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| top political cartoons 2018: Britain’s Best Political Cartoons 2018 Tim Benson, 2018-11-01 ____________ A blockbuster collection of the year’s funniest political cartoons, featuring the work of Mac, Steve Bell, Peter Brookes and many more . . . 2018 was the year that Brexit got serious, royals got married, football got (briefly) feverish, and Trump got transformed into a giant baby blimp. In Britain’s Best Political Cartoons 2018, our very finest satirists turn their eyes and their pens to all these events and more, offering an incisive and often hilarious tour through a tumultuous twelve months. |
| top political cartoons 2018: Britain’s Best Political Cartoons 2019 Tim Benson, 2019-10-31 A hilarious companion to the year’s political turmoil, featuring the work of Martin Rowson, Steve Bell, Peter Brookes, Nicola Jennings and many more . . . 2019 was the year of Brexit, obviously. But it was also the year that Donald Trump went haywire over Huawei, Theresa May got bounced by the backstop, Boris Johnson was hoisted into high office, and the country was corralled into a chaotic Christmas election. In Britain’s Best Political Cartoons 2019, our very finest satirists skewer everything from Kremlin collusion to no-deal confusion, offering a riotous ride through the last twelve months. And did we mention Brexit? |
| top political cartoons 2018: Against the Grain Bill Sanders, 2018-06-01 Editorial cartoonists are an endangered species, and even in their heyday they were rare birds -- at the top ranks of print journalism, only a few hundred such jobs existed worldwide in the 20th century. Yet those who wielded the drawing pen had enormous influence and popularity as they caricatured news events and newsmakers into ink-drenched bombshells that often said more than the accompanying news stories. Bill Sanders, working in a liberal tradition that stretches back to Thomas Nast and in more recent times includes Herblock, Oliphant, Feiffer, and Trudeau, began his career in the Eisenhower era and is still drawing in the age of Trump. In Against the Grain, he shares the upbringing and experiences that prepared him to infflict his opinions on the readers of the three major newspapers he worked for, the 100-plus papers he was syndicated in, and now, an internet channel. Sanders's memoir is both personal and political. He reveals his small-town Southern roots, his athletic exploits and military service, his courtship and enduring marriage, and his life-long passion for music. These threads are woven into his main narrative, explaining how a cartoonist works and why: The cartoon should be a vehicle for opinion and it should be polemical in nature -- otherwise, it is a waste of time. Along the way he shares vignettes about people he encountered and events he witnessed, illustrated here with a few photos and scores of the cartoons he produced to meet daily newspaper deadlines. He notes that while a cartoon is a simple communication, it is based on reading and research, and only then comes the drawing. Finally, there is this: While there may be -- to varying degrees -- two sides to some issues, don't bother looking for that posture on the following pages. |
| top political cartoons 2018: Britain's Best Political Cartoons 2020 Tim Benson, 2020-10-29 **BRITAIN'S BEST POLITICAL CARTOONS 2021 IS OUT NOW** 2020 will forever be remembered as the year of coronavirus: twelve months in which we collectively forgot about Brexit, to turn our attention to the NHS, furloughs and social distancing. All of us, that is, apart from Britain's political cartoonists. Here, our finest satirists turn their eyes to Covid and much more: from the never-ending Brexit psychodrama to the Labour leadership election to the next US president. Featuring the work of Steve Bell, Peter Brookes and Nicola Jennings, Britain's Best Political Cartoons is your trusty companion to another year of turmoil, tantrums and Trump. |
| top political cartoons 2018: The Art of Controversy Victor S Navasky, 2013-04-09 A lavishly illustrated, witty, and original look at the awesome power of the political cartoon throughout history to enrage, provoke, and amuse. As a former editor of The New York Times Magazine and the longtime editor of The Nation, Victor S. Navasky knows just how transformative—and incendiary—cartoons can be. Here Navasky guides readers through some of the greatest cartoons ever created, including those by George Grosz, David Levine, Herblock, Honoré Daumier, and Ralph Steadman. He recounts how cartoonists and caricaturists have been censored, threatened, incarcerated, and even murdered for their art, and asks what makes this art form, too often dismissed as trivial, so uniquely poised to affect our minds and our hearts. Drawing on his own encounters with would-be censors, interviews with cartoonists, and historical