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| the secret room alain robbe grillet: Understanding Alain Robbe-Grillet Roch C. Smith, 2000 Transforming bewilderment into understanding and pleasure while preserving a sense of Robbe-Grillet's considerable richness and complexity, Smith elucidates the defining elements of the writer's fictional world - characters that barely exist, changeable narrators, plots that defy logic, notoriously meticulous descriptions that never quite form a complete story. Smith examines Robbe-Grillet's embrace of discontinuity, circularity, indeterminacy, and linguistic play. Smith also poses questions about how we should view this perplexing writer: as an author of hyperobjective novels and short stories, a subjective novelist, a realist, or a writer who undermines the narrative's claim to represent reality. In addition Smith evaluates the sado-erotic imagery of Robbe-Grillet's middle and late novels as a metaphorical play with textual and social conventions.--BOOK JACKET. |
| the secret room alain robbe grillet: The Erasers Alain Robbe-Grillet, 2015-06-23 The first book from the French avant-gardist and author of Jealousy. “Robbe-Grillet is the forerunner of a revolution in the novel” (Claude Mauriac, cultural critic for Le Figaro). Alain Robbe-Grillet is internationally hailed as the chief spokesman for the nouveau roman and one of the great novelists of the twentieth century. The Erasers, his first novel, reads like a detective story but is primarily concerned with weaving and then probing a complete mixture of fact and fantasy. The narrative spans the twenty-four-hour period following a series of eight murders in eight days, presumably the work of a terrorist group. After the ninth murder, the investigation is turned over to a police agent—who may in fact be the assassin. Both an engrossing mystery and a sinister deconstruction of reality, The Erasers intrigues and unnerves with equal force as it pulls us along to its ominous conclusion. “On the surface, and surface is the key word with this author, The Erasers is a mystery story, where a police agent named Wallas stalks an unknown assassin through a nameless puzzleboard Flemish town . . . Nothing is certain. The only thing the reader can be sure of is the laser precise detail in which all that isn’t clear is described, catalogued and analyzed.” —The Millions “A haunting, mystifying evocation of a murder that will keep your attention riveted.” —The Dallas Morning News Praise for Alain Robbe-Grillet “I can think of no other writer who can render the banal so fearfully fantastic.” —Books and Bookmen “I doubt that fiction as art can any longer be seriously discussed without Robbe-Grillet.” —The New York Times |
| the secret room alain robbe grillet: Alain Robbe-Grillet John Fletcher, 2019-10-01 Alain Robbe-Grillet had traditionally been seen as an austere experimentalist in fiction, addicted to arid and interminable descriptions of objects like coffee pots, erasers and pieces of string. His own rather bellicose theoretical pronouncements were partly to blame for this unattractive picture, belied by the immense popular success of the film Last Year at Marienbad (1961) (made by Alain Resnais from Robbe-Grillet’s script) and the high critical esteem in which novels like Jealousy and The Voyeur are held. In his original study, first published in 1983, John Fletcher attempts to resolve this paradox by offering a new interpretation of Robbe-Grillet’s work which stresses the subversive qualities of his imagination and the disturbing power of his vision of a world of labyrinths and bizarre sexual stereotypes, haunted by images of love and loss. |
| the secret room alain robbe grillet: Recollections of the Golden Triangle Alain Robbe-Grillet, 1994-01-18 A provocative novel by the most influential living French writer, Recollections of the Golden Triangle is a tour de force: a literary thriller constructed of wildly diverse elements--fantasy and dream, erotic invention, and the stuff of popular fiction and movies taken to its farthest limits. A secret door that is opened slightly by an electronic device, a beautiful hanged factory girl, a pale young aristocrat whose blood apparently nourishes his vampiric lover, the evil Dr. Morgan who conducts his experiments in tertiary dream behavior, the beautiful and sinister women from the world of horror films, and the investigating police, who are not all what they seem to be, are just some of the ingredients of this intriguing new novel by the French master of the intellectual thriller, whose novels and films have effectively changed the way we can look at the real world today. Recollections of the Golden Triangle challenges the reader to find his own meaning in its descriptions, clues, and contradictions, and to play detective by assembling the pieces of the fictional puzzle. |
