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| the making of a counter culture: The Making of a Counter Culture Theodore Roszak, 1969 Study in social theory examining the rejection by youth of contemporary social structures and traditional values and the resulting cultural changes and social changes - covers psychological aspects, sociological aspects and the attitudes of youth to philosophy, religion, science, etc., and examines the need for creative thinking and Innovation to transform the present disoriented civilisation. |
| the making of a counter culture: Assembling a Black Counter Culture Deforrest Brown, 2020-11-10 In this critical history, DeForrest Brown, Jr makes techno Black again by tracing the music's origins in Detroit and beyond In Assembling a Black Counter Culture, writer and musician DeForrest Brown, Jr, provides a history and critical analysis of techno and adjacent electronic music such as house and electro, showing how the genre has been shaped over time by a Black American musical sensibility. Brown revisits Detroit's 1980s techno scene to highlight pioneering groups like the Belleville Three before jumping into the origins of today's international club floor to draw important connections between industrialized labor systems and cultural production. Among the other musicians discussed are Underground Resistance (Mad Mike Banks, Cornelius Harris), Drexciya, Juan Atkins (Cybotron, Model 500), Derrick May, Jeff Mills, Robert Hood, Detroit Escalator Co. (Neil Ollivierra), DJ Stingray/Urban Tribe, Eddie Fowlkies, Terrence Dixon (Population One) and Carl Craig. With references to Theodore Roszak's Making of a Counter Culture, writings by African American autoworker and political activist James Boggs, and the techno rebels of Alvin Toffler's Third Wave, Brown approaches techno's unique history from a Black theoretical perspective in an effort to evade and subvert the racist and classist status quo in the mainstream musical-historical record. The result is a compelling case to make techno Black again. DeForrest Brown, Jris a New York-based theorist, journalist and curator. He produces digital audio and extended media as Speaker Music and is a representative of the Make Techno Black Again campaign. |
| the making of a counter culture: Coming to My Senses Alice Waters, 2017-09-05 The New York Times bestselling and critically acclaimed memoir from cultural icon and culinary standard bearer Alice Waters recalls the circuitous road and tumultuous times leading to the opening of what is arguably America's most influential restaurant. When Alice Waters opened the doors of her little French restaurant in Berkeley, California in 1971 at the age of 27, no one ever anticipated the indelible mark it would leave on the culinary landscape—Alice least of all. Fueled in equal parts by naiveté and a relentless pursuit of beauty and pure flavor, she turned her passion project into an iconic institution that redefined American cuisine for generations of chefs and food lovers. In Coming to My Senses Alice retraces the events that led her to 1517 Shattuck Avenue and the tumultuous times that emboldened her to find her own voice as a cook when the prevailing food culture was embracing convenience and uniformity. Moving from a repressive suburban upbringing to Berkeley in 1964 at the height of the Free Speech Movement and campus unrest, she was drawn into a bohemian circle of charismatic figures whose views on design, politics, film, and food would ultimately inform the unique culture on which Chez Panisse was founded. Dotted with stories, recipes, photographs, and letters, Coming to My Senses is at once deeply personal and modestly understated, a quietly revealing look at one woman's evolution from a rebellious yet impressionable follower to a respected activist who effects social and political change on a global level through the common bond of food. |
| the making of a counter culture: From Counterculture to Cyberculture Fred Turner, 2010-10-15 In the early 1960s, computers haunted the American popular imagination. Bleak tools of the cold war, they embodied the rigid organization and mechanical conformity that made the military-industrial complex possible. But by the 1990s—and the dawn of the Internet—computers started to represent a very different kind of world: a collaborative and digital utopia modeled on the communal ideals of the hippies who so vehemently rebelled against the cold war establishment in the first place. From Counterculture to Cyberculture is the first book to explore this extraordinary and ironic transformation. Fred Turner here traces the previously untold story of a highly influential group of San Francisco Bay–area entrepreneurs: Stewart Brand and the Whole Earth network. Between 1968 and 1998, via such familiar venues as the National Book Award–winning Whole Earth Catalog, the computer conferencing system known as WELL, and, ultimately, the launch of the wildly successful Wired magazine, Brand and his colleagues brokered a long-running collaboration between San Francisco flower power and the emerging technological hub of Silicon Valley. Thanks to their vision, counterculturalists and technologists alike joined together to reimagine computers as tools for personal liberation, the building of virtual and decidedly alternative communities, and the exploration of bold new social frontiers. Shedding new light on how our networked culture came to be, this fascinating book reminds us that the distance between the Grateful Dead and Google, between Ken Kesey and the computer itself, is not as great as we might think. |
| the making of a counter culture: The Making of a Counter Culture Theodore Roszak, 1969 |
