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| the materials and methods of sculpture: The Materials and Methods of Sculpture Jack C. Rich, 1973 |
| the materials and methods of sculpture: The Materials and Methods of Sculpture Jack C. Rich, 1963 |
| the materials and methods of sculpture: The Making of Sculpture Marjorie Trusted, 2007-11 This is an accessible historical and technical guide to the materials and techniques of European sculpture, based on the collections at the V&A. Casting, carving, and modeling practices are explored from medieval times onwards. Each chapter concentrates on a specific material or category. Beautiful color photography highlights the works and illustrates contemporary workshop practices. |
| the materials and methods of sculpture: Sculpture Cleo Kuhtz, 2016-07-15 Looking at a work of art, like listening to music, becomes a rewarding experience only if the senses are alert to the qualities of the work and to the artist’s purpose that brought them into being. The language of sculpture must be learned. In this in-depth study, readers examine the materials, tools, methods, styles, and practices that are involved in sculpting and many of the techniques that have been used by accomplished artists who have contributed to sculpture as a fine art, from the marble gods of Phidias to the mobiles by Alexander Calder. |
| the materials and methods of sculpture: Materials and Processes of Contemporary Sculpture Mahmoud Farag, 2020-01-17 Creating a successful sculpture requires an imaginative concept and a sound design that utilize the potential and avoid the limitations of the material and the process used in making it. Prior to a few decades ago, most sculptors were restricted to carving stone and wood or casting plaster, ceramics and bronze for their creations. Contemporary sculptors, however, are no longer bound by the limitations of these traditional materials and processes, and can now create works in sizes, forms and textures that could not have been achieved previously. Many modern sculptures are now made from materials ranging from steel and aluminum to plastics and composites using processes ranging from welding and adhesive bonding to molding and 3D printing. To fully utilize the full potential of such new materials, the sculptor needs to understand their points of strength, their limitations, and the most effective way of shaping them to achieve a given design. Although this book is written by a materials engineer, the subject matter is presented from the point of view of the sculptor with emphasis on the strengths and weaknesses of different materials, their resistance to weather conditions, natural color and possible surface textures, possible methods of shaping and joining, tools and equipment needed, and safety measures to take. Whenever possible, case studies are used to illustrate the sequence of processes and the cost elements involved in shaping a given material to create an actual work of sculpture. |
| the materials and methods of sculpture: Sculpture Louis Slobodkin, 1973-01-01 Offers advice on using tools and constructing armatures as well as shaping human figures, portrait heads, and bas reliefs from clay, plaster, wood, stone, and metal |
| the materials and methods of sculpture: Modelling and Sculpting the Human Figure Edouard Lanteri, 1985-10-01 Offering meticulous descriptions of the body's anatomical features, Lanteri — an intimate friend of Rodin — covers modelling from casts and live models; measurements; frameworks; scale of proportions; composition in both relief and in the round; drapery; adding inscriptions; and much more. 107 full-page photographic plates. 27 other photographs. 175 drawings and diagrams. |
| the materials and methods of sculpture: The Materials and Methods of Sculpture Jack C. Rich, 1988-01-01 Promises to become a standard reference book. — The Art Digest. Exhaustive, profusely illustrated guide to all of the technical aspects of sculpting in stone, metal, wood, and other materials. The author expertly covers casting, surface treatment, exotic materials such as amber, coal, and even butter! Much more. 281 illustrations. |
| the materials and methods of sculpture: Sculpture Casting Dennis Kowal, 2010-12-14 The studio edition of CASTING SCULPTURE explains in detail traditional and modern systems for mold making and casting. Demonstrations are clearly illustrated through 264 pages and 457 photographs with step-by-step procedures of various processes in metals, plastic, concrete, etc. In addition, finishing techniques, the making and use of tools and safety procedures are illustrated. Working methods by various artists will help the reader appreciate how others have solved many of the problems that arise in sculpture casting. This book in intended for the student and the professional artist/sculptor. Many examples of finished works give ample testimony to the validity of the casting method for contemporary sculpture. For over 50 years, author Dennis Kowal has contributed his working life to creating prototypes and human scale public sculptures. Lectures, exhibitions, family and fishing all contribute to that end. Alive is good! |
