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| the norton anthology of african american literature: The Norton Anthology of African American Literature Henry Louis Gates (Jr.), Valerie Smith, 2014 An exciting revision of the best-selling anthology for African American literary survey courses. |
| the norton anthology of african american literature: The Norton Anthology of African American Literature Henry Louis Gates, Nellie Y. McKay, 2004 Welcomed on publication as brilliant, definitive, and a joy to teach from, The Norton Anthology of African American Literature was adopted at more than 1,275 colleges and universities worldwide. Now, the new Second Edition offers these highlights. |
| the norton anthology of african american literature: The Norton Anthology of African American Literature Henry Louis Gates (Jr.), Valerie Smith, 2014 An exciting revision of the best-selling anthology for African American literary survey courses. |
| the norton anthology of african american literature: The Norton Anthology of African American Literature Henry Louis Gates (Jr.), Valerie Smith, 2014 An exciting revision of the best-selling anthology for African American literary survey courses. |
| the norton anthology of african american literature: The Norton Anthology of African American Literature Henry Louis Gates, Jr., Nellie Y. McKay, 2004-01 |
| the norton anthology of african american literature: The Norton Anthology of African American Literature , 1997 |
| the norton anthology of african american literature: The Norton Anthology of African American Literature Nellie Y. McKay, 2004 Welcomed on publication as brilliant, definitive, and a joy to teach from, The Norton Anthology of African American Literature was adopted at more than 1,275 colleges and universities worldwide. Now, the new Second Edition offers these highlights. |
| the norton anthology of african american literature: Anthology of African American Literature Henry Louis Gates, Jr., 1997-10-10 |
| the norton anthology of african american literature: Black Voices Various, 2001-04-01 “If you don’t know my name, you don’t know your own.”—James Baldwin Featuring fiction, poetry, autobiography, and literary criticism, Black Voices captures the diverse and powerful words of a literary explosion, the ramifications of which can be seen and heard in the works of today’s African-American artists. A comprehensive and impressive primer, this anthology presents some of the greatest and most enduring work born out of the African-American experience in the United States. Contributors Include: Sterling A. Brown Charles W. Chesnutt John Henrik Clarke Countee Cullen Frederick Douglass Paul Laurence Dunbar James Weldon Johnson Naomi Long Madgett Paule Marshall Clarence Major Claude McKay Ann Petry Dudley Randall J. Saunders Redding Jean Toomer Darwin T. Turner As well as: Lerone Bennett, Jr. Frank London Brown Arthur P. Davis Frank Marshall Davis Owen Dodson Mari Evans Rudolph Fisher Dan Georgakas Robert Hayden Frank Horne Blyden Jackson Lance Jeffers Fenton Johnson George E. Kent Alain Locke Diane Oliver Stanley Sanders Richard G. Stern Sterling Stuckey Melvin B. Tolson |
| the norton anthology of african american literature: The Norton Anthology of African American Literature , 2004 |
| the norton anthology of african american literature: Half in Shadow Shanna Greene Benjamin, 2021-04-01 Nellie Y. McKay (1930–2006) was a pivotal figure in contemporary American letters. The author of several books, McKay is best known for coediting the canon-making Norton Anthology of African American Literature with Henry Louis Gates Jr., which helped secure a place for the scholarly study of Black writing that had been ignored by white academia. However, there is more to McKay’s life and legacy than her literary scholarship. After her passing, new details about McKay’s life emerged, surprising everyone who knew her. Why did McKay choose to hide so many details of her past? Shanna Greene Benjamin examines McKay’s path through the professoriate to learn about the strategies, sacrifices, and successes of contemporary Black women in the American academy. Benjamin shows that McKay’s secrecy was a necessary tactic that a Black, working-class woman had to employ to succeed in the white-dominated space of the American English department. Using extensive archives and personal correspondence, Benjamin brings together McKay’s private life and public work to expand how we think about Black literary history and the place of Black women in American culture. |
| the norton anthology of african american literature: The Norton Anthology of African American Literature , 2004 |
| the norton anthology of african american literature: The Norton Anthology of African American Literature Henry Louis Gates (Jr.), Nellie Y. MacKay, 1996 |
| the norton anthology of african american literature: Bars Fight Lucy Terry Prince, 2020-10-28 Bars Fight, a ballad telling the tale of an ambush by Native Americans on two families in 1746 in a Massachusetts meadow, is the oldest known work by an African-American author. Passed on orally until it was recorded in Josiah Gilbert Holland's History of Western Massachusetts in 1855, the ballad is a landmark in the history of literature that should be on every book lover's shelves. |
| the norton anthology of african american literature: The Norton Anthology of American Literature Nina Baym, 2003 Includes outstanding works of American poetry, prose, and fiction from the Colonial era to the present day. |
| the norton anthology of african american literature: The Norton Anthology of American Literature Nina Baym, 2012 |
