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| the politics and poetics of transgression: The Politics and Poetics of Transgression Peter Stallybrass, Allon White, 1986 Applying the insights of Mikhail Bakhtin and recent French critical theorists to the concept of hierarchies in Western society, Stallybrass and White explore the symbolic polarities of the exalted and the base. The authors compare high and low discourse in a variety of domains, and discover that, in every case, the polarities structure and depend upon each other and, in certain instances, interpenetrate to produce political change. In this wide-ranging book, the authors, drawing largely on Bakhtin's notion of the carnival, map out hierarchies in literary and cultural history. Looking closely at a variety of texts from the 17th to the 20th century, they find that high-low oppositions occur in four symbolic domains--psychic forms, the human body, geographic space, and social order--and are fundamental to the mechanisms of ordering in European culture. Transgressing the rules of hierarchy and order in any one of these domains, the authors assert, is likely to have major consequences in the other three. Unconfined by conventional disciplinary boundaries, this investigation of the interplay between limits and transgressions within hierarchies will fascinate students of literary theory and English literature as well as those of intellectual and cultural history, psychology, and anthropology. -- Back cover |
| the politics and poetics of transgression: The Politics and Poetics of Transgression Peter Stallybrass, Allon White, 1986-01-01 |
| the politics and poetics of transgression: The Politics and Poetics of Transgression Peter Stallybrass, Allon White, 1986 Applying the insights of Mikhail Bakhtin and recent French critical theorists to the concept of hierarchies in Western society, Stallybrass and White explore the symbolic polarities of the exalted and the base. The authors compare high and low discourse in a variety of domains, and discover that, in every case, the polarities structure and depend upon each other and, in certain instances, interpenetrate to produce political change. -- Molyblog. |
| the politics and poetics of transgression: The Practice of Theory Keith P. F. Moxey, 1994 Many art historians regard poststructuralist theory with suspicion; some even see its focus on the political dimension of language as hostile to an authentic study of the past. Keith Moxey bridges the gap between historical and theoretical approaches with the provocative argument that we cannot have one without the other. If art history is to take part in the processes of cultural transformation that characterize our society, he writes, then its historical narratives must come to terms with the most powerful and influential theories that currently determine the way in which we conceive of ourselves. After exploring how the insights offered by deconstruction and semiotics change our understanding of representation, ideology, and authorship, Moxey himself puts theory into practice. In a series of engaging essays accompanied by twenty-eight illustrations, he first examines the impact of cultural values on Erwin Panofsky's writings. Taking a fresh look at work by artists from Albrecht Dürer and Erhard Schön to Barbara Kruger and Julian Schnabel, he then examines the process by which he generic boundaries between high and low art have helped to sustain class and gender differences. Making particular reference to the literature on Martin Schongauer, Moxey also considers the value of art history when it is reduced to artist's biography. Moxey's interpretation of the work of Hieronymus Bosch not only reassesses its intelligence and imagination, but also brings to light its pragmatic conformity to elite definitions of artistic genius. With his compelling analysis of the politics of interpretation, Moxey draws attention to a vital aspect of the cultural importance of history. |
| the politics and poetics of transgression: Poetics and Politics Toni Bernhart, Jaša Drnovsek, Sven Thorsten Kilian, Joachim Küpper, Jan Mosch, 2018-08-21 Far from teleological historiography, the pan-European perspective on Early Modern drama offered in this volume provides answers to why, how, where and when the given phenomena of theatre appear in history. Using theories of circulation and other concepts of exchange, transfer and movement, the authors analyze the development and differentiation of European secular and religious drama, within the disciplinary framework of comparative literature and the history of literature and concepts. Within this frame, aspects of major interest are the relationship between tradition and innovation, the status of genre, the proportion of autonomous and heteronomous creational dispositions within the artefacts or genres they belong to, as well as strategies of functionalization in the context of a given part of the cultural net. Contributions cover a broad range of topics, including poetics of Early Modern Drama; political, institutional and social practices; history of themes and motifs (Stoffgeschichte); history of genres/cross-fertilization between genres; textual traditions and distribution of texts; questions of originality and authorship; theories of circulation and net structures in Drama Studies. |
