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| tintin au pays: Tintin in the Land of the Soviets Hergé, 2012-09 Accompanied by his dog Snowy, Tintin leaves Brussels to go undercover in Soviet Russia. His attempts to research his story are put to the test by the Bolsheviks and Moscow's secret police... |
| tintin au pays: Tintin and Alph-Art Hergé and Rodier, 2019-01-26 This book is a pastiche by Y. Rodier, in hommage to Hergé's last album.The twenty-fourth adventure of Tintin, Tintin and Alph-Art', was left unfinished at the time of Hergé's death on the 3rd of March, 1983. Since then, several artists have tried their hand at finishing this ultimate adventure of Tintin. Presented here is the version drawn by Yves Rodier, a Canadian artist, in an English translation by Richard Wainman. The intention, when creating this translation, was to remain as faithful to the original as possible, and therefore. new place names and character names have not been anglicised. This practice, which was carried out by the English translators, Leslie Lonsdale-Cooper and Michael Tumer for the books in the established canon, has not been used here. |
| tintin au pays: The Adventures of Tintin Reporter for "Le Petit Vingtieme" in the Land of the Soviets Hergé, 1999 In his debut adventure, Tintin is pursued by Bolshevik agents trying to prevent him from exposing the new Soviet regime. Punctuated by slapstick and political revelations, this story is based on the writings of an anticommunist Belgian ex-consul to the Ukraine. Herge's early style revealed strong graphics, influenced by photo-reporting from the period, marking the historic debut of a major artist. |
| tintin au pays: Tintin Michael Farr, 2001-01-01 Examines the sources of all the Tintin stories. Shows how Herge adapted them to changing times and markets. |
| tintin au pays: Tintin au Pays de l'Or Noir Hergé, |
| tintin au pays: The Comics of Hergé Joe Sutliff Sanders, 2016-07-28 Contributions by Jônathas Miranda de Araújo, Guillaume de Syon, Hugo Frey, Kenan Koçak, Andrei Molotiu, Annick Pellegrin, Benjamin Picado, Vanessa Meikle Schulman, Matthew Screech, and Gwen Athene Tarbox As the creator of Tintin, Hergé (1907–1983) remains one of the most important and influential figures in the history of comics. When Hergé, born Georges Prosper Remi in Belgium, emerged from the controversy surrounding his actions after World War II, his most famous work leapt to international fame and set the standard for European comics. While his style popularized what became known as the “clear line” in cartooning, this edited volume shows how his life and art turned out much more complicated than his method. The book opens with Hergé’s aesthetic techniques, including analyses of his efforts to comprehend and represent absence and the rhythm of mundaneness between panels of action. Broad views of his career describe how Hergé navigated changing ideas of air travel, while precise accounts of his life during Nazi occupation explain how the demands of the occupied press transformed his understanding of what a comics page could do. The next section considers a subject with which Hergé was himself consumed: the fraught lines between high and low art. By reading the late masterpieces of the Tintin series, these chapters situate his artistic legacy. A final section considers how the clear line style has been reinterpreted around the world, from contemporary Francophone writers to a Chinese American cartoonist and on to Turkey, where Tintin has been reinvented into something meaningful to an audience Hergé probably never anticipated. Despite the attention already devoted to Hergé, no multi-author critical treatment of his work exists in English, the majority of the scholarship being in French. With contributors from five continents drawing on a variety of critical methods, this volume’s range will shape the study of Hergé for many years to come. |
| tintin au pays: Masters of the Ninth Art Matthew Screech, 2005-01-01 In English-speaking countries, Francophone comic strips like Hergés's Les Aventures de Tin Tin and Goscinny and Uderzo's Les Aventures d'Asterix are viewed—and marketed—as children's literature. But in Belgium and France, their respective countries of origin, such strips—known as bandes dessinées—are considered a genuine art form, or, more specifically, the ninth art. But what accounts for the drastic difference in the way such comics are received? In Masters of the Ninth Art, Matthew Screech explores that difference in the reception and reputation of bandes dessinées. Along with in-depth looks at Tin Tin and Asterix, Screech considers other major comics artists such as Jacque Tardi, Jean Giraud, and Moebius, assessing in the process their role in Francophone literary and artistic culture. Illustrated with images from the artists discussed, Masters of the Ninth Art will appeal to students of European popular culture, literature, and graphic art. |