| the norton anthology of african american literature: The Wiley Blackwell Anthology of African American Literature, Volume 1 Gene Andrew Jarrett, 2014-01-13 The Wiley Blackwell Anthology of African American Literature is a comprehensive collection of poems, short stories, novellas, novels, plays, autobiographies, and essays authored by African Americans from the eighteenth century until the present. Evenly divided into two volumes, it is also the first such anthology to be conceived and published for both classroom and online education in the new millennium. Reflects the current scholarly and pedagogic structure of African American literary studies Selects literary texts according to extensive research on classroom adoptions, scholarship, and the expert opinions of leading professors Organizes literary texts according to more appropriate periods of literary history, dividing them into seven sections that accurately depict intellectual, cultural, and political movements Includes more reprints of entire works and longer selections of major works than any other anthology of its kind This first volume contains a comprehensive collection of texts authored by African Americans from the eighteenth century until the 1920s The two volumes of this landmark anthology can also be bought as a set, at over 20% savings. |
| the norton anthology of african american literature: The Earliest African American Literatures Zachary McLeod Hutchins, Cassander L. Smith, 2021-12-16 With the publication of the 1619 Project by The New York Times in 2019, a growing number of Americans have become aware that Africans arrived in North America before the Pilgrims. Yet the stories of these Africans and their first descendants remain ephemeral and inaccessible for both the general public and educators. This groundbreaking collection of thirty-eight biographical and autobiographical texts chronicles the lives of literary black Africans in British colonial America from 1643 to 1760 and offers new strategies for identifying and interpreting the presence of black Africans in this early period. Brief introductions preceding each text provide historical context and genre-specific interpretive prompts to foreground their significance. Included here are transcriptions from manuscript sources and colonial newspapers as well as forgotten texts. The Earliest African American Literatures will change the way that students and scholars conceive of early American literature and the role of black Africans in the formation of that literature. |
| the norton anthology of african american literature: Kindred Octavia E. Butler, 2022-09-20 Selected by The Atlantic as one of THE GREAT AMERICAN NOVELS. (You have to read them.) The New York Times best-selling author’s time-travel classic that makes us feel the horrors of American slavery and indicts our country’s lack of progress on racial reconciliation “I lost an arm on my last trip home. My left arm.” Dana’s torment begins when she suddenly vanishes on her 26th birthday from California, 1976, and is dragged through time to antebellum Maryland to rescue a boy named Rufus, heir to a slaveowner’s plantation. She soon realizes the purpose of her summons to the past: protect Rufus to ensure his assault of her Black ancestor so that she may one day be born. As she endures the traumas of slavery and the soul-crushing normalization of savagery, Dana fights to keep her autonomy and return to the present. Blazing the trail for neo-slavery narratives like Colson Whitehead’s The Underground Railroad and Ta-Nehisi Coates’s The Water Dancer, Butler takes one of speculative fiction’s oldest tropes and infuses it with lasting depth and power. Dana not only experiences the cruelties of slavery on her skin but also grimly learns to accept it as a condition of her own existence in the present. “Where stories about American slavery are often gratuitous, reducing its horror to explicit violence and brutality, Kindred is controlled and precise” (New York Times). |
| the norton anthology of african american literature: African-American Literature Demetrice A. Worley, Jesse Perry, 1998 A collection of eighty-five selections that exemplify the range and depth of the writing of Africian Americans. f. |
| the norton anthology of african american literature: Teaching with the Norton anthology of African American literature Helen Ruth Houston, 1997 |
| the norton anthology of african american literature: The New Negro Alain Locke, 1925 |
| the norton anthology of african american literature: Call and Response Reprint Paperback with CDROM Patricia Liggins Hill, Hill, 1998-01-01 |
| the norton anthology of african american literature: The Geographies of African American Short Fiction Kenton Rambsy, 2022-03-25 Perhaps the brevity of short fiction accounts for the relatively scant attention devoted to it by scholars, who have historically concentrated on longer prose narratives. The Geographies of African American Short Fiction seeks to fill this gap by analyzing the ways African American short story writers plotted a diverse range of characters across multiple locations—small towns, a famous metropolis, city sidewalks, a rural wooded area, apartment buildings, a pond, a general store, a prison, and more. In the process, these writers highlighted the extents to which places and spaces shaped or situated racial representations. Presenting African American short story writers as cultural cartographers, author Kenton Rambsy documents the variety of geographical references within their short stories to show how these authors make cultural spaces integral to their artwork and inscribe their stories with layered and resonant social histories. The history of these short stories also documents the circulation of compositions across dozens of literary collections for nearly a century. Anthology editors solidified the significance of a core group of short story authors including James Baldwin, Toni Cade Bambara, Charles Chesnutt, Ralph Ellison, Zora Neale Hurston, and Richard Wright. Using quantitative information and an extensive literary dataset, The Geographies of African American Short Fiction explores how editorial practices shaped the canon of African American short fiction. |