| the secret room alain robbe grillet: REGICIDE. ALAIN. ROBBE-GRILLET, 2018 |
| the secret room alain robbe grillet: Two Novels Alain Robbe-Grillet, 1977 |
| the secret room alain robbe grillet: In the Labyrinth Alain Robbe-Grillet, 2012-03-01 Alain Robbe-Grillet says in his prefatory note: 'this story is fiction, not a report. It describes a reality which is not necessarily that of the reader's own experience... And yet the reality here in question is strictly physical, that is to say it has no allegorical significance. |
| the secret room alain robbe grillet: Coming to Terms Seymour Benjamin Chatman, 1990 |
| the secret room alain robbe grillet: Narrative Dynamics Brian Richardson, 2002 This anthology brings together essential essays on major facets of narrative dynamics, that is, the means by which narratives traverse their often unlikely routes from beginning to end. It includes the most widely cited and discussed essays on narrative beginnings, temporality, plot and emplotment, sequence and progression, closure, and frames. The text is designed as a basic reader for graduate courses in narrative and critical theory across disciplines including literature, drama and theatre, and film. Narrative Dynamics includes such classic exponents as E. M. Forster on story and plot; Vladimir Propp on the structure of the folktale; R. S. Crane on plot; Boris Tomashevsky on story, plot, and, motif; M. M. Bakhtin on the chronotope; and Gerard Genette on narrative time. Richardson highlights essential feminist essays by Nancy K. Miller on plot and plausibility, Rachel Blau Duplessis on closure, and Susan Winnett on narrative and desire. These are complimented by newer pieces by Susan Stanford Friedman on spatialization and Robyn Warhol on serial fiction. Other major contributions include Edward Said on beginnings, Hayden White on historical narrative, Peter Brooks on plot, Paul Ricoeur on time, D. A. Miller on closure, James Phelan on progression, and Jacques Derrida on the frame. Recent essays from the perspective of cultural studies, postmodernism, and artificial intelligence bring this collection right up to the present. |
| the secret room alain robbe grillet: Being Here Manini Nayar, 2022-02-28 We are all now writing stories. Sometimes in memory, sometimes in air. The wind lifts and passes us in gusts. Our stories scatter over continents, camouflaged histories we cannot share. In Being Here, Manini Nayar brings together a finely crafted collection of interconnected stories that follow the daily miracle of her characters' inner lives. Nayar brings to the forefront immigrant women making their way in the world as mothers, as wives, as outliers, and as rebels. She writes about their insistence on autonomy, the absurdity of the struggles they face, and their occasional triumphs. These stories loop and double back across time and locales, linking characters through memory while illumining lives forever changed by an offhand phrase, an act of will, or an unsought encounter. Readers will meet a wide array of characters, but it is Nina with whom they will become most familiar, as she appears throughout the collection: first, as a young wife brought to the US by her husband, Siddharth Vellodi; second, as an older sister; and third, as a divorced mother whose daughter's fateful rebellion remains the mysterious and incandescent center of the stories. Nayar's exploration of inward lives as the locus of dramatic action and events allows both characters and readers to grapple with simply being. In doing so, Nayar reveals the performative aspects of language—particularly its ability to create, destroy, and heal connections. In poetic and eloquent prose, Being Here constructs a luminous collage of restless immigrants united by their shared deference to a brave new journey. In their burgeoning voices another America is found, both latent and radiantly alive. |
| the secret room alain robbe grillet: Cinema, Pain and Pleasure Steven Allen, 2013-03-28 From Tattoo to Saw, this book considers mainstream cinema's representation of the viscerally dominated and marked body. Examining a shift in the late twentieth century to narratives that highlight subjection, endurance and willed-acquiescence, it probes the confluence of pain, pleasure and consent to analyse the implications of the change. |