| tintin au pays: Tintin & Co Michael Farr, 2007 A guide to the characters of the comic series presents information on the role in the strip of and real life models for Tintin, Snowy, Captain Haddock, General Alcazar, and Professor Calculus. |
| tintin au pays: The Making of Tintin in the World of the Inca Hergé, 1985 |
| tintin au pays: Tintin in Tibet Hergé, 1990 The classic graphic novel. One day Tintin reads about a plane crash in the Himalayas. When he discovers thathis friend, Chang, was on board, Tintin travels to the crash site in hopes of a rescue. |
| tintin au pays: We Are All Astronauts Marc Blancher, Marc Bonner, Colleen Boyle, Martin Butler, Jörg Hartmann, Alexander Hauk, Sophia Hauk, Thomas Hensel, Matthew H. Hersch, Ansgar Oswald, Nils Daniel Peiler, Umberto Rossi, 2019-06-21 We are all astronauts, the American architect and thinker Richard Buckminster Fuller wrote in 1968 in his book Operating Manual for Spaceship Earth, where he compared Earth to a spaceship, provided only with exhaustible resources while flying through space. These words show the presence the phenomenon of the astronaut and the cosmonaut had in the public mind from the second half of the twentieth century on: Buckminster Fuller was able to drive his point home by asking his audience to identify with one of the most prominent figures in the public sphere then: the space traveler. At the same time, Buckminster Fuller's words themselves seem to have played a significant role in further shaping the space-exploring human as a symbol and an image of humankind in general. The twelve contributions in this book by authors from the fields of literature, music, politics, history, the visual arts, film, computer games, comics, social sciences, and media theory track the development, changes and dynamics of this symbol by analyzing the various images of the astronaut and the cosmonaut as constructed throughout the different decades of space exploration, from its beginning to the present day. |
| tintin au pays: Comics in French Laurence Grove, 2013-01-01 Whereas in English-speaking countries comics are for children or adults ‘who should know better’, in France and Belgium the form is recognized as the ‘Ninth Art’ and follows in the path of poetry, architecture, painting and cinema. The bande dessinée [comic strip] has its own national institutions, regularly obtains front-page coverage and has received the accolades of statesmen from De Gaulle onwards. On the way to providing a comprehensive introduction to the most francophone of cultural phenomena, this book considers national specificity as relevant to an anglophone reader, whilst exploring related issues such as text/image expression, historical precedents and sociological implication. To do so it presents and analyses priceless manuscripts, a Franco- American rodent, Nazi propaganda, a museum-piece urinal, intellectual gay porn and a prehistoric warrior who's really Zinedine Zidane. |
| tintin au pays: Herge Pierre Assouline, Charles Ruas, 2009-11-12 One of the most beloved characters in all of comics, Tintin won an enormous international following. Translated into dozens of languages, Tintin's adventures have sold millions of copies, and Steven Spielberg is presently adapting the stories for the big screen. Yet, despite Tintin's enduring popularity, Americans know almost nothing about his gifted creator, Georges Remi--better known as Hergé. Offering a captivating portrait of a man who revolutionized the art of comics, this is the first full biography of Hergé available for an English-speaking audience. Born in Brussels in 1907, Hergé began his career as a cub reporter, a profession he gave to his teenaged, world-traveling hero. But whereas Tintin was fully formed, clear-headed, and positive, Assouline notes, his inventor was complex, contradictory, inscrutable. For all his huge success--achieved with almost no formal training--Hergé would say unassumingly of his art, I was just happy drawing little guys, that's all. Granted unprecedented access to thousands of the cartoonist's unpublished letters, Assouline gets behind the genial public mask to take full measure of Hergé's life and art and the fascinating ways in which the two intertwine. Neither sugarcoating nor sensationalizing his subject, he meticulously probes such controversial issues as Hergé's support for Belgian imperialism in the Congo and his alleged collaboration with the Nazis. He also analyzes the underpinnings of Tintin--how the conception of the character as an asexual adventurer reflected Hergé's appreciation for the Boy Scouts organization as well as his Catholic mentor's anti-Soviet ideology--and relates the comic strip to Hergé's own place within the Belgian middle class. A profound influence on a generation of artists such as Andy Warhol and Roy Lichtenstein, the elusive figure of Hergé comes to life in this illuminating biography--a deeply nuanced account that unveils the man and his career as never before. |
| tintin au pays: Tintin & Snowy Guy Harvey, Simon Beecroft, 2006 The book includes puzzles, games and an adventure story. |