| the materials and methods of sculpture: The Grove Encyclopedia of Materials and Techniques in Art Gerald W. R. Ward, 2008 The Grove Encyclopedia of Materials and Techniques deals with all aspects of materials, techniques, conservation, and restoration in both traditional and nontraditional media, including ceramics, sculpture, metalwork, painting, works on paper, textiles, video, digital art, and more. Drawing upon the expansive scholarship in The Dictionary of Art and adding new entries, this work is a comprehensive reference resource for artists, art dealers, collectors, curators, conservators, students, researchers, and scholars. Similar in design to The Grove Encyclopedia of Decorative Arts, this one-volume reference work contains articles of various lengths in alphabetical order. The shorter, more factual articles are combined with larger, multi-section articles tracing the development of materials and techniques in various geographical locations. The Encyclopedia provides unparalleled scope and depth, and it offers fully updated articles and bibliography as well as over 150 illustrations and color plates. The Grove Encyclopedia of Materials and Techniques offers scholarly information on materials and techniques in art for anyone who studies, creates, collects, or deals in works of art. The entries are written to be accessible to a wide range of readers, and the work is designed as a reliable and convenient resource covering this essential area in the visual arts. |
| the materials and methods of sculpture: Sculpture Arthur Williams, 1995 Discusses the origins, materials, and tools used for sculpture, and looks at the preparation of works for an exhibition. |
| the materials and methods of sculpture: Supports in Roman Marble Sculpture Anna Anguissola, 2018-02-15 The first study of a crucial aspect of Roman stone sculpture, exploring the functions and aesthetics of non-figural supports. |
| the materials and methods of sculpture: Sculpting Basics Karin Hessenberg, 2005 An introduction to sculpting discusses clay modeling, molding, and casting and includes projects using wire mesh, wood, and other objects to illustrate direct building techniques. |
| the materials and methods of sculpture: The Complete Guide to Sculpture, Modelling and Ceramics Barry Midgley, 1998 Comprehensive coverage of history, materials, tools and techniques. |
| the materials and methods of sculpture: Sculpture as Experience Judith Peck, 2007-07-06 Sculpture as Experience 2nd Edition explores the freedoms and possibilities inherent in sculpture. Beginning with exercises in seeing and drawing for beginners and experienced artists alike, Dr. Judith Peck goes on to describe different approaches to creating sculpture, including both aesthetic and practical methods for working with a wide range of media. &break;&break;The expanded second edition includes: &break;&break;Six new chapters devoted to paper productions, foam core fabrications, wood constructions, sand sculpture, project preservations and patina, and mounting &break;&break;200 color photos to encourage individual creativity and provide inspiration &break;&break;In-depth instructions demonstrating techniques for working with found objects, clay, foil and pariscraft, wax, wire, plaster and cement and vermiculite &break;&break;Checklists of tools and materials needed for each medium and technique &break;&break;Generously illustrated in color with student work and the author's own art, Sculpture as Experience 2nd Edition will broaden the definition of what sculpture is and help the individual sculptor find his or her medium. |
| the materials and methods of sculpture: Looking at Greek and Roman Sculpture in Stone Janet Burnett Grossman, 2003 What is a an anthemion? What is giallo antico marble? Who was Praxiteles? This richly illustrated book -- in the popular Looking At series -- presents definitions and descriptions of these and many other terms relating to Greek and Roman sculpture encountered in museum exhibitions and publications on ancient stone sculpture. This is an indispensable guide to anyone looking for greater understanding of ancient sculpture and heightened enjoyment of the objects. Book jacket. |
| the materials and methods of sculpture: Living Materials Oliver Andrews, 1988-09-23 Every material has an active presence and every material is susceptible to change. The task of the sculptor is to understand the natural properties of a chosen material, to know in the process of creation how best to work with, or against, its characteristics. In this generously illustrated studio manual, sculptor Oliver Andrews takes a new approach to sculpture, focusing on how the innate assertiveness of materials affects the complex act of making a sculpture. |
