The Classic Noh Theatre Of Japan Ezra Pound

  the classic noh theatre of japan ezra pound: The Classic Noh Theatre of Japan Ernest Fenollosa, Ezra Pound, 1959 The Noh plays of Japan have been compared to the greatest of Greek tragedies for their evocative, powerful poetry and splendor of emotional intensity.
  the classic noh theatre of japan ezra pound: The Classic Noh Theatre of Japan. By Ezra Pound and Ernest Fenollosa. (1. Publ.) Ernest Fenollosa, Ezra Pound, 1959
  the classic noh theatre of japan ezra pound: The Classic Noh Theatre of Japan. By Ezra Pound and Ernest Fenollosa. (1. Publ.) Ernest Fenollosa, Ezra Pound, 1959
  the classic noh theatre of japan ezra pound: Classic Noh Theatre of Japan Ezra Pound, 2009-04-09
  the classic noh theatre of japan ezra pound: Ezra Pound and the Visual Arts Ezra Pound, 1980 Gathers all the poet's art criticism from various sources, as well as his articles explaining the new approach of vortography, the English avantgarde movement.
  the classic noh theatre of japan ezra pound: A Guide to Ezra Pound and Ernest Fenollosa's Classic Noh Theatre of Japan Akiko Miyake, Sanehide Kodama, Nicholas John Teele, 1994-01-01
  the classic noh theatre of japan ezra pound: Ezra Pound and Music Ezra Pound, 2008 Included here are all of Pound's concert reviews and statements; the biweekly columns written under the pen name William Atheling for The New Age in London; articles from other periodicals; the complete text of the 1924 landmark volume Antheil and the Treatise on Harmony; extracts from books and letters, and the poet's additional writings on the subject of music. The pieces are organized chronologically, with illuminating commentary, thorough footnotes, and an index. Three appendixes complete this comprehensive volume; an analysis of Pound's theories of absolute rhythm and Great Bass; a glossary of important musical personalities mentioned in the text and the composer George Antheil's 1924 appreciation, Why a Poet Quit the Muses.
  the classic noh theatre of japan ezra pound: Gaudier-Brzeska Ezra Pound, 1916
  the classic noh theatre of japan ezra pound: The Selected Letters of Ezra Pound, 1907-1941 Ezra Pound, 1971 Originally published in 1950 under title: The letters of Ezra Pound, 1907-1941.
  the classic noh theatre of japan ezra pound: ABC of Reading Ezra Pound, 1960 Ezra Pound's classic book about the meaning of literature.
  the classic noh theatre of japan ezra pound: Selected Poems of Ezra Pound Ezra Pound, 1957-01-17 Ezra Pound has been called the inventor of modern poetry in English. The verse and criticism which he produced during the early years of the twentieth century very largely determined the directions of creative writing in our time; virtually every major poet in England and America today has acknowledged his help or influence. Pound's lyric genius, his superb technique, and his fresh insight into literary problems make him one of the small company of men who through the centuries have kept poetry alive—one of the great innovators. This book offers a compact yet representative selection of Ezra Pound's poems and translations. The span covered is Pound's entire writing career, from his early lyrics and the translations of Provençal songs to his English version of Sophocles' Trachiniae. Included are parts of his best known works—the Chinese translations, the sequence called Hugh Selwyn Mauberly, the Homage to Sextus Propertius. The Cantos, Pound's major epic, are presented in generous selections, chosen to emphasize the main themes of the whole poem.
  the classic noh theatre of japan ezra pound: Japanese No Dramas , 1992-10-29 Japanese nõ theatre or the drama of 'perfected art' flourished in the fourteenth and fifteenth centuries largely through the genius of the dramatist Zeami. An intricate fusion of music, dance, mask, costume and language, the dramas address many subjects, but the idea of 'form' is more central than 'meaning' and their structure is always ritualized. Selected for their literary merit, the twenty-four plays in this volume dramatize such ideas as the relationship between men and the gods, brother and sister, parent and child, lover and beloved, and the power of greed and desire. Revered in Japan as a cultural treasure, the spiritual and sensuous beauty of these works has been a profound influence for English-speaking artists including W. B. Yeats, Ezra Pound and Benjamin Britten.