archives from cartoon museums across the globe, Navasky examines the political cartoon as both art and polemic over the centuries. We see afresh images most celebrated for their artistic merit (Picasso's Guernica, Goya's Duendecitos), images that provoked outrage (the 2008 Barry Blitt New Yorker cover, which depicted the Obamas as a Muslim and a Black Power militant fist-bumping in the Oval Office), and those that have dictated public discourse (Herblock’s defining portraits of McCarthyism, the Nazi periodical Der Stürmer’s anti-Semitic caricatures). Navasky ties together these and other superlative genre examples to reveal how political cartoons have been not only capturing the zeitgeist throughout history but shaping it as well—and how the most powerful cartoons retain the ability to shock, gall, and inspire long after their creation. Here Victor S. Navasky brilliantly illuminates the true power of one of our most enduringly vital forms of artistic expression. |
| top political cartoons 2018: A Child in Palestine Naji Al-Ali, 2024-09-17 Naji al-Ali grew up in the Palestinian refugee camp of Ain al-Hilweh in the south Lebanese city of Sidon, where his gift for drawing was discovered by the Palestinian poet Ghassan Kanafani in the late 1950s. Early the following decade he left for Kuwait, embarking on a thirty-year career that would see his cartoons published daily in newspapers from Cairo to Beirut, London to Paris. Resolutely independent and unaligned to any political party, Naji al-Ali strove to speak to and for the ordinary Arab people; the pointed satire of his stark, symbolic cartoons brought him widespread renown. Through his most celebrated creation, the witness-child Handala, al-Ali criticized the brutality of Israeli occupation, the venality and corruption of the regimes in the region, and the suffering of the Palestinian people, earning him many powerful enemies and the soubriquet “the Palestinian Malcolm X.” For the first time in book form, A Child in Palestine presents the work of one of the Arab world’s greatest cartoonists, revered throughout the region for his outspokenness, honesty and humanity. “That was when the character Handala was born. The young, barefoot Handala was a symbol of my childhood. He was the age I was when I had left Palestine and, in a sense, I am still that age today and I feel that I can recall and sense every bush, every stone, every house and every tree I passed when I was a child in Palestine. The character of Handala was a sort of icon that protected my soul from falling whenever I felt sluggish or I was ignoring my duty. That child was like a splash of fresh water on my forehead, bringing me to attention and keeping me from error and loss. He was the arrow of the compass, pointing steadily towards Palestine. Not just Palestine in geographical terms, but Palestine in its humanitarian sense—the symbol of a just cause, whether it is located in Egypt, Vietnam or South Africa.”—Naji al-Ali, in conversation with Radwa Ashour |
| top political cartoons 2018: Britain's Best Political Cartoons 2017 Tim Benson, 2018-02 Another blockbuster collection of the year's wittiest political cartoons, featuring artworks by Steve Bell, Peter Brookes, Martin Rowson, 'Mac' and many more. If 2016 was a tumultuous year for politics, with Brexit, the most tempestuous US presidential campaign in living memory, turmoil in the Labour party and the rise to power of Theresa May, 2017 promises to be even more dramatic. How will President Trump govern? How will the most important and contentious political event in Britain for decades play out? And how many times will Foreign Secretary Boris Johnson say something embarrassing on a trip abroad? In tough political times, satire is more important thanever, and in Britain's Best Political Cartoons 2017, our finest political cartoonists will once again examine the year's events. The series, edited, introduced and with a commentary by Tim Benson, our leading expert on political cartoons, is now firmly established as a strong seller in the run-up to Christmas, and this year's edition promises to be more urgent, angry, insightful and funny than ever. |
| top political cartoons 2018: Give Me Liberty Or Give Me Obamacare Michael Ramirez, 2015-10-27 Give Me Liberty or Give Me Obamacare is a trenchant and outright hilarious collection of political cartoons, presenting a wonderfully intelligent and beautifully drawn snapshot of the absurdities of the Obama presidency. Ramirez tackles everything from Obamacare to the economy, foreign policy to culture wars, the environment, and much more. |