| the making of a counter culture: Groovy Science David Kaiser, W. Patrick McCray, 2016-05-31 Did the Woodstock generation reject science—or re-create it? An “enthralling” study of a unique period in scientific history (New Scientist). Our general image of the youth of the late 1960s and early 1970s is one of hostility to things like missiles and mainframes and plastics—and an enthusiasm for alternative spirituality and getting “back to nature.” But this enlightening collection reveals that the stereotype is overly simplistic. In fact, there were diverse ways in which the era’s countercultures expressed enthusiasm for and involved themselves in science—of a certain type. Boomers and hippies sought a science that was both small-scale and big-picture, as exemplified by the annual workshops on quantum physics at the Esalen Institute in Big Sur, or Timothy Leary’s championing of space exploration as the ultimate “high.” Groovy Science explores the experimentation and eclecticism that marked countercultural science and technology during one of the most colorful periods of American history. “Demonstrate[s] that people and groups strongly ensconced in the counterculture also embraced science, albeit in untraditional and creative ways.”—Science “Each essay is a case history on how the hippies repurposed science and made it cool. For the academic historian, Groovy Science establishes the ‘deep mark on American culture’ made by the countercultural innovators. For the non-historian, the book reads as if it were infected by the hippies’ democratic intent: no jargon, few convoluted sentences, clear arguments and a sense of delight.”—Nature “In the late 1960s and 1970s, the mind-expanding modus operandi of the counterculture spread into the realm of science, and sh-t got wonderfully weird. Neurophysiologist John Lilly tried to talk with dolphins. Physicist Peter Phillips launched a parapsychology lab at Washington University. Princeton physicist Gerard O’Neill became an evangelist for space colonies. Groovy Science is a new book of essays about this heady time.”—Boing Boing |
| the making of a counter culture: Counterculture Through the Ages Ken Goffman, Dan Joy, 2007-12-18 As long as there has been culture, there has been counterculture. At times it moves deep below the surface of things, a stealth mode of being all but invisible to the dominant paradigm; at other times it’s in plain sight, challenging the status quo; and at still other times it erupts in a fiery burst of creative–or destructive–energy to change the world forever. But until now the countercultural phenomenon has been one of history’s great blind spots. Individual countercultures have been explored, but never before has a book set out to demonstrate the recurring nature of counterculturalism across all times and societies, and to illustrate its dynamic role in the continuous evolution of human values and cultures. Countercultural pundit and cyberguru R. U. Sirius brilliantly sets the record straight in this colorful, anecdotal, and wide-ranging study based on ideas developed by the late Timothy Leary with Dan Joy. With a distinctive mix of scholarly erudition and gonzo passion, Sirius and Joy identify the distinguishing characteristics of countercultures, delving into history and myth to establish beyond doubt that, for all their surface differences, countercultures share important underlying principles: individualism, anti-authoritarianism, and a belief in the possibility of personal and social transformation. Ranging from the Socratic counterculture of ancient Athens and the outsider movements of Judaism, which left indelible marks on Western culture, to the Taoist, Sufi, and Zen Buddhist countercultures, which were equally influential in the East, to the famous countercultural moments of the last century–Paris in the twenties, Haight-Ashbury in the sixties, Tropicalismo, women’s liberation, punk rock–to the cutting-edge countercultures of the twenty-first century, which combine science, art, music, technology, politics, and religion in astonishing (and sometimes disturbing) new ways, Counterculture Through the Ages is an indispensable guidebook to where we’ve been . . . and where we’re going. |
| the making of a counter culture: Counter Culture David Platt, 2017-02-07 Revised and updated, with a new chapter on the refugee crisis. Welcome to the front lines. Everywhere we turn, battle lines are being drawn—traditional marriage vs. gay marriage, pro-life vs. pro-choice, personal freedom vs. governmental protection. Seemingly overnight, culture has shifted to the point where right and wrong are no longer measured by universal truth but by popular opinion. And as difficult conversations about homosexuality, abortion, social justice, and religious liberty continue to inject themselves into our workplaces, our churches, our schools, and our homes, Christians everywhere are asking the same question: How are we supposed to respond to all this? In Counter Culture, New York Times bestselling author David Platt shows Christians how to actively take a stand on such issues as poverty, sex trafficking, marriage, abortion, racism, and religious liberty—and challenges us to become passionate, unwavering voices for Christ. Drawing on compelling personal accounts from around the world, Platt presents an unapologetic yet winsome call for Christians to faithfully follow Christ into the cultural battlefield in ways that will prove both costly and rewarding. Each chapter includes: A convicting, theological exploration of the challenging issues of our day Prayer prompts Action steps to live out God’s truth and put into practice what you’ve learned Scripture verses to help you think biblically about current events The lines have been drawn. The moment has come for Christians to rise up and deliver a gospel message that’s more radical than even the most controversial issues of our day. |