| the politics and poetics of transgression: Bakhtin : Carnival and Other Subjects David G. Shepherd, 1993 |
| the politics and poetics of transgression: Rabelais and His World Mikhail Mikhaĭlovich Bakhtin, 1984 This classic work by the Russian philosopher and literary theorist Mikhail Bakhtin (1895-1975) examines popular humor and folk culture in the Middle Ages and the Renaissance. One of the essential texts of a theorist who is rapidly becoming a major reference in contemporary thought, Rabelais and His World is essential reading for anyone interested in problems of language and text and in cultural interpretation. |
| the politics and poetics of transgression: Black Popular Culture Gina Dent, 1998 The latest publication in the award-winning Discussions in Contemporary Culture series, Black Popular Culture gathers together an extraordinary array of critics, scholars, and cultural producers. 30 essays explore and debate current directions in film, television, music, writing, and other cultural forms as created by or with the participation of black artists. 30 illustrations. |
| the politics and poetics of transgression: Transgression Julian Wolfreys, 2008-09-26 Julian Wolfreys introduces students to the central concept of transgression, showing how to interpret the concept from a number of theoretical standpoints. He demonstrates how texts from different cultural and historical periods can be read to examine the workings of 'transgression' and the way in which it has changed over time. |
| the politics and poetics of transgression: Stuart Hall Kuan-Hsing Chen, David Morley, 2006-05-23 A representative selection of Hall's enormously influential writings on cultural studies and Hall's engagement with urgent and abiding questions of 'race', ethnicity and identity. |
| the politics and poetics of transgression: Irvine Welsh Aaron Kelly, 2024-07-30 Irvine Welsh's fiction has defined an era, and this first full-length study provides a sustained textual and contextual analysis of all his work, from 'Trainspotting' and 'The Acid House' to 'Glue' and 'Porno'. A detailed chronological survey also considers the appropriateness of cultural, postmodern and postcolonial theories to Welsh's incendiary fiction. Kelly gives a fascinating insight into the writer's formal and political ambitions, placing him in the context of the 'brat pack' which exploded onto the Scottish literary scene in the 1990s. He explores the social, class and political conditioning of Welsh's early life, and its impact on his motivations for writing. Clearly written and accessible, this will be a key resource for students and academics alike. Choose 'Irvine Welsh'! |
| the politics and poetics of transgression: Dante and the Sense of Transgression William Franke, 2012-12-20 William Franke reads Dante's poetic language in the Paradiso in the light of contemporary critical theory by such thinkers as Derrida, Blanchot and Bataille. |
| the politics and poetics of transgression: Don't Ever Get Famous Daniel Kane, 2006 Kane's volume is the first to tackle the period in New York's downtown literary history most closely tied to the group of poets known as the 'Second Generation New York School' . . . [It] is a must-have for historians of American poetry in the 20th century. Publishers Weekly. |
| the politics and poetics of transgression: Lexicon of the Mouth Brandon LaBelle, 2014-06-19 Expands understandings of voice to and the poetics of gibberish showing how speech is fundamentally shaped by the complex dynamics of the mouth.. |
| the politics and poetics of transgression: Neo-Victorian Cities Marie-Luise Kohlke, Christian Gutleben, 2015-02-05 Nineteenth-century metropolises continue to actively haunt present-day cityscapes, informing our kaleidoscopic engagements with postmodern urbanity in aesthetic, affective, and cognitive as well as physical and sensual terms. This volume explores the complex forms of urban representation in neo-Victorian practice. |