| tintin au pays: The Clear Line in Comics and Cinema David Pinho Barros, 2022-06-30 Historical and theoretical analysis of the “clear line” style in comics and cinema The “clear line”, a term coined in 1977 by Dutch essayist and artist Joost Swarte, has become shorthand in the field of comics studies for the style originally developed by Hergé and the École de Bruxelles. It refers to certain storytelling strategies that generate a deceptively simple, lucid, and hygienic narration: in Philippe Marion’s words, it is a style “made out of light, fluidity and limpid clarity”. By cataloguing and critically analysing clear line comics from historical and theoretical perspectives, this book offers a new outlook on the development of the style in the 20th and 21st centuries, especially focused on the context of the European bande dessinée. In addition, it pioneeringly expands the concept of “clear line” to other artistic domains by introducing and defending its transmedial use, which is particularly relevant for the understanding of the oeuvres of certain filmmakers of the 20th century working in the postwar period, such as Yasujirô Ozu in Japan, Jacques Tati in France and Frank Tashlin in the United States. The Clear Line in Comics and Cinema is therefore a key theoretical work for both bande dessinée enthusiasts and comics scholars, as well as a fundamental contribution to present-day film studies and transmedial narratology. |
| tintin au pays: Tintin Pierre Sterckx, 2015-09-29 The definitive monograph on the art of Tintin. Since he first appeared in Hergé’s weekly cartoon strip in Le Petit Vingtième in Brussels in 1929, Tintin has become one of the most celebrated characters in the comic world. With more than 200 million copies of the famous twenty-four “albums” sold worldwide, Hergé’s iconic hero has exploded genres and expectations, bringing readers of all ages to his stories for their unique mixture of artistry, history, and adventure. Drawing on the archives of the Hergé Museum in Brussels, this book looks at the evolution of Hergé’s artwork, from the simplicity of the early newspaper strips to the sophisticated graphic work of the later books. An avid art collector, Hergé was inspired by Old Masters but infatuated with graphic design and modern art, from the Constructivist work he studied in his youth to the Lichtensteins and Mirós he would travel to see in his maturity. Written by the Belgian art critic Pierre Sterckx—and translated by the British expert on Tintin, Michael Farr—this is the definitive book on the art of Tintin. With rarely seen pencil sketches, character drawings, and watercolors alongside original artwork from the finished stories, the book illuminates Tintin’s progress from whimsical caricature to profound icon and reveals Hergé’s parallel development from cartoonist to artist. |
| tintin au pays: International Companion Encyclopedia of Children's Literature Peter Hunt, 2004-08-02 Children's publishing is a huge international industry and there is ever-growing interest from researchers and students in the genre as cultural object of study and tool for education and socialization. |
| tintin au pays: Identity and History in Non-Anglophone Comics Harriet E.H. Earle, Martin Lund, 2023-04-24 This book explores the historical and cultural significance of comics in languages other than English, examining the geographic and linguistic spheres which these comics inhabit and their contributions to comic studies and academia. The volume brings together texts across a wide range of genres, styles, and geographic locations, including the Netherlands, Colombia, Greece, Mexico, Poland, Finland, Portugal, Ireland, and the Czech Republic, among others. These works have remained out of reach for speakers of languages other than the original and do not receive the scholarly attention they deserve due to their lack of English translations. This book highlights the richness and diversity these works add to the corpus of comic art and comic studies that Anglophone comics scholars can access to broaden the collective perspective of the field and forge links across regions, genres, and comic traditions. Part of the Global Perspectives in Comics Studies series, this volume spans continents and languages. It will be of interest to researchers and students of comics studies, literature, cultural studies, popular culture, art and design, illustration, history, film studies, and sociology. |
| tintin au pays: Dimensions of Iconicity Angelika Zirker, Matthias Bauer, Olga Fischer, Christina Ljungberg, 2017-09-08 This volume addresses five different Dimensions of Iconicity. While some contributions examine the phonic dimensions of iconicity that are based on empirical, diachronic and theoretical work, others explore the function of similarity from a cognitive point of view. The section on multimodal dimensions takes into account philosophical, linguistic and literary perspectives in order to analyse, for example, the diagrammatic interplay of written texts and images. Contributions on performative dimensions of iconicity focus on Buddhist mantras, Hollywood films, and the dynamics of rhetorical structures in Shakespeare. Last but not least, the volume also addresses new ways of considering iconicity, including notational iconicity, the interplay of iconicity, ambiguity, interpretability, and the iconicity of literary analysis from a formal semanticist point of view. |
