Advertisement
| the visual culture of chabad: The Visual Culture of Chabad Maya Balakirsky Katz, 2010-10-11 This book is the first full-length study of a complex visual tradition associated with the Hasidic movement of Chabad. |
| the visual culture of chabad: Jews Across the Americas Adriana M. Brodsky, Laura Arnold Leibman, 2023-09-26 Jews Across the Americas, a documentary reader with sources from Latin America, the Caribbean, Canada, and the United States, each introduced by an expert in the field, teaches students to analyze historical sources and encourages them to think about who and what has been and is an American Jew-- |
| the visual culture of chabad: Hasidism, Suffering, and Renewal Don Seeman, Daniel Reiser, Ariel Evan Mayse, 2021-06-01 Kalonymus Kalman Shapira (1889–1943) was a remarkable Hasidic mystic, leader, and educator. He confronted the secularization and dislocation of Polish Jews after World War I, the failure of the traditional educational system, and the devastation of the Holocaust, in which he lost all his close family and eventually his own life. Thanks to a new critical edition of his Warsaw Ghetto sermons, scholars have begun to reassess the relationship between Shapira's literary and educational attainments, his prewar mysticism, and his Holocaust experience, and to reexamine the question of faith—or its collapse—in the Warsaw Ghetto. This interdisciplinary volume, the first such work devoted to a twentieth-century Hasidic leader, integrates social and intellectual history along with theological, literary, and anthropological analyses of Shapira's legacy. It raises theoretical and methodological questions related to the study of Jewish thought and mysticism, but also contributes to contemporary conversations about topics such as spiritual renewal and radical religious experience, the literature of suffering, and perhaps most pressingly, the question of faith and meaning—or their rupture—in the wake of genocide. |
| the visual culture of chabad: Menachem Mendel Schneerson Ezra Glinter, 2024-10-29 The life and thought of Menachem Mendel Schneerson, one of the most influential—and controversial—rabbis in modern Judaism “Accessible, informed, and balanced. . . . The author manages to tread on fragile ground with aplomb. . . . An exceptional tool for understanding.”—Kirkus Reviews (starred review) The Chabad-Lubavitch movement, one of the world’s best-known Hasidic groups, is driven by the belief that we are on the verge of the messianic age. The man most recognized for the movement’s success is the seventh and last Lubavitcher rebbe, Menachem Mendel Schneerson (1902–1994), believed by many of his followers to be the Messiah. While hope of redemption has sustained the Jewish people through exile and persecution, it has also upended Jewish society with its apocalyptic and anarchic tendencies. So it is not surprising that Schneerson’s messianic fervor made him one of the most controversial rabbinic leaders of the twentieth century. How did he go from being an ordinary rabbi’s son in the Russian Empire to achieving status as a mystical sage? How did he revitalize a centuries-old Hasidic movement, construct an outreach empire of unprecedented scope, and earn the admiration and condemnation of political, communal, and religious leaders in America and abroad? Ezra Glinter’s deeply researched account is the first biography of Schneerson to combine a nonpartisan view of his life, work, and impact with an insider’s understanding of the ideology that drove him and that continues to inspire the Chabad-Lubavitch movement today. |
| the visual culture of chabad: Eternity Now Wojciech Tworek, 2019-07-15 The Habad movement, formed in eighteenth-century Belarus, has developed into one of the most influential streams of Hasidic Judaism. Drawing on both mystical sermons and legal writings of its founder, Rabbi Shneur Zalman of Liady (1745–1812), Eternity Now provides the first account of the historiosophical dimensions of early Habad doctrine. Challenging the commonly held view that Shneur Zalman was primarily concerned with supratemporal transcendence, Wojciech Tworek reveals the importance of time and history in his teachings. Tworek argues that the worldly dimensions of Shneur Zalman's thought were largely responsible for the rapid growth of Habad at the turn of the nineteenth century and fostered its transformation from an elitist circle into a mass movement. Tworek's readings of Hebrew and Yiddish sources demonstrate the implications of these ideas not only for male scholars but also for non-scholars, Jewish women, and even non-Jews. Philosophical and kabbalistic thought joined together to form a model of religious experience attractive to a broad audience, laying an ideological foundation for the missionary messianism that was to become a hallmark of Habad in the twentieth century. |
| the visual culture of chabad: Religion und Politik in den Vereinigten Staaten von Amerika Norbert Finzsch, 2012 |
| the visual culture of chabad: The Routledge Companion to Jewish History and Historiography Dean Phillip Bell, 2018-10-10 The Routledge Companion to Jewish History and Historiography provides an overview of Jewish history from the biblical to the contemporary period, while simultaneously placing Jewish history into conversation with the most central historiographical methods and issues and some of the core source materials used by scholars within the field. The field of Jewish history is profitably interdisciplinary. Drawing from the historical methods and themes employed in the study of various periods and geographical regions as well as from academic fields outside of history, it utilizes a broad range of source materials produced by Jews and non-Jews. It grapples with many issues that were core to Jewish life, culture, community, and identity in the past, while reflecting and addressing contemporary concerns and perspectives. Divided into four parts, this volume examines how Jewish history has engaged with and developed more general historiographical methods and considerations. Part I provides a general overview of Jewish history, while Parts II and III respectively address the rich sources and methodologies used to study Jewish history. Concluding in Part IV with a timeline, glossary, and index to help frame and connect the history, sources, and methodologies presented throughout, The Routledge Companion to Jewish History and Historiography is the perfect volume for anyone interested in Jewish history. |
