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| toopoor layla racist: The Different aspects of Islamic culture Ali, Abdulrahim, Thiam, Iba Der, Talib, Yusof A., 2016-10-17 Islam in the World Today sheds light on the dynamics and practices of Muslim communities in contemporary societies across the world, by providing a rigorous analysis of their economic, political, socio-cultural and educational characteristics.--Provided by publisher. |
| toopoor layla racist: Decolonising (knowledge On) Euro-Mediterranean Relations D. Huber, L. Kamel, 2022 |
| toopoor layla racist: I Am Human Susan Verde, 2018-10-02 I am human I am a work in progress Striving to be the best version of ME From the picture book dream team behind I Am Yoga and I Am Peace comes the third book in their wellness series: I Am Human. A hopeful meditation on all the great (and challenging) parts of being human, I Am Human shows that it’s okay to make mistakes while also emphasizing the power of good choices by offering a kind word or smile or by saying “I’m sorry.” At its heart, this picture book is a celebration of empathy and compassion that lifts up the flawed fullness of humanity and encourages children to see themselves as part of one big imperfect family—millions strong. |
| toopoor layla racist: The Talk Wade Hudson, Cheryl Willis Hudson, 2020-08-11 Thirty diverse, award-winning authors and illustrators invite you into their homes to witness the conversations they have with their children about race in America today in this powerful call-to-action that invites all families to be anti-racists and advocates for change. Project[s] love and support. --The New York Times As long as racist ideas persist, families will continue to have the difficult and necessary conversations with their young ones on the subject. In this inspiring collection, literary all-stars such as Renée Watson (Piecing Me Together), Grace Lin (Where the Mountain Meets the Moon), Meg Medina (Merci Suárez Changes Gears), Adam Gidwitz (The Inquisitor's Tale), and many more engage young people in frank conversations about race, identity, and self-esteem. Featuring text and images filled with love, acceptance, truth, peace, and an assurance that there can be hope for a better tomorrow, The Talk is a stirring anthology and must-have resource published in partnership with Just Us Books, a Black-owned children's publishing company that's been in operation for over thirty years. Just Us Books continues its mission grounded in the same belief that helped launch the company: Good books make a difference. So, let's talk. Featured contributors: Selina Alko, Tracey Baptiste, Derrick Barnes, Natacha Bustos, Cozbi A. Cabrera, Raul Colón, Adam Gidwitz, Nikki Grimes, Rudy Gutierrez, April Harrison, Wade Hudson, Gordon C. James, Minh Lê, E. B. Lewis, Grace Lin, Torrey Maldonado, Meg Medina, Christopher Myers, Daniel Nayeri, Zeke Peña, Peter H. Reynolds, Erin K. Robinson, Traci Sorell, Shadra Strickland, Don Tate, MaryBeth Timothy, Duncan Tonatiuh, Renée Watson, Valerie Wilson Wesley, Sharon Dennis Wyeth |
| toopoor layla racist: A Place Inside of Me Zetta Elliott, 2020-07-21 Caldecott Honor Book Today Show Best Book for the Holidays ALA Notable Book for All Ages ALSC Notable Children's Book NCTE Notable Poetry Book Evanston Public Library's Top 100 Great Book for Kids Nerdy Award Winner for Single Poem Picture Book Bank Street Best Books of the Year In this powerful, affirming poem by award-winning author Zetta Elliott, a Black child explores his shifting emotions throughout the year. There is a place inside of me a space deep down inside of me where all my feelings hide. Summertime is filled with joy—skateboarding and playing basketball—until his community is deeply wounded by a police shooting. As fall turns to winter and then spring, fear grows into anger, then pride and peace. In her stunning debut, illustrator Noa Denmon articulates the depth and nuances of a child’s experiences following a police shooting—through grief and protests, healing and community—with washes of color as vibrant as his words. Here is a groundbreaking narrative that can help all readers—children and adults alike—talk about the feelings hiding deep inside each of us. |
| toopoor layla racist: Attacking Africa's Poverty M. Louise Fox, Robert Liebenthal, 2006 By all measures, poverty in Africa as a whole has increased and deepened. But in fact, Africa contains a number of undocumented success stories of poverty reduction. This book presents case studies of thirteen of these success stories, giving grounds for some real hope, and providing useful learning for all ? policymakers, governments, businesses, service providers, NGOs, and donors. |
| toopoor layla racist: The Starkeeper Faith Pray, 2020-06-09 A fallen star and one child's kindness lead to a chain of good works that change her town from a dreary, dark place to one of dazzling brightness. When a girl finds a fallen star, she decides to keep it hidden. But this star encourages kindness and needs to shine, so it comes out from the shadows. At first the glow from the star starts to fade, and the girl worries--maybe she's not a very good starkeeper. Then a chance gesture of kindness seems to brighten the star, and soon this kindness leads to a chain of good works that light up the once-dreary town. The art of the book follows the star's journey and lights up more and more with each act of kindness. |