| the making of a counter culture: Nation of Rebels Joseph Heath, Andrew Potter, 2004-12-14 In this wide-ranging and perceptive work of cultural criticism, Joseph Heath and Andrew Potter shatter the most important myth that dominates much of radical political, economic, and cultural thinking. The idea of a counterculture -- a world outside of the consumer-dominated world that encompasses us -- pervades everything from the antiglobalization movement to feminism and environmentalism. And the idea that mocking or simply hoping the system will collapse, the authors argue, is not only counterproductive but has helped to create the very consumer society radicals oppose. In a lively blend of pop culture, history, and philosophical analysis, Heath and Potter offer a startlingly clear picture of what a concern for social justice might look like without the confusion of the counterculture obsession with being different. |
| the making of a counter culture: What the Dormouse Said John Markoff, 2005-04-21 “This makes entertaining reading. Many accounts of the birth of personal computing have been written, but this is the first close look at the drug habits of the earliest pioneers.” —New York Times Most histories of the personal computer industry focus on technology or business. John Markoff’s landmark book is about the culture and consciousness behind the first PCs—the culture being counter– and the consciousness expanded, sometimes chemically. It’s a brilliant evocation of Stanford, California, in the 1960s and ’70s, where a group of visionaries set out to turn computers into a means for freeing minds and information. In these pages one encounters Ken Kesey and the phone hacker Cap’n Crunch, est and LSD, The Whole Earth Catalog and the Homebrew Computer Lab. What the Dormouse Said is a poignant, funny, and inspiring book by one of the smartest technology writers around. |
| the making of a counter culture: The Conquest of Cool Thomas Frank, 1997-12-08 Most people remember the youth counterculture of the 1960s, but Thomas Frank shows that another revolution shook American business during those boom years. He shows how the youthful revolutionaries were joined--and even anticipated--by such unlikely allies as the advertising industry and the men's clothing business. Halftones & tables. Copyright © Libri GmbH. All rights reserved. |
| the making of a counter culture: The Culture of Counter-culture Alan Watts, 1999 This book contains the most stirring & insightful excerpts from a series of public lectures given by Alan Watts, the immensely popular philosopher. |
| the making of a counter culture: Japanese Counterculture Steven C. Ridgely, 2010 Explores the significant impact of this countercultural figure of postwar Japan. |
| the making of a counter culture: West of Center Elissa Auther, Adam Lerner, 2012 Recovering the art and lifestyle of the counterculture in the American West in the 1960s and '70s |
| the making of a counter culture: A Companion to Dada and Surrealism David Hopkins, 2022-01-06 This excellent overview of new research on Dada and Surrealism blends expert synthesis of the latest scholarship with completely new research, offering historical coverage as well as in-depth discussion of thematic areas ranging from criminality to gender. This book provides an excellent overview of new research on Dada and Surrealism from some of the finest established and up-and-coming scholars in the field Offers historical coverage as well as in–depth discussion of thematic areas ranging from criminality to gender One of the first studies to produce global coverage of the two movements, it also includes a section dealing with the critical and cultural aftermath of Dada and Surrealism in the later twentieth century Dada and Surrealism are arguably the most popular areas of modern art, both in the academic and public spheres |
| the making of a counter culture: The Republic of Rock Michael J. Kramer, 2013-06-27 Michael Kramer draws on new archival sources and interviews to explore sixties music and politics through the lens of these two generation-changing places--San Francisco and Vietnam. From the Acid Tests of Ken Kesey and the Merry Pranksters to hippie disc jockeys on strike, the military's use of rock music to boost morale in Vietnam, and the forgotten tale of a South Vietnamese rock band, The Republic of Rock shows how the musical connections between the City of the Summer of Love and war-torn Southeast Asia were crucial to the making of the sixties counterculture. The book also illustrates how and why the legacy of rock music in the sixties continues to matter to the meaning of citizenship in a global society today. --from publisher description |
| the making of a counter culture: From Walt to Woodstock Douglas Brode, 2014-05-02 With his thumbprint on the most ubiquitous films of childhood, Walt Disney is widely considered to be the most conventional of all major American moviemakers. The adjective Disneyfied has become shorthand for a creative work that has abandoned any controversial or substantial content to find commercial success. But does Disney deserve that reputation? Douglas Brode overturns the idea of Disney as a middlebrow filmmaker by detailing how Disney movies played a key role in transforming children of the Eisenhower era into the radical youth of the Age of Aquarius. Using close readings of Disney projects, Brode shows that Disney's films were frequently ahead of their time thematically. Long before the cultural tumult of the sixties, Disney films preached pacifism, introduced a generation to the notion of feminism, offered the screen's first drug-trip imagery, encouraged young people to become runaways, insisted on the need for integration, advanced the notion of a sexual revolution, created the concept of multiculturalism, called for a return to nature, nourished the cult of the righteous outlaw, justified violent radicalism in defense of individual rights, argued in favor of communal living, and encouraged antiauthoritarian attitudes. Brode argues that Disney, more than any other influence in popular culture, should be considered the primary creator of the sixties counterculture—a reality that couldn't be further from his conventional reputation. |
