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| the phantom lover 1995: Phantom Variations Ann C. Hall, 2009-08-11 This book examines the themes and variations of Phantom of the Opera, exploring the story's appeal to multiple generations through numerous incarnations. After discussing Gaston Leroux's original 1910 novel, the work turns first to Phantom on film from Lon Chaney's 1925 Phantom through Dario Argento's 1998 film. Stage versions of Phantom are then covered in detail, including Webber's spectacular 1986 production and its lesser-known predecessors and competitors, and those that followed. A final section looks at novels and miscellaneous adaptations ranging from erotic fiction to a Donald Barthelme short story. |
| the phantom lover 1995: The Dangerous Lover Deborah Lutz, 2006 The Dangerous Lover takes seriously the ubiquity of the brooding romantic hero - his dark past, his remorseful and rebellious exile from comfortable everyday living. Deborah Lutz traces the recent history of this figure, through the melancholy iconoclasm of the Romantics, the lost soul redeemed by love of the Brontes, and the tormented individualism of twentieth-century love narratives. The Dangerous Lover is the first book-length study of this pervasive literary hero; it also challenges the tendency of sophisticated philosophical readings of popular narratives and culture to focus on male-coded genres. In its conjunction of high and low literary forms, this volume explores new historical and cultural framings for female-coded popular narratives.--BOOK JACKET. |
| the phantom lover 1995: Remaking Chinese Cinema Yiman Wang, 2013-03-31 From melodrama to Cantonese opera, from silents to 3D animated film, Remaking Chinese Cinema traces cross-Pacific film remaking over the last eight decades. Through the refractive prism of Hollywood, Shanghai, and Hong Kong, Yiman Wang revolutionizes our understanding of Chinese cinema as national cinema. Against the diffusion model of national cinema spreading from a central point—Shanghai in the Chinese case—she argues for a multi-local process of co-constitution and reconstitution. In this spirit, Wang analyzes how southern Chinese cinema (huanan dianying) morphed into Hong Kong cinema through trans-regional and trans-national interactions that also produced a vision of Chinese cinema. Among the book’s highlights are a rereading of The Goddess—one of the best-known silent Chinese films in the West—from the perspective of its wartime Mandarin-Cantonese remake; the excavation of a hybrid genre (the Western costume Cantonese opera film) inspired by Hollywood's fantasy films of the 1930s and produced in Hong Kong well into the mid-twentieth century; and a rumination on Hollywood’s remake of Hong Kong’s Infernal Affairs and the wholesale incorporation of “Chinese elements” in Kung Fu Panda 2. Positing a structural analogy between the utopic vision, the national cinema, and the location-specific collective subject position, the author traces their shared urge to infinitesimally approach, but never fully and finitely reach a projected goal. This energy precipitates the ongoing processes of cross-Pacific film remaking, which constitute a crucial site for imagining and enacting (without absolving) issues of national and regional border politics. These issues unfold in relation to global formations such as colonialism, Cold War ideology, and postcolonial, postsocialist globalization. As such, Remaking Chinese Cinema contributes to the ongoing debate on (trans-)national cinema from the unique perspective of century-long border-crossing film remaking. |
| the phantom lover 1995: Poems for a Phantom Lover Jennifer Dickson, 2023-07-21 Starting with the reflecting pool beneath the Unicorn Amphitheatre on Isola Bella, Poems for a Phantom Lover pairs a selection of short poems with photographs culled from decades’ worth of research into the structure and symbolism of historic gardens, a study that has led Jennifer Dickson to question conventional assumptions about the place of gender identity and sexual role-play in the vivisection of an earthly paradise. In the collection, sunlight caresses the timeworn fountains, pagodas and loggias populated by gods and idols, while ill winds rasp among the altars and monuments whose stones are steeped in blood. These are gardens of desire, of longing and betrayal, where torment festers under the flagstones and ‘the wounds of love / are suppurating stone.’ |