| top political cartoons 2018: Britain's Best Political Cartoons 2022 Tim Benson, 2022-10-27 In Britain's Best Political Cartoons 2022 the nation's finest satirists turn their eyes and their pens to the biggest, funniest and most poignant news stories of the year so far. Bringing much needed humour to a tumultuous year in politics, this companion features the work of Peter Brookes, Steve Bell, Morten Morland, Nicola Jennings, Christian Adams, Dave Brown, Brian Adcock and many more, alongside captions from Britain's leading cartoon expert. The result is a razor-sharp, witty and essential companion to another year like no other. __________________________________________________________________ 'A wonderful book . . . A beautiful thing to look at . . . Our brilliant cartoonists show there is still something to satirise . . . A great stocking filler.' Giles Coren 'A blockbuster collection of the year's funniest political cartoons . . . [compiled by] Britain's leading authority on political cartoons . . . It made us chuckle.' Eamonn Holmes |
| top political cartoons 2018: Giles's War Tim Benson, 2017-07-13 Few contemporaries captured Britain’s indomitable wartime spirit as well or as wittily as the cartoonist Carl Giles. Now, for the first time, the very best of the cartoons he produced between 1939 and 1945 are brought together, including many that have not seen the light of day in over 75 years. As a young cartoonist at Reynold’s News and then the Daily Express, Giles's work provided a crucial morale boost – and much-needed laughs – to a population suffering daily privations and danger, and Giles's War shows why. Here are his often hilarious takes on the great events of the war – from the Fall of France, via D-Day, to the final Allied victory – but also his wryly amusing depictions of ordinary people in extraordinary times, living in bombed-out streets, dealing with food shortages, coping with blackouts, railing against bureaucracy and everyday annoyances. It's a brilliantly funny chronicle of our nation’s finest hour, as well as a fitting tribute to one of our greatest cartoonists. |
| top political cartoons 2018: Asian Political Cartoons John A. Lent, 2023-01-27 2023 CHOICE Outstanding Academic Title 2024 Eisner Award Nominee for Best Academic/Scholarly Work In Asian Political Cartoons, scholar John A. Lent explores the history and contemporary status of political cartooning in Asia, including East Asia (China, Hong Kong, Japan, North and South Korea, Mongolia, and Taiwan), Southeast Asia (Brunei, Cambodia, Indonesia, Malaysia, Myanmar, Philippines, Singapore, Thailand, and Vietnam), and South Asia (Bangladesh, India, Iran, Nepal, Pakistan, and Sri Lanka). Incorporating hundreds of interviews, as well as textual analysis of cartoons; observation of workplaces, companies, and cartoonists at work; and historical research, Lent offers not only the first such survey in English, but the most complete and detailed in any language. Richly illustrated, this volume brings much-needed attention to the political cartoons of a region that has accelerated faster and more expansively economically, culturally, and in other ways than perhaps any other part of the world. Emphasizing the “freedom to cartoon, the author examines political cartoons that attempt to expose, bring attention to, blame or condemn, satirically mock, and caricaturize problems and their perpetrators. Lent presents readers a pioneering survey of such political cartooning in twenty-two countries and territories, studying aspects of professionalism, cartoonists’ work environments, philosophies and influences, the state of newspaper and magazine industries, the state’s roles in political cartooning, modern technology, and other issues facing political cartoonists. Asian Political Cartoons encompasses topics such as political and social satire in Asia during ancient times, humor/cartoon magazines established by Western colonists, and propaganda cartoons employed in independence campaigns. The volume also explores stumbling blocks contemporary cartoonists must hurdle, including new or beefed-up restrictions and regulations, a dwindling number of publishing venues, protected vested interests of conglomerate-owned media, and political correctness gone awry. In these pages, cartoonists recount intriguing ways they cope with restrictions—through layered hidden messages, by using other platforms, and finding unique means to use cartooning to make a living. |
| top political cartoons 2018: No Cartoon Left Behind! Rob Rogers, 2009 Cartoons are accompanied by Rogers' autobiographical perspectives and personal reflections on politics and culture in the U.S. |
