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| the tales of wudan: Clown World Jamie Tahsin, Matt Shea, 2024-09-26 'This gripping book is destined to become THE book about Andrew Tate' Jon Ronson 'A fascinating and disturbing investigation' Ian Hislop The behind-the-scenes story of a four-year investigation into Andrew Tate, exploring how a failed reality TV star turned accused organised criminal managed to become one of the most famous influencers in the world. In 2022, Andrew Tate went from a little-known kickboxer and failed reality TV star to a lifestyle icon for legions of men and boys, and a figure that would define a new era of misogyny. Tate started the year as a fringe internet celebrity, but by August he was the most googled man in the world. In that same month, Matt Shea and Jamie Tahsin gained access to his Bucharest compound and infamous War Room, making a documentary that would result in the first women coming forward to accuse him publicly of sexual and physical violence. Tate would end the year in a Romanian jail, facing charges of human trafficking, rape and being part of an organised crime group. But the investigations wouldn't stop there. Part Gonzo journalism, part masculinity rabbit hole, this book takes you on Shea and Tahsin's journey to reveal the dark secrets of Andrew Tate, the machine that brought him here, and the ideology he has unleashed on a generation of young men. 'A sobering, strange and eye-opening look into the toxic manosphere. It should be required reading for anybody worried about the rise of incel culture and Andrew Tate' Zing Tsjeng 'Rarely have I read anything so politically important that's also so gripping' Zoe Williams |
| the tales of wudan: The Devil and Sherlock Holmes David Grann, 2010-03-09 From the #1 New York Times bestselling author of Killers of the Flower Moon and The Wager—and one of the most gifted reporters and storytellers of his generation—comes a “horrifying, hilarious, and outlandish” (Entertainment Weekly) collection of gripping true crime mysteries about people whose obsessions propel them into unfathomable and often deadly circumstances. [Grann is] one of the preeminent adventure and true-crime writers working today.—New York Magazine Whether David Grann is investigating a mysterious murder, tracking a chameleon-like con artist, or hunting an elusive giant squid, he has proven to be a superb storyteller. In The Devil and Sherlock Holmes, Grann takes the reader around the world, revealing a gallery of rogues and heroes with their own particular fixations who show that truth is indeed stranger than fiction. Look for David Grann’s latest bestselling book, The Wager! |
| the tales of wudan: Into the Dark Craig Detweiler, 2008-08 A Hollywood screenwriter/producer and film professor explores forty-five of the twenty-first century's most popular films as vehicles of common grace. |
| the tales of wudan: The Craft of Science Writing Siri Carpenter, 2024-11-05 A deeply sourced, inclusive guide to all aspects of science writing with contributions from some of the most skilled and award-winning authors working today. Science writing has never been so critical to our world, and the demands on writers have never been greater. On any given day, a writer might need to explain the details of AI, analyze developments in climate change research, or serve as a watchdog helping to ensure the integrity of the scientific enterprise. At the same time, writers must spin tales that hook and keep readers, despite the endless other demands on their attention. How does one do it? The Craft of Science Writing is the authoritative guide. With pieces curated from the archives of science writers' go-to online resource, The Open Notebook, this book explores strategies for finding and shaping story ideas, pitching editors, and building a specialty in science writing. It delves into fundamental skills that every science writer must learn, including planning their reporting; identifying, interviewing, and quoting sources; organizing interview notes; and crafting stories that engage and inform audiences. This expanded edition includes new introductory material and nine new essays focusing on such topics as how to establish a science beat, how to find and use quotes, how to critically evaluate scientific claims, how to use social media for reporting, and how to use data. In addition, there are essays on inclusivity in science writing, offering strategies for eradicating ableist language from stories, working with sensitivity readers, and breaking into English-language media for speakers of other languages. Through interviews with leading journalists offering behind-the-scenes inspiration as well as in-depth essays on the craft offering practical advice, readers will learn how the best science stories get made, from conception to completion. Contributors: Humberto Basilio, Siri Carpenter, Tina Casagrand, Jeanne Erdmann, Dan Ferber, Geoffrey Giller, Laura Helmuth, Jane C. Hu, Alla Katsnelson, Roxanne Khamsi, Betsy Ladyzhets, Jyoti Madhusoodanan, Amanda Mascarelli, Robin Meadows, Kate Morgan, Tiên Nguyễn, Michelle Nijhuis, Aneri Pattani, Rodrigo Pérez Ortega, Mallory Pickett, Kendall Powell, Tasneem Raja, Sandeep Ravindran, Marion Renault, Julia Rosen, Megha Satyanarayana, Christina Selby, Knvul Sheikh, Abdullahi Tsanni, Alexandra Witze, Katherine J. Wu, Wudan Yan, Ed Yong, Rachel Zamzow, Sarah Zhang, and Carl Zimmer |