| the norton anthology of african american literature: U.S. History P. Scott Corbett, Volker Janssen, John M. Lund, Todd Pfannestiel, Sylvie Waskiewicz, Paul Vickery, 2024-09-10 U.S. History is designed to meet the scope and sequence requirements of most introductory courses. The text provides a balanced approach to U.S. history, considering the people, events, and ideas that have shaped the United States from both the top down (politics, economics, diplomacy) and bottom up (eyewitness accounts, lived experience). U.S. History covers key forces that form the American experience, with particular attention to issues of race, class, and gender. |
| the norton anthology of african american literature: Teaching with the Norton Anthology of African American Literature Joycelyn Moody, 2004-01 |
| the norton anthology of african american literature: The Literature of the American South William L. Andrews, 1997-10-01 Complete with historical introductions, author headnotes, annotations, and bibliographies, a groundbreaking anthology encompasses all genres of literary writing and ranges from slave narratives to William Faulkner to the memoirs of Henry Louis Gates, Jr. Original. |
| the norton anthology of african american literature: Honey, Hush! Daryl Cumber Dance, 1998 Hard-hitting, sometimes risque, always dramatic and eloquent, the vibrant humor of African-American women is celebrated in this bold, unique, and comprehensive collection, featuring contributions from the antebellum poets, early novelists, and contemporary personalities from Toni Morrison to Whoopi Goldberg. |
| the norton anthology of african american literature: The Wiley Blackwell Anthology of African American Literature, Volume 2 Gene Andrew Jarrett, 2014-01-28 The Wiley Blackwell Anthology of African American Literature is a comprehensive collection of poems, short stories, novellas, novels, plays, autobiographies, and essays authored by African Americans from the eighteenth century until the present. Evenly divided into two volumes, it is also the first such anthology to be conceived and published for both classroom and online education in the new millennium. Reflects the current scholarly and pedagogic structure of African American literary studies Selects literary texts according to extensive research on classroom adoptions, scholarship, and the expert opinions of leading professors Organizes literary texts according to more appropriate periods of literary history, dividing them into seven sections that accurately depict intellectual, cultural, and political movements Includes more reprints of entire works and longer selections of major works than any other anthology of its kind This second volume contains a comprehensive collection of texts authored by African Americans from the 1920s to the present The two volumes of this landmark anthology can also be bought as a set, at over 20% savings. |
| the norton anthology of african american literature: The Concise Oxford Companion to African American Literature William L. Andrews, Frances Smith Foster, Trudier Harris, 2001-02-15 This abridgement of The Oxford Companion to African American Literature will make the entries of the greatest general interest available to a wider audience, providing the same calibre of scholarship and information as the original volume. The Concise collects more than 400 biographies (authors, critics, literary characters and historical figures) of both well-known figures and the lives and careers of writers not found in other reference works. The abridgement also includes the 150 plot summaries of major works. The editors briefly update the biographic details for author entries to include mention of major new works, death dates, and awards since the Companion's 1997 publication. A revised introduction, contributors list, subject index, cross-references, and updated bibliographical notes are also included. The volume reprints in its entirety the five-part fifteen page essay, Literary History, capturing the full sweep of African American writing in the U.S. from the colonial and early national eras to the present day. |
| the norton anthology of african american literature: Worlds Together, Worlds Apart Concise One-Volume, 2nd Edition + Reg Card Elizabeth Pollard, Clifford D. Rosenberg, Robert L. Tignor, Jeremy Adelman, Stephen Aron, Peter Brown, Benjamin Elman, Stephen Kotkin, Xinru Liu, Suzanne Marchand, Holly Pittman, Gyan Prakash, Brent Shaw, Michael Tsin, 2019 A truly global approach to world history, Worlds Together, Worlds Apart is organized around major world history stories and themes: the emergence of cities, the building of the Silk Road, the spread of major religions, the spread of the Black Death, the Age of Exploration, alternatives to nineteenth-century capitalism, the rise of modern nation-states and empires, and others ... The authors have refreshed throughout coverage of the environment in addition to cutting edge scholarship, designed to help students think critically, master content and make connections across time and place.--Provided by publisher. |
