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| the skin curzio malaparte: Kaputt Curzio Malaparte, 2005-06-30 Curzio Malaparte was a disaffected supporter of Mussolini with a taste for danger and high living. Sent by an Italian paper during World War II to cover the fighting on the Eastern Front, Malaparte secretly wrote this terrifying report from the abyss, which became an international bestseller when it was published after the war. Telling of the siege of Leningrad, of glittering dinner parties with Nazi leaders, and of trains disgorging bodies in war-devastated Romania, Malaparte paints a picture of humanity at its most depraved. Kaputt is an insider's dispatch from the world of the enemy that is as hypnotically fascinating as it is disturbing. |
| the skin curzio malaparte: Diary of a Foreigner in Paris Curzio Malaparte, 2020-05-19 Experience postwar Europe through the diary of a fascinating and witty twentieth-century writer and artist. Recording his travels in France and Switzerland, Curzio Malaparte encounters famous figures such as Cocteau and Camus and captures the fraught, restless spirit of Paris after the trauma of war. In 1947 Curzio Malaparte returned to Paris for the first time in fourteen years. In between, he had been condemned by Mussolini to five years in exile and, on release, repeatedly imprisoned. In his intervals of freedom, he had been dispatched as a journalist to the Eastern Front, and though many of his reports from the bloodlands of Poland and Ukraine were censored, his experiences there became the basis for his unclassifiable postwar masterpiece and international bestseller, Kaputt. Now, returning to the one country that had always treated him well, the one country he had always loved, he was something of a star, albeit one that shines with a dusky and disturbing light. The journal he kept while in Paris records a range of meetings with remarkable people—Jean Cocteau and a dourly unwelcoming Albert Camus among them—and is full of Malaparte’s characteristically barbed reflections on the temper of the time. It is a perfect model of ambiguous reserve as well as humorous self-exposure. There is, for example, Malaparte’s curious custom of sitting out at night and barking along with the neighborhood dogs—dogs, after all, were his only friends when in exile. The French find it puzzling, to say the least; when it comes to Switzerland, it is grounds for prosecution! |
| the skin curzio malaparte: The Kremlin Ball Curzio Malaparte, 2018-04-10 A perverse and delicious tell-all view of the Soviet elite in the 1920s. Perhaps only the impeccably perverse imagination of Curzio Malaparte could have conceived of The Kremlin Ball, which might be described as Proust in the corridors of Soviet power. Malaparte began this impertinent portrait of Russia's Marxist aristocracy while he was working on The Skin, his story of American-occupied Naples, and after publishing Kaputt, his depiction of Europe in the hands of the Axis, thinking of this book as a another picture of the truth and a third panel in a great composition depicting the decadence of twentieth-century Europe. The book is set at the end of the 1920s, when the great terror may have been nothing more than a twinkle in Stalin's eye, but when the revolution was accompanied by a growing sense of doom. In Malaparte's vision it is from his nightly opera box, rather than the Kremlin, that Stalin surveys Soviet high society, its scandals and amours and intrigues among beauties and bureaucrats, including legendary ballerina Marina Semyonova and Olga Kameneva, sister of the exiled Trotsky, who though a powerful politician is so consumed by dread that everywhere she goes she gives off a smell of rotting meat. Unfinished at the time of Malaparte's death, this extraordinary court chronicle of Communist life (for which Malaparte also contemplated the title God is a Killer) was only published posthumously in Italy over fifty years after Malaparte's death and appears in English now for the first time ever. |
| the skin curzio malaparte: Death Sentence Maurice Blanchot, 1978 Fiction. Translated from the French by Lydia Davis. This long awaited reprint of a book about which John Hollander wrote: A masterful version of one of the most remarkable novels in any language since World War II, is the story of the narrator's relations with two women, one terminally ill, the other found motionless by him in a darkened room after a bomb explosion has separated them. Through more than 40 years, the French writer Maurice Blanchot has produced an astonishing body of fiction and criticism, writes Gilbert Sorrentino in the New York Review of Books, and John Updike in The New Yorker: Blanchot's prose gives an impression, like Henry James, of carrying meanings so fragile they might crumble in transit. |
