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| the science of acting: The Science Of Acting Sam Kogan, Helen Kogan, 2009-09-10 What is good acting? How does one create believable characters? How can an actor understand a character if they do not understand themselves? In The Science of Acting, Sam Kogan uses his theories on the relationship between neuroscience, psychology and acting to answer these questions. Practical exercises provide a step-by-step guide to developing an actor's ability, culminating in Ten Steps to Creating a Character. He presents the reader with a groundbreaking understanding of the subconscious and how it can be applied to their acting. The author’s highly original perspective on Stanislavski's teaching gives readers a unique insight into their character’s minds. Sam Kogan studied at the Moscow Institute of Theatre Arts (now the Russian Academy of Theatre Arts) under the tutelage of Professor Maria Knebel. He established The Science of Acting, a complete stand-alone technique. Helen Kogan is the chair and former principal of The Academy of Science of Acting and Directing, has helped to shape her father's words and work for the publication of this book. |
| the science of acting: The Science Of Acting Sam Kogan, Helen Kogan, 2009-09-10 What is good acting? How does one create believable characters?. In The Science of Acting, Sam Kogan applies his theories and teaching to answering these questions. It represents a comprehensive and complete technique applying neuroscience and psychology to the role of acting. At its heart lies a unique and groundbreaking understanding of the subconscious, as well as an unparalleled insight into, and expansion of, Stanislavski's original Russian teaching. The book includes chapters on Awareness, Purposes, Events, Actions, Imagination, Free Body, Tempo-Rhythm, and Laws of Thinking, culminating. |
| the science of acting: The Player's Passion Joseph R. Roach, 1993 Explores the historical and cultural evolution of the theoretical language of the stage |
| the science of acting: The Science and Art of Acting for the Camera John Howard Swain, 2018 The Science and Art of Acting for the Camera provides a precise yet practical approach to help unlock the mysteries of acting for film and television. Written by veteran actor, producer, and director John Howard Swain, the book offers a clear-cut, no-nonsense technique that equips aspiring or working actors with the necessary skills to succeed on camera. The technique teaches you how to build multi-dimensional characters; construct truthful and exciting relationships; ignite stimulating emotions; craft a series of discoveries guaranteed to energize your work; and much, much more. The book also provides instruction for actors working in commercials--from slating, to the dreaded tell us about yourself interview, to nailing the tag and embracing the cliché--and supplies sample commercial copy for students to practice. |
| the science of acting: Science and the Stanislavsky Tradition of Acting Jonathan Pitches, 2005-09-21 The Russian tradition is a major area of theatre studies Uses a range of historical and archival material, including previously unpublished material from the Michael Chekov archives International market - UK, America. Potential interest in Russia and France |
| the science of acting: The Art of Voice Acting James Alburger, 2012-11-15 Are you just starting in Voiceover? Do you have some experience, but aren't getting booked? Are you a working pro who wants to expand to new areas of VO work? The Art of Voice Acting is a must read if you are serious about a profession in voice over and looking to maximize your efforts for success in the business. Packed with basic acting techniques in The Art of Voice Acting, you will discover * All new scripts * 20 more pages of new and updated information * A completely new chapter of studio stories and 'tricks-of-the-trade' from professional voiceover talent around the world * Updated information for voiceover demos and marketing * A comprehensive index that makes it easy to find what you're looking for * More voice and acting techniques * Contributions from some of the top voice talent in the world * Audio content with the actual audio for every script in the book, http://voiceacting.com/aovaextras/ * PLUS: exercises, demos and more! Written in an accessible and engaging style Alburger shares his experience as a performer, producer, director and performance coach to give you a clear no nonsense introduction to the business and art of voice acting. Audio content and images from the books are available at http://voiceacting.com/aovaextras/ |
