memoir and Hollywood-survival story by The lost boys and Stand by me star-- |
| this is the end full movie sockshare: Best ABC Video Ever! (Ww8085) Richard Scarry, 1990-10-01 |
| this is the end full movie sockshare: Markets for Cybercrime Tools and Stolen Data Lillian Ablon, Martin C. Libicki, Andrea A. Golay, 2014-03-25 Criminal activities in cyberspace are increasingly facilitated by burgeoning black markets. This report characterizes these markets and how they have grown into their current state to provide insight into how their existence can harm the information security environment. Understanding these markets lays the groundwork for exploring options to minimize their potentially harmful influence. |
| this is the end full movie sockshare: Christopher's Diary: Secrets of Foxworth V.C. Andrews, 2014-10-28 A new novel from V.C. Andrews, the legendary author of Flowers in the Attic--now a hit Lifetime TV movie!-- |
| this is the end full movie sockshare: Entertainment Industry Economics Harold L. Vogel, 2007-04-23 In this newly revised book, Harold L. Vogel examines the business economics of the major entertainment enterprises: movies, music, television programming, broadcasting, cable, casino gambling and wagering, publishing, performing arts, sports, theme parks, and toys and games. The seventh edition has been further revised and broadened and differs from its predecessors by restructuring and repositioning the previous Internet chapter, including new material on the economics of networks and advertising, adding a new section on policy implications, and further expanding the section on recent theoretical work pertaining to box-office behaviour. The result is a comprehensive up-to-date reference guide on the economics, financing, production, and marketing of entertainment in the United States and overseas. Investors, business executives, accountants, lawyers, arts administrators, and general readers will find that the book offers an invaluable guide to how entertainment industries operate. |
| this is the end full movie sockshare: Wartime Lies Louis Begley, 2010-12-22 Extraordinary...Rich in irony and regret...[the] people and settings are vividly realized and his prose [is] compelling in its simplicity. THE WALL STREET JOURNAL As the world slips into the throes of war in 1939, young Maciek's once closetted existence outside Warsaw is no more. When Warsaw falls, Maciek escapes with his aunt Tania. Together they endure the war, running, hiding, changing their names, forging documents to secure their temporary lives—as the insistent drum of the Nazi march moves ever closer to them and to their secret wartime lies. |
| this is the end full movie sockshare: Madame Tussaud Michelle Moran, 2011-03-03 Paris, 1788. Marie is a young woman in love with her oldest friend and neighbour, Henri. But she is also a determined businesswoman, eager to see her family's waxwork museum keep them safe and solvent. Her gift for modelling faces in wax brings her to Versailles, where she must teach the king's sister her skill. But the coming revolution will place Marie, her family and all of Paris in grave danger. As the monarchy is overthrown and the guillotine becomes a fixture in French life, Marie is expected to show her patriotism by making death masks from the severed heads of every key figure killed as the Reign of Terror begins and France enters its darkest time. How will Marie survive the Revolution? Who will survive it with her? And just how will this girl come to be known as the woman behind one of the most famous museums in the world? |
| this is the end full movie sockshare: Another City, Not My Own Dominick Dunne, 2012-02-08 NEW YORK TIMES BESTSELLER • A “thoroughly absorbing” (Time) novel of love, rage, and ruin amidst the chaos in Los Angeles during the O.J. Simpson trial “Compulsively readable . . . deliciously wicked.”—Vogue Gus Bailey, journalist to high society, knows the sordid secrets of the very rich. Now he turns his penetrating gaze to a courtroom in Los Angeles, witnessing the trial of the century unfold before his startled eyes. By day, Gus is at the courthouse, the confidant of the Goldman and Simpson families, the lawyers, the journalists, the hangers-on, even the judge; at night he is the honored guest at the most dazzling gatherings in town as the movers and shakers of Los Angeles—from Kirk Douglas to Heidi Fleiss, from Elizabeth Taylor to Nancy Reagan—delight in the latest news from the corridors of the courthouse. As they share their own theories of the crime, Bailey bears witness to the ultimate perversion of principle and the most amazing gossip machine in Hollywood. A vivid, revealing achievement, Another City, Not My Own illuminates the meaning of guilt and innocence in America today. |