| the skin curzio malaparte: The Bird that Swallowed Its Cage Walter Murch, 2014-03-04 Walter Murch first came across Curzio Malaparte's writings in a chance encounter in a French book about cosmology, where one of Malaparte's stories was retold to illustrate a point about conditions shortly after the creation of the universe. Murch was so taken by the strange, utterly captivating imagery he went to find the book from which the story was taken. The book was Kaputt, Malaparte's autobiographical novel about the frontlines of World War II. Curzio Malaparte, an Italian born with a German heritage, was a journalist, dramatic, novelist and diplomat. When he wrote a book attacking totalitarianism and Hitler's reign, Mussolini, in no position to support such a body of work, stripped him of his National Fascist Party membership and sent him to internal exile on the island of Lipari. In 1941, he was sent to cover the Eastern Front as a correspondent for Corriere della Sera, the Milano daily newspaper. His dispatches from the next three years would be largely suppressed by the Italian government, but reverberated among readers as painfully real depictions of a landscape at war. The film editor, fluent in translating the written word over to the languages of sight and sound, began slowly translating Malaparte's writings from World War II. The density and intricacy of his stories compelled Murch to adapt many of them into prose or blank verse poems. The result is a book of surprising insight and strange beauty. |
| the skin curzio malaparte: Woman Like Me Curzio Malaparte, 2007 Employing a short story format which finds an autobiographical thread, this book links together disparate times and loves in the author's life, a reassertion and reassembly of his identity in literary format. It presents an account of the author's memories, dreams and desires. |
| the skin curzio malaparte: Those Cursed Tuscans Curzio Malaparte, 1964 |
| the skin curzio malaparte: Nothing More to Lose Najwan Darwish, 2014-04-29 Nothing More to Lose is the first collection of poems by Palestinian poet Najwan Darwish to appear in English. Hailed across the Arab world and beyond, Darwish’s poetry walks the razor’s edge between despair and resistance, between dark humor and harsh political realities. With incisive imagery and passionate lyricism, Darwish confronts themes of equality and justice while offering a radical, more inclusive, rewriting of what it means to be both Arab and Palestinian living in Jerusalem, his birthplace. This English-only edition does not include the poems in their original language. |
| the skin curzio malaparte: The Volga Rises in Europe Curzio Malaparte, 1951 |
| the skin curzio malaparte: Coup D'etat Curzio Malaparte, 1932 |
| the skin curzio malaparte: Why Does Literature Matter? Frank B. Farrell, 2018-07-05 Literature matters because... it allows for experiences important to the living out of a sophisticated and satisfying human life; because other arenas of culture cannot provide them to the same degree; and because a relatively small number of texts carry out these functions in so exceptional a manner that we owe it to past and future members of the species to keep such texts alive in our cultural traditions.—from Chapter One Frank B. Farrell defends a rich conception of the space of literature that retains its links to issues of self-formation and metaphysics and does not let that space collapse into just another reflection of social space. He maintains that recent literary theory has badly misread findings in the philosophy of language and the theory of subjectivity. That misreading, Farrell says, has tended to endorse ways of understanding literature that make one question why it matters at all. Farrell here opposes some recent theoretical trends and, through a mix of philosophical and literary studies, tells us why in his view literature does truly matter.Among the writers Farrell discusses are John Ashbery, Samuel Beckett, Amit Chaudhuri, Cormac McCarthy, James Merrill, Marcel Proust, Thomas Pynchon, Salman Rushdie, W. G. Sebald, and John Updike. The philosophers important to his arguments include Donald Davidson, Daniel Dennett, and Bernard Williams; G. W. F. Hegel, Martin Heidegger, Friedrich Nietzsche, and Ludwig Wittgenstein play roles as well. Among the literary theorists addressed are Stephen Greenblatt, Paul de Man, and Marjorie Perloff. In addition to his close readings of literary, philosophical, and critical texts, Farrell considers cultural studies and postcolonial studies more generally and speculates on the possible contributions of object-relations theory in psychology to the study of literature. |