| tintin au pays: Linguistics and the Study of Comics Frank Bramlett, 2012-05-09 Do Irish superheroes actually sound Irish? Why are Gary Larson's Far Side cartoons funny? How do political cartoonists in India, Turkey, and the US get their point across? What is the impact of English on comics written in other languages? These questions and many more are answered in this volume, which brings together the two fields of comics research and linguistics to produce groundbreaking scholarship. With an international cast of contributors, the book offers novel insights into the role of language in comics, graphic novels, and single-panel cartoons, analyzing the intersections between the visual and the verbal. Contributions examine the relationship between cognitive linguistics and visual elements as well as interrogate the controversial claim about the status of comics as a language. The book argues that comics tell us a great deal about the sociocultural realities of language, exploring what code switching, language contact, dialect, and linguistic variation can tell us about identity – from the imagined and stereotyped to the political and real. |
| tintin au pays: Imagology Manfred Beller, Joseph Theodoor Leerssen, 2007 How do national stereotypes emerge? To which extent are they determined by historical or ideological circumstances, or else by cultural, literary or discursive conventions? This first inclusive critical compendium on national characterizations and national (cultural or ethnic) stereotypes contains 120 articles by 73 contributors. Its three parts offer [1] a number of in-depth survey articles on ethnic and national images in European literatures and cultures over many centuries; [2] an encyclopedic survey of the stereotypes and characterizations traditionally ascribed to various ethnicities and nationalities; and [3] a conspectus of relevant concepts in various cultural fields and scholarly disciplines. The volume as a whole, as well as each of the articles, has extensive bibliographies for further critical reading. Imagologyis intended both for students and for senior scholars, facilitating not only a first acquaintance with the historical development, typology and poetics of national stereotypes, but also a deepening of our understanding and analytical perspective by interdisciplinary and comparative contextualization and extensive cross-referencing. |
| tintin au pays: New Perspectives on Imagology , 2022-11-14 With this volume, the editors Katharina Edtstadler, Sandra Folie, and Gianna Zocco propose an extension of the traditional conception of imagology as a theory and method for studying the cultural construction and literary representation of national, usually European characters. Consisting of an instructive introduction and 21 articles, the book relates this sub-field of comparative literature to contemporary political developments and enriches it with new interdisciplinary, transnational, intersectional, and intermedial perspectives. The contributions offer [1] a reconsideration and update of the field’s methods, genres, and theoretical frames; [2] trans-/post-national, migratory, and marginalized perspectives beyond the European nation-state; [3] insights into geopolitical dichotomies such as Orient/Occident; [4] intersectional approaches considering the entanglements of national images with notions of age, class, gender, sexuality, and ethnicity/race; [5] investigations of the role of national images in visual narratives and music. |
| tintin au pays: British Children's Fiction in the Second World War Owen Dudley Edwards, 2007-08-01 What children read in the Second World War had an immense effect on how they came of age as they faced the new world. This time was unique for British children--parental controls were often relaxed if not absent, and the radio and reading assumed greater significance for most children than they had in the more structured past or were to do in the more crowded future. Owen Dudley Edwards discusses reading, children's radio, comics, films and book-related play-activity in relation to value systems, the child's perspective versus the adult's perspective, the development of sophistication, retention and loss of pre-war attitudes and their post-war fate. British literature is placed in a wider context through a consideration of what British writing reached the USA, and vice versa, and also through an exploration of wartime Europe as it was shown to British children. Questions of leadership, authority, individualism, community, conformity, urban-rural division, ageism, class, race, and gender awareness are explored. In this incredibly broad-ranging book, covering over 100 writers, Owen Dudley Edwards looks at the literary inheritance when the war broke out and asks whether children's literary diet was altered in the war temporarily or permanently. Concerned with the effects of the war as a whole on what children could read during the war and what they made of it, he reveals the implications of this for the world they would come to inhabit. |