| the politics and poetics of transgression: A Spiritual Bloomsbury Antony Copley, 2006-08-04 A Spiritual Bloomsbury is an exploration of how three English writers—Edward Carpenter, E.M. Forster, and Christopher Isherwood—sought to come to terms with their homosexuality by engagement with Hinduism. Copley reveals how these writers came to terms with their inner conflicts and were led in the direction of Hinduism by friendship or the influence of gurus. Tackling the themes of the guru-disciple relationship, their quarrel with Christianity, relationships with their mothers and the problematic feminine, the tensions between sexuality and society, and the attraction of Hindu mysticism; this fascinating work seeks to reveal whether Hinduism offered the answers and fulfillment these writers ultimately sought. Also included is a diary narrating Copley's quest to track down Carpenter's and Isherwood's Vendantism and Forster's Krishna cult on a journey to India. |
| the politics and poetics of transgression: The Politics of Carnival Chris Humphrey, 2001 Medieval festivals such as carnival and misrule, were occasions which created a temporary and dynamic upside-down world. This text shows these occasions were highly diverse, and discusses how they were able to negotiate a range of meanings and values. |
| the politics and poetics of transgression: The Bridge of Dreams Haruo Shirane, 1987 The Bridge of Dreams is a brilliant reading of The Tale of Genji that succeeds both as a sophisticated work of literary criticism and as an introduction this world masterpiece. Taking account of current literary theory and a long tradition of Japanese commentary, the author guides both the general reader and the specialist to a new appreciation of the structure and poetics of this complex and often seemingly baffling work. The Tale of Genji, written in the early eleventh century by a court lady, Murasaki Shikibu, is Japan's most outstanding work of prose fiction. Though bearing a striking resemblance to the modern psychological novel, the Genji was not conceived and written as a single work and then published and distributed to a mass audience as novels are today. Instead, it was issued in limited installments, sequence by sequence, to an extremely circumscribed, aristocratic audience. This study discusses the growth and evolution of the Genji and the manner in which recurrent concerns--political, social, and religious--are developed, subverted, and otherwise transformed as the work evolves from one stage to another. Throughout, the author analyzes the Genji in the context of those literary works and conventions that Murasaki explicitly or implicitly presupposed her contemporary audience to know, and reveals how the Genji works both within and against the larger literary and sociopolitical tradition. The book contains a color frontispiece by a seventeenth-century artist and eight pages of black-and-white illustrations from a twelfth-century scroll. Two appendixes present an analysis of biographical and textual problems and a detailed index of principal characters. |
| the politics and poetics of transgression: Cultural Politics of Emotion Sara Ahmed, 2014-06-11 Emotions work to define who we are as well as shape what we do and this is no more powerfully at play than in the world of politics. Ahmed considers how emotions keep us invested in relationships of power, and also shows how this use of emotion could be crucial to areas such as feminist and queer politics. Debates on international terrorism, asylum and migration, as well as reconciliation and reparation, are explored through topical case studies. In this book the difficult issues are confronted head on. The Cultural Politics of Emotion is in dialogue with recent literature on emotions within gender studies, cultural studies, sociology, psychology and philosophy. Throughout the book, Ahmed develops a theory of how emotions work, and the effects they have on our day-to-day lives. New for this editionA substantial 15,000-word Afterword on 'Emotions and Their Objects' which provides an original contribution to the burgeoning field of affect studiesA revised BibliographyUpdated throughout. |
| the politics and poetics of transgression: The Future Is Present Philip Glahn, Cary Levine, 2024-06-18 A critical history of the pioneering art and technology group Mobile Image and their prescient work in communications, networking, and information systems. In The Future Is Present, Philip Glahn and Cary Levine tell the fascinating history of the visionary art group Mobile Image—founded by Kit Galloway and Sherrie Rabinowitz in 1977—which appropriated emerging technologies, from satellites to electronic message platforms. Based in Los Angeles, this under-studied collective worked amid urban crisis, a techno-boom, consolidating media power, and ascendant neoliberal politics. Mobile Image challenged fundamental conventions of the public sphere, democracy, communication, and political participation, as well as notions of power, representation, and identity. Glahn and Levine argue not only for the historical importance of Mobile Image, but also for a critical artistic process that is at once analytic and transformative. They weave themes such as embodiment and its mediation, public/private dialectics, and techno-utopian vision throughout the book, binding these projects to discourses around race, gender, and class, as well as margin and center, the local and the global. In today’s world of ubiquitous digital re/production, networking, and social media, The Future Is Present shows how the work of Mobile Image continues to have profound implications for art, technology, and the politics of public and private experience. |