| top political cartoons 2018: The Rhetoric of Brexit Humour Simon Weaver, 2021-09-30 Since 2016 there has been an outpouring of humour, comedy and satire on the United Kingdom’s EU Referendum and decision to leave the EU, or Brexit. This book examines the relationship between Brexit and its comedy, exploring how Brexit and comedy are connected in both Leave and Remain discourse. It argues that both populism and comedy are rhetorical in nature and so are linked through their semantic structure and communicative potential. Considering the incongruities that Brexit presents for British society, the author analyses the populism that has emerged from those incongruities in the form of ironic, ambiguous and dichotomous discourse. Through the analysis of a range of comedy on the EU Referendum and Brexit, including material from stand-up and situation comedy, and political satire of various types, The Rhetoric of Brexit Humour examines the way in which comedy acts as a rhetoric that draws on, supports and attacks the discourses of Brexit. This provides not just an advance in our understanding of political satire but also a clearer description of the nature of populism. This book will appeal to sociologists, political scientists, media and communications scholars, and anyone interested in Brexit, populism and comedy. |
| top political cartoons 2018: Cartoons for Victory Warren Bernard, 2015-10-15 The home front during World War II was one of blackouts, Victory Gardens, war bonds and scrap drives. It was also a time of social upheaval with women on the assembly line and in the armed forces and African-Americans serving and working in a Jim Crow war effort. See how Superman, Donald Duck, Mickey Mouse and others helped fight World War II via comic books and strips, single-panel and editorial cartoons, and even ads. Cartoons for Victory showcases wartime work by cartoonists such as Charles Addams (The Addams Family), Harold Gray (Little Orphan Annie), Harvey Kurtzman (Mad magazine), Will Eisner, as well as many other known cartoonists. Over 90% of the cartoons and comics in this book have not been seen since their first publication. |
| top political cartoons 2018: The Palgrave Handbook of Humour Research Elisabeth Vanderheiden, Claude-Hélène Mayer, 2024-05-31 This handbook is the updated and expanded second edition of a highly cited and impactful collection, which provides new perspectives on humour from transdisciplinary perspectives. The collection’s focus is on humour as a resource from different socio-cultural and psychological viewpoints, bringing together authors from different cultures, social contexts and countries. The handbook enables researchers and practitioners to unlock research findings which give new directions for contemporary and future humour research. By employing transdisciplinary and transcultural perspectives, the volume further discusses humour in regard to different cultural and political contexts, humour over the lifespan, in therapy and counselling, in pedagogical settings, in medicine and the workspace. The contributions also highlight the connections between humour and the COVID-19 pandemic and promise new inspiring insights. This second edition includes a new introduction from the editors, updates to the majority of the chapters, and five new chapters which take a humour-research approach to contemporary issues such as the Russian-Ukrainian crisis, the consequences of the pandemic, and tackles developments related to artificial intelligence and gamification. With an expanded scope, this handbook will continue to appeal to researchers, practitioners and students in the fields of industrial and organisational psychology, positive psychology, organisational studies, future studies, health and occupational science and therapy, who will find each chapter highly topical, insightful and applicable to practice. |
| top political cartoons 2018: Political Communication Mirko A. Demasi, Shani Burke, Cristian Tileagă, 2021-02-04 This book explores discursive psychological empirical research in the context of political communication. Drawing together a well-established field of study and a variety of discursive psychology approaches the authors confront the theoretical and practical challenges that discursive psychology and political communication studies face today. Using a diverse range of approaches, including the analysis of TV shows, cartoons, social media groups and blogs, face-to-face verbal interaction, political rhetoric and mainstream news reports, the authors explain the ways in which discursive psychology can offer insight into the nature of contemporary political communications. The book offers timely and international reflections on the context of online political communication, Brexit rhetoric, prejudice discourse and political persuasion, showcasing the analytical acumen and empirical insight that can be gleaned from discursive psychology methods. Political Communication: Discursive Perspectives highlights the value of contributions from outside English speaking academia and is essential reading for academics, researchers and students interested in political communication or discursive psychology. |
