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| the uses of the erotic as power: Uses of the Erotic Audre Lorde, 1978 |
| the uses of the erotic as power: A Burst of Light Audre Lorde, 2017-07-24 Moving, incisive, and enduringly relevant writings by the African-American poet and feminist include her thoughts on the radical implications of self-care and living with cancer as well as essays on racism, lesbian culture, and political activism. |
| the uses of the erotic as power: Sister Outsider Audre Lorde, 2012-01-04 Presenting the essential writings of black lesbian poet and feminist writer Audre Lorde, Sister Outsider celebrates an influential voice in twentieth-century literature. “[Lorde's] works will be important to those truly interested in growing up sensitive, intelligent, and aware.”—The New York Times In this charged collection of fifteen essays and speeches, Lorde takes on sexism, racism, ageism, homophobia, and class, and propounds social difference as a vehicle for action and change. Her prose is incisive, unflinching, and lyrical, reflecting struggle but ultimately offering messages of hope. This commemorative edition includes a new foreword by Lorde-scholar and poet Cheryl Clarke, who celebrates the ways in which Lorde's philosophies resonate more than twenty years after they were first published. These landmark writings are, in Lorde's own words, a call to “never close our eyes to the terror, to the chaos which is Black which is creative which is female which is dark which is rejected which is messy which is . . . ” |
| the uses of the erotic as power: Warrior Poet Alexis De Veaux, 2004 The long-awaited first biography of the author of The Cancer Journals, an American icon of womanhood, poetry, African American arts, and survival. |
| the uses of the erotic as power: Asexual Erotics Elzbieta Przybylo, 2019-08-19 Develops erotics as a way to rethink the role of sex and sexual desire and to envision new forms of asexual intimacy. |
| the uses of the erotic as power: Pleasure Activism Adrienne Maree Brown, 2019 No more self-denial. Politics should be a resounding, erotic yes, not another deadening no. |
| the uses of the erotic as power: Sex Ecologies Stefanie Hessler, 2021-11-23 The first compendium of writing and art to present the case for the role of sex in environmental and social justice. Sex Ecologies explores pleasure, affect, and the powers of the erotic in the human and more-than-human worlds. Arguing for the positive and constructive role of sex in ecology and art practice, these texts and artistic research projects attempt nothing short of reclaiming the sexual from Western erotophobia and heteronormative narratives of nature and reproduction. The artists and writers set out to examine queer ecology through the lens of environmental humanities, investigating the fluid boundaries between bodies (both human and nonhuman), between binary conceptions of nature as separate from culture, and between disciplines. In newly commissioned texts from such writers as Mel Y. Chen and Jack Halberstam and a selection of influential essays—including an annotated version of Audre Lorde’s “The Uses of the Erotic: The Erotic as Power”—as well as images and sketches from works in progress by a diverse group of artists, Sex Ecologies combines insights from the fields of art, environmental humanities, ecofeminism, gender studies, science, technology, political science, and indigenous studies. Sex Ecologies, which accompanies an exhibition of the same name at Kunsthall Trondheim, emerges from an arts-driven research project collaboratively developed between the art center and the Seed Box environmental humanities collaboratory. Conceived not as a result but as a seed arising from this transdisciplinary fertilization, the volume presents a case for the role of sex in environmental and social justice. Copublished with Kunsthall Trondheim (Norway) and the Seed Box (Sweden) |
| the uses of the erotic as power: Perversion Robert J. Stoller, M.D., 2012-09-19 This new study, part of Professor Robert Stoller’s well-known, continuing work on sex and gender identity, is especially concerned with the psychological forces that contribute to sexual excitement in men and women. The author looks at sexual aberrations in order to learn what they can tell us about the dynamics of “normal” sexual development. He shows that perversions are different from other aberrations in that the dominant force in perversion is hostility directed in reality or in fantasy toward one’s sex objects. And he shows through fascinating examples and case material how childhood frustrations, traumas, and conflicts are gradually transformed into sexual excitement by means of fantasies. In a daydream, pornography, or a ritualized pattern of sex practice, a scenario is created in which are hidden remnants of the earlier painful experiences, now redone to make a triumph out of the trauma: the victim becomes the victor. It has been noted that men practice a wider variety of perversions than women. Professor Stoller suggests that men’s greater propensity to perversion in our society is related to the mother-daughter infant symbiosis—an intimate merging in which the infant does not distinguish its own boundaries as separate from its mother’s. If that intimacy is too intense or too prolonged, the infant boy’s sense of oneness with femaleness and femininity persists into the later months when masculinity begins to develop. A flawed sense of maleness can then result, thereafter threatening the development and expression of a stable masculinity. In contrast, should a comparable intense symbiosis develop between a mother and her infant daughter, the sense of merging with mother will only augment the girl’s future femininity, although it may result in other kinds of complications. |