| the politics and poetics of transgression: Politics and Poetics of Transgression Scholargy Publishing, Incorporated, 2002-07 |
| the politics and poetics of transgression: The Politics of Spatial Transgressions in the Arts Gregory Blair, Noa Bronstein, 2020-12-05 This book is an anthology of the varied strategies of spatial transgressions and how they have been implemented through the arts as a means to resist, rejuvenate, reclaim, critique or cohabitate. The book is divided into two sections – Displacements and Disruptions. The first section discusses the ramifications of the spatial displacements of bodies, organizations, groups of people and ethnicities, and explores how artists, theorists and arts organizations have an attentive history of revealing and reacting to the displacement of peoples and how their presence or absence radically reconfigures the value, identity, and uses of place. In the second section, each author considers how aesthetic strategies have been utilized to disrupt expected spatial experiences and logic. Many of these strategies form radical alternative methodologies that include transgressions, geographies of resistance, and psychogeographies. These spatial performances of disruption set into motion a critical exchange between the subject, space and materiality, in which ideology and experience are both produced/spatialized and deconstructed/destabilized. |
| the politics and poetics of transgression: On the Politics of Ugliness Sara Rodrigues, Ela Przybylo, 2018-08-29 Ugliness or unsightliness is much more than a quality or property of an individual’s appearance—it has long functioned as a social category that demarcates access to social, cultural, and political spaces and capital. The editors of and authors in this collection harness intersectional and interdisciplinary approaches in order to examine ugliness as a political category that is deployed to uphold established notions of worth and entitlement. On the Politics of Ugliness identifies and challenges the harmful effects that labels and feelings of ugliness have on individuals and the socio-political order. It explores ugliness in relation to the intersectional processes of racialization, colonization and settler colonialism, gender-making, ableism, heteronormativity, and fatphobia. On the Politics of Ugliness asks that we fight against visual injustice and imagine new ways of seeing. |
| the politics and poetics of transgression: The Body in the Library , 2022-06-08 The body is increasingly understood as being at the centre of colonial and post-colonial relationships and textual productions. Creating and circulating images of the undisciplined body of the 'other' was and is a critical aspect of colonialism. Likewise, resistance to colonial practices was also frequently corporeal, with indigenous peoples appropriating, parodying, and subverting those European practices which were used to signify the 'civilized' status of the colonizing body. The Body in the Library reads representations of the corporeal in texts of empire; case studies include: • gendered representations of corporeality • medical régimes • ethnography and photography in the Pacific • cultural transvestism in theatre • disease and colonial knowledge generation • 'freak shows' and colonial exhibits • cinematic representations of bodies • geography and the metaphorization of land as a penetrable body • marketing the body • organ transplants and the limits of the post-colonial paradigm In viewing colonialism and resistance as a bodily phenomenon, The Body in the Library enables new perspectives on the process of colonization and resistance. It is an important resource for teachers and students of colonial and post-colonial literatures. |
| the politics and poetics of transgression: Homographesis Lee Edelman, 2013-10-15 Brings provocative, rigorous and controversial readings of literary and cultural texts to gay critical analysis. Lee Edelman rearticulates the politics of sexuality, addressing some of the most hotly debated issues of our time. |
| the politics and poetics of transgression: Postmodernism and Popular Culture John Docker, 1994-12-12 An intellectual adventure, this book engages with some of the most important academic debates of our time. |