| the phantom lover 1995: The Rough Guide to Film Rough Guides, 2008-05-01 Get the lowdown on the best fiction ever written. Over 230 of the world’s greatest novels are covered, from Quixote (1614) to Orhan Pamuk’s Snow (2002), with fascinating information about their plots and their authors – and suggestions for what to read next. The guide comes complete with recommendations of the best editions and translations for every genre from the most enticing crime and punishment to love, sex, heroes and anti-heroes, not to mention all the classics of comedy and satire, horror and mystery and many other literary genres. With feature boxes on experimental novels, female novelists, short reviews of interesting film and TV adaptations, and information on how the novel began, this guide will point you to all the classic literature you’ll ever need. |
| the phantom lover 1995: Killing Women Annette Burfoot, Susan Lord, 2011-04-07 The essays in Killing Women: The Visual Culture of Gender and Violence find important connections in the ways that women are portrayed in relation to violence, whether they are murder victims or killers. The book’s extensive cultural contexts acknowledge and engage with contemporary theories and practices of identity politics and debates about the ethics and politics of representation itself. Does representation produce or reproduce the conditions of violence? Is representation itself a form of violence? This book adds significant new dimensions to the characterization of gender and violence by discussing nationalism and war, feminist media, and the depiction of violence throughout society. |
| the phantom lover 1995: The Hong Kong Filmography, 1977-1997 John Charles, 2015-06-14 Thanks to the successes of directors and actors like John Woo, Jackie Chan, and Chow Yun-Fat, the cinema of Hong Kong is wildly popular worldwide, and there is much more to this diverse film culture than most Western audiences realize. Beyond martial arts and comedy, Hong Kong films are a celebration of the grand diversity and pageantry of moviemaking--covering action, comedy, horror, eroticism, mythology, historical drama, modern romances, and experimental films. Information on 1,100 films produced in British Hong Kong from 1977 to 1997 is included here. |
| the phantom lover 1995: China in the Mix Ying Xiao, 2017-08-09 Scarce attention has been paid to the dimension of sound and its essential role in constructing image, culture, and identity in Chinese film and media. China in the Mix fills a critical void with the first book on the sound, languages, scenery, media, and culture in post-Socialist China. In this study, Ying Xiao explores fascinating topics, including appropriations of popular folklore in the Chinese new wave of the 1980s; Chinese rock 'n' roll and youth cinema in fin de siècle China; the political-economic impact of free market imperatives and Hollywood pictures on Chinese film industry and filmmaking in the late twentieth century; the reception and adaptation of hip hop; and the emerging role of Internet popular culture and social media in the early twenty-first century. Xiao examines the articulations and representations of mass culture and everyday life, concentrating on their aural/oral manifestations in contemporary Chinese cinema and in a wide spectrum of media and cultural productions. China in the Mix offers the first comprehensive investigation of Chinese film, expressions, and culture from a unique, cohesive acoustic angle and through the prism of global media-cultural exchange. It shows how the complex, evolving uses of sound (popular music, voice-over, silence, noise, and audio mixing) in film and media reflect and engage the important cultural and socio-historical shifts in contemporary China and in the increasingly networked world. Xiao offers an innovative new conception of Chinese film and media and their audiovisual registers in the historiographical frame of China amid the global landscape. |
| the phantom lover 1995: Cinemaya , 1995 |
| the phantom lover 1995: Chinese Film Stars Mary Farquhar, Yingjin Zhang, 2010-04-27 This volume of original essays fills a significant research gap in Chinese film studies by offering an interdisciplinary, comparative examination of ethnic Chinese film stars from the silent period to the era of globalization. Whereas studies of stars and stardom have developed considerably in the West over the past two decades, there is no single book in English that critically addresses issues related to stars and stardom in Chinese culture. Chinese Film Stars offers exemplary readings of historically, geographically and aesthetically multifaceted star phenomena. An international line up of contributors test a variety of approaches in making sense of discourses of stars and stardom in China and the US, explore historical contexts in which Chinese film stars are constructed and transformed in relation to changing sociopolitical conditions, and consider issues of performance and identity specific to individual stars through chapter-by-chapter case studies. The essays explore a wide range of topics such as star performance, character type, media construction, political propaganda, online discourses, autobiographic narration, as well as issues of gender, genre, memory and identity. Including fifteen case studies of individual Chinese stars and illustrated with film stills throughout, this book is an essential read for students of Chinese film, media and cultural studies. |