| the materials and methods of sculpture: Direct Stone Sculpture Milt Liebson, 2001 Here is your guide through the hands-on experience of sculpting in stone. Hundreds of photos of the progressive process and finished works by famous sculptors will inspire your own work. The types of stone and use of basic hand-sculpting tools are presented along with the use of power tools, methods of lamination, repair, and the business side of stone sculpture. Express your creativity in this ageless medium. This expanded edition includes 47 new pictures, updated stone-working techniques, and a gallery of students' work. |
| the materials and methods of sculpture: The Conservation of Medieval Polychrome Wood Sculpture Michele D. Marincola, Lucretia Kargère, 2020-08-18 The first English-language book to comprehensively discuss the history and methodology of conserving medieval polychrome wood sculpture. Medieval polychrome wood sculptures are highly complex objects, bearers of histories that begin with their original carving and adornment and continue through long centuries of repainting, deterioration, restoration, and conservation. Abundantly illustrated, this book is the first in English to offer a comprehensive overview of the conservation of medieval painted wood sculpture for conservators, curators, and others charged with their care. Beginning with an illuminating discussion of the history, techniques, and meanings of these works, it continues with their examination and documentation, including chapters on the identification of both the wooden support and the polychromy itself—the paint layers, metal leaf, and other materials used for these sculptures. The volume also covers the many aspects of treatment: the process of determining the best approach; consolidation and adhesion of paint, ground, and support; overpaint removal and surface cleaning; and compensation. Four case studies on artworks in the collection of The Cloisters in New York, a comprehensive bibliography, and a checklist to aid in documentation complement the text. |
| the materials and methods of sculpture: By Hand Shu Hung, Joseph Magliaro, 2007 In a response to the sleek forms and perfect angles of most late twentieth century design objects, many of today's artists and designers are returning to handmade work such as hand lettering, hand drawing, and hand sewing. By Hand features an international collection of the most noteworthy artists and shows their work in detailed photography and insightful texts. From books to pillows to T-shirts to toys, the pieces in this volume define an alternative view of contemporary design. Personal craft is emphasized over perfection and the personality of the artist is put forth as a key element of the finished product. From Kiki Smith's lovingly etched birds to Barb Hunt's knitted land mines to dynamo-ville's one-of-a-kind puppets to Evil Twin's hand-stitched publications, today's art revels in the care and consideration of craft. |
| the materials and methods of sculpture: Cold Wax Medium Rebecca Crowell, Jerry McLaughlin, 2016-12-15 More than just a technical guide, this book provides comprehensive information for those new to cold wax medium, as well as technical expertise and inspiration to those with experience. Featuring nearly 100 artists from around the world, Cold Wax Medium will strengthen your work and studio practice, suggest new directions, and support thoughtful self-critique. |
| the materials and methods of sculpture: The Oxford Handbook of Roman Sculpture Elise A Friedland, Melanie Grunow Sobocinski, Elaine Gazda, 2015-02-03 The study of Roman sculpture has been an essential part of the disciplines of Art History and Classics since the eighteenth century. Famous works like the Laocoön, the Arch of Titus, and the colossal portrait of Constantine are familiar to millions. Again and again, scholars have returned to sculpture to answer questions about Roman art, society, and history. Indeed, the field of Roman sculptural studies encompasses not only the full chronological range of the Roman world but also its expansive geography, and a variety of artistic media, formats, sizes, and functions. Exciting new theories, methods, and approaches have transformed the specialized literature on the subject in recent decades. Rather than creating another chronological catalogue of representative examples from various periods, genres, and settings, The Oxford Handbook of Roman Sculpture synthesizes current best practices for studying this central medium of Roman art, situating it within the larger fields of Art History, Classical Archaeology, and Roman Studies. This comprehensive volume fills the gap between introductory textbooks and highly focused professional literature. The Oxford Handbook of Roman Sculpture conveniently presents new technical, scientific, literary, and theoretical approaches to the study of Roman sculpture in one reference volume while simultaneously complementing textbooks and other publications that present well-known works in the corpus. The contributors to this volume address metropolitan and provincial material from the early republican period through late antiquity in an engaging and fresh style. Authoritative, innovative, and up-to-date, The Oxford Handbook of Roman Sculpture will remain an invaluable resource for years to come. |
