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| tradition and modernity: Tradition and Modernity Kwame Gyekye, 1997 Gyekye offers a philosophical interpretation and critical analysis of the African cultural experience in modern times, and shows how Western philosophical concepts help in addressing a wide range of specifically African problems. |
| tradition and modernity: Modernity Of Tradition, The: Political Development In India Lloyd I Rudolph, Rudolph Susane Hoeber, 1987-01-01 Reprinted in India for the first time, the book is now a classic text in the field of sociology and political science. It has greatly influenced our understanding of political development in a conservative, tradition-bound society like India. By showing that caste groups, as other traditional ascriptive groups, reassert their identity in different modern contexts in new ways, the book has given us a new perspective and understanding of the complexities of political development and social change in India. |
| tradition and modernity: Modalities of Change James Wilkerson, Robert Parkin, 2012-10-01 While in some cases modernity may dominate 'traditional' forms of expression, in others, the modern is embraced as a welcome source of new ideas that can modify 'tradition' while still keeping it within its own bounds. Maintaining a strong and distinct cultural identity with the help of modernity helps representatives of that identity cope with the modern world more generally. By contrast, assimilation to a dominant culture marked as modern is clearly associated with not only the loss of a distinct identity, but also its specific forms of cultural expression. This book explores the consequences of the interface between modernity and tradition in selected societies in Taiwan, mainland China and Vietnam. The contributors examine how traditions are themselves exploiting modernity in creative ways, in the interests of their own further cultural developments, and to what extent this approach is likely to help a tradition survive. |
| tradition and modernity: Tradition and Modernity , 2009 The Question for Twentieth-Century China has been the integration of tradition and modernity. In this collection of essays written over a period of some twenty years (1987-2006), Chen Lai reflects on the question in an informative and original way. He reads behind the political slogans and engages with the thought both of Max Weber, Talcott Parsons and Western sociology, and representative Chinese thinkers, notably Feng Youlan and Liang Shuming. While the focus is on China, the book also appeals to anyone interested in this fascinating question of how to modernise whilst retaining the positive values of tradition. Chen Lai s unique and balanced grasp of society marks him out as the foremost thinker in China on this topic today. |
| tradition and modernity: Tradition and Modernity David Marshall, 2013-05-20 Tradition and Modernity focuses on how Christians and Muslims connect their traditions to modernity, looking especially at understandings of history, changing patterns of authority, and approaches to freedom. The volume includes a selection of relevant texts from 19th- and 20th-century thinkers, from John Henry Newman to Tariq Ramadan, accompanied by illuminating commentaries. |
| tradition and modernity: Between Tradition and Modernity Mark A. Russell, 2007-12-01 Aby Warburg (1866-1929), founder of the Warburg Institute, was one of the most influential cultural historians of the twentieth century. Focusing on the period 1896-1918, this is the first in-depth, book-length study of his response to German political, social and cultural modernism. It analyses Warburg's response to the effects of these phenomena through a study of his involvement with the creation of some of the most important public artworks in Germany. Using a wide array of archival sources, including many of his unpublished working papers and much of his correspondence, the author demonstrates that Warburg's thinking on contemporary art was the product of two important influences: his engagement with Hamburg's civic affairs and his affinity with influential reform movements seeking a greater role for the middle classes in the political, social and cultural leadership of the nation. Thus a lively picture of Hamburg’s cultural life emerges as it responded to artistic modernism, animated by private initiative and public discourse, and charged with debate. |
