Advertisement
| the revolution was televised alan sepinwall: The Revolution Was Televised Alan Sepinwall, 2013-02-19 A phenomenal account, newly updated, of how twelve innovative television dramas transformed the medium and the culture at large, featuring Sepinwall’s take on the finales of Mad Men and Breaking Bad. In The Revolution Was Televised, celebrated TV critic Alan Sepinwall chronicles the remarkable transformation of the small screen over the past fifteen years. Focusing on twelve innovative television dramas that changed the medium and the culture at large forever, including The Sopranos, Oz, The Wire, Deadwood, The Shield, Lost, Buffy the Vampire Slayer, 24, Battlestar Galactica, Friday Night Lights, Mad Men, and Breaking Bad, Sepinwall weaves his trademark incisive criticism with highly entertaining reporting about the real-life characters and conflicts behind the scenes. Drawing on interviews with writers David Chase, David Simon, David Milch, Joel Surnow and Howard Gordon, Damon Lindelof and Carlton Cuse, and Vince Gilligan, among others, along with the network executives responsible for green-lighting these groundbreaking shows, The Revolution Was Televised is the story of a new golden age in TV, one that’s as rich with drama and thrills as the very shows themselves. |
| the revolution was televised alan sepinwall: Difficult Men Brett Martin, 2014-07-29 The 10th anniversary edition, now with a new preface by the author A wonderfully smart, lively, and culturally astute survey. - The New York Times Book Review Grand entertainment...fascinating for anyone curious about the perplexing miracles of how great television comes to be. - The Wall Street Journal I love this book...It's the kind of thing I wish I'd been able to read in film school, back before such books existed. - Vince Gilligan, creator of Breaking Bad and co-creator of Better Call Saul In the late 1990s and early 2000s, the landscape of television began an unprecedented transformation. While the networks continued to chase the lowest common denominator, a wave of new shows on cable channels dramatically stretched television’s narrative inventiveness, emotional resonance, and creative ambition. Combining deep reportage with critical analysis and historical context, Brett Martin recounts the rise and inner workings of this artistic watershed - a golden age of TV that continues to transform America's cultural landscape. Difficult Men features extensive interviews with all the major players - including David Chase (The Sopranos), David Simon and Ed Burns (The Wire), David Milch (NYPD Blue, Deadwood), Alan Ball (Six Feet Under), and Vince Gilligan (Breaking Bad, Better Call Saul) - and reveals how television became a truly significant and influential part of our culture. |
| the revolution was televised alan sepinwall: Stop Being a Hater and Learn to Love the O.C. Alan Sepinwall, 2004 Sepinwall's new book is a fun look at the television phenomenon, Fox's The O.C.. Taking on the tongue-in-cheek voice of the series, the book looks at what makes the show work while glorifying its soap opera elements and taking a nostalgic step back to pay homage to the teen drama kings and queens who paved the way. |
| the revolution was televised alan sepinwall: The Sopranos Sessions Matt Zoller Seitz, Alan Sepinwall, David Chase, 2019-01-08 On January 10, 1999, a mobster walked into a psychiatrist’s office and changed TV history. Celebrating one of the greatest television series of all time, the New York Times bestseller The Sopranos Sessions is a must-have for any fan of the groundbreaking show. Renowned television critics Matt Zoller Seitz and Alan Sepinwall, who were among the first to write about The Sopranos for New Jersey’s Star-Ledger, reunite to produce this comprehensive collection. The book features detailed recaps, insightful conversations, and critical essays covering every episode of the series. Dive deep into the artistry, themes, and legacy of The Sopranos with long-form interviews with series creator David Chase and highlights from the authors’ writings. Explore the show’s portrayal of Italian Americans, its graphic depictions of violence, and its deep connections to other cinematic and television classics. Whether you're a longtime fan or new to the series, The Sopranos Sessions offers a rich, engaging exploration of the show that paved the way for the very best of modern prestige television. “This amazing book by Alan Sepinwall and Matt Zoller Seitz has bigger twists than anything I could ever come up with.” —Sam Esmail, creator of Mr. Robot |
| the revolution was televised alan sepinwall: Season Finale Susanne Daniels, Cynthia Littleton, 2009-10-13 Season Finale is an inside chronicle of the entertainment industry following the unexpected rise and fall of the WB and UPN networks. In the mid-1990s, Hollywood studios Warner Bros. and Paramount Pictures each launched their own broadcast television network, hoping to become the fifth player in an industry dominated by ABC, CBS, NBC, and, more recently, Fox. Against all odds, the WB and UPN altered primetime television’s landscape, only to merge as the CW in 2006—casualties of conflicting personalities, relentless competition, and a failure to anticipate the business’s future. Following the money, egos, and risks of network television, former WB executive Susanne Daniels and Variety television reporter Cynthia Littleton expose the difficulties of trying to launch two traditional broadcast networks just as cable and the Internet were ending their dominance. Through in-depth reportage and firsthand accounts, Daniels and Littleton re-create the creative and business climate that birthed the WB and UPN, illustrating how the race to find programming spawned their heated rivalry and created shows that became icons of youth culture. Offering insider stories about shows such as Buffy the Vampire Slayer, Dawson’s Creek, 7th Heaven, Gilmore Girls, Smallville, Felicity, Girlfriends, Everybody Hates Chris, and America’s Next Top Model, the authors present the creative environment that ushered these groundbreaking programs into living rooms across America. Despite success, the WB and UPN unraveled due to corporate miscalculations, management missteps, and industry upheaval that led to their decline—and rebirth as the CW. This is a cautionary and compelling entertainment saga about a precarious moment in television history, when the transformation of the broadcast networks signaled an inevitable shift for all pop culture. |
