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| the new feminist criticism: The New Feminist Criticism Elaine Showalter, 1985 The New Feminist Criticism brings together for the first time the most influential and controversial essays on the feminist approach to literature. These groundbreaking essays by well-known critics offer a much-needed overview of feminist critical theory, and illustrate its practice. In The New Feminist Criticism the authors take up a variety of topics. They challenge received notions of literary tradition and shows how women's writing has been systematically excluded, misread, and misinterpreted. They address the relationship of women's writing to ethnicity, separatism, and feminism itself. And they ask how it differs from that of men, with regard to recurrent images, symbols, themes, and plots. Complete with a bibliography of feminist literary theory, The New Feminist Criticism is an indispensable introduction to one of the most important intellectual movements of recent times. -- From publisher's description. |
| the new feminist criticism: New Feminist Art Criticism Katy Deepwell, 1995 This text reviews feminist art strategies as they emerged in the late 1980s and early 1990s in America and the UK. It draws together the views of prominent practitioners, critics, academics and curators on a broad range of controversial issues. The central focus of the book is feminism's engagement with psychoanalysis and post-modernism and its aim of deconstructing the borders between art and craft, and theory and practice. Feminist politics in the art world are also investigated through discussion of the negotiations of feminist curators, responses to feminist exhibitions, issues surrounding pornography and the censorship of women's work, and the role of feminist teaching on fine art and design degree courses. The book covers a variety of art work, including installation work, painting, textiles and photography. |
| the new feminist criticism: The New Feminist Literary Studies Jennifer Cooke, 2020-12-03 Presents essays by feminists of theory and literature that examine contemporary feminism and the most pressing issues of today. |
| the new feminist criticism: Feminist Literary Criticism Josephine C. Donovan, 2021-03-17 The first major book of feminist critical theory published in the United States is now available in an expanded second edition. This widely cited pioneering work presents a new introduction by the editor and a new bibliography of feminist critical theory from the last decade. This book has become indispensable to an understanding of feminist theory. Contributors include Cheri Register, Dorin Schumacher, Marcia Holly, Barbara Currier Bell, Carol Ohmann, Carolyn Heilbrun, Catherine Stimpson, and Barbara A. White. |
| the new feminist criticism: Rereading Modernism Lisa Rado, 2012 Until about 1986, feminists generally considered modernism a reactionary, misogynist, and hegemonic mire not worth investigating. Since then enough studies of modernism have appeared that 17 feminist critics can now review and debate their treatment of the period. They evaluate the progress and goals of the new era of modernist scholarship. As the authors in this volume suggest, instead of condemning writers for not practicing or portraying an acceptable politics of gender, we ought instead to show how their assumptions about the nature of the sexes inform their texts, both in their creation and in their reception. This also allows examination of the complex and changing relationship between human subjectivity and aesthetics. This volume is a highly reflective dialogue, introspective and evaluative, at a moment of crisis within modernist studies and feminist studies. The analysis of critical work on early-twentieth-century literature not only helps reread and redefine a definition of modernism; it also intends to redirect and reintegrate feminist theory. |
| the new feminist criticism: Feminist Literary Theory and Criticism Sandra M. Gilbert, Susan Gubar, 2007 With selections by more than 100 writers and scholars, the Reader is an ideal companion for literature surveys where critical and theoretical texts are featured, as well as a rich, flexible core text for advanced courses in feminist theory and criticism. The Reader can be packaged with the Norton Anthology of Literature by Women, Third Edition, at a substantial discount. |