| tradition and modernity: Tradition Through Modernity Pertti J. Anttonen, 2005 When studying social practices that are regarded as traditional, 'tradition' is usually seen as an element of meaning. Whose meaning is it? Is it a meaning generated by those who study tradition or those who are being studied? In both cases, particular criteria for traditionality are employed, whether these are explicated or not. The individuals, groups of people and institutions that are studied may continue to uphold their traditions or name their practices traditions without having to state in analytical terms their criteria for traditionality. This cannot, however, apply to people who make the study of traditions their profession, especially those engaged in the academic field of the 'science of tradition,' a paraphrase given to folklore studies. Traditions call for explanation, instead of being merely described or used as explanations for apparent repetitions, reiterations, replications, continuations or symbolic linking in social practice, values, meaning, culture, and history. In order to explain the concept of tradition and the category of the traditional, scholars must situate its use in particular historically specific discourses -- ways of knowing, speaking, conceptualisation and representation -- in which social acts receive their meanings as traditional. This book argues that since the concepts of tradition and modern are fundamentally modern, what they aim to and are able to describe, report and denote is epistemologically modern, as that which is regarded as non-modern and traditional is appropriated into modern social knowledge through modern concepts and discursive means. Modernity cannot represent non-modernity without modern mediation, which therefore makes the representations of non-modernity also modern. Accordingly, the book deals with the modernness of objectifying, representing and studying folklore and oral traditions. The first section focuses on modern and tradition as modern concepts, and the conception of folklore and its study as a modern trajectory. The second section discusses the politics of folklore with regard to nationalism, and the role of folk tradition in the production of nation-state identity in Finland. |
| tradition and modernity: Inventing the Performing Arts Matthew Isaac Cohen, 2016-02-29 Indonesia, with its mix of ethnic cultures, cosmopolitan ethos, and strong national ideology, offers a useful lens for examining the intertwining of tradition and modernity in globalized Asia. In Inventing the Performing Arts, Matthew Isaac Cohen explores the profound change in diverse arts practices from the nineteenth century until 1949. He demonstrates that modern modes of transportation and communication not only brought the Dutch colony of Indonesia into the world economy, but also stimulated the emergence of new art forms and modern attitudes to art, disembedded and remoored traditions, and hybridized foreign and local. In the nineteenth century, access to novel forms of entertainment, such as the circus, and newspapers, which offered a new language of representation and criticism, wrought fundamental changes in theatrical, musical, and choreographic practices. Musical drama disseminated print literature to largely illiterate audiences starting in the 1870s, and spoken drama in the 1920s became a vehicle for exploring social issues. Twentieth-century institutions—including night fairs, the recording industry, schools, itinerant theatre, churches, cabarets, round-the-world cruises, and amusement parks—generated new ways of making, consuming, and comprehending the performing arts. Concerned over the loss of tradition and Eastern values, elites codified folk arts, established cultural preservation associations, and experimented in modern stagings of ancient stories. Urban nationalists excavated the past and amalgamated ethnic cultures in dramatic productions that imagined the Indonesian nation. The Japanese occupation (1942–1945) was brief but significant in cultural impact: plays, songs, and dances promoting anti-imperialism, Asian values, and war-time austerity measures were created by Indonesian intellectuals and artists in collaboration with Japanese and Korean civilian and military personnel. Artists were registered, playscripts censored, training programs developed, and a Cultural Center established. Based on more than two decades of archival study in Indonesia, Europe, and the United States, this richly detailed, meticulously researched book demonstrates that traditional and modern artistic forms were created and conceived, that is invented, in tandem. Intended as a general historical introduction to the performing arts in Indonesia, it will be of great interest to students and scholars of Indonesian performance, Asian traditions and modernities, global arts and culture, and local heritage. |
| tradition and modernity: Beyond Tradition and Modernity Grace Fong, Nanxiu Qian, Harriet Zurndorfer, 2004-02-01 Beyond Tradition and Modernity is a collection of original essays which considers the complexities behind the dramatic changes generated in China during the last decades of the nineteenth and the first decades of the twentieth century. As men and women literally-or metaphorically- crossed into new geographical worlds, they came to express their understanding of the expanding universe in a variety of ways which cannot be neatly labeled either traditional or modern. The contributors to this volume demonstrate how the creativity of these writers marked a new moment in historical and literary practices transcending this usual binary and simple teleology. Their essays expose how the ethnographic, literary, and educational projects of these men and women gave voice to new ideals and ideas that reflect the changing boundaries of gender at this time. |