| the making of a counter culture: Imagine Nation Peter Braunstein, Michael William Doyle, 2013-07-04 Amidst the recent flourishing of Sixties scholarship, Imagine Nation is the first collection to focus solely on the counterculture. Its fourteen provocative essays seek to unearth the complexity and rediscover the society-changing power of significant movements and figures. |
| the making of a counter culture: Power to the People Geoff Kaplan, 2013-05-15 Though we think of the 1960s and the early ‘70s as a time of radical social, cultural, and political upheaval, we tend to picture the action as happening on campuses and in the streets. Yet the rise of the underground newspaper was equally daring and original. Thanks to advances in cheap offset printing, groups involved in antiwar, civil rights, and other social liberation issues began to spread their messages through provocatively designed newspapers and broadsheets. This vibrant new media was essential to the counterculture revolution as a whole—helping to motivate the masses and proliferate ideas. Power to the People presents more than 700 full-color images and excerpts from these astonishing publications, many of which have not been seen since they were first published almost fifty years ago. From the psychedelic pages of the Oracle, Haight-Ashbury’s paper of choice, to the fiery editorials of the Black Panther Party Paper, these papers were remarkable for their editors’ fervent belief in freedom of expression and their DIY philosophy. They were also extraordinary for their graphic innovations. Experimental typography and wildly inventive layouts reflect an alternative media culture as much informed by the space age, television, and socialism as it was by the great trinity of sex, drugs, and rock ‘n’ roll. Assembled by renowned graphic designer Geoff Kaplan, Power to the People pays homage in its layout to the radical press. Beyond its unparalleled images, Power to the People includes essays by Gwen Allen, Bob Ostertag, and Fred Turner, as well as a series of recollections edited by Pamela M. Lee, all of which comment on the critical impact of the alternative press in the social and popular movements of those turbulent years. Power to the People treats the design practices of that moment as activism in its own right that offers a vehement challenge to the dominance of official media and a critical form of self-representation. No other book surveys in such variety the highly innovative graphic design of the underground press, and certainly no other book captures the era with such an unmatched eye toward its aesthetic and look. Power to the People is not just a major compendium of art from the ’60s and ’70s—it showcases how the radical media graphically fashioned the image of a countercultural revolution that still resounds to this day. |
| the making of a counter culture: Joe Hill Franklin Rosemont, 2003 A monumental work, expansive in scope, and not only the life, times, and culture of that most famous of the Wobblies (songwriter, poet, hobo, thinker, humorist, martyr), but crucially - and in great detail - the issues that he raised then - capitalism, white supremacy, gender, religion, wilderness, law, prison, industrial unionism - and their enduring relevance, and impact in the century since his death. Collected too is all his art, plus scores of other illustrations featuring Hill-inspired art by IWWs from Ralph Chaplin to Carlos Cortez, as well as other labor artists. It has been a long time since so much new material on Joe Hill and the Wobblies has been collected in one volume. All students of the IWW, labor cartoons and songs, radical humor, and the history of blue-collar countercultures in the US will find this book indispensable. [Salvatore Salerno] In Franklin Rosemont, Joe Hill has finally found a chronicler worthy of his revolutionary spirit, sense of humor, and poetic imagination. This is no ordinary biography. It is a journey into the Wobbly culture that made Joe Hill and the capitalist culture that killed him. But as Rosemont suggests in this remarkable book, Joe Hill never really dies. He will live in the minds of young rebels as long as his songs are sung, his ideas are circulated, and his political descendants keep fighting for a better day. [Robin D G Kelley] |
| the making of a counter culture: Mods, Rockers, and the Music of the British Invasion James E. Perone, 2008-11-30 Musical floodgates were opened after the Beatles' first appearance on The Ed Sullivan Show on February 9, 1964. Suddenly, the U.S. record charts, radio, and television were overrun with British rock and pop musicians. Although this British Invasion was the first exposure many Americans had to popular music from the United Kingdom, British pop — and more specifically British rock and roll — had been developing since the middle of the 1950s. Author James Perone here chronicles the development of British rock, from the 1950s imitators of Elvis Presley and other American rockabilly artists, to the new blends of rockabilly, R&B, Motown, and electric blues that defined the British Invasion as we recognize it today. Die-hard fans of the Beatles, the Who, and the Kinks will all want a copy, as will anyone interested in the 1960s more generally. May 1964 saw major gang-style battles break out in British resort communities between the Mods and the Rockers. The tensions between the two groups had been developing for several years, with each group claiming their own sense of culture and style. The Mods wore designer clothing, rode Vespa motor scooters, and shared an affinity for black American soul music, while the Rockers favored powerful motorcycles, greased-back hair, and 1950s American rock and roll. It was within this context that the sounds of the British Invasion developed. Mods, Rockers, and the Music of the British Invasion chronicles the development of British rock through the iconic artists who inspired the movement, as well as through the bands who later found incredible success overseas. In addition to analyzing the music in the context of the British youth culture of the early 1960s, Perone analyzes the reasons that the British bands came to so thoroughly dominate the record charts and airwaves in the United States. The contributions of Cliff Richard, Billy Fury, Johnny Kidd and the Pirates, Tommy Steele, the Tornados, Tony Sheridan, Blues Incorporated, and others to the development of British rock and roll are examined, as are the contributions and commercial and artistic impact of major British Invasion artists such as the Beatles, the Rolling Stones, the Dave Clark Five, the Yardbirds, Manfred Mann, the Who, the Kinks, and others. After investigating these groups and their influences upon one another, Perone concludes by examining the commercial and stylistic impact British rock musicians had on the American music of the time. |