| the science of acting: Weird Science Jim Wiese, 2004-04-19 Discover the weird science behind the ickiest, wackiest, mostunusual things ever to exist! Would you like to make your own slime, discover how lava lampswork, or learn how materials decompose? Have you ever heard about ball lightning or the Aurora Borealis onthe news and wondered what the reporter was talking about? Are you looking for great ideas for your next science fairproject? If you answered yes to any of these questions, then Weird Scienceis for you! From banana slugs and dry ice to optical illusions andtime travel, you'll investigate some of the most bizarre scientificoddities on Earth. Dozens of fun-packed activities help you see foryourself how quicksand really works, why our feet sometimes getsmelly, how worm holes and black holes are formed, why insects canwalk on water, and much more. You'll even see how you can turnthese amazing activities into science projects! Each experiment issafe and easy to do, and all you need is everyday stuff from aroundthe house. So get ready to take a strange, creepy, and sometimeseven gross journey through Weird Science! |
| the science of acting: The Science of Acting Michael Lasris, 2008 |
| the science of acting: An Attitude for Acting Andrew Tidmarsh, Tara Swart, 2011 Invaluable for student actors at the start of their career and for those whose careers have stalled. |
| the science of acting: Acting with Passion Niki Flacks, 2015-04-23 Modern breakthroughs in neuroscience and mind-body psychology now offer an alternative approach to the classic systems of acting. So much more is now known about how the brain visualizes, imagines and remembers; neurochemical processes are much faster and more fluid than earlier acting teachers could possibly have realized. Acting with Passion draws heavily on the world of mind-body psychology, primarily the work of Wilhelm Reich and Alexander Lowen. Their theories – that the release of chronic muscular tension can be accompanied by the release of emotions – offer actors the keys to demonstrating emotion on cue. Through a series of physical exercises, actors learn to access feelings through the body rather than the mind. Beginning with the body as 'the instrument', Acting with Passion leads actors through a series of physical exercises combining movement, tactile exploration and vocal release. Once physical blocks are removed, the actor then uses memorized text to place the feelings where they belong. Written with her characteristic verve and accessibility, and using practical exercises to guide the actor through each stage, Acting With Passion is the result of Niki Flaks's popular acting workshops. |
| the science of acting: The Actor, Image, and Action Rhonda Blair, 2007-11-30 Rhonda Blair examines the physiological relationship between bodily action and emotional experience, in the first full-length study of actor training using the insights of cognitive neuroscience and their crucial importance to an actor’s engagement with a role. |
| the science of acting: Embodied Acting Rick Kemp, 2012-09-10 ‘A focus on the body, its actions, and its cognitive mechanisms identifies ... foundational principles of activity that link the three elements of theatre; Story, Space, and Time. The three meet in, are defined by, and expressed through the actor’s body.’ – from the Introduction Embodied Acting is an essential, pragmatic intervention in the study of how recent discoveries within cognitive science can – and should – be applied to performance. For too long, a conceptual separation of mind and body has dominated actor training in the West. Cognitive science has shown this binary to be illusory, shattering the traditional boundaries between mind and body, reason and emotion, knowledge and imagination. This revolutionary new volume explores the impact that a more holistic approach to the bodymind can have on the acting process. Drawing on his experience as an actor, director and scholar, Rick Kemp interrogates the key cognitive activities involved in performance, including: non-verbal communication the relationship between thought, speech, and gesture the relationship between self and character empathy, imagination, and emotion. New perspectives on the work of Stanislavski, Michael Chekhov, and Jacques Lecoq – as well as contemporary practitioners including Daniel Day-Lewis and Katie Mitchell – are explored through practical exercises and accessible explanations. Blending theory, practice, and cutting-edge neuroscience, Kemp presents a radical re-examination of the unconscious activities engaged in creating, and presenting, a role. |
| the science of acting: The Art of Film Acting Jeremiah Comey, 2002 First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company. |
| the science of acting: The Power of the Actor Ivana Chubbuck, 2005-08-18 In The Power of the Actor, a Los Angeles Times bestseller, premier acting teacher and coach Ivana Chubbuck reveals her cutting-edge technique, which has launched some of the most successful acting careers in Hollywood. The first book from the instructor who has taught Charlize Theron, Brad Pitt, Elisabeth Shue, Djimon Hounsou, and Halle Berry, The Power of the Actor guides you to dynamic and effective results. For many of today’s major talents, the Chubbuck Technique is the leading edge of acting for the twenty-first century. Ivana Chubbuck has developed a curriculum that takes the theories of the acting masters, such as Stanislavski, Meisner, and Hagen, to the next step by utilizing inner pain and emotions, not as an end in itself, but rather as a way to drive and win a goal. In addition to the powerful twelve-step process, the book takes well-known scripts, both classic and contemporary, and demonstrates how to precisely apply Chubbuck’s script-analysis process. The Power of the Actor is filled with fascinating and inspiring behind-the-scenes accounts of how noted actors have mastered their craft and have accomplished success in such a difficult and competitive field. |