| tintin au pays: Wars and the World Tim Kucharzewski, 2024-06-19 This book offers a descriptive analysis of the Soviet/Russian wars in Afghanistan, Chechnya, and Georgia, as well as an in-depth exploration of the ways in which these wars are framed in the collective consciousness created by global popular culture. Russian and Western modalities of remembrance have been, and remain, engaged in a world war that takes place (not exclusively, but intensively) on the level of popular culture. The action/reaction dynamic, confrontational narratives and othering between the two “camps” never ceased. The Cold War, in many ways and contrary to the views of many others who hoped for the end of history, never really ended. |
| tintin au pays: A Critical History of French Children's Literature Penelope E. Brown, 2011-01-07 This two-volume critical history of French children’s literature from 1600 to the present helps bring awareness of the range, quality, and importance of French children’s literature to a wider audience. The works of a number of French writers, notably La Fontaine, Charles Perrault, Jules Verne, and Saint-Exupéry were, and continue to be, widely translated and adapted, and have influenced the development of the genre in other countries. |
| tintin au pays: From Art Nouveau to Surrealism Nathalie Aubert, 2017-07-05 This volume of edited essays is the first one in English to offer a critical overview of the specific features of Belgian modernity from 1880 to 1940 in a multiplicity of disciplines: literature and poetry, politics, music, photography and drama. The first half of the book investigates the roots of twentieth century modernity in Belgian fin de siecle across a variety of genres (novel, poetry and drama), not only within but also beyond the boundaries of Symbolism. The contributors go on to examine the explosion of Belgian culture on the international scene with the rise of the avant-gardes, notably Surrealism: and the contribution made in minor genres, such as the popular novels of Simenon and Jean Ray, and the Tintin comics of Herge. |
| tintin au pays: Awesome Minds: Comic Book Creators Alejandro Arbona, 2019-10-01 Did you know that Superman debuted in 1938 and is considered to have fueled the birth of the superhero craze? Or that Katsuhiro Otomo's Akira was instrumental in introducing manga to the world outside of Japan? Comic books are now fully part of mainstream pop culture, and this engaging read introduces kids ages 8-12 to the pivotal creators of the world's most beloved comics, as well as the unknown names that have guided the industry to where it is today. From classic superhero tales like Spider-Man to epic fantasy adventures like Elfquest, comic books have inspired legions of devoted fans and accrue sales of over $1 billion annually. Awesome Minds: Comic Book Creators will walk kids through the important milestones in comic book history and the visionaries who helped develop some of the most iconic fictional characters today. |
| tintin au pays: The Cambridge History of the Novel in French Adam Watt, 2021-02-25 This History is the first in a century to trace the development and impact of the novel in French from its beginnings to the present. Leading specialists explore how novelists writing in French have responded to the diverse personal, economic, socio-political, cultural-artistic and environmental factors that shaped their worlds. From the novel's medieval precursors to the impact of the internet, the History provides fresh accounts of canonical and lesser-known authors, offering a global perspective beyond the national borders of 'the Hexagon' to explore France's colonial past and its legacies. Accessible chapters range widely, including the French novel in Sub-Saharan Africa, data analysis of the novel system in the seventeenth century, social critique in women's writing, Sade's banned works and more. Highlighting continuities and divergence between and within different periods, this lively volume offers routes through a diverse literary landscape while encouraging comparison and connection-making between writers, works and historical periods. |
| tintin au pays: The Routledge Companion to Literature and Food Lorna Piatti-Farnell, Donna Lee Brien, 2018-04-19 The Routledge Companion to Literature and Food explores the relationship between food and literature in transnational contexts, serving as both an introduction and a guide to the field in terms of defining characteristics and development. Balancing a wide-reaching view of the long histories and preoccupations of literary food studies, with attentiveness to recent developments and shifts, the volume illuminates the aesthetic, cultural, political, and intellectual diversity of the representation of food and eating in literature. |