| the uses of the erotic as power: The Erotic Life of Racism Sharon Patricia Holland, 2012-04-13 In this critique of the fields of feminist theory, queer theory, and critical race theory, Sharon Holland describes how, despite decades of theoretical and political work focused on race, we are continually affected by everyday experiences of racism and attached to old patterns of racist thought. |
| the uses of the erotic as power: The Master's Tools Will Never Dismantle the Master's House Audre Lorde, 2018 Essays on the power of women, poetry and anger from the self-described 'black, lesbian, mother, warrior, poet' |
| the uses of the erotic as power: Erotic Islands Lyndon K. Gill, 2018-06-01 In Erotic Islands, Lyndon K. Gill maps a long queer presence at a crossroads of the Caribbean. This transdisciplinary book foregrounds the queer histories of Carnival, calypso, and HIV/AIDS in the Republic of Trinidad and Tobago. At its heart is an extension of Audre Lorde's use of the erotic as theory and methodology. Gill turns to lesbian/gay artistry and activism to insist on eros as an intertwined political-sensual-spiritual lens through which to see self and society more clearly. This analysis juxtaposes revered musician Calypso Rose, renowned mas man Peter Minshall, and resilient HIV/AIDS organization Friends For Life. Erotic Islands traverses black studies, queer studies, and anthropology toward an emergent black queer diaspora studies. |
| the uses of the erotic as power: The Erotic Cloth Alice Kettle, Lesley Millar, 2018-02-08 Through their metaphorical and material qualities, textiles can be seductive, exciting, intimate and, at times, shocking and disquieting. This book is the first critical examination of the erotically charged relationship between the surface of the skin and the touch of cloth, exploring the ways in which textiles can seduce, conceal and reveal through their interactions with the body. From the beautiful cloth which is quietly suggestive, to bold expressions of deviant sexuality, cloth is a message carrier for both desiring and being desired. The drape, fold, touch and feel, the sound and look of cloth in motion, allow for the exploration of identity as a sensual, gendered or political experience. The book features contributions on the sensory rustle and drape of silk taffeta and the secret pleasures of embroidery, on fetishistic punk street-style and homoerotic intimacy in men's shirts on screen, and a new perspective on the role of cloth and skin in the classic film Blade Runner. In doing so, it interrogates experiences of cloth within social, historical, psychological and cultural contexts. Divided into four sections on representation, design, otherness and performance, The Erotic Cloth showcases a variety of debates that are at the heart of contemporary textile research, drawing on the fields of art, design, film, performance, culture and politics. Playful, provocative and beautifully illustrated with over 50 color images, it will appeal to students and scholars of textiles, fashion, gender, art and anthropology. |
| the uses of the erotic as power: Anagnorisis Kyle Dargan, 2018-09-15 Winner of the 2019 Academy of American Poets Lenore Marshall Poetry Prize In Anagnorisis: Poems, the award-winning poet Kyle Dargan ignites a reckoning. From the depths of his rapidly changing home of Washington, D.C., the poet is both enthralled and provoked, having witnessed-on a digital loop running in the background of Barack Obama's unlikely presidency—the rampant state-sanctioned murder of fellow African Americans. He is pushed toward the same recognition articulated by James Baldwin decades earlier: that an African American may never be considered an equal in citizenship or humanity. This recognition—the moment at which a tragic hero realizes the true nature of his own character, condition, or relationship with an antagonistic entity—is what Aristotle called anagnorisis. Not concerned with placatory gratitude nor with coddling the sensibilities of the country's racial majority, Dargan challenges America: You, friends- / you peckish for a peek / at my cloistered, incandescent / revelry-were you as earnest / about my frostbite, my burns, / I would have opened / these hands, sated you all. At a time when U.S. politics are heavily invested in the purported vulnerability of working-class and rural white Americans, these poems allow readers to examine themselves and the nation through the eyes of those who have been burned for centuries. |
| the uses of the erotic as power: Shakespeare's Erotic Mythology and Ovidian Renaissance Culture Ms Agnès Lafont, 2013-09-28 Taking cross-disciplinary and comparative approaches to the volume’s subject, this exciting collection of essays offers a reassessment of Shakespeare’s erotic and Ovidian mythology within classical and continental aesthetic contexts. Through extensive examination of mythological visual and textual material, scholars explore the transmission and reinvention of Ovidian eroticism in Shakespeare’s plays to show how early modern artists and audiences collectively engaged in redefining ways of thinking pleasure. Within the collection’s broad-ranging investigation of erotic mythology in Renaissance culture, each chapter analyses specific instances of textual and pictorial transmission, reception, and adaptation. Through various critical strategies, contributors trace Shakespeare’s use of erotic material to map out the politics and aesthetics of pleasure, unravelling the ways in which mythology informs artistic creation. Received acceptions of neo-platonic love and the Petrarchan tensions of unattainable love are revisited, with a focus on parodic and darker strains of erotic desire, such as Priapic and Dionysian energies, lustful fantasy and violent eros. The dynamics of interacting tales is explored through their structural ability to adapt to the stage. Myth in Renaissance culture ultimately emerges not merely as near-inexhaustible source material for the Elizabethan and Jacobean arts, but as a creative process in and of itself. |
