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| timothy morton: Being Ecological Timothy Morton, 2018-03-09 A book about ecology without information dumping, guilt inducing, or preaching to the choir. Don't care about ecology? You think you don't, but you might all the same. Don't read ecology books? This book is for you. Ecology books can be confusing information dumps that are out of date by the time they hit you. Slapping you upside the head to make you feel bad. Grabbing you by the lapels while yelling disturbing facts. Handwringing in agony about “What are we going to do?” This book has none of that. Being Ecological doesn't preach to the eco-choir. It's for you—even, Timothy Morton explains, if you're not in the choir, even if you have no idea what choirs are. You might already be ecological. After establishing the approach of the book (no facts allowed!), Morton draws on Kant and Heidegger to help us understand living in an age of mass extinction caused by global warming. He considers the object of ecological awareness and ecological thinking: the biosphere and its interconnections. He discusses what sorts of actions count as ecological—starting a revolution? going to the garden center to smell the plants? And finally, in “Not a Grand Tour of Ecological Thought,” he explores a variety of current styles of being ecological—a range of overlapping orientations rather than preformatted self-labeling. Caught up in the us-versus-them (or you-versus-everything else) urgency of ecological crisis, Morton suggests, it's easy to forget that you are a symbiotic being entangled with other symbiotic beings. Isn't that being ecological? |
| timothy morton: Hyperobjects Timothy Morton, 2013-10-01 Having set global warming in irreversible motion, we are facing the possibility of ecological catastrophe. But the environmental emergency is also a crisis for our philosophical habits of thought, confronting us with a problem that seems to defy not only our control but also our understanding. Global warming is perhaps the most dramatic example of what Timothy Morton calls “hyperobjects”—entities of such vast temporal and spatial dimensions that they defeat traditional ideas about what a thing is in the first place. In this book, Morton explains what hyperobjects are and their impact on how we think, how we coexist with one another and with nonhumans, and how we experience our politics, ethics, and art. Moving fluidly between philosophy, science, literature, visual and conceptual art, and popular culture, the book argues that hyperobjects show that the end of the world has already occurred in the sense that concepts such as world, nature, and even environment are no longer a meaningful horizon against which human events take place. Instead of inhabiting a world, we find ourselves inside a number of hyperobjects, such as climate, nuclear weapons, evolution, or relativity. Such objects put unbearable strains on our normal ways of reasoning. Insisting that we have to reinvent how we think to even begin to comprehend the world we now live in, Hyperobjects takes the first steps, outlining a genuinely postmodern ecological approach to thought and action. |
| timothy morton: Dark Ecology Timothy Morton, 2016-04-12 Timothy Morton argues that ecological awareness in the present Anthropocene era takes the form of a strange loop or Möbius strip, twisted to have only one side. Deckard travels this oedipal path in Blade Runner (1982) when he learns that he might be the enemy he has been ordered to pursue. Ecological awareness takes this shape because ecological phenomena have a loop form that is also fundamental to the structure of how things are. The logistics of agricultural society resulted in global warming and hardwired dangerous ideas about life-forms into the human mind. Dark ecology puts us in an uncanny position of radical self-knowledge, illuminating our place in the biosphere and our belonging to a species in a sense that is far less obvious than we like to think. Morton explores the logical foundations of the ecological crisis, which is suffused with the melancholy and negativity of coexistence yet evolving, as we explore its loop form, into something playful, anarchic, and comedic. His work is a skilled fusion of humanities and scientific scholarship, incorporating the theories and findings of philosophy, anthropology, literature, ecology, biology, and physics. Morton hopes to reestablish our ties to nonhuman beings and to help us rediscover the playfulness and joy that can brighten the dark, strange loop we traverse. |
| timothy morton: Humankind Timothy Morton, 2017-08-22 A radical call for solidarity between humans and non-humans What is it that makes humans human? As science and technology challenge the boundaries between life and non-life, between organic and inorganic, this ancient question is more timely than ever. Acclaimed object-oriented philosopher Timothy Morton invites us to consider this philosophical issue as eminently political. In our relationship with nonhumans, we decide the fate of our humanity. Becoming human, claims Morton, actually means creating a network of kindness and solidarity with nonhuman beings, in the name of a broader understanding of reality that both includes and overcomes the notion of species. Negotiating the politics of humanity is the first crucial step in reclaiming the upper scales of ecological coexistence and resisting corporations like Monsanto and the technophilic billionaires who would rob us of our kinship with people beyond our species. |
