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| theatre experience 15th edition: Living Theatre Edwin Wilson, Alvin Goldfarb, 2018 |
| theatre experience 15th edition: Drafting for the Theatre Dennis Dorn, Mark Shanda, 1992 In the early sessions, Dorn and Shanda focus on the basics of lettering, tool introduction, geometric constructions, orthographic techniques, soft-line sketching applications, and dimensioning and notation skills. After several weeks the student begins to apply these drafting skills to design and technical theatre. At this point, the projects in the text expand to include ancillary skills such as time and material estimation, shop drawing nomenclature, and techniques such as simplified drafting pin graphics, theatre drafting standards, and CADD processes. The text concludes with a final project that will help the student develop a portfolio set of drawings. |
| theatre experience 15th edition: When Church Became Theatre Jeanne Halgren Kilde, 2005 This text focuses on the shift in evangelical Protestant architecture in the 1880s and links it to changes in worship style and religious mission. It focuses on how these buildings helped congregations negotiate social and personal power. |
| theatre experience 15th edition: The Water Theatre Lindsay Clarke, 2012-09-04 Beautifully descriptive and thrillingly captivating, this novel, by Whitbread Prize-winning author Lindsay Clarke, is the story of duty and desire, and of the man who is torn by and trapped between them. Haunted by memories and visions of both his professional past and a love gone awry, war reporter Martin Crowther arrives in the small village Fontalba, in Italy's Umbrian Hills. He is there to search for the adult children of his mentor, Hal Brigshaw. Living in England, Brigshaw is nearing the end of a turbulent life and wants to summon his children home. The children, Marina and Adam, are living in familial exile and estrangement, hidden from their pasts in what was originally meant to be an Italian vacation home. But the pasts from which Marina and Adam have run are more present than anyone knows. The Water Theatre interweaves the past and the present, travelling from the raw Pennine moors to equatorial Africa and the hill country of Umbria. An extraordinary reading experience that--in its depiction of an innocent drawn into a fascinating circle, its decades-long will-they-won't-they-end-up-together romance, its exploration of weighty issues of loyalty and loss, betrayal and reconciliation and the nature of choice—evokes John Fowles's two most brilliant novels, The Magus and Daniel Martin. |
| theatre experience 15th edition: Theatre Games & Activities Lynda A. Topper, 2008 How can a teacher without theatrical experience teach a course in theatre arts? How can a teacher inspire self-conscious students to perform before an audience? This book of activities is designed to build confidence in each student with non-threatening evaluations along the way. This drama text begins with basic group games and gradually expands to more challenging exercises. Its emphasis on group and individual activity builds verbal and non-verbal communication skills. Chapters include: 1. The Planning Process, 2. The Challenge of the First Meeting, 3. Getting Acquainted and Acclimated, 4. Non-Verbal Group Activities, 5. Non-Verbal Individual Activities, 6. Verbal Individual Activities, 7. Verbal Pair Activities, 8. Verbal Group Activities, 9. Written Activities, 10. Evaluation, Assessment, Rewards, 11. Grab Bag. |
| theatre experience 15th edition: The Theatre of Les Waters Scott T. Cummings, 2022-04-28 The Theatre of Les Waters: More Like the Weather combines original writings from Les Waters with short essays by a wide range of his collaborators, creating a personal and multi-faceted portrait of an influential director, revered mentor, and inspirational theatre artist. The book begins with a critical introduction of Waters’s work, followed by essays written by a wide range of Waters's collaborators over the past four decades. These essays are framed by shorter pieces of writing by Waters himself: reflections, inspirations, observations, and personal anecdotes. At the heart of this book lies the notion that the director’s central position in theatrical production is defined by collaboration and that a study of directing should take into account how a director works with playwrights, designers, actors, stage managers, and dramaturgs to turn artistic vision into concrete reality on stage. An insightful resource for early career or student directors in theatre programs, The Theatre of Les Waters sheds light on the art of theatre directing by exploring the work of a major theatre artist whose accomplished career sits at the heart of American theatre in the 21st century. Drawing on aspects of memoir, case study, interview, miscellany, biography, and criticism, this is also an enlightening read for anyone with an interest in how theatre artists bring their creative vision to life. |