| top political cartoons 2018: Graphic Satire in the Soviet Union John Etty, 2018-12-18 After the death of Joseph Stalin, Soviet-era Russia experienced a flourishing artistic movement due to relaxed censorship and new economic growth. In this new atmosphere of freedom, Russia’s satirical magazine Krokodil (The Crocodile) became rejuvenated. John Etty explores Soviet graphic satire through Krokodil and its political cartoons. He investigates the forms, production, consumption, and functions of Krokodil, focusing on the period from 1954 to 1964. Krokodil remained the longest-serving and most important satirical journal in the Soviet Union, unique in producing state-sanctioned graphic satirical comment on Soviet and international affairs for over seventy years. Etty’s analysis of Krokodil extends and enhances our understanding of Soviet graphic satire beyond state-sponsored propaganda. For most of its life, Krokodil consisted of a sixteen-page satirical magazine comprising a range of cartoons, photographs, and verbal texts. Authored by professional and nonprofessional contributors and published by Pravda in Moscow, it produced state-sanctioned satirical comment on Soviet and international affairs from 1922 onward. Soviet citizens and scholars of the USSR recognized Krokodil as the most significant, influential source of Soviet graphic satire. Indeed, the magazine enjoyed an international reputation, and many Americans and Western Europeans, regardless of political affiliation, found the images pointed and witty. Astoundingly, the magazine outlived the USSR but until now has received little scholarly attention. |
| top political cartoons 2018: Funny Ladies Liza Donnelly, 2010-03-05 A renowned cartoonist with the New Yorker for more than 20 years delivers a wonderful, in-depth celebration of the women cartoonists who have graced the pages of the famous magazine from the Roaring Twenties to the present day. Illustrations. |
| top political cartoons 2018: The 2016 Presidential Election Collection Ben Garrison, 2017-03-04 Ben Garrison is an independent political cartoonist based in Montana. His cartoons have been seen by millions of people around the world. The book contains 113 color cartoons that help explain the 2016 presidential election. If you love Hillary and hate Trump, this book is not for you. If you want to make America great again, then you will find this book loaded with MAGA and highly entertaining. Since 2010, Ben and his wife Tina have operated their political cartoon site www.grrrgraphics.com |
| top political cartoons 2018: Napoleonic Wars in Cartoons Mark Bryant, 2009 'Mark Bryant has done it again. He has shown that one of the best ways of learning history is to look at cartoons. ...All this is made clear in this brilliant and concise account...Each cartoon tells a tale, expertly described by Bryant...This is an exhilarating way to learn about the Napoleonic Wars...This beautifully produced book is a treasure ? plunder it!' Lord Baker of Dorking, Cartoon Museum News 'A veritable feast...so full of interest on every page. For those interested in the social commentary of the period, or for someone who just wants a book to dip into, to flick through the pages and admire the prints, I can think of no better example at such an affordable price as this. A book which you can pick up and enjoy time after time.' Keith Oliver, Napoleonic Association 'A fascinating portrait not only of Napoleon but of Britain in the 19th century.' Catholic Herald Napoleon Bonaparte was the most caricatured figure of his time, with almost 1,000 satirical drawings about his exploits being produced by British artists alone. The diminutive, pugnacious French emperor was a gift to cartoonists and the Napoleonic Wars were the main topic of interest for some of the greatest artists of 'The Golden Age of Caricature'. Indeed James Gillray's The Plumb--Pudding in Danger (1805) ? featuring British Prime Minister William Pitt and 'Little Boney' carving up the globe in the form of a Christmas pudding ? is not only one of the best known political cartoons of all time but is also one of the most parodied and is still being adapted today by cartoonists worldwide. Napoleonic Wars in Cartoons is divided into chapters each prefaced with a concise introduction that provides an historical framework for the drawings of that period. Altogether more than 300 cartoons and caricatures from both sides of the conflicts, in colour and black--and--white, have been skilfully blended to produce a unique visual history. |
| top political cartoons 2018: A Very Stable Genius Mike Luckovich, 2018-09-04 How do you poke fun at a man who’s so absurd he practically satirizes himself? Even two-time Pulitzer Prize–winning cartoonist Mike Luckovich admits it’s been a challenge covering the Cheeto-in-Chief in his internationally syndicated political cartoons. But Mike rose to the challenge, pulling no punches and stripping down Trump and his cronies with his signature wit and style. Covering Trump’s antics from the 2016 election through to the Mueller investigation, the cartoons in A Very Stable Geniustackle key moments in Trump’s political career, offering scathing insights on everything from his disastrous track record with women to his revolving-door cabinet to his suspiciously intimate relationship with a certain Russian leader. Woven through with searing commentary and personal anecdotes, Mike’s cartoons will shock and delight you, making you think as much as they make you laugh — when you’re not too busy being terrified. |
