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| the essential theatre 11th edition: The Essential Theatre Oscar Gross Brockett, Robert J. Ball, John Patrick Fleming, Andrew Ian Carlson, 2017 Noted as one of the most comprehensive, authoritative surveys of the theatre in academia, THE ESSENTIAL THEATRE, 11th Edition, engages your students and gets them excited about theatre. Drawing from the expertise of the authors as dedicated teachers, published scholars, and practicing artists, this text is ideal for an introductory theatre course. Its vibrant and numerous representations of current and classic performances encourage students to become active theatergoers and fans. The Eleventh Edition includes an all-new chapter devoted to musical theatre, while the thoroughly revised chapter on acting covers the diversity of contemporary approaches. The text also includes numerous new photos, new Then and Now boxes, and expanded use of dates to provide context for artists' major works. In addition, a companion anthology, PLAYS FOR THE THEATRE, 11th Edition, contains scripts that serve as a foundation for discussion of the various types of theatrical experience explored in the text. |
| the essential theatre 11th edition: The Essential Theatre + Plays for the Theatre , 2016 |
| the essential theatre 11th edition: The Essential Theatre Oscar G. Brockett, Robert J. Ball, John Fleming, Andrew Carlson, 2016-01-01 Noted as one of the most comprehensive, authoritative surveys of the theatre in academia, THE ESSENTIAL THEATRE, 11th Edition, engages readers and gets them excited about theatre. Drawing from the expertise of the authors as dedicated teachers, published scholars, and practicing artists, this text is ideal for an introductory theatre course. It's vibrant and numerous representations of current and classic performances encourage students to become active theatergoers and fans. The Eleventh Edition includes an all-new chapter devoted to musical theatre, while the thoroughly revised chapter on acting covers the diversity of contemporary approaches. The text also includes numerous new photos, new Then and Now boxes, and expanded use of dates to provide context for artists' major works. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version. |
| the essential theatre 11th edition: The Essential Theatre Oscar Gross Brockett, Robert J. Ball, John Fleming, 2013-03-28 Engage your students and get them excited about theatre with the Enhanced Tenth Edition of THE ESSENTIAL THEATRE, International Edition. The combined authorship of an authoritative theatre historian and his former student—an active theatre practitioner and historian himself—makes this book ideal for an introductory theatre course. THE ESSENTIAL THEATRE has established a reputation as one of the most comprehensive, authoritative surveys of the theatre in academia. With vibrant and numerous representations of current and classic performances, this text encourages students to become active theatergoers and fans. |
| the essential theatre 11th edition: The Essential Theatre Oscar Gross Brockett, Robert J. Ball, 2000 This introductory text acquaints students with the theatre-its artistic and social functions, its development, and how each of the theatre arts functions as a unit. In the thirty-five years since it was first published, THE ESSENTIAL THEATRE has established a reputation as one of the most comprehensive, authoritative surveys of the theatre in academia. THE ESSENTIAL THEATRE works in tandem with its companion anthology, PLAYS FOR THE THEATRE (7/e), edited by Oscar G. Brockett with Robert Ball. The scripts in PLAYS serve as the foundation for discussion of the various types of theatrical experience explored in THE ESSENTIAL THEATRE. |
| the essential theatre 11th edition: The Essential Theatre Oscar G. Brockett, Robert J. Ball, 2003-07 |
| the essential theatre 11th edition: The Essential Theatre Oscar Gross Brockett, Robert J. Ball, 2004 |
| the essential theatre 11th edition: World Theatre E. J. Westlake, 2017-03-31 World Theatre: The Basics presents a well-rounded introduction to non-Western theatre, exploring the history and current practice of theatrical traditions in Asia, Africa, the Middle East, Oceania, the Caribbean, and the non-English-speaking cultures of the Americas. Featuring a selection of case studies and examples from each region, it helps the reader to understand the key issues surrounding world theatre scholarship and global, postcolonial, and transnational performance practices. An essential read for anyone seeking to learn more about world theatre, World Theatre: The Basics provides a clear, accessible roadmap for approaching non-Western theatre. |
| the essential theatre 11th edition: Plays for the Theatre Oscar Gross Brockett, Robert J. Ball, 2000 PLAYS FOR THE THEATRE, Seventh Edition, continues its rich tradition of providing insightful and absorbing plays for the contemporary stage. The plays selected typify a wide range of cultural diversity and dramatic power. PLAYS FOR THE THEATRE, edited by Oscar G. Brockett with Robert Ball, is a companion to THE ESSENTIAL THEATRE, Seventh Edition, which places selections from Plays within historical and cultural context, providing a richer and more rewarding exploration of the people and the ideas that have shaped today's theatre. |