| the tales of wudan: A General History of Chinese Art Xifan Li, 2022-10-03 This volume investigates the artistic development during the Qing Dynasty, the last of imperial Chinese dynasties, and shows the importance of opera and playwriting during this time period. Further analysis is dedicated to the development of scroll painting and the revival of calligraphy and seal carving. A General History of Chinese Art comprises six volumes with a total of nine parts spanning from the Prehistoric Era until the 3rd year of Xuantong during the Qing Dynasty (1911). The work provides a comprehensive compilation of in-depth studies of the development of art throughout the subsequent reign of Chinese dynasties and explores the emergence of a wide range of artistic categories such as but not limited to music, dance, acrobatics, singing, story telling, painting, calligraphy, sculpture, architecture, and crafts. Unlike previous reference books, A General History of Chinese Art offers a broader overview of the notion of Chinese art by asserting a more diverse and less material understanding of arts, as has often been the case in Western scholarship. |
| the tales of wudan: Female Action Heroes Gladys L. Knight, 2010-06-08 This book offers 25 profiles of some of the most popular female action heroes throughout the history of film, television, comic books, and video games. Female action heroes, like other fictional characters, not only reveal a lot about society, but greatly influence individuals in society. It is no surprise that the gradual development and increase in the number of female action heroes coincides with societal changes and social movements, such as feminism. Nor is it a surprise that characteristics of female action heroes echo the progressive toughening of women and young girls in the media. Female Action Heroes: A Guide to Women in Comics, Video Games, Film, and Television brings to the forefront the historical representation of women and girls in film, television, comic books, and video games. The book includes profiles of 25 of the most popular female action heroes, arranged in alphabetical order for easy reference. Each chapter includes sections on the hero's origins, her power suit, weapons, abilities, and the villains with whom she grapples. Most significantly, each profile offers an analysis of the hero's story—and her impact on popular culture. |
| the tales of wudan: Crouching Tiger, Hidden Dragon Huiling Wang, 2000-12-04 Commentaries about the making of the film accompany the complete screenplay of the martial arts drama set in ancient China. |
| the tales of wudan: Huju Jonathan P. J. Stock, 2003-04-10 China has over three hundred distinct styles of music drama, from exorcism theatre to farce, historical romance, and shadow puppetry. This study considers one of the newer operatic forms. Established just two centuries ago, huju (Shanghai opera), is renowned for its portrayal of ordinary people, not the emperors, courtesans, and heroes of older forms. Acting and make-up aim for realism rather than symbolism, and stories deal with contemporaneous themes: the struggles of lovers to marry, women's rights after the Communist revolution (1949), and life under the new social order established by Deng Xiaoping's reforms in the 1980s. Music ranges from local folksong to syncretic adoptions of Western popular music. Jonathan Stock is an authority on Chinese music, with previous books on Chinese flute and violin solos and Abing, a twentieth-century composer. Adding to his extensive research on Chinese music, Stock's eighteen months of fieldwork in Shanghai allows him to interweave material from historical reports, sound recordings, live performance, and the first-hand accounts of three generations of singers into a study of a unique Chinese opera form seen equally as historical tradition, venue for social action, and forum for musical creativity. Assessing first the roots of huju in local folksong and ballad, he looks at the enduring role of emotional expressivity. He next focuses on the rise of actresses, laying out a specially 'musical' reading of gendered performance. Further chapters reverse conventional ethnomusicological arguments that music constructs place by looking at how Shanghai's institutions before 1949 shaped the environment within which troupes developed new dramatic materials and competed for work. In considering reforms post-1949, the author shows how the infusion of explicit political content actually weakened the expressive impact of these dramas. Finally, developments since 1980 are reviewed. The book includes songs and illustrations of performance styles. An innovative combination of urban and historical ethnomusicology, the book's findings will engage the historian of China and general scholar of music alike. |