| the secret room alain robbe grillet: Maps of the Imagination Peter Turchi, 2011-06-01 Maps of the Imagination takes us on a magic carpet ride over terrain both familiar and exotic. Using the map as a metaphor, fiction writer Peter Turchi considers writing as a combination of exploration and presentation, all the while serving as an erudite and charming guide. He compares the way a writer leads a reader though the imaginary world of a story, novel, or poem to the way a mapmaker charts the physical world. To ask for a map, says Turchi, is to say, ‘Tell me a story.’ With intelligence and wit, the author looks at how mapmakers and writers deal with blank space and the blank page; the conventions they use or consciously disregard; the role of geometry in maps and the parallel role of form in writing; how both maps and writing serve to re-create an individual’s view of the world; and the artist’s delicate balance of intuition with intention. A unique combination of history, critical cartography, personal essay, and practical guide to writing, Maps of the Imagination is a book for writers, for readers, and for anyone interested in creativity. Colorful illustrations and Turchi’s insightful observations make his book both beautiful and a joy to read. |
| the secret room alain robbe grillet: Jealousy Alain Robbe-Grillet, 1995 |
| the secret room alain robbe grillet: Research in Education , 1971 |
| the secret room alain robbe grillet: Resources in Education , 1971 |
| the secret room alain robbe grillet: The Voyeur Alain Robbe-Grillet, 2015-06-23 The winner of the Prix des Critiques from the French avant-garde author of Jealousy. “Robbe-Grillet is the forerunner of a revolution in the novel” (Claude Mauriac, cultural critic for Le Figaro). Mathias, a timorous, ineffectual traveling salesman, returns to the island of his birth after a long absence. Two days later, a thirteen-year-old girl is found drowned and mutilated. With eerie precision, Robbe-Grillet puts us at the scene of the crime and takes us inside Mathias’s mind, artfully enlisting us as detective hot on the trail of a homicidal maniac. A triumphant display of the techniques of the “new novel,” The Voyeur achieves the impossible feat of keeping us utterly engrossed in the mystery of the child’s murder while systematically raising doubts about whether it really occurred. “The suspense . . . keeps us on tenterhooks.” —The New York Times Book Review “I can think of no other writer who can render the banal so fearfully fantastic. In the subtlest, slyest, and most sheerly delightful way he persuades us to look anew at the commonplace.” —Books and Bookmen Praise for Alain Robbe-Grillet “Robbe-Grillet’s theories constitute the most ambitious aesthetic program since Surrealism.” —John Updike, Pulitzer Prize–winner “Robbe-Grillet is important because he has attacked the last bastion of the traditional art of writing: the organization of literary space.” —Roland Barthes, influential literary theorist “Robbe-Grillet was a master at conveying human misunderstanding.” —Bernard-Henri Lévy, public intellectual, author, and filmmaker “I doubt that fiction as art can any longer be seriously discussed without Robbe-Grillet.” —The New York Times |
| the secret room alain robbe grillet: Short Stories International Edward Warren Johnson, 1969 |
| the secret room alain robbe grillet: Detecting Texts Patricia Merivale, Susan Elizabeth Sweeney, 2011-06-07 Although readers of detective fiction ordinarily expect to learn the mystery's solution at the end, there is another kind of detective story—the history of which encompasses writers as diverse as Poe, Borges, Robbe-Grillet, Auster, and Stephen King—that ends with a question rather than an answer. The detective not only fails to solve the crime, but also confronts insoluble mysteries of interpretation and identity. As the contributors to Detecting Texts contend, such stories belong to a distinct genre, the metaphysical detective story, in which the detective hero's inability to interpret the mystery inevitably casts doubt on the reader's similar attempt to make sense of the text and the world. Detecting Texts includes an introduction by the editors that defines the metaphysical detective story and traces its history from Poe's classic tales to today's postmodernist experiments. In addition to the editors, contributors include Stephen Bernstein, Joel Black, John T. Irwin, Jeffrey T. Nealon, and others. |
| the secret room alain robbe grillet: Writers and Missionaries Adam Shatz, 2023-05-09 What does it mean to be a politically committed writer? Through a close reading of the lives and works of some of the greatest intellectuals of recent times, Adam Shatz asks: do writers have an ethical imperative to question injustice? How can one remain a dispassionate thinker when involved in the cut and thrust of politics? And, in an age of horror and crisis, what does it mean to be a committed writer? Shatz interrogates the major figures of twentieth and twenty-first century thought and finds within their lives and work the roots of our present intellectual and geopolitical situation. Charting the role of the committed intellectual through the work of Jean-Paul Sartre on the Algerian War and Edward Said's lifelong solidarity with the Palestinian people, to Fouad Ajami's role as the native informant for pro-intervention cause in the lead-up to the invasion of Iraq, alongside philosophers and critics Roland Barthes, Jacques Derrida and Claude Lévi-Strauss and the novelists Michel Houllebecq and Richard Wright, each struggled to reconcile their writing and their politics, their thought and their commitments. Writers and Missionaries is an erudite and incisive work of intellectual elucidation and biographical enquiry that demands that we interrogate anew the relation of thought and action in the struggle for a more just world. |
