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| the people could fly american black folktales: The People Could Fly Virginia Hamilton, Leo Dillon, Diane Dillon, 2008-08-11 Born out of the sorrow of the slave, but passed on in hope, this collection of retold African-American folktales explores themes of animals, fantasy, the supernatural, and the desire for freedom. Reprint. Coretta Scott King Award. |
| the people could fly american black folktales: The People Could Fly Virginia Hamilton, 1993-01-04 The well-known author retells 24 black American folk tales in sure storytelling voice: animal tales, supernatural tales, fanciful and cautionary tales, and slave tales of freedom. All are beautifully readable. With the added attraction of 40 wonderfully expressive paintings by the Dillons, this collection should be snapped up.--(starred) School Library Journal. This book has been selected as a Common Core State Standards text Exemplar (Grade 6-8, Stories) in Appendix B. |
| the people could fly american black folktales: The People Could Fly Virginia Hamilton, 1985 Retold Afro-American folktales of animals, fantasy, the supernatural, and desire for freedom, born of the sorrow of the slaves, but passed on in hope--Résumé de l'éditeur. |
| the people could fly american black folktales: Her Stories Virginia Hamilton, 1995 Nineteen stories focus on the magical lore and wondrous imaginings of African American women. |
| the people could fly american black folktales: The People Could Fly: The Picture Book Virginia Hamilton, 2015-01-06 Virginia Hamilton's Coretta Scott King Honor book is the breathtaking fantasy tale of slaves who possessed ancient magic that enabled them to fly away to freedom. And it is a moving tale of those who did not have the opportunity to “fly” away, who remained slaves with only their imaginations to set them free as they told and retold this tale. Leo and Diane Dillon's powerful illustrations accompany Hamilton's voice as it sings out from the pages with the soaring cadences that echo the story tellers of her childhood as the granddaughter of a fugitive slave. Awards for The People Could Fly collection: A Coretta Scott King Award A Booklist Children’s Editors’ Choice A School Library Journal Best Books of the Year A Horn Book Fanfare An ALA Notable Book An NCTE Teachers’ Choice A New York Times Best Illustrated Children’s Books of the Year |
| the people could fly american black folktales: Amazing Women of the Civil War Webb Garrison, 1999 Celebrates the Civil War contributions and exploits of such women spies, soldiers, journalists, doctors, and nurses as Harriet Tubman, Belle Boyd, Elizabeth Van Lew, Lucy Hayes, and Pauline Cushman. |
| the people could fly american black folktales: African American Folktales Roger Abrahams, 2011-07-27 Full of life, wisdom, and humor, these tales range from the earthy comedy of tricksters to accounts of how the world was created and got to be the way it is to moral fables that tell of encounters between masters and slaves. They include stories set down in nineteenth-century travelers' reports and plantation journals, tales gathered by collectors such as Joel Chandler Harris and Zora Neale Hurston, and narratives tape-recorded by Roger Abrahams himself during extensive expeditions throughout the American South and the Caribbean. With black-and-white illustrations throughout Part of the Pantheon Fairy Tale and Folkore Library |
| the people could fly american black folktales: African-American Folktales for Young Readers Richard Young, Judy Dockrey Young, 1993 A collection of folktales from the African-American oral tradition, presented as they have been told by professional black storytellers from Rhode Island to Oklahoma. |
| the people could fly american black folktales: The New Annotated African American Folktales Henry Louis Gates, Maria Tatar, 2017-11-14 Drawing from the great folklorists of the past while expanding African American lore with dozens of tales rarely seen before, The Annotated African American Folktales revolutionizes the canon like no other volume. Following in the tradition of such classics as Arthur Huff Fauset’s “Negro Folk Tales from the South” (1927), Zora Neale Hurston’s Mules and Men (1935), and Virginia Hamilton’s The People Could Fly (1985), acclaimed scholars Henry Louis Gates Jr. and Maria Tatar assemble a groundbreaking collection of folktales, myths, and legends that revitalizes a vibrant African American past to produce the most comprehensive and ambitious collection of African American folktales ever published in American literary history. Arguing for the value of these deceptively simple stories as part of a sophisticated, complex, and heterogeneous cultural heritage, Gates and Tatar show how these remarkable stories deserve a place alongside the classic works of African American literature, and