| this is the end full movie sockshare: The Producers Mel Brooks, 2003 (Piano/Vocal/Guitar Songbook). This fabulous collection features 15 selections from Mel Brooks' classic blockbuster that swept the 2001 Tonys, winning a record 12 awards including the coveted Best Musical and Best Original Score! The songs are in standard piano/vocal format with the melody line in the piano part. Includes: Along Came Bialy * Betrayed * Der Guten Tag Hop-Clop * Goodbye! * Haben Sie Gehort Das Deutsche Band? * Heil Myself * I Wanna Be a Producer * Keep It Gay * The King of Broadway * Prisoners of Love * Springtime for Hitler * That Face * 'Til Him * We Can Do It * When You Got It, Flaunt It. |
| this is the end full movie sockshare: Shadow Economies of Cinema Ramon Lobato, 2019-07-25 How do people access movies today? What are the most popular and powerful channels for media distribution on a global scale? How are film industries changing in the face of media convergence and digitisation? To answer questions such as these, argues Ramon Lobato, we must shift our gaze away from the legal film business and toward cinema's shadow economies. All around the world, films are bought from roadside stalls, local markets, and grocery stores; they are illegally downloaded and streamed; they are watched in makeshift video clubs, on street corners, and in restaurants, shops and bars. International film culture in its actually-existing forms is a messy affair, and it relies to a great extent on black and grey media markets. Examining the industrial dynamics of these subterranean film networks across a number of different sites – from Los Angeles to Lagos, Melbourne to Mexico City – this book shows how they constitute a central rather than marginal part of audiovisual culture and commerce. Combining film industry analysis with cultural theory, Shadow Economies of Cinema opens up a new area of inquiry for cinema studies, putting industry research into dialogue with wider debates about economic informality and commodity circulation. Written in an accessible style, this book offers an original 'bottom-up' perspective on the global cinema industry for researchers and students in film studies, cultural studies, and media and communications. |
| this is the end full movie sockshare: Connected Viewing Jennifer Holt, Kevin Sanson, 2013-12-04 As patterns of media use become more integrated with mobile technologies and multiple screens, a new mode of viewer engagement has emerged in the form of connected viewing, which allows for an array of new relationships between audiences and media texts in the digital space. This exciting new collection brings together twelve original essays that critically engage with the socially-networked, multi-platform, and cloud-based world of today, examining the connected viewing phenomenon across television, film, video games, and social media. The result is a wide-ranging analysis of shifting business models, policy matters, technological infrastructure, new forms of user engagement, and other key trends affecting screen media in the digital era. Connected Viewing contextualizes the dramatic transformations taking place across both media industries and national contexts, and offers students and scholars alike a diverse set of methods and perspectives for studying this critical moment in media culture. |
| this is the end full movie sockshare: Digital Piracy George E. Higgins, Catherine Davis Marcum, 2011 EBOOK AND PRINT ON DEMAND COPIES ARE AVAILABLE VIA REDSHELF The practice of illegally downloading copyrighted materials continues to spread globally, costing the entertainment industry and governments billions of dollars each year. Why do some people take part in this behavior? Award-winning authors, Dr. George E. Higgins and Dr. Catherine D. Marcum, address this question in Digital Piracy: An Integrated Theoretical Approach. This book provides practitioners working in information technology outside of academia, students, and scholars in multiple disciplines an integrated approach to understanding why this behavior occurs. Drawing from the empirical literature and theories from several disciplines including business, economics, information technology, sociology, law and criminology, this book brings the known facts about digital piracy in America together in one place. This book takes an important step by presenting an integrated theory, derived from the theoretical and research literatures, for understanding digital piracy that provides suggestions for reducing instances of digital piracy behavior. The teacher's manual will be available electronically on a CD or via email. Please contact Beth Hall at bhall@cap-press.com to request a copy. Relying on data sources like the Uniform Crime Reports, the National Crime Victimization Survey, and data provided by the Business Software Alliance, and merging economic, sociological, criminological, and information technology and computer science theories of piracy, the authors succeed in showing the prevalence of distinct piracy forms. Moreover, Higgins and Marcum succeed in developing and offering directions to apply an integrated explanatory framework of digital piracy.... Summing Up: Recommended. Upper-division undergraduates and above. -- CHOICE Magazine |