| the uses of the erotic as power: Permission Saskia Vogel, 2019-04-10 A grieving young woman learns something new about love from a dominatrix in this haunting and erotic debut. Echo is a failing actress who prefers to lose herself in the lives of others rather than examine her own. When her father disappears in a seaside misstep, she and her mother are left grief-stricken, unsure of how to piece back together their family that, it turns out, had never been whole. But then Orly -- a dominatrix -- moves in across the street. And through her, Echo begins to find the pieces that will allow her to carry on. Set among the bright colours and harshly glittering lights of Los Angeles, this is a love story about people addled with dreams and expectations who turn to the erotic for answers. |
| the uses of the erotic as power: Expanding and Restricting the Erotic , 2020-06-08 The current erotic landscape is contradictory: While the West sees greater sexual and erotic freedom than ever, there is also a movement to restrict the behaviour of various sexual minorities. Expanding and Restricting the Erotic addresses the way in which the erotic has been constrained and freed, both historically and at present. Topics range from the troubling way in which the mainstream media represents the erotic, to the concept of friends with benefits. Other chapters explore female eroticism, from contemporary female hip hop artists to Latin American women seeking to express their eroticism in the midst of sexual repression. Medieval and Early Modern medical conceptions of the female body are explored, as are ancient Greek erotic practices. Finally, the controversial area of teenage girls’ erotic representation is analysed. |
| the uses of the erotic as power: Camming Angela Jones, 2020-02-18 Winner, Sociology of the Body and Embodiment Best Publication Award, given by the American Sociological Association Honorable Mention, 2021 Sexualities Section Book Award, given by the American Sociological Association The first inside look at how sex workers use webcams to make a living The erotic webcam industry, also known as “camming,” is a thriving global business. Angela Jones takes readers inside this multi-billion dollar industry, revealing how its workers experience intimacy, community, empowerment—and, as she compellingly argues, pleasure. Drawing on in-depth interviews, survey data, web analytics, and more, Jones highlights not only the dangers, but also the rewards, of working in one of the most taboo corners of the Internet. She provides an inside look at the public and private shows between cam models and their customers, from exotic dancing and pornographic videos, to masturbation shows and erotic chatrooms. A fascinating, much-needed glimpse into the lives of cam models, Camming takes us behind the webcam lens to experience the power of erotic labor in the twenty-first century. |
| the uses of the erotic as power: Erotic Revelations Andrea Celenza, 2014-06-05 Erotic Revelations: Clinical Applications and Perverse Scenarios delves into erotic desires and fantasies ... above all, how our sexuality expresses our inner being and defines the ways in which we engage in the psychoanalytic situation. Andrea Celenza addresses the 'desexualization' of the psychoanalytic field by reclaiming sexuality as one of the many nexes that are of central concern to the patient. She illustrates a wide range of erotic manifestations (for both therapist and patient) and offers recommendations to practitioners for dealing with erotic material when it arises. Andrea Celenza has divided this book into two parts, with clinical, theoretical, and technical discussions in each chapter: Part I: Varieties and Meanings of Erotic Transferences and Countertransferences Presents the varieties and meanings of erotic transferences and countertransferences common in clinical situations; Includes case studies of erotic material used as examples of phases in treatment as well as moments of defensive impasse; Includes discussions of the management of aggression, underlying merger fantasies, uses of countertransferences (in multiple forms), and dilemmas surrounding self-disclosure. Part II: Perverse Scenarios Revisited Reconceptualizes and restores the term perversion into the clinical lexicon; Views perversion as a quality of relating rather than a specific action or behavior; Presents a wide range of clinical illustrations that demonstrates the usefulness of this reformulation. Erotic Revelations puts sexuality back into psychoanalytic theorizing and makes a place for erotic transferences of whatever shape, in every analysis or therapy. With a strong clinical focus, this book will redefine how to work with many aspects of sex and gender in clinical psychoanalytic practice and will be an essential resource for psychoanalysts, psychotherapists, psychologists, educators, trainers, students and those with an interest in the mental health field. |