| the essential theatre 11th edition: “The Real Thing” William Baker, 2013-05-24 With a writing career spanning over half a century and encompassing media as diverse as conferences, radio, journalism, fiction, theatre, film, and television, Tom Stoppard is probably the most prolific and significant living British dramatist. The critical essays in this volume celebrating Stoppard’s 75th birthday address many facets of Stoppard’s work, both the well-known, such as Rosencrantz and Guildenstern are Dead and Shakespeare in Love, as well as the relatively critically neglected, including his novel Lord Malquist and Mr. Moon and his short stories, “The Story,” “Life, Times: Fragments,” and “Reunion.” The essays presented here analyze plays such as Arcadia, The Invention of Love, The Real Thing, and Jumpers, Stoppard’s film adaptation of J. G. Ballard’s Empire of the Sun, his television adaptation of Ford Madox Ford’s Parade’s End, and his stage adaptations of Chekhov’s plays Ivanov, The Seagull, and The Cherry Orchard, as well as his own theatrical trilogy on Russian history, The Coast of Utopia (Voyage, Shipwreck, and Salvage). Also included is an interview with Tom Stoppard on the 16 November 1982 debut of his play The Real Thing at Strand Theatre, London, and a detailed account of the Stoppard holdings in the Harry Ransom Center at the University of Texas at Austin. From his fascination with Shakespeare and other historical figures (and time periods) to his exploration of the connection between poetic creativity and scholarship to his predilection for word play, verbal ambiguity and use of anachronism, Stoppard’s work is at once insightful and wry, thought-provoking and entertaining, earnest and facetious. The critical essays in this volume hope to do justice to the brilliant complexity that is Tom Stoppard’s body of work. |
| the essential theatre 11th edition: Theatre of the Book, 1480-1880 Julie Stone Peters, 2003 This volume explores the impact of printing on the European theatre in the period 1480-1880 and shows that the printing press played a major part in the birth of modern theatre. |
| the essential theatre 11th edition: History of the Theatre Oscar Gross Brockett, 1974 |
| the essential theatre 11th edition: Illustrated Theatre Production Guide John Holloway, 2013-03-20 This invaluable guide takes a step-by-step approach to the most common and popular theatre production practices and covers important issues related to the construction of wooden, fabric, plastic, and metal scenery used on the stage. This new edition of the Illustrated Theatre Production Guide uniquely shows you how to build scenery through detailed lessons and hundreds of drawings. The illustrations make this book like no other and offers solutions to problems that you face, from rigging and knot tying, to drapery folding and the most detailed information on metal framing available. Written for the community theatre worker who has to be a jack of all trades and the student who needs to learn the fundamentals, respected author John Holloway teaches in a way that covers the necessities but doesn't bog you down with heavy language and boring verbosity. New features in this book range from expanded information on metal framing and foam construction to brand new elements such as a chapter on stage management and an extremely helpful Website with videos -- meant to go along with the informative section on projects. These videos take you from the drawings and descriptions in the book to the video instructions that will help you learn visually. A must have for the theatre professional as a guide to refer back to over and over again. |
| the essential theatre 11th edition: So You Want to be a Theatre Producer? James Seabright, 2010 Intended for producers at student or amateur level. The first how-to book of its kind on the subject of producing. |
| the essential theatre 11th edition: Directing for Community Theatre Daniel L. Patterson, 2023-05-25 Directing for Community Theatre is a primer for the amateur director working in community theatre. With an emphasis on preparedness, this book gives the amateur director the tools and techniques needed to effectively work on a community theatre production. Covering play analysis, blocking, staging, communication, and working with actors, designers, and other theatre personnel, this how-to book is designed to have the community theatre director up and running quickly, with full knowledge of how to direct a show. The book also contains sample forms and guidelines, including acting analysis, character analysis, rehearsal schedule, audition form, prop list, and blocking pans. Directing for Community Theatre is written for the community theatre participant who is interested, or already cast, in the role of the director. |