| the new feminist criticism: A History of Feminist Literary Criticism Gill Plain, Susan Sellers, 2007-08-30 Feminism has transformed the academic study of literature, fundamentally altering the canon of what is taught and setting new agendas for literary analysis. In this authoritative history of feminist literary criticism, leading scholars chart the development of the practice from the Middle Ages to the present. The first section of the book explores protofeminist thought from the Middle Ages onwards, and analyses the work of pioneers such as Wollstonecraft and Woolf. The second section examines the rise of second-wave feminism and maps its interventions across the twentieth century. A final section examines the impact of postmodernism on feminist thought and practice. This book offers a comprehensive guide to the history and development of feminist literary criticism and a lively reassessment of the main issues and authors in the field. It is essential reading for all students and scholars of feminist writing and literary criticism. |
| the new feminist criticism: New Feminist Essays on Virginia Woolf Jane Marcus, 1981-06-18 |
| the new feminist criticism: Feminist Literary Criticism Mary Eagleton, 2014-06-06 Looks at the work of a range of critics, including Elaine Showalter, Kate Millett, Gayatri Chakravorty Spivak and the French feminists. The critical approaches encompass Marxist feminism and contemporary critical theory as well as other forms of discourse. It also provides an overview of the developments in feminist literary theory, and covers all the major debates within literary feminism, including male feminism. |
| the new feminist criticism: Making a Difference Gayle Green, Coppélia Kahn, 2003-09-02 First published in 2002. Feminist scholarship employs gender as a fundamental organizing category of human experience, holding two related premises: men and women have different perceptions or experiences in the same contexts, the male perspective having been dominant in fields of knowledge; and that gender is not a natural fact but a social construct, a subject to study in any humanistic discipline. This challenging collection of essays by prominent feminist literary critics offers a comprehensive introduction to modes of critical practice being used to trace the construction of gender in literature. The collection provides an invaluable overview of current femionist critical thinking. Its essays address a wide range of topics: the rerlevance of gender scholarship in the social sciences to literary criticism; the tradition of women's literature and its relation to the canon; the politics of language; French theories of the feminine; psychoanalysis and feminism; feminist criticism of writing by lesbians and black women; the relationship between female subjectivity, class, and sexuality; feminist readings of the canon. |
| the new feminist criticism: Feminisms Robyn R. Warhol, Diane Price Herndl, 1997 In the landmark 1991 edition of Feminisms, Robyn Warhol and Diane Price Herndl assembled the most comprehensive collection of American and British feminist literary criticism ever to be published. In this revised edition, the editors have updated the volume, in keeping with the expanded parameters of feminist literary discourse. With the inclusion of more than two dozen new essays, along with a major reorganization of the sections in which they appear, Warhol and Price Herndl have again established the measure for representing the latest developments in the field of feminist literary theory. Believing that the feminist movement can only move forward where difference commands attention, not dismissal or negativism, they have continued the original collection's mission of providing a multiplicity of perspectives and approaches. This anthology contains three new sections (Conflict, Gaze, and Practice) and includes more selections by and about women of color and lesbians. Aimed at academics and the general public alike, this collection is an indispensable guide to the range of practice on campus today in the field of feminist literary criticism. |
| the new feminist criticism: Listening to Silences Elaine Hedges, Shelley Fisher Fishkin, 1994 Thirty years ago, in a lecture at the Radcliffe Institute, Tillie Olsen first addressed the problem of silences in literature - paving the way for future explorations of the subject, including her landmark work, Silences. The subject of silences and silencing - as fact, as trope, as lens through which to understand literary history - has been central to feminist criticism ever since. In Listening to Silences, a group of distinguished feminist literary critics reevaluates Olsen's heritage to reassert, extend, redefine, and question her insights, and to probe the dynamics of silence and silencing as they operate today in literature, criticism, and the academy. The book traces for the first time the genealogy of an important American critical tradition, one that still influences contemporary debates about feminism, multiculturalism, and the literary canon. Forming a highly diverse group, the contributors to Listening to Silences include Kate Adams, Norma Alarcon, Joanne Braxton, King-Kok Cheung, Constance Coiner, Robin Dizard, Shelley Fisher Fishkin, Diana Hume George, Elaine Hedges, Carla Kaplan, Patricia Laurence, Rebecca Mark, Diane Middlebrook, Carla L. Peterson, Lillian Robinson, Deborah Silverton Rosenfelt, Judith L. Sensibar, Judith Bryant Wittenberg, and Sharon Zuber. |