  the classic noh theatre of japan ezra pound: Ezra Pound's Japan Andrew Houwen, 2021-03-25 The first book to deal with the subject of Ezra Pound's relationships with Japanese literature as a whole, this book provides a wealth of new scholarship on this subject, including on the 19th-century Japanese contexts that led to Pound's interest in 'hokku' and Fenollosa's No translations on which Pound based his own; significant original research on Pound's Japanese friendships that enriched his understanding of Japanese literature; and an examination of all the explicit references to No in The Cantos in unprecedented depth. It demonstrates that the works for which Ezra Pound is most famous, such as 'In a Station of the Metro' and his epic poem, The Cantos, were shaped by his lifelong interest in Japanese literature.
  the classic noh theatre of japan ezra pound: The Noh Theatre of Japan Ernest Fenollosa, Ezra Pound, 2004-01-01 This outstanding, scholarly work by an American-born authority on Chinese and Japanese art and literature, edited and translated by one of the most ambitious, influential, and innovative poets of the first half of the 20th century, provides Western readers with a valuable interpretation of an important aspect of Japanese culture. In addition to the complete translations of 15 plays, the text discusses historical background and development of the Noh theater.
  the classic noh theatre of japan ezra pound: 'Noh,' Or, Accomplishment Ernest Fenollosa, Ezra Pound, 1917 The authors offer a detailed examination and explanation of Noh, the first great Japanese theatrical form. The spirit is at the essence of Noh, as Kannami Kiyotsugu created the form in the late-fourteenth century by combining elements from Japanese theater with Zen Buddhism. The authors present the history, explain the nuances, and even provide samples of these Noh plays.
  the classic noh theatre of japan ezra pound: Cathay Ezra Pound, Ernest Francisco Fenollosa, Po Li, 2022-10-26 This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
  the classic noh theatre of japan ezra pound: Ezra Pound and the Spanish World Viorica Patea, John Gery, Walter Baumann, 2024-04-26 This collection offers for the first time criticism, biographical essays, analysis, translation studies, and reminiscences of Ezra Pound’s extensive interaction with Spain and Spanish culture, from his earliest visits to Spain in 1902 and 1906 and his study of significant Spanish writers to the dedication of the first monument erected anywhere to Pound in the small Spanish village of Medinaceli in 1973. Divided into two sections, Part One: “ON EZRA POUND AND THE SPANISH WORLD” includes a general introduction on Pound’s lifelong involvement with Spain, together with chapters on Pound’s study of classical Spanish literature, the Spanish dimension in The Cantos, Pound’s contemporary Spanish connections, and his legacy in contemporary Spanish letters. Part Two: “EZRA POUND AND THE SPANISH WORLD: A READER,” then gathers for the first time Pound’s own writings (postcards, letters, and essays) concerning Spain and Spanish writers, as well as his correspondence with Spanish poets Miguel de Unamuno and Juan Ramón Jiménez and with José Vázquez Amaral, the first Spanish translator of The Cantos in its entirety. The volume includes reminiscences by Spanish Novísimos poets, Antonio Colinas and Jaime Siles, written explicitly for this collection. Besides providing a thorough exploration into Pound’s engagement with Spain, this volume pays homage to Pound’s considerable influence on Spanish culture.
  the classic noh theatre of japan ezra pound: Personae Ezra Pound, 1909
  the classic noh theatre of japan ezra pound: Guide to Kulchur Ezra Pound, 1978 Prose work by Ezra Pound, published in 1938. A brilliant but fragmentary work, it consists of a series of apparently unrelated essays reflecting his thoughts on various aspects of culture and history.