| the secret room alain robbe grillet: The Art of Brevity Per Winther, Jakob Lothe, Hans H. Skei, 2004 The Art of Brevity gathers fresh ideas about the theory and writing of short fiction from around the globe to produce an international, inclusive exploration of the steadily growing field of short story studies. Though Anglo-American scholars have served as the primary developers of contemporary short story theory since the field's inception in the 1960s, this volume adds the contributions of scholars living in other parts of the world. Such Anglo-American pioneers as Mary Rohrberger, Charles May, Susan Lohafer, and John Gerlach join with short fiction scholars at universities in Norway, Denmark, Sweden, and Canada to build academic bridges and expand the field, geographically as well as conceptually. Contributors to the volume weave together themes of time, space, compression, mystery, reader response, and narrative closure. They discuss writers as varied as Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville, Sarah Orne Jewett, James Joyce, Franz Kafka, Ernest Hemingway, Mavis Gallant, Flannery O'Connor, Eudora Welty, Margaret Atwood, Alice Munro, and Robert Olen Butler. the nineteenth-century queer short story, and contemporary Danish short shorts. |
| the secret room alain robbe grillet: Atenea , 2004 |
| the secret room alain robbe grillet: Chicorel Index to Short Stories in Anthologies and Collections , 1975 |
| the secret room alain robbe grillet: The Films of Alain Robbe-Grillet Roy Armes, 1981-01-01 Alain Robbe-Grillet (1922 –2008) was a French writer and filmmaker. His first involvement with the cinema was in the early 1960’s; scripting one of the most controversial films of the decade, L’Année dernière à Marienbad , directed by Alain Resnais. In this study the focus lies on the cinema of Robbe-Grillet . Each chapters deals with a specific film and a specific aspect of his work. |
| the secret room alain robbe grillet: Art Hats In Renaissance City: Reflections & Aspirations Of Four Generations Of Art Personalities Renee Foong Ling Lee, 2015-03-30 Art Hats in Renaissance City is an anthology of the personal reflections and aspirations of four generations in the new ecostructure in Singapore, from those who help formulate policies to that of the individual artists, who have helped develop and build an exciting arts and cultural scene from scratch and into a viable economic model. As evidenced by the professions featured in this anthology, the scope of work within the creative and cultural industries is diverse, from backgrounds such as history, communications, management, economics, law, science, art, psychology and entertainment.Beyond theory, the anthology offers an authentic voice of real and lived experiences of the go-to people, their personal role in heritage development, and their thoughts and insights on our, albeit developing, art scene since Singapore's independence.In this anthology, discover the following and more! |
| the secret room alain robbe grillet: Why I Love Barthes Alain Robbe-Grillet, 2011-10-10 This is a unique testimony to one of the most important literary friendships of our time. Robbe-Grillet, the master of the nouveau roman, considered Barthes, France & rsquo;s greatest postwar literary theorist and critic, as one of his very few true friends |
| the secret room alain robbe grillet: Histories, Practices, Interventions: A Reader In Singapore Contemporary Art Jeffrey Say, Yu Jin Seng, 2023-01-30 Histories, Practices, Interventions: A Reader in Singapore Contemporary Art brings together key writings about ideas, practices, issues and art institutions that shape the understanding of contemporary art in Singapore. This reader is conceived as an essential resource for advancing critical debates on post-independence Singapore art and culture. It comprises a total of thirty-three texts by art historians, art theorists, art critics, artists and curators. In addition, there is an introduction by the co-editors, Jeffrey Say and Seng Yu Jin,as well as three section introductions contributed by Seng Yu Jin; artist, curator and writer Susie Wong; and art educator and writer Lim Kok Boon.Bundle set: A Reader in Singapore Modern and Contemporary Art |