| the new feminist criticism: Issues in Feminist Film Criticism Patricia Erens, 1990 This anthology makes it abundantly clear that feminist film criticism is flourishing and has developed dramatically since its inception in the early 1970s. —Journal of Aesthetics and Art Criticism Erens brings together a wide variety of writings and methodologies by U.S. and British feminist film scholars. The twenty-seven essays represent some of the most influential work on Hollywood film, women's cinema, and documentary filmmaking to appear during the past decade and beyond. Contributors include Lucie Arbuthnot, Linda Artel, Pam Cook, Teresa de Lauretis, Mary Ann Doane, Elizabeth Ellsworth, Lucy Fischer, Jane Gaines, Mary C. Gentile, Bette Gordon, Florence Jacobowitz, Claire Johnston, E. Ann Kaplan, Annette Kuhn, Julia Lesage, Judith Mayne, Sonya Michel, Tania Modleski, Laura Mulvey, B. Ruby Rich, Gail Seneca, Kaja Silverman, Lori Spring, Jackie Stacey, Maureen Turim, Diane Waldman, Susan Wengraf, Linda Williams, and Robin Wood. |
| the new feminist criticism: Gender Studies Judith Spector, 1986 The essays in Gender Studies explore relationships between gender and creativity, identity, and genre within the context of literary analysis. Some of the essays are psychoanalytic in approach in that they seek to discover the sexual dynamic/s involved in the creation of literature as an art form. Still others attempt to isolate and examine the sexual attitudes inherent in the works of particular authors or genres, or to determine how writers explore the sensibilities of each gender. |
| the new feminist criticism: Engendering Men Joseph A. Boone, Michael Cadden, 2012-08-21 Over the past several years, the question of men’s relation to feminism has become a fiercely and sometimes bitterly debated subject. Engendering Men demonstrates the creative impact that feminist modes of inquiry have already had on a new generation of male critics. In the wake of feminism, many men have found it imperative to begin the task of retheorizing the male position in our culture. This collection of new essays brings together seventeen male critics whose work – on poetry, fiction, the Broadway stage, film and television, and broader cultural and psychoanalytic texts – is opening up new avenues in criticism, as well as in gender and feminist theory. |
| the new feminist criticism: Changing Subjects Gayle Greene, Coppélia Kahn, 2012 These twenty autobiographical essays by eminent feminist literary critics explore the process by which women scholars became feminist scholars, articulating the connections between the personal and political in their lives and work. From these diverse histories a collective history emerges of the development of feminism. Offering a spectrum of experiences and critical positions that engage with current debates in feminism, it will be valuable to teachers and students of feminist theory, women's studies, and the history of the women's movement. |
| the new feminist criticism: Working with Feminist Criticism Mary Eagleton, 1996-11-06 Using the concepts and practices of feminist literary criticism, this constantly challenging workbook not only makes the connection between women's writing and women's lives but breaks new ground in enabling students to apply critical concepts and to feel more at ease with the texts common to feminist literary theory. |
| the new feminist criticism: Refiguring the Father Patricia Yaeger, Elizabeth Kowaleski-Wallace, 1989 An exciting investigation of the ways literary and cultural texts have not only shaped the difficult terms of the daughter-father relationship but also prescribed a role for fathers that is paradoxical and contradictory. These 15 essays seek to enter into a new dialogue with both the tenets of patriarchy and with the initiating symbolic gestures of feminist discourse that have helped to maintain the father’s voracious and hierarchical position in western culture. The problem is not simply to change the focus of feminist inquiry from father-as-center to mother-as-center, but to reinvent the discourse of the father, to unsettle an oedipal dialectic that insists on revealing the father as the gaze, as bodilessness, or as the symbolic, and to develop a new dialectic that refuses to describe the father function as if it were univocal and ahistorical. |