| the uses of the erotic as power: Gravity's Rainbow Thomas Pynchon, 2012-06-13 Winner of the 1974 National Book Award The most profound and accomplished American novel since the end of World War II. - The New Republic “A screaming comes across the sky. . .” A few months after the Germans’ secret V-2 rocket bombs begin falling on London, British Intelligence discovers that a map of the city pinpointing the sexual conquests of one Lieutenant Tyrone Slothrop, U.S. Army, corresponds identically to a map showing the V-2 impact sites. The implications of this discovery will launch Slothrop on an amazing journey across war-torn Europe, fleeing an international cabal of military-industrial superpowers, in search of the mysterious Rocket 00000. |
| the uses of the erotic as power: Queer Feminist Science Studies Cyd Cipolla, Kristina Gupta, David A. Rubin, Angela Willey, 2017-12-01 Queer Feminist Science Studies takes a transnational, trans-species, and intersectional approach to this cutting-edge area of inquiry between women’s, gender, and sexuality studies and science and technology studies (STS). The essays here “queer”—or denaturalize and make strange—ideas that are taken for granted in both areas of study. Reimagining the meanings of and relations among queer and feminist theories and a wide range of scientific disciplines, contributors foster new critical and creative knowledge-projects that attend to shifting and uneven operations of power, privilege, and dispossession, while also highlighting potentialities for uncertainty, subversion, transformation, and play. Theoretically and rhetorically powerful, these essays also take seriously the materiality of “natural” objects and phenomena: bones, voles, chromosomes, medical records and more all help substantiate answers to questions such as, What is sex? How are race, gender, sexuality, and other systems of differences co-constituted? The foundational essays and new writings collected here offer a generative resource for students and scholars alike, demonstrating the ingenuity and dynamism of queer feminist scholarship. |
| the uses of the erotic as power: Cables to Rage Audre Lorde, 1970 |
| the uses of the erotic as power: Good Booty Ann Powers, 2017-08-15 NPR Best Books of 2017 In this sweeping history of popular music in the United States, NPR’s acclaimed music critic examines how popular music shapes fundamental American ideas and beliefs, allowing us to communicate difficult emotions and truths about our most fraught social issues, most notably sex and race. In Good Booty, Ann Powers explores how popular music became America’s primary erotic art form. Powers takes us from nineteenth-century New Orleans through dance-crazed Jazz Age New York to the teen scream years of mid-twentieth century rock-and-roll to the cutting-edge adventures of today’s web-based pop stars. Drawing on her deep knowledge and insights on gender and sexuality, Powers recounts stories of forbidden lovers, wild shimmy-shakers, orgasmic gospel singers, countercultural perverts, soft-rock sensitivos, punk Puritans, and the cyborg known as Britney Spears to illuminate how eroticism—not merely sex, but love, bodily freedom, and liberating joy—became entwined within the rhythms and melodies of American song. This cohesion, she reveals, touches the heart of America's anxieties and hopes about race, feminism, marriage, youth, and freedom. In a survey that spans more than a century of music, Powers both heralds little known artists such as Florence Mills, a contemporary of Josephine Baker, and gospel queen Dorothy Love Coates, and sheds new light on artists we think we know well, from the Beatles and Jim Morrison to Madonna and Beyoncé. In telling the history of how American popular music and sexuality intersect—a magnum opus over two decades in the making—Powers offers new insights into our nation psyche and our soul. |
| the uses of the erotic as power: The History of Sexuality Michel Foucault, 1990-04-14 Why we are so fascinated with sex and sexuality—from the preeminent philosopher of the 20th century. Michel Foucault offers an iconoclastic exploration of why we feel compelled to continually analyze and discuss sex, and of the social and mental mechanisms of power that cause us to direct the questions of what we are to what our sexuality is. |
| the uses of the erotic as power: Sex Before Sexuality Kim M. Phillips, Barry Reay, 2013-04-24 Sexuality in modern western culture is central to identity but the tendency to define by sexuality does not apply to the premodern past. Before the 'invention' of sexuality, erotic acts and desires were comprehended as species of sin, expressions of idealised love, courtship, and marriage, or components of intimacies between men or women, not as outworkings of an innermost self. With a focus on c. 1100–c. 1800, this book explores the shifting meanings, languages, and practices of western sex. It is the first study to combine the medieval and early modern to rethink this time of sex before sexuality, where same-sex and opposite-sex desire and eroticism bore but faint traces of what moderns came to call heterosexuality, homosexuality, lesbianism, and pornography. This volume aims to contribute to contemporary historical theory through paying attention to the particularity of premodern sexual cultures. Phillips and Reay argue that students of premodern sex will be blocked in their understanding if they use terms and concepts applicable to sexuality since the late nineteenth century, and modern commentators will never know their subject without a deeper comprehension of sex's history. |