American literature more broadly. Opening with two introductory essays and twenty seminal African tales as historical background, Gates and Tatar present nearly 150 African American stories, among them familiar Brer Rabbit classics, but also stories like “The Talking Skull” and “Witches Who Ride,” as well as out-of-print tales from the 1890s’ Southern Workman. Beginning with the figure of Anansi, the African trickster, master of improvisation—a spider who plots and weaves in scandalous ways—The Annotated African American Folktales then goes on to draw Caribbean and Creole tales into the orbit of the folkloric canon. It retrieves stories not seen since the Harlem Renaissance and brings back archival tales of “Negro folklore” that Booker T. Washington proclaimed had emanated from a “grapevine” that existed even before the American Revolution, stories brought over by slaves who had survived the Middle Passage. Furthermore, Gates and Tatar’s volume not only defines a new canon but reveals how these folktales were hijacked and misappropriated in previous incarnations, egregiously by Joel Chandler Harris, a Southern newspaperman, as well as by Walt Disney, who cannibalized and capitalized on Harris’s volumes by creating cartoon characters drawn from this African American lore. Presenting these tales with illuminating annotations and hundreds of revelatory illustrations, The Annotated African American Folktales reminds us that stories not only move, entertain, and instruct but, more fundamentally, inspire and keep hope alive. The Annotated African American Folktales includes: Introductory essays, nearly 150 African American stories, and 20 seminal African tales as historical background The familiar Brer Rabbit classics, as well as news-making vernacular tales from the 1890s’ Southern Workman An entire section of Caribbean and Latin American folktales that finally become incorporated into the canon Approximately 200 full-color, museum-quality images |
| the people could fly american black folktales: Folktales of Egypt Hasan M. El-Shamy, 2010-03-15 In this book Hasan M. El-Shamy has gathered the first authentic new collection of modern Egyptian folk narratives to appear in nearly a century. El-Shamy's English translations of these orally presented stories not only preserve their spirit, but give Middle Eastern lore the scholarly attention it has long deserved. This collection of seventy recently collected Egyptian tales is a major contribution to African studies and to international distribution studies of folktales. In the face of the recent anthropological trend to use folkloric materials for extra-folkloric purposes, the preeminence of the text must be asserted once more, and these are obviously authentic, straightforwardly translated, fully documented as to date of collection and social category of informant, and for all that . . . readable.—Daniel J. Crowley, Research in African Literatures Western knowledge of virtually all facets of contemporary Egyptian culture, much less the roots of that culture, is woefully inadequate. By providing an interesting, varied, and readable collection of Egyptian folktales and offering clear and sensible accounts of their background and meaning, this book renders a valuable service indeed.—Kenneth J. Perkins, International Journal of Oral History |
| the people could fly american black folktales: Folk-tales of Bengal Lal Behari Day, 1883 |
| the people could fly american black folktales: African Myths and Folk Tales Carter Godwin Woodson, 2012-03-05 Compiled by the Father of Black History, these fables unfold amid a magical realm of tricksters and fairies. Recounted in simple language, they will enchant readers and listeners of all ages. Over 60 illustrations. |
| the people could fly american black folktales: The Lion and the Hare , 2009-01-01 A retelling of a traditional East African tale in which a clever hare finds a way to outwit the lion that is terrifying all the other grassland animals. |
| the people could fly american black folktales: Folktales of England Katharine M. Briggs, Ruth L. Tongue, 2016-05-19 “The most satisfactory general collection of folktales to come out of England since the advent of modern collection and classification techniques.”—Journal of American Folklore Tales of unnatural beings, curses, and ghosts, tall tales, shaggy dog stories—this collection from a renowned British folklorist offers a wide historical range, as well as commentaries. If wonder tales are not as abundant in England as elsewhere, other kinds of folktales thrive: local traditions, historical legends, humorous anecdotes. Many of the favorite tales which English-speaking peoples carry with them from childhood come from a long tradition—stories as familiar to Shakespeare, Ben Jonson, Spenser, and their many contemporaries as they are to us. This volume is a “fine, homely feast” for anyone interested in the folklore of the world (Times Educational Supplement). “Should be of special concern to Americans since many of the tales are parallel to or the source of our own folk stories.”—Choice “This is entertainment, to be sure, but is also part of man’s attempts to comprehend his world.”—Quartet |