| the essential theatre 11th edition: Theatre of the Unimpressed Jordan Tannahill, 2015-05-11 How dull plays are killing theatre and what we can do about it. Had I become disenchanted with the form I had once fallen so madly in love with as a pubescent, pimple-faced suburban homo with braces? Maybe theatre was like an all-consuming high school infatuation that now, ten years later, I saw as the closeted balding guy with a beer gut he’d become. There were of course those rare moments of transcendencethat kept me coming back. But why did they come so few and far between? A lot of plays are dull. And one dull play, it seems, can turn us off theatre for good. Playwright and theatre director Jordan Tannahill takes in the spectrum of English-language drama – from the flashiest of Broadway spectacles to productions mounted in scrappy storefront theatres – to consider where lifeless plays come from and why they persist. Having travelled the globe talking to theatre artists, critics, passionate patrons and the theatrically disillusioned, Tannahill addresses what he considers the culture of ‘risk aversion’ paralyzing the form. Theatre of the Unimpressed is Tannahill’s wry and revelatory personal reckoning with the discipline he’s dedicated his life to, and a roadmap for a vital twenty-first-century theatre – one that apprehends the value of ‘liveness’ in our mediated age and the necessity for artistic risk and its attendant failures. In considering dramaturgy, programming and alternative models for producing, Tannahill aims to turn theatre from an obligation to a destination. ‘[Tannahill is] the poster child of a new generation of (theatre? film? dance?) artists for whom interdisciplinary is not a buzzword, but a way of life.’ —J. Kelly Nestruck, Globe and Mail ‘Jordan is one of the most talented and exciting playwrights in the country, and he will be a force to be reckoned with for years to come.’ —Nicolas Billon, Governor General's Award–winning playwright (Fault Lines) |
| the essential theatre 11th edition: Working in American Theatre Jim Volz, 2011-07-21 I cannot think of a better book for aspiring and working actors, craftspeople, artists, and managers Kent Thompson, Artistic Director, Denver Center Theatre Company, Past President TCG Board of Directors It's time for a new look at the complexity and richness of America's growing theatrical landscapre and Jim Volz is just the person to provide that overview Lesley Schisgall Currier, Managing Director, Marin Shakespeare Company Working in American Theatre is a coast-to-coast overview of the opportunities awaiting theatre practitioners in every discipline. Featuring tips from America's top theatre professionals, this resource offers job-search and career-planning strategies, as well as detailed information on over 1,000 places to work in the American theatre, including regional companies, Broadway and commerical theatre, Shakespeare festivals, touring theatres, university/resident theatres, youth and children's theatres, and outdoor theatres. Offering an overview of the evolution of American theatre and behind-the-scenes stories of the regional movement, this single volume is an indispensable tool at every stage of your career. |
| the essential theatre 11th edition: Directors on Directing Helen Krich Chinoy, Toby Cole, 2013-07 Now that directors such as Stephen Spielberg, George Lucas, and Francis Ford Coppola are celebrated along-side movie stars, it is hard to imagine that little more than a century ago the director was a nameless, faceless entity-an overseer of workflow in the shuffle of shadows offstage. In surveying the pioneers who transformed theater into the dynamic art form it is today, Directors on Directing presents a timeless collection of writings offering insight into what it means to direct and how to better appreciate theatrical performances. |
| the essential theatre 11th edition: Undergraduate Research in Theatre Michelle Hayford, 2021-07-13 Undergraduate Research in Theatre: A Guide for Students supplies tools for scaffolding research skills alongside examples of undergraduate research in theatre and performance scholarship. The book begins with an overview of the necessity of framing theatre as undergraduate research and responding to calls for revolutionizing the discipline toward greater equity, diversity, and inclusion. Dedicated chapters for the research, skills, and methods employed by each theatre area follow: scripted theatre; devised and new works; applied theatre; scenic, costume, sound, and lighting design; and theatre theory and interdisciplinary studies. Throughout the book, undergraduate research activities are demonstrated by 36 case studies authored by undergraduates from six countries about diverse areas of theatre study. Suitable for both professors and students, Undergraduate Research in Theatre is an ideal resource for any course that has an opportunity for the creation of new knowledge or as an essential interdisciplinary connection between theatre, performance, and other disciplines. |
| the essential theatre 11th edition: The Director's Craft Katie Mitchell, 2008-08-18 Written by one of the UK’s most respected working directors, this book is a practical guide to directing in theatre and includes specific advice on every aspect of working with actors, designers, and the text. |