| tradition and modernity: Tradition and Modernity in the Mediterranean Vassos Argyrou, 1996-06-13 The subject of Vassos Argyrou's study is modernisation, as reflected in the changing nature of wedding celebrations in Cyprus over two generations from the 1930s to the present day. He argues that modernisation is not a secular, progressive process, that remodels the life of a society, ironing out local differences. Rather, it is a legitimising discourse. It is an idiom which Greek Cypriots employ to represent, and contest, relationships between social classes, old and young, men and women, city folk and villagers. At the same time, by involving modernisation, they are submitting to foreign standards, and accepting the symbolic domination of Europe. |
| tradition and modernity: Between Jewish Tradition and Modernity Michael A. Meyer, David N. Myers, 2014 Brings together leading Jewish scholars to explore the developing interrelation between tradition and change within modern Judaism. |
| tradition and modernity: Islam & Modernity Fazlur Rahman, 2017-07-21 As Professor Fazlur Rahman shows in the latest of a series of important contributions to Islamic intellectual history, the characteristic problems of the Muslim modernists—the adaptation to the needs of the contemporary situation of a holy book which draws its specific examples from the conditions of the seventh century and earlier—are by no means new. . . . In Professor Rahman's view the intellectual and therefore the social development of Islam has been impeded and distorted by two interrelated errors. The first was committed by those who, in reading the Koran, failed to recognize the differences between general principles and specific responses to 'concrete and particular historical situations.' . . . This very rigidity gave rise to the second major error, that of the secularists. By teaching and interpreting the Koran in such a way as to admit of no change or development, the dogmatists had created a situation in which Muslim societies, faced with the imperative need to educate their people for life in the modern world, were forced to make a painful and self-defeating choice—either to abandon Koranic Islam, or to turn their backs on the modern world.—Bernard Lewis, New York Review of Books In this work, Professor Fazlur Rahman presents a positively ambitious blueprint for the transformation of the intellectual tradition of Islam: theology, ethics, philosophy and jurisprudence. Over the voices advocating a return to Islam or the reestablishment of the Sharia, the guide for action, he astutely and soberly asks: What and which Islam? More importantly, how does one get to 'normative' Islam? The author counsels, and passionately demonstrates, that for Islam to be actually what Muslims claim it to be—comprehensive in scope and efficacious for every age and place—Muslim scholars and educationists must reevaluate their methodology and hermeneutics. In spelling out the necessary and sound methodology, he is at once courageous, serious and profound.—Wadi Z. Haddad, American-Arab Affairs |
| tradition and modernity: Modernity and the Reinvention of Tradition Stephen Prickett, 2009-05-07 An original investigation into how tradition has developed over the centuries into our modern understanding of the term. |
| tradition and modernity: Contemporary Chinese Visual Culture Christopher Crouch, 2010 This book examines three overarching themes: Chinese modernity's (sometimes ambivalent) relationship to tradition at the start of the twentieth century, the processes of economic reform started in the 1980s and their importance to both the eradication and rescue of traditional practices, and the ideological issue of cosmopolitanism and how it frames the older academic generation's attitudes to globalisation. It is important to grasp the importance of these points as they have been an important part of the discourse surrounding contemporary Chinese visual culture. As readers progress through this book, it will become clear that the debates surrounding visual culture are not purely based on aesthetics--an understanding of the ideological issues surrounding the appearance of things as well as an understanding of the social circumstances that result in the making of traditional artifacts are as important as the way a traditional object may look. Contemporary Chinese Visual Culture is an important book for all collections dealing with Asian studies, art, popular culture, and interdisciplinary studies. |
