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| thomas hardy feminism: Sexing Hardy Margaret Elvy, 2007 SEXING HARDY: THOMAS HARDY AND FEMINISM There are surprisingly few feminist analyses of the work of British novelist Thomas Hardy, and most do not get beyond vague notions of sexism and misogynism, in the Kate Millett and second wave feminist manner. Margaret Elvy's book, however, uses up-to-date research in the fields of cultural studies, feminist poetics, gay, lesbian and queer theory. This new, postmodern and incisive exploration of Thomas Hardy offers an exciting and radical reappraisal of the discourses of gender, desire, class, economy, socialization, identity and patriarchy in his fiction and poetry. This new edition of Sexing Hardy includes a new introduction and a new bibliography. EXTRACT FORM CHAPTER ONE: THOMAS HARDY AND FEMINISM Is Thomas Hardy a feminist? Are Thomas Hardy's works feminist? How much do his works reflect and bolster the patriarchal attitudes and beahviour of his era, and how much do they question them? What is the relation between Hardy and the feminists of his time? And what is the link between Hardy's works and the feminism of the early 21st century? Thomas Hardy's theme is what you might call 'Wessexuality', 'Wes-sex-mania', Wessexual politics. Hardy's works are sexist, patriarchal and masculinist, and yet they question notions of sexism, gender, identity, patriarchy and masculinism. A text such as Tess of the d'Urbervilles is 'traditional', and follows patriarchal codes and morals. Yet it also questions them, and offers a number of feminist critiques of late 19th century society. In his letters, Thomas Hardy proposed feminist views; he wrote to feminists such as the suffragette leader Millicent Fawcett that a child was the mother's own business, not the father's (Collected Letters, 3, 238). One can see these feminist sentiments in, for example, Hardy's treatment of Tess in her motherhood: she works in the fields just a few weeks after the birth, even though she is melancholy (she seems to be suffering a mild form of post-natal depression). Tess further subverts patriarchy by taking her child's baptism into her own hands. She goes against her father, the vicar, and the whole church with her self-made baptism. [...] Thomas Hardy's novels were not always received favourably by women critics and readers. Hardy's own views, expressed outside of the novels, did not always square with those of feminists of the 1880s and 1890s. The ideological gap between Hardy and the women critics and feminists of the late 19th century is illustrated by Hardy's remark to Edmund Yates (in 1891): 'many of my novels have suffered so much from misrepresentation as being attacks on womankind' (Collected Letters, I, 250). Hardy hoped that works such as Tess of the d'Urbervilles would redress the balance. |
| thomas hardy feminism: Thomas Hardy and Women Penny Boumelha, 1982 |
| thomas hardy feminism: The Feminist Sensibility in the Novels of Thomas Hardy Manjit Kaur, 2005 |
| thomas hardy feminism: SEXING HARDY Margaret Elvy, 2016-07-04 |
| thomas hardy feminism: Thomas Hardy, Femininity and Dissent J. Thomas, 1998-11-11 Drawing on aspects of Foucauldian feminist theory Thomas Hardy, Femininity and Dissent offers original and detailed readings of six critically under-valued novels: Desperate Remedies, A Pair of Blue Eyes, The Hand of Ethelberta, A Laodicean, Two on a Tower and The Well-Beloved , demonstrating Hardy's peculiarly modern appreciation of how individuals negotiate the forces which shape their sense of self. Tracing his interest in the evolutionary debate and the woman question this book reveals a new politically engaged rather than a grimly pessimistic Hardy. |
| thomas hardy feminism: Thomas Hardy's Tess of the D'Urbervilles Margaret Elvy, 2012-03-01 THOMAS HARDY'S TESS OF THE D'URBERVILLES A detailed and incisive analysis of Thomas Hardy's classic 1891 novel, using the latest research in feminism, gay, lesbian and queer theory, and cultural studies. Illustrated. Bibliogaphy. Notes. www.crmoon.com Margaret Elvy offers a thorough reappraisal of Thomas Hardy's favourite heroine. Elvy incorporates much of recent Hardy criticism, in which Hardy has been reappraised in the light of materialist, psychoanalytic, gender, poststructuralist and feminist criticism. Tess of the d'Urbervilles is a novel of anger, a text which rages against time, God, industrialization, and social institutions such as marriage, Chrisianity, the Church, law and education. What does Tess Durbeyfield do that is 'wrong'? Thomas Hardy explains in the book: ' s]he had been made to break an accepted social law, but no law known to the environment in which she fancied herself such an anomaly.' Tess is forced, or is led, or falls into a complex situation by circumstances, confusions, innocence (or ignorance), bad communication and desire. She is 'made' to break 'an accepted social law': it is the same with Eustacia Vye in The Return of the Native, and Sue Bridehead in Jude the