| the tales of wudan: Regional Literature and the Transmission of Culture Margaret B. Wan, 2021-03-08 Regional Literature and the Transmission of Culture provides a richly textured picture of cultural transmission in the Qing and early Republican eras. Drum ballad texts (guci) evoke one of the most popular performance traditions of their day, a practice that flourished in North China. Study of these narratives opens up surprising new perspectives on vital topics in Chinese literature and history: the creation of regional cultural identities and their relation to a central “Chinese culture”; the relationship between oral and written cultures; the transmission of legal knowledge and popular ideals of justice; and the impact of the changing technology of the late nineteenth and early twentieth centuries on the reproduction and dissemination of popular texts. Margaret B. Wan maps the dissemination over time and space of two legends of wise judges; their journey through oral, written, and visual media reveals a fascinating but overlooked world of “popular” literature. While drum ballads form a distinctively regional literature, lithography in early twentieth-century Shanghai drew them into national markets. The new paradigm this book offers will interest scholars of cultural history, literature, book culture, legal history, and popular culture. |
| the tales of wudan: If It's Purple, Someone's Gonna Die: The Power of Color in Visual Storytelling Patti Bellantoni, 2012-10-02 If it's Purple, Someone's Gonna Die is a must-read book for all film students, film professionals, and others interested in filmmaking. This enlightening book guides filmmakers toward making the right color selections for their films, and helps movie buffs understand why they feel the way they do while watching movies that incorporate certain colors. Guided by her twenty-five years of research on the effects of color on behavior, Bellantoni has grouped more than 60 films under the spheres of influence of six major colors, each of which triggers very specific emotional states. For example, the author explains that films with a dominant red influence have themes and characters that are powerful, lusty, defiant, anxious, angry, or romantic and discusses specific films as examples. She explores each film, describing how, why, and where a color influences emotions, both in the characters on screen and in the audience. Each color section begins with an illustrated Home Page that includes examples, anecdotes, and tips for using or avoiding that particular color. Conversations with the author's colleagues-- including award-winning production designers Henry Bumstead (Unforgiven) and Wynn Thomas (Malcolm X) and renowned cinematographers Roger Deakins (The Shawshank Redemption) and Edward Lachman (Far From Heaven)--reveal how color is often used to communicate what is not said. Bellantoni uses her research and experience to demonstrate how powerful color can be and to increase readers awareness of the colors around us and how they make us feel, act, and react. *Learn how your choice of color can influence an audience's moods, attitudes, reactions, and interpretations of your movie's plot *See your favorite films in a new light as the author points out important uses of color, both instinctive and intentional *Learn how to make good color choices, in your film and in your world. |
| the tales of wudan: The New Atheist Novel Arthur Bradley, 2010-04-15 The first major examination of the New Atheism as a literary phenomenon. |
| the tales of wudan: Song of the Six Realms Judy I. Lin, 2024-04-23 AN INSTANT NEW YORK TIMES BESTSELLER! Judy I. Lin, #1 New York Times bestselling author of A Magic Steeped in Poison, weaves a dreamy standalone romance about a talented musician swept away to the Celestial Realm by a handsome duke in Song of the Six Realms. Xue, a talented young musician, has no past and probably no future. Orphaned at a young age, her kindly poet uncle took her in and arranged for an apprenticeship at one of the most esteemed entertainment houses in the kingdom. She doesn’t remember much from before entering the House of Flowing Water, and when her uncle is suddenly killed in a bandit attack, she is devastated to lose her last connection to a life outside of her indenture contract. With no family and no patron, Xue is facing the