| top political cartoons 2018: Without Reservations Ricardo Cate, 2012-08-01 Cartoonist Ricardo Caté describes Indian humor as the result of “us living in a dominant culture, and the funny part is that we so often fall short of fitting in.” His cartoon column, Without Reservations, is a popular daily dose in the Santa Fe New Mexican. Actor Wes Studi says, “Caté’s cartoons serve to remind us there is always a different point of view, or laughing at every day scenes of home life where Indian kids act just like their brethren of different races. Without Reservations is always thought-provoking whether it makes you laugh, smirk, or just enjoy the diversity of thought to be found in Indian Country.” |
| top political cartoons 2018: Best Australian Political Cartoons 2019 Russ Radcliffe, 2019-11 The year in politics as observed by Australia's funniest and most perceptive political cartoonists. With Dean Alston, Peter Broelman, Pat Campbell, Andrew Dyson, John Farmer, First Dog on the Moon, Matt Golding, Fiona Katauskas, Mark Knight, Jon Kudelka, Alan Moir, David Pope, David Rowe, Andrew Weldon, Cathy Wilcox, Paul Zanetti, and many more ... |
| top political cartoons 2018: The Greatest 2019 Book of Political Cartoons on Issues of the Donald J Trump Presidency Richard Friedman, 2019-07-24 First Volume of The Greatest 2019 Book of Political Cartoons on Issues of the Donald J Trump Presidency |
| top political cartoons 2018: The Oxford Handbook of Comic Book Studies Frederick Luis Aldama, 2020-04-01 Comic book studies has developed as a solid academic discipline, becoming an increasingly vibrant field in the United States and globally. A growing number of dissertations, monographs, and edited books publish every year on the subject, while world comics represent the fastest-growing sector of publishing. The Oxford Handbook of Comic Book Studies looks at the field systematically, examining the history and evolution of the genre from a global perspective. This includes a discussion of how comic books are built out of shared aesthetic systems such as literature, painting, drawing, photography, and film. The Handbook brings together readable, jargon-free essays written by established and emerging scholars from diverse geographic, institutional, gender, and national backgrounds. In particular, it explores how the term global comics has been defined, as well the major movements and trends that will drive the field in the years to come. Each essay will help readers understand comic books as a storytelling form grown within specific communities, and will also show how these forms exist within what can be considered a world system of comics. |
| top political cartoons 2018: Keep America Laughing at the Left Antonio F. Branco, 2021-09-03 |
| top political cartoons 2018: Red Lines Cherian George, 2021 This graphic narrative tells the stories of political cartoonists around the world whose work has been censored-- |
| top political cartoons 2018: Classics in the Modern World Lorna Hardwick, Stephen Harrison, 2013-10 Classics in the Modern World explores the features and implications of a 'democratic turn' in modern perceptions of the ancient world. Exploring the relationship between Greek and Roman ways of thinking and modern definitions of democratic practices and approaches, it enables a wider re-evaluation of the role of classics in the modern world. |
| top political cartoons 2018: The Tumultuous Reign of Donald the First Bill O'Neal, 2021-03 This book takes a sardonic look at President Donald Trump's four years in office usingcartoons and historical commentary to tell the story. The book covers all of the major events during his presidency, from his inauguration to his second impeachment, including the Mueller probe, border policies, trade wars, elections and pandemic. |
| top political cartoons 2018: Metaphor in Socio-Political Contexts Manuela Romano, 2024-05-06 Metaphor studies is a vibrant and fascinating field. The present book brings together the work of influential researchers analyzing metaphor empirically from Critical Socio-Cognitive perspectives (CSCDA). The case studies focus on the role of metaphor as a powerful strategy for the creation of specific world views and ideological frames, as well as for their contestation in current crises. |