Obscure. Somehow, their very existence means transgressions will occur. Tess Durbeyfield transgresses society, goes against grain. She (unwittingly perhaps) places herself outside of society and the law. She learns that there are different kinds of laws, different sets of laws for different groups of people. She has to learn about social boundaries, and how to keep inside of limits. As it's a dramatic novel, Tess learns the hard way. She is seen to be transgressive. The education system fails her utterly, her mother and family also fail to protect her. Though she is proud of her education, it fails her utterly. A note in the Life, Hardy's autobiography, is usually cited in relation to Tess of the d'Urbervilles: ' w]hen a married woman who has a lover kills her husband, she does not really wish to kill her husband; she wishes to kill the situation.' The tragedy of Tess of the d'Urbervilles has been seen as a socio-economic destruction (Arnold Kettle); the result of commercial forces, in the Marxist model (Raymond Williams); the decline of the rural order (John Alcorn, Roger Ebbatson, Merryn Williams); the waste of human potential (Irving Howe); due to the sexual manipulation of two men (feminist critics such as Penny Boumelha, Kate Millett and Rosalind Sumner); or due to the heroine's own moral inadequacies (Roy Morrell); or as the breaking of social taboos (J. Lecercle), and so on. |
| thomas hardy feminism: The Reasons I Won't Be Coming Elliot Perlman, 2006-12-05 The stories in this collection explore the complex worlds of lovers, poets, lawyers, immigrants, students, and murderers. They tell of corporate betrayals and lost opportunities, and of the obsessions, hopes, fears, and vagaries of desire. |
| thomas hardy feminism: The Woodlanders Thomas Hardy, 1920 In a little village in the woodlands of Dorset, there are intense and consuming emotions between the doctor, the daughter of the timber merchant, the tree keeper, a peasant girl and others. |
| thomas hardy feminism: Thomas Hardy's Women PETER. TAIT, 2020-10-30 Thomas Hardy was always fascinated by women. While in life his relationships were often fraught and unhappy, through the heroines of his novels we can see into his sole. This book assesses the influence of Hardy's closest female friends and family on his life and his work and looks at how his response to them moulded his creative genius. |
| thomas hardy feminism: Thomas Hardy's Novels Isam M. Shihada, 2001 Literature, novels, women, social issuses, feminist movement, Thomas Hardy. |
| thomas hardy feminism: The Cambridge Companion to Thomas Hardy Dale Kramer, 1999-06-24 Thomas Hardy's fiction has had a remarkably strong appeal for general readers for decades, and his poetry has been acclaimed as among the most influential of the twentieth century. His work still creates passionate advocacy and opposition. The Cambridge Companion to Thomas Hardy is an essential introduction to this most enigmatic of writers. These commissioned essays from an international team of contributors comprises a general overview of all Hardy' s work and specific demonstrations of Hardy's ideas and literary skills. Individual essays explore Hardy's biography, aesthetics, his famous attachment to Wessex, and the impact on his work of developments in science, religion and philosophy in the late nineteenth century. Hardy's writing is also analysed against developments in contemporary critical theory and issues such as sexuality and gender. The volume also contains a detailed chronology of Hardy's life and publications, and a guide to further reading. |
| thomas hardy feminism: The Ashgate Research Companion to Thomas Hardy Rosemarie Morgan, 2010 Bringing together eminent Hardy scholars, The Ashgate Research Companion to Thomas Hardy offers an overview of Hardy scholarship and suggests new directions in Hardy studies. While several collections have surveyed the Hardy landscape, no previous volume has been composed specifically for scholars and advanced graduate students. This companion is specially designed to aid original research on Hardy and serve as the critical basis for Hardy studies in the new millennium. |
| thomas hardy feminism: The Odd Women George Gissing, 2010-10-01 One of the acknowledged masterpieces of Victorian-era literary realism, George Gissing's novel The Odd Women portrays the plight of unmarried women in nineteenth-century England, probing the question of the financial and psychological well-being of those who were not able to find suitable matches. Recognized by critics as an early feminist text, this novel is a must-read for fans of historical -- and socially significant -- fiction. |
| thomas hardy feminism: The Sense of Sex Margaret R. Higonnet, 1993 |
| thomas hardy feminism: Thomas Hardy's Jude the Obscure Margaret Elvy, 2008 'Jude the Obscure' is analysed employing up-to-date developments in gender, feminist and cultural studies. Sue Bridehead in reinstated as central to the novel, and to Hardy's bitter, polemical attack on the institutions of marriage, religion, education, sexuality, identity, gender and politics. |