| the revolution was televised alan sepinwall: Ghost Hunters Deborah Blum, 2007-05-29 The Pulitzer Prize-winning author of The Poision Squad and The Poisoner's Handbook tells the amazing story of William James's quest for empirical evidence of the spirit world What if a world-renowned philosopher and professor of psychiatry at Harvard suddenly announced he believed in ghosts? At the close of the nineteenth century, the illustrious William James led a determined scientific investigation into unexplainable incidences of clairvoyance and ghostly visitations. James and a small group of eminent scientists staked their reputations, their careers, even their sanity on one of the most extraordinary quests ever undertaken: to empirically prove the existence of ghosts, spirits, and psychic phenomena. What they pursued—and what they found—raises questions as fascinating today as they were then. |
| the revolution was televised alan sepinwall: Latino TV Mary Beltrán, 2022-01-25 This book surveys the history of Latina and Latino depictions, narratives, and authorship in U.S. English-language television since the 1950s, with a focus on the navigations and impact of Latina/o series writers and creators as they have been able to enter the industrial landscape in recent decades. Based on archival research, interviews with dozens of media professionals who worked on or performed in these series, textual analysis of available episodes and promotional materials, and analysis of news media coverage, the chapters examine Latina/o representation in children's television Westerns in the 1950s, in Chicana/o and Puerto Rican activist-led public affairs series in the 1970s, in sitcoms from the 1970s through the 2010s, including many considered failed, and in Latina and Latino-led series in the 2000s and 2010s on broadcast, cable, and streaming outlets, including George Lopez, Ugly Betty, One Day at a Time, and Vida. These series and their creators and writers are explored in relation to the social and political contexts of these junctures in U.S. and Latina/o history and to the evolving industry with respect to whether Latina/o creatives were allowed entrée and to the cultural climate for writers and other creative professionals working in television development and production. As such, it also highlights how television has been key to both the marginalization and to the incremental growth of Latina/o cultural citizenship in the United States, as well as how Latina/o creative professionals are gaining numbers and agency within the television industry and are continuing to push to be able to produce and share their stories-- |
| the revolution was televised alan sepinwall: Stealing the Show Joy Press, 2019-03-19 From a leading cultural journalist, the definitive cultural history of female showrunners—including exclusive interviews with such influential figures as Shonda Rhimes, Amy Sherman-Palladino, Mindy Kaling, Amy Schumer, and many more. “An urgent and entertaining history of the transformative powers of women in TV” (Kirkus Reviews, starred review). In recent years, women have radically transformed the television industry both behind and in front of the camera. From Murphy Brown to 30 Rock and beyond, these shows and the extraordinary women behind them have shaken up the entertainment landscape, making it look as if equal opportunities abound. But it took decades of determination in the face of outright exclusion to reach this new era. In this “sharp, funny, and gorgeously researched” (Emily Nussbaum, The New Yorker) book, veteran journalist Joy Press tells the story of the maverick women who broke through the barricades and the iconic shows that redefined the television landscape starting with Diane English and Roseanne Barr—and even incited controversy that reached as far as the White House. Drawing on a wealth of original interviews with the key players like Amy Sherman-Palladino (Gilmore Girls), Jenji Kohan (Orange is the New Black), and Jill Soloway (Transparent) who created storylines and characters that changed how women are seen and how they see themselves, this is the exhilarating behind-the-scenes story of a cultural revolution. |
| the revolution was televised alan sepinwall: The Platinum Age of Television David Bianculli, 2017-09-05 Television today is better than ever. From The Sopranos to Breaking Bad, Sex and the City to Girls, and Modern Family to Louie, never has so much quality programming dominated our screens. Exploring how we got here, acclaimed TV critic David Bianculli traces the evolution of the classic TV genres, among them the sitcom, the crime show, the miniseries, the soap opera, the Western, the animated series, the medical drama, and the variety show. In each genre he selects five key examples of the form to illustrate its continuities and its dramatic departures. Drawing on exclusive and in-depth interviews with many of the most famed auteurs in television history, Bianculli shows how the medium has evolved into the premier form of visual narrative art. Includes interviews with: MEL BROOKS, MATT GROENING, DAVID CHASE, KEVIN SPACEY, AMY SCHUMER, VINCE GILLIGAN, AARON SORKIN, MATTHEW WEINER, JUDD APATOW, LOUIS C.K., DAVID MILCH, DAVID E. KELLEY, JAMES L. BROOKS, LARRY DAVID, KEN BURNS, LARRY WILMORE, AND MANY, MANY MORE |
| the revolution was televised alan sepinwall: Television Criticism Victoria O′Donnell, 2016-01-22 Television Criticism, Third Edition by Victoria O’Donnell provides a foundational approach to the nature of television criticism. Rhetorical studies, cultural studies, representation, narrative theories, and postmodernism are established for greater understanding and appreciation of the critical perspectives on television. Illustrated with contemporary examples, this updated Third Edition includes a new, extensive sample critical analysis of The Big Bang Theory and reflects recent changes in the ways television is viewed across multiple devices and the impact of the Internet on television. |