| tradition and modernity: Modernity and the Classical Tradition Alan Colquhoun, 1991 Since the early 1960s, the rigor and conceptual clarity of Alan Colquhoun's criticism and theory have consistently stimulated debate and have served as an impetus for the pursuit of new directions in both theory and practice. This collection of essays displays Colquhoun's concern with developing a coherent discourse for the rampant pluralism that dominates contemporary architecture. Alan Colquhoun is a practicing architect and Professor of Architecture at Princeton University. His previous collection of essays received the 1985 Architectural Critics Award. |
| tradition and modernity: Overcoming Tradition And Modernity Robert D. Lee, 2018-02-12 “Authenticity” has begun to rival “development” as a key to understanding the political aspirations of the Islamic world. Almost everywhere modernity has laid waste to tradition, those habits and practices deemed to be timeless and true. Imperialism carried European notions of progress into Muslim-dominated parts of the globe, and subsequently Muslims themselves espoused Western practices, techniques, and philosophies. Regimes calling themselves liberal, socialist, and Arab nationalist all embraced modernity as their principal objective. Most of these regimes failed to create the promised better lives their citizens desired. Moreover, ordinary Muslims felt despair as modernity ripped apart families, exposed youngsters to the materialism and hedonism of Western entertainments, heightened social expectations, and undermined religious belief. Even though tradition has proved itself incapable of staving off modernity, the promises and premises of modern development literature have been called into question. Where is the truth around which Muslims can rally? Does modernity require a rejection of tradition? Does the embrace of Islamic ideas necessitate turning away from modernity? Robert D. Lee explores these compelling questions by presenting four contemporary Muslim writers—Muhammad Iqbal, Sayyid Qutb, ‘Ali Shari’ati, and Mohammed Arkoun—all of whom have refused to bow to such a dichotomy of modernity and tradition. This study examines their efforts, deeply influenced by European thinking, to find a truth beyond tradition and modernity—an “authentic” understanding of Islam upon which Muslims can build a future. All four thinkers believe such an authentic understanding can serve as the foundation for a new politics. Lee argues, however, that each of these versions of authenticity suffers shortcomings and falters in its efforts to move from the particularity of culture onto a grander scale of political organization appropriate for the modern world. |
| tradition and modernity: Buddhist Modernities Hanna Havnevik, Ute Hüsken, Mark Teeuwen, Vladimir Tikhonov, Koen Wellens, 2017-02-17 The transformations Buddhism has been undergoing in the modern age have inspired much research over the last decade. The main focus of attention has been the phenomenon known as Buddhist modernism, which is defined as a conscious attempt to adjust Buddhist teachings and practices in conformity with the modern norms of rationality, science, or gender equality. This book advances research on Buddhist modernism by attempting to clarify the highly diverse ways in which Buddhist faith, thought, and practice have developed in the modern age, both in Buddhist heartlands in Asia and in the West. It presents a collection of case studies that, taken together, demonstrate how Buddhist traditions interact with modern phenomena such as colonialism and militarism, the market economy, global interconnectedness, the institutionalization of gender equality, and recent historical events such as de-industrialization and the socio-cultural crisis in post-Soviet Buddhist areas. This volume shows how the (re)invention of traditions constitutes an important pathway in the development of Buddhist modernities and emphasizes the pluralistic diversity of these forms in different settings. |
| tradition and modernity: Between Tradition and Modernity Fred R Dallmayr, G N Devy, 1998-07-20 An AltaMira Press Book The process of modernization poses a profound challenge to societies. Nowhere is this more true than in India where cultural memories have been severely tested by colonial domination but have been loyally preserved nonetheless. This anthology documents the intellectual struggle of Indian writers and philosophers in the twentieth century to articulate the meaning of India and thereby establish an identity which bridges indigenous tradition and Western-style modernity. The book focuses on the existential dimension of India's encounter with the West-its role as a catalyst in the process of self-scrutiny and in the search for self-rule and cultural identity. As a whole, the anthology constitutes not so much an objective travellogue but rather a 'sentimental journey' reflecting the experiences of prominent Indians, thereby revealing that the process of modernization and development is really a struggle over the heart and soul of India and, by extension, over the sense and direction of humanity or humankind. It provides a timely perspective on self-understanding or self-interpretation in India's fiftieth year of independence. |