| the materials and methods of sculpture: Contemporary Patination 2nd Edition Ronald Young, 2015-03-13 Contemporary Patination, 2nd Edition, is a recipe book for many hot and cold patinas for bronze brass and copper. Instruction and supply lists are provided for buried, fumed, paste, wrapped, multi-layered patinas, hot patinas and cold patinas. Nearly every patina discussed will have an accompanying photograph for visual comparison.There is also instruction to preserve, protect and maintain your artwork and trouble-shooting charts for applying patinas and clear top coats.This is a valuable book for sculptors, architects, metal artists, jewelers, conservators, hobbyists and more. |
| the materials and methods of sculpture: Methods for Modern Sculptors Ronald D. Young, Robert A. Fennell, 1980 |
| the materials and methods of sculpture: Modelling and Sculpting the Figure Tanya Russell, 2018-12-11 The human figure in sculpture is a powerful form, capable of great expression and depth. Sculpting the figure in any medium is a rewarding practice, but one that presents special challenges for the maker. Tanya Russell, founder and principal of the Art Academy in London, details the whole creative process for sculpting the figure, from the fundamental conceptual and practical considerations through to the finished and presented work. She covers essential tools and equipment, methods for building armatures, and the processes for creating not only realistic, but also abstract and expressive figures, in a variety of styles and materials. Techniques are supported by practical exercises with step-by-step instructions and images. The book is filled with the inspiring works of contemporary sculptors, all of whom are tutors, students, or alumni of the Art Academy. Modelling and Sculpting the Figure is an essential companion for beginners and established artists alike. |
| the materials and methods of sculpture: Angus Taylor Paul Harris, Johan Myburg, Angus Taylor, Johan Thom, 2021-05-20 The first book on the South-African sculptor Angus Taylor to offer a comprehensive survey of his entire work to date. South African sculptor Angus Taylor, born in Johannesburg in 1970 and alumnus of the University of Pretoria, is known mainly for his monumental works. For these, in addition to the classic bronze, he uses a selection of materials special to his immediate environment: black granite, red jasper, straw, and the red earth of the Pretoria region. In the symbiosis of these materials with traditional artistic craft techniques, distinctly contemporary works arise, which Taylor pioneeringly positions as figurative landmark sculpture. This first-ever monograph on Taylor offers a comprehensive survey of his oeuvre to date. Key works from his entire career since the founding of his studio Dionysus Sculpture Works in 1997 are featured in full-color illustrations throughout. The essays discuss Taylor's methods, practices, and personal philosophies and put his work in context with South Africa's social situation as well as with his own biography. The book offers a much-welcomed and profound introduction to Taylor's innovative and characteristic body of work. |
| the materials and methods of sculpture: Clyfford Still: The Artist's Museum , 2012-10-09 The first significant publication on Clyfford Still and his work in more than twenty-five years celebrates one of abstract expressionism’s founders. Best known for his compelling abstract works with jagged fields and powerful expanses of color, Clyfford Still (1904–1980) stands among the giants of post–World War II art. Together with Jackson Pollock, Mark Rothko, Franz Kline, and Barnett Newman, Still helped shape abstract expressionism. This vividly illustrated book presents more than one hundred of Still’s greatest works and is the first comprehensive catalogue of the new Clyfford Still Museum in Denver. The book offers intimate reflections written by his daughters Sandra Still Campbell and Diane Still Knox; Dean Sobel chronicles the origins of the new museum; and David Anfam, one of the world’s foremost authorities on Still’s work, gives a new scholarly and critical perspective of Still, made possible by the opening of the museum. Illustrations include monumental paintings, works on paper, and Still’s only sculptures, many of which have never been published or publicly exhibited. |