| the science of acting: Rip it Up Richard Wiseman, 2015-01-15 Rip up this book and unleash your hidden potential Most self-help books encourage you to think differently; to think yourself thin, imagine a richer self or to visualize the perfect you. This is difficult, time consuming and often doesnâe(tm)t work. Drawing on a dazzling array of scientific evidence, psychologist Richard Wiseman presents a radical new insight that turns conventional self-help on its head: simple physical actions represent the quickest, easiest and most powerful way to instantly change how you think and feel. So don't just think about changing your life. Do it. *Discover the simple idea that changes everything *Lose weight * Stop smoking * Feel instantly younger |
| the science of acting: Acting in an Uncertain World Michel Callon, Pierre Lascoumes, Yannick Barthe, 2011-01-21 A call for a new form of democracy in which “hybrid forums” composed of experts and laypeople address such sociotechnical controversies as hazardous waste, genetically modified organisms, and nanotechnology. Controversies over such issues as nuclear waste, genetically modified organisms, asbestos, tobacco, gene therapy, avian flu, and cell phone towers arise almost daily as rapid scientific and technological advances create uncertainty and bring about unforeseen concerns. The authors of Acting in an Uncertain World argue that political institutions must be expanded and improved to manage these controversies, to transform them into productive conversations, and to bring about “technical democracy.” They show how “hybrid forums”—in which experts, non-experts, ordinary citizens, and politicians come together—reveal the limits of traditional delegative democracies, in which decisions are made by quasi-professional politicians and techno-scientific information is the domain of specialists in laboratories. The division between professionals and laypeople, the authors claim, is simply outmoded. The authors argue that laboratory research should be complemented by everyday experimentation pursued in the real world, and they describe various modes of cooperation between the two. They explore a range of concrete examples of hybrid forums that have dealt with sociotechnical controversies including nuclear waste disposal in France, industrial waste and birth defects in Japan, a childhood leukemia cluster in Woburn, Massachusetts, and mad cow disease in the United Kingdom. The authors discuss the implications for political decision making in general and describe a “dialogic” democracy that enriches traditional representative democracy. To invent new procedures for consultation and representation, they suggest, is to contribute to an endless process that is necessary for the ongoing democratization of democracy. |
| the science of acting: Acting Paul Kassel, 2007 Acting: An Introduction to the Art and Craft of Playing discusses both the theory and practice of acting while placing the actor center stage as the crucial artist in the theatre. This text examines the underlying issues of acting and describes potential approaches to meet these challenges. Practical, experiential examples of applying the vocabulary are provided, but the book is not overloaded with exercises. The text identifies and clearly states the four fundamental actions and four basic tasks that form the basis for acting, focusing the student's energy for playing physically, vocally, imaginatively, and emotionally. Topically organized chapters examine the underlying processes and theories of the acting process through an open and descriptive approach and provide clear and concrete exercises to facilitate student development and understanding. Features Provides a descriptive rather than prescriptive approach to the acting process, helping students develop and explore their understanding. Features two intermissions, The Theatrical Illusion and A Warm-up, at the conclusion of Part Two, providing a theoretical and practical summary that prepares students for working on the stage. Includes practical, experiential exercises throughout to facilitate students' development of skills and understanding of how the acting process works. Provides analytical tools-such as outlines for text analysis, structural analysis (play and scene structure), and character analysis-to help students feel empowered to make their own choices regarding how, with what kind of material, and with whom they may work. Examines the role of emotion in the acting process, providing an effective and concrete discussion of how to utilize natural feelings that may arise in the process and of the controversies surrounding some common ideas in the field. Includes references to Web-based and traditional text resources throughout the book to support and expand on the ideas and exercises in each chapter and to help students further explore each topic. Praise for Acting Clearly, this writer is crafted and knows the work. Beautifully realized, and extremely useable. . . . -George Maguire, Solano Community College I like how simple, readable, and friendly the author seems. . . . So many acting books seem to draw attention to the author or system of learning. This text puts the emphasis on acting and performers. -Marc Powers, University of South Florida |