| the revolution was televised alan sepinwall: The Revolution Was Televised Alan Sepinwall, 2013-05-21 A phenomenal account, newly updated, of how twelve innovative television dramas transformed the medium and the culture at large, featuring Sepinwall’s take on the finales of Mad Men and Breaking Bad. In The Revolution Was Televised, celebrated TV critic Alan Sepinwall chronicles the remarkable transformation of the small screen over the past fifteen years. Focusing on twelve innovative television dramas that changed the medium and the culture at large forever, including The Sopranos, Oz, The Wire, Deadwood, The Shield, Lost, Buffy the Vampire Slayer, 24, Battlestar Galactica, Friday Night Lights, Mad Men, and Breaking Bad, Sepinwall weaves his trademark incisive criticism with highly entertaining reporting about the real-life characters and conflicts behind the scenes. Drawing on interviews with writers David Chase, David Simon, David Milch, Joel Surnow and Howard Gordon, Damon Lindelof and Carlton Cuse, and Vince Gilligan, among others, along with the network executives responsible for green-lighting these groundbreaking shows, The Revolution Was Televised is the story of a new golden age in TV, one that’s as rich with drama and thrills as the very shows themselves. |
| the revolution was televised alan sepinwall: The Oliver Stone Experience (Text-Only Edition) Matt Zoller Seitz, 2017-10-31 Stone himself serves as guide to this no-holds-barred retrospective—an extremely candid and comprehensive monograph of the renowned and controversial writer, director, and cinematic historian in interview form. Over the course of five years, Academy Award-winning filmmaker Oliver Stone (Midnight Express, Scarface, Platoon, JFK, Natural Born Killers, Snowden) and New York Times bestselling author Matt Zoller Seitz (The Wes Anderson Collection) discussed, debated, and deconstructed the arc of Stone's outspoken, controversial life and career with extraordinary candor. This book collects those conversations for the first time, including anecdotes about Stone's childhood, Vietnam, his struggles with post-traumatic stress disorder, and his continual struggle to reinvent himself as an artist. Critical commentary from Seitz on each of Stone's films is joined by original essays from filmmaker Ramin Bahrani; writer, editor, and educator Kiese Laymon; writer and actor Jim Beaver; and film critics Walter Chaw, Michael Guarnieri, Kim Morgan, and Alissa Wilkinson. At once a complex analysis of a master director’s vision and a painfully honest critical biography in widescreen technicolor, The Oliver Stone Experience is as daring, intense, and provocative as Stone’s films—it's an Oliver Stone movie about Oliver Stone, in the form of a book. Both this book and Stone’s highly anticipated film, Snowden, will be released in September 2016 to coincide with Stone’s seventieth birthday (September 15, 1946). Also available from Matt Zoller Seitz: Mad Men Carousel, The Wes Anderson Collection: Bad Dads, The Wes Anderson Collection: The Grand Budapest Hotel, and The Wes Anderson Collection. |
| the revolution was televised alan sepinwall: The Sopranos: The Book HBO, 2007-10-30 The companion volume to a television show that has generated millions of die-hard viewers in its six seasons features more than 30 original interviews with the shows actors, producers, and guest stars, as well as behind-the-scenes looks at the sets and locations, a detailed episode guide, and more than 200 color photos, some never before seen.Hachette Book Group USA |
| the revolution was televised alan sepinwall: Tinderbox James Andrew Miller, 2021-11-23 Tinderbox tells the exclusive, explosive, uninhibited true story of HBO and how it burst onto the American scene and screen to detonate a revolution and transform our relationship with television forever. The Sopranos, Game of Thrones, Sex and the City, The Wire, Succession...HBO has long been the home of epic shows, as well as the source for brilliant new movies, news-making documentaries, and controversial sports journalism. By thinking big, trashing tired formulas, and killing off cliches long past their primes, HBO shook off the shackles of convention and led the way to a bolder world of content, opening the door to all that was new, original, and worthy of our attention. In Tinderbox, award-winning journalist James Andrew Miller uncovers a bottomless trove of secrets and surprises, revealing new conflicts, insights, and analysis. As he did to great acclaim with SNL in Live from New York; with ESPN in Those Guys Have All the Fun; and with talent agency CAA in Powerhouse, Miller continues his record of extraordinary access to the most important voices, this time speaking with talents ranging from Abrams (J. J.) to Zendaya, as well as every single living president of HBO—and hundreds of other major players. Over the course of more than 750 interviews with key sources, Miller reveals how fraught HBO’s journey has been, capturing the drama and the comedy off-camera and inside boardrooms as HBO created and mobilized a daring new content universe, and, in doing so, reshaped storytelling and upended our entertainment lives forever. |
| the revolution was televised alan sepinwall: How to Save a Life Lynette Rice, 2021-09-21 THE NEW YORK TIMES BESTSELLER The first inside story of one of TV's most popular and beloved dramas, Grey's Anatomy. More than fifteen years after its premiere, Grey’s Anatomy remains one of the most beloved dramas on television and ABC's most important property. It typically wins its time slot and has ranked in the Top 20 most-watched shows in primetime for most of its seventeen-season run. It currently averages more than eight million viewers each week. Beyond that, it’s been a cultural touchstone. It introduced the unique voice and vision of Shonda Rhimes; it made Ellen Pompeo, Sandra Oh and T.R. Knight household names; and injected words and phrases into the cultural lexicon, such as “McDreamy,” seriously, and “you’re my person.” And the behind-the-scenes drama has always been just as juicy as what was happening in front of the camera, from the controversial departure of Isaiah Washington to Katherine Heigl’s fall from grace and Patrick Dempsey's shocking death episode. The show continued to hemorrhage key players, but the beloved hospital series never skipped a beat. Lynette Rice's How to Save A Life takes a totally unauthorized deep dive into the show’s humble start, while offering exclusive intel on the behind-the-scenes culture, the most heartbreaking departures and the more polarizing plotlines. This exhaustively enthusiastic book is one that no Grey’s Anatomy fan should be without. |