| toopoor layla racist: Ethical Approaches to Human Remains Kirsty Squires, David Errickson, Nicholas Márquez-Grant, 2020-01-01 This book is the first of its kind, combining international perspectives on the current ethical considerations and challenges facing bioarchaeologists in the recovery, analysis, curation, and display of human remains. It explores how museum curators, commercial practitioners, forensic anthropologists, and bioarchaeologists deal with ethical issues pertaining to human remains in traditional and digital settings around the world. The book not only raises key ethical questions concerning the study, display, and curation of skeletal remains that bioarchaeologists must face and overcome in different countries, but also explores how this global community can work together to increase awareness of similar and, indeed, disparate ethical considerations around the world and how they can be addressed in working practices. The key aspects addressed include ethics in bioarchaeology and forensic anthropology, the excavation, curation, and display of human remains, repatriation, and new imaging techniques. As such, the book offers an ideal guide for students and practitioners in the fields of bioarchaeology, osteoarchaeology, forensic anthropology, medical anthropology, archaeology, anatomy, museum and archive studies, and philosophy, detailing how some ethical dilemmas have been addressed and which future dilemmas need to be considered. |
| toopoor layla racist: Journeys 2017 Minnesota Literacy Council, 2017-05-25 A journal of writings and artwork created by Minnesota adult literacy students who are enrolled in basic reading, English as a Second Language, GED, and other basic skills classes. This new edition includes an eight-lesson curriculum designed for advanced ESL learners. |
| toopoor layla racist: We Rise, We Resist, We Raise Our Voices Wade Hudson, Cheryl Willis Hudson, 2018-09-04 Fifty of the foremost diverse children's authors and illustrators--including Jason Reynolds, Jacqueline Woodson, and Kwame Alexander--share answers to the question, In this divisive world, what shall we tell our children? in this beautiful, full-color keepsake collection, published in partnership with Just Us Books. What do we tell our children when the world seems bleak, and prejudice and racism run rampant? With 96 lavishly designed pages of original art and prose, fifty diverse creators lend voice to young activists. Featuring poems, letters, personal essays, art, and other works from such industry leaders as Jacqueline Woodson (Brown Girl Dreaming), Jason Reynolds (All American Boys), Kwame Alexander (The Crossover), Andrea Pippins (I Love My Hair), Sharon Draper (Out of My Mind), Rita Williams-Garcia (One Crazy Summer), Ellen Oh (cofounder of We Need Diverse Books), and artists Ekua Holmes, Rafael Lopez, James Ransome, Javaka Steptoe, and more, this anthology empowers the nation's youth to listen, learn, and build a better tomorrow. A Kirkus Reviews Best Book of 2018! A Publishers Weekly Best Book of 2018! |
| toopoor layla racist: What Lane? Torrey Maldonado, 2021-05-11 If you are wondering how to begin confronting Anti-Black racism in your classroom, start with What Lane?--School Library Journal: The Classroom Bookshelf STAY IN YOUR LANE. Stephen doesn't want to hear that--he wants to have no lane. Anything his friends can do, Stephen should be able to do too, right? So when they dare each other to sneak into an abandoned building, he doesn't think it's his lane, but he goes. Here's the thing, though: Can he do everything his friends can? Lately, he's not so sure. As a mixed kid, he feels like he's living in two worlds with different rules--and he's been noticing that strangers treat him differently than his white friends . . . So what'll he do? Hold on tight as Stephen swerves in and out of lanes to find out which are his--and who should be with him. Torrey Maldonado, author of the highly acclaimed Tight, does a masterful job showing a young boy coming of age in a racially split world, trying to blaze a way to be his best self. |
| toopoor layla racist: Not Your All-American Girl Wendy Wan-Long Shang, Madelyn Rosenberg, 2020-07-07 A multicultural story full of heart and hilarity about what it means to be all-American. Lauren and her best friend, Tara, have always done absolutely everything together. So when they don't have any classes together in sixth grade, it's disastrous. The solution? Trying out for the school play. Lauren, who loves to sing, wonders if maybe, just maybe, she will be the star instead of Tara this time.But when the show is cast, Lauren lands in the ensemble, while Tara scores the lead role. Their teacher explains: Lauren just doesn't look the part of the all-American girl. What audience would believe that she, half-Jewish, half-Chinese Lauren, was the everygirl star from Pleasant Valley, USA?From amidst the ensemble, Lauren tries to support her best friend. But when she can't bring herself to sing anymore, her spot in the play and her friendship are in jeopardy. With the help of a button-making business, the music of Patsy Cline, and her two bickering grandmothers, can Lauren find her voice again?Acclaimed coauthors Madelyn Rosenberg and Wendy Wan-Long Shang return to the 1980s world of Sydney Taylor Honor Book This Is Just a Test with this laugh-out-loud coming-of-age story. |