| the phantom lover 1995: Historical Dictionary of Hong Kong Cinema Lisa Odham Stokes, Rachel Braaten, 2020-01-15 Historical Dictionary of Hong Kong Cinema, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 600 cross-referenced entries on directors, producers, writers, actors, films, film companies, genres, and terminology. |
| the phantom lover 1995: Chinese Film Classics, 1922–1949 Christopher G. Rea, 2021-06-01 Winner, 2023 Choice Outstanding Academic Title Chinese Film Classics, 1922–1949 is an essential guide to the first golden age of Chinese cinema. Offering detailed introductions to fourteen films, this study highlights the creative achievements of Chinese filmmakers in the decades leading up to 1949, when the Communists won the civil war and began nationalizing cultural industries. Christopher Rea reveals the uniqueness and complexity of Republican China’s cinematic masterworks, from the comedies and melodramas of the silent era to the talkies and musicals of the 1930s and 1940s. Each chapter appraises the artistry of a single film, highlighting its outstanding formal elements, from cinematography to editing to sound design. Examples include the slapstick gags of Laborer’s Love (1922), Ruan Lingyu’s star turn in Goddess (1934), Zhou Xuan’s mesmerizing performance in Street Angels (1937), Eileen Chang’s urbane comedy of manners Long Live the Missus! (1947), the wartime epic Spring River Flows East (1947), and Fei Mu’s acclaimed work of cinematic lyricism, Spring in a Small Town (1948). Rea shares new insights and archival discoveries about famous films, while explaining their significance in relation to politics, society, and global cinema. Lavishly illustrated and featuring extensive guides to further viewings and readings, Chinese Film Classics, 1922–1949 offers an accessible tour of China’s early contributions to the cinematic arts. |
| the phantom lover 1995: Mondo Macabro Pete Tombs, 1998-04-15 The author of Immoral Tales now brings readers into the exotic, erotic, and eccentric international film scene. Fully illustrated, this book includes an Indian song-and-dance version of Dracula; Turkish version of Star Trek and Superman; China's hopping vampire films, and much more. 332 illustrations. of color photos. |
| the phantom lover 1995: Love's Melody Natasha Wilde, 2011-06-01 DescriptionThe mental health issue related to this book is bipolar disorder. This illness includes both ends of the spectrum, which is mania at the one end and clinical depression at the other. At its worst, it is debilitating, involving long stays in a psychiatric hospital in order for doctors to discover the appropriate medication thus balancing out the brain chemistry so that the patient can function in a reasonable manner in the outside world. I sincerely think bipolar disorder must be the most serious of the mental illnesses because it is so violently distressing for the patient., LOVE's MELODY, is a collection of poetry and pieces of prose taking us through the 1990's on a roller coaster of extreme mental highs and lows. This writing depicts the power of the human spirit to conquer the most impossible of situations in life and, I trust, give other sufferers of this dreadful disease some kind of hope. About the AuthorNatasha Wilde was born in Chester in 1949. After moving down south she attended St. Albans Girls' Grammar School where she obtained eight 'O' levels and two 'A' levels. She won a scholarship to St. Martin's School of Art in London, studying Graphic Design, specialising in Film Animation. When she was just half way through her Diploma course, she was offered a job with Halas and Bachelor animation company, the largest in the country. But alas, that never happened. She contracted bipolar disorder at the age of twenty always maintaining there was a strong possibility she had been spiked with the hallucinatory drug, L.S.D. She remembers experiencing a hellish and terrifying time, walking the streets of London, totally lost, hearing 'voices', hallucinating, all of her senses heightened. This episode landed her in a scary hospital in Friern Barnet which had been an asylum in Victorian times. Natasha was disposed of in a newer building for