| the materials and methods of sculpture: Ceramic Design Course Anthony Quinn, 2007 (back cover) This is a complete course in designing ceramics with confidence. Focusing on the design process and principles of shape, form, surface, and function, it also includes practical instruction in studio techniques for rendering your ideas into reality. A complete range of practical advice is offered, organized into units covering each stage of the design process, from working out a brief and seeking inspiration to drawing up technical plans and developing the design. Design concepts with both practical and esthetic considerations are explored in detail, and real-life case studies give valuable insights into the world of practicing ceramic designers. Whether you want to create functional, hard-wearing pots or decorative fine art pieces, this book will demystify the design process and provide the inspiration and skills you need to design with flair. Anthony Quinn is a freelance designer for the tableware industry. Among his clients are Wedgewood, Royal Worcester, and Denby Pottery. He is a senior lecturer in ceramic design at the renowned Central Saint Martin's College in London and is a visiting tutor at the Royal College of Art. Anthony has recently launched a range of pierced oven and tableware with Hartley Greens pottery, designed in conjunction with the Victoria and Albert Museum in London. He has also recently designed the in-flight dining experience for British Airways First Class and Club World. He lives and works in London. |
| the materials and methods of sculpture: The Oil Painting Book Bill Creevy, 1999-03-01 Without equal anywhere in print today, this is the most complete guide to oil painting materials, and how to use them to derive best results from the medium. |
| the materials and methods of sculpture: Art Appreciation Deborah Gustlin, 2017-08-18 Creative Art: Methods and Materials educates readers about a variety of art methods and the ways different civilizations have used them in artistic expression. Each of the fourteen chapters is designed around a specific art method and material, and includes examples of art works and the artists who created them. Students learn about bronze casting, stone carving, clay sculpture, woodcuts and posters, glass work, and installation art. Each method is matched to artists both ancient and modern. Rather than adhering to a standard approach that focuses on white, male, European artists, the book broadens the student's perspective by including often overlooked female artists. Global in approach and comprehensive in coverage of arts forms, representations, and styles throughout history, Creative Art has been developed for sixteen-week courses in art appreciation, or introductory survey courses in art history. |
| the materials and methods of sculpture: Revolution in the Making Emily Rothrum, Elizabeth A. T. Smith, Anne Wagner, 2016 Half theWorld traces the ways in which women artists deftly transformed the language of sculpture to invent radically new forms and processes that privileged studio practice, tactility and the artist's hand. The volume seeks to identify the multiple strains of proto-feminist practices, characterized by abstraction and repetition, which rejected the singularity of the masterwork and rearranged sculptural form to be contingent upon the way the body moved around it in space. The catalogue begins in the immediate post-war era, with the first section spanning the late 1950s through the 1950s. Featuring historically important predecessors including Ruth Asawa, Lee Bontecou, Louise Bourgeois, Claire Falkenstein and Louise Nevelson, this section examines abstraction based on the human figure and the influence of the unconscious. The second section covers the decades of the 1960s and 1970s, and includes Magdalena Abakanowicz, Lynda Benglis, Heidi Bucher, Gego, François Grossen, Eva Hesse, Sheila Hicks, Marisa Merz, Mira Schendel, Michelle Stuart, Hannah Wilke, and Jackie Winsor, a generation of post-minimalist artists who ignited a revolution in their use of process-oriented materials and methods. In the 1980s and 1990s, the period explored in the third section, artists Phyllida Barlow, Isa Genzken, Cristina Iglesias, Liz Larner, Anna Maria Maiolino, Senga Nengudi, and Ursula von Rydingsvard moved beyond singular, three-dimensional objects toward architectonic works characterized by repetition, structure, and design. The final section is comprised of post-2000 works by artists Karla Black, Abigail DeVille, Sonia Gomes, Rachel Khedoori, Lara Schnitger, Shinique Smith, and Jessica Stockholder, artists who create installation-based environments, embracing domestic materials and craft as an embedded discourse. |
| the materials and methods of sculpture: Making Sculpture Richard Humphreys, Tate Gallery, 1983 This leaflet is intended as a basic introduction to the materials and methods of sculpture as they apply to works in the Tate's collection. The materials under discussion are considered in relationship to the four main sculptural processes--modelling, casting, carving and constructing--with an emphasis upon the more traditional methods.--P. 1. |
| the materials and methods of sculpture: Beyond Modern Sculpture Jack Burnham, 1987 |
| the materials and methods of sculpture: Portrait Sculpting Philippe Faraut, Charisse Faraut, 2004-01-01 Step-by-step techniques for modeling the portrait in clay, firing meethods and mold making. |
| the materials and methods of sculpture: Clay Sculpting with the Shiflett Brothers Brandon & Jarrod Shiflett, Jarrod Shiflett, 2022-02 Clay sculpting royalty The Shiflett Brothers offer unique insight into their practices and the techniques used to create their stunning fantasy characters. |
