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| the photographic eye textbook: Capture the Magic Jack Dykinga, 2013-11-15 This book uses a structured approach to teach the art of creating interesting, well-composed images. It provides solutions to problems that often get in the way of producing great photographs and emphasizes the importance of training the eye to exclude the extraneous. Examples of strong images are juxtaposed against flawed images, illustrating how to create a successful composition. Topics covered include light and shadow, lens choice, framing, negative space, and many more. In this book, author Jack Dykinga encourages us to look at photography as a way to communicate. Dykinga says, Photography is a marvelous language that crosses linguistic borders as a universal, powerful, and direct communication. As photographers, we see something we find interesting and simply want to share it. Readers will learn new ways to create interesting and powerful compositions that communicate their intended messages. Filled with beautiful color images throughout, the book is sure to inspire, teach, and motivate photographers of all levels. |
| the photographic eye textbook: The Photographer's Eye Digitally Remastered 10th Anniversary Edition Michael Freeman, 2017-12-14 Design is the single most important factor in creating a successful photograph. The ability to see the potential for a strong picture, then to organise the graphic elements into an effective, compelling composition has always been one of the critical skills in making photographs. Since its first publication in 2007, The Photographer's Eye has established itself as the essential work on this subject, and a key book for modern photographers, with hundreds of thousands of copies sold. It explores all the traditional approaches to composition and design and, crucially, also covers digital possibilities like stitching and HDR. In keeping with the book's purpose to expand the possibilities of the medium without compromising the photographer's vision this edition has been completely remastered to celebrate its tenth anniversary. All-new digital reproduction, not available when the book first came out, gives the author's photography a fresh new look, while retaining the know-how that has given a generation of photographers new purpose. |
| the photographic eye textbook: Within the Frame David duChemin, 2009-05-01 Within the Frame is a book about finding and expressing your photographic vision, specifically where people, places, and cultures are concerned. A personal book full of real-world wisdom and incredible images, author David duChemin (of pixelatedimage.com) shows you both the how and the why of finding, chasing, and expressing your vision with a camera to your eye. Vision leads to passion, and passion is a cornerstone of great photography. With it, photographs draw the eye in and create an emotional experience. Without it, a photograph is often not worth—and can’t capture—a viewer’s attention. Both instructional and inspirational, Within the Frame helps you on your photographic journey to make better images of the places and people you love, whether they are around the world or in your own backyard. duChemin covers how to tell stories, and the technology and tools we have at our disposal in order to tell those narratives. Most importantly, he stresses the crucial theme of vision when it comes to photographing people, places, and cultures—and he helps you cultivate and find your own vision, and then fit it within the frame. |
| the photographic eye textbook: The Photographic Eye Michael F. O'Brien, Norman Sibley, 1988 An introduction to the camera, providing guidelines for composing and evaluating photographs, and exercises and examples for learning to use each element. |
| the photographic eye textbook: The Digital Photography Book Scott Kelby, 2013 Furnishes an overview of digital photography, covering such topics as cameras, exposure, lighting, shutter speed, depth of field, and resolution--and tips on how to avoid hours of photo-editing by taking great photographs the first time. |
| the photographic eye textbook: The Photographer's Eye , 2003 |
| the photographic eye textbook: The Photographer's Vision Michael Freeman, 2011-10-31 In The Photographer's Eye, Michael Freeman showed what a photographer needs to do in the instant before the shutter is released. In the sequel, The Photographer's Mind, he explained the way that professional photographers think a picture through before taking it. Both of these international best-sellers featured Michael's own photography: stunning landscapes, revealing portraits, and fascinating street photography. Now, in The Photographer's Vision, he examines the work of photography's greats, explaining how to look at a photo - and how to learn from looking at it. The featured work includes some of the most distinguished names in photography's history: Nick Knight, Frederick Henry Evans, Frans Lanting, Tim Page, Wolfgang Tillmans, Nan Goldin, Paul Outerbridge, Walker Evans, Cindy Sherman, Elliott Erwitt, Trent Parke, Jeff Wall, Paul Strand, Romano Cagnoni, Horst Faas, James Casebere and many more, making this book visually stunning as well as intellectually authoritative. |