| the making of a counter culture: Joe Hill Franklin Rosemont, 2015 Joe Hill (1877-1915) is the best-known figure in the heroic history of the Industrial Workers of the World (a.k.a. Wobblies). US labour's most world-renowned martyr and celebrated songwriter, he is remembered above all for his songs in the Little Red Song Book: The Preacher and the Slave (Pie in the Sky), Mr Block, There Is Power in a Union, and many more that are still popular on picket lines today. A monumental work that explores the issues that Joe Hill raised--capitalism, white supremacy, gender, religion, wilderness, law, prison, industrial unionism--and their enduring relevance and impact in the century since his death. Collected too is all of his art, plus scores of other illustrations featuring Hill-inspired art by IWWs from Ralph Chaplin to Carlos Cortez, as well as other labour artists. |
| the making of a counter culture: Witchcraft and the Gay Counterculture Arthur Evans, 1978 A basic text for radical faeries, but very loose on historic veracity.--Jim Kepner. |
| the making of a counter culture: The American Counterculture Damon R. Bach, 2020 The American Counterculture argues that the counterculture evolved in discrete stages, became a national phenomenon, included a diverse array of participants, and underwent fundamental changes between 1965 and 1974. |
| the making of a counter culture: The Roots of Fundamentalism Ernest Robert Sandeen, 1970 |
| the making of a counter culture: The Global 1960s Tamara Chaplin, Jadwiga E. Pieper Mooney, 2017-07-20 The Global 1960s presents compelling narratives from around the world in order to de-center the roles played by the United States and Europe in both scholarship on, and popular memories of, the sixties. Geographically and chronologically broad, this volume scrutinizes the concept of the sixties as defined in both Western and non-Western contexts. It provides scope for a set of analyses that together span the late 1950s to the early 1970s. Written by a diverse and international group of contributors, chapters address topics ranging from the socialist scramble for Africa, to the Naxalite movement in West Bengal, the Troubles in Northern Ireland, global media coverage of Israel, Cold War politics in Hong Kong cinema, sexual revolution in France, and cultural imperialism in Latin America. The Global 1960s explores the contest between convention and counter-culture that shaped this iconic decade, emphasizing that while the sixties are well-known for liberation, activism, and protest against the establishment, traditional hierarchies and social norms remained remarkably entrenched. Multi-faceted and transnational in approach, this book is valuable reading for all students and scholars of twentieth-century global history. |
| the making of a counter culture: The Making of an Elder Culture Theodore Roszak, 2009-09-01 Forty years later, the audacious generation takes on the unfinished business of their counter-culture youth. It is a brilliant and highly original thesis. I commend Roszak for writing the book. — Tom Pochari, World Affairs Monthly ...sense of optimisim that comes out in this book, where Roszak champions the possibility of restoring that lost commitment to the ideals of libertion . — Tom Hartley The Summer of Love. Vietnam. Woodstock. These are the milestones of the baby boomer generation Theodore Roszak chronicled in his 1969 breakthrough book The Making of a Counter Culture . Part of an unprecedented longevity revolution, those boomers form the most educated, most socially conscientious, politically savvy older generation the world has ever seen. And they are preparing for Act Two. The Making of an Elder Culture reminds the boomers of the creative role they once played in our society and of the moral and intellectual resources they have to draw upon for radical transformation in their later years. Seeing the experience of aging as a revolution in consciousness, it predicts an “elder insurgency” where boomers return to take up what they left undone in their youth. Freed from competitive individualism, military-industrial bravado, and the careerist rat race, who better to forge a compassionate economy? Who better positioned not only to demand Social Security and Medicare for themselves, but to champion “Entitlements for Everyone”? Fusing the green, the gray, and the just, Eldertown can be an achievable, truly sustainable future. Part demographic study, part history, part critique, and part appeal, Theodore Roszak’s take on the imminent transformation of our world is as wise as it is inspired—and utterly appealing. Theodore Roszak is the author of fifteen books, including the 1969 classic The Making of a Counter Culture . He is professor emeritus of history at California State University, and lives in Berkeley, California. |
| the making of a counter culture: Values and the Future Kurt Baier, Nicholas Rescher, 1969 An investigation into the impact of current technological advances on American values. |