| the uses of the erotic as power: Macho Sluts Patrick Califia, 2009 When it was first published in 1988, Pat Califia's Macho Sluts, a collection of S/M stories set in San Francisco's dyke bathhouses, sex parties, and S/M gay bars, shocked the lesbian community and caused an upheaval in the field of queer publishing. Nobody had ever written so frankly about the kinky potential of woman-to-woman sex (and nobody has ever done it any better). If any book is responsible for the formation of the modern lesbian leather community, this one is it. Despite its graceful language, imaginative scenarios, and abundant humour, the lesbian press trashed Macho Sluts, and it became a focal point for the infamous legal battles between Canada Customs and Little Sister's, the gay and lesbian bookstore in Vancouver. But readers loved it, and to this day Macho Sluts remains a vital and moving classic that still has the power to educate, radicalize, and expand our notions of the body's potential to provide us with pleasure, pain, and love. This new edition, part of Arsenal's Little Sister's Classics series resurrecting classics of LGBT literature, includes a new foreword by the author, and an introduction by Wendy Chapkis, a Professor of Sociology and Women & Gender Studies at the University of Southern Maine in Portland. There are also essays by Jim Deva, co-owner of Little Sister's, and Joseph Arvay, chief counsel for the bookstore during its trial against Canada Customs. |
| the uses of the erotic as power: The Marvelous Arithmetics of Distance Audre Lorde, 1993 A collection of poems explores the themes of love, anger, family politics, sexuality, death, and the city |
| the uses of the erotic as power: Circus Dante Micheaux, 2018-08-15 Dante Micheaux's superb poetic aptitude is wedded to an eually superb poetic amplitude. Intimate soliloquy, lyric address, and linguistic allegory merge with resonating voices and personae. This poem is masterful, paradoxical and spiritual. The holiness in all its unholy rejoicing is variously scored in Dante Micheaux's commanding Circus. --TERRANCE HAYES I still stand by words I wrote almost twenty years ago, when I read Dante Micheaux's poems for the first time: I am impressed by the serious depth and masterful technique of Micheaux's poems. He is a true man of the world, mature beyond his years, one whose voracious intelligence and richly diverse background uniquely equip him for the literary vocation. Circus promises to be received as a masterpiece reminiscent of the best of Melvin Tolson's work, and some of Micheaux's poems bear an a nity to the delicate music and wisdom of Robert Hayden. But Micheaux's in uences are not limited to the stars of African American poetry; his experience and reading ranges wide. Dante Micheaux is a code-switcher fluent in many languages. Some of his lines bring this reader close to heartbreak. --MARILYN NELSON Dante Micheaux's Circus commands the reader's attention. In this long poem, each line is tuned by breath and image, serious play and heartfelt critiue, but also by the modern urban motifs of grief and love. At times, signifying can get us to a desperate truth. The reader or listener has to possess a sense of history in order to be transported to the here and now. In Circus, the borders between the imaginary and the real dissolve as the poem delivers us into verisimilitude. --YUSEF KOMUNYAKAA |
| the uses of the erotic as power: The Lesbian and Gay Studies Reader Henry Abelove, 2012-10-02 Bringing together forty-two groundbreaking essays--many of them already classics--The Lesbian and Gay Studies Reader provides a much-needed introduction to the contemporary state of lesbian/gay studies, extensively illustrating the range, scope, diversity, appeal, and power of the work currently being done in the field. Featuring essays by such prominent scholars as Judith Butler, John D'Emilio, Kobena Mercer, Adrienne Rich, Gayle Rubin, and Eve Kosofsky Sedgwick, The Lesbian and Gay Studies Reader explores a multitude of sexual, ethnic, racial, and socio-economic experiences. Ranging across disciplines including history, literature, critical theory, cultural studies, African American studies, ethnic studies, sociology, anthropology, psychology, classics, and philosophy, this anthology traces the inscription of sexual meanings in all forms of cultural expression. Representing the best and most significant English language work in the field, The Lesbian and Gay Studies Reader addresses topics such as butch-fem roles, the cultural construction of gender, lesbian separatism, feminist theory, AIDS, safe-sex education, colonialism, S/M, Oscar Wilde, Gertrude Stein, children's books, black nationalism, popular films, Susan Sontag, the closet, homophobia, Freud, Sappho, the media, the hijras of India, Robert Mapplethorpe, and the politics of representation. It also contains an extensive bibliographical essay which will provide readers with an invaluable guide to further reading. Contributors: Henry Abelove, Tomas Almaguer, Ana Maria Alonso, Michele Barale, Judith Butler, Sue-Ellen Case, Danae Clark, Douglas Crimp, Teresa de Lauretis, John D'Emilio, Jonathan Dollimore, Lee Edelman, Marilyn Frye, Charlotte Furth, Marjorie Garber, Stuart Hall, David Halperin, Phillip Brian Harper, Gloria T. Hull, Maria Teresa Koreck, Audre Lorde, Biddy Martin, Deborah E. McDowell, Kobena Mercer, Richard Meyer, D. A. Miller, Serena Nanda, Esther Newton, Cindy Patton, Adrienne Rich, Gayle Rubin, Joan W. Scott, Daniel L. Selden, Eve Kosofsky Sedgwick, Barbara Smith, Catharine R. Stimpson, Sasha Torres, Martha Vicinus, Simon Watney, Harriet Whitehead, John J. Winkler, Monique Wittig, and Yvonne Yarbro-Bejarano |
| the uses of the erotic as power: The Black Unicorn Audre Lorde, 2019 Digte. A poetry collection that speaks of mothers and children, female strength and vulnerability, renewal and revenge, goddesses and warriors, ancient magic and contemporary America |