| the new feminist criticism: Autotheory as Feminist Practice in Art, Writing, and Criticism Lauren Fournier, 2021-02-23 Autotheory--the commingling of theory and philosophy with autobiography--as a mode of critical artistic practice indebted to feminist writing and activism. In the 2010s, the term autotheory began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory. |
| the new feminist criticism: Feminist Perspectives on Orange Is the New Black April Kalogeropoulos Householder, Adrienne Trier-Bieniek, 2016-07-12 Since its 2013 premiere, Orange Is the New Black has become Netflix's most watched series, garnering critical praise and numerous awards and advancing the cultural phenomenon of binge-watching. Academic conferences now routinely feature panels discussing the show, and the book on which it is based is popular course material at many universities. Yet little work has been published on OINTB. The series has sparked debate: does it celebrate diversity or is it told from the perspective of white privilege, with characters embodying some of the most racist and sexist stereotypes in television history? This collection of new essays is the first to analyze the show's multiple layers of meaning. Examining Orange Is the New Black from a number of feminist perspectives, the contributors cover topics such as gender, race, class, sexuality, transgenderism, mass incarceration and the prison industrial complex, disability, and sexual assault. |
| the new feminist criticism: The Woman's Part Carolyn Ruth Swift Lenz, Gayle Greene, Carol Thomas Neely, 1980 El documento analiza las figuras femeninas en la obra literaria de william shakespeare desde una critica feminista. Esta compuesto por un conjunto de articulos de diversos autores que giran en torno a dicho tema. |
| the new feminist criticism: New Feminist Art Criticism Katy Deepwell, 1995 The artist, the critic and the academic: feminism's problematic relationship with 'Theory'/ Janet Wolff -- Preaching to the converted? Feminist art publishing in the 1980s / Frances Borzello -- The sphinx contemplating Napoleon : black women artists in Britain / Gilane Tawadros -- Reading between the lines: the imprinted spaces of Sutapa Biswas / Moira Roth -- Modernism, art education and sexual difference /Pen Dalton -- Eyewitnesses, not spectators/activists, not academics: feminist pedagogy and women's creativity / Val A. Walsh -- Exhibiting strategies / Debbie Duffin -- The situation of women curators / Elizabeth A. MacGregor -- Afterthoughts on curating 'The subversive stitch' / Pennina Barnett -- The cult of the individual / Fran Cottell -- On women dealers in the art world / Maureen Paley -- Where do we draw the line? An investigation into the censorship of art / Anna Douglas --Women's movements: feminism, censorship and performance art / Sally Dawson -- Why have there been no great women pornagraphers? / Naomi Salaman -- Just jamming: Irigaray, painting and psychoanalysis / Christine Battersby -- Border crossing: womanliness, body, repre-sentation / Hilary Robinson -- (P)age 49: on the subject of history / Mary Kelly -- Models of painting practice: too much body? / Joan Key --Text and textiles: weaving across the borderlines / Janis Jefferies --Kinda art, sorta tapestry ... / Ann Newdigate -- Sewn constructions / Dinah Prentice -- Penelope and the unravelling of history / Ruth Scheuing. |
| the new feminist criticism: Beyond Feminist Aesthetics Rita Felski, 1989 Beyond Feminist Aesthetics has a dual focus. First, Rita Felski gives a critical account of current American and European feminist literary theory, and second, she offers an analysis of contemporary fiction by women, drawing in particular on the genres of the autobiographical confession and the novel of self-discovery, in order to show that this literature raises questions for feminism that cannot be answered in terms of a purely gender based analysis. Felski argues that the idea of a feminist aesthetic is a nonissue that feminists have needlessly pursued; she suggests, in contrast, that it is impossible to speak of masculine and feminine, subversive and reactionary literary forms in isolation from the social conditions of their production and reception. The political value of such works of literature from the standpoint of feminism can be determined only by an investigation of their social functions and effects in relation to the interests of women in a particular historical context. This leads her to argue for an interdisciplinary approach to the analysis of literature which can integrate literary and social theory, and to develop such an approach by drawing upon the model of a feminist counter-public sphere. Rita Felski has produced a closely reasoned, stimulating book that creates a new framework for discussing the relationship between literature and feminist politics. It will interest students and teachers of women's studies, comparative literature, cultural studies, and fiction. |