| the politics and poetics of transgression: The Politics of God Kathryn Tanner, 2022 Thirty years ago, Kathryn Tanner put forward a daring proposal. Traditional Christian theologies, she insisted, can be a source of political transformation rather than a sponsor of the status quo. Through a rigorous analysis of Christian beliefs in their historical, theological, and social diversity, Tanner connects belief to attitudes and action and shows how doctrines can relate to each other, to social systems, and to ethical behavior. Drawing on the theologies of divine transcendence and creation that animate and organize so much of her work, The Politics of God frees traditional theology from its captivity to unjust rulers and systems and unleashes its radical potential for liberation, empowerment, and the pursuit of a just society. This anniversary edition includes a major new preface, in which Tanner addresses the changes in the social and political situation that have accumulated in the decades since the book's publication and resituates her argument for a new generation of theologians and activists. |
| the politics and poetics of transgression: Race and the Politics of the Exception Utz McKnight, 2013-07-04 The traditional assumption today about race is that it is not political; that it has no political content and is a matter of individual beliefs and attitudes. In Race and the Politics of the Exception, Utz McKnight argues that race is in fact political and defines how it functions as a politics in the United States. McKnight organizes his book into three sections, beginning with a theoretical section about racial politics in the United States. Using theorists such as Benjamin, Agamben, and Schmitt, McKnight discusses how the idea of racial communities went from being constituted through the idea of racial sovereignty and a politics of the exception that defined blacks as the internal enemy, to being constitutionally defined through the institutions of racial equal opportunity. In the second section, McKnight further develops his critical race theory by exploring in more detail the social use of race today. The election of President Obama has brought the politics of racial equality to a critical point. In spite of a very powerful set of political tools to define it as a thing of the past, race matters. In the final section, McKnight engages with important African American fiction from each of the three major periods of racial politics in the US. Earlier descriptions of political theory are used throughout these analyses to refine the argument for a new critical politics of race. Scholars of political theory, identity politics, African American studies, and American Studies will find this work ground-breaking and relevant. |
| the politics and poetics of transgression: The Politics of Dialogic Imagination Katsuya Hirano, 2013-11-21 In The Politics of Dialogic Imagination, Katsuya Hirano seeks to understand why, with its seemingly unrivaled power, the Tokugawa shogunate of early modern Japan tried so hard to regulate the ostensibly unimportant popular culture of Edo (present-day Tokyo)—including fashion, leisure activities, prints, and theater. He does so by examining the works of writers and artists who depicted and celebrated the culture of play and pleasure associated with Edo’s street entertainers, vagrants, actors, and prostitutes, whom Tokugawa authorities condemned to be detrimental to public mores, social order, and political economy. Hirano uncovers a logic of politics within Edo’s cultural works that was extremely potent in exposing contradictions between the formal structure of the Tokugawa world and its rapidly changing realities. He goes on to look at the effects of this logic, examining policies enacted during the next era—the Meiji period—that mark a drastic reconfiguration of power and a new politics toward ordinary people under modernizing Japan. Deftly navigating Japan’s history and culture, The Politics of Dialogic Imaginationprovides a sophisticated account of a country in the process of radical transformation—and of the intensely creative culture that came out of it. |
| the politics and poetics of transgression: The Politics of In/Visibility Kath Woodward, 2015-09-01 Visibility matters in contemporary societies; online, in the media and in the public eye. But who is seen and how? Are women still seen through a male gaze? This book explores the politics of looking and being looked at, and the relationship between actual and virtual worlds, for example in sport, art and cinema. |