| timothy morton: Ecology Without Nature Timothy Morton, 2007-03-31 Morton argues that the chief stumbling block to environmental thinking is the image of nature most writers promote: they propose a new world view, but their very zeal to preserve the natural world leads them away from the “nature” they revere. To have a properly ecological view, Morton suggests, we must relinquish, once and for all, the idea of nature. |
| timothy morton: The Ecological Thought Timothy Morton, 2010-04-15 The author argues that all forms of life are interconnected and that no being, construct, or object can exist independently from the ecological entanglement, nor does nature exist as an entity separate from the uglier or more synthetic elements of life. Realizing this interconnectedness is what the author calls the ecological thought. He investigates the philosophical, political, and aesthetic implications of this interconnectedness. |
| timothy morton: All Art is Ecological Timothy Morton, 2021-08-26 In twenty short books, Penguin brings you the classics of the environmental movement. Provocative and playful, All Art is Ecological explores the strangeness of living in an age of mass extinction, and shows us that emotions and experience are the basis for a deep philosophical engagement with ecology. Over the past 75 years, a new canon has emerged. As life on Earth has become irrevocably altered by humans, visionary thinkers around the world have raised their voices to defend the planet, and affirm our place at the heart of its restoration. Their words have endured through the decades, becoming the classics of a movement. Together, these books show the richness of environmental thought, and point the way to a fairer, saner, greener world. |
| timothy morton: Spacecraft Timothy Morton, 2021-09-23 Science fiction is filled with spacecraft. On Earth, actual rockets explode over Texas while others make their way to Mars. But what are spacecraft, and just what can they teach us about imagination, ecology, democracy, and the nature of objects? Why do certain spacecraft stand out in popular culture? If ever there were a spacecraft that could be detached from its context, sold as toys, turned into Disney rides, parodied, and flit around in everyone's head-the Millennium Falcon would be it. Springing from this infamous Star Wars vehicle, Spacecraft takes readers on an intergalactic journey through science fiction and speculative philosophy, revealing real-world political and ecological lessons along the way. In this book Timothy Morton shows how spacecraft are never mere flights of fancy. |
| timothy morton: Nothing Marcus Boon, Eric Cazdyn, Timothy Morton, 2015-10-16 The three extended essays in this book provide a set of much-needed inquiries into the connections between Buddhism and critical theory. Both Buddhism and critical theory struggle with the same contemporary forces, from ecological peril to psycho-social violence, and they both offer radically negative critiques of the present as well as utopian postures toward the future. Like other books in the innovative TRIOS series, this one offers readers ambitious essays produced through long-standing conversation among three challenging thinkers. The first essay, by Marcus Boon, explores the politics of sunyata or emptiness as they emerged from 1936 to 1976 in the wake moments of political crisis for both Buddhism and Marxism. Boon illuminates the role of Buddhism in the work of the French philosopher Georges Bataille, the Buddhist politics of the Tibetan writer Gendun Chopel, and the Buddhist anarchism of Gary Snyder. Eric Cazdyn s essay reveals a shared function between the Buddhist category of enlightenment, the Marxist category of revolution, and the psychoanalytic category of cure. The third essay in this trio, by Timothy Morton, explores a phenomenon he calls Buddhaphobia, a fear of Buddhism he attributes to modernity s anxieties about nothingness. Morton argues that critical theory can speak to our dark ecological future only if it attends to current forms of economic and social nihilismand challenge in which Buddhism can serve critical theory as an ally. |
| timothy morton: Hyposubjects Timothy Morton, Dominic Boyer, 2021-03-19 The time of hyposubjects is just beginning. They are the native species of the Anthropocene and just discovering what they can become. |