possibility of a lifetime of servitude playing the qin for nobles that praise her talent with one breath and sneer at her lowly social status with the next. Then one night she is unexpectedly called to the garden to put on a private performance for the enigmatic Duke Meng. For a young man of nobility, he is strangely kind and awkward, and surprises Xue further with an irresistible offer: serve as a musician in residence at his manor for one year, and he’ll set her free of her indenture. But the Duke’s motives become increasingly more suspect when he and Xue barely survive an attack by a nightmarish monster, and when he whisks her away to his estate, she discovers he’s not just some country noble: He’s the Duke of Dreams, one of the divine rulers of the Celestial Realm. There she learns the Six Realms are on the brink of disaster, and incursions by demonic beasts are growing more frequent. The Duke needs Xue’s help to unlock memories from her past that could hold the answers to how to stop the impending war... but first Xue will need to survive being the target of every monster and deity in the Six Realms. Also by Judy I. Lin: A Magic Steeped in Poison A Venom Dark and Sweet |
| the tales of wudan: F*ckface Leah Hampton, 2020-07-14 Named a Best Book of 2020 by Slate, Electric Literature, and PopMatters F*ckface is a brassy, bighearted debut collection of twelve short stories about rurality, corpses, honeybee collapse, and illicit sex in post-coal Appalachia. The twelve stories in this knockout collection—some comedic, some tragic, many both at once—examine the interdependence between rural denizens and their environment. A young girl, desperate for a way out of her small town, finds support in an unlikely place. A ranger working along the Blue Ridge Parkway realizes that the dark side of the job, the all too frequent discovery of dead bodies, has taken its toll on her. Haunted by his past, and his future, a tech sergeant reluctantly spends a night with his estranged parents before being deployed to Afghanistan. Nearing fifty and facing new medical problems, a woman wonders if her short stint at the local chemical plant is to blame. A woman takes her husband’s research partner on a day trip to her favorite place on earth, Dollywood, and briefly imagines a different life. In the vein of Bonnie Jo Campbell and Lee Smith, Leah Hampton writes poignantly and honestly about a legendary place that’s rapidly changing. She takes us deep inside the lives of the women and men of Appalachia while navigating the realities of modern life with wit, bite, and heart. |
| the tales of wudan: Visions and Revisions Roger Kojecký, Andrew Tate, 2013 Literary texts are more or less obliged to make reference to entities beyond themselves. Drawing on other texts, ideas previously written, or on the resources of language, they make their attempts to communicate, entertain, and enlist sympathy, or even to offer counsel. Some texts profess an a priori vision, others adopt a style of reporting only contingencies. A dialogic relation can be posited between the ideal and the real, heaven and earth, imagination and reason, langue and parole, essence and substance, poetry and prose. The poetic and creative impulse is engaged with an ever present need to purify the dialect of the tribe. The topics in Visions and Revisions reflect writersâ (TM) labours with form at whatever distance from the original sources of inspiration. The authors discussed include William Blake, Marilynne Robinson, Salman Rushdie, William Golding, John Irving, David Lodge, Sara Maitland and Hilary Mantel. Verbal by definition, texts make use of other texts and are dependent on the cultural matrix. Readers are also writers in one kind or another. In both modes they may gain impetus or inspiration by re-visioning their origins as well as their ends. This book will offer readers new ways to understand the literary creations of some writers with affinities to the Western spiritual, and specifically Christian, tradition. |
| the tales of wudan: Righteous Blood, Ruthless Blades Brendan Davis, Jeremy Bai, 2020-12-10 Righteous Blood, Ruthless Blades is a roleplaying game of dark adventure and heroic thrills inspired primarily by the wuxia stories of Gu Long. Players assume the roles of eccentric heroes who solve mysteries, avenge misdeeds, uphold justice, and demonstrate profound mastery of the martial arts. Character creation is designed to produce fleshed-out, potent individuals who can follow several paths, including those of the physician, beggar, assassin, thief, soldier, bandit, and more. These characters inhabit a unique martial world, or Jianghu, set in a romanticized ancient China. The towns, temples, and inns the characters can visit, and the sects and factions with whom they interact, will bring their own character to the game and provide a host of opportunities – and threats. The game is based on a simple ten-sided dice pool mechanic, loosely modeled on the one found in Wandering Heroes of Ogre Gate, and play is designed to be gritty, suspenseful, and fast, so the focus remains on solving mysteries and roleplaying your character. When combat does arise, it is consequential and swift, and often resolved in a single role of the dice. This rulebook includes a sample martial world and a starting adventure, as well as guidelines for games masters looking to run wuxia games and create their own unique Jianghu, rife with martial experts, sects, and mysterious locations. |