| the revolution was televised alan sepinwall: You'll Be Perfect When You're Dead Dan Harmon, 2021-09-14 This is an abridged version of You'll Be Perfect When You're Dead: The Collected Online Writings of Dan Harmon, a collection of some of Dan Harmon's Myspace blogs written in the years leading up to his work creating and running his NBC show Community. The original 'unabridged' edition of this book only received a small printing and is no longer found available online, resulting in the existence of this edition. The entries included have been left entirely unedited. |
| the revolution was televised alan sepinwall: The Everything Large-Print Bible Word Search Book Charles Timmerman, 2011-11-18 Mixes word search puzzles with Bible passages. |
| the revolution was televised alan sepinwall: New Television Martin Shuster, 2017-11-24 Even though it’s frequently asserted that we are living in a golden age of scripted television, television as a medium is still not taken seriously as an artistic art form, nor has the stigma of television as “chewing gum for the mind” really disappeared. Philosopher Martin Shuster argues that television is the modern art form, full of promise and urgency, and in New Television, he offers a strong philosophical justification for its importance. Through careful analysis of shows including The Wire, Justified, and Weeds, among others; and European and Anglophone philosophers, such as Stanley Cavell, Hannah Arendt, Martin Heidegger, and John Rawls; Shuster reveals how various contemporary television series engage deeply with aesthetic and philosophical issues in modernism and modernity. What unifies the aesthetic and philosophical ambitions of new television is a commitment to portraying and exploring the family as the last site of political possibility in a world otherwise bereft of any other sources of traditional authority; consequently, at the heart of new television are profound political stakes. |
| the revolution was televised alan sepinwall: Robin Dave Itzkoff, 2018-05-17 'This well-written page-turner is the definitive biography of the genius of Robin Williams, whose life redefines the highs and lows of the American dream' - Steve Martin 'Tenderly written . . . frequently hilarious' - Sunday Times From his rapid-fire stand-up comedy riffs to his breakout role in Mork & Mindy and his Academy Award-winning performance in Good Will Hunting, Robin Williams was a singularly innovative and beloved entertainer. He often came across as a man possessed, holding forth on culture and politics while mixing in personal revelations – all with mercurial, tongue-twisting intensity as he inhabited and shed one character after another with lightning speed. But as Dave Itzkoff shows in this revelatory biography, Williams’s comic brilliance masked a deep well of conflicting emotions and self-doubt, which he drew upon in his comedy and in celebrated films like Dead Poets Society; Good Morning, Vietnam; The Fisher King; Aladdin; and Mrs Doubtfire, where he showcased his limitless gift for improvisation to bring to life a wide range of characters. And in Good Will Hunting he gave an intense and controlled performance that revealed the true range of his talent. Robin by Dave Itzkoff shows how Williams struggled mightily with addiction and depression – topics he discussed openly while performing and during interviews – and with a debilitating condition at the end of his life that affected him in ways his fans never knew. Drawing on more than a hundred original interviews with family, friends and colleagues, as well as extensive archival research, Robin is a fresh and original look at a man whose work touched so many lives. ______________ '[Itzkoff] has written a book about the truth and the pain that lies in comedy, and the price paid by a sensitive soul' - Amy Poehler 'An amazing read' - Patton Oswalt |
| the revolution was televised alan sepinwall: The Revolution was Televised Alan Sepinwall, 2012 12 shows that started a revolution in TV drama: The Sopranos. Oz. The Wire. Deadwood. The Shield. Lost. Buffy the Vampire Slayer. 24. Battlestar Galactica. Friday Night Lights. Mad Men. Breaking Bad. These 12 shows, and the many more they made possible, ushered in a new golden age of television--one that made people take the medium more seriously than ever before -- P.4 of cover. |
| the revolution was televised alan sepinwall: Generation Friends Saul Austerlitz, 2020-09-15 Praised by the New Yorker and New York magazine, Saul Austerlitz’s fascinating behind-the-scenes look at Friends, is, according to Newsweek, the “next best thing” to a cast reunion. In September 1994, six friends sat down in their favorite coffee shop and began bantering about sex, relationships, jobs, and just about everything else. A quarter of a century later, new fans are still finding their way into the lives of Rachel, Ross, Joey, Chandler, Monica, and Phoebe, and thanks to the show’s immensely talented creators, its intimate understanding of its youthful audience, and its reign during network television’s last moment of dominance, Friends has become the most influential and beloved show of its era. Friends has never gone on a break, and this is the story of how it all happened. Noted pop culture historian Saul Austerlitz utilizes exclusive interviews with creators David Crane and Marta Kauffman, executive producer Kevin Bright, director James Burrows, and many other producers, writers, and cast members to tell the story of Friends’ creation, its remarkable decade-long run, and its astonishing Netflix-fueled afterlife. Readers will go behind the scenes to hear from the people who were present as the show was developed and cast, written and filmed. There will be talk of trivia contests, prom videos, trips to London, Super Bowls, lesbian weddings, wildly popular hairstyles, superstar cameos, mad dashes to the airport, and million-dollar contracts. They’ll also discover surprising details—that Monica and Joey were the show’s original romantic couple, how Danielle Steel probably saved Jennifer Aniston’s career, and why Friends is still so popular that if it was a new show, its over-the-air broadcast reruns would be the ninth-highest-rated program on TV. The show that defined the 1990s has a legacy that has endured beyond anyone's wildest expectations. And in this hilarious, informative, and entertaining book, readers will now understand why. |