| the science of acting: Toward a General Theory of Acting J. Lutterbie, 2014-10-01 Toward a General Theory of Acting explores the actor's art through the lens of Dynamic Systems Theory and recent findings in the Cognitive Sciences. An analysis of different theories of acting in the West from Stanislavski to Lecoq is followed by an in depth discussion of technique, improvisation, and creating a score. In the final chapter, the focus shifts to how these three are interwoven when the actor steps in front of an audience, whether performing realist, non-realist, or postdramatic theatre. Far from using the sciences to reduce acting to a formula, Lutterbie celebrates the mystery of the creative process. |
| the science of acting: Acting with Power Deborah Gruenfeld, 2020-04-09 A refreshing and enlightening new perspective on what it means to be powerful. - SUSAN CAIN, bestselling author of Quiet An eye-opening exploration of power and how we can harness it using performance techniques borrowed from actors. What if instead of worrying about getting more power, we focus on using the power we do have better? Stanford business professor Deborah Gruenfeld combines 25 years of social psychology research with personal experience to reveal the truth about power: that we all have more than we realise and what counts is what we do with it. Acting with Power shows anyone seeking greater professional and academic success what power is actually for, how to identify it within ourselves, and how to use it constructively using acting techniques. Some of us crave a bigger role, and many of us feel like imposters in our current ones. Acting with Power shows us how to be the best version of ourselves in any role, on any stage. |
| the science of acting: Acting in Film Michael Caine, 2000-02-01 A master actor who's appeared in an enormous number of films starring with everyone from Nicholson to Kermit the Frog Michael Caine is uniquely qualified to provide his view of making movies. This new revised and expanded edition features great photos t |
| the science of acting: The Art of Acting , 1863 |
| the science of acting: Automated Planning and Acting Malik Ghallab, Dana Nau, Paolo Traverso, 2016-08-09 This book presents the most recent and advanced techniques for creating autonomous AI systems capable of planning and acting effectively. |
| the science of acting: Acting the Part Z.R. Ellor, 2022-12-06 This delightfully tropey teen romance perfect for fans of Ashley Poston and Lyla Lee follows a queer teen actor navigating their gender identity—while pretending to date their co-star. Queer actor Lily Ashton has found fame playing lesbian warrior Morgantha on the hit TV show Galaxy Spark. Lily knows how little representation queer girls have, so when the showrunners reveal that Morgantha’s on-screen love interest, Alietta, is going to be killed off, Lily orchestrates an elaborate fake-dating scheme with the standoffish actress who plays her, to generate press and ensure a happy ending for the #Morganetta ship. But while playing a doting girlfriend on- and off-screen, Lily struggles with whether a word like “girl” applies to them at all. Lily’s always been good at playing a part. But are they ready to share their real self, even if it means throwing everything they’ve fought for away? |
| the science of acting: Acting Jewish Henry Bial, 2005 Publisher Description |
| the science of acting: The Warner Loughlin Technique Warner Loughlin, 2018-01-12 For the first time in print, comes the revolutionary acting technique from the premiere acting coach of our era. Not a copy of the old masters, The Warner Loughlin Technique empowers the actor to create rich, nuanced and unique characters. Discover the technique used to help create some of the most remarkable performances of our time from actors such as Amy Adams, Ryan Reynolds, Kyra Sedgwick and countless other Oscar, Emmy, Golden Globe, Tony and Grammy nominees and winners. Loughlin debunks the myth of the tortured actor and guides you step by step through her groundbreaking technique revealing powerful ways to unlock your creativity in a psychologically safe way. Her insight into life and art is remarkable. The Warner Loughlin Technique changes the way acting will be taught for generations to come. Find out more at warnerloughlin.com. I was able to find my voice, and to find tears and to find levels, because I was able to have a safe place to go, that I could come back from. With your technique, in character prep, when I visit a character's life, her past and create an event good or tragic - that belongs to her. I don't take ownership of that pain with me. I don't take it on as my own...So this allows me not to be scared to go there, which allows me freedom as an actress to do anything, because I don't own it. It belongs to my character.