| the photographic eye textbook: The Photographers Eye: A graphic Guide Michael Freeman, 2019-08-08 Taking a new look at composition, the theme of his bestselling classic The Photographer's Eye, Michael Freeman now explores the visual mechanics of photography in its own native terms. Lushly illustrated with straight-to-the-point diagrams and graphic deconstructions, this new, digitally remastered edition speaks in that intuitive, visual, and instantaneous language in which photographers think and work. Each section is organized into discrete units that articulate a working method for communicating particular ideas and capturing certain subjects. Dive into beautiful images and explore how each compositional element is placed and arranged in relationship to each other. Examine the outtakes from each shoot to understand why one particular image succeeded, compared to those shot before and after. Track the viewer's eye as it moves throughout the photo to see the optical dynamics held within each frame. And most of all, internalize this graphic language so you can instantly recognise amazing and powerful shots as they appear in your own viewfinder. |
| the photographic eye textbook: The Unseen Eye William M. Hunt, 2011 ... collection of photographs assembled around a particular theme: in each image, the gaze of the subject is averted, the face obscured or the eyes firmly closed. The pictures present a catalog of anti-portraiture, characterized at first glance by what its subjects conceal, not by what the camera reveals. Amassed over the course of thirty years by New York collector W. M. Hunt, the collection includes works by masters such as Richard Avedon, Diane Arbus, Imogen Cunningham, William Klein, Robert Mapplethorpe, and Robert Frank as well as lesser-known artists and vernacular images. --book jacket. |
| the photographic eye textbook: Camera Todd Gustavson, 2009 Celebrating the camera and the art of the photograph, created in collaboration with the George Eastman House, spans almost 200 years, from the first faint image ever caught to today's state-of-the-art digital equipment. The includes insightful essays by Steve Sasson (inventor of the digital camera) and Alexis Gerard (visionary founder of Future Image Inc.), tracing the camera's development, the lives of its inventors, and the artists behind the lens. Images of more than 350 cameras from the George Eastman House Collection, plus historic photos, ads, and drawings, complement the text. |
| the photographic eye textbook: The Photographer's Mind Michael Freeman, 2012-11-12 The source of any photograph is not the camera or even the scene viewed through the viewfinder-it is the mind of the photographer: this is where an image is created before it is committed to a memory card or film. In The Photographer's Mind, the follow-up to the international best-seller, The Photographer's Eye, photographer and author Michael Freeman unravels the mystery behind the creation of a photograph. The nature of photography demands that the viewer constantly be intrigued and surprised by new imagery and different interpretations, more so than in any other art form. The aim of this book is to answer what makes a photograph great, and to explore the ways that top photographers achieve this goal time and time again. As you delve deeper into this subject, The Photographer's Mind will provide you with invaluable knowledge on avoiding cliché, the cyclical nature of fashion, style and mannerism, light, and even how to handle the unexpected. Michael Freeman is the author of the global bestseller, The Photographer's Eye. Now published in sixteen languages, The Photographer's Eye continues to speak to photographers everywhere. Reaching 100,000 copies in print in the US alone, and 300,000+ worldwide, it shows how anyone can develop the ability to see and shoot great digital photographs. |
| the photographic eye textbook: Understanding Photography Sean T. McHugh, 2018-12-11 Comprehensive, heavily illustrated volume introduces the concepts and techniques of digital image capture, including exposure, composition, histograms, depth of field, advanced lighting, lens filters, shutter speed, and autofocus. Learn the core concepts and techniques you need to know to take better photos, from choosing the best lens for your stylistic goals to selecting the right camera settings for different lighting conditions. With clear explanations and highly visual examples, Sean T. McHugh takes you from basic concepts like exposure and depth of field to more advanced topics, such as how camera lenses and sensors capture light to produce images. You'll learn not only which camera settings to use in different situations but also the reasons why. Learn how to: - Choose lenses that give greater control over perspective - Minimize image noise by understanding how digital sensors work - Get the exposure you want even in fog, mist, or haze - Improve hand-held shots by mastering shutter speed and autofocus - Use tripods, lens filters, and flash to enhance image capture Whether you want to understand digital photography at a deeper level or simply want to take better photos, Understanding Photography will help you get the most out of your camera. |
| the photographic eye textbook: The Photographer's Eye: Graphic Guide Michael Freeman, 2014-11-13 Michael Freeman’s unrivalled compositional advice, first presented in the bestelling The Photographer's Eye, is explained in a new and deliberately visual manner in The Photographer's Eye: A Graphic Guide. Photography is a visual language in itself, and therefore lends perfectly to visual explanation. Drawing on his long professional experience as an editorial photographer, Michael Freeman shows exactly how images work by using a beguilingly simple technique. His unique style of illustration (which he does himself ) deconstructs photographs in a way that is clear, elegant and thoughtful. The information in this book can be absorbed in minutes, but last you a lifetime. |