| the revolution was televised alan sepinwall: When Women Invented Television Jennifer Keishin Armstrong, 2023-06-06 Leaps at the throat of television history and takes down the patriarchy with its fervent, inspired prose. When Women Invented Television offers proof that what we watch is a reflection of who we are as a people. --Nathalia Holt, New York Times bestselling author of Rise of the Rocket Girls New York Times bestselling author of Seinfeldia Jennifer Keishin Armstrong tells the little-known story of four trailblazing women in the early days of television who laid the foundation of the industry we know today. It was the Golden Age of Radio and powerful men were making millions in advertising dollars reaching thousands of listeners every day. When television arrived, few radio moguls were interested in the upstart industry and its tiny production budgets, and expensive television sets were out of reach for most families. But four women--each an independent visionary-- saw an opportunity and carved their own paths, and in so doing invented the way we watch tv today. Irna Phillips turned real-life tragedy into daytime serials featuring female dominated casts. Gertrude Berg turned her radio show into a Jewish family comedy that spawned a play, a musical, an advice column, a line of house dresses, and other products. Hazel Scott, already a renowned musician, was the first African American to host a national evening variety program. Betty White became a daytime talk show fan favorite and one of the first women to produce, write, and star in her own show. Together, their stories chronicle a forgotten chapter in the history of television and popular culture. But as the medium became more popular--and lucrative--in the wake of World War II, the House Un-American Activities Committee arose to threaten entertainers, blacklisting many as communist sympathizers. As politics, sexism, racism, anti-Semitism, and money collided, the women who invented television found themselves fighting from the margins, as men took control. But these women were true survivors who never gave up--and thus their legacies remain with us in our television-dominated era. It's time we reclaimed their forgotten histories and the work they did to pioneer the medium that now rules our lives. This amazing and heartbreaking history, illustrated with photos, tells it all for the first time. |
| the revolution was televised alan sepinwall: Best. Movie. Year. Ever. Brian Raftery, 2019-04-16 From a veteran culture writer and modern movie expert, a celebration and analysis of the movies of 1999—arguably the most groundbreaking year in American cinematic history. In 1999, Hollywood as we know it exploded: Fight Club. The Matrix. Office Space. Election. The Blair Witch Project. The Sixth Sense. Being John Malkovich. Star Wars: The Phantom Menace. American Beauty. The Virgin Suicides. Boys Don’t Cry. The Best Man. Three Kings. Magnolia. Those are just some of the landmark titles released in a dizzying movie year, one in which a group of daring filmmakers and performers pushed cinema to new limits—and took audiences along for the ride. Freed from the restraints of budget, technology (or even taste), they produced a slew of classics that took on every topic imaginable, from sex to violence to the end of the world. The result was a highly unruly, deeply influential set of films that would not only change filmmaking, but also give us our first glimpse of the coming twenty-first century. It was a watershed moment that also produced The Sopranos; Apple’s Airport; Wi-Fi; and Netflix’s unlimited DVD rentals. Best. Movie. Year. Ever. is the story of not just how these movies were made, but how they re-made our own vision of the world. It features more than 130 new and exclusive interviews with such directors and actors as Reese Witherspoon, Edward Norton, Steven Soderbergh, Sofia Coppola, David Fincher, Nia Long, Matthew Broderick, Taye Diggs, M. Night Shyamalan, David O. Russell, James Van Der Beek, Kirsten Dunst, the Blair Witch kids, the Office Space dudes, the guy who played Jar-Jar Binks, and dozens more. It’s the definitive account of a culture-conquering movie year none of us saw coming…and that we may never see again. |
| the revolution was televised alan sepinwall: Freefall to Fly Rebekah Lyons, 2013-04-09 Women today are fading. In a female culture built on Photoshopped perfection and Pinterest fantasies, we’ve lost the ability to dream our own big dreams. So busy trying to do it all and have it all, we’ve missed the life we were really designed for. And we are paying the price. The rise of loneliness, depression, and anxiety among the female population in Western cultures is at an all-time high. Overall, women are two and a half times more likely to take antidepressants than men. What is it about our culture, the expectations, and our way of life that is breaking women down in unprecedented ways? In this vulnerable memoir of transformation, Rebekah Lyons shares her journey from Atlanta, Georgia, to the heart of Manhattan, where she found herself blindsided by crippling depression and anxiety. Overwhelmed by the pressure to be domestically efficient, professionally astute, and physically attractive, Rebekah finally realized that freedom can come only by facing our greatest fears and fully surrendering to God’s call on our lives. This book is an invitation for all women to take that first step toward freedom. For it is only when we free-fall that we can truly fly. |