-Amy Adams Working with Warner was a revelation. I doubted that I could ever work without observing and judging every moment. I will be forever grateful [to Warner] for helping me get back to the joy of living in the spontaneous truth of every scene.-Kyra Sedgwick I've been working with Warner Loughlin for years. Not only has she helped me become a better actor, but she's also helped me truly enjoy this work in ways I never imagined.-Ryan Reynolds Before I started working with Warner on the technique, I felt like acting was just something that I could some days do, and some days not do. It was only through doing deep emotion with detail on each of the characters I got, that I could act everyday how I wanted to, because I ended up knowing the character inside and out. The thoughts are no longer my own, but the characters', so I don't have to work as hard during the scenes. Now being on set and being the character is fun and never feels pushed. I love the technique and it has helped me immensely.-Sosie Bacon I met Warner over 10 years ago. She has coached me through comedy, drama, and even life! She has not only given me tools to be better at my job, but tools to be 100% confident through the process.-Emma Roberts Warner's Technique has become part of my creative process... It's simply the most intuitive way for me to find a character's base human emotion. Warner worked with us on Disney's Frozen for many months and helped us create truthful characters... I've never felt so comfortable animating a character before and I think the sophistication in the performance in the film speaks for itself.-Lino DiSalvo, Head of Animation for Disney's Frozen |
| the science of acting: How to Stop Acting Harold Guskin, 2003-06-25 Guskin is an acting doctor whose clients include Kevin Kline, Glenn Close, James Gandolfini, Bridget Fonda, and dozens more. Now Guskin reveals the insights and techniques that have worked wonders for beginners as well as stars. |
| the science of acting: The New Business of Acting Brad Lemack, 2010-08-11 In an expanded and updated follow up to his popular first book, The Business of Acting: Learn the Skills You Need to Build the Career You Want, talent manager Brad Lemack offers both young, new-to-the-business and “working” actors a vital perspective on the changing landscape in which they seek to launch and grow (or to reinvent) their professional careers. The New Business of Acting: How to Build a Career in a Changing Landscape teaches actors how to be smart, proactive and strategic throughout their career journeys. Lemack teaches actors the critical, non-performance skills they need to build the careers they want – and how to apply those skills in positive, professional and productive ways. The New Business of Acting, with a foreword by Isabel Sanford, the Emmy Award-winning star of the long running television series The Jeffersons, explores the revolution taking place in how business is conducted and how those dramatic changes impact how actors must conduct the business of their careers. This empowering new book builds on the lessons taught in The Business of Acting, while addressing how to apply those lessons to the digital and economic landscape that is the “new” business of acting. Key chapters explore the changing roles of agents and managers, the new demands on casting directors in the new landscape, the importance of creating, protecting and honoring your “brand,” emotional, physical and fiscal fitness in a challenging economy, and guidelines for seeking out and getting a head shot that fits the frame of the new business. Readers will learn the art of managing expectations, a required skill in knowing how to act (and when not to) on the global Internet stage of self-submission opportunities, and, perhaps most important for the young actor, those about to or just entering the business will discover what they must know to make a healthy, happy and empowered transition from student of the performing arts to wanting-to-be-working, professional actor. Readers will also learn how to create and launch both their brand and an Action Plan for career success that teaches them how to effectively and strategically use the tools introduced in the book, and how to be a smart actor implementing their plan all along their journey. It’s not about talent and performance; it’s about perspective, planning and process. |
| the science of acting: Acting and Character Animation Rolf Giesen, Anna Khan, 2018 Acting and animation are highly creative processes. This book is divided into two parts: From film history we learn about the importance of actors and the variety of acting that goes into animation; then, we turn to the actor's point of view to describe the various techniques involved. |