| the visual culture of chabad: American Judaism Jonathan D. Sarna, 2019-06-25 Jonathan D. Sarna's award-winning American Judaism is now available in an updated and revised edition that summarizes recent scholarship and takes into account important historical, cultural, and political developments in American Judaism over the past fifteen years. Praise for the first edition: Sarna . . . has written the first systematic, comprehensive, and coherent history of Judaism in America; one so well executed, it is likely to set the standard for the next fifty years.--Jacob Neusner, Jerusalem Post A masterful overview.--Jeffrey S. Gurock, American Historical Review This book is destined to be the new classic of American Jewish history.--Norman H. Finkelstein, Jewish Book World Winner of the 2004 National Jewish Book Award/Jewish Book of the Year |
| the visual culture of chabad: Urban Origins of American Judaism Deborah Dash Moore, 2014-10-15 The urban origins of American Judaism began with daily experiences of Jews, their responses to opportunities for social and physical mobility as well as constraints of discrimination and prejudice. Deborah Dash Moore explores Jewish participation in American cities and considers the implications of urban living for American Jews across three centuries. Looking at synagogues, streets, and snapshots, she contends that key features of American Judaism can be understood as an imaginative product grounded in urban potentials. Jews signaled their collective urban presence through synagogue construction, which represented Judaism on the civic stage. Synagogues housed Judaism in action, its rituals, liturgies, and community, while simultaneously demonstrating how Jews Judaized other aspects of their collective life, including study, education, recreation, sociability, and politics. Synagogues expressed aesthetic aspirations and translated Jewish spiritual desires into brick and mortar. Their changing architecture reflects shifting values among American Jews. Concentrations of Jews in cities also allowed for development of public religious practices that ranged from weekly shopping for the Sabbath to exuberant dancing in the streets with Torah scrolls on the holiday of Simhat Torah. Jewish engagement with city streets also reflected Jewish responses to Catholic religious practices that temporarily transformed streets into sacred spaces. This activity amplified an urban Jewish presence and provided vital contexts for synagogue life, as seen in the captivating photographs Moore analyzes. |
| the visual culture of chabad: American Jewish Year Book 2012 Arnold Dashefsky, Ira Sheskin, 2012-12-09 The 2012 American Jewish Year Book, “The Annual Record of American Jewish Civilization,” contains major chapters on Jewish secularism (Barry Kosmin and Ariela Keysar), Canadian Jewry (Morton Weinfeld, David Koffman, and Randal Schnoor), national affairs (Ethan Felson), Jewish communal affairs (Lawrence Grossman), Jewish population in the United States (Ira Sheskin and Arnold Dashefsky), and World Jewish population (Sergio DellaPergola). These chapters provide insight into major trends in the North American and world Jewish community. The volume also acts as a resource for the American Jewish community and for academics studying that community by supplying obituaries and lists of Jewish Federations, Jewish Community Centers, national Jewish organizations, Jewish overnight camps, Jewish museums, Holocaust museums, local and national Jewish periodicals, Jewish honorees, major recent events in the American Jewish community, and academic journals, articles, websites, and books. The volume should prove useful to social scientists and historians of the American Jewish community, Jewish communal workers, the press, and others interested in American and Canadian Jews. |
| the visual culture of chabad: Intersections between Jews and Media Maya Balakirsky Katz, 2020-03-23 In this volume, the relationship between Jews and media is not only vividly illustrated, but it is consciously drawn into the formation of modern Jewish history and modern media. Maya Balakirsky Katz addresses key Jewish-media intersections in which Jews and mass media implicated (or were implicated by) one another. In this study, Katz discusses the relationship that Jews have had with mass media forms of print, film, photography, advertising, and postcards within the periods that these media have gained cultural ascendancy. These historical moments are tethered to a broader conversation addressing the major theoretical issues at the center of the discourse on Jews and media. Bearing this mutually constructive relationship in mind, Intersections between Jews and Media offers both a tangible demographic portrait of the real Jews who entered mass media and lays a theoretical and methodological framework for more qualitative analyses. |
| the visual culture of chabad: Jewish Ideas of France Meredith Scott, Nick Underwood, 2025-06-12 This innovative exploration of Jewish experiences in France and the Francophone world through nuanced questions and representations offers an intertwining of perspectives that challenge geographical, chronological, and theoretical boundaries. Engaging the transnational, it brings together studies highlighting the importance of migration, diaspora, identity, and empire for Jewish communities in metropolitan France and beyond. New and emerging scholars are invited into conversation with established thinkers to capture the present and future of French, Francophone, and Jewish Studies. Because identities are layered and multifaceted, the multidisciplinary studies in this volume are intended to illustrate how frameworks interact, overlap, and shift. The result of these efforts is a collection of essays that reveals the complex interplay between French and Jewish identities and how they have changed over time. Grounded in historical, literary, visual, sociological, and legal analyses, they delve into questions of gender, race, religion, empire, migration, culture, and communal life. Taken together, they problematize the categories often created to make meaning of complex dynamics. This book is an important secondary source for researchers, undergraduate and graduate students, and general readers interested in world history, Jewish Studies, French Studies, European Studies, and immigration and diaspora studies. |