| toopoor layla racist: Everything Sad Is Untrue Daniel Nayeri, 2020-08-25 A National Indie Bestseller An NPR Best Book of the Year A New York Times Best Book of the Year An Amazon Best Book of the Year A Booklist Editors' Choice A BookPage Best Book of the Year A NECBA Windows & Mirrors Selection A Publishers Weekly Best Book of the Year A Wall Street Journal Best Book of the Year A Today.com Best of the Year PRAISE A modern masterpiece. —The New York Times Book Review Supple, sparkling and original. —The Wall Street Journal Mesmerizing. —TODAY.com This book could change the world. —BookPage Like nothing else you've read or ever will read. —Linda Sue Park It hooks you right from the opening line. —NPR SEVEN STARRED REVIEWS ★ A modern epic. —Kirkus Reviews, starred review ★ A rare treasure of a book. —Publishers Weekly, starred review ★ A story that soars. —The Bulletin, starred review ★ At once beautiful and painful. —School Library Journal, starred review ★ Raises the literary bar in children's lit. —Booklist, starred review ★ Poignant and powerful. —Foreword Reviews, starred review ★ One of the most extraordinary books of the year. —BookPage, starred review A sprawling, evocative, and groundbreaking autobiographical novel told in the unforgettable and hilarious voice of a young Iranian refugee. It is a powerfully layered novel that poses the questions: Who owns the truth? Who speaks it? Who believes it? A patchwork story is the shame of the refugee, Nayeri writes early in the novel. In an Oklahoman middle school, Khosrou (whom everyone calls Daniel) stands in front of a skeptical audience of classmates, telling the tales of his family's history, stretching back years, decades, and centuries. At the core is Daniel's story of how they became refugees—starting with his mother's vocal embrace of Christianity in a country that made such a thing a capital offense, and continuing through their midnight flight from the secret police, bribing their way onto a plane-to-anywhere. Anywhere becomes the sad, cement refugee camps of Italy, and then finally asylum in the U.S. Implementing a distinct literary style and challenging western narrative structures, Nayeri deftly weaves through stories of the long and beautiful history of his family in Iran, adding a richness of ancient tales and Persian folklore. Like Scheherazade of One Thousand and One Nights in a hostile classroom, Daniel spins a tale to save his own life: to stake his claim to the truth. EVERYTHING SAD IS UNTRUE (a true story) is a tale of heartbreak and resilience and urges readers to speak their truth and be heard. |
| toopoor layla racist: Images of Enchantment Sherifa Zuhur, 1998 This original and multidimensional book brings a refreshing new approach to the study of the arts of the Middle East. By dealing in one volume with dance, music, painting, and cinema, as experienced and practiced not only within the Middle East but also abroad, Images of Enchantment breaks down the artificial distinctions--of form, geography, 'high' and 'low' art, performer and artist--that are so often used to delineate the subjects and processes of Middle Eastern artistic culture. The eighteen essays in this book cover themes as diverse as Bedouin dance, the music of Arab Americans, cinema in Egypt and Iran, Hollywood representations of the Middle East, and contemporary Sudanese painting. The contributions come from scholars and critics and from the artists themselves. Together, they present a wide-ranging and holistic view of the arts in their social, political, anthropological, and gender contexts. Contributors: Walter Armbrust, Farida Ben Lyazid, Kay Hardy Campbell, Virginia Danielson, Marjorie Franken, Sondra Hale, Carolee Kent, Hamid Naficy, Salwa Mikdadi Nashashibi, Anne K. Rasmussen, Selim Sednaoui, Simon Shaheen, Rebecca Stone, Chaïbia Talal, Karin Van Nieuwkerk, William Young, Sherifa Zuhur. |
| toopoor layla racist: I Kissed Alice Anna Birch, 2021-05-18 Rivals-to-lovers, mistaken identity, and slow, slow burn... A loving homage to fandom and queer girls. —Victoria Lee, author of The Fever King For fans of Leah on the Offbeat and Laura Dean Keeps Breaking Up with Me, Anna Birch's I Kissed Alice is a romantic comedy about enemies, lovers, and everything in between. Rhodes and Iliana couldn't be more different, but that's not why they hate each other. Rhodes, a gifted artist, has always excelled at Alabama’s Conservatory of the Arts (until she’s hit with a secret bout of creator’s block), while Iliana, a transfer student, tries to outshine everyone with her intense, competitive work ethic. Since only one of them can get the coveted Capstone scholarship, the competition between them is fierce. They both escape the pressure on a fanfic site where they are unknowingly collaborating on a webcomic. And despite being worst enemies in real life, their anonymous online identities I-Kissed-Alice and Curious-in-Cheshire are starting to like each other... a lot. When the truth comes out, will they destroy each other's future? An Imprint Book The swoony queer romcom of my heart... Pitch-perfect. —Rachel Hawkins, New York Times-bestselling author of Prince Charming and Her Royal Highness |
| toopoor layla racist: Nana Akua Goes to School Tricia Elam Walker, 2020-06-16 Winner of the 2021 Ezra Jack Keats New Writer Award! In this moving story that celebrates cultural diversity, a shy girl brings her West African grandmother--whose face bears traditional tribal markings--to meet her classmates. This is a perfect read for back to school! It is Grandparents Day at Zura's elementary school, and the students are excited to introduce their grandparents and share what makes them special. Aleja's grandfather is a fisherman. Bisou's grandmother is a dentist. But Zura's Nana, who is her favorite person in the world, looks a little different from other grandmas. Nana Akua was raised in Ghana, and, following an old West African tradition, has tribal markings on her face. Worried that her classmates will be scared of Nana--or worse, make fun of her--Zura is hesitant to bring her to school. Nana Akua knows what to do, though. With a quilt of traditional African symbols and a bit of face paint, Nana Akua is able to explain what makes her special, and to make all of Zura's classmates feel special, too. |