| the skin curzio malaparte: The Gallery John Horne Burns, 2004-03-31 The first book of real magnitude to come out of the last war. —John Dos Passos John Horne Burns brought The Gallery back from World War II, and on publication in 1947 it became a critically-acclaimed bestseller. However, Burns's early death at the age of 36 led to the subsequent neglect of this searching book, which captures the shock the war dealt to the preconceptions and ideals of the victorious Americans. Set in occupied Naples in 1944, The Gallery takes its name from the Galleria Umberto, a bombed-out arcade where everybody in town comes together in pursuit of food, drink, sex, money, and oblivion. A daring and enduring novel—one of the first to look directly at gay life in the military—The Gallery poignantly conveys the mixed feelings of the men and women who fought the war that made America a superpower. |
| the skin curzio malaparte: Drifting Toward Love Kai Wright, 2009-01-01 In Drifting Toward Love, journalist Kai Wright introduces us to Manny, Julius, Carlos, and their friends, young gay men of color desperately searching for life's basic necessities. With these vivid, intimate portraits, Wright reveals both their heroism and their mistakes, placing their stories into a larger social context. |
| the skin curzio malaparte: The Skin Curzio Malaparte, 2013-11-05 This is the first unexpurgated English edition of Curzio Malaparte’s legendary work The Skin. The book begins in 1943, with Allied forces cementing their grip on the devastated city of Naples. The sometime Fascist and ever-resourceful Curzio Malaparte is working with the Americans as a liaison officer. He looks after Colonel Jack Hamilton, “a Christian gentleman . . . an American in the noblest sense of the word,” who speaks French and cites the classics and holds his nose as the two men tour the squalid streets of a city in ruins where liberation is only another word for desperation. Veterans of the disbanded Italian army beg for work. A rare specimen from the city’s famous aquarium is served up at a ceremonial dinner for high Allied officers. Prostitution is rampant. The smell of death is everywhere. Subtle, cynical, evasive, manipulative, unnerving, always astonishing, Malaparte is a supreme artist of the unreliable, both the product and the prophet of a world gone rotten to the core. |
| the skin curzio malaparte: In the Wolf's Mouth Adam Foulds, 2014-06-03 A new novel by the author Julian Barnes called one of the best British writers to emerge in the last decade Set in North Africa and Sicily at the end of World War II, In the Wolf's Mouth follows the Allies' botched liberation attempts as they chased the Nazis north toward the Italian mainland. Focusing on the experiences of two young soldiers—Will Walker, an English field security officer, ambitious to master and shape events; and Ray Marfione, a wide-eyed Italian American infantryman—the novel contains some of the best battle writing of the past fifty years. Eloquent on the brutish, blundering inaccuracy of war, the immediacy of Adam Foulds's prose is uncanny and unforgettable. The book also explores the continuity of organized crime in Sicily through the eyes of two men—Angilù, a young shepherd; and Cirò Albanese, a local Mafioso. These men appear in the prologue and in the book's terrifying final chapters, making it evident that the Mafia were there before and are there still, the slaughter of war only a temporary distraction. In the Wolf's Mouth has achieved an extraordinary resurrection, returning humanity to the lives lost in the writing of history. |
| the skin curzio malaparte: Telex from Cuba Rachel Kushner, 2008-07 Coming of age in mid-1950s Cuba where the local sugar and nickel production are controlled by American interests, Everly Lederer and KC Stites observe the indulgences and betrayals of the adult world and are swept up by the political underground and the revolt led by Fidel and Raul Castro. 75,000 first printing. |
| the skin curzio malaparte: New American Photography Kathleen McCarthy Gauss, 1985 |
| the skin curzio malaparte: Croatia, Myth and Reality C. Michael McAdams, 1992 |