| the visual culture of chabad: The Cambridge History of Judaism: Volume 8, The Modern World, 1815–2000 Mitchell B. Hart, Tony Michels, 2017-09-28 The eighth and final volume of The Cambridge History of Judaism covers the period from roughly 1815–2000. Exploring the breadth and depth of Jewish societies and their manifold engagements with aspects of the modern world, it offers overviews of modern Jewish history, as well as more focused essays on political, social, economic, intellectual and cultural developments. The first part presents a series of interlocking surveys that address the history of diverse areas of Jewish settlement. The second part is organized around the emancipation. Here, chapter themes are grouped around the challenges posed by and to this elemental feature of Jewish life in the modern period. The third part adopts a thematic approach organized around the category 'culture', with the goal of casting a wide net in terms of perspectives, concepts and topics. The final part then focuses on the twentieth century, offering readers a sense of the dynamic nature of Judaism and Jewish identities and affiliations. |
| the visual culture of chabad: Salvage Poetics Sheila E. Jelen, 2020-04-14 An interdisciplinary approach to American Jewish ethnic identity in post-Holocaust America. This volume explores how American Jewish post-Holocaust writers, scholars, and editors adapted pre-Holocaust works, such as Yiddish fiction and documentary photography, for popular consumption by American Jews in the post-Holocaust decades. These texts, Jelen argues, served to help clarify the role of East European Jewish identity in the construction of a post-Holocaust American one. In her analysis of a variety of hybrid texts—those that exist on the border between ethnography and art—Jelen traces the gradual shift from verbal to visual Jewish literacy among Jewish Americans after the Holocaust. S. Ansky's ethnographic expedition (1912–1914) and Martin Buber's adaptation and compilation of Hasidic tales (1906–1935) are presented as a means of contextualizing the role of an ethnographic consciousness in modern Jewish experience and the way in which literary adaptations and mediations create opportunities for the creation of folk ethnographic hybrid texts. Salvage Poetics looks at classical texts of the American Jewish experience in the second half of the twentieth century, such as Maurice Samuel's The World of Sholem Aleichem (1944), Abraham Joshua Heschel's The Earth Is the Lord's (1950), Elizabeth Herzog and Mark Zborowski's Life Is with People(1952), Lucy Dawidowicz's The Golden Tradition(1967), and Roman Vishniac's A Vanished World (1983), alongside other texts that consider the symbiotic relationship between pre-Holocaust aesthetic artifacts and their postwar reframings and reconsiderations. Salvage Poetics is particularly attentive to how literary scholars deploy the notion of ethnography in their readings of literature in languages and/or cultures that are considered dead or dying and how their definition of an ethnographic literary text speaks to and enhance the scientific discipline of ethnography. This book makes a fresh contribution to the fields of American Jewish cultural and literary studies and art history. |
| the visual culture of chabad: Hasidism Beyond Modernity Naftali Loewenthal, 2019-12-18 The Habad school of hasidism is distinguished today from other hasidic groups by its famous emphasis on outreach, on messianism, and on empowering women. Hasidism Beyond Modernity provides a critical, thematic study of the movement from its beginnings, showing how its unusual qualities evolved. Topics investigated include the theoretical underpinning of the outreach ethos; the turn towards women in the twentieth century; new attitudes to non-Jews; the role of the individual in the hasidic collective; spiritual contemplation in the context of modernity; the quest for inclusivism in the face of prevailing schismatic processes; messianism in both spiritual and political forms; and the direction of the movement after the passing of its seventh rebbe, Rabbi Menachem Mendel Schneerson, in 1994. Attention is given to many contrasts: pre-modern, modern, and postmodern conceptions of Judaism; the clash between maintaining an enclave and outreach models of Jewish society; particularist and universalist trends; and the subtle interplay of mystical faith and rationality. Some of the chapters are new; others, published in an earlier form, have been updated to take account of recent scholarship. This book presents an in-depth study of an intriguing movement which takes traditional hasidism beyond modernity. |
| the visual culture of chabad: Studying Hasidism Marcin Wodzinski, 2019-08-09 Hasidism, a Jewish religious movement that originated in Poland in the eighteenth century, today counts over 700,000 adherents, primarily in the U.S., Israel, and the UK. Popular and scholarly interest in Hasidic Judaism and Hasidic Jews is growing, but there is no textbook dedicated to research methods in the field, nor sources for the history of Hasidism have been properly recognized. Studying Hasidism, edited by Marcin Wodziński, an internationally recognized historian of Hasidism, aims to remedy this gap. The work’s thirteen chapters each draws upon a set of different sources, many of them previously untapped, including folklore, music, big data, and material culture to demonstrate what is still to be achieved in the study of Hasidism. Ultimately, this textbook presents research methods that can decentralize the role community leaders play in the current literature and reclaim the everyday lives of Hasidic Jews. |
| the visual culture of chabad: Hasidic Art and the Kabbalah Batsheva Goldman-Ida, 2017-10-10 Hasidic Art and the Kabbalah presents eight case studies of manuscripts, ritual objects, and folk art developed by Hasidic masters in the mid-eighteenth to late nineteenth centuries, whose form and decoration relate to sources in the Zohar, German Pietism, and Safed Kabbalah. Examined at the delicate and difficult to define interface between seemingly simple, folk art and complex ideological and conceptual outlooks which contain deep, abstract symbols, the study touches on aspects of object history, intellectual history, the decorative arts, and the history of religion. Based on original texts, the focus of this volume is on the subjective experience of the user at the moment of ritual, applying tenets of process philosophy and literary theory – Wolfgang Iser, Gaston Bachelard, and Walter Benjamin – to the analysis of objects. |