| toopoor layla racist: The Veil Unveiled Faegheh Shirazi, 2018-12 An original contribution to a subject which is currently of much interest to the world at large, East or West, and has an important bearing on the position of women in the societies in which veiling is practiced.--The Middle East Journal Highly recommended. . . . It draws on and contributes to current feminist theorizing in Middle East women's studies and in broader feminist academic circles.--International Journal of Middle East Studies A welcome contribution to Middle Eastern and women s studies, providing an innovating approach and research to a highly controversial issue in gender politics.--Digest of Middle East Studies An insightful and provocative book. . . . [It] leads to a better understanding of the veil and a debunking of current cliches. Farzaneh Milani, University of Virginia Illustrated with photographs, drawings, and cartoons gathered from popular culture, this provocative book demonstrates that the veil, the garment known in Islamic cultures as the hijab, holds within its folds a semantic versatility that goes far beyond current cliches and homogenous representations. Whether seen as erotic or romantic, a symbol of oppression or a sign of piety, modesty, or purity, the veil carries thousands of years of religious, sexual, social, and political significance. Using examples from both the East and West including Persian poetry, American erotica, Iranian and Indian films, and government-sanctioned posters Faegheh Shirazi shows that the veil has become a ubiquitous symbol, utilized as a profitable marketing tool for diverse enterprises, from Penthouse magazine to Saudi advertising companies. She argues that perceptions of the veil change with the cultural context of its use as well as over time: in a Hindi movie the veil draws in the male gaze, in an Iranian movie it denies it; photographs of veiled women in Playboy aim to titillate a principally male audience, while cartoons of veiled women in the same magazine mock and ridicule Muslim society. Shirazi concludes that the practice of veiling, encompassing an amazingly rich array of meanings, has often become a screen upon which different people in different cultures project their dreams and nightmares. Faegheh Shirazi is associate professor of Middle Eastern languages and cultures in the Islamic Studies Program at the University of Texas, Austin. She is the author of several book chapters and articles on issues related to women in Islam in numerous publications, including Critique and Journal for Critical Studies of the Middle East. |
| toopoor layla racist: A Kids Book About Racism Jelani Memory, 2023-07-06 A clear explanation of what racism is and how to recognise it when you see it. As tough as it is to imagine, this book really does explore racism. But it does so in a way that's accessible to kids. Inside, you'll find a clear description of what racism is, how it makes people feel when they experience it, and how to spot it when it happens. Covering themes of racism, sadness, bravery, and hate. This book is designed to help get the conversation going. Racism is one conversation that's never too early to start, and this book was written to be an introduction on the topic for kids aged 5-9. A Kids Book About Racism features: - A friendly, approachable, and kid-appropriate tone throughout. - Expressive font design; allowing kids to have the space to reflect and the freedom to imagine themselves in the words on the pages. - An author who has lived experience on the topic of racism. Tackling important discourse together! The A Kids Book About series are best used when read together. Helping to kickstart challenging, empowering, and important conversations for kids and their grownups through beautiful and thought-provoking pages. The series supports an incredible and diverse group of authors, who are either experts in their field, or have first-hand experience on the topic. A Kids Co. is a new kind of media company enabling kids to explore big topics in a new and engaging way. With a growing series of books, podcasts and blogs, made to empower. Learn more about us online by searching for A Kids Co. |
| toopoor layla racist: Just Us Claudia Rankine, 2020-09-08 FINALIST FOR THE 2021 ANDREW CARNEGIE MEDAL FOR EXCELLENCE IN NONFICTION Claudia Rankine’s Citizen changed the conversation—Just Us urges all of us into it As everyday white supremacy becomes increasingly vocalized with no clear answers at hand, how best might we approach one another? Claudia Rankine, without telling us what to do, urges us to begin the discussions that might open pathways through this divisive and stuck moment in American history. Just Us is an invitation to discover what it takes to stay in the room together, even and especially in breaching the silence, guilt, and violence that follow direct addresses of whiteness. Rankine’s questions disrupt the false comfort of our culture’s liminal and private spaces—the airport, the theater, the dinner party, the voting booth—where neutrality and politeness live on the surface of differing commitments, beliefs, and prejudices as our public and private lives intersect. This brilliant arrangement of essays, poems, and images includes the voices and rebuttals of others: white men in first class responding to, and with, their white male privilege; a friend’s explanation of her infuriating behavior at a play; and women confronting the political currency of dying their hair blond, all running alongside fact-checked notes and commentary that complements Rankine’s own text, complicating notions of authority and who gets the last word. Sometimes wry, often vulnerable, and always prescient, Just Us is Rankine’s most intimate work, less interested in being right than in being true, being together. |