| the people could fly american black folktales: Many Thousand Gone Virginia Hamilton, 1995-12-12 For use in schools and libraries only. Recounts the journey of slaves to freedom via the Underground Railroad, an extended group of people who helped fugitive slaves in many ways. |
| the people could fly american black folktales: Black Folklore and the Politics of Racial Representation Shirley Moody-Turner, 2013-10-02 Before the innovative work of Zora Neale Hurston, folklorists from the Hampton Institute collected, studied, and wrote about African American folklore. Like Hurston, these folklorists worked within but also beyond the bounds of white mainstream institutions. They often called into question the meaning of the very folklore projects in which they were engaged. Shirley Moody-Turner analyzes this output, along with the contributions of a disparate group of African American authors and scholars. She explores how black authors and folklorists were active participants—rather than passive observers—in conversations about the politics of representing black folklore. Examining literary texts, folklore documents, cultural performances, legal discourse, and political rhetoric, Black Folklore and the Politics of Racial Representation demonstrates how folklore studies became a battleground across which issues of racial identity and difference were asserted and debated at the turn of the twentieth century. The study is framed by two questions of historical and continuing import. What role have representations of black folklore played in constructing racial identity? And, how have those ideas impacted the way African Americans think about and creatively engage black traditions? Moody-Turner renders established historical facts in a new light and context, taking figures we thought we knew—such as Charles Chesnutt, Anna Julia Cooper, and Paul Laurence Dunbar—and recasting their place in African American intellectual and cultural history. |
| the people could fly american black folktales: Bruh Rabbit and the Tar Baby Girl Virginia Hamilton, 2003 In this retelling, using Gullah speech, of a familiar story the wily Brer Rabbit outwits Brer Fox who has set out to trap him. |
| the people could fly american black folktales: Toni Morrison's Spiritual Vision Nadra Nittle, 2021-10-05 When Toni Morrison died in August 2019, she was widely remembered for her contributions to literature as an African American woman, an identity she wore proudly. Morrison was clear that she wrote from a Black, female perspective and for others who shared her identity. But just as much as she was an African American writer, Toni Morrison was a woman of faith. Morrison filled her novels with biblical allusions, magic, folktales, and liberated women, largely because Christianity, African American folk magic, and powerful women defined her own life. She grew up with family members who could interpret dreams, predict the future, see ghosts, and go about their business. Her relatives, particularly her mother, were good storytellers, and her family's oral tradition included ghost stories and African American folktales. But her family was also Christian. As a child, Morrison converted to Catholicism and chose a baptismal name that truly became her own--Anthony, from St. Anthony of Padua--going from Chloe to Toni. Morrison embraced both Catholicism and the occult as a child and, later, as a writer. She was deeply religious, and her spirituality included the Bible, the paranormal, and the folktales she heard as a child. Toni Morrison's Spiritual Vision unpacks this oft-ignored, but essential, element of Toni Morrison's work--her religion--and in so doing, gives readers a deeper, richer understanding of her life and her writing. In its pages, Nadra Nittle remembers and understands Morrison for all of who she was: a writer, a Black woman, and a person of complex faith. As Nittle's wide-ranging, deep exploration of Morrison's oeuvre reveals, to fully understand the writing of Toni Morrison one must also understand the role of religion and spirituality in her life and literature. |
| the people could fly american black folktales: Virginia Hamilton Virginia Hamilton, Arnold Adoff, Kacy Cook, 2010 Twenty-six works by the distinguished children's book author illuminate the creative energy behind her artistry while speaking to a new generation of readers, introducing them to her literary vision and stunning body of writing which include Newbery Medal and National Book Award winners. |