| thomas hardy feminism: Women and Sexuality in the Novels of Thomas Hardy Rosemarie Morgan, 2006-04-07 The women in Thomas Hardy's novels appear to have no control over their conduct or their destiny. In this book, Rosemarie Morgan argues a contrary case. Hardy's women struggle, sometimes winning, often losing, but they are not tame objects to be manipulated. Their resistance emerges in their sexuality, a quality which Hardy was often forced to cloak or disguise. Rosemarie Morgan resurrects Hardy's voluptuous heroines and restores to them the physical, sexual reality which Hardy sees as their birthright, but which the male-dominated world they inhabit seeks to deny them, both within and beyond the novel. |
| thomas hardy feminism: Kill River Cameron Roubique, 2015-08-01 In the summer of 1983, thirteen-year-old Cyndi and her three new-found friends Stacy, Zack, and Brad decide to sneak away from their summer camp in the middle of the night by rafting down the nearby rivers. After spending a tense night lost in the woods, the four teenagers stumble into a mysterious water park that appears to be completely empty.At first, they are thrilled to have the rides all to themselves, at least until one of them disappears. Soon they discover that they are trapped in the park, and a dark figure is stalking them from the shadows, picking them off one by one. Once night falls, Cyndi will have to fight to escape the park, a masked maniac, and a living nightmare.Kill River is a wild water park ride filled with blood, gore, and '80s nostalgia. Slasher fans rejoice, old-school horror is back! |
| thomas hardy feminism: New Erotica for Feminists Caitlin Kunkel, Brooke Preston, Fiona Taylor, Carrie Wittmer, 2018-11-13 He calls me into his office and closes the door . . . to promote me. He promotes me again and again. I am wild with ecstasy. Imagine a world where all erotica was written by feminists: Their daydreams include equal pay, a gender-balanced Congress, and Tom Hardy arriving at their doorstep to deliver a fresh case of LaCroix every week. Both light-hearted and empowering, New Erotica for Feminists—based off of the viral McSweeney's piece of the same name—is a sly, satirical take on all the things that turn feminists on. From a retelling of Adam and Eve to tales of respectful Tinder dates, New Erotica for Feminists answers the question of “What do women really want?” with stories of power, equality, and an immortal Ruth Bader Ginsburg. |
| thomas hardy feminism: A Woman of the Times Marilyn S. Greenwald, 1999 A biography of American female journalist Charlotte Curtis. |
| thomas hardy feminism: Thomas Hardy, Femininity and Dissent , 1998 Drawing on aspects of Foucauldian feminist theory Thomas Hardy, Femininity and Dissent offers original and detailed readings of six critically under-valued novels: Desperate Remedies, A Pair of Blue Eyes, The Hand of Ethelberta, A Laodicean, Two on a Tower and The Well-Beloved , demonstrating Hardy's peculiarly modern appreciation of how individuals negotiate the forces which shape their sense of self. Tracing his interest in the evolutionary debate and the woman question this book reveals a new politically engaged rather than a grimly pessimistic Hardy. |
| thomas hardy feminism: Two on a Tower Annotated Thomas Hardy, 2021-01-26 Two on a Tower, a tale of star crossed love, is considered a minor work of Thomas Hardy. When it was published, it was called 'shocking' and 'repulsive'. So, make of that what you will. But this was Victorian England, and the book tells the tale of an aristocratic woman falling in love with a 'commoner' who is 8 years younger than her. |
| thomas hardy feminism: The Human Woman Lady Agnes Geraldine Grove, 1908 |
| thomas hardy feminism: Thomas Hardy's Tess of the D'Urbervilles Margaret Elvy, 2008 THOMAS HARDY'S TESS OF THE D'URBERVILLES A detailed and incisive analysis of Thomas Hardy's classic 1891 novel, using the latest research in feminism, gay, lesbian and queer theory, and cultural studies. Margaret Elvy offers a thorough reappraisal of Hardy's favourite heroine. She incorporates much of recent Hardy criticism, in which Hardy has been reappraised in the light of materialist, psychoanalytic, gender, poststructuralist and feminist criticism. Tess of the d'Urbervilles is a novel of anger, a text which rages against time, God, industrialization, and social institutions such as marriage, Chrisianity, the Church, law and education. What does Tess Durbeyfield do that is 'wrong'? Thomas Hardy explains in the book: '[s]he had been made to break an accepted social law, but no law known to the environment in which she fancied herself such an anomaly.' Tess is forced, or is led, or falls into a complex situation by circumstances, confusions, innocence (or ignorance), bad communication and desire. She is 'made' to break 'an accepted social law': it is the same with Eustacia Vye in The Return of the Native, and Sue Bridehead in Jude the Obscure. Somehow, their