| the visual culture of chabad: The Future of Judaism in America Jerome A. Chanes, Mark Silk, 2023-04-19 This book explores the state of the American Jewish world in the early 21st century, after decades of accelerating change that has transformed it and all other religious groups in the United States. It reveals a community in an unparalleled state of flux grappling with a society in which religious identity is more and more considered an individual choice, rather than an inheritance, and where fewer adults feel impelled to identify with any religious tradition at all. In chapters written by leading experts, the book examines the community’s evolving demographics, the direction of the principal denominational movements, contemporary religious trends, interactions with other American religious communities and engagements in the country’s secular politics. This text uniquely covers all these aspects of Judaism in America making it appealing to students and researchers in such fields as the sociology of religion, Judaism, and American history. |
| the visual culture of chabad: Not Bad for Delancey Street Mark Cohen, 2018-09-04 He was amazing. A little man with a Napoleonic penchant for the colossal and magnificent, Billy Rose is the country's No. 1 purveyor of mass entertainment, Life magazine announced in 1936. The Times reported that with 1,400 people on his payroll, Rose ran a larger organization than any other producer in America. He's clever, clever, clever, said Rose's first wife, the legendary Fanny Brice. He's a smart little goose. Not Bad for Delancey Street: The Rise of Billy Rose is the first biography in fifty years of the producer, World's Fair impresario, songwriter, nightclub and theater owner, syndicated columnist, art collector, tough guy, and philanthropist, and the first to tell the whole story of Rose's life. He combined a love for his thrilling and lucrative American moment with sometimes grandiose plans to aid his fellow Jews. He was an exaggerated exemplar of the American Jewish experience that predominated after World War II: secular, intermarried, bent on financial success, in love with Israel, and wedded to America. The life of Billy Rose was set against the great events of the twentieth century, including the Depression, when Rose became rich entertaining millions; the Nazi war on the Jews, which Rose combated through theatrical pageants that urged the American government to act; the postwar American boom, which Rose harnessed to attain extraordinary wealth; and the birth of Israel, where Rose staked his claim to immortality. Mark Cohen tells the unlikely but true story, based on exhaustive research, of Rose's single-handed rescue in 1939 of an Austrian Jewish refugee stranded in Fascist Italy, an event about which Rose never spoke but which surfaced fifty years later as the nucleus of Saul Bellow's short novel The Bellarosa Connection. |
| the visual culture of chabad: The Jewish Metropolis Daniel Soyer, 2021-05-04 The Jewish Metropolis: New York City from the 17th to the 21st Century covers the entire sweep of the history of the largest Jewish community of all time. It provides an introduction to many facets of that history, including the ways in which waves of immigration shaped New York’s Jewish community; Jewish cultural production in English, Yiddish, Ladino, and German; New York’s contribution to the development of American Judaism; Jewish interaction with other ethnic and religious groups; and Jewish participation in the politics and culture of the city as a whole. Each chapter is written by an expert in the field, and includes a bibliography for further reading. The Jewish Metropolis captures the diversity of the Jewish experience in New York. |
| the visual culture of chabad: Turning Judaism Outward Chaim Miller, 2014 Rabbi Menachem Mendel Schneerson (1902-1994), the Lubavitcher Rebbe, took an insular Chasidic group that was almost decimated by the Holocaust and transformed it into one of the most influential and controversial forces in world Jewry. This superbly crafted biography draws on recently uncovered documents and archives of personal correspondence, painting an exceptionally human and charming portrait of a man who was well known but little understood. With a sharp attention to detail and an effortless style, Chaim Miller takes us on a soaring journey through the life, mind and struggles of one of the most interesting religious personalities of the Twentieth Century. -- |
| the visual culture of chabad: The Bible and Global Tourism James S. Bielo, Lieke Wijnia, 2021-01-14 This volume examines the ways in which biblical tourism is enmeshed within the production and management of heritage, global contexts of marketing and publicity, accessibility of sacred sites and routes for multiple audiences, and the forging of connections between travel and social identity. By exploring issues such as devotional piety, religious pedagogy, and entertainment, an interdisciplinary collection of scholars traces how biblical tourism experiences are choreographed and consumed, and how these practices shape embodied and narrative performances of scripture. Contributors focus on four major questions: How have people used tourism to develop new, or renewed, relationships with the Bible? Historically, what role has the Bible played in the development of modern tourism? In the context of the tourist encounter, how have people mobilized the Bible as a social and expressive resource? And what forms of social exchange shape acts of biblical tourism, such as among pilgrims, or between people and landscapes? These questions are centered not only around authorized shrines and “Holy Places,” but also festivals, museums, theme parks, and heritage sites. This book aims to create a comparative and interdisciplinary dialogue around the dynamic relationship between biblical heritage claims and the practices and infrastructures of modern tourism. |
| the visual culture of chabad: Urban Religious Events Paul Bramadat, Mar Griera, Marian Burchardt, Julia Martinez-Ariño, 2021-04-08 How might we best understand the relationship between the vibrant religious landscapes we see in many cities and contemporary urban social processes? Through case studies drawn from around the world, contributors explore the ways in which these processes interact in cities. This book argues that religious events – including rituals, processions, and festivals – are not only choreographies of sacred traditions, but they are also creative disruptions that reveal how urban cultural hierarchies are experienced and contested. Exposing the power dynamics behind these events, this book shows how performative uses of urban space serve to destabilize dominant genealogies and lineages around urban identities just as they lay claims to cultural supremacy or heritage. Through exploring the affective disruptions and political controversies caused by religious events, the contributors engage theoretical discussions in urban studies, the sociology of religion and the ethnography of ritual. This book is a significant contribution to understanding emerging patterns in contemporary religion and also for theories related to heritagization, eventization, and urbanization. |