| the photographic eye textbook: Eye to Eye Frans Lanting, 2003 Eye to Eye, the first personal portfolio by master photographer Frans Lanting, presents an extraordinary collection of animal images by an award-winning photographer and naturalist who has set the standards for a whole generation of wildlife photographers, according to the BBC. More than 140 photographs, made over a period of twenty years, reveal the unique personal aesthetic Frans Lanting brings to wildlife photography, as well as the startling new perspective on animals his images provoke. In a review of his work The New York Times states, Mr. Lanting's photographs take creatures that have become ordinary and familiar and transform them into haunting new visions. This book's exquisite images are accompanied by personal stories and observations from a lifetime of working with wild animals around the world, ranging from orangutans in the rain forests of Borneo to emperor penguins in Antarctica. More than 70 species are represented in this astonishing portrait gallery celebrating the diversity of life on earth. Frans Lanting does not seek in these encounters the beauty traditionally revered by wildlife photographers: The perfection I seek in my photographic compositions is a means to show the strength and dignity of animals in nature. Frans Lanting's work has been lauded by designers as art, by biologists as science, and by others as a new vision of the relationship between animals and people - one that challenges us to look animals in the eye and see ourselves. |
| the photographic eye textbook: The Corporate Eye Elspeth H. Brown, 2005-07-26 Winner, Association of American Publishers' Professional and Scholarly Publishing Award in Business, Management and Accounting In the late nineteenth century, corporate managers began to rely on photography for everything from motion studies to employee selection to advertising. This practice gave rise to many features of modern industry familiar to us today: consulting, scientific approaches to business practice, illustrated advertising, and the use of applied psychology. In this imaginative study, Elspeth H. Brown examines the intersection of photography as a mass technology with corporate concerns about efficiency in the Progressive period. Discussing, among others, the work of Frederick W. Taylor, Eadweard Muybridge, Frank Gilbreth, and Lewis Hine, Brown explores this intersection through a variety of examples, including racial discrimination in hiring, the problem of photographic realism, and the gendered assumptions at work in the origins of modern marketing. She concludes that the goal uniting the various forms and applications of photographic production in that era was the increased rationalization of the modern economy through a set of interlocking managerial innovations, technologies that sought to redesign not only industrial production but the modern subject as well. |
| the photographic eye textbook: Publish Your Photography Book Darius D. Himes, Mary Virginia Swanson, 2014-03-04 The book New Orleans native Anne Rice called a landmark oOur indispensable guide to publishing your own photography book just got better. In this revised and updated edition of Publish Your Photography Book, industry insiders Darius D. Himes and Mary Virginia Swanson take budding authors through the publishing process—from concept through production, marketing, and sales—pointing out the many avenues to pursue and pitfalls to avoid. It's packed with information, including interviews and contributions from artists, publishers, designers, packagers, editors, and other industry experts who openly share their publishing experiences. This revised edition features updated case studies and resources sections as well as expanded information on digital publishing platforms, with advice on how to make and market your eBook. |
| the photographic eye textbook: The Radical Eye: Modernist Photography from the Sir Elton John Collection Elton John, 2016-11-15 Sir Elton John, musician and philanthropist, has built one of the greatest private collections of photography in the world. This book presents an unparalleled selection of modernist images, which introduce a crucial moment in the history of photography when artists were beginning to use the camera and darkroom to redefine and transform visions of the modern world. Technological advancements gave artists the freedom to experiment and test the limits of the medium enabling new imaginings of portraits, nudes and still lifes; and street life and the modern world was captured from a new, uniquely modern perspective. Showcasing only original vintage prints by the artists themselves, the book features key figures from the 1920s to 1950s, such as Brassai, Andre Kertesz, Dorothea Lange, Tina Modotti, Man Ray, Edward Steichen and Alexander Rodchenko. Also includes a newly commissioned interview with Sir Elton John and essays on modernist photography and technology and innovation by Dawn Ades and Shoair Mavlian. |
| the photographic eye textbook: The Photobook , 2004 |