| the new feminist criticism: The Feminist Spectator as Critic Jill Dolan, 1991 Extends the feminist analysis of representation to the realm of performance |
| the new feminist criticism: Problems for Feminist Criticism (RLE Feminist Theory) Sally Minogue, 2012-11-12 Feminist criticism has come a long way in the last twenty years. Its development has been rapid, its snowball progress picking up elements of structuralism, deconstruction and psychoanalytic criticism; just as rapidly it has been shedding its own early theories and methodologies. Now it is a critical orthodoxy with its own established canonical texts. Now is the time, then, to begin to question that orthodoxy. In Problems for Feminist Criticism five women critics seek to do that, in a spirit of enquiry whose central point of focus is the literature for which feminist critics have offered a re-reading. By reference to a wide range of writers, from Milton to the contemporary poet, with a strong emphasis on the nineteenth-century novel, the contributors ask what we may be losing from literature by adopting the feminist orthodoxy. Each chapter provides a survey of feminist critical approaches to its subject and highlights the inherent problems. The book frees the way forward for critics who have found much that is stimulating and revealing in feminist approaches to literature, but who find its proscriptiveness potentially reductive. It shows how literature may have the flexibility to absorb and benefit from new critical approaches, whilst still retaining its own life, never quite to be contained in criticism’s theories and methodologies. |
| the new feminist criticism: The Feminist Reader Catherine Belsey, Jane Moore, 1989 |
| the new feminist criticism: A Readers Guide to Contemporary Feminist Literary Criticism Maggie Humm, 2015-07-17 This introduction to feminist literary criticism in its international contexts discusses a broad range of complex critical writings and then identifies and explains the main developments and debates within each approach. Each chapter has an easy-to-use format, comprising an introductory overview, an explanation of key themes and techniques, a detailed account of the work of specific critics, and a summary which includes critiques of the approach. Each chapter is accompanied by a guide to the primary texts and further reading. |
| the new feminist criticism: For-giving Genevieve Vaughan, 1997 |
| the new feminist criticism: The First Collection of Criticism by a Living Female Rock Critic Jessica Hopper, 2015-05-12 Jessica Hopper's music criticism has earned her a reputation as a firebrand, a keen observer and fearless critic not just of music but the culture around it. With this volume spanning from her punk fanzine roots to her landmark piece on R. Kelly's past, The First Collection leaves no doubt why The New York Times has called Hopper's work influential. Not merely a selection of two decades of Hopper's most engaging, thoughtful, and humorous writing, this book documents the last 20 years of American music making and the shifting landscape of music consumption. The book journeys through the truths of Riot Grrrl's empowering insurgence, decamps to Gary, IN, on the eve of Michael Jackson's death, explodes the grunge-era mythologies of Nirvana and Courtney Love, and examines emo's rise. Through this vast range of album reviews, essays, columns, interviews, and oral histories, Hopper chronicles what it is to be truly obsessed with music. The pieces in The First Collection send us digging deep into our record collections, searching to re-hear what we loved and hated, makes us reconsider the art, trash, and politics Hopper illuminates, helping us to make sense of what matters to us most. |
| the new feminist criticism: Revising Flannery O'Connor Katherine Hemple Prown, 2001 In Revising Flannery O'Connor, Katherine Hemple Prown addresses the conflicts O'Connor experienced as a southern lady and professional author. Placing gender at the center of her analytical framework, Prown considers the reasons for feminist critical negelct of the writer and traces the cultural origins of the complicated aesthetic that informs O'Connor's fiction, but published and unpublished.. |