| the norton anthology of african american literature: What Was African American Literature? Kenneth W. Warren, 2012-09-03 African American literature is over. With this provocative claim Kenneth Warren sets out to identify a distinctly African American literatureÑand to change the terms with which we discuss it. Rather than contest other definitions, Warren makes a clear and compelling case for understanding African American literature as creative and critical work written by black Americans within and against the strictures of Jim Crow America. Within these parameters, his book outlines protocols of reading that best make sense of the literary works produced by African American writers and critics over the first two-thirds of the twentieth century. In WarrenÕs view, African American literature begged the question: what would happen to this literature if and when Jim Crow was finally overthrown? Thus, imagining a world without African American literature was essential to that literature. In support of this point, Warren focuses on three moments in the history of Phylon, an important journal of African American culture. In the dialogues Phylon documents, the question of whether race would disappear as an organizing literary category emerges as shared ground for critical and literary practice. Warren also points out that while scholarship by black Americans has always been the province of a petit bourgeois elite, the strictures of Jim Crow enlisted these writers in a politics that served the race as a whole. Finally, WarrenÕs work sheds light on the current moment in which advocates of African American solidarity insist on a past that is more productively put behind us. |
| the norton anthology of african american literature: Passing Nella Larsen, 2025-12-01 Passing is a profound exploration of racial identity, societal expectations, and the intricate dynamics of friendship and betrayal. Nella Larsen delves into the complexities of race and colorism in 1920s America, portraying a society where appearances are carefully curated, and personal identity is often sacrificed for social acceptance. Through the intertwined lives of Clare Kendry and Irene Redfield, the novel examines how race can be both a barrier and a means of survival, as well as how it influences personal choices and relationships. Since its publication, Passing has been acclaimed for its nuanced portrayal of identity and the tensions surrounding race and class. The novel's exploration of these themes has inspired academic discussions and adaptations in various forms, including films and theatrical productions. Its characters, particularly Clare and Irene, have become central to debates on identity, autonomy, and the pressures of societal norms. The novel remains relevant today due to its incisive critique of social constructs and its portrayal of the personal and collective struggles tied to race. By addressing issues of belonging, self-perception, and the cost of conformity, Passing continues to resonate as a powerful commentary on the human experience in the face of societal expectations. |
| the norton anthology of african american literature: What is African American Literature? Margo N. Crawford, 2021-01-27 After Kenneth W. Warren's What Was African American Literature?, Margo N. Crawford delivers What is African American Literature? The idea of African American literature may be much more than literature written by authors who identify as Black. What is African American Literature? focuses on feeling as form in order to show that African American literature is an archive of feelings, a tradition of the tension between uncontainable black affect and rigid historical structure. Margo N. Crawford argues that textual production of affect (such as blush, vibration, shiver, twitch, and wink) reveals that African American literature keeps reimagining a black collective nervous system. Crawford foregrounds the idea of African American literature and uncovers the black feeling world co-created by writers and readers. Rejecting the notion that there are no formal lines separating African American literature and a broader American literary tradition, Crawford contends that the distinguishing feature of African American literature is a moodscape that is as stable as electricity. Presenting a fresh perspective on the affective atmosphere of African American literature, this compelling text frames central questions around the idea of African American literature, shows the limits of historicism in explaining the mood of African American literature and addresses textual production in the creation of the African American literary tradition. Part of the acclaimed Wiley Blackwell Manifestos series, What is African American Literature? is a significant addition to scholarship in the field. Professors and students of American literature, African American literature, and Black Studies will find this book an invaluable source of fresh perspectives and new insights on America's black literary tradition. |
| the norton anthology of african american literature: Slavery and Class in the American South William L. Andrews, 2019 Slavery and Class in the American South reveals how work, family, and connections that made for socioeconomic differences among the enslaved of the South are critical components of the American slave narrative. |