| the skin curzio malaparte: Encounter Milan Kundera, 2020-10-09 A passionate and provocative defence of art from the author of The Unbearable Lightness of Being. Are we living in an era that no longer values art or beauty? This is Kundera's passionate defence of the creators who remain viscerally important to him, and whose work - especially the blazing newness of modernism - helps us better understand our world. From Francis Bacon's paintings to the films of Federico Fellini, novels by Philip Roth or Fyodor Dostoyevsky - as well as writers who are unjustly obscure, such as Anatole France and Curzio Malaparte - Kundera spiritedly champions these artists for a new generation. Startlingly original and provocative - and always elegant, witty and ironic - Kundera's argument that art is all we have to cleave to in the face of human evil grows more powerful by the day. 'I can't imagine reading this book without being challenged and instructed, amused, amazed and aroused, and ultimately delighted.' New York Times Book Review 'A pan-European intellectual force. The elegance of his arguments and lucidity of his criticism disguised as storytelling are marks of genius seriously focused but lightly worn.' Times 'Immensely readable, the volume combines the sterling virtue of good writing with emotional and intellectual engagement. In short, a triumph.' Sunday Telegraph |
| the skin curzio malaparte: The Unpunished Vice Edmund White, 2018-06-26 A new memoir from acclaimed author Edmund White about his life as a reader. Literary icon Edmund White made his name through his writing but remembers his life through the books he has read. For White, each momentous occasion came with a book to match: Proust's Remembrance of Things Past, which opened up the seemingly closed world of homosexuality while he was at boarding school in Michigan; the Ezra Pound poems adored by a lover he followed to New York; the biography of Stephen Crane that inspired one of White's novels. But it wasn't until heart surgery in 2014, when he temporarily lost his desire to read, that White realized the key role that reading played in his life: forming his tastes, shaping his memories, and amusing him through the best and worst life had to offer. Blending memoir and literary criticism, The Unpunished Vice is a compendium of all the ways reading has shaped White's life and work. His larger-than-life presence on the literary scene lends itself to fascinating, intimate insights into the lives of some of the world's best-loved cultural figures. With characteristic wit and candor, he recalls reading Henry James to Peggy Guggenheim in her private gondola in Venice and phone calls at eight o'clock in the morning to Vladimir Nabokov--who once said that White was his favorite American writer. Featuring writing that has appeared in the New York Review of Books and the Paris Review, among others, The Unpunished Vice is a wickedly smart and insightful account of a life in literature. |
| the skin curzio malaparte: Two Women Alberto Moravia, 1958 |
| the skin curzio malaparte: The Root and the Flower L. H. Myers, |
| the skin curzio malaparte: Casa Malaparte Karl Lagerfeld, 1998 A house like me, were the words poet Curzio Malaparte used to describe his villa on Capri. There are only a few buildings which illustrate antique beauty and mystical charm like Casa Malaparte. In this book, Karl Lagerfeld has photographed this most elegiac of structures. Lagerfeld worked for five days in November 1997 to produce these photographs of architecture and nature. He used a special technique to reproduce his pictures -- Polaroid transfers on a particular paper. The results are stunning. The first part of the book shows the perfect integration of the house into the environment, and the second part documents the interior decoration and furniture of the house. |
| the skin curzio malaparte: Kaputt Curzio Malaparte, 1946 |
| the skin curzio malaparte: Between the Woods and the Water Patrick Leigh Fermor, 2010-10-10 The acclaimed travel writer's youthful journey - as an 18-year-old - across 1930s Europe by foot began in A Time of Gifts, which covered the author's exacting journey from the Lowlands as far as Hungary. Picking up from the very spot on a bridge across the Danube where his readers last saw him, we travel on with him across the great Hungarian Plain on horseback, and over the Romanian border to Transylvania. The trip was an exploration of a continent which was already showing signs of the holocaust which was to come. Although frequently praised for his lyrical writing, Fermor's account also provides a coherent understanding of the dramatic events then unfolding in Middle Europe. But the delight remains in travelling with him in his picaresque journey past remote castles, mountain villages, monasteries and towering ranges. |
| the skin curzio malaparte: Bridges that Changed the World Bernhard Graf, 2002 Profiles over fifty important bridges around the world, presenting color photos and describing their histories; includes such structures as the Brooklyn Bridge, London's Tower Bridge, Venice's Bridge of Sighs, and the beam bridges of Afghanistan. |