| the uses of the erotic as power: Love and Power Eudine Barriteau, 2012 A significant focus of the Nita Barrow Unit of the Institute for Gender and Development Studies has been on the centring of power in Caribbean scholarship on gender. This collection explores the theme of power to expose the disruptions and dangers lurking in Caribbean discourses on gender and love when these are approached from interrogating the currencies of power continuously circulating in their operations. Love and Power: Caribbean Discourses on Gender makes several major contributions. The chapters are vibrant and grounded in the complex realities of the contemporary Caribbean even as they challenge canonical thought. The authors simultaneously critique and create knowledge about the lives of women and men within the Caribbean and its diaspora. They employ a range of analytical frameworks to dissect history, international relations, philosophy, intimate partner violence, feminist thought and activism, mothering, masculinities, diasporic migration, international finance, entrepreneurship, erotica, and desire. The book ruptures the feminist silences around love, lust and living in Caribbean societies and discourses. It problematizes the intersections of love and power, love and the power of the erotic, and gender and the love of power. The volume offers a significant contribution to Caribbean thought by documenting the work of scholars who are creating a multidisciplinary language on relations of gender. Co-published with Institute for Gender and Development Studies: Nita Barrow Unit, University of the West Indies, Cave Hill. |
| the uses of the erotic as power: Writing Ourselves Whole Jen Cross, 2017-08-22 #1 Amazon Best Seller ─ Creating books that will change your life Healing victims of sexual assault through transformative journaling: One in six women is the victim of sexual assault. Using her own hard-won wisdom, author Jen Cross shows how to heal through journaling and personal writing. Rape victims and victims of other sexual abuse: Writing Ourselves Whole is a collection of essays and creative writing encouragements for sexual trauma survivors who want to risk writing a different story. Each short chapter offers encouragement, experience, and exercises. Sections focus on writing as a transformative practice, embodying our story, how to write trauma without retraumatization, writing joy and desire, and more. How to change your life: When you can find language for the stories that are locked inside, you can change your life. Talk therapy can only go so far for the millions of Americans struggling in the aftermath of sexual abuse and sexual assault, as well as for their partners, families, and caregivers. Survivors of childhood sexual trauma are strong and vulnerable enough to bear witness to each other's truths, to share and learn new languages for our experiences, to throw over the simplistic victim and survivor narratives that permeate mainstream media in favor of narratives that are fragmented, complicated, messy, and ultimately more whole. Sexual assault survivors can heal themselves: Sexual trauma survivor communities (and their allies) have the capacity to hold and hear one another's stories - we do not have to relegate ourselves solely to the individual isolation of the therapist's office. We do not need to be afraid, as a community of fractured, harmed and healing survivors, of reaching out to and supporting one another. Connect with others who have experienced sexual abuse: Books such as Julia Cameron's The Artist's Way, Natalie Goldberg's Writing Down the Bones and Louise DeSalvo's Writing as a Way of Healing beautifully describe the power of writing and offer practices for readers to engage with individually. Yet few creative writing or creative recovery books explicitly address sexual trauma survivor struggles to find language for their experience, nor do they describe the empowerment we might find in discovering language and expression for our delight, desire, and joy as well as our loss and pain. Writing Ourselves Whole specifically addresses the power of connecting with others who share our experience and can support us in finding language for subjects we not only are not supposed to talk about in polite company, but aren't even supposed to articulate to ourselves. Transformative journaling: Writing Ourselves Whole acknowledges the radical and profound impact of a creative healing community for trauma survivors, and includes suggestions for those seeking to create a peer writing group in their own communities. Writing Ourselves Whole rises out of the intersection of Natalie Goldberg's groundbreaking Writing Down the Bones, the powerful Trauma and Recovery by Judith Herman, and the hopeful, angry struggle of Inga Muscio's Cunt. What You'll Learn Inside Writing Ourselves Whole: How to reconnect with your creative instinct through freewriting How freewriting can help you reclaim the parts of yourself, and your history, that you were never supposed to be able to name How restorying the old myths about sexual trauma survivors can set you free How a consistent writing practice can help reconnect you with your creative genius How (and why) to make writing part of your regular self-care routine -- and why, if you don't have a self-care routine, it's time to develop one Why writin |
| the uses of the erotic as power: Amorous Shepherd Dante Micheaux, 2010-05-01 |