| theatre experience 15th edition: Technical Theater for Nontechnical People Drew Campbell, 2004-04 This book is an indispensable resource designed to help producers, actors, dancers, playwrights, directors, event planners, press agents, and anyone else involved in live performance, understand and utilize every aspect of the backstage environment. Updated to reflect today's fast changing technology, this book will teach you: What you need to know about technical theater and why. What to look for when choosing a space for your show. How to communicate with lighting, scenery, audio, and costume designers. How to stage manage an effective show or presentation. |
| theatre experience 15th edition: Youth Theatre Michael Richardson, 2015-04-10 Youth Theatre: Drama for Life defines the youth theatre process, by outlining its constituent parts and explaining how these activities work in order to support young people’s development. As well as describing what is done in youth theatre, it also explores why it’s done and how to ensure the best possible outcomes. The book is in four parts: Part 1 explores the nature and purpose of youth theatre, drawing on Michael Richardson’s extensive personal experience as a practitioner and manager. Part 2 explains, in detail, the youth theatre process: warming up, playing games, voice work, developing skills, devising and the presentation of devised work. Part 3 discusses how to create an appropriate environment within which the youth theatre process can be most effectively applied. Part 4 covers the most common applications of the youth theatre process, namely using it in different education environments; and youth theatre productions and performance. On top of this, two appendices give a list of over 60 games that are useful to use in youth theatre; and a list of recommended further reading that supports this book. As well as giving key tips and advice from his own invaluable experience, Richardson offers comments from practitioners and participants on what makes a successful youth theatre experience. Michael Richardson has worked in youth theatre for over 20 years, has been involved in the training of other practitioners, and in the strategic development of the youth theatre sector in the UK. |
| theatre experience 15th edition: So You Want to be a Theatre Producer? James Seabright, 2010 Intended for producers at student or amateur level. The first how-to book of its kind on the subject of producing. |
| theatre experience 15th edition: Scenic Art for the Theatre Susan Crabtree, Peter Beudert, 2012-11-12 Now in its Third Edition, Scenic Art for the Theatre: History, Tools and Techniques continues to be the most trusted source for both student and professional scenic artists. With new information on scenic design using Photoshop, Paint Shop Pro and other digital imaging softwares this test expands to offer the developing artist more step-by-step instuction and more practical techniques for work in the field. It goes beyond detailing job functions and discussing techniques to serve as a trouble-shooting guide for the scenic artist, providing practical advice for everyday solutions. |
| theatre experience 15th edition: A Director Prepares Anne Bogart, 2001 A thought-provoking examination of the challenges of making theatre. |
| theatre experience 15th edition: Applied Theatre with Youth Lisa S. Brenner, Chris Ceraso, Evelyn Diaz Cruz, 2021-07-21 Applied Theatre with Youth is a collection of essays that highlight the value and efficacy of applied theatre with young people in a broad range of settings, addressing challenges and offering concrete solutions. This book tackles the vital issues of our time—including, among others, racism, climate crisis, gun violence, immigration, and gender—fostering dialogue, promoting education, and inciting social change. The book is divided into thematic sections, each opening with an essay addressing a range of questions about the benefits, challenges, and learning opportunities of a particular type of applied theatre. These are followed by response essays from theatre practitioners, discussing how their own approach aligns with and/or diverges from that of the initial essay. Each section then ends with a moderated roundtable discussion between the essays’ authors, further exploring the themes, issues, and ideas that they have introduced. With its accessible format and clear language, Applied Theatre with Youth is a valuable resource for theatre practitioners and the growing number of theatre companies with education and community engagement programs. Additionally, it provides essential reading for teachers and students in a myriad of fields: education, theatre, civic engagement, criminal justice, sociology, women and gender studies, environmental studies, disability studies, ethnicity and race studies. |
| theatre experience 15th edition: America's Longest Run Andrew Davis, 2010 Traces the history of the Walnut Street Theatre in Philadelphia from its founding in 1809. Documents the productions and players at the theater, and the difficulties it has faced from economic crises, changing tastes, and competition from new media--Provided by publisher. |
| theatre experience 15th edition: Loose Leaf for Theatre: The Lively Art Edwin Wilson, Alvin Goldfarb, 2015-06-26 |
| theatre experience 15th edition: The Musical Theatre Writer's Survival Guide David Spencer, 2005 Award-winning musical dramatist and teacher David Spencer provides a guide-to-the-game that helps you negotiate aspects of the musical theatre business and more. |