| timothy morton: Realist Magic Timothy Morton, 2020-10-09 Object-oriented ontology offers a startlingly fresh way to think about causality that takes into account developments in physics since 1900. Causality, argues, Object Oriented Ontology (OOO), is aesthetic. In this book, Timothy Morton explores what it means to say that a thing has come into being, that it is persisting, and that it has ended. Drawing from examples in physics, biology, ecology, art, literature and music, Morton demonstrates the counterintuitive yet elegant explanatory power of OOO for thinking causality. This work was published by Saint Philip Street Press pursuant to a Creative Commons license permitting commercial use. All rights not granted by the work's license are retained by the author or authors. |
| timothy morton: The Poetics of Spice Timothy Morton, Timothy. Morton, 2006-06 This 2000 book explores the literary and cultural significance of spice, and the spice trade, in Romantic literature. |
| timothy morton: Global Weirding Gerry Canavan, Andrew Hageman, 2016 |
| timothy morton: The Cambridge Companion to Shelley Timothy Morton, 2006-09-21 Percy Bysshe Shelley (1792–1822) was an extraordinary poet, playwright and essayist, revolutionary both in his ideas and in his artistic theory and practice. This 2006 collection of original essays by an international group of specialists is a comprehensive survey of the life, works and times of this radical Romantic writer. Three sections cover Shelley's life and posthumous reception; the basics of his poetry, prose and drama; and his immersion in the currents of philosophical and political thinking and practice. As well as providing a wide-ranging look at the state of existing scholarship, the Companion develops and enriches our understanding of Shelley. Significant new contributions include fresh assessments of Shelley's narratives, his view of philosophy, and his role in emerging views about ecology. With its chronology and guide to further reading, this lively and accessible Companion is an invaluable guide for students and scholars of Shelley and of Romanticism. |
| timothy morton: Hideous Gnosis Nicola Masciandaro, 2010 A collection of essays and documents presented at Hideous Gnosis, a symposium on black metal theory held in Brooklyn, December 2009. |
| timothy morton: Meaningful Flesh Whitney Bauman, 2018 Religion is much queerer than we ever imagined. Nature is as well. These are the two basic insights that have led to this volume: the authors included here hope to queerly go where no thinkers have gone before. The combination of queer theory and religion has been happening for at least 25 years. People such as John Boswell began to examine the history of religious traditions with a queer eye, and soon after we had the indecent theology of Marcella Althaus Ried. Jay Johnston, one of the authors in this issue, is among those who have used the queer eye to interrogate authority within Christian theological traditions. At the same time, there have been many queer interrogations of nature, perhaps most notably in the works of Joan Roughgarden and Ann Fausto-Sterling, and more recently in the works of Catriona Sandilands and Timothy Morton (an author in this volume). However, the intersections of religion, nature, and queer theory have been largely left untouched. With the exception of Dan Spencer, who writes the introduction for this volume and is one of the early pioneers in this realm of thought with his book Gay and Gaia (Pilgrim Press, 1996), and the work of Greta Gaard in developing a queer ecofeminist thought, religion and nature, or religion and ecology, have largely ignored the realm of queer theory. In part, the blinders to queer theory on the part of eco-thinkers (religious or otherwise) are similar to the blinders eco-thinkers have when it comes to postmodern thought in general: namely, if there are no absolute foundations, how does one create an environmental ethic and a nature to save? For this reason and many others, this volume on religion, nature, and queer theory is groundbreaking. Though these essays span many different disciplines and themes, they are all held together by the triple focus on religion, nature, and queer theory. Each of these essays offers a unique contribution to the intersection of religion, nature, and queer theory, and all of them challenge strict boundaries proposed in religious rhetoric and many discourses surrounding nature. Carol Wayne White's essay draws from a queer reading of James Baldwin to develop an African American religious naturalism, which highlights humans as polyamorous bastards. Jacob Erickson's essay examines Isabella Rossellini's Green Porno and Martin Luther's work to develop an irreverent theology. Jay Johnston draws from personal relationships with his late dog, and Master/Pup fetish-play to blur the boundaries between humans and other animals, specifically within ethical and theological discourse. Whitney Bauman reflects on how the very processes of globalization and climate change queer our identities and call for a queer and versatile planetary ethic. Finally, Timothy Morton leads us through a reflection on queer green sex toys to challenge the ontology of agrologistics. Each of these essays in their own way is concerned with fleshing out more meaningful encounters with the planetary community. Without being too ambitious, we hope that these sets of essays will help to open up a new trajectory of conversations at the intersection of religion, nature, and queer theory. |