| top political cartoons 2018: This is the End Patrick Chappatte, 2020-01-20 “To many Americans, every day was anguish, and the only salve for our pain was Chappatte’s cartoons. They could help us come to terms with what was happening, even, perhaps, help us better understand our anguish. How else do you deal with something as grotesque, ridiculous, and unbelievable, but nonetheless real and consequential?” —From the foreword by Joseph E. Stiglitz, Nobel Prize Laureate PATRICK CHAPPATTE’S EIGHT—AND LAST!—COLLECTION OF EDITORIAL CARTOONS PUBLISHED IN THE NEW YORK TIMES This is the End offers us a witty, savage, and thought-provoking testimony of a dizzying world, swirling around an oxygen-sucking black hole named Donald Trump. In this era of strongmen, closing borders and selfie narcissists, humor is needed more than ever. On June 10, 2019, Chappatte posted an essay titled “The End of Political Cartoons at The New York Times,” breaking the news that was quickly confirmed by the newspaper. Chappatte’s piece, which received worldwide attention and triggered a global discussion about self-censorship by the media in the age of internet angry mobs, appears as an appendix to this cartoon book. It has inspired a TED talk given by Chappatte on July 23, 2019 at TED Summit. |
| top political cartoons 2018: Best Australian Political Cartoons 2017 Russ Radcliffe, 2017-11 The year in politics as observed by Australia's funniest and most perceptive political cartoonists. With Dean Alston, Peter Broelman, Pat Campbell, Andrew Dyson, John Farmer, First Dog on the Moon, Matt Golding, Fiona Katauskas, Mark Knight, Jon Kudelka, Bill Leak, Alan Moir, Peter Nicholson, Bruce Petty, David Pope, David Rowe, John Spooner, Ron Tandberg, Andrew Weldon, Cathy Wilcox, Paul Zanetti, and many more . . . |
| top political cartoons 2018: Britain's Best Ever Political Cartoons Tim Benson, 2021-09-30 A rip-roaring collection of Britain's finest political satire, from Hogarth and Gillray to Martin Rowson, Steve Bell, Peter Brookes and Nicola Jennings. Between Waterloo and Brexit, cartoons have been Britain's most famous antidote to the chaos of public politics. Skewering the issues and characters that have dominated the news over three centuries, these cartoons have united those who love, and those who hate their politicians. A wild journey through the scandals that made a nation, this is the ultimate book of sketches which have stood the test of time. |
| top political cartoons 2018: White and Black , 2018-12 Palestinian political cartoonist Mohammad Sabaaneh has gained renown worldwide for his stark black-and-white drawings that express the numerous abuses and losses that his countrymen suffer under Israel's occupation and celebrate their popular resistance. This collection includes 180 of Sabaaneh's best cartoons, including some depicting the privations he and other Palestinian political prisoners have suffered in Israel's many prisons. This book offers profound insights into the political and social struggles facing the Palestinian people and a pointed critique of the inaction or complicity of the international community. Veteran graphic artist Seth Tobocman contributes a foreword. |
| top political cartoons 2018: The People's Team Mark Beech, 2019 The Packers the only fan-owned team in any of North America's major pro sports leagues-- and Green Bay (population 104,057) is the smallest city with a big-time franchise. They're unlikely candidates to be pro football's preeminent team-- yet nobody in the NFL has won more championships. In honor of the team's 100th anniversary, Beech paints compelling pictures of a franchise, a town, and a fan base-- from the days of the French fur traders who settled on the shores of La Baie in the seventeenth century, to the team's pursuit of its fourteenth NFL championship. -- adapted from jacket |
| top political cartoons 2018: Shadow Cinema James Fenwick, Kieran Foster, David Eldridge, 2020-11-12 Filmmakers and cinema industries across the globe invest more time, money and creative energy in projects and ideas that never get produced than in the movies that actually make it to the screens. Thousands of projects are abandoned in pre-production, halted, cut short, or even made and never distributed – a “shadow cinema” that exists only in the archives. This collection of essays by leading scholars and researchers opens those archives to draw on a wealth of previously unexamined scripts, correspondence and production material, reconstructing many of the hidden histories of the last hundred years of world cinema. Highlighting the fact that the movies we see are actually the exception to the rule, this study uncovers the myriad reasons why 'failures' occur and considers how understanding those failures can transform the disciplines of film and media history. The first survey of this new area of empirical study across transnational borders, Shadow Cinema is a vital and fascinating demonstration of the importance of the unmade, unseen, and unknown history of cinema. |