| theatre experience 15th edition: Theatrical Worlds (Beta Version) Charles Mitchell, 2014 From the University of Florida College of Fine Arts, Charlie Mitchell and distinguished colleagues form across America present an introductory text for theatre and theoretical production. This book seeks to give insight into the people and processes that create theater. It does not strip away the feeling of magic but to add wonder for the artistry that make a production work well. -- Open Textbook Library. |
| theatre experience 15th edition: The Band's Visit , 2018-06-01 (Vocal Selections). Winner of the New York Drama Critics' Circle Award for Best Musical, The Band's Visit is a musical adaptation of the 2007 Israeli film of the same name. This vocal selections folio features 11 vocal line arrangements with piano accompaniment composed by David Yazbek: Answer Me * The Beat of Your Heart * Haled's Song About Love * It Is What It Is * Itzik's Lullaby * Omar Sharif * Papi Hears the Ocean * Something Different * Soraya * Waiting * Welcome to Nowhere. |
| theatre experience 15th edition: Experiencing Theatre Anne Fletcher, Scott R. Irelan, 2015-06 |
| theatre experience 15th edition: Routledge Handbook of Asian Theatre Siyuan Liu, 2016-02-05 Routledge Handbook of Asian Theatre is an advanced level reference guide which surveys the rich and diverse traditions of classical and contemporary performing arts in Asia, showcasing significant scholarship in recent years. An international team of over 50 contributors provide authoritative overviews on a variety of topics across Asia, including dance, music, puppetry, make-up and costume, architecture, colonialism, modernity, gender, musicals, and intercultural Shakespeare. This volume is divided into four sections covering: Representative Theatrical Traditions in Asia. Cross-Regional Aspects of Classical and Folk Theatres. Modern and Contemporary Theatres in Asian Countries. Modernity, Gender Performance, Intercultural and Musical Theatre in Asia. Offering a cutting edge overview of Asian theatre and performance, the Handbook is an invaluable resource for academics, researchers and students studying this ever-evolving field. |
| theatre experience 15th edition: The Essential Theatre Oscar Gross Brockett, Robert J. Ball, John Fleming, 2013-03-28 Engage your students and get them excited about theatre with the Enhanced Tenth Edition of THE ESSENTIAL THEATRE, International Edition. The combined authorship of an authoritative theatre historian and his former student—an active theatre practitioner and historian himself—makes this book ideal for an introductory theatre course. THE ESSENTIAL THEATRE has established a reputation as one of the most comprehensive, authoritative surveys of the theatre in academia. With vibrant and numerous representations of current and classic performances, this text encourages students to become active theatergoers and fans. |
| theatre experience 15th edition: The Theatre Experience Edwin Wilson, 2008-07-08 The ideal theatre appreciation text for courses focusing on theater elements, The Theatre Experience encourages students to be active theatre-goers as they learn about the fundamentals of a production. By addressing the importance of the audience, Wilson brings the art of performance to life for students who may have little experience with the medium. Two new chapters and added Global Cross-Currents boxes throughout greatly expand the text's coverage of global theatre, while revised coverage of theatrical design and production exposes students to the latest processes, techniques, and technologies in the field. Along with an extended box program and dynamic new photos, these elements combine to provide an engaging, current, and comprehensive introduction to the world of theatre. |
| theatre experience 15th edition: Undergraduate Research in Theatre Michelle Hayford, 2021-07-13 Undergraduate Research in Theatre: A Guide for Students supplies tools for scaffolding research skills alongside examples of undergraduate research in theatre and performance scholarship. The book begins with an overview of the necessity of framing theatre as undergraduate research and responding to calls for revolutionizing the discipline toward greater equity, diversity, and inclusion. Dedicated chapters for the research, skills, and methods employed by each theatre area follow: scripted theatre; devised and new works; applied theatre; scenic, costume, sound, and lighting design; and theatre theory and interdisciplinary studies. Throughout the book, undergraduate research activities are demonstrated by 36 case studies authored by undergraduates from six countries about diverse areas of theatre study. Suitable for both professors and students, Undergraduate Research in Theatre is an ideal resource for any course that has an opportunity for the creation of new knowledge or as an essential interdisciplinary connection between theatre, performance, and other disciplines. |