less serious cases. The hospital has since been closed down under Margaret Thatcher's orders, the poor occupants let loose, spilling out into the community to somehow make their way. Throughout her twenties Natasha was in and out of the local hospital where doctors experimented with various drugs and twice she received E.C.T. ie Electro Convulsive Therapy. She was fortunate in that this worked well, bringing her down from her impossible fantasy world bang smack into reality which was a trifle depressing. In between bouts of illness, the psychotic 'highs' and the clinical 'lows', she took on menial work and then decided to move up to Leeds with her current Yorkshire boyfriend. Here, she joined an agency and became self employed as an Exotic Dancer which she loved. No stigma was attached regarding her illness, no forms to fill in, no questions asked. She had a good figure and could move. She danced in clubs, pubs, working mens' clubs and sometimes, rather dicey, illegal drinking dens known as shabims. While living in Leeds, she met her husband to be who was originally from Scotand and although her 'demoms' were determined to drive her crazy again, looking back, she guesses her husband rather saved her from a fate worse than death. She moved back to Hertfordshire two years later in the mid seventies and after another spell in hospital, joined several agencies and began dancing again. She married in 1980 and gave birth to a daughter in 1981. Her pregnancy was hell, mentally, and a major depression set in. Immediately after giving birth she became 'psychotic' and this was treated She was married for ten years, then divorced her husband on the grounds of 'unreasonable behaviour. During her marriage she had kept fairly well but the stress from the divorce encouraged her illness to return in its 'psychotic' form landing her bang smack on Warren Ward for the umpteenth time. Her book, Love's Melody, takes off from here. Much of it was written in Creative Writing Therapy at her local hospital. Natasha now has an adorable granddaughter and after many years, th |
| the phantom lover 1995: The Motion Picture Guide Jay Robert Nash, Stanley Ralph Ross, 1996 |
| the phantom lover 1995: Encyclopedia of Chinese Film Zhiwei Xiao, Yingjin Zhang, 2002-06-01 The Encyclopedia of Chinese Film, one of the first ever encyclopedias in this area, provides alphabetically organized entries on directors, genres, themes, and actors and actresses from mainland China, Hong Kong and Taiwan as well as 300 film synopses. Great care has been taken to provide solid cultural and historical context to the facts. The alphabetical entries are preceded by a substantial historical section, incorporating material on the the main studios and analysing the impact of Chinese film abroad as well as at home in recent years. This Encyclopedia meets the needs, equally, of * the film studies scholar * the student of Chinese culture * the specialist in Chinese film * the curious viewer wanting to know more. Additional features include: * comprehensive cross-references and suggestions for further reading * a list of relevant websites * a chronology of films and a classified contents list * three indexes - (one of film and tv titles with directors names and year of release, one of names including actors, writers, directors and producers and one of studios, all with pinyin romanizations) * a glossary of pinyin romanizations, Chinese characters and English equivalents to aid the specialist in moving between Chinese titles and English translations. |
| the phantom lover 1995: Modern Chinese Literature , 1998 |
| the phantom lover 1995: Current Biography Yearbook 2002 Clifford (editor) Thompson, 2002 REFERENCE STORAGE AREA: BASEMENT. |
| the phantom lover 1995: Asian Cinema , 1996 |
| the phantom lover 1995: Hong Kong Neo-Noir Esther Yau, 2017-04-28 The first comprehensive collection on the subject of Hong Kong neo-noir cinema, this book examines the way Hong Kong has developed its own unique and culturally specific version of the neo-noir genre, while at the same time drawing on and adapting existing international noir cinemas. With a range of contributions from established and emerging scholars, this book illuminates the origins of Hong Kong neo-noir, its styles and contemporary manifestations, and its connection to mainland China. Case studies include classics such as The Wild Wild Rose (1960) and more recent films like Full Alert (1997) and Exiled (2007), as well as an in-depth look at the careers of iconic figures like Johnnie To and Jackie Chan. By examining at its past and its contemporary development, Hong Kong Neo-Noir also points towards the genre's possible future development. |
| the phantom lover 1995: 中国现代文学 , 2000 |