| the politics and poetics of transgression: Music Festivals and the Politics of Participation Roxy Robinson, 2016-04-29 The spread of UK music festivals has exploded since 2000. In this major contribution to cultural studies, the lid is lifted on the contemporary festival scene. Gone are the days of a handful of formulaic, large events dominating the market place. Across the country, hundreds of ’boutique’ gatherings have popped up, drawing hundreds of thousands of festival-goers into the fields. Why has this happened? What has led to this change? In her richly detailed study, industry insider Dr Roxy Robinson uncovers the dynamics that have led to the formation and evolution of the modern festival scene. Tracing the history of the culture as far back as the fifties, this book examines the tensions between authenticity and commerce as festivals grew into a widespread, professionalized industry. Setting the scene as a fragmented, yet highly competitive market, Music Festivals and the Politics of Participation examines the emergence of key trends with a focus on surrealist production and popular theatricality. For the first time, the transatlantic relationship between British promoters and the social experiment-come-festival Burning Man is documented, uncovering its role in promoting a politics of participation that has dramatically altered the festival experience. Taking an in-depth approach to examining key events, including the fastest growing independent music festival in recent years (Hampshire’s BoomTown Fair) the UK market is shown to have produced a scene that champions co-production and the democratization of festival space. This is a vital text for anyone interested in British culture. |
| the politics and poetics of transgression: The Politics of Race and Ethnicity in the United States Sherrow O. Pinder, 2010-04-14 The purpose of this book is to examine and analyze Americanization, De-Americanization, and racialized ethnic groups in America and consider the questions: who is an American? And what constitutes American identity and culture? |
| the politics and poetics of transgression: The Iron Pen Julia Epstein, 1989 Best known as a novelist and social satirist whose work anticipated Jane Austen's, Frances Burney (1752-1840) has also been recognized as an important writer in the history of feminist literature. Julia Epstein now offers a new interpretation of Burney and her work: that Burney's anger at the economic and social conditions of women emerges in her writing in moments of barely contained violence, and that her representations of violence and hostility provide a key to Burney's literary power. The Iron Pen situates Burney's writings within the sociopolitical context of the late eighteenth century and proposes a new approach to the development of the novel of manners. In addition, Epstein presents a comprehensive study of the reception of Burney's work from its original publication to the present. This study illuminates the history of popular book reviewing and of academic literary scholarship as political enterprises. Beginning with an examination of Burney's journals and letters, including an account of the mastectomy she underwent without anesthesia while in exile in Paris in 1811, Epstein then offers readings of Burney's four novels, paying close attention to the depiction of repressed anger and violence that characterizes all her work. The final section traces critics' responses to Burney's published writings from 1778, when her first novel, Evelina, appeared anonymously, to the present in readings informed by psychoanalysis, post-structuralism and feminist literary theory. Drawing upon the work of critics of eighteenth-century culture such as Mary Poovey, Ellen Pollak, Ruth Perry, and Margaret Doody, Epstein is successful in two ways: in combining an analysis of a set of texts with an analysis of a particular set of cultural assumptions and in her intentional underscoring of the complex nature of critical practice. |
| the politics and poetics of transgression: Africans and the Politics of Popular Culture Toyin Falola, Augustine Agwuele, 2009 Explores the instrumentalization of various aspects of popular culture in Africa. |
| the politics and poetics of transgression: Comedy and the Politics of Representation Helen Davies, Sarah Ilott, 2018-07-27 This edited collection explores the representations of identity in comedy and interrogates the ways in which “humorous” constructions of gender, sexuality, ethnicity, religion, class and disability raise serious issues about privilege, agency and oppression in popular culture. Should there be limits to free speech when humour is aimed at marginalised social groups? What are the limits of free speech when comedy pokes fun at those who hold social power? Can taboo joking be used towards politically progressive ends? Can stereotypes be mocked through their re-invocation? Comedy and the Politics of Representation: Mocking the Weak breaks new theoretical ground by demonstrating how the way people are represented mediates the triadic relationship set up in comedy between teller, audience and butt of the joke. By bringing together a selection of essays from international scholars, this study unpacks and examines the dynamic role that humour plays in making and remaking identity and power relations in culture and society. |