| the skin curzio malaparte: Malaparte Michael McDonough, 1999 With a foreword by Tom Wolfe, this is a stunning work on Casa Malaparte, one of the world's most famous and controversial houses -- admired, imitated, and celebrated for over fifty years.Beautiful yet enigmatic, Casa Malaparte has stood for nearly 50 years atop a limestone cliff on the Isle of Capri. The vision of its singular architectural form against the breathtaking backdrop of the Mediterranean has been likened to the sudden recovery of a lost dream. Built between the years 1938-40 by Curzio Malaparte, a controversial and strongly political Italian novelist, playwright, and filmmaker, Casa Malaparte is a timeless reminder of one man's vision -- visually arresting and stylistically uncategorizable (much like this book).With a foreword by Tom Wolfe, Malaparte: A House Like Me is organized and edited by noted architect, designer, and writer Michael McDonough, and brings together the combined efforts of artists, historians, architects, and writers to unlock the meanings and mysteries behind Casa Malaparte. Provocative essays, sketches, and speculative projects by, among others, Phillip Lopate, Robert Venturi, Carla Fendi, Kar |
| the skin curzio malaparte: The Landmark Xenophon's Anabasis Xenophon, 2021-12-07 The Landmark Xenophon’s Anabasis is the definitive edition of the ancient classic—also known as The March of the Ten Thousand or The March Up-Country—which chronicles one of the greatest true-life adventures ever recorded. As Xenophon’s narrative opens, the Persian prince Cyrus the Younger is marshaling an army to usurp the throne from his brother Artaxerxes the King. When Cyrus is killed in battle, ten thousand Greek soldiers he had hired find themselves stranded deep in enemy territory, surrounded by forces of a hostile Persian king. When their top generals are arrested, the Greeks have to elect new leaders, one of whom is Xenophon, a resourceful and courageous Athenian who leads by persuasion and vote. What follows is his vivid account of the Greeks’ harrowing journey through extremes of territory and climate, inhabited by unfriendly tribes who often oppose their passage. Despite formidable obstacles, they navigate their way to the Black Sea coast and make their way back to Greece. This masterful new translation by David Thomas gives color and depth to a story long studied as a classic of military history and practical philosophy. Edited by Shane Brennan and David Thomas, the text is supported with numerous detailed maps, annotations, appendices, and illustrations. The Landmark Xenophon’s Anabasis offers one of the classical Greek world’s seminal tales to readers of all levels. |
| the skin curzio malaparte: Bad Debts Peter Temple, 2005 Meet Jack Irish--criminal lawyer, debt collector, sports lover, horse-racing man and trainee cabinetmaker, not to mention the best crime character in years. With hit men after him, shady ex-policemen at every turn, and the body count rising, Jack needs to find out what's going on and fast. |
| the skin curzio malaparte: Ecocriticism and Italy Serenella Iovino, 2017-07-27 Winner of the American Association for Italian Studies Book Prize 2016 Written by one of Europe's leading critics, Ecocriticism and Italy reads the diverse landscapes of Italy in the cultural imagination. From death in Venice as a literary trope and petrochemical curse, through the volcanoes of Naples to wine, food and environmental violence in Piedmont, Serenella Iovino explores Italy as a text where ecology and imagination meet. Examining cases where justice, society and politics interlace with stories of land and life, pollution and redemption, the book argues that literature, art and criticism are able to transform the unexpressed voices of these suffering worlds into stories of resistance and practices of liberation. |
| the skin curzio malaparte: Evening Descends Upon the Hills Anna Maria Ortese, 2018-05-03 Classic stories and reportage set in Naples in the 1940s and 50s that inspired Elena Ferrante's Neapolitan Novels A highly evocative classic set in Italy's most vibrant and turbulent metropolis in the immediate aftermath of World War Two. Anna Maria Ortese was one of the most celebrated and original Italian writers of the Twentieth Century. Her stories and reportage, collected in this volume, form a powerful portrait of ordinary lives, both high and low, family dramas, love affairs, and struggles to pay the rent, set against the crumbling courtyards of the city itself, and the dramatic landscape of Naples Bay. |
| the skin curzio malaparte: Transit , 1890 |