| the uses of the erotic as power: Mating in Captivity Esther Perel, 2012-02-16 When you love someone, how does it feel? And when you desire someone, how is it different? In Mating in Captivity, Esther Perel looks at the story of sex in committed couples. Modern romance promises it all - a lifetime of togetherness, intimacy and erotic desire. In reality, it's hard to want what you already have. Our quest for secure love conflicts with our pursuit of passion. And often, the very thing that got us to into our relationships - lust - is the one thing that goes missing from them. Determined to reconcile the erotic and the domestic, Perel explains why democracy is a passion killer in the bedroom. Argues for playfulness, distance, and uncertainty. And shows what it takes to bring lust home. Smart, sexy and explosively original, Mating in Captivity is the monogamist's essential bedside read. |
| the uses of the erotic as power: Sexualities and Communication in Everyday Life Karen E. Lovaas, Mercilee M. Jenkins, 2007 Excerpts from foundational work, recent journal articles and pieces written for this text about the role of communication in the construction and performance of sexualities in interpersonal contexts and public discourses. |
| the uses of the erotic as power: Postmodernism, Feminism, and Cultural Politics Henry A. Giroux, 1991-01-01 This book introduces central assumptions that govern postmodern and feminist theory, offering educators a language to create new ways of conceiving pedagogy and its relationship to social, cultural, and intellectual life. It challenges some of the major categories and practices that have dominated educational theory and practice in the United States and in other countries since the beginning of the twentieth century. Rejecting the apolitical nature of some postmodern discourses and the separatism characteristic of some versions of cultural feminism, the contributors take a political stand rooted in concern with cultural and social justice. In so doing, these essays represent a linguistic shift regarding how we think about ethics, foundationalism, difference, and culture. The selections present a concern with developing a language that is critical of master narratives, racism, sexism, and those technologies of power in schools that subjugate, infantilize, and oppress students. The authors also develop a language of possibility that focuses on analyzing how power can be linked productively to knowledge, how teachers can construct classroom social relations based on notions of equity and justice, how critical pedagogy can contribute to an identity politics that is grounded in democratic relations, and how teachers can develop analyses that enable students to become self-reflective actors as they transform themselves and the conditions of their social existence. |
| the uses of the erotic as power: The Heart and its Attitudes Stephen Darwall, 2024-05-15 Philosophers don't often write about the heart. At least, analytical philosophers don't. Why is this? Philosophers are said to live life ?in their heads? rather than ?from their hearts.? But even if that is so, why don't they think and write about the heart? Moreover, it can hardly have escaped philosophers' attention that matters of the heart are central to what we human beings value most about our lives, including our lives with animals. Philosophers write a lot about friendship and love, but they tend to do so in terms that leave out heartfelt connection. They speak rather of commitment to one another and each other's well-being, or taking each other as ends, or sharing deliberative standpoints or living life together, or a whole host of other topics, and much less about mutual emotional vulnerability and sharing and being in one another's hearts. Surely one explanation of philosophers' reticence is that talk of ?the heart? seems unavoidably metaphorical. It turns out to be easy enough, however, to cash the metaphor in if we simply take ?heart? refers to a cluster of emotional susceptibilities that have an essentially reciprocating structure. The heart aims at heartfelt connection-at shared experience of joys and sorrows, hopes and fears, and other personal emotions. We seek naturally to share these feelings with others and must suppress our natural tendencies if we wish to avoid doing so. Our heart's wish is to be open to other hearts in the hope that they will be open to ours, and thereby us, in return. This book is a systematic treatment-perhaps the first-of ?attitudes of the heart?-remorse (versus guilt), love, trust, gratitude, personal anger (versus righteous anger), jealousy, and others-and their role in mediating personal relationship, attachment, and connection. This is obviously interesting in its own right, but it also shows how heartfelt attitudes mirror more extensively studied ?reactive attitudes? of guilt, resentment, and blame (?attitudes of the will?). Whereas the latter mediate moral relations of mutual respect and accountability, attitudes of the heart are the currency of heartfelt connection and personal relationship. |
| the uses of the erotic as power: The Selected Works of Audre Lorde Audre Lorde, 2020-09-08 A definitive selection of Audre Lorde’s intelligent, fierce, powerful, sensual, provocative, indelible (Roxane Gay) prose and poetry, for a new generation of readers. Self-described black, lesbian, mother, warrior, poet Audre Lorde is an unforgettable voice in twentieth-century literature, and one of the first to center the experiences of black, queer women. This essential reader showcases her indelible contributions to intersectional feminism, queer theory, and critical race studies in twelve landmark essays and more than sixty poems—selected and introduced by one of our most powerful contemporary voices on race and gender, Roxane Gay. Among the essays included here are: The Transformation of Silence into Language and Action The Master’s Tools Will Never Dismantle the Master’s House I Am Your Sister Excerpts from the American Book Award–winning A Burst of Light The poems are drawn from Lorde’s nine volumes, including The Black Unicorn and National Book Award finalist From a Land Where Other People Live. Among them are: Martha A Litany for Survival Sister Outsider Making Love to Concrete |