| the tales of wudan: Authentic Shaolin Heritage Jin Jing Zhong, Andrew Timofeevich, 2006-09-01 Devoted to the most enigmatic and little-known aspect of training of Shaolin monks. Training methods allow supernatural abilites to develop, far beyond abilities of an ordinary man. The book was writen with the blessing and direct participation of the Head of the Shaolin Monastery Reverend Miao Xing, nicknamed The Golden Arhat, one of the best Shaolin fighters of all times. These secret practices traditionally called 72 arts of Shaolin or the essence of the Shaolin Combat Training. |
| the tales of wudan: A Handbook of Chinese Cultural Terms Gao Wanlong, Frances Weightman, 2012 This handbook is specially designed to meet the needs of both Chinese and English readers, researchers, and translators who are interested in Chinese culture. The Chinese cultural terms included in this book cover almost all the aspects of Chinese culture, literary, artistic, religious, philosophical, folkloric, classical, vernacular and so on. As many of them have not their English equivalents, the authors have tried to find the corresponding English terms for them as much as possible so that they can be conductive to the readers' grasp of the Chinese cultural terms and phrases when they read or translate a Chinese book about Chinese culture. This book is indispensible and very useful to sinologists, Chinese-English translators and tour guides. |
| the tales of wudan: A Glossary of Words and Phrases in the Oral Performing and Dramatic Literatures of the Jin, Yuan, and Ming Dale Johnson, 2021-01-19 For many years, the oral performing and dramatic literatures of China from 1200 to 1600 CE were considered some of the most difficult texts in the Chinese corpus. They included ballad medleys, comic farces, Yuan music dramas, Ming music dramas, and the novel Shuihu zhuan. The Japanese scholars who first dedicated themselves to study these works in the mid-twentieth century were considered daring. As late as 1981, no comprehensive dictionary or glossary for this literature existed in any language, Asian or Western. A Glossary of Words and Phrases fills this gap for Western readers, allowing even a relative novice who has resonable command of Chinese to read, translate, and appreciate this great body of literature with an ease undreamed of even two decades ago. The Glossary is organized into approximately 8,000 entries based on the reading notes and glosses found in various dictionaries, thesauruses, glossaries, and editions of works from the period. Main entries are listed alphabetically in the pinyin romanization system. In addition to glosses, entries include symbolic annotations, guides to pronunciation, and text citations. The result is a broadly useful glossary serving the needs of students of this literature as well as scholars researching Jin and Yuan language and its usage. |
| the tales of wudan: To Ride Hell's Chasm Janny Wurts, 2003 Fantasy-roman. |
| the tales of wudan: Chinese Shadow Theatre Fan Pen Li Chen, 2007-06-21 In her study of Chinese shadow theatre Fan Pen Li Chen documents and corrects misconceptions about this once-popular art form. Drawing on extensive research and fieldwork, she argues that these plays served a mainly religious function during the Qing dynasty and that the appeal of women warrior characters reflected the lower classes' high tolerance for the unorthodox and subversive. Chinese Shadow Theatre includes several rare transcriptions of oral performances, including a didactic play on the eighteen levels of Hell, and Investiture of the Gods, a sacred saga, and translations of three rare, hand-copied shadow plays featuring religious themes and women warrior characters. Chen examines the relationship between historical and fictional women warriors and those in military romances and shadow plays to demonstrate the significance of both printed works and oral transmission in the diffusion of popular culture. She also shows that traditional folk theatre is a subject for serious academic study by linking it to recent scholarship on drama, popular religion, and popular culture. |