| toopoor layla racist: Canadian Mosaic John Murray Gibbon, 1939 |
| toopoor layla racist: Feminist and LGBTI+ Activism across Russia, Scandinavia and Turkey Selin Çağatay, Mia Liinason, Olga Sasunkevich, 2021-12-16 What do struggles for women’s and LGBTI+ rights in Russia, Turkey and the Scandinavian countries have in common? And what can actors who struggle for rights and justice in these contexts learn from each other? Based on a multisited ethnography of feminist and LGBTI+ activisms across Russia, Turkey and the Scandinavian countries, this Open Access book explores transnational struggles on various levels, from the micro-scale of the everyday to large-scale, spectacular events. Drawing on ethnographic insights and encounters from various sites, this book conceptualizes resistance as situated in the grey zone between barely perceptible, even hidden or covert, forms of mundane activist practices and highly visible street protests, gathering large crowds. Taking the reader beyond the dichotomies of visible/invisible and public/private, this book advances new understandings of resistance, solidarity, and activism in transnationalizing feminist and queer struggles, illustrated by rich ethnographic case studies from Russia, Scandinavia and Turkey. |
| toopoor layla racist: Defying Victimhood Albrecht Schnabel, Anara Tabyshalieva, 2012 Opportunities for sustainable peacebuilding are lost--and sustainable peace is at risk--when significant stakeholders in a society's future are excluded from efforts to heal the wounds of war and build a new society and a new state. Yet women are routinely marginalized, unnoticed, and underutilized in such efforts. Defying Victimhood uses comparative case studies and country studies from post-conflict contexts in different parts of world to produce insights for understanding women as both victims and peacebuilders. The book traces the road that women take from victimhood to empowerment and highlights the essential partnerships between women and children and how they contribute to survival and peace. Drawing particularly on African cases, the authors examine national and global efforts to right past wrongs as well as the roles of women in political and security institutions. They argue that for women in post-conflict societies, defying victimhood means being an activist, peacebuilder, and--above all--a full participant in post-war social, economic, political, and security structures, access to which all too often has unjustly and unwisely been denied. |
| toopoor layla racist: Shielded KayLynn Flanders, 2021-06-22 For fans of Sorcery of Thorns and Furyborn comes a thrilling new fantasy about a kingdom ravaged by war, and the princess who might be the key to saving not only those closest to her, but the kingdom itself, if she reveals the very secret that could destroy her. The kingdom of Hálendi is in trouble. It's losing the war at its borders, and rumors of a new, deadlier threat on the horizon have surfaced. Princess Jennesara knows her skills on the battlefield would make her an asset and wants to help, but her father has other plans. As the second-born heir to the throne, Jenna lacks the firstborn's--her brother's--magical abilities, so the king promises her hand in marriage to the prince of neighboring Turia in exchange for resources Hálendi needs. Jenna must leave behind everything she has ever known if she is to give her people a chance at peace. Only, on the journey to reach her betrothed and new home, the royal caravan is ambushed, and Jenna realizes the rumors were wrong--the new threat is worse than anyone imagined. Now Jenna must decide if revealing a dangerous secret is worth the cost before it's too late--for her and for her entire kingdom. A Whitney Award Nominee A gorgeous fantasy that captivates from beginning to end.--KATHRYN PURDIE, #1 New York Times bestselling author of Burning Glass and Bone Crier's Moon YA fantasy at its most fun.--DANA SWIFT, author of Cast in Firelight |