  the classic noh theatre of japan ezra pound: Translations Ezra Pound, 1963
  the classic noh theatre of japan ezra pound: Ezra Pound in the Present Paul Stasi, Josephine Park, 2018-04-19 Was Ezra Pound the first theorist of world literature? Or did he inaugurate a form of comparative literature that could save the discipline from its untimely demise? Would he have welcomed the 2008 financial crisis? What might he say about America's economic dependence on China? Would he have been appalled at the rise of the “digital humanities,” or found it amenable to his own quasi-social scientific views about the role of literature in society? What, if anything, would he find to value in today's economic and aesthetic discourses? Ezra Pound in the Present collects new essays by prominent scholars of modernist poetics to engage the relevance of Pound's work for our times, testing whether his literature was, as he hoped it would be, “news that stays news.”
  the classic noh theatre of japan ezra pound: The Spirit of Noh Zeami, 2013-05-14 The Japanese dramatic art of Noh has a rich six-hundred-year history and has had a huge influence on Japanese culture and such Western artists as Ezra Pound and William Butler Yeats. The actor and playwright Zeami (1363–1443) is the most celebrated figure in the history of Noh, with his numerous outstanding plays and his treatises outlining his theories on the art. These treatises were originally secret teachings that were later coveted by the highest ranks of the samurai class and first became available to the general public only in the twentieth century. William Scott Wilson, acclaimed translator of samurai and Asian classics, has translated the Fushikaden, the best known of these treatises, which provides practical instruction for actors, gives valuable teachings on the aesthetics and spiritual culture of Japan, and offers a philosophical outlook on life. Along with the Fushikaden, Wilson includes a comprehensive introduction describing the historical background and philosophy of Noh, as well as a new translation of one of Zeami's most moving plays, Atsumori.
  the classic noh theatre of japan ezra pound: Early Writings (Pound, Ezra) Ezra Pound, 2005-06-28 Ezra Pound makes his Penguin Classics debut with this unique selection of his early poems and prose, edited with an introductory essay and notes by Pound expert Ira Nadel. The poetry includes such early masterpieces as “The Seafarer,” “Homage to Sextus Propertius,” “Hugh Selwyn Mauberley,” and the first eight of Pound’s incomparable “Cantos.” The prose includes a series of articles and critical pieces, with essays on Imagism, Vorticism, Joyce, and the well-known “Chinese Written Character as a Medium for Poetry.” First time in Penguin Classics Includes generous selections of Pound's poetry, as well as an assortment of prose
  the classic noh theatre of japan ezra pound: The Ezra Pound Encyclopedia Demetres P. Tryphonopoulos, Stephen J. Adams, 2005-04-30 Ezra Pound forever changed the course of poetry. The author of a vast body of literature, his enormous range of references and use of multiple languages make him one of the most obscure authors and—because of his Fascism, anti-Semitism, and questionable sanity—one of the most controversial. This encyclopedia is a concise yet comprehensive guide to his life and writings. Included are more than 250 alphabetically arranged entries on such topics as Arabic history, Chinese translation, dance, Hilda Doolittle, Egyptian literature, Robert Frost, and Pound's publications. The entries are written by roughly 100 expert contributors and cite works for further reading. Ezra Pound forever changed the course of poetry. His vast body of poetry and critical works make him one of the 20th century's most prolific writers, and his influence has shaped later poets, great and small. His enormous range of references, deliberate obscurity, and use of multiple languages make him one of the most difficult authors and— because of his Fascism, anti-Semitism, and questionable sanity—one of the most controversial figures in American literary history. This encyclopedia is a concise yet comprehensive guide to his life and writings.
  the classic noh theatre of japan ezra pound: Certain Noble Plays of Japan Ezra Pound, William Butler Yeats, 2016-07-29 This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.
  the classic noh theatre of japan ezra pound: Certain Noble Plays of Japan Ezra Pound, Ezra Pound Et Al, William Butler Yeats, 2014-10-05 INTRODUCTION NISHIKIGI HAGOROMO KUMASAKA KAGEKIYO NOTES
  the classic noh theatre of japan ezra pound: The New Ezra Pound Studies Mark Byron, 2020 Essays on recent developments in Pound scholarship and research, including newly available primary sources and methodological advances in cognate fields.