| the secret room alain robbe grillet: Snapshots, and Alain Robbe-Grillet, 1966 |
| the secret room alain robbe grillet: Fictions Joseph F. Trimmer, C. Wade Jennings, 1985 Fictions is an anthology of short fiction. This collection of stories include some of the most memorable work of the world's classic and contemporary writers. Many of the selections are masterpieces that have fascinated students of literature for generations. Others, while less well known, possess similar virtues and may thus achieve a comparable position within our literary tradition. The collection includes many stories of new voices. The textbook also illustrates how the various steps in the writing process -- keeping a journal, brainstorming, restricting a topic, planning your essay and developing an outline, writing the first draft, and revising the first draft -- lead to a successful paper. -- From product description. |
| the secret room alain robbe grillet: Studies in the Short Story David Madden, Virgil Scott, 1984 |
| the secret room alain robbe grillet: The Short Story John Chesley Taylor, 1973 |
| the secret room alain robbe grillet: Djinn Alain Robbe-Grillet, 1982 A haunting, disorienting, brilliantly constructed novel, Djinn is the story of a young man who joins a clandestine organization under the command of an alluring, androgynous American girl, Djinn. Having agreed to wear dark glasses and carry a can like a blind man, he comes to realize, through bizarre encounters, recurring visual images, and fractured time sequences he experiences as part of his undisclosed mission, that he is, in a sense, helplessly blind. His search for the meaning of his mission and for possible clues to the identity of the mysterious Djinn, becomes a quest for his own identity in an ever-shifting time-space continuum. His growing obsession with solving the mystery becomes the reader's own until, through a surprising shift in narrative perspective, the reader too becomes lost in the dimension between past and future. -- Publisher's description |
| the secret room alain robbe grillet: The Design of Fiction Mark Harris, Josephine Harris, Hester Harris, 1976 |
| the secret room alain robbe grillet: The Borzoi Book of Short Fiction David H. Richter, 1983 |
| the secret room alain robbe grillet: Alain Robbe-Grillet Ben Stoltzfus, 1987 |
| the secret room alain robbe grillet: Fiction 100: an Anthology of Short Stories James H. Pickering, 1974 |
| the secret room alain robbe grillet: Fiction 100 James H. Pickering, 1982 |
| the secret room alain robbe grillet: The Target Jasper Johns, 2006 Stoltzfus's essay discusses Johns's art and Robbe-Grillet's metafiction in a postmodern context. Both men subvert cultural stereotypes and realism in art. Their works are self-reflexive and they call attention to themselves and to the language of art. Autopoiesis, that is, the internal recursive loops of the system - the artwork - is one of the many features that they share. In addressing these features the essay deals with chaos theory, strange attractors, psychoanalysis, play theory, the role of the observer(s), and the social function of art. An appendix to the book describes the rings of Johns's Target and their relationship to the nine objects and nine numbers that Robbe-Grillet assigns to them.--BOOK JACKET. |
| the secret room alain robbe grillet: Four Modes; a Rhetoric of Modern Fiction , 1973 Pt. 1: Hiawatha's Fasting / Henry Wadsworth Longfellow ; Celebrated Jumping Frog of Calaveras County / Samuel L. Clemens ; Frankie and Johnny / Anonymous ; Good man is hard to find / Flannery O'Connor ; Ice Palace / F. Scott Fitzgerald ; Spotted Horses / William Faulkner ; Oral Heritage of Written Narrative / Scholes & Kellogg ; Pt. 2: Legend of Sleepy Hollow / Washington Irving ; Hollow of the three hills / Nathaniel Hawthorne ; My Kinsman, Major Molineux / Nathaniel Hawthorne ; Real Thing / Henry James ; Secret Room / Alain Robbie-Grillet ; Fall of the house of Usher / Edgar Allan Poe ; Blackberry Winner / Robert Penn Warren ; Pictorialism in Henry James's Theory of the novel / Viola Hopkins Winner Pt. 3: To Build a Fire / Jack London ; Chrysanthemums / John Steinbeck ; Three day blow / Ernest Hemingway / Health Card / Frank Yerby ; Condor and the Guests / Evan S. Connell, Jr. ; Toward a Formalist Criticism of Fiction / William Handy Pt. 4: Silent Snow, Secret Snow / Conrad Aiken ; Araby / James Joyce ; Portrait in Georgia / Jean Toomer ; Blood-Burning Moon / Jean Toomer ; Happy Marriage / R.V. Cassill ; In the heart of the heart of the country / William H. Gass ; Nature and Forms of the lyrical novel/ Ralph Freedman Pt. 5 Adventure / Sherwood Anderson ; Night-sea Journey / John Barth ; Robert Kennedy saved from drowning / Donald Barthelme ; Bride comes to yellow sky / Stephen Crane ; Hint of an Explanation / Graham Greene ; Outcasts of Poker Flat / Bret Harte ; Haircut / Ring Lardner / Odour of Chrysanthemums / D.H. Lawrence ; Jockey / Carson McCullerrs ; Marriage a la Mode / Katherine Mansfield ; Molesters / Joyce Carol Oates ; Don't call me by my right name / James Purdy ; Gimpel the fool / Isaac Bashevis Singer ; Navy Black / John A. Williams ; Kew Gardens / Virginia Woolf. |