| the phantom lover 1995: 'Hamlet' and World Cinema Mark Thornton Burnett, 2019-07-04 Reveals a rich cinematic history, discussing Hamlet films from Africa, Asia, Europe, Latin America and the Middle East. |
| the phantom lover 1995: Singing in Mandarin Katherine Chu, Juliet Petrus, 2020-11-30 Singing in Mandarin is the definitive, go-to source for singing in Mandarin. The first part focuses on the sounds of the Chinese language and teaching them in a systematic way while the second focuses on the classical vocal repertoire in Mandarin-- |
| the phantom lover 1995: Video Source Book , 2006 A guide to programs currently available on video in the areas of movies/entertainment, general interest/education, sports/recreation, fine arts, health/science, business/industry, children/juvenile, how-to/instruction. |
| the phantom lover 1995: Science Fiction, Horror & Fantasy Film and Television Credits: Filmography Harris M. Lentz (III.), 2001 |
| the phantom lover 1995: Sinophone Cinemas A. Yue, O. Khoo, 2014-01-22 Sinophone Cinemas considers a range of multilingual, multidialect and multi-accented cinemas produced in Chinese-language locations outside mainland China. It showcases new screen cultures from Britain, Hong Kong, Taiwan, Singapore and Australia. |
| the phantom lover 1995: Peter Ho-Sun Chan's He's a Woman, She's a Man Lisa Odham Stokes, 2009-04-01 This comedy confronts social stereotypes of masculine females, male anxieties about homosexuality and the limits of female femininity. The book also offers background on comedic narrative structure in Cantonese opera and other traditional sources that have influenced Hong Kong cinema. |
| the phantom lover 1995: Selected Papers of Salman Akhtar Salman Akhtar, 2023-06-01 Salman Akhtar is a Professor of Psychiatry, a Training and Supervising Analyst, a member of numerous editorial boards, winner of many awards, including the highly prestigious Sigourney Award, a writer of several hundred articles, a poet, and the author or editor of over one hundred books. A modern-day Renaissance man, his elegant writing is simultaneously scholarly and literary and brings a light touch to profound material. Phoenix Publishing House is proud to present his most inspiring works in a stunning ten-volume hardback set, fit to grace the shelves of collectors and libraries with its high-quality finish. |
| the phantom lover 1995: Shakespeare and World Cinema Mark Thornton Burnett, 2013 This book explores the significance of Shakespeare in contemporary world cinema for the first time. Mark Thornton Burnett draws on a wealth of examples from Africa, the Arctic, Brazil, China, France, India, Malaysia, Mexico, Singapore, Tibet, Venezuela, Yemen and elsewhere. |
| the phantom lover 1995: Video Watchdog , 1996 |
| the phantom lover 1995: An Amorous History of the Silver Screen Zhang Zhen, 2005 Illustrating the cultural significance of film and its power as a vehicle for social change, this book reveals the intricacies of the cultural movement and explores its connections to other art forms such as photography, drama, and literature. |
| the phantom lover 1995: Historia del cine chino Ricard Planas, Siendo la industria del cine chino una de las más importantes en la actualidad, aún es una gran desconocida en nuestro país. Salvo nombres como Zhang Yimou o Jia Zhangke, poco se sabe de un cine que siempre ha colmado los sueños de sus espectadores, desde la glamurosa industria de Shanghai de los años 30 hasta el periodo de ocupación japonesa, desde la instauración de la República Popular en 1949 hasta la apertura de los años 80 pasando por el tormentoso periodo de la Revolución Cultural. Un cine que comprende géneros autóctonos como el de artes marciales (wuxia) y el de la Ópera de Beijing, y que compite desde siempre con las industrias extranjeras produciendo cintas bélicas y de espías, melodramas familiares y comedias románticas. Este libro supone el primer recorrido pormenorizado publicado en España de una historia apasionante, a través de aquellos títulos que, ya sea porque forman parte de la memoria sentimental de generaciones de chinos, o por su calidad artística indiscutible, merecen un lugar en el canon universal. Pocos saben que los hermanos Wan realizaron en 1941 el primer largometraje animado producido en Asia, precedente del anime japonés. Cuando Ruan Lingyu, gran estrella del cine mudo, se suicidó, cien mil personas siguieron su cortejo fúnebre por las calles de Shanghai. El New York Times lo llamaría «el funeral más espectacular del siglo». La cuarta esposa de Mao Tse-Tung, Jiang Qing, había hecho sus pinitos apareciendo como secundaria en algunas cintas de los años 30. Se dice que, cuando lideró la Revolución Cultural, castigó a los miembros de aquella industria como venganza por no haberla convertido en una estrella, su sueño de juventud. Cineastas como Xie Jin, que debutarían con la República Popular, crearían un cine que, paradójicamente, recogía influencias del melodrama hollywoodiense. Son algunas de las muchas historias que incluye esta imprescindible obra sobre una cinematografía en ascenso. |