| theatre experience 15th edition: Insecurity Jenn Stephenson, 2019-04-08 The early years of the twenty-first century have witnessed a proliferation of non-fiction, reality-based performance genres, including documentary and verbatim theatre, site-specific theatre, autobiographical theatre, and immersive theatre. Insecurity: Perils and Products of Theatres of the Real begins with the premise that although the inclusion of real objects and real words on the stage would ostensibly seem to increase the epistemological security and documentary truth-value of the presentation, in fact the opposite is the case. Contemporary audiences are caught between a desire for authenticity and immediacy of connection to a person, place, or experience, and the conditions of our postmodern world that render our lives insecure. The same conditions that underpin our yearning for authenticity thwart access to an impossible real. As a result of the instability of social reality, the audience, Jenn Stephenson explains, is unable to trust the mechanisms of theatricality. The by-product of theatres of the real in the age of post-reality is insecurity. |
| theatre experience 15th edition: Theatre Histories Phillip B. Zarrilli, 2010 Providing a clear journey through centuries of European, North and South American, African and Asian forms of theatre and performance, this introduction helps the reader think critically about this exciting field through fascinating yet plain-speaking essays and case studies. |
| theatre experience 15th edition: Macbeth William Shakespeare, 2025-03-28 Experience the power of Macbeth, William Shakespeare's gripping tragedy of ambition and its devastating consequences. This meticulously prepared edition presents the enduring story of kings, power, and the supernatural forces that drive one man to commit unspeakable acts. A cornerstone of English literature and a perennial favorite on stage and screen, Macbeth explores timeless themes of guilt, fate, and the corrupting influence of unchecked desire. Immerse yourself in Shakespeare's masterful language and compelling drama, as the Scottish play unfolds with unforgettable intensity. This classic work continues to resonate with audiences of all ages, offering profound insights into the human condition. Perfect for students, theater enthusiasts, and anyone seeking a timeless tale of ambition and downfall. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| theatre experience 15th edition: Writing Musical Theater A. Cohen, S. Rosenhaus, 2016-04-30 This guide to the modern musical covers the entire process of creating a show, from finding and working out the initial idea, through to the ways in which writers can market a finished show and get it produced. For the interested theatregoer and writers, it is written in a lively and user-friendly style and illustrated with numerous examples. |
| theatre experience 15th edition: Media Archaeology and Intermedial Performance Nele Wynants, 2019-01-12 This book develops media archaeological approaches to theatre and intermediality. As an age-old art form, theatre has always embraced ‘new’ media. To create theatrical effects and optical illusions, theatre makers were ready to integrate state-of-the-art technics and technologies, and by doing so they playfully explored and popularized scientific knowledge on mechanics, optics and sound for live audiences. This book highlights this obvious but often overlooked relation between media developments and the history of intermedial theater. By considering the interplay between present intermedial performances and their archaeological traces, the authors assembled here revisit old and often forgotten media approaches and theatre technologies. This archaeology is understood less as the discovery of a forgotten past than as the establishment of an active relationship between past and present. Rather than treating archaeological remains as representative tokens of a fragmented past that need to be preserved, the authors stress the return of the past in the present, but in a different, performative guise. |
| theatre experience 15th edition: The Phantom of the Opera , 1992-02 (Instrumental Folio). Nine songs from the Andrew Lloyd Webber masterpiece: All I Ask of You * Angel of Music * Masquerade * The Music of the Night * The Phantom of the Opera * The Point of No Return * Prima Donna * Think of Me * Wishing You Were Somehow Here Again. |
| theatre experience 15th edition: Acting for Life Jack Frakes, 2005 Of all the arts, drama -- with its exploration of human characters and relationships -- is closest to everyday life. This textbook emphasises this connection presenting the fundamentals of drama and acting techniques in the context of ordinary experiences and interactions. The material is arranged sequentially especially with the drama teacher in mind. Subjects progress from basic stage and acting terminology, to more advanced lessons on acting theories. Each chapter includes exercises, activities and discussion questions carefully selected to reinforce the text. Excellent for use with both advanced as well as beginning acting students. |
| theatre experience 15th edition: Language Theatre for Group Therapy Ana Pula G. Mumy, Claudia Doan, 2019-08 |