| toopoor layla racist: I Was Their American Dream Malaka Gharib, 2019-04-30 “A portrait of growing up in America, and a portrait of family, that pulls off the feat of being both intimately specific and deeply universal at the same time. I adored this book.”—Jonny Sun “[A] high-spirited graphical memoir . . . Gharib’s wisdom about the power and limits of racial identity is evident in the way she draws.”—NPR WINNER OF THE ARAB AMERICAN BOOK AWARD • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • The New York Public Library • Kirkus Reviews I Was Their American Dream is at once a coming-of-age story and a reminder of the thousands of immigrants who come to America in search for a better life for themselves and their children. The daughter of parents with unfulfilled dreams themselves, Malaka navigated her childhood chasing her parents' ideals, learning to code-switch between her family's Filipino and Egyptian customs, adapting to white culture to fit in, crushing on skater boys, and trying to understand the tension between holding onto cultural values and trying to be an all-American kid. Malaka Gharib's triumphant graphic memoir brings to life her teenage antics and illuminates earnest questions about identity and culture, while providing thoughtful insight into the lives of modern immigrants and the generation of millennial children they raised. Malaka's story is a heartfelt tribute to the American immigrants who have invested their future in the promise of the American dream. Praise for I Was Their American Dream “In this time when immigration is such a hot topic, Malaka Gharib puts an engaging human face on the issue. . . . The push and pull first-generation kids feel is portrayed with humor and love, especially humor. . . . Gharib pokes fun at all of the cultures she lives in, able to see each of them with an outsider’s wry eye, while appreciating them with an insider’s close experience. . . . The question of ‘What are you?’ has never been answered with so much charm.”—Marissa Moss, New York Journal of Books “Forthright and funny, Gharib fiercely claims her own American dream.”—Booklist “Thoughtful and relatable, this touching account should be shared across generations.”– Library Journal “This charming graphic memoir riffs on the joys and challenges of developing a unique ethnic identity.”– Publishers Weekly |
| toopoor layla racist: Politics of Poverty Ojijo, 2012 |
| toopoor layla racist: Accelerating Poverty Reduction in Africa Kathleen Beegle, Luc Christiaensen, 2019-03-01 Sub-Saharan Africa's turnaround over the past couple of decades has been dramatic. After many years in decline, the continent's economy picked up in the mid-1990s. Along with this macroeconomic growth, people became healthier, many more youngsters attended schools, and the rate of extreme poverty declined from 54 percent in 1990 to 41 percent in 2015. Political and social freedoms expanded, and gender equality advanced. Conflict in the region also subsided, although it still claims thousands of civilian lives in some countries and still drives pressing numbers of displaced persons.Despite Africa’s widespread economic and social welfare accomplishments, the region’s challenges remain daunting: Economic growth has slowed in recent years. Poverty rates in many countries are the highest in the world. And notably, the number of poor in Africa is rising because of population growth. From a global perspective, the biggest concentration of poverty has shifted from South Asia to Africa.Accelerating Poverty Reduction in Africa explores critical policy entry points to address the demographic, societal, and political drivers of poverty; improve income-earning opportunities both on and off the farm; and better mobilize resources for the poor. It looks beyond macroeconomic stability and growth—critical yet insufficient components of these objectives—to ask what more could be done and where policy makers should focus their attention to speed up poverty reduction. The pro-poor policy agenda advanced in this volume requires not only economic growth where the poor work and live, but also mitigation of the many risks to which African households are exposed. As such, this report takes a jobs lens to its task. It focuses squarely on the productivity and livelihoods of the poor and vulnerable—that is, what it will take to increase their earnings. Finally, it presents a road map for financing the poverty and development agenda. |
| toopoor layla racist: American as Paneer Pie Supriya Kelkar, 2020-06-09 An Indian American girl navigates prejudice in her small town and learns the power of her own voice in this brilliant gem of a middle grade novel full of humor and heart, perfect for fans of Front Desk and Amina’s Voice. As the only Indian American kid in her small town, Lekha Divekar feels like she has two versions of herself: Home Lekha, who loves watching Bollywood movies and eating Indian food, and School Lekha, who pins her hair over her bindi birthmark and avoids confrontation at all costs, especially when someone teases her for being Indian. When a girl Lekha’s age moves in across the street, Lekha is excited to hear that her name is Avantika and she’s Desi, too! Finally, there will be someone else around who gets it. But as soon as Avantika speaks, Lekha realizes she has an accent. She’s new to this country, and not at all like Lekha. To Lekha’s surprise, Avantika does not feel the same way as Lekha about having two separate lives or about the bullying at school. Avantika doesn’t take the bullying quietly. And she proudly displays her culture no matter where she is: at home or at school. When a racist incident rocks Lekha’s community, Lekha realizes she must make a choice: continue to remain silent or find her voice before it’s too late. |