| the new feminist criticism: The Yellow Wall-Paper Charlotte Perkins Gilman, 2024 She has just given birth to their child. He labels her postpartum depression as »hysteria.« He rents the attic in an old country house. Here, she is to rest alone – forbidden to leave her room. Instead of improving, she starts hallucinating, imagining herself crawling with other women behind the room's yellow wallpaper. And secretly, she records her experiences. The Yellow Wall-Paper [1892] is the short but intense, Gothic horror story, written as a diary, about a woman in an attic – imprisoned in her gender; by the story. Charlotte Perkins Gilman's feminist novella was long overlooked in American literary history. Nowadays, it is counted among the classics. CHARLOTTE PERKINS GILMAN (1860–1935), born in Hartford, Connecticut, was an American feminist theorist, sociologist, novelist, short story writer, poet, and playwright. Her writings are precursors to many later feminist theories. With her radical life attitude, Perkins Gilman has been an inspiration for many generations of feminists in the USA. Her most famous work is the short story The Yellow Wall-Paper [1892], written when she suffered from postpartum psychosis. |
| the new feminist criticism: Lean In Sheryl Sandberg, 2013-03-11 #1 INTERNATIONAL BESTSELLER • “A landmark manifesto (The New York Times) that's a revelatory, inspiring call to action and a blueprint for individual growth that will empower women around the world to achieve their full potential. In her famed TED talk, Sheryl Sandberg described how women unintentionally hold themselves back in their careers. Her talk, which has been viewed more than eleven million times, encouraged women to “sit at the table,” seek challenges, take risks, and pursue their goals with gusto. Lean In continues that conversation, combining personal anecdotes, hard data, and compelling research to change the conversation from what women can’t do to what they can. Sandberg, COO of Meta (previously called Facebook) from 2008-2022, provides practical advice on negotiation techniques, mentorship, and building a satisfying career. She describes specific steps women can take to combine professional achievement with personal fulfillment, and demonstrates how men can benefit by supporting women both in the workplace and at home. |
| the new feminist criticism: The Equivalents Maggie Doherty, 2020-05-19 FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD In 1960, Harvard’s sister college, Radcliffe, announced the founding of an Institute for Independent Study, a “messy experiment” in women’s education that offered paid fellowships to those with a PhD or “the equivalent” in artistic achievement. Five of the women who received fellowships—poets Anne Sexton and Maxine Kumin, painter Barbara Swan, sculptor Marianna Pineda, and writer Tillie Olsen—quickly formed deep bonds with one another that would inspire and sustain their most ambitious work. They called themselves “the Equivalents.” Drawing from notebooks, letters, recordings, journals, poetry, and prose, Maggie Doherty weaves a moving narrative of friendship and ambition, art and activism, love and heartbreak, and shows how the institute spoke to the condition of women on the cusp of liberation. “Rich and powerful. . . . A love story about art and female friendship.” —Harper’s Magazine “Reads like a novel, and an intense one at that. . . . The Equivalents is an observant, thoughtful and energetic account.” —Margaret Atwood, The Globe and Mail (Toronto) |
| the new feminist criticism: Political Animals So Mayer, 2015-10-22 Feminist filmmakers are hitting the headlines. The last decade has witnessed: the first Best Director Academy Award won by a woman; female filmmakers reviving, or starting, careers via analogue and digital television; women filmmakers emerging from Saudi Arabia, Palestine, Pakistan, South Korea, Paraguay, Peru, Burkina Faso, Kenya and The Cree Nation; a bold emergent trans cinema; feminist porn screened at public festivals; Sweden's A-Markt for films that pass the Bechdel Test; and Pussy Riot's online videos sending shockwaves around the world. A new generation of feminist filmmakers, curators and critics is not only influencing contemporary debates on gender and sexuality, but starting to change cinema itself, calling for a film world that is intersectional, sustainable, family-friendly and far-reaching. Political Animals argues that, forty years since Laura Mulvey's seminal essay 