| this is the end full movie sockshare: Star Trek Sondra Marshak, 1993-01-01 |
| this is the end full movie sockshare: Thanos vs. Hulk , 2015-06-09 Cosmic legend and fan-favorite creator Jim Starlin delivers an epic tale of Smash versus Space, as the Emerald Avenger goes head-to-head with the Mad Titan! It's bad enough that the Hulk has been kidnapped by Pip the Troll and traded to Annihilus, lord of the Negative Zone. But things get worse when Thanos is thrown into the mix! Annihilus plots to exploit the Hulk in a most unexpected fashion, but Thanos soon launches some Machiavellian machinations of his own. As Annihilus gains vast new might, the Hulk rampages through the Negative Zone...with Annihilus' perennial rival Blastaar in hot pursuit! But when Thanos' devious scheme comes to a head, can the Hulk survive? And can Thanos withstand the Hulk's pure physical power unleashed? Find out right here! COLLECTING: Thanos vs. Hulk 1-4, WARLOCK (1972) 12 |
| this is the end full movie sockshare: Shining with the Shiner John Alexander Lee, 1945* Stories about a legendary vagabond of New Zealand, called the Shiner. |
| this is the end full movie sockshare: Book of Fuck Patrick Waters, 2021-11-11 Self-help tool to free oneself from loss of emotional control in re: bad words and outdated concepts. |
What does end=' ' in a print call exactly do? - Stack Overflow
Jul 16, 2023 · By default there is a newline character appended to the item being printed (end='\n'), and end='' …
SQL "IF", "BEGIN", "END", "END IF"? - Stack Overflow
Jan 10, 2012 · However, there is a special kind of SQL statement which can contain multiple SQL statements, the …
Meaning of .Cells (.Rows.Count,"A").End (xlUp).r…
Jul 9, 2018 · [A1].End(xlUp) [A1].End(xlDown) [A1].End(xlToLeft) [A1].End(xlToRight) is the VBA …
What's the difference between "end" and "exit sub" in VBA?
Apr 8, 2016 · This is a bit outside the scope of your question, but to avoid any potential confusion for readers …
Difference between CR LF, LF and CR line break types
Oct 12, 2009 · LF (\n) stands for LINE FEED. It creates a new line, but it doesn't put the cursor at the …
What does end=' ' in a print call exactly do? - Stack Overflow
Jul 16, 2023 · By default there is a newline character appended to the item being printed (end='\n'), and end='' is used to make it printed on the same line. And print() prints an empty …
SQL "IF", "BEGIN", "END", "END IF"? - Stack Overflow
Jan 10, 2012 · However, there is a special kind of SQL statement which can contain multiple SQL statements, the BEGIN-END block. If you omit the BEGIN-END block, your SQL will run fine, …
Meaning of .Cells (.Rows.Count,"A").End (xlUp).row
Jul 9, 2018 · [A1].End(xlUp) [A1].End(xlDown) [A1].End(xlToLeft) [A1].End(xlToRight) is the VBA equivalent of being in Cell A1 and pressing Ctrl + Any arrow key. It will continue to travel in …
What's the difference between "end" and "exit sub" in VBA?
Apr 8, 2016 · This is a bit outside the scope of your question, but to avoid any potential confusion for readers who are new to VBA: End and End Sub are not the same. They don't perform the …
Difference between CR LF, LF and CR line break types
Oct 12, 2009 · LF (\n) stands for LINE FEED. It creates a new line, but it doesn't put the cursor at the beginning of that line. The cursor stays back at the end of the last line. This is how Unix …
find and replace end of line with "\n" verbatim - Stack Overflow
Apr 21, 2017 · Not sure if this would help: In the Bluefish editor you have to follow this instruction: "In the Find and Replace dialogs it is not possible to insert the keys Enter or Tab. A simple …
editor - How do I move to end of line in Vim? - Stack Overflow
Sep 19, 2008 · The distinction shows up in the end-of-line commands as well. $ and 0 move to the end or beginning of the physical line or paragraph, respectively: g$ and g0 move to the …
Git, fatal: The remote end hung up unexpectedly - Stack Overflow
Mar 6, 2013 · This fixed my problem. My problem was (using ssh): $ git push | Enumerating objects: 886, done. | Counting objects: 100% (850/850), done. | Connection to bitbucket.org …
How to stop one or multiple for loop (s) - Stack Overflow
Use break and continue to do this. Breaking nested loops can be done in Python using the following: for a in range(...): for b in range(..): if some condition: # break the inner loop break …
How do I remove a substring from the end of a string (remove a …
Yeah. str.strip doesn't do what you think it does. str.strip removes any of the characters specified from the beginning and the end of the string. So, "acbacda".strip("ad") gives 'cbac'; the a at the …