| the photographic eye textbook: Photographic Composition Richard D. Zakia, David Page, 2012-09-10 Those of you who follow this blog know that Dr. Richard Zakia, former RIT professor, is one of my all time favorite photo gurus. We send each other pictures. We talk about looking into pictures - and not just looking at them. Big difference.. Dr. Richard Zakia, a.k.a. Dick, is the co-author, along with David Page, of Photographic Composition: A Visual Guide. These two dudes are also two of my favorite people.---Rick Sammon's blog Covers all the tips needed to help photographers construct their own unique, outstanding images and is an outstanding 'must' for any collection.--CA Bookwatch |
| the photographic eye textbook: Reframing Photography Rebekah Modrak, Bill Anthes, 2011 In an accessible yet complex way, Rebekah Modrak and Bill Anthes explore photographic theory, history, and technique to bring photographic education up to date with contemporary photographic practice. -- |
| the photographic eye textbook: The Mind's Eye Henri Cartier-Bresson, 1999 The first compilation of writings by a master of photography. One of the leading lights in photography of the twentieth century, Henri Cartier-Bresson is also a shrewd observer and critic. His writings on photography and photographers, which have appeared sporadically over the past forty-five years, are gathered here for the first time. Several have never before appeared in English. The Mind's Eye features Cartier-Bresson's famous text on the decisive moment as well as his observations on Moscow, Cuba, and China during turbulent times, which ring with the same immediacy and visual intensity that he brings to his photography. Cartier-Bresson remains as direct and insightful as ever in his writings. His commentary on photographer friends he has known-including Robert Capa, Andre Kertesz, Ernst Haas, and Sarah Moon-reveal the impassioned and compassionate vision for which Cartier-Bresson is beloved. |
| the photographic eye textbook: For Every Minute You are Angry You Lose Sixty Seconds of Happiness , 2005 I met Charles Albert Lucien Snelling on a Saturday in April, 1992. He lived in a typical two-up, two-down terraced house amongst many other two-up, two-down terraced houses... it was yellow and orange. In that respect it was totally different from every other house on the street. Charlie was a simple, gentle man. He loved flowers and the names of flowers. He loved color and surrounded himself with color. He loved his wife. Without ever trying or intending to, he showed me that the most important things in life cost nothing at all. He was my antidote to modern living. Over eight years, photographer Julian Germain documented Charlie, an elderly man living alone on England's Southern Coast, unfettered by the misplaced aspirations of the modern world; instead he spent the last years of his life absorbed in memories of his family, his love for flowers, music and the quotidian pleasures of the crossword. Germain's charming photographs are a beautiful, gentle portrait of a gentleman in his twilight years. |
| the photographic eye textbook: Light Science and Magic Fil Hunter, Steven Biver, Paul Fuqua, 2013-05-02 This book is renowned for being the book to own to understand lighting! This is better than all the other how to books on the market which just provide set examples for photographers to follow. Light Science and Magic provides photographers with a comprehensive theory of the nature and principles of light to allow individual photographers to use lighting to express their own creativity. It will show you in-depth how to light the most difficult subjects such as surfaces, metal, glass, liquids, extremes (black-on-black and white-on-white), and people. With more information specific for degital photographers, a brand new chapter on equipment, much more information on location lighting, and more on photographing people, you'll see why this is one of the only recommended books by www.strobist.com. |
| the photographic eye textbook: On Photographs David Campany, 2020 Gain a new perspective on photography in this personally guided introduction to photographic images and what they mean by one of the leading writers and curators of our time On Photographs is destined to become an instant classic of photography writing. Rejecting the conventions of chronology and the heightened status afforded to 'classics' in traditional accounts of the history of the medium, Campany's selection of photographs is an expertly curated and personal one - mixing fine art prints, film stills, documentary photographs, fashion editorials and advertisements. In this playful new take on the history of photography, anonymous photographers stand alongside photography pioneers, 20th-century talents and contemporary practitioners. Each photograph is accompanied by Campany's highly readable commentary. Putting the sacred status of authorship to one side, he strives to guide the reader in their own interpretation and understanding of the image itself. In a visual culture in which we have become accustomed to not looking, Campany helps us see, in what is both an accessible introduction for newcomers and a must-have for photography aficionados. |