'Visual Pleasure and Narrative Cinema' identified the urgent need for a feminist counter-cinema, this promise seems to be on the point of fulfilment. Forty years of a transnational, trans-generational cinema has given rise to conversations between the work of now well-established filmmakers such as Abigail Child, Sally Potter and Agnes Varda, twenty-first century auteurs including Kelly Reichardt and Lucretia Martel, and emerging directors such as Sandrine Bonnaire, Shonali Bose, Zeina Daccache, and Hana Makhmalbaf. A new and diverse generation of British independent filmmakers such as Franny Armstrong, Andrea Arnold, Amma Asante, Clio Barnard, Tina Gharavi, Sally El Hoseini, Carol Morley, Samantha Morton, Penny Woolcock, and Campbell X join a worldwide dialogue between filmmakers and viewers hungry for a new and informed point of view. Lovely, vigorous and brave, the new feminist cinema is a political animal that refuses to be domesticated by the persistence of everyday sexism, striking out boldly to claim the public sphere as its own. |
| the new feminist criticism: Shakespeare and the Nature of Women Juliet Dusinberre, 1996-06-12 Shakespeare and the Nature of Women was the first full-length feminist analysis of the plays of Shakespeare and his contemporaries, ushering in a new era in research and criticism. Its arguments for the feminism both of the drama and the early modern period caused instant controversy, which still engrosses scholars. Dusinberre argues that Puritan teaching on sexuality and spiritual equality raises questions about women which feed into the drama, where the role of women in relation to authority structures is constantly renegotiated. Using a critical language which predates Foucault and other major theorists, Shakespeare and the Nature of Women argues that Renaissance drama highlights ways in which the feminine and the masculine are socially constructed. The presence of the boy actor on stage created an awareness of gender as performance, now crucial to contemporary feminist thought. Shakespeare and the Nature of Women claimed for women a right to speak about the literary text from their own place in history and culture. The author's Preface to the second edition traces contemporary developments in feminist scholarship, which still wrestles with the book's main thesis: Renaissance feminism, feminist Shakespeare. |
| the new feminist criticism: Re-Visioning Lear's Daughters L. Kordecki, K. Koskinen, 2010-07-15 King Lear is believed by many feminists to be irretrievably sexist. Through detailed line readings supported by a wealth of critical commentary, Re-Visioning Lear s Daughters reconceives Goneril, Regan, and Cordelia as full characters, not stereotypes of good and evil. These new feminist interpretations are tested with specific renderings, placing the reader in precise theatrical moments. Through multiple representations, this unique approach demonstrates the elasticity of Shakespeare s text. |
| the new feminist criticism: Feminist Art Criticism Arlene Raven, 2018-02-23 From the Preface:The essays in Feminist Art Criticism are theoretical, and we selected them for several reasons. First, they show a diversity of concerns. These include spirituality, sexuality, the representation of women in art, the necessary inter-relationship of theory and action, women as artmakers, ethnicity, language itself, so-called postfeminism and critiques of hte art world, the discipline of art history and the practice of art criticism. Second, the contributors' work has not been either widely disseminated or readily available. Third, the essays, especially arranged as they are (chronologically), demonstrate a continuous feminist discourse in art from the early 1970s through the present, a discourse that is neither monolithic nor intellectually trendy but that rather exhibits many elements, the polemical, Marxist, lyrical, and poststructuralist being only a few. |
| the new feminist criticism: Feminist Literary Theory Mary Eagleton, 1996-01-30 Radically revised and expanded from its original format, this second edition covers new material on Black feminisms, and the impact of post-modernism on feminism. It is the perfect introduction to feminist literary theory today. |
| the new feminist criticism: New Feminist Criticism Joanna Frueh, Cassandra L. Langer, Arlene Raven, 1994-01-02 |
| the new feminist criticism: Toward a Black Feminist Criticism Barbara Smith, 1980 Is a discussion of lesbian writing-e.g., Tony Morrison.--P. Thorslev. |
Difference between CR LF, LF and CR line break types