| the science of acting: Acting Richard Boleslavsky, 2004-03-01 This classic work on acting is one of the very few that stands beside Stanislavsky as a must-have for all acting students and professionals. Richard Boleslavsky's Acting: The First Six Lessons is a treasure-box of wise observation about the art of acting, all wrapped up in six charming dialogues between a teacher and a student. Generations of actors have been enriched by Boleslavsky's witty and acute picture of the actor's craft. These six lessons -- miniature dramas about concentration, memory of emotion, dramatic action, characterization, observation, and rhythm -- distill the challenge facing every actor. For this reissue the text has been entirely reset and the book jacketed in a contemporary design. An essential work on the short shelf of any acting student. |
| the science of acting: Acting My Face Estate of Anthony James, 2014-02-24 Actor Anthony James has played killers, psychopaths, and other twisted characters throughout his Hollywood career. In the summer of 1967, James made his motion picture debut as the murderer in the Academy Award-winning Best Picture, In the Heat of the Night. His role in the 1992 Academy Award-winning Best Picture, Unforgiven, culminated a unique, twenty-eight-year career. Behind his menacing and memorable face, however, is a thoughtful, gentle man, one who muses deeply on the nature of art and creativity and on the family ties that have sustained him. James's Acting My Face renders Hollywood through the eyes and experience of an established character actor. James appeared on screen with such legendary stars as Clint Eastwood, Bette Davis, Gene Hackman, and Sidney Poitier, and in such classic television shows as Gunsmoke, The Big Valley, Starsky and Hutch, Charlie's Angels, and The A-Team. Yet, it is his mother's heroic story that captures his imagination. In an odyssey which in 1940 took her and her newly wedded husband from Greece to a small southern town in America where she bore her only child, James's mother suffered the early death of her husband when James was only eight years old. In the blink of an eye, she went from grand hostess of her husband's lavish parties to hotel maid. But like the lioness she was, she fought with great ferocity and outrageous will in her relentless devotion to James's future. And so it was, that on an August morning in 1960, eighteen-year-old James and his mother took a train from South Carolina three thousand miles to Hollywood, California, to realize his dream of an acting career. They possessed only two hundred dollars, their courage, and an astonishing degree of naiveté. After his retirement in 1994, James and his mother moved to Arlington, Massachusetts, where he concentrated on his painting and poetry. His mother died in 2008 at the age of ninety-four, still a lioness protecting her beloved son. Acting My Face is an unusual memoir, one that explores the true nature of a working life in Hollywood and how aspirations and personal devotion are forged into a career. |
| the science of acting: The Best Book on Acting Daniel Jordano, 2014-02-01 How to Become a Better Actor Instantly Without Killing Yourself with The Method! Discover the the psychological secrets of The Life Acting System If you are an actor, you've probably done your fair share of pointless exercises in classes: Hold the imaginary teacup. Feel the warmth of the tea. Can you smell it? Can you smell it? ...or you may have had your fill of gurus who may direct scenes, but don't give actors any understanding of how to get where they need to get--on their own! If you are not a trained actor, this book will help you to STOP THINKING and START DOING! It cuts through all the b.s., is mercifully short, but yet will help you get to the core questions that every actor should answer. Based on 50 plus years of psychological research, I make the case for what I call Life Acting. A very simple, behavior-based approach that can be as effective with a toddler as it can be with a veteran wanting to go as deep as possible. That's why it's humbly titled The Best Book on Acting. You wont be disappointed. You will become a better actor because 1. You won't be scraping your psyche with an internal focus to present something that has nothing to do with the material. 2. You won't be overly focused on emotion, (often pushing and unrealistic) but on the INTENT of the character. 3. You will be more focused, more colorful, more memorable and interesting because you know how to make crystal clear choices which lead to impacting the audience! 4. You won't be in your head in performance, trying to juggle the balls of technique, emotion and connection. You will be doing! 5. You will understand the crucial difference between Homework, Rehearsal, and Performance. This book might reboot your whole way of building a character. It will be faster, more precise and more interesting. The questions for Homework can be broken down to such a basic level that a small child can use them and be effective! |