| the skin curzio malaparte: Transcultural Diplomacy and International Law in Heritage Conservation Olimpia Niglio, Eric Yong Joong Lee, 2021-05-02 This book provides a substantial contribution to understanding the international legal framework for the protection and conservation of cultural heritage. It offers a range of perspectives from well-regarded contributors from different parts of the world on the impact of law in heritage conservation. Through a holistic approach, the authors bring the reader into dialogue around the intersection between the humanities and legal sciences, demonstrating the reciprocity of interaction in programs and projects to enhance cultural heritage in the world. This edited volume compiles a selection of interesting reflections on the role of cultural diplomacy to address intolerances that often govern international relations, causing damage to human and cultural heritage. The main purpose of this collection of essays is to analyse the different cultural paradigms that intervene in the management of heritage, and to advocate for improvements in international laws and conventions to enable better cultural policies of individual nations for the protection of human rights. The editors submit that it is only through open dialogue between the humanities and jurisprudence that the international community will be able to better protect and value sovereignty, and promote cultural heritage for the development of a better world. This collection is relevant to scholars working in areas relating to law, management and policies of cultural heritage conservation and protection. |
| the skin curzio malaparte: In the Eye of the Wild Nastassja Martin, 2021-11-16 After enduring a vicious bear attack in the Russian Far East's Kamchatka Peninsula, a French anthropologist undergoes a physical and spiritual transformation that forces her to confront the tenuous distinction between animal and human. In the Eye of the Wild begins with an account of the French anthropologist Nastassja Martin’s near fatal run-in with a Kamchatka bear in the mountains of Siberia. Martin’s professional interest is animism; she addresses philosophical questions about the relation of humankind to nature, and in her work she seeks to partake as fully as she can in the lives of the indigenous peoples she studies. Her violent encounter with the bear, however, brings her face-to-face with something entirely beyond her ken—the untamed, the nonhuman, the animal, the wild. In the course of that encounter something in the balance of her world shifts. A change takes place that she must somehow reckon with. Left severely mutilated, dazed with pain, Martin undergoes multiple operations in a provincial Russian hospital, while also being grilled by the secret police. Back in France, she finds herself back on the operating table, a source of new trauma. She realizes that the only thing for her to do is to return to Kamchatka. She must discover what it means to have become, as the Even people call it, medka, a person who is half human, half bear. In the Eye of the Wild is a fascinating, mind-altering book about terror, pain, endurance, and self-transformation, comparable in its intensity of perception and originality of style to J. A. Baker’s classic The Peregrine. Here Nastassja Martin takes us to the farthest limits of human being. |
| the skin curzio malaparte: The Battle for Las Vegas Dennis N. Griffin, 2006-04-25 From the 1970s through the mid-1980s, the Chicago Outfit dominated organized crime in Las Vegas. To ensure the smooth flow of cash, the gangsters installed a front man with no criminal background, Allen R. Glick, as the casino owner of record, Frank “Lefty” Rosenthal as the real boss of casino operations, and Tony Spilotro as the ultimate enforcer, who’d do whatever it took to protect their interests. It wasn’t long before Spilotro, also in charge of Vegas street crime, was known as the “King of the Strip.” Federal and local law enforcement, recognizing the need to rid the casinos of the mob and shut down Spilotro’s rackets, declared war on organized crime. The Battle for Las Vegas relates the story of the fight between the tough guys on both sides, told in large part by the agents and detectives who knew they had to win. |
| the skin curzio malaparte: 100 Must-read Science Fiction Novels Nick Rennison, Stephen E. Andrews, 2006-09-29 A reliable guide to what science fiction is Christopher Priest, award-winning science fiction author A really good introduction to the genre SFX Magazine Perceptive and glorious Ian Watson, author of the screenplay for Steve Spielberg's A.I. Want to become a science fiction buff? Want to expand your reading in your favourite genre? This is a good place to start! From the publishers of the popular Good Reading Guide comes a rich selection of some of the finest SF novels ever published. With 100 of the best titles fully reviewed and a further 500 recommended, you'll quickly become an expert in the world of science fiction. The book is arranged by author and includes some thematic entries and special categories such as SF film adaptations, SF in rock music and Philip K. Dick in the mass media . It also includes a history of SF and a new definition of the genre, plus lists of award winners and book club recommendations. Foreword by Christopher Priest, the multiple award-winning SF author. |