| toopoor layla racist: ¿Por Qué? 101 Questions About Spanish Judith Golden Hochberg, 2016-10-20 ¿Por qué? 101 Questions about Spanish is for anyone who wants to understand how Spanish really works. Standard textbooks and grammars describe the what of Spanish - its vocabulary, grammar, spelling, and pronunciation - but ¿Por qué? explains the why. Judy Hochberg draws on linguistic principles, Hispanic culture, and language history to answer questions such as: Why are so many Spanish verbs irregular? - Why does Spanish have different ways to say you? - Why is h silent? - Why doesn't Spanish use apostrophes? - Why does Castilian Spanish have the th sound? Packed with information, guidance, and links to further research, ¿Por qué? is an accessible study guide that is suitable for Spanish students, instructors, native speakers, and the general reader. It is a valuable supplementary text for serious students of Spanish at all levels, from beginning to advanced. ¿Por qué? also covers topics usually left to specialized books, including the evolution of Spanish, how children and adults learn Spanish, and the status of languages that co-exist with Spanish, from Catalan to Spanish sign language to the indigenous languages of Latin America. |
| toopoor layla racist: Becoming the 'Abid. Lives and Social Origins in Southern Tunisia Marta Scaglioni, 2020 |
| toopoor layla racist: The Story of the Qur'an Ingrid Mattson, 2012-12-07 This popular introduction by a well-known Islamic scholar has been updated and expanded, offering a balanced portrayal of the Qur’an and its place in historic and contemporary Muslim society. Features new sections on the Qur’an and its relationship to democracy, science, human rights, and the role of women Contains expanded sections on the Qur’an in the life cycle of Muslims, and in Islamic ethics and law Incorporates additional images and student features, including a glossary. Supported by an accompanying website (available on publication) hosting a range of additional material, including student resources, links to important websites, news stories, and more This title is also available as an eTextbook on the CourseSmart platform, as a Wiley Desktop Edition, or via your preferred eTextbook vendor; eTextbooks offer convenience, enhanced electronic functionality, and flexible pricing options – learn more at www.wiley.com/college/wileyflex |
| toopoor layla racist: The Middle East Bernard Lewis, 1995 A 2000-year history of a region stretching from Libya to Central Asia ; concludes with the effects of the Gulf War. |
| toopoor layla racist: 12 DAYS WITH GOD devin sherman, 2016-03-31 During the course of a 12 day stay in the hospital, following two major surgeries to remove a large cancerous growth, Devin Sherman had time to speak with God. God showed him during this time how he should live his life from that moment on. Also what was expected of him that would ultimately get him closer to God. It was a experience of unconditional love and teaching. Devin's life has been changed and hopefully by reading this book it will change the life of others as well. |
| toopoor layla racist: Big-Box Swindle Stacy Mitchell, 2007-10-01 A Book Sense Pick and Annual Highlight With a New Afterword In less than two decades, large retail chains have become the most powerful corporations in America. In this deft and revealing book, Stacy Mitchell illustrates how mega-retailers are fueling many of our most pressing problems, from the shrinking middle class to rising pollution and diminished civic engagement—and she shows how a growing number of communities and independent businesses are effectively fighting back. Mitchell traces the dramatic growth of mega-retailers—from big boxes like Wal-Mart, Home Depot, Costco, and Staples to chains like Starbucks, Olive Garden, Blockbuster, and Old Navy—and the precipitous decline of independent businesses. Drawing on examples from virtually every state in the country, she unearths the extraordinary impact of these companies and the big-box mentality on everything from soaring gasoline consumption to rising poverty rates, failing family farms, and declining voting levels. Along the way, Mitchell exposes the shocking role government policy has played in the expansion of mega-retailers and builds a compelling case that communities composed of many small, locally owned businesses are healthier and more prosperous than those dominated by a few large chains. More than a critique, Big-Box Swindle provides an invigorating account of how some communities have successfully countered the spread of big boxes and rebuilt their local economies. Since 2000, more than two hundred big-box development projects have been halted by groups of ordinary citizens, and scores of towns and cities have adopted laws that favor small-scale, local business development and limit the proliferation of chains. From cutting-edge land-use policies to innovative cooperative small-business initiatives, Mitchell offers communities concrete strategies that can stave off mega-retailers and create a more prosperous and sustainable future. |
| toopoor layla racist: All Welcome Here James Preller, 2020-06-16 With gorgeous multimedia paintings-and-collages by acclaimed artist Mary GrandPre, James Preller's All Welcome Here promises to be an evergreen gift picture book for children about to take the big leap into their first days of school. The bus door swishes Open, an invitation. Someone is not sure . . . The first day of school and all its excitement, challenges, and yes, anxieties, are celebrated here in connected haiku poems. A diverse cast of characters all start—and finish—their first days of school, and have experiences that all children will relate to. |
| toopoor layla racist: Terrorism Since 9/11 John Mueller, 2011 |
| toopoor layla racist: The Home Front and War in the Twentieth Century Mary Ann Robinson, 1982 |