| tradition and modernity: Reflexive Modernization Ulrich Beck, Anthony Giddens, Scott Lash, 1994 Three prominent social thinkers discuss how modern society is undercutting its formations of class, stratum, occupations, sex roles, the nuclear family, and more. Reflexive modernization, or the way one kind of modernization undercuts and changes another, has wide ranging implications for contemporary social and cultural theory, as this provocative book demonstrates. |
| tradition and modernity: The Russian City Between Tradition and Modernity, 1850-1900 Daniel R. Brower, 2021-01-08 This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990. |
| tradition and modernity: Birthing in the Pacific Vicki Lukere, Margaret Jolly, 2001-11-30 This collection explores birthing in the Pacific against the background of debates about tradition and modernity. A wide-ranging introduction and conclusion, together with case studies from Papua New Guinea, New Caledonia, Vanuatu, Fiji, and Tonga, show how simple contrasts between traditional and modern practices, technocratic and organic models of childbirth, indigenous and foreign approaches, and notions of before and after can be potent but problematic. The difficulties entailed confront public health programs concerned with practical issues of infant and maternal survival in developing countries as well as scholarly analyses of birthing in cross-cultural contexts. The introduction analyzes central concepts and themes: questions of survival, safety, and well-being; the significance of postures, practices, and sites; the role of midwives, traditional birth attendants, and nurses; and the role of men in birthing and reproduction. Contributors--four anthropologists, a historian, and a community health worker--offer insights into the ways mothers, midwives, and nurses relate the traditional and the modern, and how ideas of tradition and modernity have shaped representations of Pacific childbirth. The conclusion provides researchers with a guide to relevant literature from several disciplines. As a whole the collection warns against either a celebration of emancipation through biomedicine or a recuperative romance about women's past powers in reproduction. Contributors: Ruta Fiti-Sinclair, Margaret Jolly, Vicki Lukere, Shelley Mallett, Helen Morton, Christine Salomon. |
| tradition and modernity: Sanctity of Time and Space in Tradition and Modernity Alberdina Houtman, Joshua J. Schwartz, Marcel Poorthuis, 2020-01-29 Time and space can take on a sacred nature in both Judaism and Christianity accompanied by a permanent critical attitude towards the sacred. Conceptions of sacredness imply a conception of community and of society at large. This study investigates the different attitudes toward sacred time and space from an interdisciplinary perspective, ranging from the Biblical period through Qumran, Patristics, Rabbinics, archaeology and theology to modern and even to post-modern rituals. This approach offers a fascinating insight into both the common heritage of Judaism and Christianity and their mutual differences. |
| tradition and modernity: The Essential Ren‚ Gu‚non René Guénon, 2009-10-15 A prolific writer and author of over 24 books, Rene Guenon was the founder of the Perennialist/Traditionalist school of comparative religious thought. Known for his discourses on the intellectual and spiritual bankruptcy of the modern world, symbolism, tradition, and the inner or spiritual dimension of religion, this book is a compilation of his most important writings. A key component of his thought was the assertion that universal truths manifest themselves in various forms in the world's religions and his writings on Hinduism, Taoism, and Sufism are particularly illuminating in this regard. |
| tradition and modernity: Modernity and Tradition Kamil Khan Mumtaz, 1999 The book explores some of the central issues in the current discourse on transitional cultures, in a world increasingly dominated by technological innovations and rapidly changing values. Critiquing modernity as a Euro-centric ideology which has little relevance or meaning in the context of cultures with different experiences of history, sensitivities, and belief systems, the book presents the traditional perspective, rooted in perennial wisdom, as an alternative framework. Here not only do art and architecture have a positive and constructive role and function, but human endeavour generally can find a purpose and direction. |