| the skin curzio malaparte: Siren City Johnnie Shand Kydd, 2009-11-01 Siren is a collection of black-and-white photographs taken by Johnnie Shand Kydd between 2000-2008 of Naples, seductively known as the Siren City. Though located in one of the most sublime settings in the world, it's still a city that has been at worst abused and at best neglected over the years that followed the unification of Italy in 1860. There is much of beauty and Shand Kydd undoubtedly captures the light, vivacity and carnality of Naples as well as the darker side and paganism so inherent here. Every street and piazza is a stage. Soldiers strike a pose and old ladies reach for their fans with an odd mixture of pride and innocence. His photographs retain that 19th century whiff of the magical. It would be easy to paint too bleak an image of Naples but he captures much hilarity, expressing a unique coupling of grief and humour. The book is edited by Mark Holborn. |
| the skin curzio malaparte: Naples '44 Norman Lewis, 2024-08-06 Re-released with a new foreword from Alex Kershaw, New York Times bestselling author of The Longest Winter and Resident Historian of the WWII Memorial. From the author Graham Greene called one of our best writers, not of any particular decade but of our century, comes a masterpiece about a war-ravaged city under occupation As a young intelligence officer stationed in Naples following its liberation from Nazi forces, Norman Lewis recorded the lives of a proud and vibrant people forced to survive on prostitution, thievery, and a desperate belief in miracles and cures. The most popular of Lewis's twenty-seven books, Naples '44 is a landmark poetic study of the agony of wartime occupation and its ability to bring out the worst, and often the best, in human nature. In prose both heartrending and comic, Lewis describes an era of disillusionment, escapism, and hysteria in which the Allied occupiers mete out justice unfairly and fail to provide basic necessities to the populace while Neapolitan citizens accuse each other of being Nazi spies, women offer their bodies to the same Allied soldiers whose supplies they steal for sale on the black market, and angry young men organize militias to oppose temporary foreign rule. Yet over the chaotic din, Lewis sings intimately of the essential dignity of the Neapolitan people, whose traditions of civility, courage, and generosity of spirit shine through daily. This essential World War II book is as timely a read as ever. Norman Lewis is one of the greatest twentieth-century British writers and Naples '44 is his masterpiece. A lyrical, ironic, and detached account of a tempestuous, byzantine, and opaque city in the aftermath of war. -- Will Self |
| the skin curzio malaparte: A Tale of Poor Lovers Vasco Pratolini, 1949 A postwar Italian novel which falls far short of Silone's Fontamara with which it is compared, and similarly is disappointing viewed against the distinction of such films as Shoe Shine, The Open City and Paisan. Mr. Pratolini has packed a tiny street in Florence with a parade of characters and the effect is claustrophobic rather than microcosmic ... The action is centered in the middle '20's, in the small, poverty-striken area of the Via del Corno, where men like Lando, a sniveling pimp, are alternating in and out of prison; where the Signora, a retired, diseased ex-prostitute, turned lesbian, battens on young girls; where Maciste, a blacksmith, is killed by Fascists because he is a Communist; where the Nesi, coal merchant, brutalizes any woman that appeals to him; where everybody goes to bed with everybody else; and where the neighbors lean out of windows and exchange unsavory gossip avidly. The couple of good characters are well hidden in the mire. In an effort to make his novel tight, the author has attempted to squeeze a galaxy of universal types into too small an area and the result belongs in the Department of Utter Confusion. It lacks light, air, space, and in his effort to be significant, Pratolini succeeds only in being trite.--Kirkus |
| the skin curzio malaparte: The Rise of Italian Fascism Andrew Boxer, 2000 Part of the Questions in History series for A Level History. A survey of Mussolini's early political career, Italian politics, and the Facist seizure of power up to 1925. Includes: Italy without Italians, 1861-1915 The growth of discontent, 1915-1920 The growth of the Facist movement, 1919-1922 The steps to dictatorship, 1922-1926 Issues and interpretations |
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