| the people could fly american black folktales: Children of the Longhouse Joseph Bruchac, 1998-08-01 When Ohkwa'ri overhears a group of older boys planning a raid on a neighboring village, he immediately tells his Mohawk elders. He has done the right thing—but he has also made enemies. Grabber and his friends will do anything they can to hurt him, especially during the village-wide game of Tekwaarathon (lacrosse). Ohkwa'ri believes in the path of peace, but can peaceful ways work against Grabber's wrath? An exciting story that also offers an in-depth look at Native American life centuries ago. —Kirkus Reviews |
| the people could fly american black folktales: Tristan Strong Punches a Hole in the Sky (Volume 1) Kwame Mbalia, 2019-10-15 Best-selling author Rick Riordan presents Kwame Mbalia's epic fantasy, a middle grade American Gods set in a richly-imagined world populated with African American folk heroes and West African gods. Seventh grader Tristan Strong feels anything but strong ever since he failed to save his best friend when they were in a bus accident together. All he has left of Eddie is the journal his friend wrote stories in. Tristan is dreading the month he's going to spend on his grandparents' farm in Alabama, where he's being sent to heal from the tragedy. But on his first night there, a sticky creature shows up in his bedroom and steals Eddie's notebook. Tristan chases after it--is that a doll?--and a tug-of-war ensues between them underneath a Bottle Tree. In a last attempt to wrestle the journal out of the creature's hands, Tristan punches the tree, accidentally ripping open a chasm into the MidPass, a volatile place with a burning sea, haunted bone ships, and iron monsters that are hunting the inhabitants of this world. Tristan finds himself in the middle of a battle that has left black American folk heroes John Henry and Brer Rabbit exhausted. In order to get back home, Tristan and these new allies will need to entice the god Anansi, the Weaver, to come out of hiding and seal the hole in the sky. But bartering with the trickster Anansi always comes at a price. Can Tristan save this world before he loses more of the things he loves? |
| the people could fly american black folktales: The Left Hand of Darkness Ursula K. Le Guin, 1987-03-15 50TH ANNIVERSARY EDITION—WITH A NEW INTRODUCTION BY DAVID MITCHELL AND A NEW AFTERWORD BY CHARLIE JANE ANDERS Ursula K. Le Guin’s groundbreaking work of science fiction—winner of the Hugo and Nebula Awards. A lone human ambassador is sent to the icebound planet of Winter, a world without sexual prejudice, where the inhabitants’ gender is fluid. His goal is to facilitate Winter’s inclusion in a growing intergalactic civilization. But to do so he must bridge the gulf between his own views and those of the strange, intriguing culture he encounters... Embracing the aspects of psychology, society, and human emotion on an alien world, The Left Hand of Darkness stands as a landmark achievement in the annals of intellectual science fiction. |
| the people could fly american black folktales: The Princess and the Warrior Duncan Tonatiuh, 2016-09-20 In the picture book Princess and the Warrior: A Tale of Two Volcanoes, award-winning author and illustrator Duncan Tonatiuh brings a cherished Mexican legend to life. A Pura Belpré Illustrator Honor Book ALA/ALSC Notable Children’s Book! “A palette of earthy, evocative colors . . . A genuine triumph.” ―Kirkus Reviews (Starred Review) “Use this Aztec legend to inspire readers while teaching a bit about dramatic irony.” —School Library Journal Izta was the most beautiful princess in the land, and suitors traveled from far and wide to woo her. Even though she was the daughter of the emperor, Izta had no desire to marry a man of wealth and power. Instead, she fell in love with Popoca, a brave warrior who fought in her father’s army—and a man who did not offer her riches but a promise to stay by her side forever. The emperor did not want his daughter to marry a mere warrior, but he recognized Popoca’s bravery. He offered Popoca a deal: If the warrior could defeat their enemy, Jaguar Claw, then the emperor would permit Popoca and Izta to wed. But Jaguar Claw had a plan to thwart the warrior. Would all be lost? Today two majestic volcanoes—Popocatépetl and Iztaccíhuatl—stand overlooking Mexico City. They have been admired and revered for countless generations and have formed the basis of many origin and creation myths. The integration of Nahuatl words (defined with a pronunciation guide in the glossary) into the narrative provides a rich opportunity to introduce and explore another facet of ancient Aztec culture. Take your child on an adventure back in time to a land of color and beauty. |