| the tales of wudan: Routledge Handbook of Asian Theatre Siyuan Liu, 2016-02-05 Routledge Handbook of Asian Theatre is an advanced level reference guide which surveys the rich and diverse traditions of classical and contemporary performing arts in Asia, showcasing significant scholarship in recent years. An international team of over 50 contributors provide authoritative overviews on a variety of topics across Asia, including dance, music, puppetry, make-up and costume, architecture, colonialism, modernity, gender, musicals, and intercultural Shakespeare. This volume is divided into four sections covering: Representative Theatrical Traditions in Asia. Cross-Regional Aspects of Classical and Folk Theatres. Modern and Contemporary Theatres in Asian Countries. Modernity, Gender Performance, Intercultural and Musical Theatre in Asia. Offering a cutting edge overview of Asian theatre and performance, the Handbook is an invaluable resource for academics, researchers and students studying this ever-evolving field. |
| the tales of wudan: Kent Records , 1914 |
| the tales of wudan: Inscribing Jingju/Peking Opera David Rolston, 2021 What was the most influential mass medium in China before the internet? Jingju (Peking opera)! Although its actors were commonly thought to have been illiterate, written and other inscripted versions of plays became more and more important and varied. This book shows how increasing textualization and the resulting fixation of a performance tradition that once privileged improvisation changed the genre. It traces, from Jingju's birth in the 19th century to the present, how texts were used for the production and consumption of this important performance genre and the changes in the concepts of authorship, copyright, and performance rights that took place during the process. The state's desire to police what was performed is shown to have been a major factor in these changes. The scope and coverage of the book is already unprecedented, but it is also supplemented by an additional chapter (on where the plays were performed, who performed them, and who went to see them) available for download online-- |
| the tales of wudan: The Buddhist Conquest of China Erik Zürcher, 2007-03-30 At the repeated request of many scholars and students here is a new edition of E. Zürcher's groundbreaking The Buddhist Conquest of China. In his extensive introduction Stephen F. Teiser (D.T. Suzuki Professor in Buddhist Studies, Princeton University) explains why the book is still the standard in the field of early Chinese Buddhism. |
| the tales of wudan: Douglas Coupland Andrew Tate, 2007 This book is the first full-length study of Douglas Coupland, one of the twenty-first century's most innovative and influential novelists. The study explores the prolific first decade and a half of Coupland's career, from Generation X: Tales for an Accelerated Culture (1991) to JPod (2006), a period in which he published ten novels and four significant volumes of non-fiction. Designed for students, researchers and general readers alike, the study is structured around thematically focused chapters that consider Coupland's engagement with narrative, consumer culture, space, religion and ideas of the future. |
| the tales of wudan: A Handbook to Kent Records Irene Josephine Churchill, 1914 |
| the tales of wudan: Message in a Mobile Siri Lamoureaux, 2011 This detailed, meticulous ethnographic study on mobile phone use among Nuba students at the University of Khartoum in Sudan, distinguishes itself from other studies by taking a focused look at the linguistic content of mobile phone interactions via text-messaging, portraying it as a site for the expression of personalized and affective language. While men and women appear to be equally aggressive consumers and producers of text-message poetry, women are formally discouraged in using the phone for relations that go beyond the publicly acceptable norms of keeping in touch and making arrangements. Nonetheless, women use it for such purposes and many manage it discreetly, showing how this technology can serve to subvert discursive norms on gender and marriage. The mobile phone in Sudan enhances individual autonomy over interactions, making possible the extension and creation of social spaces. It simultaneously enlarges private space and trespasses into public space. Poetic themes and language, previously limited to elite producers - those both more literate and who had control over mass media domains, radio and newspapers - are exposed to anonymous recipients, who draw from, copy or forward them in continuous circulation, thereby staking a claim in the public sphere. Similarly, the mobile phone serves as a site for the exercise of several layers of identity in negotiation, and reflects or creates alternative identities and the contestation of existing discourses, communities in physical space and notions of belonging. |