| top political cartoons 2018: Religious and Cultural Difference in Modern British Political Cartoons Tahnia Ahmed, 2024-05-16 Focusing on British broadsheets such as The Times and The Guardian, and tabloid publications such as The Sun and The Daily Mail, this book looks at the visualization of post-colonial Britain through cartoons. Tahnia Ahmed examines how Irish, Jewish, Sikh and Muslim communities are Othered, interrogating the patterns and trends in the way they are depicted – both consciously and unconsciously – by cartoonists in Britain from the 20th century onwards. She reveals how cartoonists such as Nicholas Garland and Peter Brookes present assimilation as the goal for the portrayed minorities. At the same time, this goal is deemed impossible because difference is ontological and unchangeable. Central to the cartoons explored in this book is the construction of identity and the concept of 'us', demonstrating the role cartoons play in the stability and enduring power of the archetype. Ahmed suggests that cartoons illustrate how racial and religious prejudice subtly interface and reinforce one another. A depiction of religious difference, Ahmed argues, is often actually a cover for outright racism. |
| top political cartoons 2018: Conversations with Indian Cartoonists Vinod Balakrishnan, Vishaka Venkat, 2019-11-05 Picking up the pen is, sometimes, like playing with fire, especially in the business of political cartooning. In a profession of stroke-and-tell, where less is more, the brooding cartoonist turns everyday events into spaces for engagement. They draw the line between concern and apathy to bring issues into public view, invariably, shaking us out of our inattentional blindness. After all, they are a tribe––an endangered one––with the silly belief that the funny bone must be tickled. Cartooning in India––a Raj legacy––has come a long way from its colonial beginnings and Punch-imitations. Since Independence, newspapers have hosted the bold and often audacious irreverence of the likes of Shankar and R. K. Laxman. Their laconic lines gave the “Common Man” the voice of an honest opinion. This volume presents conversations with India’s leading political cartoonists which take us into that recondite art of political commentating. |
| top political cartoons 2018: Enemy of the People Rob Rogers, 2019 After 25 years as the political cartoonist for The Pittsburgh Post-Gazette, Rob Rogers was fired for drawing cartoons critical of President Trump. In [this book] Rogers writes, 'Trump's open embrace of the darkest, ugliest corners of human nature has emboldened racists, neo-Nazis, criminals, thugs, despots, misogynists, and liars to come out from under their rocks and display their shameful behavior publicly. That includes publishers and editors who years ago may have been too ashamed to express their hateful views on the editorial page.' From a cartoon-killing spree to a social media buzz, from an appearance on CNN to his final days at the paper, Rogers chronicles his unenviable journey with honesty, wit and humor. -- Back cover. |
| top political cartoons 2018: Politics in the Gutters Christina M. Knopf, 2021-06-28 From the moment Captain America punched Hitler in the jaw, comic books have always been political, and whether it is Marvel’s chairman Ike Perlmutter making a campaign contribution to Donald Trump in 2016 or Marvel’s character Howard the Duck running for president during America’s bicentennial in 1976, the politics of comics have overlapped with the politics of campaigns and governance. Pop culture opens avenues for people to declare their participation in a collective project and helps them to shape their understandings of civic responsibility, leadership, communal history, and present concerns. Politics in the Gutters: American Politicians and Elections in Comic Book Media opens with an examination of campaign comic books used by the likes of Herbert Hoover and Harry S. Truman, follows the rise of political counterculture comix of the 1960s, and continues on to the graphic novel version of the 9/11 Report and the cottage industry of Sarah Palin comics. It ends with a consideration of comparisons to Donald Trump as a supervillain and a look at comics connections to the pandemic and protests that marked the 2020 election year. More than just escapist entertainment, comics offer a popular yet complicated vision of the American political tableau. Politics in the Gutters considers the political myths, moments, and mimeses, in comic books—from nonfiction to science fiction, superhero to supernatural, serious to satirical, golden age to present day—to consider how they represent, re-present, underpin, and/or undermine ideas and ideals about American electoral politics. |
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