Oct 12, 2009 · This character is used as a new line character in Commodore and early Macintosh operating systems (Mac OS 9 and earlier). The Line Feed (LF) character (0x0A, \n) moves the …
oracle database - PLSQL :NEW and :OLD - Stack Overflow
Oct 30, 2012 · insert- old value would be null and new value contain some value update - old and new both have some value delete - old has value but new will not contain value. so by using …
git - Create a new branch - Stack Overflow
Nov 9, 2022 · Create new branch git checkout -b At this point I am slightly confused about where you want to commit your current branch. I am assuming that you are …
html - target="_blank" vs. target="_new" - Stack Overflow
Feb 10, 2011 · The target attribute of a link forces the browser to open the destination page in a new browser window. Using _blank as a target value will spawn a new window every time …
python - Create new column based on values from other columns …
As long as the necessary logic to compute the new value can be written as a function of other values in the same row, we can use the .apply method of the DataFrame to get the desired …
how to specify new environment location for conda create
Jun 20, 2016 · the default location for packages is .conda folder in my home directory. however, on the server I am using, there is a very strict limit of how much space I can use, which …
How to check out a remote Git branch? - Stack Overflow
Nov 23, 2009 · With the remote branches in hand, you now need to check out the branch you are interested in with -c to create a new local branch: $ git switch -c test origin/test For more …
python - How to create new folder? - Stack Overflow
Stack Overflow for Teams Where developers & technologists share private knowledge with coworkers; Advertising Reach devs & technologists worldwide about your product, service or …
How can I switch to another branch in Git? - Stack Overflow
Dec 4, 2017 · Check branch again using "git branch" It should now show that you are in the new branch. Now add, commit and push: git add . git commit -m "added new branch" git push origin …
c++ - malloc & placement new vs. new - Stack Overflow
Jan 22, 2012 · new is the C++ keyword for "create instances of types". my_object[10] is a 10 element array of my_object type. It's simple, obvious, and intuitive. There's no casting, no …
Difference between CR LF, LF and CR line break types
Oct 12, 2009 · This character is used as a new line character in Commodore and early Macintosh operating systems (Mac OS 9 and earlier). The Line Feed (LF) character (0x0A, \n) moves the …
oracle database - PLSQL :NEW and :OLD - Stack Overflow
Oct 30, 2012 · insert- old value would be null and new value contain some value update - old and new both have some value delete - old has value but new will not contain value. so by using …
git - Create a new branch - Stack Overflow
Nov 9, 2022 · Create new branch git checkout -b At this point I am slightly confused about where you want to commit your current branch. I am assuming that you are …
html - target="_blank" vs. target="_new" - Stack Overflow
Feb 10, 2011 · The target attribute of a link forces the browser to open the destination page in a new browser window. Using _blank as a target value will spawn a new window every time …
python - Create new column based on values from other columns …
As long as the necessary logic to compute the new value can be written as a function of other values in the same row, we can use the .apply method of the DataFrame to get the desired …
how to specify new environment location for conda create
Jun 20, 2016 · the default location for packages is .conda folder in my home directory. however, on the server I am using, there is a very strict limit of how much space I can use, which …
How to check out a remote Git branch? - Stack Overflow
Nov 23, 2009 · With the remote branches in hand, you now need to check out the branch you are interested in with -c to create a new local branch: $ git switch -c test origin/test For more …
python - How to create new folder? - Stack Overflow
Stack Overflow for Teams Where developers & technologists share private knowledge with coworkers; Advertising Reach devs & technologists worldwide about your product, service or …
How can I switch to another branch in Git? - Stack Overflow
Dec 4, 2017 · Check branch again using "git branch" It should now show that you are in the new branch. Now add, commit and push: git add . git commit -m "added new branch" git push origin …
c++ - malloc & placement new vs. new - Stack Overflow
Jan 22, 2012 · new is the C++ keyword for "create instances of types". my_object[10] is a 10 element array of my_object type. It's simple, obvious, and intuitive. There's no casting, no …