| timothy morton: Subnature David Gissen, 2012-03-20 We are conditioned over time to regard environmental forces such as dust, mud, gas, smoke, debris, weeds, and insects as inimical to architecture. Much of today's discussion about sustainable and green design revolves around efforts to clean or filter out these primitive elements. While mostly the direct result of human habitation, these 'subnatural forces' are nothing new. In fact, our ability to manage these forces has long defined the limits of civilized life. From its origins, architecture has been engaged in both fighting and embracing these so-called destructive forces. In Subnature, David Gissen, author of our critically acclaimed Big and Green, examines experimental work by today's leading designers, scholars, philosophers, and biologists that rejects the idea that humans can somehow recreate a purely natural world, free of the untidy elements that actually constitute nature. Each chapter provides an examination of a particular form of subnature and its actualization in contemporary design practice. The exhilarating and at times unsettling work featured in Subnature suggests an alternative view of natural processes and ecosystems and their relationships to human society and architecture. R&Sie(n)'s Mosquito Bottleneck house in Trinidad uses a skin that actually attracts mosquitoes and moves them through the building, while keeping them separate from the occupants. In his building designs the architect Philippe Rahm draws the dank air from the earth and the gasses and moisture from our breath to define new forms of spatial experience. In his Underground House, Mollier House, and Omnisport Hall, Rahm forces us to consider the odor of soil and the emissions from our body as the natural context of a future architecture. [Cero 9]'s design for the Magic Mountain captures excess heat emitted from a power generator in Ames, Iowa, to fuel a rose garden that embellishes the industrial site and creates a natural mountain rising above the city's skyline. Subnature looks beyond LEED ratings, green roofs, and solar panels toward a progressive architecture based on a radical new conception of nature. |
| timothy morton: The Ecological Thought Timothy Morton, 2010-04-30 In this passionate, lucid, and surprising book, Timothy Morton argues that all forms of life are connected in a vast, entangling mesh. This interconnectedness penetrates all dimensions of life. No being, construct, or object can exist independently from the ecological entanglement, Morton contends, nor does “Nature” exist as an entity separate from the uglier or more synthetic elements of life. Realizing this interconnectedness is what Morton calls the ecological thought. In three concise chapters, Morton investigates the profound philosophical, political, and aesthetic implications of the fact that all life forms are interconnected. As a work of environmental philosophy and theory, The Ecological Thought explores an emerging awareness of ecological reality in an age of global warming. Using Darwin and contemporary discoveries in life sciences as root texts, Morton describes a mesh of deeply interconnected life forms—intimate, strange, and lacking fixed identity. A “prequel” to his Ecology without Nature: Rethinking Environmental Aesthetics (Harvard, 2007), The Ecological Thought is an engaged and accessible work that will challenge the thinking of readers in disciplines ranging from critical theory to Romanticism to cultural geography. |
| timothy morton: Narrating the Mesh Marco Caracciolo, 2021-02-26 A hierarchical model of human societies’ relations with the natural world is at the root of today’s climate crisis; Narrating the Mesh contends that narrative form is instrumental in countering this ideology. Drawing inspiration from Timothy Morton’s concept of the mesh as a metaphor for the human-nonhuman relationship in the face of climate change, Marco Caracciolo investigates how narratives in genres such as the novel and the short story employ formal devices to effectively channel the entanglement of human communities and nonhuman phenomena. How can narrative undermine linearity in order to reject notions of unlimited technological progress and economic growth? What does it mean to say that nonhuman materials and processes—from contaminated landscapes to natural evolution—can become characters in stories? And, conversely, how can narrative trace the rising awareness of climate change in the thick of human characters’ mental activities? These are some of the questions Narrating the Mesh addresses by engaging with contemporary works by Ted Chiang, Emily St. John Mandel, Richard Powers, Jeff VanderMeer, Jeanette Winterson, and many others. Entering interdisciplinary debates on narrative and the Anthropocene, this book explores how stories can bridge the gap between scientific models of the climate and the human-scale world of everyday experience, powerfully illustrating the complexity of the ecological crisis at multiple levels. |