very existence means transgressions will occur. Tess Durbeyfield transgresses society, goes against grain. She (unwittingly perhaps) places herself outside of society and the law. She learns that there are different kinds of laws, different sets of laws for different groups of people. She has to learn about social boundaries, and how to keep inside of limits. As it's a dramatic novel, Tess learns the hard way. She is seen to be transgressive. The education system fails her utterly, her mother and family also fail to protect her. Though she is proud of her education, it fails her utterly. A note in the Life, Hardy's autobiography, is usually cited in relation to Tess of the d'Urbervilles: '[w]hen a married woman who has a lover kills her husband, she does not really wish to kill her husband; she wishes to kill the situation.' The tragedy of Tess of the d'Urbervilles has been seen as a socio-economic destruction (Arnold Kettle); the result of commercial forces, in the Marxist model (Raymond Williams); the decline of the rural order (John Alcorn, Roger Ebbatson, Merryn Williams); the waste of human potential (Irving Howe); due to the sexual manipulation of two men (feminist critics such as Penny Boumelha, Kate Millett and Rosalind Sumner); or due to the heroine's own moral inadequacies (Roy Morrell); or as the breaking of social taboos (J. Lecercle), and so on. |
| thomas hardy feminism: Hardy of Wessex Carl Weber, 2016-07-22 First published in 1940 and revised in 1965, this work by the distinguished Hardy Scholar, Carl J. Weber, traces Hardy’s literary career from High Brockhampton to the grave in Poet’s corner, Westminster Abbey. Using a multitude of letters, it explains why Thomas Hardy wrote, and how his books grew from ideas, emotions and experiences to the printed volumes that have delighted the world. This book will be of interest to those studying the works of Thomas Hardy and 19th century literature. |
| thomas hardy feminism: The White Album Joan Didion, 2024-06-04 First published in 1979, Joan Didion's The White Album records indelibly the upheavals and aftermaths of the 1960s. Examining key events, figures, and trends of the era—including Charles Manson, the Black Panthers, and the shopping mall—through the lens of her own spiritual confusion, Joan Didion helped to define mass culture as we now understand it. Written with a commanding sureness of tone and linguistic precision, The White Album is a central text of American reportage and a classic of American autobiography. |
| thomas hardy feminism: The Angel in the House Coventry Patmore, 1887 |
| thomas hardy feminism: Having It All in the Belle Epoque Rachel Mesch, 2013-07-03 “In this entertaining academic history of these rival magazines, Mesch . . . explores the emergence of the working woman in France.” —Publishers Weekly At once deeply historical and surprisingly timely, Having It All in the Belle Epoque shows how the debates that continue to captivate high-achieving women in America and Europe can be traced back to the early 1900s in France. The first two photographic magazines aimed at women, Femina and La Vie Heureuse created a female role model who could balance age-old convention with new equalities. Often referred to simply as the “modern woman,” this captivating figure embodied the hopes and dreams as well as the most pressing internal conflicts of large numbers of French women during what was a period of profound change. Full of never-before-studied images of the modern French woman in action, Having It All shows how these early magazines exploited new photographic technologies, artistic currents, and literary trends to create a powerful model of French femininity, one that has exerted a lasting influence on French expression. This book introduces and explores the concept of Belle Epoque literary feminism, a product of the elite milieu from which the magazines emerged. Defined by its refusal of political engagement, this feminism was nevertheless preoccupied with expanding women’s roles, as it worked to construct a collective fantasy of female achievement. Through an astute blend of historical research, literary criticism, and visual analysis, Mesch’s study of women’s magazines and the popular writers associated with them offers an original window onto a bygone era that can serve as a framework for ongoing debates about feminism, femininity, and work-life tensions |
| thomas hardy feminism: Jude the Obscure Thomas Hardy, 2024-03-21 Jude Fawley is a young and ambitious working-class man with dreams of pursuing an education and becoming a scholar. His plans are thwarted when he is lured into an unhappy marriage with a woman who doesn’t truly love him. As Jude navigates the complexities of love and relationships, he finds himself entangled in a tumultuous affair with his cousin, Sue Bridehead, a free-spirited and unconventional woman. Together, they challenge the conventions of society and struggle to find happiness and fulfillment in a world that seems determined to keep them apart THOMAS HARDY [1840-1928] was an English poet and author. His work is characterized by realism and criticism of the strict Victorian ideals which he believed limited people's lives and happiness. He achieved great success with the novel Under the Greenwood Tree [1872] and continued with successes such as Far from the Madding Crowd and Tess of the d’Urbervilles. |