| the visual culture of chabad: The Golden Path David Sclar, 2023-05-01 Among the intellectual luminaries dotting the millennia of Jewish history, none shines brighter than Maimonides (1138-1204). He was a rabbi, jurist, Talmudist, philosopher, physician, astronomer, and communal leader, and produced a myriad of writings on halakhah, theology, medicine, and philosophy that have attained near-canonical status. We have more source material from or about Maimonides than possibly any other Jewish figure in the medieval period, and more has been written about him than perhaps any other Jew in history. Epithets like the ‘Great Eagle’ and the ‘Western Light’ – and the glorifying statement ‘From Moses to Moses, none arose like Moses’ – reflect centuries of authority, influence, and fascination. The Golden Path traces the impact and reception of Maimonides and his thought through a study of materiality, specifically the production and dissemination of textual objects. It consists of two sections: a descriptive catalogue of an exceptional private collection of manuscripts and rare books; and essays from leading scholars on aspects of Maimonides's cultural context, influence, and appropriation through disparate eras and geopolitical spheres. Combining intellectual, reception, and book historical research, the heavily illustrated volume explores his effects in assorted social and political circumstances, across diverse intellectual and cultural environments. |
| the visual culture of chabad: Hebrew Infusion Sarah Bunin Benor, Jonathan Krasner, Sharon Avni, 2020-07-17 Winner of the 2020 National Jewish Book Award in Education and Jewish Identity Each summer, tens of thousands of American Jews attend residential camps, where they may see Hebrew signs, sing and dance to Hebrew songs, and hear a camp-specific hybrid language register called Camp Hebraized English, as in: “Let’s hear some ruach (spirit) in this chadar ochel (dining hall)!” Using historical and sociolinguistic methods, this book explains how camp directors and staff came to infuse Hebrew in creative ways and how their rationales and practices have evolved from the early 20th century to today. Some Jewish leaders worry that Camp Hebraized English impedes Hebrew acquisition, while others recognize its power to strengthen campers’ bonds with Israel, Judaism, and the Jewish people. Hebrew Infusion explores these conflicting ideologies, showing how hybrid language can serve a formative role in fostering religious, diasporic communities. The insightful analysis and engaging descriptions of camp life will appeal to anyone interested in language, education, or American Jewish culture. |
| the visual culture of chabad: People of the Image Marc Michael Epstein, 2025-06-24 The Middle Ages provide us with one of the richest repositories of art in the West. Yet the rise in the production of art made for and by Jews—especially in the form of illuminated manuscripts—is often neglected in general surveys or viewed as a mere emulation of Christian art during this period. In People of the Image, Marc Michael Epstein demonstrates how medieval Jews transformed their visual art into a vital site of critical commentary. Through bold speculation and radical interpretation, Epstein considers how viewers might have empathized with depicted emotions, how they envisioned the relationship between the monstrous and the human, and how they could effectively perpetrate subversive acts merely by anticipating what might occur next in a given image were it to be set in motion. Examining these artworks and imagining the circumstances of their production and reception, Epstein uncovers otherwise inaccessible social, political, and theological perceptions among Europe’s major medieval minority. He goes on to illuminate the afterlives of medieval Jewish art in its reimaginings by postmodern Jews struggling to establish a conceptual as well as a political space for themselves as a minority in majority Christian society. Bringing together diverse currents from various fields and bodies of literature, People of the Image reveals how medieval Jews understood themselves, the world, and God. Provocative and engagingly written, the book will appeal to audiences across medieval studies, cultural studies, art history, and Jewish studies. |
| the visual culture of chabad: Digital Religion Heidi Campbell, 2013 Digital Religion offers a critical and systematic survey of the study of religion and new media. It covers religious engagement with a wide range of new media forms and highlights examples of new media engagement in all five of the major world religions. From cell phones and video games to blogs and Second Life, the book: provides a detailed review of major topics includes a series of case studies to illustrate and elucidate the thematic explorations considers the theoretical, ethical and theological issues raised. Drawing together the work of experts from key disciplinary perspectives, Digital Religion is invaluable for students wanting to develop a deeper understanding of the field. |