| timothy morton: Pyropolitics Michael Marder, 2014-12-12 A highly original theory of the political, the book explores the literal and metaphorical flare-ups in political theology, revolutionary thought, radical protests, and global energy production. |
| timothy morton: The Philosopher's Plant Michael Marder, 2014-11-04 Despite their conceptual allergy to vegetal life, philosophers have used germination, growth, blossoming, fruition, reproduction, and decay as illustrations of abstract concepts; mentioned plants in passing as the natural backdrops for dialogues, letters, and other compositions; spun elaborate allegories out of flowers, trees, and even grass; and recommended appropriate medicinal, dietary, and aesthetic approaches to select species of plants. In this book, Michael Marder illuminates the elaborate vegetal centerpieces and hidden kernels that have powered theoretical discourse for centuries. Choosing twelve botanical specimens that correspond to twelve significant philosophers, he recasts the development of philosophy through the evolution of human and plant relations. A philosophical history for the postmetaphysical age, The PhilosopherÕs Plant reclaims the organic heritage of human thought. With the help of vegetal images, examples, and metaphors, the book clears a path through philosophyÕs tangled roots and dense undergrowth, opening up the discipline to all readers. |
| timothy morton: Immediatism Hakim Bey, 1994 An irresistible tome from the insurrectionist theoretician, Hakim Bey. His incendiary words are beautifully illustrated by the renowned collage artist Freddie Baer. The result is a delightful compilation by two talented artists. A must read for those who have followed their work for years. In this collection of essays, Bey expounds upon his ideas concerning radical social reorganization and the liberation of desire. Immediatism is another lyrical romp through intellectual corridors of spirituality and politics originally set forth in his groundbreaking book, TAZ. A stunning achievement from this prodigious author and scholar. A Blake Angel on Acid.--Robert Anton Wilson Fascinating...--William S. Burroughs Exquisite...--Allen Ginsberg |
| timothy morton: Noise Thinks the Anthropocene: An Experiment in Noise Poetics Aaron Zwintscher, 2019 In an increasingly technologized and connected world, it seems as if noise must be increasing. Noise, however, is a complicated term with a complicated history. Noise can be traced through structures of power, theories of knowledge, communication, and scientific practice, as well as through questions of art, sound, and music. Thus, rather than assume that it must be increasing, this work has focused on better understanding the various ways that noise is defined, what that noise can do, and how we can use noise as a strategically political tactic. Noise Thinks the Anthropocene is a textual experiment in noise poetics that uses the growing body of research into noise as source material. It is an experiment in that it results from indeterminate means, alternative grammar, and experimental thinking. The outcome was not predetermined. It uses noise to explain, elucidate, and evoke (akin to other poetic forms) within the textual milieu in a manner that seeks to be less determinate and more improvisational than conventional writing. Noise Thinks the Anthropocene argues that noise poetics is a necessary form for addressing political inequality, coexistence with the (nonhuman) other, the ecological crisis, and sustainability because it approaches these issues as a system of interconnected fragments and excesses and thus has the potential to reach or envision solutions in novel ways. |
| timothy morton: Prismatic Ecology Jeffrey Jerome Cohen, 2013-12-01 Emphasizing sustainability, balance, and the natural, green dominates our thinking about ecology like no other color. What about the catastrophic, the disruptive, the inaccessible, and the excessive? What of the ocean’s turbulence, the fecundity of excrement, the solitude of an iceberg, multihued contaminations? Prismatic Ecology moves beyond the accustomed green readings of ecotheory and maps a colorful world of ecological possibility. In a series of linked essays that span place, time, and discipline, Jeffrey Jerome Cohen brings together writers who illustrate the vibrant worlds formed by colors. Organized by the structure of a prism, each chapter explores the coming into existence of nonanthropocentric ecologies. “Red” engages sites of animal violence, apocalyptic emergence, and activism; “Maroon” follows the aurora borealis to the far North and beholds in its shimmering alternative modes of world composition; “Chartreuse” is a meditation on postsustainability and possibility within sublime excess; “Grey” is the color of the undead; “Ultraviolet” is a potentially lethal force that opens vistas beyond humanly known nature. Featuring