  the classic noh theatre of japan ezra pound: The Pound Biennial Anderson Araujo, Ron Bush, 2025-04-11 The Ezra Pound Studies Biennial claims a place as the flagship journal entirely devoted to Pound’s work at a time when Pound studies represents one of the most active fields in modernist scholarship. Elaborating on the life, work, and international reception of one of the prime movers of the modernist revolution in the arts and letters, this inaugural volume joins an ever-increasing number of studies examining Pound’s letters, prose, poetry, translations, companions and international reception, and taking the form among other things of critical essays and editions, digital projects, and monographs. Building on this work, the current volume features twelve high-caliber contributions written by a diverse group of established and emerging Pound scholars. Their subjects include the genesis of Pound’s Pisan Cantos, the poet’s political and economic preoccupations, his association with modernist women writers, his fascination with typography and with the Italian Renaissance, and his translations of Noh plays and French poetry.
  the classic noh theatre of japan ezra pound: The Spirit of Romance Ezra Pound, 1968
  the classic noh theatre of japan ezra pound: A History of Japanese Theatre Jonah Salz, 2016-07-14 Japan boasts one of the world's oldest, most vibrant and most influential performance traditions. This accessible and complete history provides a comprehensive overview of Japanese theatre and its continuing global influence. Written by eminent international scholars, it spans the full range of dance-theatre genres over the past fifteen hundred years, including noh theatre, bunraku puppet theatre, kabuki theatre, shingeki modern theatre, rakugo storytelling, vanguard butoh dance and media experimentation. The first part addresses traditional genres, their historical trajectories and performance conventions. Part II covers the spectrum of new genres since Meiji (1868–), and Parts III to VI provide discussions of playwriting, architecture, Shakespeare, and interculturalism, situating Japanese elements within their global theatrical context. Beautifully illustrated with photographs and prints, this history features interviews with key modern directors, an overview of historical scholarship in English and Japanese, and a timeline. A further reading list covers a range of multimedia resources to encourage further explorations.
  the classic noh theatre of japan ezra pound: The American Play Marc Robinson, 2009-05-26 In this brilliant study, Marc Robinson explores more than two hundred years of plays, styles, and stagings of American theater. Mapping the changing cultural landscape from the late eighteenth century to the start of the twenty-first, he explores how theater has--and has not--changed and offers close readings of plays by O'Neill, Stein, Wilder, Miller, and Albee, as well as by important but perhaps lesser known dramatists such as Wallace Stevens, Jean Toomer, Djuna Barnes, and many others. Robinson reads each work in an ambitiously interdisciplinary context, linking advances in theater to developments in American literature, dance, and visual art. The author is particularly attentive to the continuities in American drama, and expertly teases out recurring themes, such as the significance of visuality. He avoids neatly categorizing nineteenth- and twentieth-century plays and depicts a theater more restive and mercurial than has been recognized before. Robinson proves both a fascinating and thought-provoking critic and a spirited guide to the history of American drama.
  the classic noh theatre of japan ezra pound: A Companion to Ezra Pound's Guide to Kulchur Anderson Araujo, 2018 Published in 1938, Guide to Kulchur encapsulates Ezra Pound's chief concerns: his cultural, historiographic, philosophical, and epistemological theories; his aesthetics and poetics; and his economic and political thought. In its fifty-eight chapters and postscript, it constitutes an interdisciplinary and transhistorical cultural anthropology that exemplifies his slogan for the renovation of ancient wisdom for current use - Make It New. Though wildly encyclopedic, allusive and recursive, Guide to Kulchur is inescapable in any serious study of Pound. A Companion to Ezra Pound's Guide to Kulchur addresses the formidable interpretive challenges his most far-reaching prose tract presents to the reader. Providing page-by-page glosses on key terms and passages, the Companion also situates Pound's allusions and references in relation to other texts in his vast body of work, especially The Cantos. Striking a balance between rigorous scholarly standards and readerly accessibility, the bookis designed to meet the needs of the specialist while keeping the critical apparatus unobtrusive so as also to appeal to students and the general public. A long-needed resource, A Companion to Ezra Pound's Guide to Kulchur makes a lasting contribution to thestudy of one of the most influential and controversial literary figures of the twentieth century.