| the revolution was televised alan sepinwall: Dangerously Funny David Bianculli, 2009-12-01 An unprecedented behind-the-scenes look at the rise and fall of The Smothers Brothers Comedy Hour -- the provocative, politically charged program that shocked the censors, outraged the White House, and forever changed the face of television. Decades before The Daily Show, The Smothers Brothers Comedy Hour proved there was a place on television for no-holds-barred political comedy with a decidedly antiauthoritarian point of view. In this first-ever all-access history of the show, veteran entertainment journalist David Bianculli tells the fascinating story of its three-year network run -- and the cultural impact that's still being felt today. Before it was suddenly removed from the CBS lineup (reportedly under pressure from the Nixon administration), The Smothers Brothers Comedy Hour was a ratings powerhouse. It helped launch the careers of comedy legends such as Steve Martin and Rob Reiner, featured groundbreaking musical acts like the Beatles and the Who, and served as a cultural touchstone for the antiwar movement of the late 1960s. Drawing on extensive original interviews with Tom and Dick Smothers and dozens of other key players -- as well as more than a decade's worth of original research -- Dangerously Funny brings readers behind the scenes for all the battles over censorship, mind-blowing musical performances, and unforgettable sketches that defined the show and its era. David Bianculli delves deep into this never-told story, to find out what really happened and to reveal why this show remains so significant to this day. |
| the revolution was televised alan sepinwall: The Nineties Chuck Klosterman, 2022-02-08 An instant New York Times bestseller! “Informative, endlessly entertaining.”—BuzzFeed “Generation X’s definitive chronicler of culture.”—GQ From the author of But What If We’re Wrong comes an insightful, funny reckoning with a pivotal decade It was long ago, but not as long as it seems: The Berlin Wall fell and the Twin Towers collapsed. In between, one presidential election was allegedly decided by Ross Perot while another was plausibly decided by Ralph Nader. Landlines fell to cell phones, the internet exploded, and pop culture accelerated without the aid of technology that remembered everything. It was the last era with a real mainstream to either identify with or oppose. The ’90s brought about a revolution in the human condition, and a shift in consciousness, that we’re still struggling to understand. Happily, Chuck Klosterman is more than up to the job. In The Nineties, Klosterman dissects the film, the music, the sports, the TV, the pre-9/11 politics, the changes regarding race and class and sexuality, the yin/yang of Oprah and Alan Greenspan, and (almost) everything else. The result is a multidimensional masterpiece, a work of synthesis so smart and delightful that future historians might well refer to this entire period as Klostermanian. |
| the revolution was televised alan sepinwall: Betaball Erik Malinowski, 2017-10-03 A compelling look at how the Golden State Warriors organization embraced saavy business practices and the corporate culture of Silicon Valley to produce one of the greatest basketball teams in history and become a model franchise for the NBA-- |
| the revolution was televised alan sepinwall: Writing the Pilot William Rabkin, 2011 Conceiving and writing a pilot that can launch a series is a complex assignment even for a seasoned pro. This book will take you through the entire process, from your initial idea through the finished script -- |
| the revolution was televised alan sepinwall: The Revolution was Televised Alan Sepinwall, 2013 In The Revolution Was Televised, celebrated TV critic Alan Sepinwall chronicles the remarkable transformation of the small screen over the past fifteen years. Focusing on twelve innovative television dramas that changed the medium and the culture at large forever, including The Sopranos, Oz, The Wire, Deadwood, The Shield, Lost, Buffy the Vampire Slayer, 24, Battlestar Galactica, Friday Night Lights, Mad Men, and Breaking Bad, Sepinwall weaves his trademark incisive criticism with highly entertaining reporting about the real-life characters and conflicts behind the scenes. Drawing on interviews with writers David Chase, David Simon, David Milch, Damon Lindelof and Carlton Cuse, and Vince Gilligan, among others, along with the network executives responsible for green-lighting these fresh shows, The Revolution Was Televised is the story of how a new golden age was born, one that's as rich with drama and thrills as the very shows themselves. |
| the revolution was televised alan sepinwall: Surviving the O.C. Alan Sepinwall, 2001-01-01 Sepinwall's new book is a fun look at the television phenomenon, Fox's The O.C.. Taking on the tongue-in-cheek voice of the series, the book looks at what makes the show work while glorifying its soap opera elements and taking a nostalgic step back to pay homage to the teen drama kings and queens who paved the way. |
| the revolution was televised alan sepinwall: Desilu Coyne S. Sanders, Tom Gilbert, 1994-05-31 A dual biography of Desi Arnaz and Lucille Ball focuses on the star-crossed marriage that sired one of the most powerful production empires in television history but ended in disintegration. |
| the revolution was televised alan sepinwall: The Post-Liberal Imagination Bruce Baum, 2016-01-26 In The Post-Liberal Imagination , Bruce Baum approaches American liberalism 'in a critical spirit' by examining the relationship between popular culture and politics. The book analyzes movies, television, and popular music to rethink the liberal views of democracy, equality, racism, dissent, and animal rights in the Bush-Obama era. |
| the revolution was televised alan sepinwall: The Rook Daniel O'Malley, 2012-01-11 Myfanwy Thomas awakens in a London park surrounded by dead bodies. With her memory gone, she must trust the instructions left by her former in order to survive. She quickly learns that she is a Rook, a high-level operative in a secret agency that protects the world from supernatural threats. But there is a mole inside the organization, and this person wants her dead. Battling to save herself, Myfanwy will encounter a person with four bodies, a woman who can enter her dreams, children transformed into deadly fighters, and terrifyingly vast conspiracy. Suspenseful and hilarious, The Rook is an outrageously imaginative thriller for readers who like their espionage with a dollop of purple slime. Utterly convincing and engrossing -- -totally thought-through and frequently hilarious....Even this aging, jaded, attention-deficit-disordered critic was blown away.-Lev Grossman, Time |