established and emerging scholars from varying disciplines, this volume presents a collaborative imagining of what a more-than-green ecology offers. While highlighting critical approaches not yet common within ecotheory, the contributions remain diverse and cover a range of topics including materiality, the inhuman, and the agency of objects. By way of color, Cohen guides readers through a reflection of an essentially complex and disordered universe and demonstrates the spectrum as an unfinishable totality, always in excess of what a human perceives. Contributors: Stacy Alaimo, U of Texas at Arlington; Levi R. Bryant, Collin College; Lowell Duckert, West Virginia U; Graham Harman, American U in Cairo; Bernd Herzogenrath, Goethe U of Frankfurt; Serenella Iovino, U of Turin, Italy; Eileen A. Joy; Robert McRuer, George Washington U; Tobias Menely, Miami U; Steve Mentz, St. John’s U, New York City; Timothy Morton, Rice U; Vin Nardizzi, U of British Columbia; Serpil Oppermann, Hacettepe U, Ankara; Margaret Ronda, Rutgers U; Will Stockton, Clemson U; Allan Stoekl, Penn State U; Ben Woodard; Julian Yates, U of Delaware. |
| timothy morton: Confessions of a Recovering Environmentalist and Other Essays Paul Kingsnorth, 2017-08 Offers a collection of non-fiction essays exploring the state of the world as ecosystems, economies and assumptions collapse around us. Kingnorth's essays chart the change in his thinking as he grew disenchanted with the environmental movement he once embraced and articulate a new vision, one that stands firmly in opposition to the belief that technology can save us. He argues for a renewed balance between the human and nonhuman worlds. --Adapted from publisher description. |
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| timothy morton: The Cambridge Companion to `Frankenstein' Andrew Smith, 2016-08-25 Sixteen original essays by leading scholars on Mary Shelley's novel provide an introduction to Frankenstein and its various critical contexts. |
| timothy morton: Global Weirdness Climate Central, 2013-05-07 Sixty easty-to-read essays that enlarge our understanding of how climate change affects our daily lives, and arms us with the incontrovertible facts we need to make informed decisions about the future of the planet, and of humankind. “A breath of fresh air: just the facts, efficient and easy to understand.” —Scientific American Global Weirdness summarizes everything we know about the science of climate change, explains what is likely to happen to the climate in the future, and lays out, in practical terms, what we can do to avoid further shifts. Climate Central tackles basic questions such as: -Is climate ever “normal”? -Why and how do fossil-fuel burning and other human practices produce greenhouse gases? -What natural forces have caused climate change in the past? -What risks does climate change pose for human health? -What accounts for the diminishment of mountain glaciers and small ice caps around the world since 1850? -What are the economic costs and benefits of reducing carbon emissions? |
| timothy morton: Seven Ethics Against Capitalism Oli Mould, 2021-09-07 Capitalism has become so dominant that it is difficult to ever imagine a world in which its injustices and inequalities are not violently present. In this ambitious and compelling book, Oli Mould turns his diagnosis of capitalism's perversions towards defining the new set of ethics we need to succeed in organizing a more just society. In the wake of the coronavirus pandemic, capitalism has been rocked to its foundations and 'the commons' as a means of providing for all people in our world has come crashing into the foreground. However, in order for the commons to be a viable alternative to the injustices of capitalism, it needs to be grown to a planetary scale. This is not an easy process, but if we can commit to act ethically in the world, then suddenly anything is possible. Blending theoretical thinking and real-life examples of commoning in action, Mould guides the reader through a suite of ethical mind sets – mutualism, transmaterialism, minoritarianism, decodification, slowness, failure and love – which can stand firm against capitalism's seemingly inexorable ability to co-opt and subsume all before it. When thought of collectively, these ethics can offer tantalizing visions and practical approaches toward a world beyond capitalism. |