| the people could fly american black folktales: Why the Crab Has No Head Barbara Knutson, 2009-08-01 Nzambi Mpungu, creator of the earth and sky, has spent a long hard day making the Elephant. By nightfall, Nzambi still hasn't finished her next creation, the Crab, and she tells the little creature to return the following day for a fine head. That night, the proud Crab boasts about the promised head to all the other animals and ends up learning a hard lesson. This tale from the Bakongo people of Zaire, retold and illustrated by Barbara Knutson, will delight readers of all ages. |
| the people could fly american black folktales: The Year We Learned to Fly Jacqueline Woodson, 2022-01-04 Jacqueline Woodson and Rafael López's highly anticipated companion to their #1 New York Times bestseller The Day You Begin illuminates the power in each of us to face challenges with confidence. On a dreary, stuck-inside kind of day, a brother and sister heed their grandmother’s advice: “Use those beautiful and brilliant minds of yours. Lift your arms, close your eyes, take a deep breath, and believe in a thing. Somebody somewhere at some point was just as bored you are now.” And before they know it, their imaginations lift them up and out of their boredom. Then, on a day full of quarrels, it’s time for a trip outside their minds again, and they are able to leave their anger behind. This precious skill, their grandmother tells them, harkens back to the days long before they were born, when their ancestors showed the world the strength and resilience of their beautiful and brilliant minds. Jacqueline Woodson’s lyrical text and Rafael Lopez’s dazzling art celebrate the extraordinary ability to lift ourselves up and imagine a better world. |
| the people could fly american black folktales: Way Up and Over Everything Alice McGill, 2008 In this retelling of a folktale, five Africans escape the horrors of slavery by simply disappearing into thin air. |
| the people could fly american black folktales: Louisiana Folk-tales Alcée Fortier, 1895 |
| the people could fly american black folktales: The Nerviest Girl in the World Melissa Wiley, 2020-08-18 A feisty girl from a family of ranchers lands a job as a daredevil stunt girl in the early days of silent film in this adventurous and funny cross between Wild Hearts Can't Be Broken and Ramona. Pearl lives on a ranch where her chores include collecting eggs and feeding ornery ostriches. She has three older brothers, who don't coddle her at all. And she knows a thing or two about horses, too. One day, Pearl's brothers get cushy jobs doing stunts for this new form of entertainment called moving pictures. They're the Daredevil Donnelly Brothers, a Death-Defying Cowboy Trio. Before she knows it, Pearl has stumbled into being a stunt girl herself--and dreams of becoming a star. The only problem is, her mother has no idea what she's up to. And let's just say she wouldn't be too happy to find out that Pearl's been jumping out of burning buildings in her spare time. Filled with action, humor, and heart--not to mention those pesky ostriches--The Nerviest Girl in the World introduces a spunky heroine whose adventures will have kids on the edge of their seats and whose sense of humor will have them laughing until the very last line. |
| the people could fly american black folktales: The House of Dies Drear Virginia Hamilton, 2011-02-15 Edgar Award Winner: A teenager and his family must uncover the haunting historical legacy of their Civil War–era house. Shortly after moving into an old, spooky home, thirteen-year-old Thomas Small and his family start hearing strange noises. The house has a past, and when Thomas discovers a hidden passageway that may have been part of the Underground Railroad, the family realizes the house has a history as well. To find out all there is to know about the House of Dies Drear, Thomas must explore secret rooms—and the secrets of lives lived centuries before, lives that tell the story of America’s troubled early years. |
| the people could fly american black folktales: Praisesong for the Widow Paule Marshall, 1984-04-16 From the acclaimed author of Daughters and Brown Girl, Brownstones comes a “work of exceptional wisdom, maturity, and generosity, one in which the palpable humanity of its characters transcends any considerations of race or sex”(Washington Post Book World). Avey Johnson—a black, middle-aged, middle-class widow given to hats, gloves, and pearls—has long since put behind her the Harlem of her childhood. Then on a cruise to the Caribbean with two friends, inspired by a troubling dream, she senses her life beginning to unravel—and in a panic packs her bag in the middle of the night and abandons her friends at the next port of call. The unexpected and beautiful adventure that follows provides Avey with the links to the culture and history she has so long disavowed. “Astonishingly moving.”—Anne Tyler, The New York Times Book Review |