| tradition and modernity: Iran Ramin Jahanbegloo, 2004-01-01 The Iranian Revolution represented to intellectuals and professionals the potential of spiritual values to triumph over the great power of economic imperialism. Yet out of this revolution has emerged an identity crisis that touches Islamic ideological heights and reaches down to the very ground of Islamic practice. The contributors to this collection, experts on Iranian cultural and political history, analyze the 'fragmented self' of today's Iranian, refracted through that country's institutions, market forces, and modern thought. Each essay both deepens our understanding of contemporary Iran and adds to the broader discussion of the relationship between Islam and the West. |
| tradition and modernity: Tradition Edward Shils, 1981 Explores the history, significance, and future of tradition as a whole. This book reveals the importance of tradition to social and political institutions, technology, science, literature, religion, and scholarship. |
| tradition and modernity: The Israeli Druze Community in Transition Randa Khair Abbas, Deborah Court, 2021-03-11 While there are books that describe the history and traditions of the Druze as an ethnic and religious group, this is the first and only academic book of its kind. It gives voice to the Israeli Druze, through in-depth interviews with 120 people, 60 young adults and 60 of their parents’ generation. How is this traditional group, bound together through the centuries by their secret religion and strong value system, dealing with modernization? What contradictions and continuity come to light in the stories of this people during a time of transition? Can their religion, and their very identity, survive the meeting with the modern, technological world? What resources do the young and the not-so-young bring to the task of preserving their community and helping it to flourish as the world changes around them? The people in this text answer these questions through the telling of their stories, in which they express their values, opinions, beliefs and aspirations. The book draws out theoretical, practical, religious and sociological implications from this analysis, in order to shed light on the challenges faced by other traditional societies meeting modernity. |
| tradition and modernity: Modernity At Large Arjun Appadurai, 1996 |
| tradition and modernity: Arabic Poetry Muhsin J. al-Musawi, 2006-09-27 Since the late 1940s, Arabic poetry has spoken for an Arab conscience, as much as it has debated positions and ideologies, nationally and worldwide. This book tackles issues of modernity and tradition in Arabic poetry as manifested in poetic texts and criticism by poets as participants in transformation and change. It studies the poetic in its complexity, relating to issues of selfhood, individuality, community, religion, ideology, nation, class and gender. Al-Musawi also explores in context issues that have been cursorily noticed or neglected, like Shi’i poetics, Sufism, women’s poetry, and expressions of exilic consciousness. Arabic Poetry employs current literary theory and provides comprehensive coverage of modern and post-modern poetry from the 1950s onwards, making it essential reading for those with interests in Arabic culture and literature and Middle East studies. |
| tradition and modernity: Inclusive Leadership Taylor & Francis Group, 2021-09-30 This book reflects on the models of leadership espoused by ancient Indic traditions, in particular the Advaita Vedanta tradition. Focusing primarily on the Rajarshi - 'the philosopher king' - the essays in this volume showcase how using these models in contemporary society could lead to the creation of self-aware and empathic leaders and an inclusive society. The book explores examples of the Brahmarshi, or the wise scholar; Rajarshi, or the wise ruler; and Devarshi, or the visionary, to bring together all the ideal virtues of inclusive leadership in the current cultural and political space. The essays in the volume adopt a critical sociological, philosophical and management lens to analyse Indic traditions and dharmic concepts. The volume uses concepts such as dharma, karma and, yoga along with organisational psychology, technology, and management, to arrive at the concept of transcendental leadership. It theorises new definitions of the Rajarshi ideal, which can be used towards public service, social transformation and self-discovery. The volume will be useful for scholars and academics interested in Indic philosophies of leadership and governance, sociology, and social and political inclusivity. It will also be useful for readers in public administration, business and management. |
| tradition and modernity: The Betrayal of Tradition Harry Oldmeadow, 2005 This collection of essays by eminent traditionalists and contemporary thinkers throws into sharp relief many of the urgent problems of today. |