| tintin au pays: Handbook of Transatlantic North American Studies Julia Straub, 2016-05-10 Transatlantic literary studies have provided important new perspectives on North American, British and Irish literature. They have led to a revision of literary history and the idea of a national literature. They have changed the perception of the Anglo-American literary market and its many processes of transatlantic production, distribution, reception and criticism. Rather than dwelling on comparisons or engaging with the notion of ‘influence,’ transatlantic literary studies seek to understand North American, British and Irish literature as linked with each other by virtue of multi-layered historical and cultural ties and pay special attention to the many refractions and mutual interferences that have characterized these traditions since colonial times. This handbook brings together articles that summarize some of the crucial transatlantic concepts, debates and topics. The contributions contained in this volume examine periods in literary and cultural history, literary movements, individual authors as well as genres from a transatlantic perspective, combining theoretical insight with textual analysis. |
| tintin au pays: The Secret Ray Hergé, 1994 |
| tintin au pays: Empire of Language Laurent Dubreuil, 2013-05-15 The relationship between power and language has been a central theme in critical theory for decades now, yet there is still much to be learned about the sheer force of language in the world in which we live. In Empire of Language, Laurent Dubreuil explores the power-language phenomenon in the context of European and, particularly, French colonialism and its aftermath. Through readings of the colonial experience, he isolates a phraseology based on possession, in terms of both appropriation and haunting, that has persisted throughout the centuries. Not only is this phraseology a legacy of the past, it is still active today, especially in literary renderings of the colonial experience—but also, and more paradoxically, in anticolonial discourse. This phrase shaped the teaching of European languages in the (former) empires, and it tried to configure the usage of those idioms by the Indigenes. Then, scholarly disciplines have to completely reconsider their discursive strategies about the colonial, if, at least, they attempt to speak up.Dubreuil ranges widely in terms of time and space, from the ancien régime through the twentieth century, from Paris to Haiti to Quebec, from the Renaissance to the riots in the banlieues. He examines diverse texts, from political speeches, legal documents, and colonial treatises to anthropological essays, poems of the Négritude, and contemporary rap, ever attuned to the linguistic strategies that undergird colonial power. Equally conversant in both postcolonial criticism and poststructuralist scholarship on language, but also deeply grounded in the sociohistorical context of the colonies, Dubreuil sets forth the conditions for an authentically postcolonial scholarship, one that acknowledges the difficulty of getting beyond a colonialism—and still maintains the need for an afterward. |
| tintin au pays: DK Brussels, Bruges, Antwerp and Ghent DK Travel, 2025-01-28 Discover Belgium's cities, where picture-postcard scenes meet cutting-edge cool. Whether you want to amble canalside in Bruges, tuck into veggie delights in Ghent, wander the Grand Place in Brussels, or admire art and architecture in Antwerp, your DK Eyewitness travel guide makes sure you experience all that Belgium's cities have to offer Famed for their picturesque street scenes, tasty foodie treats, and incredible architecture, Belgium's cities have been attracting visitors for centuries. But they're certainly not stuck in the past - here you'll discover the quirky, the eco-conscious, and the innovative at every turn, all culminating in cities that rival Europe's finest. Our newly updated guide brings Brussels, Bruges, Ghent and Antwerp to life, transporting you there like no other travel guide does with expert-led insights and advice, detailed breakdowns of all the must-see sights, photographs on practically every page, and our hand-drawn illustrations which place you inside the region's iconic buildings and neighbourhoods. You'll discover: - our pick of Brussels, Bruges, Ghent and Antwerp's must-sees, top experiences and hidden gems - the best spots to eat, drink, shop and stay - detailed maps and walks which make navigating the cities easy - easy-to-follow itineraries - expert advice: get ready, get around and stay safe - colour-coded chapters to every part of Brussels, Bruges, Ghent and Antwerp - our new lightweight format, so you can take it with you wherever you go Touring the country? Try our DK Eyewitness Belgium and Luxembourg. |