| the norton anthology of african american literature: Telling Narratives Leslie W. Lewis, 2024-03-18 Telling Narratives analyzes key texts from nineteenth- and early twentieth-century African American literature to demonstrate how secrets and their many tellings have become slavery's legacy. By focusing on the ways secrets are told in texts by Jessie Fauset, Charles W. Chesnutt, Pauline Hopkins, Frederick Douglass, and others, Leslie W. Lewis suggests an alternative model to the feminist dichotomy of breaking silence in response to sexual violence. This fascinating study also suggests that masculine bias problematically ignores female experience in order to equate slavery with social death. In calling attention to the sexual behavior of slave masters in African American literature, Lewis highlights its importance to slavery’s legacy and offers a new understanding of the origins of self-consciousness within African American experience. |
| the norton anthology of african american literature: The Lottery Shirley Jackson, 2022-08-25 Step into the unsettling world of Shirley Jackson with a collection of her finest, creepiest short stories, revealing the queen of American gothic at her mesmerising best. This selection includes 'The Lottery', Jackson's masterpiece and one of the most terrifying and iconic stories of the twentieth century. |
| the norton anthology of african american literature: A History of African American Poetry Lauri Ramey, 2019-03-21 Offers a critical history of African American poetry from the transatlantic slave trade to present day hip-hop. |
| the norton anthology of african american literature: The Cambridge History of African American Literature Maryemma Graham, Jerry W. Ward, Jr, 2015-12-17 The first major twenty-first century history of four hundred years of black writing, The Cambridge History of African American Literature presents a comprehensive overview of the literary traditions, oral and print, of African-descended peoples in the United States. Expert contributors, drawn from the United States and beyond, emphasize the dual nature of each text discussed as a work of art created by an individual and as a response to unfolding events in American cultural, political, and social history. Unprecedented in scope, sophistication and accessibility, the volume draws together current scholarship in the field. It also looks ahead to suggest new approaches, new areas of study, and as yet undervalued writers and works. The Cambridge History of African American Literature is a major achievement both as a work of reference and as a compelling narrative and will remain essential reading for scholars and students in years to come. |
| the norton anthology of african american literature: The Oxford Book of the American South Edward L. Ayers, Bradley C. Mittendorf, 1997 The Oxford Book of the American South resonates with the words of black people and white, women and men, the powerless as well as the powerful. The collection presents the most telling fiction and nonfiction produced in the South from the late eighteenth century to the present. Renowned authors such as James Agee, Richard Wright, Maya Angelou, Lee Smith, Eudora Welty, William Faulkner, and Flannery O'Connor appear in these pages, but so do people whose writing did not immediately reach a large audience. For example, Harriet A. Jacobs' book Incidents in the Life of a Slave Girl, which is now recognized as one of the most illuminating narratives of a former slave, was neglected for generations. And Sarah Morgan's powerful Civil War Diary has only recently come to widespread attention. The Oxford Book of the American South presents compelling autobiographies, diaries, memoirs, and journalism as well as stories and selections from novels, and runs the spectrum from the conservative to the radical, the traditional to the innovative. Editors Edward L. Ayers and Bradley C. Mittendorf have arranged these diverse readings so that they fit together into a rich mosaic of Southern life and history. The sections of the book The Old South, The Civil War and Its Consequences, Hard Times, and The Turning unfold a vivid record of life below the Mason Dixon line. We see the antebellum period both from the perspective of those who experienced it first-hand, such as Thomas Jefferson and former slaves Olaudah Equiano and Frederick Douglass, and then from the perspective of authors looking back on that era, including William Styron and Sherley Anne Williams. Likewise, we see the Civil War through the eyes of witnesses such as Sam Watkins, through the eyes of later writers trying to make sense of the conflict, such as Robert Penn Warren, and through the eyes of those using the war's intense passions to fuel their fiction, such as Margaret Mitchell and Barry Hannah. The classic authors of the Southern Renaissance in the 1920s and 1930s appear here in the context of the hard times in which they wrote. The years since World War II are chronicled in the powerful words of Martin Luther King, Jr.'s Letter from Birmingham Jail, George Garrett's Good bye, Good bye, Be Always Kind and True, and Peter Taylor's The Decline and Fall of the Episcopal Church, in the Year of Our Lord 1952. The editors have selected these readings, their Preface tells us, to convey the passions that have surfaced time and again in more than two hundred years of Southern writing. Indeed, the struggles, defeats, and triumphs chronicled in The Oxford Book of the American South speak not just to the South, but to all of the American experience. They document and evoke some of the most dramatic episodes in the nation's life |
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