| the revolution was televised alan sepinwall: Off the Back of a Truck Nick Braccia, 2020-12-01 Unleash your inner Soprano and relive all your favorite moments with this companion guide to the award-winning television series The Sopranos. We all know and love The Sopranos, one of the most important television dramas to ever hit the small screen, having run for six seasons on HBO. The story of the Italian-American mobster Tony Soprano balancing his family life with his role as the leader of a criminal organization pioneered decades of genre-bending “peak TV.” Now, Off the Back of a Truck takes you one step further into the world of Tony Soprano and his families, offering an Italian potluck of fresh and fun takes that any true fan can get lost in for hours. Off the Back of a Truck includes: -New looks at everyone’s favorite episodes, scenes, and characters -All 92 deaths analyzed, evaluated, and ranked -An investigation of true crimes behind the families’ schemes -An exploration of movies and shows that inspired The Sopranos -Reflections on the use of music, food, and fashion from writers who are also huge fans -A provocative conversation about what happens in the controversial ending This book takes you on a journey through the six seasons you have watched time and time again—but it's organized so you can dip in at any time, at any place. Roam around as though you’re in Tony’s backyard for a BBQ... |
| the revolution was televised alan sepinwall: The World Outside Eva Wiseman, 2014-04-08 An informative and powerful novel, The World Outside explores the life of a teenage girl in a fundamentalist Hasidic community who dreams of a different future. Seventeen-year-old Chanie Altman lives the protected life of a Lubavitcher Hasidic girl in Crown Heights, Brooklyn, New York, in 1991. Religion is the most important aspect of her life, and, like other Lubavitcher girls, she is expected to attend a seminary and to marry as soon as she graduates from high school. But Chanie has a beautiful voice and dreams of becoming an opera singer - a profession forbidden to a Hasidic girl. When she meets David, a non-Hasidic Jewish boy, he opens the portals to the world outside her fundamentalist community. The Crown Heights riots break out, and the Lubavitchers are put under siege by their African-American neighbors. A tragedy occurs. Will Chanie stay in the fundamentalist community she has always known in a life that has been prescribed for her, or will she leave it behind to follow her dreams? |
| the revolution was televised alan sepinwall: All the Pieces Matter Jonathan P. D. Abrams, 2018 An oral history of HBOs The Wire-- |
| the revolution was televised alan sepinwall: Sepinwall On Mad Men and Breaking Bad Alan Sepinwall, 2015-12-01 From the updated edition of The Revolution Was Televised, Alan Sepinwall’s analysis of Breaking Bad and Mad Men, featuring new commentary and insights on the complete series and controversial finales. |
| the revolution was televised alan sepinwall: My Word! Susan D. Blum, 2011-06-15 Classroom Cheats Turn to Computers. Student Essays on Internet Offer Challenge to Teachers. Faking the Grade. Headlines such as these have been blaring the alarming news of an epidemic of plagiarism and cheating in American colleges: more than 75 percent of students admit to having cheated; 68 percent admit to cutting and pasting material from the Internet without citation. Professors are reminded almost daily that many of today's college students operate under an entirely new set of assumptions about originality and ethics. Practices that even a decade ago would have been regarded almost universally as academically dishonest are now commonplace. Is this development an indication of dramatic shifts in education and the larger culture? In a book that dismisses hand-wringing in favor of a rich account of how students actually think and act, Susan D. Blum discovers two cultures that exist, often uneasily, side by side in the classroom. Relying extensively on interviews conducted by students with students, My Word! presents the voices of today's young adults as they muse about their daily activities, their challenges, and the meanings of their college lives. Outcomes-based secondary education, the steeply rising cost of college tuition, and an economic climate in which higher education is valued for its effect on future earnings above all else: These factors each have a role to play in explaining why students might pursue good grades by any means necessary. These incentives have arisen in the same era as easily accessible ways to cheat electronically and with almost intolerable pressures that result in many students being diagnosed as clinically depressed during their transition from childhood to adulthood. However, Blum suggests, the real problem of academic dishonesty arises primarily from a lack of communication between two distinct cultures within the university setting. On one hand, professors and administrators regard plagiarism as a serious academic crime, an ethical transgression, even a sin against an ethos of individualism and originality. Students, on the other hand, revel in sharing, in multiplicity, in accomplishment at any cost. Although this book is unlikely to reassure readers who hope that increasing rates of plagiarism can be reversed with strongly worded warnings on the first day of class, My Word! opens a dialogue between professors and their students that may lead to true mutual comprehension and serve as the basis for an alignment between student practices and their professors' expectations. |