| the photographic eye textbook: The Critical Eye Lyle Rexer, 2019 The Critical Eye provides a comprehensive approach to the critical understanding of photography through an in-depth discussion of fifteen photographs and their contexts--historical, generic, biographical, and aesthetic. Lyle Rexer argues that by concentrating on just a few carefully chosen works it is possible to understand the history, development, and contemporary situation of photography. Looking at images by photographers such as Roland Fischer, Myoung Ho Lee, Zanele Muholi, and Ernest Cole, The Critical Eye addresses a wide range of issues involved in photography, from authorial self-consciousness to the role of the audience, and with every chapter it seeks to link the history of photography to current practice. |
| the photographic eye textbook: The Photographer's Playbook Jason Fulford, Greg Halpern, 2014 |
| the photographic eye textbook: Life-time Jock Sturges, 2008 Life Time presents a broad range of this color work for the first time and carries forward Sturges' extended portraits of families in Northern California counter-culture communities and on French naturist beaches. |
| the photographic eye textbook: Physics of Digital Photography D. Andrew Rowlands, 2020 Physics is fundamental to all aspects of digital photography. This book works through the physics underlying the photographic imaging chain, from image capture through to the production of a viewable output digital image. It provides an invaluable insight into the connections between imaging science and photographic practice and is intended for use by both graduate students and established researchers. In this updated and expanded new edition, the material has been reorganised and extensively rewritten and the figures have been enhanced. -- Prové de l'editor. |
| the photographic eye textbook: The House I Once Called Home Duane Michals, 2003 Duane Michals (born 1932) was seventy when, soon after the death of his mother, he returned to his native Pittsburgh to revisit the house in which he was born and brought up. Its deteriorated state proved a poignant focus for his memories, prompting reveries on mortality and the succession of generations that found form as a sequence of photographs and poetic texts. In The House I Once Called Home, the interaction of words and images provides a sensitive and moving account of one man's journey through life. Michals creates a highly affecting layering of time by superimposing new photographs onto much older images taken in the same location during his earlier life there. Michals is one of America's most consistently individual and original voices in photography. He rejected the documentary emphasis of much of the work that preceded him, instead using the camera to explore the workings of the mind. Michals sought to overcome what he deemed to be the limitations of the single photographic image, both by writing directly onto his prints and by creating narrative sequences of images; these innovative techniques proved immensely influential. Powerfully intimate in its focus, The House I Once Called Home demonstrates conclusively the possibility of exposing universal truths through the most personal events. It is a work to which every reader will be able to relate through the filter of his or her own experience, and which will undoubtedly accrue new meanings as we ourselves return to it at different stages in our lives. |
| the photographic eye textbook: The Privileged Eye Max Kozloff, 1987 The title essay, The privileged eye, meditates at length on the shock of such appearances, as manifested in a single, highly charged image by Henri Cartier-Bresson. Throughout these wide-ranging essays, Kozloff keeps close to the experience of photographic imagery, linking discernment with freshness of visual contact. These essays describe what if feels like to be in the grip of photography's objectified world.--Page 4 de la couverture. |
| the photographic eye textbook: The Photographic Eye TE M. O'Brien, Norman Sibley, 1994-05-01 A guide for teachers of photography, this work covers the technical aspects of photography in detail, but its primary theme is learning to see with the camera. This approach offers lessons which extend to every facet of life, not only in photography, but in other visual arts as well. |
| the photographic eye textbook: Absence of Being Susan Burnstine, Del Zogg, 2016 Los Angeles-based photographer Susan Burnstine's (born 1966) Absence of Beingis a haunting, intensely personal and yet extremely universal exploration of the subconscious world, which began with her highly praised first monograph, Within Shadows. Burnstine captures images that purge her dreams. Finding no existing camera that could create what her mind envisioned, she began to experiment with building her own and molding her own lenses until she arrived at the prototype for the handmade cameras she continues to use. The results are instantly recognizable black-and-white images, which have been described as 21st-century impressionism. Burnstine does not use any of the post-production tools available in today's digital environment. All of the effects one sees in a Burnstine photograph are created in the camera at the time of exposure of the negative. |