| the visual culture of chabad: Fundamentalism Simon A. Wood, David Harrington Watt, 2014-05-26 Essays considering how global fundamentalism influences our understanding of modern Christianity, Judaism, and Islam Thirty years after the Iranian Revolution and more than a decade since the events of 2001, the time is right to examine what the discourse on fundamentalism has achieved and where it might head from here. In this volume editors Simon A. Wood and David Harrington Watt offer eleven interdisciplinary perspectives framed by the debate between advocates and critics of the concept of fundamentalism that investigate it with regard to Christianity, Islam, and Judaism. The essays are integrated through engagement with a common selection of texts on fundamentalism and a common set of questions about the utility and disadvantages of the term, its varied application by scholars of particular groups, and the extent to which the term can encompass a cross-cultural set of religious responses to modernity. Although the notion of fundamentalism as a global phenomenon dates from around 1980, the term itself originated in North American Protestantism approximately six decades earlier and acquired pejorative connotations within five years of its invention. Since the early 1990s, however, many scholars have endorsed the view that the notion of fundamentalism—as relying on literalist interpretations of the scriptures, firm commitment to patriarchy, or refusal to confine religious matters to the private sphere—facilitates our understanding of modern religion by enabling us to identify and label structurally analogous developments in different religions. Critics of the term have identified problems with it, above all that the idea of global fundamentalism confuses more than it clarifies and unjustifiably overlooks, downplays, or homogenizes difference more than it identifies a genuine homogeny. The editor's rigorous exploration of both the usefulness and the limitations of the concept make it an excellent counterpoint to the many books that have a great deal to say about the former and very little to say about the latter. It will also serve as an ideal text for religious studies, history, and anthropology courses that explore the complex interface between religion and modernity as well as courses on theory and method in religious studies. |
| the visual culture of chabad: A Companion to the Anthropology of Europe Ullrich Kockel, Máiréad Nic Craith, Jonas Frykman, 2015-12-14 A Companion to theAnthropologyof Europe BLACKWELL COMPANIONS TO ANTHROPOLOGY A Companion to the Anthropology of Europe “The volume also deserves a place on the shelves of academic libraries as well as the larger public library.” Reference Reviews “Summing Up: Highly recommended. All academic levels/libraries.” Choice “This important collection challenges all anthropologists to re-examine the importance of European perspectives on the most provocative debates of our time. It transcends regional interests to highlight the complex intellectual landscape of our field.” Tracey Heatherington, University of Wisconsin, Milwaukee “This significant volume critically interrogates assumptions about Europe as an idea and a place for research. It provides fresh perspectives on the past and future of anthropological studies of Europe.” Deborah Reed-Danahay, SUNY at Buffalo, President of the Society for the Anthropology of Europe A Companion to the Anthropology of Europe offers a survey of contemporary Europeanist anthropology and European ethnology, and a guide to emerging trends in this geographical field of research. Utilizing diverse approaches to the anthropological study of Europe, Kockel, Nic Craith, and Frykman provide a synthesis of the different traditions and contemporary practices. Investigating the subject both geographically and thematically, the companion covers key topics such as location, heritage, experience, and cultural practices. Written by leading international scholars in the field, the volume constitutes the first authoritative guide for researchers, instructors, and students of anthropology and European studies. |
| the visual culture of chabad: The Bloomsbury Companion to Jewish Studies Dean Phillip Bell, 2013-08-15 The Bloomsbury Companion to Jewish Studies is a comprehensive reference guide, providing an overview of Jewish Studies as it has developed as an academic sub-discipline. This volume surveys the development and current state of research in the broad field of Jewish Studies - focusing on central themes, methodologies, and varieties of source materials available. It includes 11 core essays from internationally-renowned scholars and teachers that provide an important and useful overview of Jewish history and the development of Judaism, while exploring central issues in Jewish Studies that cut across historical periods and offer important opportunities to track significant themes throughout the diversity of Jewish experiences. In addition to a bibliography to help orient students and researchers, the volume includes a series of indispensable research tools, including a chronology, maps, and a glossary of key terms and concepts. This is the essential reference guide for anyone working in or exploring the rich and dynamic field of Jewish Studies. |
| the visual culture of chabad: Freud, Jung, and Jonah Maya Balakirsky Katz, 2022-12-22 Religion, more than sexuality, cast psychoanalysis in controversy and onto the world stage even as it threatened to dismantle the psychoanalytic collective. In the founding years of the first psychoanalytic periodicals, relational dynamics shaped the psychoanalytic corpus on religion. The psychoanalytic pioneers developed their ideas in tandem even if in protest to one another. Religion is a topic worthy of engagement, not least because the symbolized terrain in the history of religion was so often deployed as a vehicle for motivating, disciplining, or editing out a member of the psychoanalytic community in publication. This book offers an interdisciplinary approach to religion and psychology, including a compelling denouement that reveals new narratives about longstanding rumours in the early history of the psychoanalytic movement. Above all, this volume demonstrates that the first generation of psychoanalysts succeeded in writing themselves into the history of religious thought and sacralizing the origins of psychoanalysis. |
| the visual culture of chabad: Materiality and the Study of Religion Tim Hutchings, Joanne McKenzie, 2016-12-01 Material culture has emerged in recent decades as a significant theoretical concern for the study of religion. This book contributes to and evaluates this material turn, presenting thirteen chapters of new empirical research and theoretical reflection from some of the leading international scholars of material religion. Following a model for material analysis proposed in the first chapter by David Morgan, the contributors trace the life cycle of religious materiality through three phases: the production of religious objects, their classification as religious (or non-religious), and their circulation and use in material culture. The chapters in this volume consider how objects become and cease to be sacred, how materiality can be used to contest access to public space and resources, and how religion is embodied and performed by individuals in their everyday lives. Contributors discuss the significance of the materiality of religion across different religious traditions and diverse geographical regions, paying close attention to gender, age, ethnicity, memory and politics. The volume closes with an afterword by Manuel Vásquez. |