| tintin au pays: A Critical History of French Children's Literature Penny Brown, 2007 |
| tintin au pays: The Imaginary: Word and Image , 2015-05-19 The imaginary as a critical concept originated in the twentieth century and has been theorized in diverse ways. It can be understood as a register of thought; the way we interpret the world; the universe of images, signs, texts, and objects of thought. In this volume, it is explored as it manifests itself in encounters between the verbal and the visual. A number of the essays brought together here explore the transposition of the imaginary in illustrations of texts and verbal renditions of images, as well as in comic books based on paintings or on verbal narratives. Others analyze ways in which books deal with film or television and investigate the imaginary in digital media. Special attention is paid to the imaginary of places and the relationship of the imaginary with memory. Written in English and French, these contributions by European and American scholars demonstrate the various concerns and approaches characteristic of contemporary scholarship in word and image studies. |
| tintin au pays: Secret of the Unicorn Hergé, 1974-06 A clue hidden in a toy ship leads Tintin on a dangerous treasure hunt. |
| tintin au pays: Cigars of the Pharaoh ; The Blue Lotus Hergé, Benoît Peeters, Leslie Lonsdale-Cooper, 1971 Tegneserie. Faraos cigarer: Efter mødet med en ægyptolog, hvirvles Tintin og hans vakse hund Terry ind i nogle utroligt dramatiske begivenheder, der leder Tintin på sporet af en international heroinsmuglerbande. Den blå Lotus: Tintin jager opiumsforbrydere i Shanghai |
| tintin au pays: Tintin in the Land of the Soviets Hergé, 2004 This first adventure of Tintin, théeboy reporter, appeared in 1929 in a children's supplement to a Belgian daily newspaper, Le Vingtième Siècle. Hergé, Georges Rémi, then twenty-two years old, was employed on the staff as an artist. He had received no formal art training, but was already showing thé originality and wit that would make him a unique figure in the world of the strip cartoon. Hergé's satire on thé Soviet state was very much of its time. He himself had not been to Russia, but had read a book published the year before, Moscou sans voiles: Neuf ans de travail au pays des Soviets by Joseph Douillet, a former Belgian consul in Rostov-on-Don. Soviet propaganda to persuade the world outside Russia that the economy was booming was a particular target for Hergé, as were the activities of the secret police, the OGPU. Incidentally, he errs on one occasion in the story when he calls them the Cheka, their name before 1922. Publication in Le Petit Vingtième began on 10 January 1929. In 1930 the adventure was issued in album form, now a very rare book greatly sought after, the 500 copies being numbered and signed Tintin et Milou. There were, it is believed, nine subsequent editions, differing only in the layout of the print on the title page. With the exception of a reissue in 1969 for the personal use of the author, again limited to 500 copies, and some pirated editions, more than forty years elapsed before this adventure was again published, in thé first volume of the Archives Hergé. L. L -C. M. T. |
| tintin au pays: The Adventures of Herge Jose-Louis Bocquet, Jean-Luc Fromental, 2011-12-06 A GRAPHIC BIOGRAPHY OF TINTIN'S CREATOR by Jose-Louis Bocquet and Jean-Luc Fromental, Illustrated by Stanislas Barthélémy The Adventures of Hergé is a biographical comic about the world-renowned comics artist Georges Prosper Remi, better known by his pen name, Hergé. Meticulously researched, with references to many of the Tintin albums and complete with a bibliography and mini-bios for each of the main characters, the biography is appropriately drawn in Hergé's iconic clear line style as an homage to the Tintin adventures that have commanded the attention of readers across the world and of many generations. Seven-year-old Hergé first discovered his love of drawing in 1914 when his mother gave him some crayons to stay out of trouble. He continued drawing in school when he fatefully met the editor of XXe Siècle magazine, where Tintin first appeared. His popularity skyrocketed from the 1930s through post–World War Two. Hergé was perceived by some to have aided the Nazi government in Belgium by continuing to publish Tintin in a government-sanctioned magazine, and he was briefly imprisoned in the aftermath of the war and narrowly escaped execution. Also covered are his marriage troubles in the 1950s and subsequent affair with Fanny Vlamynck, who went on to become his lifelong partner; his late career in the 1960s, as his interest in Tintin waned and he occasionally disappeared for weeks at a time as he contemplated giving up his career to become a fine-arts painter; and a recounting of a humorous encounter with Andy Warhol. |
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Tintin.com - Official website
Official website: Discover the whole universe of the Adventures of Tintin, the world-famous comic book series created by Hergé.