| tradition and modernity: Tradition, Performance, and Religion in Native America Dennis Kelley, 2015-05-08 In contemporary Indian Country, many of the people who identify as American Indian fall into the urban Indian category: away from traditional lands and communities, in cities and towns wherein the opportunities to live one's identity as Native can be restricted, and even more so for American Indian religious practice and activity. Tradition, Performance, and Religion in Native America: Ancestral Ways, Modern Selves explores a possible theoretical model for discussing the religious nature of urbanized Indians. It uses aspects of contemporary pantribal practices such as the inter-tribal pow wow, substance abuse recovery programs such as the Wellbriety Movement, and political involvement to provide insights into contemporary Native religious identity. Simply put, this book addresses the question what does it mean to be an Indigenous American in the 21st century, and how does one express that indigeneity religiously? It proposes that practices and ideologies appropriate to the pan-Indian context provide much of the foundation for maintaining a sense of aboriginal spiritual identity within modernity. Individuals and families who identify themselves as Native American can participate in activities associated with a broad network of other Native people, in effect performing their Indian identity and enacting the values that are connected to that identity. |
| tradition and modernity: Tradition and Modernity Reconsidered Reinhard Bendix, 1966 |
| tradition and modernity: Post-Soviet Women Mary Buckley, 1997-07-13 This volume is the first to to take a systematic look at the position of women in the post-Soviet states of the former USSR. |
| tradition and modernity: Tradition in the Frame Konstantinos Kalantzis, 2019-08-09 An ethnographic study of a Greek island community’s culture in the face of modern times. Sfakians on the island of Crete are known for their distinctive dress and appearance, fierce ruggedness, and devotion to traditional ways. Konstantinos Kalantzis explores how Sfakians live with the burdens and pleasures of maintaining these expectations of exoticism for themselves, for their fellow Greeks, and for tourists. Sfakian performance of masculine tradition has become even more meaningful for Greeks looking to reimagine their nation’s global standing in the wake of stringent financial regulation, and for non-Greek tourists yearning for rootedness and escape from the post-industrial north. Through fine-grained ethnography that pays special attention to photography, Tradition in the Frame explores the ambivalence of a society expected to conform to outsiders’ perception of the traditional even as it strives to enact its own vision of tradition. From the bodily reenactment of historical photographs to the unpredictable, emotionally-charged uses of postcards and commercial labels, the book unpacks the question of power and asymmetry but also uncovers other political possibilities that are nested in visual culture and experiences of tradition and the past. Kalantzis explores the crossroads of cultural performance and social imagination where the frame is both empowerment and subjection. “In this original, beautifully written, and often moving monograph, Konstantinos Kalantzis has produced a lasting contribution to the anthropological study of contemporary Europe. Drawing on extensive fieldwork, Tradition in the Frame explores with exquisite detail a number of timely themes—the social life of photographs, conflicting tourist and local images of Crete, the performance of gender stereotypes, and the complex tension between tradition and modernity. The author’s ability to view the world through the eyes of natives and foreigners, and to deconstruct visual signs and symbols, is nothing short of stunning. For anyone interested in Europe and the Mediterranean world today, this richly documented and theoretically sophisticated volume is a must read.” —Stanley Brandes “Tradition in the Frame is a richly innovative ethnography focusing on the visual dimensions of modern Cretan mythmaking, and especially on the material reproduction and negotiation of time-honored stereotypes of warrior masculinity. Writing of a society that has largely shifted its economy from shepherding to tourism, Kalantzis incisively demonstrates how the realities of commercial exploitation and socio-political change re-frame familiar images of a society at once proudly central to the symbolism of national identity and yet also still reluctant to accept the merest hint of intrusive authority.” —Michael Herzfeld |
| tradition and modernity: Between Tradition and Modernity , 1996 |