| thomas hardy feminism: The Troublesome Helpmate Katharine M. Rogers, 1966 |
| thomas hardy feminism: How to Raise a Feminist Son Sonora Jha, 2021-04-06 This book is a true love letter, not only to Jha's own son but also to all of our sons and to the parents--especially mothers--who raise them.” —Ijeoma Oluo, author of So You Want to Talk About Race and Mediocre Beautifully written and deeply personal, this book follows the struggles and triumphs of one single, immigrant mother of color to raise an American feminist son. From teaching consent to counteracting problematic messages from the media, well-meaning family, and the culture at large, the author offers an empowering, imperfect feminism, brimming with honest insight and actionable advice. Informed by Jha's work as a professor of journalism specializing in social justice movements and social media, as well as by conversations with psychologists, experts, other parents and boys--and through powerful stories from her own life--How to Raise a Feminist Son shows us all how to be better feminists and better teachers of the next generation of men in this electrifying tour de force. Includes chapter takeaways, and an annotated bibliography of reading and watching recommendations for adults and children. A beautiful hybrid of memoir, manifesto, instruction manual, and rumination on the power of story and possibilities of family. —Rebecca Solnit, author of The Mother of All Questions |
| thomas hardy feminism: Thomas Hardy Patricia Ingham, 1989 |
| thomas hardy feminism: Married, Middlebrow, and Militant Teresa Mangum, 1998 Examines the life and work of this daring nineteenth-century author and women's rights advocate |
| thomas hardy feminism: Thomas Hardy Annual No. 2 Norman Page, 1984-06-18 |
| thomas hardy feminism: Might and Magic: The Sea of Mist Mel Odom, 2001-09-04 Rising up from the unstoppable Sea of Mist -- a magical void carrying armies of bloodthirsty undead to every land it touches -- a champion fights his way toward destiny. Trained since infancy in the arts of war, magic, and the secret sects of the rouge, Praz is unwilling to accept a single skill in the magical towers of The Order. Long denied the truth about his unknown past, he seethes with anger, rejecting convention as he leans toward darkness. But the foul slaying of his life-long mentor and the abduction of his only love have drawn Praz out beyond the citadel's walls for the first time in his life to undertake an epic rescue. Traveling through a world distorted by the Sea of Mist and hounded by a mysterious clark lord, Praz slowly begins to unravel his past. Along the way he's joined by warriors from multiple dimensions, battles demonic brothers, and confronts the most terrible foes of all: two lowly servants who've somehow stumbled upon the power of gods. |
| thomas hardy feminism: Thomas Hardy in Context Phillip Mallett, 2013-03-18 This book covers the range of Thomas Hardy's works while providing a comprehensive introduction to his life and times. |
| thomas hardy feminism: An Imaginative Woman Thomas Hardy, 2025 »An Imaginative Woman« is a short story by Thomas Hardy, originally published in 1894. THOMAS HARDY [1840-1928] was an English poet and author. His work is characterized by realism and criticism of the strict Victorian ideals which he believed limited people's lives and happiness. He achieved great success with the novel Under the Greenwood Tree [1872] and continued with successes such as Far from the Madding Crowd and Tess of the d'Urbervilles. |
| thomas hardy feminism: Thinking about Women M. Ellman, 1999-12-01 |
| thomas hardy feminism: Thomas Hardy's Jude the Obscure Harold Bloom, 1987 A collection of eight critical essays on Thomas Hardy's last major novel, arranged in chronological order of publication. |
| thomas hardy feminism: The Beauty Myth Naomi Wolf, 2009-03-17 The bestselling classic that redefined our view of the relationship between beauty and female identity. In today's world, women have more power, legal recognition, and professional success than ever before. Alongside the evident progress of the women's movement, however, writer and journalist Naomi Wolf is troubled by a different kind of social control, which, she argues, may prove just as restrictive as the traditional image of homemaker and wife. It's the beauty myth, an obsession with physical perfection that traps the modern woman in an endless spiral of hope, self-consciousness, and self-hatred as she tries to fulfill society's impossible definition of the flawless beauty. |
| thomas hardy feminism: Jane Austen, Feminism and Fiction Margaret Kirkham, 1986 |
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