| the uses of the erotic as power: Writing on the Body Katie Conboy, Nadia Medina, Sarah Stanbury, 1997 This work comprises a collection of influential readings in feminist theory. It is divided into four sections: Reading the Body; Bodies in Production; The Body Speaks; and Body on Stage. |
| the uses of the erotic as power: The Cambridge Companion to the Black Body in American Literature Cherene Sherrard-Johnson, 2024-05-16 This volume tracks and uncovers the Black body as a persistent presence and absence in American literature. It provides an invaluable guide for teachers and students interested in literary representations of Blackness and embodiment. It centers Black thinking about Black embodiment from current, diverse, and intersectional perspectives-- |
| the uses of the erotic as power: Deviant Eyes, Deviant Bodies Chris Straayer, 1996 On homosexuality in cinema. |
Semicolons, colons, and dashes - The Writing Center
This handout explains the most common uses of three kinds of punctuation: semicolons (;), colons (:), and dashes (—). After reading the handout, you will be better able to decide when to use …
USES Synonyms: 110 Similar and Opposite Words - Merriam-Webster
Synonyms for USES: utilizes, applies, employs, exploits, operates, harnesses, exercises, draws upon; Antonyms of USES: ignores, neglects, misuses, misapplies, disuses, nonuses, dislikes, …
USE Definition & Meaning | Dictionary.com
The instrument has different uses. the power, right, or privilege of employing or using something. to lose the use of the right eye; to be denied the use of a library card.
Uses vs. Use — What’s the Difference?
Nov 6, 2023 · Understanding the distinction between "uses" and "use" is crucial in both written and spoken English. "Uses" is often associated with lists or discussions of multiple functions, …
113 Synonyms & Antonyms for USES - Thesaurus.com
Find 113 different ways to say USES, along with antonyms, related words, and example sentences at Thesaurus.com.
Uses - definition of uses by The Free Dictionary
A purpose for which something is used: a tool with several uses; a pretty bowl, but of what use is it?
USES - WordReference.com Dictionary of English
The instrument has different uses. the power, right, or privilege of employing or using something: to lose the use of the right eye; to be denied the use of a library card. service or advantage in …
USE | English meaning - Cambridge Dictionary
A food processor has a variety of uses in the kitchen. use for Don't throw that cloth away - you'll find a use for it one day . No, I don't want to buy a boat - I don't have any use for one!
What is another word for uses - WordHippo
Find 638 synonyms for uses and other similar words that you can use instead based on 16 separate contexts from our thesaurus.
USE definition and meaning | Collins English Dictionary
If you use something, you do something with it in order to do a job or to achieve a particular result or effect. Trim off the excess pastry using a sharp knife. [VERB noun] He had simply used a …
Semicolons, colons, and dashes - The Writing Center
This handout explains the most common uses of three kinds of punctuation: semicolons (;), colons (:), and dashes (—). After reading the handout, you will be better able to decide when to use …
USES Synonyms: 110 Similar and Opposite Words - Merriam-Webster
Synonyms for USES: utilizes, applies, employs, exploits, operates, harnesses, exercises, draws upon; Antonyms of USES: ignores, neglects, misuses, misapplies, disuses, nonuses, dislikes, …
USE Definition & Meaning | Dictionary.com
The instrument has different uses. the power, right, or privilege of employing or using something. to lose the use of the right eye; to be denied the use of a library card.
Uses vs. Use — What’s the Difference?
Nov 6, 2023 · Understanding the distinction between "uses" and "use" is crucial in both written and spoken English. "Uses" is often associated with lists or discussions of multiple functions, …
113 Synonyms & Antonyms for USES - Thesaurus.com
Find 113 different ways to say USES, along with antonyms, related words, and example sentences at Thesaurus.com.
Uses - definition of uses by The Free Dictionary
A purpose for which something is used: a tool with several uses; a pretty bowl, but of what use is it?
USES - WordReference.com Dictionary of English
The instrument has different uses. the power, right, or privilege of employing or using something: to lose the use of the right eye; to be denied the use of a library card. service or advantage in …
USE | English meaning - Cambridge Dictionary
A food processor has a variety of uses in the kitchen. use for Don't throw that cloth away - you'll find a use for it one day . No, I don't want to buy a boat - I don't have any use for one!
What is another word for uses - WordHippo
Find 638 synonyms for uses and other similar words that you can use instead based on 16 separate contexts from our thesaurus.
USE definition and meaning | Collins English Dictionary
If you use something, you do something with it in order to do a job or to achieve a particular result or effect. Trim off the excess pastry using a sharp knife. [VERB noun] He had simply used a …