  the classic noh theatre of japan ezra pound: The Cambridge Companion to Ezra Pound Ira B. Nadel, 1999-02-11 An international team of scholars provides an invaluable introduction to Pound's work and life.
  the classic noh theatre of japan ezra pound: A Walking Tour in Southern France Ezra Pound, 1992 Rummaging through his papers in 1958, Ezra Pound came across a cache of notebooks dating back to the summer of 1912, when as a young man he had walked the troubadour landscape of southern France. Pound had been fascinated with the poetry of medieval Provence since his college days. His experiments with the complex lyric forms of Arnaut Daniel, Bertran de Born, and others were included in his earliest books of poems; his scholarly pursuits in the field found their way into The Spirit of Romance (1910); and the troubadour mystique was to become a resonant motif of the Cantos. In the course of transcribing and emending the text of Walking Tour 1912, editor Richard Sieburth retraced Pound's footsteps along the roads to the troubadour castles. What this peripatetic editing process...revealed, he writes, was a remarkably readable account of a journey in search of the vanished voices of Provence that at the same time chronicled Pound's gradual discovery of himself as a modernist poet....
  the classic noh theatre of japan ezra pound: Come Swiftly to Your Love Ezra Pound, 1971
  the classic noh theatre of japan ezra pound: The Classic Noh Theatre of Japan Ezra Pound, Ernest Francisco Fenollosa, 1977
  the classic noh theatre of japan ezra pound: Early Poems Ezra Pound, 2016-01-14 American poet Ezra Pound (1885–1972) was among the most influential literary figures of the twentieth century. As a poet, he founded the Imagist movement (c. 1909–17), which advocated the use of precise, concrete images in a free-verse setting. As an editor, he fostered the careers of William Butler Yeats, T. S. Eliot, and Robert Frost. As a force in the literary world, he championed James Joyce and Wyndham Lewis. Pound also helped to create a modern movement in poetry in which, in T. S. Eliot's words, English and American poets collaborated, knew each other's works, and influenced each other. Long an expatriate, Pound's questionable political activities during World War II distracted many from the value of his literary work. Nevertheless, his status as a major American poet has never been in doubt, as this choice collection of fifty-seven early poems amply proves. Here are poems — including a number not found in other anthologies — from Personae (1909), Exultations (1909), Ripostes (1912), and Cathay (1915) as well as selections from his major sequence Hugh Selwyn Mauberley (1920).
  the classic noh theatre of japan ezra pound: The Chinese Written Character as a Medium for Poetry Ernest Fenollosa, Ezra Pound, Jonathan Stalling, Lucas Klein, 2009-08-25 First published in 1919 by Ezra Pound, Ernest Fenollosa’s essay on the Chinese written language has become one of the most often quoted statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But previous editions of the essay represent Pound’s understanding—it is fair to say, his appropriation—of the text. Fenollosa’s manuscripts, in the Beinecke Library of Yale University, allow us to see this essay in a different light, as a document of early, sustained cultural interchange between North America and East Asia. Pound’s editing of the essay obscured two important features, here restored to view: Fenollosa’s encounter with Tendai Buddhism and Buddhist ontology, and his concern with the dimension of sound in Chinese poetry. This book is the definitive critical edition of Fenollosa’s important work. After a substantial Introduction, the text as edited by Pound is presented, together with his notes and plates. At the heart of the edition is the first full publication of the essay as Fenollosa wrote it, accompanied by the many diagrams, characters, and notes Fenollosa (and Pound) scrawled on the verso pages. Pound’s deletions, insertions, and alterations to Fenollosa’s sometimes ornate prose are meticulously captured, enabling readers to follow the quasi-dialogue between Fenollosa and his posthumous editor. Earlier drafts and related talks reveal the developmentof Fenollosa’s ideas about culture, poetry, and translation. Copious multilingual annotation is an important feature of the edition. This masterfully edited book will be an essential resource for scholars and poets and a starting point for a renewed discussion of the multiple sources of American modernist poetry.
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