| the visual culture of chabad: The Embodied Eye David Morgan, 2012-02-01 Exploring a dazzling variety of religious imagery, David Morgan shows how vision functions as an active, physical process, embedded in bodily experience and profoundly shaped by social practice. Morgan's bold, thoughtful interpretations will fascinate art historians and students of visual culture as well as historians of religion.” -Pepe Karmel, Department of Art History, New York University The Embodied Eye is an important and truly groundbreaking book. It represents a substantive and quite fascinating extension of David Morgan's previous work- especially as it impressively shows us how 'seeing' is the primary medium of social life, and materially integrates the body of the individual and the body of the group. Morgan is unquestionably the pioneering theorist in the whole emergent field of Visual and Culture Studies as it relates to religion and art. -Norman Girardot, University Distinguished Professor, Lehigh University “Under David Morgan’s inspiring guidance, readers are taken on a dazzling journey through religious images that mediate worlds of faith. Embedding vision in the body, this book stands out with its thought-provoking approach to religious media as material and embodied interfaces that underpin the social construction of the sacred.” -Birgit Meyer, Professor of Religious Studies, Utrecht University |
| the visual culture of chabad: With Intent to Maim; An Autobiographical Narrative Kalman Dubov, 2020-10-06 This book describes my experiences being subjected to and living with abuse during my childhood and early adult years in the Lubavitch-Chabad community, in Brooklyn, New York. I discuss the effects this physical, emotional and psychological abuse had on my development and life, which resulted in my leaving this community and lifestyle. When I grew up in this community, the topic of abuse was either denied, or spoken about in whispers. Generally, even if abuse of a child was known, it was not reported to law enforcement, and the child was not protected from further abuse. The topic of reporting such crimes to the law enforcement authorities, for eventual criminal prosecution, is referred to as 'mosur' a term of revilement. Such a person, regardless of the crime(s) committed, is protected by the Jewish community and the victim is forced to face the abuse by himself/herself, without the benefit of communal embrace for resolution. Moreover, Jewish law excoriates a 'mosur' / informer, by exclusion from normative communal membership. These exclusions are embodied in codes of Jewish law which formalizes the process by vilifying the informer. The victim thereby faces a double attack. The first is by the predator, and the second by the code of silence forced upon the victim. The primary focus of this book regards the physical attack I endured at the hands of my mother. She was angered by my non-diligence in religious study motivating her to try to break my arm. I was eight years old at the time. And she was following the actions of another mother who broke the arm of her son for the same perverse reason. this attack was a life changing event. It forced to identify my mother, and others, as persons who represented a great danger to me, necessitating measures that resulted in distance and eventual examination of the fundamentals of this religious life and identity. I describe the other Jewish family that similarly abused a child. Similar to my own circumstance, no investigation or prosecution was ever conducted. I remain convinced other families from these ultra-Orthodox (Charedi) Jewish communities experienced similar, or worse, violence, but such violence was muted and not reported. My father was aware of the attack but did not intervene. I discuss the details of the abuse, as well as its aftermath, and the larger concatenates these events caused in my life. I conclude my narrative by stating that these acts, and especially community refusal to acknowledge and respond, is shameful and indefensible. A few persons reviewed this material prior to publication. While I remain grateful for their comments and recommendations, the publication reflects my own insights and I remain responsible for any errors or oversights. |
| the visual culture of chabad: Taking Stock Michal Kravel-Tovi, Deborah Dash Moore, 2016-06-27 Taking Stock is a collection of lively, original essays that explore the cultures of enumeration that permeate contemporary and modern Jewish life. Speaking to the profound cultural investment in quantified forms of knowledge and representation—whether discussing the Holocaust or counting the numbers of Israeli and American Jews—these essays reveal a social life of Jewish numbers. As they trace the uses of numerical frameworks, they portray how Jews define, negotiate, and enact matters of Jewish collectivity. The contributors offer productive perspectives into ubiquitous yet often overlooked aspects of the modern Jewish experience. |
| the visual culture of chabad: Becoming Frum Sarah Bunin Benor, 2012-11-15 When non-Orthodox Jews become frum (religious), they encounter much more than dietary laws and Sabbath prohibitions. They find themselves in the midst of a whole new culture, involving matchmakers, homemade gefilte fish, and Yiddish-influenced grammar. Becoming Frum explains how these newcomers learn Orthodox language and culture through their interactions with community veterans and other newcomers. Some take on as much as they can as quickly as they can, going beyond the norms of those raised in the community. Others maintain aspects of their pre-Orthodox selves, yielding unique combinations, like Matisyahu’s reggae music or Hebrew words and sing-song intonation used with American slang, as in “mamish (really) keepin’ it real.” Sarah Bunin Benor brings insight into the phenomenon of adopting a new identity based on ethnographic and sociolinguistic research among men and women in an American Orthodox community. Her analysis is applicable to other situations of adult language socialization, such as students learning medical jargon or Canadians moving to Australia. Becoming Frum offers a scholarly and accessible look at the linguistic and cultural process of “becoming.” |