| toopoor layla racist: Your Name Is a Song Pizza Hut Edition Jamilah Thompkins-Bigelow, 2023 Frustrated by a day full of teachers and classmates mispronouncing her beautiful name, a little girl tells her mother she never wants to come back to school. In response, the girl's mother teaches her about the musicality of African, Asian, Black-American, Latinx, and Middle Eastern names on their lyrical walk home through the city. Empowered by this newfound understanding, the young girl is ready to return the next day to share her knowledge with her class. Your Name is a Song is a celebration to remind all of us about the beauty, history, and magic behind names. Your Name is a Song includes back matter perfect for parents, educators, caregivers, and young readers who want to learn more about the names featured in the story. The Glossary of Names lists each name's meaning, origin, and pronunciation. Additionally, readers can use a listed link to access an online video of the author pronouncing all the names in the book. |
| toopoor layla racist: The Woman in the Body Emily Martin, 1989-01-01 |
| toopoor layla racist: The McKenzie Massacre on Bentinck Island [English/Kayardild] Roma Kelly, Nicholas Evans, 2015-01-31 In 1911 a man named McKenzie obtaineda government lease which, according to Queensland law, gave him titlehold over all of Sweers Island and a large portion of Bentinck Island. In the 1980s Roma Kelly told linguist Nicholas Evans about the brutal massacre led by McKenzie in 1918 at Rukuthi, for which he was never punished. |
| toopoor layla racist: Pit Bull Flower Power Sophie Gamand, 2018 For decades, pit bulls have been demonized by society and portrayed as hellhounds. They've become the most feared, hated, and abused of all companion animals. Some cities and even entire countries ban them, while the media persist in associating them with viciousness. This unjust reputation has sealed the fate of millions of dogs, who face prejudice around the world and languish in shelters, where they are the most euthanized. In America alone, hundreds of thousands of pit bulls are put to sleep every year. Since 2014, French photographer Sophie Gamand has been composing portraits of adoptable pit bulls from more than thirty shelters and rescues throughout the United States. Many had been waiting for years for a home. Adorning her models with handmade flower-crowns, Gamand tells each dog's story and celebrates their inherent personality, vulnerability, and individuality. Posted and shared widely on social media, the portraits--at once charming, candid, and deeply affecting--have not only led to hundreds of dogs finding loving, forever homes, but have also spurred efforts to destigmatize an animal whose reputation for violence says more about us than it does the character of the dogs themselves. Full of moving, honest, and inspiring stories of individual dogs and their lives (and deaths), Pit Bull Flower Power presents a vivid, beautifully composed cross-section of Gamand's extraordinary work. The book also serves as a testament to the caring people who work in animal rescue, the passion and dedication of those who provide homes for these animals, and the dignity, forbearance, and love of these dogs, who are at the mercy of humans. |
Layla (@toopoor) • Instagram photos and videos
525K Followers, 522 Following, 3 Posts - Layla (@toopoor) on Instagram: "🎶🐾📹 @kiss_my_camera_"
toopoor - YouTube
Listen: https://TOOPOOR.lnk.to/crazygirls Directed by Mezzy Extra footage by KILLSTATION Follow TOOPOOR https://www.instagram.com/toopoor https://twitter.com/toopoor_ TOOPOOR …
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toopoor - Age, Family, Bio - Famous Birthdays
Fashionista and style blogger with over 500,000 followers on her toopoor Instagram account. She owns the vintage clothing shop called Shop Too Poor. She has been featured in outlets such …
TOOPOOR (@toopoor) Official - TikTok
TOOPOOR (@toopoor) on TikTok | 3.3M Likes. 192.8K Followers. stream my music 💋 ily.Watch the latest video from TOOPOOR (@toopoor).
TOOPOOR Wiki - Everipedia
Layla Shapiro, better known as TOOPOOR, is a fashionista, brand designer, and singer based in Los Angeles, California. She is originally from Palm Springs.
TOOPOOR Runs for Her Damn Life in 'DESOLATION' - PAPER
May 7, 2022 · After some time away, TOOPOOR is back with a fresh sound and outlook on her music. She’s been quietly working with producer Lucius Arthur on new material and this week …
Layla (@toopoor) • Instagram photos and videos
525K Followers, 522 Following, 3 Posts - Layla (@toopoor) on Instagram: "🎶🐾📹 @kiss_my_camera_"
toopoor - YouTube
Listen: https://TOOPOOR.lnk.to/crazygirls Directed by Mezzy Extra footage by KILLSTATION Follow TOOPOOR https://www.instagram.com/toopoor https://twitter.com/toopoor_ …
HOME | Toopoor
bottom of page ... top of page
toopoor - Age, Family, Bio - Famous Birthdays
Fashionista and style blogger with over 500,000 followers on her toopoor Instagram account. She owns the vintage clothing shop called Shop Too Poor. She has been featured in outlets such …
TOOPOOR (@toopoor) Official - TikTok
TOOPOOR (@toopoor) on TikTok | 3.3M Likes. 192.8K Followers. stream my music 💋 ily.Watch the latest video from TOOPOOR (@toopoor).
TOOPOOR Wiki - Everipedia
Layla Shapiro, better known as TOOPOOR, is a fashionista, brand designer, and singer based in Los Angeles, California. She is originally from Palm Springs.
TOOPOOR Runs for Her Damn Life in 'DESOLATION' - PAPER
May 7, 2022 · After some time away, TOOPOOR is back with a fresh sound and outlook on her music. She’s been quietly working with producer Lucius Arthur on new material and this week …