| the making of a counter culture: Far Out Mark Liechty, 2017-02-21 Far Out charts the history of Western countercultural longing for Nepal that made the country, and Kathmandu in particular, a premier tourist destination in the twentieth century. Anthropologist and historian Mark Liechty describes three distinct phases: the immediate post-war era when the country provided a Raj-like throwback experience for rich foreigners (mainly Americans), Nepal s emergence as the most exotic outpost of hippie counterculture in the 1960s and early 70s, and, finally, the Nepali state s rebranding of itself as an adventure destination from the 1970s on. Liechty is attuned to how the dynamics of mid-twentieth century globalizationthe Cold War and shifting international relations, modernization and development ideologies, the rise of consumerist middle classes, increased mobility and the birth of mass tourism, and emerging global youth counterculturesdrew Nepal into the web of geopolitical, economic, and sociocultural transformations that shaped the modern world. But Liechty doesn t want to tell the story of tourism as something that just happened to Nepalis. He shows how Western projections of Nepal as an isolated place inspired creative Nepali enterprises and paradoxically gave locals the opportunity to participate in the highly coveted global economy. The result is a readable cultural history of a place that has been in many ways defined by a (sometimes bizarre) cultural encounter. The author s lifelong interest in Nepal and his almost twenty-five years of research make his account both sophisticated and empathicbut not without a touch of humor. |
| the making of a counter culture: Living in a World that Can't Be Fixed Curtis White, 2019-11-05 An inspiring case for practicing civil disobedience as a way of life, and a clear vision for a better world—full of play, caring, and human connection. In an era of peak global suffering and uncertainty, there has never been a more opportune time to re-think and re-build our entire social order. And it has never been more clear that our politicians and authorities will not be up to the task . . . only we can create the world we actually want to live in. And we can do it now. In Living in a World that Can’t Be Fixed, Curtis White argues that the only way to save the planet, bypass social antagonisms, and build communities that actually work for us is through a strong and vital counterculture. He shows us the legacy and effectiveness of countercultural movements that existed long before the storied 1960s and imagines the similar sweeping changes we could make today—including where we live, how we work, what we eat, and the media we consume. White—”the most inspiringly wicked social critic of the moment” (Will Blythe, Elle)—reveals how the products of our current so-called resistance, from Ken Burns to Black Panther, rarely offer a meaningful challenge to power, and how our loyalty to the “American Lifestyle” is self-defeating and keeps us from making any real social change. The world has been turned upside down, but thankfully we now have a guide for righting it on our terms. |
| the making of a counter culture: Psychedelic Chile Patrick Barr-Melej, 2017-03-27 Patrick Barr-Melej here illuminates modern Chilean history with an unprecedented chronicle and reassessment of the sixties and seventies. During a period of tremendous political and social strife that saw the election of a Marxist president followed by the terror of a military coup in 1973, a youth-driven, transnationally connected counterculture smashed onto the scene. Contributing to a surging historiography of the era's Latin American counterculture, Barr-Melej draws on media and firsthand interviews in documenting the intertwining of youth and counterculture with discourses rooted in class and party politics. Focusing on hippismo and an esoteric movement called Poder Joven, Barr-Melej challenges a number of prevailing assumptions about culture, politics, and the Left under Salvador Allende's Chilean Road to Socialism. While countercultural attitudes toward recreational drug use, gender roles and sexuality, rock music, and consumerism influenced many youths on the Left, the preponderance of leftist leaders shared a more conservative cultural sensibility. This exposed, Barr-Melej argues, a degree of intergenerational dissonance within leftist ranks. And while the allure of new and heterodox cultural values and practices among young people grew, an array of constituencies from the Left to the Right berated counterculture in national media, speeches, schools, and other settings. This public discourse of contempt ultimately contributed to the fierce repression of nonconformist youth culture following the coup. |
| the making of a counter culture: Longevity Revolution Theodore Roszak, 2001 Turning a critical eye to what he calls the implications of mass longevity as a social phenomenon, Roszak counters conventional ideas of elders as burdensome, seeing baby boomers instead as culture's great resource. Includes updated statistics, a new Introduction, and two new chapters on retirement issues and grandparenting. |
| the making of a counter culture: Counter Culture - Teen Bible Study Book David Platt, 2015-02-03 Student book that accompanies the six-session Bible study. |
| the making of a counter culture: Counterculture Kaleidoscope Nadya Zimmerman, 2013-07-22 A bold reconsideration of the meaning of 1960s San Francisco counterculture |