| tradition and modernity: Essays in Architectural Criticism Alan Colquhoun, 1981 Preface by Kenneth Frampton Winner of the 1985 Architectural Critics Award for the best book published on architectural criticism over the past three years. Since the early 1950s, Alan Colquhoun's criticism and theory have acted as a conscience to a generation of architects. His rigor and conceptual clarity have consistently stimulated debate and have served as an impetus for the pursuit of new directions in both theory and practice. This collection of 17 of his essays marks a watershed in the development of architectural thinking over the past three decades, comprising a virtual theory of Modernism in architecture. In his earliest essays, Colquhoun concentrated on themes that for him comprised the modernist attitude in architecture - language, typology, and the structure of form. His stance since then has consistently been to try to relate these issues to current practice and to analyze the nature of architectural expression in relation to culture. Alan Colquhoun divides his time between England, where is is a principal in the firm of Colquhoun & Miller, and the United States, where he is Professor of Architecture at Princeton University. An Oppositions Book. |
| tradition and modernity: Transformations of Tradition Quadri, 2023-10 Transformations of Tradition probes how the encounter with colonial modernity conditioned Islamic jurists' conceptualizations of the shari'a. Departing from the tendency to focus on reformist-minded thinkers and politically charged issues, Junaid Quadri directs his attention towards the overlooked jurisprudential writings of Muhammad Bakhit al-Muti-i (1854-1935), Mufti of Egypt and a frequent critic of the famed reformists Muhammad 'Abduh and Rashid Rida. There, he locates a remarkable series of foundational intellectual shifts. Offering a fresh perspective on a pivotal period in the history of Islamic thought, Quadri tracks how Bakhit reworks the relationship of the shari'a to categories of understanding as fundamental as history and authority, science and technology, and religion and the secular, thereby upending the very ground upon which Islamic law had until then functioned. Through close readings of complex legal texts and mining of oft-neglected archives, this carefully researched study situates its argument in both the contested scholarly world of a quickly-changing Cairo, and the transregional school of Hanafi law as represented by jurists writing in Kazan, Lucknow, and Baghdad. Examining Islamic jurisprudential discourse in the colonial moment, Transformations of Tradition uncovers a shari'a that is neither a medieval holdover nor merely a pragmatic concession to the demands of a new world, but rather deeply entangled with the epistemological commitments of colonial modernity. |
| tradition and modernity: Islam Between Tradition and Modernity Mehmet Ozalp, 2012 Most of the problems visible in the Muslim world stem from the gap created by a commitment to tradition and a wariness of modernity. Islam has the resources to bridge this gap. As a religion it is generally misunderstood not only by non-Muslims but, perhaps surprisingly, by Muslims as well. This book outlines the defining beliefs of Islam and the devotional practices of Muslims. It explains how and why the Islamic mood and the Muslim mind competes and, at times, conflicts with the promotion of modern popular culture and the propagation of contemporary liberal values. The author, well-known Muslim theologian and writer Mehmet Özalp, is adamant that constructive and respectful dialogue across religious traditions is possible and that a clash of civilisations can be avoided. He writes with sensitivity and insight about Islamic theology, history and social engagement, seeking to identify the major fault lines in relations between the Muslim World and the West while offering creative suggestions to relieve tension and restore goodwill. This book will educate and enlighten a very broad readership and will help to fashion a future that neither rejects tradition nor resists modernity.--Publisher. |
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Founded in 2010 in Copenhagen, &Tradition is an international brand, built on a Danish legacy of craftsmanship and design. We tell stories with originality. Whether our starting point is new or …
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Founded in 2010 in Copenhagen, &Tradition is an international brand, built on a Danish legacy of craftmanship and design. We tell stories with originality. Whether our starting point is new or re …
&Tradition — Journal
Founded in 2010 in Copenhagen, &Tradition is an international brand, built on a Danish legacy of craftsmanship and design. We tell stories with originality. Whether our starting point is new or …
&Tradition — Lato LN9
Founded in 2010 in Copenhagen, &Tradition is an international brand, built on a Danish legacy of craftsmanship and design. We tell stories with originality. Whether our starting point is new or …
&Tradition — Gio LN14
Founded in 2010 in Copenhagen, &Tradition is an international brand, built on a Danish legacy of craftsmanship and design. We tell stories with originality. Whether our starting point is new or …