Essentials about Tintin and Hergé - Tintin - Site Officiel
Neverthel-ess, when reading the Adventures of Tintin, one can get a taste of Hergé's aversion (The Blue Lotus), or of his skepticism (Tintin and the Picaros), to and with the notion of …
Tintin — Tintin.com - Tintin - Site Officiel
Tintin is neither a surname nor a first name, it is much more than that Tintin is a totally unique world, a myth or a saga. Tintin is created from Hergé's subconscious desire to be perfect, to be …
The characters of the Adventures of Tintin - Tintin - Site Officiel
He discreetly drew himself into the scenery, appearing as a reporter dutifully taking notes when Tintin embarks for the Congo, or interviewing a local in front of the gates to Marlinspike Hall, in …
The albums of the Adventures of Tintin - Tintin - Site Officiel
Discover the 24 albums of the Adventures of Tintin, a world-famous series of comic strips created by Hergé from 1929 onwards.
Hergé creator of the adventures of Tintin - Tintin - Site Officiel
The full-length documentary film I, Tintin,appears on screens. It is dedicated to the hero and his creator. On September 29, a bronze statue of Tintin and Snowy is inaugurated in Brussels.
Les albums des Aventures de Tintin — Tintin.com - Tintin - Site …
Découvrez les 24 albums des Aventures de Tintin, série de bandes dessinées mondialement connue créée par Hergé à partir de 1929.
La Boutique Tintin
To the above delivery times add between 1 to 2 days for the preparation of your order. Delivery and preparation times are counted during working days.
Tintin - Site Officiel
Site officiel : Retrouvez tout l'univers des Aventures de Tintin, la série de bandes dessinées mondialement connue créée par Hergé.
The Blue Lotus — Tintin.com - Tintin - Site Officiel
From page 19 until the end of The Blue Lotus, Tintin dresses in Chinese style, not as a facile gesture of solidarity, but rather to blend in with the crowd! The historic meeting Tintin heroically …
Tintin.com - Official website
Official website: Discover the whole universe of the Adventures of Tintin, the world-famous comic book series created by Hergé.
Essentials about Tintin and Hergé - Tintin - Site Officiel
Neverthel-ess, when reading the Adventures of Tintin, one can get a taste of Hergé's aversion (The Blue Lotus), or of his skepticism (Tintin and the Picaros), to and with the notion of …
Tintin — Tintin.com - Tintin - Site Officiel
Tintin is neither a surname nor a first name, it is much more than that Tintin is a totally unique world, a myth or a saga. Tintin is created from Hergé's subconscious desire to be perfect, to …
The characters of the Adventures of Tintin - Tintin - Site Officiel
He discreetly drew himself into the scenery, appearing as a reporter dutifully taking notes when Tintin embarks for the Congo, or interviewing a local in front of the gates to Marlinspike Hall, in …
The albums of the Adventures of Tintin - Tintin - Site Officiel
Discover the 24 albums of the Adventures of Tintin, a world-famous series of comic strips created by Hergé from 1929 onwards.
Hergé creator of the adventures of Tintin - Tintin - Site Officiel
The full-length documentary film I, Tintin,appears on screens. It is dedicated to the hero and his creator. On September 29, a bronze statue of Tintin and Snowy is inaugurated in Brussels.
Les albums des Aventures de Tintin — Tintin.com - Tintin - Site …
Découvrez les 24 albums des Aventures de Tintin, série de bandes dessinées mondialement connue créée par Hergé à partir de 1929.
La Boutique Tintin
To the above delivery times add between 1 to 2 days for the preparation of your order. Delivery and preparation times are counted during working days.
Tintin - Site Officiel
Site officiel : Retrouvez tout l'univers des Aventures de Tintin, la série de bandes dessinées mondialement connue créée par Hergé.
The Blue Lotus — Tintin.com - Tintin - Site Officiel
From page 19 until the end of The Blue Lotus, Tintin dresses in Chinese style, not as a facile gesture of solidarity, but rather to blend in with the crowd! The historic meeting Tintin heroically …