| the making of a counter culture: The Cult of Information Theodore Roszak, 1986 When the word 'computer' entered the general vocabulary in the 1950s, the most advanced example filled a reasonable sized room. Three decades of rapid technological revolution have resulted in the acceptance of computers in nearly every office, school and home. A corresponding dramatic rise in the status of 'information' has promoted the people who manipulate it from the status of office clerks to information scientists. Despite the wonderful claims for the abilities of the computer and the hallowed tones of 'computerese', Theodore Roszak dares to suggest that perhaps, like the unfortunate emperor, the computer has been overdressed with false claims made by those with something to gain by it - elements in our society that are making some of the most morally questionable uses of computer power. Roszak challenges the reader to ask: Is our capacity to think creatively being undermined by the very 'information' that is supposed to help us? Is information processing being confused with science or even beginning to replace thought? And are we in danger of blurring the distinction between what machines do when they process information and what minds do when they think? He explains why humankind's primary beliefs, in equality, justice and in God are not computable; why great scientific theories and fundamental 'master ideas' cannot be developed by computers; and why bad ideas cannot even be refuted by them. Roszak is no contemporary Luddite - this book was written on a word processor - but he is deeply concerned that we have all been sold a misleading and potentially harmful vision of the computerised society. |
| the making of a counter culture: Hippie Modernism Greg Castillo, Esther Choi, 2015 Hippie Modernism: The Struggle for Utopia accompanies an exhibition of the same title examining the art, architecture and design of the counterculture of the 1960s and early 1970s. The catalogue surveys the radical experiments that challenged societal and professional norms while proposing new kinds of technological, ecological and political utopia. It includes the counter design proposals of Victor Papanek and the anti-design polemics of Global Tools; the radical architectural visions of Archigram, Superstudio, Haus Rucker Co and ONYX; the media-based installations of Ken Isaacs, Joan Hills and Mark Boyle and Helio Oiticica and Neville D'Almeida; the experimental films of Jordan Belson, Bruce Conner and John Whitney; posters and prints by Emory Douglas, Corita Kent and Victor Moscoso; documentation of performances staged by the Diggers and the Cockettes; publications such as Oz Magazine and The Whole Earth Catalog and books by Marshall McLuhan and Buckminster Fuller; and much, much more. While the turbulent social history of the 1960s is well known, its cultural production remains comparatively under-examined. In this substantial volume, scholars explore a range of practices such as radical architectural and anti-design movements emerging in Europe and North America; the print revolution in the experimental graphic design of books, posters and magazines; and new forms of cultural practice that merged street theater and radical politics. Through a profusion of illustrations, interviews with figures including Gerd Stern and Michael Callahan of USCO, Gunther Zamp Kelp of Haus Rucker Co, Ken Isaacs, Ron Williams and Woody Rainey of ONYX, Franco Raggi of Global Tools, Tony Martin, Clark Richert and Richard Kallweit of Drop City, and new scholarly writings, this book explores the hybrid conjunction of the countercultural ethos and the modernist desire to fuse art and life. |
| the making of a counter culture: Planet News: 1961-1967 Allen Ginsberg, 1971-06-01 Planet News collecting seven years' Poesy scribed to 1967 begins with electronic politics disassociation & messianic rhapsody TV Baby in New York, continues picaresque around the globe, elan perceptions notated at Mediterranean, Galilee & Ganges till... |
| the making of a counter culture: Ask a Manager Alison Green, 2018-05-01 'I'm a HUGE fan of Alison Green's Ask a Manager column. This book is even better' Robert Sutton, author of The No Asshole Rule and The Asshole Survival Guide 'Ask A Manager is the book I wish I'd had in my desk drawer when I was starting out (or even, let's be honest, fifteen years in)' - Sarah Knight, New York Times bestselling author of The Life-Changing Magic of Not Giving a F*ck A witty, practical guide to navigating 200 difficult professional conversations Ten years as a workplace advice columnist has taught Alison Green that people avoid awkward conversations in the office because they don't know what to say. Thankfully, Alison does. In this incredibly helpful book, she takes on the tough discussions you may need to have during your career. You'll learn what to say when: · colleagues push their work on you - then take credit for it · you accidentally trash-talk someone in an email and hit 'reply all' · you're being micromanaged - or not being managed at all · your boss seems unhappy with your work · you got too drunk at the Christmas party With sharp, sage advice and candid letters from real-life readers, Ask a Manager will help you successfully navigate the stormy seas of office life. |
| the making of a counter culture: The World of Bob Dylan Sean Latham, 2021 Bob Dylan has helped transform music, literature, pop culture, and even politics. The World of Bob Dylan chronicles a lifetime of creative invention that has made a global impact. Leading rock and pop critics and music scholars address themes and topics central to Dylan's life and work: the Blues, his religious faith, Civil Rights, Gender, Race, and American and World literature. Incorporating a rich array of new archival material from never before accessed archives, The World of Bob Dylan offers a comprehensive, uniquely informed and wholly fresh account of the songwriter, artist, filmmaker, and Nobel Laureate whose unique voice has permanently reshaped our cultural landscape. |
| the making of a counter culture: Wild Child Chelsea Cain, 1999-11-16 Children who endured tofu, communes, nudism, and political protests growing up with hippie parents recall their unusual childhoods in this unique collection of alternative voices. Original. Tour. |
MAKING Definition & Meaning - Merriam-Webster
The meaning of MAKING is the act or process of forming, causing, doing, or coming into being. How to use making in a sentence.