| theatre experience 15th edition: Harry Potter and the Cursed Child: The Official Script Book of the Original West J-K Rowling, Jack Thorne, John Tiffany, 2016-08-22 The Eighth Story. Nineteen Years Later. Based on an original new story by J.K. Rowling, Jack Thorne and John Tiffany, a new play by Jack Thorne, Harry Potter and the Cursed Child is the eighth story in the Harry Potter series and the first official Harry Potter story to be presented on stage. The play will receive its world premiere in London s West End on July 30, 2016. It was always difficult being Harry Potter and it isn t much easier now that he is an overworked employee of the Ministry of Magic, a husband and father of three school-age children. While Harry grapples with a past that refuses to stay where it belongs, his youngest son Albus must struggle with the weight of a family legacy he never wanted. As past and present fuse ominously, both father and son learn the uncomfortable truth: sometimes, darkness comes from unexpected places. |
| theatre experience 15th edition: Introduction to Theatre Arts 1 Teacher's Guide Suzi Zimmerman, 2020-08-04 We're excited to announce the upcoming release of the SECOND EDITION of everyone's favorite Introduction to Theatre Arts, volume 1, available August 11! You'll love that this brand new edition is gender neutral, better organized, updated to reflect modern technology and social media, and has a 2020 copyright date! Even better, the Student Workbook is just that... a true individual workbook for each student. Luckily, we've retained all the elements that made the first edition of this book a top-selling theatre arts curriculum text year after year. You'll still find the daily bell work, fun puzzles, and quizzes and tests that you've come to rely on to make classroom management easier. This classroom-tested, year-long curriculum covers the entire spectrum of theatre: theatre history, scene work, acting, characterization, publicity, play production, games and improvisations, and more. |
| theatre experience 15th edition: Impacting Theatre Audiences Dani Snyder-Young, Matt Omasta, 2022 This edited collection explores methods for conducting critical empirical research examining the potential impacts of theatrical events on audience members. Dani Snyder-Young and Matt Omasta present an overview of the burgeoning subfield of audience studies in theatre and performance studies, followed by an introduction to the wide range of ways scholars can study the experiences of spectators. Consisting of chapter length case studies, the book addresses methodologies for examining spectatorship, including qualitative, quantitative, historical/historiographic, arts-based, participatory, and mixed methods approaches. This volume will be of great interest to theatre and performance studies scholars as well as industry professionals working in marketing, audience development and community engagement-- |
| theatre experience 15th edition: Cabaret Joe Masteroff, John Kander, Fred Ebb, Joan Marcus, Rivka Katvan, 1999-06-03 The four 1998 Tony Awards given to the Roundabout Theatre's production of Cabaret add to the eight Tonys the musical won in 1966 and the eight Oscars the film version garnered in 1972. Surely one of the most acclaimed and beloved plays of all time, this modern classic is honored for the first time in a lavishly illustrated book. Here is the complete musical book by Joe Masteroff and all the words of the songs written by John Kander and Fred Ebb. It is illustrated with more than 100 photographs and drawings (including 74 in full color) of the original cast of the Roundabout 's smash Broadway production by Joan Marcus, never-before- published backstage photographs by Rivka Katvan, and archival photos of past productions. The accompanying text explores the evolution of the play in all its incarnations, from the 1930 stories of Christopher Isherwood to two films and three stage adaptations. Here are all the fantastic artists who have brought this play to life: Julie Harris (the original Sally Bowles), Joel Grey, Liza Minnelli, Natasha Richardson, Alan Cumming, Ron Rifkin, and directors Hal Prince, Bob Fosse, Sam Mendes, and Rob Marshall. Also featured are original drawings by costume designer William Ivey Long and set designer Robert Brill. For theatre lovers and film fans, for those who've seen the play and those who haven't, this book is an exclusive insider's glimpse into a stage and film phenomenon, one of the most astonishing artistic achievements of our time. |
| theatre experience 15th edition: The Theater Experience Edwin Wilson, 2004 The ideal theater appreciation text for courses focusing on theater elements, The Theater Experience encourages students to be active theater-goers as they learn about the fundamentals of a production. By addressing the importance of the audience, Wilson brings the art of performance to life for students who may have little experience with the medium. . |