| the science of acting: The Method Isaac Butler, 2023-10-17 The critically acclaimed cultural history of Method acting—an ebullient account of creative discovery and the birth of classic Hollywood. |
| the science of acting: Breaking Into Acting For Dummies Larry Garrison, Wallace Wang, 2011-03-10 Provides the expert advice you need to get your big break! Jump-start your career and land that paying part From preparing for auditions to finding an agent, the acting business is a challenging and competitive field. This indispensable guide is what every aspiring actor needs to get a foot in the door. Discover how to market yourself, choose a dynamic head shot, create a stellar acting resume, join unions, and pay the bills while you pursue your acting dreams. The Dummies Way * Explanations in plain English * Get in, get out information * Icons and other navigational aids * Tear-out cheat sheet * Top ten lists * A dash of humor and fun |
| the science of acting: Acting with Style John Harrop, 2011 Recognized as a classic in its field, Acting with Style continues to be an invaluable guide to the process of approaching plays. The Third Edition retains all of the significant facts, data, information, and exercises, and offers a clear and warm writing style that expresses a sensitivity to the needs of actors. In addition to presenting the physical approach to actor training, the authors encourage readers to use the text materials and concepts with creativity and imagination, asserting that the process of discovering language is not limited to one specific time, place, or culture. |
| the science of acting: Lessons Tom Isbell, 2006 Truthful human behaviour on stage and screen. Definitely not a 'how-to' book! This book articulates the intangible -- how to capture lightning in a jar. It works to develop awareness in order to help the aspiring actor evolve, grow and mature as a performer. Acting is an art that comes from oneself -- no tricks, no special techniques. Every great artist begins as a craftsman then develops into an artist. Each of the 100 plain-speaking lessons in this book is brief and deals with an essential truth. The book is divided into 5 sections: Approach, Fundamentals, Classes and Rehearsals, Performance and Final Lessons. A supplemental work for students and professionals. |
| the science of acting: Acting for Film (Second Edition) Cathy Haase, 2018-09-25 It will not disappoint . . . —Ian McKellen, from the Foreword An Authoritative Training Manual for Film Actors and Teachers “In today's entertainment industry of buff bodies and beautiful faces, it's easy to think that a couple of sit-ups and high cheek bones can create a movie legend,” writes film veteran Cathy Haase. However, she adds, what the actor really must have are “technique, craft, and a depth of self-knowledge.” In Acting for Film, Second Edition, Haase shows actors how to develop all of these, sharing her secrets (developed through years of on-camera work) for creating characters who come alive and who touch the souls of the audience. Readers will learn how to apply theatrical training to film acting and hone a personal approach to rendering a character. Acting for Film, Second Edition, is an essential guide for aspiring performers, acting teachers, and anyone interested in gaining a greater understanding of the craft. This new edition includes: Advice on dealing with new technology including CGI and motion capture Concentration and relaxation exercises that will enhance facial expressiveness Exploration of sense memory techniques for on-camera work Animal exercises and their usages Tips for maintaining proper eye focus in front of the camera and conveying the “beats” of a scene, even in the shortest takes For any performer who intends to make a living in front of the camera, Acting for Film, Second Edition, is the most authoritative resource! With Haase’s experience and advice in their pocket, readers will be prepared to land the film role they’ve been dreaming of. |
| the science of acting: Acting Wild Maria Birmingham, 2019-08 A look at the surprising similarities between humans and other animals' behavior |
| the science of acting: A Bright Ray of Darkness Ethan Hawke, 2021 This is a Borzoi book published by Alfred A. Knopf--Title page verso. |
| the science of acting: An Essay on the Science of Acting George Grant, 1828 |
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5 days ago · Science News was founded in 1921 as an independent, nonprofit source of accurate information on the latest news of science, medicine and technology.
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Jan 13, 2021 · Science News was founded in 1921 as an independent, nonprofit source of accurate information on the latest news of science, medicine and technology. Today, our …
As quantum mechanics turns 100, a new revolution is under way
May 20, 2025 · Science News was founded in 1921 as an independent, nonprofit source of accurate information on the latest news of science, medicine and technology. Today, our …