MAKING | English meaning - Cambridge Dictionary
MAKING definition: 1. the activity or process of producing something: 2. the things used to make or build something…. Learn more.
making noun - Definition, pictures, pronunciation and usage notes ...
Definition of making noun in Oxford Advanced Learner's Dictionary. Meaning, pronunciation, picture, example sentences, grammar, usage notes, synonyms and more.
MAKING definition and meaning | Collins English Dictionary
The making of something is the act or process of producing or creating it. ...the director's book about the making of this movie. American English : making / ˈmeɪkɪŋ /
Making - definition of making by The Free Dictionary
1. the act of a person or thing that makes. 2. structure; constitution; makeup. 3. the means or cause of success or advancement: His first job at the factory was the making of him. 4. Usu., makings. …
What does maKing mean? - Definitions.net
Making refers to the process of creating, producing, or constructing something by using one's skills, knowledge, and resources. It typically involves taking raw materials, components, or ideas and …
Making or Makeing – Which is Correct? - Two Minute English
Nov 28, 2024 · The correct form is Making. In English, when forming the present participle or gerund of a verb, if the base verb ends with an ‘e’, you typically drop the ‘e’ and add ‘ing’. For …
making - WordReference.com Dictionary of English
the act of a person or thing that makes, produces, etc.: [uncountable] the making of dresses. Usually, makings. [plural] the qualities necessary to develop into or become something: has the …
MAKING Definition & Meaning | Dictionary.com
Making definition: the act of a person or thing that makes.. See examples of MAKING used in a sentence.
208 Synonyms & Antonyms for MAKING - Thesaurus.com
Find 208 different ways to say MAKING, along with antonyms, related words, and example sentences at Thesaurus.com.
MAKING Definition & Meaning - Merriam-Webster
The meaning of MAKING is the act or process of forming, causing, doing, or coming into being. How to use making in a sentence.
MAKING | English meaning - Cambridge Dictionary
MAKING definition: 1. the activity or process of producing something: 2. the things used to make or build something…. Learn more.
making noun - Definition, pictures, pronunciation and usage …
Definition of making noun in Oxford Advanced Learner's Dictionary. Meaning, pronunciation, picture, example sentences, grammar, usage notes, synonyms and more.
MAKING definition and meaning | Collins English Dictionary
The making of something is the act or process of producing or creating it. ...the director's book about the making of this movie. American English : making / ˈmeɪkɪŋ /
Making - definition of making by The Free Dictionary
1. the act of a person or thing that makes. 2. structure; constitution; makeup. 3. the means or cause of success or advancement: His first job at the factory was the making of him. 4. Usu., …
What does maKing mean? - Definitions.net
Making refers to the process of creating, producing, or constructing something by using one's skills, knowledge, and resources. It typically involves taking raw materials, components, or …
Making or Makeing – Which is Correct? - Two Minute English
Nov 28, 2024 · The correct form is Making. In English, when forming the present participle or gerund of a verb, if the base verb ends with an ‘e’, you typically drop the ‘e’ and add ‘ing’. For …
making - WordReference.com Dictionary of English
the act of a person or thing that makes, produces, etc.: [uncountable] the making of dresses. Usually, makings. [plural] the qualities necessary to develop into or become something: has …
MAKING Definition & Meaning | Dictionary.com
Making definition: the act of a person or thing that makes.. See examples of MAKING used in a sentence.
208 Synonyms & Antonyms for MAKING - Thesaurus.com
Find 208 different ways to say MAKING, along with antonyms, related words, and example sentences at Thesaurus.com.