| the visual culture of chabad: The Menorah Steven Fine, 2016-11-21 Introduction: Standing before the Arch of Titus menorah -- From Titus to Moses-and back -- Flavian Rome to the nineteenth century -- Modernism, Zionism, and the menorah -- Creating a national symbol -- A Jewish holy grail -- The menorah at the Vatican -- Illuminating the path to Armageddon |
| the visual culture of chabad: Piety and Rebellion Shaul Magid, 2019-09-17 Piety and Rebellion examines the span of the Hasidic textual tradition from its earliest phases to the 20th century. The essays collected in this volume focus on the tension between Hasidic fidelity to tradition and its rebellious attempt to push the devotional life beyond the borders of conventional religious practice. Many of the essays exhibit a comparative perspective deployed to better articulate the innovative spirit, and traditional challenges, Hasidism presents to the traditional Jewish world. Piety and Rebellion is an attempt to present Hasidism as one case whereby maximalist religion can yield a rebellious challenge to conventional conceptions of religious thought and practice. |
| the visual culture of chabad: Relational Judaism Dr. Ron Wolfson, 2013-02-15 How to transform the model of twentieth-century Jewish institutions into twenty-first-century relational communities offering meaning and purpose, belonging and blessing. What really matters is that we care about the people we seek to engage. When we genuinely care about people, we will not only welcome them; we will listen to their stories, we will share ours, and we will join together to build a Jewish community that enriches our lives. —from the Introduction Membership in Jewish organizations is down. Day school enrollment has peaked. Federation campaigns are flat. The fastest growing and second largest category of Jews is “Just Jewish.” Young Jewish adults are unengaged and aging baby boomers are disengaging. Yet, in the era of Facebook, people crave face-to-face community. “It's all about relationships.” With this simple, but profound idea, noted educator and community revitalization pioneer Dr. Ron Wolfson presents practical strategies and case studies to transform the old model of Jewish institutions into relational communities. He sets out twelve principles of relational engagement to guide Jewish lay leaders, professionals and community members in transforming institutions into inspiring communities whose value-proposition is to engage people and connect them to Judaism and community in meaningful and lasting ways. |
| the visual culture of chabad: Drawing the Iron Curtain Maya Balakirsky Katz, 2016-07-15 In the American imagination, the Soviet Union was a drab cultural wasteland, a place where playful creative work and individualism was heavily regulated and censored. Yet despite state control, some cultural industries flourished in the Soviet era, including animation. Drawing the Iron Curtain tells the story of the golden age of Soviet animation and the Jewish artists who enabled it to thrive. Art historian Maya Balakirsky Katz reveals how the state-run animation studio Soyuzmultfilm brought together Jewish creative personnel from every corner of the Soviet Union and served as an unlikely haven for dissidents who were banned from working in other industries. Surveying a wide range of Soviet animation produced between 1919 and 1989, from cutting-edge art films like Tale of Tales to cartoons featuring “Soviet Mickey Mouse” Cheburashka, she finds that these works played a key role in articulating a cosmopolitan sensibility and a multicultural vision for the Soviet Union. Furthermore, she considers how Jewish filmmakers used animation to depict distinctive elements of their heritage and ethnic identity, whether producing films about the Holocaust or using fellow Jews as models for character drawings. Providing a copiously illustrated introduction to many of Soyuzmultfilm’s key artistic achievements, while revealing the tumultuous social and political conditions in which these films were produced, Drawing the Iron Curtain has something to offer animation fans and students of Cold War history alike. |
Similar term to "visual" for audio? - English Language & U…
Dec 17, 2014 · I'm looking for a term for audio in form of the word visual. Visual is defined as of or relating to the sense of sight What could you call the sense of hearing? Also, what do you call …
What is the difference, if any, between 'art', 'the arts', and '…
Jun 6, 2011 · I would say "the arts" are a set of disciplines (each of which is "an art"), "art" without the article refers to the end result of those disciplines, typically (but not strictly) to the end …
word choice - What is the difference between "graphic" …
Graphic is also a noun, as in a visual graphic, whereas graphical is only an adjective. However, there are phrases where graphic is conventionally used, other phrases where graphical is the …
sense verbs - a word like "visual", "auditory", except fo…
Dec 6, 2014 · 11 Hah Google Sets was actually useful for something! Results for inputting visual, olfactory, and auditory were: visual olfactory auditory gustatory tactile kinesthetic …
What is the effect called when one looks at a bright light, an…
Jul 5, 2011 · No, visual burn does exist, but is something different. Sometimes called 'navigator's eyeball', it refers to a condition where constantly looking at a bright light, (such as the sun …
Similar term to "visual" for audio? - English Language & U…
Dec 17, 2014 · I'm looking for a term for audio in form of the word visual. Visual is defined as of or relating to the sense of sight What could you call the sense of hearing? Also, what do you call …
What is the difference, if any, between 'art', 'the arts', and '…
Jun 6, 2011 · I would say "the arts" are a set of disciplines (each of which is "an art"), "art" without the article refers to the end result of those disciplines, typically (but not strictly) to the end …
word choice - What is the difference between "graphic" …
Graphic is also a noun, as in a visual graphic, whereas graphical is only an adjective. However, there are phrases where graphic is conventionally used, other phrases where graphical is the …
sense verbs - a word like "visual", "auditory", except fo…
Dec 6, 2014 · 11 Hah Google Sets was actually useful for something! Results for inputting visual, olfactory, and auditory were: visual olfactory auditory gustatory tactile kinesthetic …
What is the effect called when one looks at a bright light, an…
Jul 5, 2011 · No, visual burn does exist, but is something different. Sometimes called 'navigator's eyeball', it refers to a condition where constantly looking at a bright light, (such as the sun …