| timothy morton: A Short History of (Nearly) Everything Paranormal Terje G. Simonsen, 2020-06-09 “A superb survey of the paranormal” and a travelogue through the twilight zone of human consciousness—hailed by experts as the best introduction to psychic phenomena (Herbie Brennan, New York Times–bestselling author). This is the most entertaining and broad survey of the paranormal ever made—combining forgotten lore, evidence from parapsychological experiments, and the testimonies of scientists, archaeologists, anthropologists, psychologists, physicists, and philosophers. Exploring the possibility that paranormal phenomena may be objectively real, this travelogue through the twilight zone of human consciousness is both scientifically rigorous and extremely entertaining. Readers may be surprised to learn that reputable scientists, among them several Nobel laureates, have claimed that: • Telepathy is a reality • Cleopatra’s lost palace and Richard III’s burial place were recovered with clairvoyance • The US military set up an espionage program using psychics Could it be that what we usually call “supernatural” is a natural but little understood communication via this mental internet? The winner of the most prestigious award in the field, the Parapsychological Association Book Award, A Short History of (Nearly) Everything Paranormal is an engaging, entertaining and informative analysis of a controversial subject. |
| timothy morton: Tool-Being Graham Harman, 2011-08-31 Tool-Being offers a new assessment of Martin Heidegger's famous tool-analysis, and with it, an audacious reappraisal of Heidegger's legacy to twenty-first-century philosophy. Every reader of Being and Time is familiar with the opposition between readiness-to-hand (Zuhandenheit) and presence-at-hand (Vorhandenheit), but commentators usually follow Heidegger's wishes in giving this distinction a limited scope, as if it applied only to tools in a narrow sense. Graham Harman contests Heidegger's own interpretation of tool-being, arguing that the opposition between tool and broken tool is not merely a provisional stage in his philosophy, but rather its living core. The extended concept of tool-being developed here leads us not to a theory of human practical activity but to an ontology of objects themselves. Tool-Being urges a fresh and concrete research into the secret contours of objects. Written in a lively and colorful style, it will be of great interest to anyone intrigued by Heidegger and anyone open to new trends in present-day philosophy. |
| timothy morton: Agnes Denes: Absolutes and Intermediates AGNES. DENES, 2019-11-19 Agnes Denes, the queen of land art, made one of New York's greatest public art projects ever in 1982. Now, the world might be catching up with her. -Karrie Jacobs, New York Times Agnes Denes: Absolutes and Intermediates accompanies the largest exhibition of the artist's work in New York to date, held at The Shed in fall 2019 as part of the arts space's opening season. Presenting more than 130 works, this comprehensive publication, presented in an embossed slipcase, spans the 50-year career of the path-breaking artist dubbed the queen of land art by the New York Times, famed for her iconic Wheatfield--A Confrontation (1982), for which she planted a two-acre wheatfield in Lower Manhattan on the Battery Park Landfill, in the shadow of the then recently erected Twin Towers. A major undertaking, this superb catalog includes a comprehensive text by the exhibition's curator, Emma Enderby, an interview with Denes by Hans Ulrich Obrist, essays by prominent scholars and curators including Caroline A. Jones, Lucy R. Lippard and Timothy Morton that examine Denes' multifaceted practice in new ways, writings by the artist and reflections by curators who have worked with Denes over the course of her career. New works by Denes commissioned by The Shed for the exhibition are presented in a special insert. Budapest-born, New York-based artist Agnes Denes (born 1931) rose to international attention in the 1960s and 1970s as a leading figure in conceptual, environmental and ecological art. A pioneer of several art genres, she has created work in many mediums, utilizing various disciplines--such as science, philosophy, linguistics, ecology and psychology--to analyze, document and ultimately aid humanity. |
| timothy morton: Ecocritique Timothy W. Luke, 1997 |
| timothy morton: Can Poetry Save the Earth? John Felstiner, 2009-04-01 In forty brief and lucid chapters, Felstiner presents those voices that have most strongly spoken to and for the natural world. Poets- from the Romantics through Whitman and Dickinson to Elizabeth Bishop and Gary Snyder- have helped us envision such details as ocean winds eroding and rebuilding dunes in the same breath, wild deer freezing in our presence, and a person carving initials on a still-living stranded whale. |
| timothy morton: Architects After Architecture Harriet Harriss, Rory Hyde, Roberta Marcaccio, 2020-12-15 What can you do with a degree in architecture? Where might it take you? What kind of challenges could you address? Architects After Architecture reframes architecture as a uniquely versatile way of acting on the world, far beyond that of designing buildings. In this volume, we meet forty practitioners through profiles, case studies, and interviews, who have used their architectural training in new and resourceful ways to tackle the climate crisis, work with refugees, advocate for diversity, start tech companies, become leading museum curators, tackle homelessness, draft public policy, become developers, design videogames, shape public discourse, and much more. Together, they describe a future of architecture that is diverse and engaged, expanding the limits of the discipline, and offering new paths forward in times of crisis. Whether you are an architecture student or a practicing architect considering a change, you’ll find this an encouraging and inspiring read. Please visit the Architects After Architecture website for more information, including future book launches and events: architectsafterarchitecture.com |