| theatre experience 15th edition: Swing Along Marva Carter, 2008-09-11 Renowned today as a prominent African-American in Music Theater and the Arts community, composer, conductor, and violinist Will Marion Cook was a key figure in the development of American music from the 1890s to the 1920s. In this insightful biography, Marva Griffin Carter offers the first definitive look at this pivotal life's story, drawing on both Cook's unfinished autobiography and his wife Abbie's memoir. A violin virtuoso, Cook studied at Oberlin College (his parents' alma mater), Berlin's Hochschule für Musik with Joseph Joachim, and New York's national Conservatory of Music with Antonin Dvorak. Cook wrote music for a now-lost production of Uncle Tom's Cabin for the Chicago World's Fair of 1893, and then devoted the majority of his career to black musical comedies due to limited opportunities available to him as a black composer. He was instrumental in showcasing his Southern Syncopated Orchestra in the prominent concert halls of the Unites States and Europe, even featuring New Orleans clarinetist Sidney Bechet, who later introduced European audiences to authentic blues. Once mentored by Frederick Douglas, Will Marion Cook went on to mentor Duke Ellington, paving the path for orchestral concert jazz. Through interpretive and musical analyses, Carter traces Cook's successful evolution from minstrelsy to musical theater. Written with his collaborator, the distinguished poet Paul Lawrence Dunbar, Cook's musicals infused American Musical Theater with African-American music, consequently altering the direction of American popular music. Cook's In Dahomey, hailed by Gerald Bordman as one of the most important events in American Musical Theater history, was the first full-length Broadway musical to be written and performed by blacks. Alongside his accomplishments, Carter reveals Cook's contentious side- a man known for his aggressiveness, pride, and constant quarrels, who became his own worst enemy in regards to his career. Carter further sets Cook's life against the backdrop of the changing cultural and social milieu: the black theatrical tradition, white audiences' reaction to black performers, and the growing consciousness and sophistication of blacks in the arts, especially music. |
| theatre experience 15th edition: The Routledge Handbook of Public Speaking Research and Theory Stevie M. Munz, Tim McKenna-Buchanan, Anna M. Wright, 2024-04-18 Providing a comprehensive survey of the empirical research, theory, and history of public speaking, this handbook fills a crucial gap in public speaking pedagogy resources and provides a foundation for future research and pedagogical development. Bringing together contributions from both up-and-coming and senior scholars in the field, this book offers a thorough examination of public speaking, guided by research across six key themes: the history of public speaking; the foundations of public speaking; issues of diversity, equity, and inclusion; considerations of public speaking across contexts; assessment of public speaking; and the future of public speaking in the twenty-first century. The evidence-based chapters engage with a broad discussion of public speaking through a variety of viewpoints to demonstrate how subtopics are connected and fraught with complexity. Contributors explore public speaking in education, business and professional settings, and political contexts, and outline how skills learned through public speaking are applicable to interpersonal, small group, and business interactions. Reinforcing the relevance, importance, and significance of public speaking in individual, interpersonal, social, and cultural communication contexts, this accessibly written handbook will be an indispensable resource for public speaking instructors and program administrators. It will also be valuable reading for Communication Pedagogy and Introduction to Graduate Studies courses. |
| theatre experience 15th edition: The Billboard , 1926 |
| theatre experience 15th edition: Pictures in the Air Stephen C. Baldwin, Stanley C. Baldwin, 1993 Most of all, Pictures in the Air portrays the true, ongoing heritage of the National Theatre of the Deaf - the fine performers, directors, and playwrights that for the first time had a national stage of their own upon which to showcase their skills. This book shows that they have succeeded, in triumph after triumph, for the past quarter of a century. |
| theatre experience 15th edition: Early Modern Liveness Danielle Rosvally, Donovan Sherman, 2023-01-26 What does it mean for early modern theatre to be 'live'? How have audiences over time experienced a sense of 'liveness'? This collection extends discussions of liveness to works from the 16th and 17th centuries, both in their initial incarnations and contemporary adaptations. Drawing on theatre and performance studies, as well as media theory, this volume uses the concept of liveness to consider how early modern theatre – including non-Western and non-traditional performance – employs embodiment, materiality, temporality and perception to impress on its audience a sensation of presence. The volume's contributors adopt varying approaches and cover a range of topics from material and textual studies, to early modern rehearsal methods, to digital and VR theatre, to the legacy of Shakespearean performance in global theatrical repertoires. This collection uses both early modern and contemporary performance practices to challenge our understanding of live performance. Productions and adaptions discussed include the Royal Shakespeare Company's Dream (2021), CREW's Hands on Hamlet (2017), Kit Monkman's Macbeth (2018), Arslanköy Theatre Company's Kraliçe Lear (2019), and a season of productions by the Original Practice Shakespeare Festival. Early Modern Liveness looks beyond theatrical events as primary sites of interpretive authority and examines the intimate and ephemeral experience of encountering early modern theatre in its diverse manifestations. |
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