| the photographic eye textbook: Complete Digital Photography Tom Ang, 2006-11 Digital imaging is no longer the province of the enthusiast or dedicated amateur. By end 2004, according to market estimates, the installed base of digital cameras worldwide reached over 200 million. Moreover, millions of people now make use of digital cameras built into mobile phones, producing countless images each year. Complete Digital Photography caters to a need not met by existing books, addressing the general public or lay person who simply wants to do a few basic things with their digital images. They do not expect to become skilled photographers, they do not aspire to semi-professional status, they do not want to work hard. They want to have fun, want to learn how to use their 'toys' only well enough to create satisfying images to give to friends. But they may well be bitten by the nature of the medium and wish to go a little further. Complete Digital Photography aims to inspire such readers and to provide hints and encouragement, without going into too much off-putting detail. |
| the photographic eye textbook: The Photographic Eye Michael F. O'Brien, Norman Sibley, 1995 Learn how to take apart each element of a successful photograph, analyze it, master it, and then put it all back together. 228 pages (8 in color), 240 b/w illus., 8 1/2 x 10 1/4. |
| the photographic eye textbook: On Photography Susan Sontag, 2025-02-18 Winner of the National Book Critics' Circle Award for Criticism. One of the most highly regarded books of its kind, Susan Sontag's On Photography first appeared in 1977 and is described by its author as a progress of essays about the meaning and career of photographs. It begins with the famous In Plato's Caveessay, then offers five other prose meditations on this topic, and concludes with a fascinating and far-reaching Brief Anthology of Quotations. |
| the photographic eye textbook: The Errand of the Eye Susan Ehrens, Julian Cox, 2013 Born in Poland, Rose Mandel emigrated to California in 1942. A love of photography soon brought her into contact with Edward Weston and then with Ansel Adams and Minor White, both of whom had a strong influence on Mandel's work. Including her important sequence The Errand of the Eye, this book presents the sensitivity and clarity of Mandel' vision. Images from natural and man-made environments, eloquent portraits and abstract landscapes convey Mandel's delight in the compositions and patterns that can be found anywhere, whether walking along a city street or a country path. These photographs are the result of a highly refined sense of craftsmanship and a complex understanding of psychology and abstract expressionism that caused Mandel to be described as a painter with a camera. The first monograph on the artist, this volume features an enlightening overview of Mandel's life and work, along with an illustrated chronology and exhibition history. AUTHOR: Susan Ehrens is an art historian and independent photography curator and consultant who worked closely with Rose Mandel during the last two decades of the artist's life. Julian Cox is the Fine Arts Museums of San Francisco's Founding Curator of Photography and Chief Administrative Curator. SELLING POINTS: The first publication dedicated to Rose Mandel, a pioneering woman in photography, introduces her remarkable, if often overlooked, body of work to a wider audience. IMAGES: 105 duotone photographs |
| the photographic eye textbook: My Dakota , 2017 In 2005, I set out to photograph my home state of South Dakota, a sparsely populated frontier state on the Great Plains with more buffalo, pronghorn, coyotes, mule deer, and prairie dogs than people. It's a land of powwows and rodeos, a corn palace and a buffalo roundup; a harsh and beautiful landscape dominated by space and silence and solitude, by brutal wind and extreme weather; a former Wild West territory where European and Lakota peoples clashed, where cultural tensions still linger; a landscape littered with the broken and the abandoned; a place I'd learned to love in all its complexity. The next year, my brother, Dave, died unexpectedly of heart failure. For months, one of the few things that eased my unsettled heart was the landscape of South Dakota. It seemed all I could do was drive and photograph. I began to wonder - does loss have its own geography? |
| the photographic eye textbook: The Fourth Wall , 2012 |
| the photographic eye textbook: The Photographic Eye of Ben Shahn Ben Shahn, Davis Pratt, 1975 |
| the photographic eye textbook: The Photographer's Eye Michael Freeman, 2007-05-23 Design is the single most important factor in creating a successful photograph. The ability to see the potential for a strong picture and then organize the graphic elements into an effective, compelling composition has always been one of the key skills in making photographs. Digital photography has brought a new, exciting aspect to design - first because the instant feedback from a digital camera allows immediate appraisal and improvement; and second because image-editing tools make it possible to alter and enhance the design after the shutter has been pressed. This has had a profound effect on the way digital photographers take pictures. Now published in sixteen languages, The Photographer's Eye continues to speak to photographers everywhere. Reaching 100,000 copies in print in the US alone, and 300,000+ worldwide, it shows how anyone can develop the ability to see and shoot great digital photographs. The book explores all the traditional approaches to composition and design, but crucially, it also addresses the new digital technique of shooting in the knowledge that a picture will later be edited, manipulated, or montaged to result in a final image that may be very different from the one seen in the viewfinder. |
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