| timothy morton: Tamberlane Caytlin Vilbrandt, 2019-10 |
| timothy morton: The Cultural Politics of Sugar Keith A. Sandiford, 2010-07-13 Keith Sandiford's study examines the importance of sugar as a central metaphor in the work of six influential authors of the colonial West Indies. Sugar, he argues, became a focus for cultural desires as well as a hard fact of the Caribbean's political economy. Sandiford defines this metaphorical turn as a trope of negotiation that organizes the structure and content of the narratives. Based on extensive historical knowledge of the period and recent postcolonial theory, this book suggests the possibilities negotiation offers in the continuing recovery of West Indian intellectual history. |
| timothy morton: Hell Timothy Morton, 2024-06-07 Hell on earth is real. The toxic fusion of big oil, Evangelical Christianity, and white supremacy has ignited a worldwide inferno, more phantasmagoric than anything William Blake could dream up and more cataclysmic than we can fathom. Escaping global warming hell, this revelatory book shows, requires a radical, mystical marriage of Christianity and biology that awakens a future beyond white male savagery. Timothy Morton argues that there is an unexpected yet profound relationship between religion and ecology that can guide a planet-scale response to the climate crisis. Spiritual and mystical feelings have a deep resonance with ecological thinking, and together they provide the resources environmentalism desperately needs in this time of climate emergency. Morton finds solutions in a radical revaluation of Christianity, furnishing ecological politics with a language of mercy and forgiveness that draws from Christian traditions without bringing along their baggage. They call for a global environmental movement that fuses ecology and mysticism and puts race and gender front and center. This nonviolent resistance can stage an all-out assault on the ultimate Satanic mill: the concept of master and slave, manifesting today in white supremacy, patriarchy, and environmental destruction. Passionate, erudite, and playful, Hell takes readers on a full-color journey into the contemporary underworld—and offers a surprising vision of salvation. |
Timothy Morton - Wikipedia
Timothy Bloxam Morton (born 19 June 1968) [2] is a professor and Rita Shea Guffey Chair in English at Rice University. [3] A member of the object-oriented philosophy movement, Morton …
Timothy Morton | Faculty | The People of Rice - Rice University
Timothy Morton is Rita Shea Guffey Chair in English at Rice University and Director of the Cool America Foundation. Morton is the author of 25 books, translated 47 times into 20 languages; …
Timothy Morton’s Hyper-Pandemic - The New Yorker
Jun 8, 2021 · Morgan Meis writes about Timothy Morton, a philosopher of “hyperobjects”—vast, unknowable things that are bigger than ourselves—and what Morton’s views reveal about our …
ABOUT - Timothy Morton
May 25, 2025 · Morton is the author of the libretto Time, Time, Time (opera by Jennifer Walshe, 2019), and of numerous artworks including We Are the Asteroid (with Justin Guariglia, 2019); …
At the End of the World, It’s Hyperobjects All the Way Down
Nov 16, 2021 · In 2008, the philosopher Timothy Morton was struck by a strange, existential feeling, one that helped them formulate a word for phenomena that are too vast and …
Timothy Morton interview: Humans have long been a ...
Sep 20, 2024 · Timothy Morton is an enigmatic character. An English professor at Rice University, but one that specializes in ecology and the way it interacts with cultural issues, and a leading …
Strolling Hell, Strolling the Biosphere: An Interview with ...
Jul 25, 2024 · An Oxford-educated scholar of Romantic poetry, Timothy Morton’s first extensive engagement with ecocriticism, Ecology without Nature: Rethinking Environmental Aesthetics, …
Timothy Morton - Wikipedia
Timothy Bloxam Morton (born 19 June 1968) [2] is a professor and Rita Shea Guffey Chair in English at Rice University. [3] A member …
Timothy Morton | Faculty | The People of Rice - Rice University
Timothy Morton is Rita Shea Guffey Chair in English at Rice University and Director of the Cool America Foundation. Morton is the …
Timothy Morton’s Hyper-Pandemic - The New Yorker
Jun 8, 2021 · Morgan Meis writes about Timothy Morton, a philosopher of “hyperobjects”—vast, unknowable things …
ABOUT - Timothy Morton
May 25, 2025 · Morton is the author of the libretto Time, Time, Time (opera by Jennifer Walshe, 2019), and of numerous artworks …
At the End of the World, It’s Hyperobjects All the Way Down
Nov 16, 2021 · In 2008, the philosopher Timothy Morton was struck by a strange, existential feeling, one that helped them …