| the phantom lover 1995: Time Out Film Guide , 2007 |
| the phantom lover 1995: Time Out Film Guide John Pym, 2002 This is an aphabetical critical guide to films, based on Time-Out reviews since the mid-1980s. It covers every area of world cinema, including: classic silents and 1930s comedies, documentaries and the avant garde, French or Japanese, the Hollywood mainstream and B-movie horrors. Features include cast lists and other key creative personnel, more than 110 obituary notes from 2001/2002 and indexes covering film by country, genre, subject, director and actor. This new edition includes a new Time Out readers' top 100 film poll, plus 2001/2002 Oscar and BAFTA awards, as well as prizes from the Berlin, Venice and Cannes festivals. |
| the phantom lover 1995: Contemporary Sino-French Cinemas Michelle E. Bloom, 2017-11-30 Transnational cinemas are eclipsing national cinemas in the contemporary world, and Sino-French films exemplify this phenomenon through the cinematic coupling of the Sinophone and the Francophone, linking France not just with the Chinese mainland but also with the rest of the Chinese-speaking world. Sinophone directors most often reach out to French cinema by referencing and adapting it. They set their films in Paris and metropolitan France, cast French actors, and sometimes use French dialogue, even when the directors themselves don't understand it. They tend to view France as mysterious, sexy, and sophisticated, just as the French see China and Taiwan as exotic. As Michelle E. Bloom makes clear, many films move past a simplistic opposition between East and West and beyond Orientalist and Occidentalist cross-cultural interplay. Bloom focuses on films that have appeared since 2000 such as Tsai Ming-liang's What Time Is It There? , Hou Hsiao-hsien's Flight of the Red Balloon, and Dai Sijie's Balzac and the Little Chinese Seamstress. She views the work of these well-known directors through a Sino-French optic, applying the tropes of métissage (or biraciality), intertextuality, adaptation and remake, translation, and imitation to shed new light on their work. She also calls attention to important, lesser studied films: Taiwanese director Cheng Yu-chieh's Yang Yang, which depicts the up-and-coming Taiwanese star Sandrine Pinna as a mixed race beauty; and Emily Tang Xiaobai's debut film Conjugation, which contrasts Paris and post-Tiananmen Square Beijing, the one an incarnation of liberty, the other a place of entrapment. Bloom's insightful analysis also probes what such films reveal about their Taiwanese and Chinese creators. Scholars have long studied Sino-French literature, but this inaugural full-length work on Sino-French cinema maps uncharted territory, offering a paradigm for understanding other cross-cultural interminglings and tools to study transnational cinema and world cinema. The Sino-French, rich and multifaceted, linguistically, culturally, and ethnically, constitutes an important part of film studies, Francophone studies, Sinophone studies and myriad other fields. This is a must-read for students, scholars, and lovers of film. |
| the phantom lover 1995: Subject Guide to Books in Print , 1996 |
| the phantom lover 1995: Doug Pratt's DVD Douglas Pratt, 2005 Doug Pratt is the leading reviewer of DVDs, a contributor to Rolling Stone, and editor and publisher of The DVD-Laserdisc Newsletter. Choice says, Pratt's writing is amusing, comprehensive and informative. Rolling Stone calls this two-volume set, the gold standard on all things DVD. The set is unique in giving space to non-feature-film DVDs, the fastest growing area of the market. Not just a reference book, it's also good reading. |
| the phantom lover 1995: Media Review Digest C. Edward Wall, 1998 |
| the phantom lover 1995: Music and the Queer Body in English Literature at the Fin de Siècle Fraser Riddell, 2022-04-14 The first comprehensive study of music and queer identities in late-nineteenth and early-twentieth century English literature. |
| the phantom lover 1995: Science Fiction, Horror & Fantasy Film and Television Credits: Actor and actress credits. Director, producer, screenwriter, cinematographer, special effects technician, make-up artist, art director, and other credits Harris M. Lentz (III.), 2001 |
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