| the tales of wudan: Message in a Mobile Siri Lamoureaux, 2011-11-01 This detailed, meticulous ethnographic study on mobile phone use among Nuba students at the University of Khartoum in Sudan, distinguishes itself from other studies by taking a focused look at the linguistic content of mobile phone interactions via text-messaging, portraying it as a site for the expression of personalized and affective language. While men and women appear to be equally aggressive consumers and producers of text-message poetry, women are formally discouraged in using the phone for relations that go beyond the publicly acceptable norms of keeping in touch and making arrangements. Nonetheless, women use it for such purposes and many manage it discreetly, showing how this technology can serve to subvert discursive norms on gender and marriage. The mobile phone in Sudan enhances individual autonomy over interactions, making possible the extension and creation of social spaces. It simultaneously enlarges private space and trespasses into public space. Poetic themes and language, previously limited to elite producers those both more literate and who had control over mass media domains, radio and newspapers are exposed to anonymous recipients, who draw from, copy or forward them in continuous circulation, thereby staking a claim in the public sphere. Similarly, the mobile phone serves as a site for the exercise of several layers of identity in negotiation, and reflects or creates alternative identities and the contestation of existing discourses, communities in physical space and notions of belonging. |
| the tales of wudan: The DVD Stack Nick Bradshaw, 2006 |
| the tales of wudan: Top 10 Beijing Andrew Humphreys, 2013-08-01 Now available in ePub format. DK Eyewitness Top 10 Travel Guide: Beijing will lead you straight to the very best on offer. Whether you're looking for the things not to miss at the Top 10 sights, or want to find the best nightspots; this guide is the perfect companion. Rely on dozens of Top 10 lists - from the Top 10 museums to the Top 10 events and festivals - there's even a list of the Top 10 things to avoid. The guide is divided by area with restaurant reviews for each, as well as recommendations for hotels, bars and places to shop. You'll find the insider knowledge every visitor needs and explore every corner effortlessly with DK Eyewitness Top 10 Travel Guide: Beijing. DK Eyewitness Top 10 Travel Guide: Beijing - showing you what others only tell you. |
| the tales of wudan: The Medieval Hero on Screen Martha W. Driver, Sid Ray, 2003-12-31 Few figures have captured Hollywood's and the public's imagination as completely as have medieval heroes. Cast as chivalric knight, warrior princess, alpha male in tights, or an amalgamation, and as likely to appear in Hong Kong action flicks and spaghetti westerns as films set in the Middle Ages, the medieval hero on film serves many purposes. This collection of essays about the medieval hero on screen, contributed by scholars from a variety of disciplines, draws upon a wide range of movies and medieval texts. The essays are grouped into five sections, each with an introduction by the editors: an exploration of historic authenticity; heroic children and the lessons they convey to young viewers; medieval female heroes; the place of the hero's weapon in pop culture; and teaching the medieval movie in the classroom. Thirty-two film stills illustrate the work, and each essay includes notes, a filmography, and a bibliography. There is a foreword by Jonathan Rosenbaum, and an index is included. Instructors considering this book for use in a course may request an examination copy here. |
| the tales of wudan: The New Wedding Book Michelle Bilodeau, Karen Cleveland, 2021-04-20 Plan your wedding without the weight of outdated customs and get hitched in a way that is authentic, fun, and true to who you are. From the minute couples become engaged, they are pressured to buy into a one-size-fits-all wedding. By breaking down the antiquated traditions of that #blessedweddingday, The New Wedding Book will help you and your betrothed throw those icky traditions to the curb in honour of having the wedding of your actual dreams — not the one you've been force-fed for decades by the wedding-industrial complex. Inspiring couples to plan their wedding in a way that is meaningful to them, Bilodeau and Cleveland debunk the manufactured traditions, advocate for realistic budgets, offer brilliant advice from real-life couples, and confront the crushing pressure for weddings to be perfect. |