| the revolution was televised alan sepinwall: Truth and Rumors Bill Brioux, 2007-12-30 When you first heard it, you couldn't believe it: Jerry Mathers, from TV's Leave It To Beaver, had been killed in Vietnam. Then word came that Abe Vigoda, the actor who played the curmudgeonly cop Fish on Barney Miller, was dead; and that Mikey, who would eat anything as the Life Cereal tyke, had eaten too many Pop Rocks and exploded. Besides exposing us to things we couldn't otherwise believe, television can convince us of things that never actually happened. But how did these outrageous TV legends get started? How did they spread from classrooms to boardrooms across North America and beyond? And, most important, what do these rumors, so quickly transformed into facts and common knowledge, reveal about our relationship to reality through the medium of television? Put in other words, what exactly is it that were doing when were dealing in these fabulous rumors—are we chasing after surprising truths or simply more incredible entertainment? To take one telling example: Jerry Mathers was not actually killed in Vietnam—but the basic sense of this lie wasn't far removed from the emotions factually expressed in the two-page spread of the faces of the dead in Time magazine. In the course of this compelling work—which is supplemented with interviews with many of the people implicated in these rumors—author Bill Brioux exposes the reality behind the many stories that currently circulate in our culture. Through these stories (both true and false), he sheds a revealing light on just what role these rumors play in contemporary society—and what role our society plays in regard to these rumors as well. |
| the revolution was televised alan sepinwall: A Heart So White Javier Marías, 2013-03-26 WINNER OF THE IMPAC DUBLIN AWARD • Widely considered a masterpiece, a breathtaking novel about family secrets that chronicles the relentless power of the past—from the award-winning author of The Infatuations and Spain's best writer (Roberto Bolaño, national bestselling author of The Savage Detectives). Juan knows little of the interior life of his father Ranz; but when Juan marries, he begins to consider the past anew, and begins to ponder what he doesn't really want to know. Secrecy—its possible convenience, its price, and even its civility—hovers throughout the novel. A Heart So White becomes a sort of anti-detective story of human nature. Intrigue; the sins of the father; the fraudulent and the genuine; marriage and strange repetitions of violence: Marías elegantly sends shafts of inquisitory light into shadows and onto the costs of ambivalence. |
Revolution - Wikipedia
In political science, a revolution (Latin: revolutio, 'a turn around') is a rapid, fundamental transformation of a society's class, state, ethnic or religious structures. [1]
REVOLUTION Definition & Meaning - Merriam-Webster
The meaning of REVOLUTION is the action by a celestial body of going round in an orbit or elliptical course; also : apparent movement of such a body round the earth. How to use …
Revolution | Causes, Impact & Legacy | Britannica
Apr 30, 2025 · Revolution, in social and political science, a major, sudden, and hence typically violent alteration in government and in related associations and structures. The term is used …
Revolution - D.C.-Based Investment Firm
Revolution is a D.C.-based investment firm backing the next generation of transformative companies across the country.
Revolutionary War - Timeline, Facts & Battles | HISTORY
Oct 29, 2009 · The Revolutionary War (1775-83), also known as the American Revolution, arose from growing tensions between residents of Great Britain’s 13 North American colonies and …
REVOLUTION | English meaning - Cambridge Dictionary
REVOLUTION definition: 1. a change in the way a country is governed, usually to a different political system and often…. Learn more.
Revolution - Stanford Encyclopedia of Philosophy
Aug 21, 2017 · Revolution is commonly understood to have two components: rejection of the existing government’s authority and an attempt to replace it with another government, where …
Revolution - National Geographic Society
Sep 27, 2024 · In the fields of history and political science, a revolution is a radical change in the established order, usually the established government and social institutions. Typically, …
What is a Revolution? (with pictures) - Historical Index
May 23, 2024 · The word "revolution" is used in many different contexts, but it is usually meant to describe an aggressive overthrow of a government structure or social construct or a massive …
The Most Important Revolutions That Shaped World History
Jun 7, 2025 · The revolution of 1911 was a critical moment in Chinese history because of how it paved the way for the Chinese Communist Revolution in 1949, an uprising that established the …
Revolution - Wikipedia
In political science, a revolution (Latin: revolutio, 'a turn around') is a rapid, fundamental transformation of a society's class, state, ethnic or religious structures. [1]
REVOLUTION Definition & Meaning - Merriam-Webster
The meaning of REVOLUTION is the action by a celestial body of going round in an orbit or elliptical course; also : apparent movement of such a body round the earth. How to use …
Revolution | Causes, Impact & Legacy | Britannica
Apr 30, 2025 · Revolution, in social and political science, a major, sudden, and hence typically violent alteration in government and in related associations and structures. The term is used …
Revolution - D.C.-Based Investment Firm
Revolution is a D.C.-based investment firm backing the next generation of transformative companies across the country.
Revolutionary War - Timeline, Facts & Battles | HISTORY
Oct 29, 2009 · The Revolutionary War (1775-83), also known as the American Revolution, arose from growing tensions between residents of Great Britain’s 13 North American colonies and …
REVOLUTION | English meaning - Cambridge Dictionary
REVOLUTION definition: 1. a change in the way a country is governed, usually to a different political system and often…. Learn more.
Revolution - Stanford Encyclopedia of Philosophy
Aug 21, 2017 · Revolution is commonly understood to have two components: rejection of the existing government’s authority and an attempt to replace it with another government, where …
Revolution - National Geographic Society
Sep 27, 2024 · In the fields of history and political science, a revolution is a radical change in the established order, usually the established government and social institutions. Typically, …
What is a Revolution? (with pictures) - Historical Index
May 23, 2024 · The word "revolution" is used in many different contexts, but it is usually meant to describe an aggressive overthrow of a government structure or social construct or a massive …
The Most Important Revolutions That Shaped World History
Jun 7, 2025 · The revolution of 1911 was a critical moment in Chinese history because of how it paved the way for the Chinese Communist Revolution in 1949, an uprising that established the …