| the materials and methods of sculpture: Sculpture Techniques Bill Jones (Potter), 2016 |
| the materials and methods of sculpture: The Artist's Handbook of Materials & Techniques Ralph Mayer, 1980 |
| the materials and methods of sculpture: The Arts of Making in Ancient Egypt Gianluca Miniaci, Juan Carlos Moreno Garcia, Stephen Quirke, Andréas Stauder, 2018 This book provides an innovative analysis of the conditions of ancient Egyptian craftsmanship in the light of the archaeology of production, linguistic analysis, visual representation and ethnographic research. During the past decades, the imaginative figure of ancient Egyptian material producers has moved from workers to artisans and, most recently, to artists. In a search for a fuller understanding of the pragmatics of material production in past societies, and moving away from a series of modern preconceptions, this volume aims to analyse the mechanisms of material production in Egypt during the Middle Bronze Age (2000-1550 BC), to approach the profile of ancient Egyptian craftsmen through their own words, images and artefacts, and to trace possible modes of circulation of ideas among craftsmen in material production. The studies in the volume address the mechanisms of ancient production in Middle Bronze Age Egypt, the circulation of ideas among craftsmen, and the profiles of the people involved, based on the material traces, including depictions and writings, the ancient craftsmen themselves left and produced. |
| the materials and methods of sculpture: Anatomy for Sculptors, Understanding the Human Figure Uldis Zarins, Sandis Kondrats, 2014 Visual artists are visual thinkers! Our mission is to supercharge them by making anatomy for artists' visible and understandable-anatomy book with clear images that contain the necessary information needed to create a realistic human figure. Get Loads of social visual references; Complex knowledge of human figure explained in a simple matter (Head, Upper limb, Lower limb, Torso, and figure); The most important muscles of the body and their form, in the movement and static, form various angles and body positions; Primary male anatomy and female anatomy differences; Proportions chars of the figure and head (age and gender)Anatomy for artists started as a sculpting book because the author, UIdis Zarins, is a sculptor with more than 25-year experience and a professor of Anatomy in Arts Academy. Nowadays, it used in 3d modeling, digital art, painting, CGI, character design, traditional or digital sculpting, and so on. All around the art world, artists find it's in their daily work. Content is king addition to the 3D models; there are photos of live models from various angles and body postures, overlaid with color-coded muscle diagrams. The coverage of the book is entirely comprehensive, displaying the human body from head to toe. Most pictures in the book are self-explanatory. Guess no moreThe Internet is not as full of information in the current subject as it might seem at first. With time you seem not to find the correct reference materials you were looking for. That makes you improvise. Improvising, without the real understanding of a human figure, brings imperfections and frustrations. Gaining an understanding of the human figure and its motions are the leading book's idea. It allows for a person not to just copy nature, but to understand it and improve in their work. Printed books - have references by your side at any time. Add your additional comments and references. Personalizes this book for your needs. They always have a special feeling when owning and using them. It's a part of your tool-kit. Paperback is a softcover type, with a paperboard front and back cover. |
| the materials and methods of sculpture: Drawing and Painting Kate Wilson, 2017 Bursting with practical techniques, engaging artist profiles and inspirational galleries, Drawing and Painting combines an authoritative approach with a contemporary aesthetic guaranteed to appeal to all artists. The book's up-to-date approach is a far cry from the dry instructions and dated artwork that feature in more traditional art books. In contrast to other, project-orientated titles, Drawing and Painting places the emphasis on the techniques themselves, encompassing drawing, sketching and a range of painting styles. From pen and ink to oils and acrylics, specially commissioned photography and artwork accompanies step-by-step techniques, while profiles of contemporary artists provide insight into various working methods, materials and techniques. Acknowledging the growing interest in digital tools as a medium, information is provided throughout the book on how effects can be created using Smart Pens, tablets and apps. |
Materials | An Open Access Journal from MDPI
Materials is an international peer-reviewed, open access journal on materials science and engineering published semimonthly online by MDPI.