| the tales of wudan: Apocalyptic Fiction Andrew Tate, 2017-01-26 Visions of post-apocalyptic worlds have proved to be irresistible for many 21st-century writers, from literary novelists to fantasy and young adult writers. Exploring a wide range of texts, from the works of Margaret Atwood, Cormac McCarthy, Tom Perrotta and Emily St. John Mandel to young adult novels such as Suzanne Collins's The Hunger Games series, this is the first critical introduction to contemporary apocalyptic fiction. Exploring the cultural and political contexts of these writings and their echoes in popular media, Apocalyptic Fiction also examines how contemporary apocalyptic texts looks back to earlier writings by the likes of Mary Shelley, H.G. Wells and J.G. Ballard. Apocalyptic Fiction includes an annotated guide to secondary readings, making this an essential guide for students of contemporary fiction at all levels. |
| the tales of wudan: The Old English Lives of St Martin of Tours Andre Mertens, 2017 St Martin of Tours is one of Christianity’s major saints and his significance reaches far beyond the powerful radiance of his iconic act of charity. While the saint and his cult have been researched comprehensively in Germany and France, his cult in the British Isles proves to be fairly unexplored. Andre Mertens closes this gap for Anglo-Saxon England by editing all the age’s surviving texts on the saint, including a commentary and translations. Moreover, Mertens looks beyond the horizon of the surviving body of literary relics and dedicates an introductory study to an analysis of the saint’s cult in Anglo-Saxon England and his significance for Anglo-Saxon culture. |
| the tales of wudan: The Cinema Effect Sean Cubitt, 2004 A history of images in motion that explores thespecial effect of cinema. |
| the tales of wudan: Demonology Revealed Oneil McQuick, 2006-07-09 |
| the tales of wudan: World Cinema through Global Genres William V. Costanzo, 2014-01-28 World Cinema through Global Genres introduces the complex forces of global filmmaking using the popular concept of film genre. The cluster-based organization allows students to acquire a clear understanding of core issues that apply to all films around the world. Innovative pedagogical approach that uses genres to teach the more unfamiliar subject of world cinema A cluster-based organization provides a solid framework for students to acquire a sharper understanding of core issues that apply to all films around the world A “deep focus” section in each chapter gives students information and insights about important regions of filmmaking (India, China, Japan, and Latin America) that tend to be underrepresented in world cinema classes Case studies allow students to focus on important and accessible individual films that exemplify significant traditions and trends A strong foundation chapter reviews key concepts and vocabulary for understanding film as an art form, a technology, a business, an index of culture, a social barometer, and a political force. The engaging style and organization of the book make it a compelling text for both world cinema and film genre courses |
| the tales of wudan: Heaven Sword and Dragon Sabre Louis Cha, Wing Shing Ma, 2005-04-04 Wuji battles all the Masters and yet no one recognises he is the son of Jay Shan Chang. Walking a fine line between good and supposed evil, Wuji must defeat the enemy but not injure anyone. The righteous clans demand justice but his grandfather - his last known blood relation - is one of the Ming Sect's head officials. |
| the tales of wudan: The Art of Kung Fu Panda Tracey Miller-Zarneke, Jack Black, 2008 A guide to the art of the animated film provides information about the drawing of the characters, locations, and dream sequence. |
| the tales of wudan: Lady Precious Stream S. I. Hsiung, 2017-04-07 A beautiful romantic drama of love fidelity treachery and poetry presented in the style of traditional Chinese theatre. |
tales是什么意思_tales的翻译_音标_读音_用法_例句_爱词霸在线词典
爱词霸权威在线词典,为您提供tales的中文意思,tales的用法讲解,tales的读音,tales的同义词,tales的反义词,tales的例句等英语服务。
tale是什么意思_tale的翻译_音标_读音_用法_例句_爱词霸在线词典
I've heard tales of people seeing ghosts in that house. 我听说有人在那栋房子里见到过鬼。 牛津词典
fairy tale是什么意思_fairy tale的翻译_音标_读音_用法_例句_爱词霸 …
金山词霸致力于为用户提供高效、精准的在线翻译服务，支持中、英、日、韩、德、法等177种语言在线翻译，涵盖即时免费的AI智能翻译、英语翻译、俄语翻译、日语翻译、韩语翻译、图片 …
inspiring是什么意思_inspiring的翻译_音标_读音_用法_例句_爱词霸 …
金山词霸致力于为用户提供高效、精准的在线翻译服务，支持中、英、日、韩、德、法等177种语言在线翻译，涵盖即时免费的AI智能翻译、英语翻译、俄语翻译、日语翻译、韩语翻译、图片 …
posthumous是什么意思_posthumous的翻译_音标_读音_用法_例句…
Dead men hear no tales; posthumous fame an Irish bull. 死人无耳, 死后的名声等于风马牛. 期刊摘选
tales是什么意思_tales的翻译_音标_读音_用法_例句_爱词霸在线词典
爱词霸权威在线词典,为您提供tales的中文意思,tales的用法讲解,tales的读音,tales的同义词,tales的反义词,tales的例句等英语服务。
tale是什么意思_tale的翻译_音标_读音_用法_例句_爱词霸在线词典
I've heard tales of people seeing ghosts in that house. 我听说有人在那栋房子里见到过鬼。 牛津词典
fairy tale是什么意思_fairy tale的翻译_音标_读音_用法_例句_爱词霸 …
金山词霸致力于为用户提供高效、精准的在线翻译服务，支持中、英、日、韩、德、法等177种语言在线翻译，涵盖即时免费的AI智能翻译、英语翻译、俄语翻译、日语翻译、韩语翻译、图片翻译、文档翻 …
inspiring是什么意思_inspiring的翻译_音标_读音_用法_例句_爱词霸 …
金山词霸致力于为用户提供高效、精准的在线翻译服务，支持中、英、日、韩、德、法等177种语言在线翻译，涵盖即时免费的AI智能翻译、英语翻译、俄语翻译、日语翻译、韩语翻译、图片翻译、文档翻 …
posthumous是什么意思_posthumous的翻译_音标_读音_用法_例句…
Dead men hear no tales; posthumous fame an Irish bull. 死人无耳, 死后的名声等于风马牛. 期刊摘选