| the secret room alain robbe grillet: Critical Survey of Short Fiction: Authors A-Z Frank Northen Magill, 1981 An examination of the development and writers of short fiction from its beginning to the present. |
| the secret room alain robbe grillet: Chicorel Index to Short Stories in Anthologies and Collections Marietta Chicorel, 1974 |
Remember Bruce Pearl was a secret witness for the NCAA and …
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Gridiron Secret Society....... | Georgia Sports - SECRant.com
Jun 10, 2015 · I started this thread because I think the idea of a tight-lipped secret society full of politicians and politician-wannabes is fricking hilarious. But, i never expected people who …
Spinoff: Interesting/hidden parts of your campus no one knows …
Jul 27, 2015 · LSU secret tunnels As an aside, there is also a tunnel that dates back to the 1800's under the trendy Beauregard Town neighborhood in Baton Rouge near the state capitol. Reply …
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Apr 26, 2025 · -Second base ump giving Tony V the secret nod to get back to the dug out to avoid accidentally going out for his second visit of the Inning. Saving them from putting in a cold …
Last 9 games Auburn when 5-4. They fell apart coming down the …
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Mar 29, 2014 · —General John J. Pershing, in a secret communiqué concerning African-American troops sent to the French military stationed with the American army, August 7, 1918, available …
TN had to switch hotels last night - SEC Rant
Jun 7, 2025 · The guy is a pussy, pretty much every team that plays against Arkansas in football, baseball etc stay at the same hotel, it’s right next to my office and I see them pull into there all …
Alabama Fans : Where did the name Crimson Tide come from
Jul 15, 2010 · Alabama Fans : Where did the name Crimson Tide come from ? - I've heard this name or y'alls Elephant mascot evolved out of an Alabama / Ole Miss football game. Do
Remember Bruce Pearl was a secret witness for the NCAA and had …
Feb 9, 2025 · Remember Bruce Pearl was a secret witness for the NCAA and had a show cause by the NCAA. - What kind of person helps a racist terrible organization like the NCAA.
Secret Agent Mike White… | SEC Rant
Feb 13, 2025 · Secret Agent Mike White… - Good one Gators! You got us back for Agent Muschamp! 14 min last night without a field goal. Worse than Crean and hard to believ
Sam Pittman Was Asked About His Job Security This Week
Oct 24, 2023 · It's no secret that Arkansas is struggling this season. The Razorbacks are 2-6, 0-5 SEC, and have lost six straight games. After firing his offensive coordinator Dan Enos on …
Gridiron Secret Society....... | Georgia Sports - SECRant.com
Jun 10, 2015 · I started this thread because I think the idea of a tight-lipped secret society full of politicians and politician-wannabes is fricking hilarious. But, i never expected people who aren't …
Spinoff: Interesting/hidden parts of your campus no one knows …
Jul 27, 2015 · LSU secret tunnels As an aside, there is also a tunnel that dates back to the 1800's under the trendy Beauregard Town neighborhood in Baton Rouge near the state capitol. Reply …
I’ve never see an umpire crew operate like last night
Apr 26, 2025 · -Second base ump giving Tony V the secret nod to get back to the dug out to avoid accidentally going out for his second visit of the Inning. Saving them from putting in a cold …
Last 9 games Auburn when 5-4. They fell apart coming down the …
Apr 6, 2025 · When it came time to be champions Pearl the secret witness coach and his team of mid 20's misfits and thugs failed. Failure and disappointment is nothing new for Auburn fans. I …
General Pershing told the French not to give military awards to …
Mar 29, 2014 · —General John J. Pershing, in a secret communiqué concerning African-American troops sent to the French military stationed with the American army, August 7, 1918, available …
TN had to switch hotels last night - SEC Rant
Jun 7, 2025 · The guy is a pussy, pretty much every team that plays against Arkansas in football, baseball etc stay at the same hotel, it’s right next to my office and I see them pull into there all …
Alabama Fans : Where did the name Crimson Tide come from
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