Materials | Aims & Scope - MDPI
It covers all aspects of materials science and engineering including synthesis, structure, mechanical, chemical, electronic, magnetic, and optical properties, as well as their various …
Materials | Special Issues - MDPI
Keywords: sustainable pavement materials; recycled pavement materials; modified asphalt materials; industrial waste for pavement construction; multi-scale modeling of pavement …
Photoconductive Semiconductor Switches: Materials, Physics, and …
Jan 10, 2025 · This review paper offers an overview of the current state-of-the-art in materials and applications of PCSS devices, an interrogation of the physics of lock-on, and a detailed …
Materials | Instructions for Authors - MDPI
In addition, research materials necessary to enable the reproduction of an experiment should be indicated in the Materials and Methods section. Individual journal guidelines can be found at …
Construction and Building Materials - MDPI
The Section “Construction and Building Materials” covers the areas of construction and building materials science and engineering, including construction chemistry, building physics, …
Materials | Indexing & Abstracting - MDPI
Materials is covered by the following databases and archives: Indexing & Abstracting Services. ADS (Astrophysics Data System)/SciX (Science Explorer) BibCnrs; CABI. CAB Direct; CAPlus …
Materials | Editorial Board - MDPI
Interests: retrofitting buildings; sustainable construction materials; new advanced materials for upgrading of existing masonry and wood historic constructions; structural analysis and …
Trends in Flexible Sensing Technology in Smart Wearable ... - MDPI
Feb 15, 2025 · This section explores the various materials used in flexible sensors and their research advancements, encompassing a range of materials, including flexible substrates, …
Recent Progress in Flexible Piezoelectric Tactile Sensors: Materials ...
Feb 5, 2025 · These materials include inorganic and organic piezoelectric materials as well as composites. We subsequently elucidate methodologies for preparing these materials and …
Materials | An Open Access Journal from MDPI
Materials is an international peer-reviewed, open access journal on materials science and engineering published semimonthly online by MDPI.
Materials | Aims & Scope - MDPI
It covers all aspects of materials science and engineering including synthesis, structure, mechanical, chemical, electronic, magnetic, and optical properties, as well as their various …
Materials | Special Issues - MDPI
Keywords: sustainable pavement materials; recycled pavement materials; modified asphalt materials; industrial waste for pavement construction; multi-scale modeling of pavement …
Photoconductive Semiconductor Switches: Materials, Physics, and …
Jan 10, 2025 · This review paper offers an overview of the current state-of-the-art in materials and applications of PCSS devices, an interrogation of the physics of lock-on, and a detailed …
Materials | Instructions for Authors - MDPI
In addition, research materials necessary to enable the reproduction of an experiment should be indicated in the Materials and Methods section. Individual journal guidelines can be found at …
Construction and Building Materials - MDPI
The Section “Construction and Building Materials” covers the areas of construction and building materials science and engineering, including construction chemistry, building physics, …
Materials | Indexing & Abstracting - MDPI
Materials is covered by the following databases and archives: Indexing & Abstracting Services. ADS (Astrophysics Data System)/SciX (Science Explorer) BibCnrs; CABI. CAB Direct; CAPlus …
Materials | Editorial Board - MDPI
Interests: retrofitting buildings; sustainable construction materials; new advanced materials for upgrading of existing masonry and wood historic constructions; structural analysis and …
Trends in Flexible Sensing Technology in Smart Wearable ... - MDPI
Feb 15, 2025 · This section explores the various materials used in flexible sensors and their research advancements, encompassing a range of materials, including flexible substrates, …
Recent Progress in Flexible Piezoelectric Tactile Sensors: Materials ...
Feb 5, 2025 · These materials include inorganic and organic piezoelectric materials as well as composites. We subsequently elucidate methodologies for preparing these materials and …