| the people could fly american black folktales: Dhegdheer Marian A. Hassan, 2007 A Somali-English Biligual Children's Picture Book. In this hair-raising cautionary tale from Somalia, the Hargega Valley is plagued by the monstrous Dhegdheer, who gobbles up anyone unlucky enough to cross her path. A widow and her young son try to escape her. Will they be Dhegdheer's next meal or will their virtue save them and help bring an end to Dhegdheer's reign of terror? |
| the people could fly american black folktales: Loujain Dreams of Sunflowers Uma Mishra-Newbery, Lina Al-Hathloul, 2022-03-01 A courageous girl follows her dream of learning to fly in this clever narrative filled with “extraordinary spirit… gorgeous colors… a magical quality” (New York Times). Inspired by formerly imprisoned human rights activist Loujain AlHathloul, this sparkling fantasy story is perfect for fans of Malala’s Magic Pencil and the Rebel Girls series. Poetic, moving, and empowering.” - Kirkus Reviews Loujain watches her beloved baba attach his feather wings and fly each morning, but her own dreams of flying face a big obstacle: only boys, not girls, are allowed to fly in her country. Yet despite the taunts of her classmates, she is determined to do it—especially because Loujain loves colors, and only by flying can she see the color-filled field of sunflowers her baba has told her about. Eventually, he agrees to teach her, and Loujain's impossible dream becomes reality—and soon other girls dare to learn to fly. Based on the experiences of co-author Lina AlHathloul's sister, Nobel Peace Prize nominee Loujain AlHathloul, who led the successful campaign to lift Saudi Arabia's ban on women driving, this moving and gorgeously illustrated story reminds us to strive for the changes we want to see—and to never take for granted women's and girls' freedoms. |
| the people could fly american black folktales: The Poems of Phillis Wheatley Phillis Wheatley, 2012-03-15 At the age of 19, Phillis Wheatley was the first black American poet to publish a book. Her elegies and odes offer fascinating glimpses of the beginnings of African-American literary traditions. Includes a selection from the Common Core State Standards Initiative. |
| the people could fly american black folktales: When Spring Comes to the DMZ Ŏk-pae Yi, 2019 Grandfather returns each year to the demilitarized zone, the barrier--and accidental nature preserve--that separates families that live in North and South Korea.--Provided by publisher. |
| the people could fly american black folktales: Tales from Old Ireland , 2000 And so it was that when he met Aoife, a stranger to those parts, he was struck by her beauty and blind to her evil. |
| the people could fly american black folktales: If I Had Two Wings Randall Kenan, 2020-08-04 Longlisted for the 2020 National Book Award for Fiction Finalist for the 2021 Aspen Words Literary Prize Mingling the earthy with the otherworldly, these ten stories chronicle ineffable events in ordinary lives. In Kenan’s fictional territory of Tims Creek, North Carolina, an old man rages in his nursing home, a parson beats up an adulterer, a rich man is haunted by a hog, and an elderly woman turns unwitting miracle worker. A retired plumber travels to Manhattan, where Billy Idol sweeps him into his entourage. An architect who lost his famous lover to AIDS reconnects with a high-school fling. Howard Hughes seeks out the woman who once cooked him butter beans. Shot through with humor and seasoned by inventiveness and maturity, Kenan riffs on appetites of all kinds, on the eerie persistence of history, and on unstoppable lovers and unexpected salvations. If I Had Two Wings is a rich chorus of voices and visions, dreams and prophecies, marked by physicality and spirit. Kenan’s prose is nothing short of wondrous. |
| the people could fly american black folktales: The Unhappy Stonecutter Charlotte Guillain, 2014-10-09 Each book in this beautifully illustrated series presents a different folk tale from around the world. This book tells the story of the unhappy stonecutter, a traditional Japanese folk tale. In it, a simple stonecutter learns that you should count your blessings and be grateful for what you already have, instead of always wanting more! |
| the people could fly american black folktales: The People Could Fly Virginia Hamilton, 1985 Retold Afro-American folktales of animals, fantasy, the supernatural, and desire for freedom, born of the sorrow of the slaves, but passed on in hope. |
| the people could fly american black folktales: How Georgie Radbourn Saved Baseball David Shannon, 2012 After Boss outlaws baseball in America, spring stops coming--until a young boy beats the tyrant at his own game. |
| the people could fly american black folktales: Philippine Folk-Tales Clara Kern Bayliss, 2022-10-27 This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
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