| the politics and poetics of transgression: The Politics of Jean-Francois Lyotard Chris Rojek, Mr Bryan S Turner, Bryan Turner, 2012-10-12 Jean-Francois Lyotard is still considered to be the father of postmodernism. An international range of contributors in the field of cultural and philosophical studies, including Barry Smart, John O' Neill and Victor J. Seidler consider Lyotard's writings on justice and politics of difference, feminism, youth and Judaism. |
| the politics and poetics of transgression: Protest and the politics of space and place, 1789–1848 Katrina Navickas, 2015-12-01 This book is a wide-ranging survey of the rise of mass movements for democracy and workers’ rights in northern England. It is a provocative narrative of the closing down of public space and dispossession from place. The book offers historical parallels for contemporary debates about protests in public space and democracy and anti-globalisation movements. In response to fears of revolution from 1789 to 1848, the British government and local authorities prohibited mass working-class political meetings and societies. Protesters faced the privatisation of public space. The ‘Peterloo Massacre’ of 1819 marked a turning point. Radicals, trade unions and the Chartists fought back by challenging their exclusion from public spaces, creating their own sites and eventually constructing their own buildings or emigrating to America. This book also uncovers new evidence of protest in rural areas of northern England, including rural Luddism. It will appeal to academic and local historians, as well as geographers and scholars of social movements in the UK, France and North America. |
| the politics and poetics of transgression: The Politics, Economics, and Culture of Mexican-US Migration E. Ashbee, H. Clausen, C. Pedersen, 2007-12-25 Images and accounts of the Mexican - US migration process and the border region abound. Representations of border crossers, plans for the construction of a security fence, the shifting economic relationship between the US and its southern neighbors, and the changing character of the Rio Grande area have played a pivotal role in shaping contemporary political discourse. The Politics, Economics, and Culture of Mexican-US Migration, which has attracted contributors from four different countries, offers multidisciplinary and interdisciplinary evaluations of these developments. It also considers the impact of migration in both the US and Mexico. Some of the contributions are case-studies, while others have a broad 'survey' character. All place the current debate about migration and the changing nature of the north American continent within its wider context in a way that is of relevance and interest to both the specialist and the more general reader. |
| the politics and poetics of transgression: Co-operative Culture and the Politics of Consumption in England, 1870-1930 Peter Gurney, 1996 This innovative, research-based book presents a positive critique of the co-operative alternative to emerging capitalist forms of mass consumption in the late nineteenth and early twentieth centuries. This alternative was embedded in the culture of the movement and Peter Gurney provides a full analysis of that culture - its strategy and ambition, social and educational forms, internationalism and historical consciousness. |
| the politics and poetics of transgression: Ridicule, Religion and the Politics of Wit in Augustan England Roger D. Lund, 2016-03-23 Arguing for the importance of wit beyond its use as a literary device, Roger D. Lund outlines the process by which writers in Restoration and eighteenth-century England struggled to define an appropriate role for wit in the public sphere. He traces its unpredictable effects in works of philosophy, religious pamphlets, and legal writing and examines what happens when literary wit is deliberately used to undermine the judgment of individuals and to destabilize established institutions of church and state. Beginning with a discussion of wit's association with deception, Lund suggests that suspicion of wit and the imagination emerges in attacks on the Restoration stage, in the persecution of The Craftsman, and in criticism directed at Thomas Hobbes's Leviathan and works by writers like the Earl of Shaftesbury, Thomas Woolston, and Thomas Paine. Anxieties about wit, Lund shows, were in part responsible for attempts to suppress new communal venues such as coffee houses and clubs and for the Church's condemnation of the seditious pamphlets made possible by the lapse of the Licensing Act in 1695. Finally, the establishment's conviction that wit, ridicule, satire, and innuendo are subversive rhetorical forms is glaringly at play in attempts to use libel trials to translate the fear of wit as a metaphorical transgression of public decorum into an actual violation of the civil code. |
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