| the essential theatre 11th edition: A2 Drama and Theatre Studies: The Essential Introduction for Edexcel Alan Perks, Jacqueline Porteous, 2009-12-04 A2 Drama and Theatre Studies: The Essential Introduction for Edexcel builds on the skills developed during the AS year to provide clear and informative guidance to Units 3 and 4 of the specification. The textbook provides further information on rehearsing, performing, directing and textual analysis, together with new material on deconstructing a script, devising theatre and preparing for the final examination. Features of the text include: overviews of specification and assessment requirements written and practical exercises a glossary of useful words and terms in-depth analysis of the three key plays – Dr Faustus, Lysistrata and Woyzeck extension exercises to stretch the more able student worked examples to illustrate best practice sources for further study advice on study after A Level. Written by a chief examiner and a principal moderator, this book and its companion volume for AS Level offer informed and supportive exercises to ensure that students reach their maximum potential in achieving A Level success. |
| the essential theatre 11th edition: Drafting for the Theatre Dennis Dorn, Mark Shanda, 1992 In the early sessions, Dorn and Shanda focus on the basics of lettering, tool introduction, geometric constructions, orthographic techniques, soft-line sketching applications, and dimensioning and notation skills. After several weeks the student begins to apply these drafting skills to design and technical theatre. At this point, the projects in the text expand to include ancillary skills such as time and material estimation, shop drawing nomenclature, and techniques such as simplified drafting pin graphics, theatre drafting standards, and CADD processes. The text concludes with a final project that will help the student develop a portfolio set of drawings. |
| the essential theatre 11th edition: Performance Theatre and the Poetics of Failure Sara Jane Bailes, 2011-03-17 What does it mean to fail in performance? How might staging failure reveal theatre’s potential to expand our understanding of social, political and everyday reality? What can we learn from performances that expose and then celebrate their ability to fail? In Performance Theatre and the Poetics of Failure, Sara Jane Bailes begins with Samuel Beckett and considers failure in performance as a hopeful strategy. She examines the work of internationally acclaimed UK and US experimental theatre companies Forced Entertainment, Goat Island and Elevator Repair Service, addressing accepted narratives about artistic and cultural value in contemporary theatre-making. Her discussion draws on examples where misfire, the accidental and the intentionally amateur challenge our perception of skill and virtuosity in such diverse modes of performance as slapstick and punk. Detailed rehearsal and performance analysis are used to engage theory and contextualise practice, extending the dialogue between theatre arts, live art and postmodern dance. The result is a critical account of performance theatre that offers essential reading for practitioners, scholars and students of Performance, Theatre and Dance Studies. |
| the essential theatre 11th edition: Performing Women Gay Gibson Cima, 1993 Ibsen and the critical actor -- Strindberg and the transformational actor -- The Brecht Collective and the parabolic actor -- Pinter and the cinematic actor -- Shepard and the improvisational actor -- Beckett and the Nō actor. |
| the essential theatre 11th edition: The Theatre of Thomas Ostermeier Peter M Boenisch, Thomas Ostermeier, 2016-05-05 Thomas Ostermeier is the most internationally recognised German theatre director of the present. With this book, he presents his directorial method for the first time. The Theatre of Thomas Ostermeier provides a toolkit for understanding and enacting the strategies of his advanced contemporary approach to staging dramatic texts. In addition, the book includes: Ostermeier’s seminal essays, lectures and manifestos translated into English for the first time. Over 140 photos from the archive of Arno Declair, who has documented Ostermeier’s work at the Schaubühne Berlin for many years, and by others. In-depth ‘casebook’ studies of two of his productions: Ibsen’s An Enemy of the People (2012) and Shakespeare’s Richard III (2015) Contributions from Ostermeier’s actors and his closest collaborators to show how his principles are put into practice. An extraordinary, richly illustrated insight into Ostermeier’s working methods, this volume will be of interest to practitioners and scholars of contemporary European theatre alike. |
| the essential theatre 11th edition: New York’s Yiddish Theater Edna Nahshon, 2016-03-08 In the early decades of the twentieth century, a vibrant theatrical culture took shape on New York City's Lower East Side. Original dramas, comedies, musicals, and vaudeville, along with sophisticated productions of Shakespeare, Ibsen, and Chekhov, were innovatively staged for crowds that rivaled the audiences on Broadway. Though these productions were in Yiddish and catered to Eastern European, Jewish audiences (the largest immigrant group in the city at the time), their artistic innovations, energetic style, and engagement with politics and the world around them came to influence all facets of the American stage. Vividly illustrated and with essays from leading historians and critics, this book recounts the heyday of Yiddish Broadway and its vital contribution to American Jewish life and crossover to the broader American culture. These performances grappled with Jewish nationalism, labor relations, women's rights, religious observance, acculturation, and assimilation. They reflected a range of genres, from tear-jerkers to experimental theater. The artists who came of age in this world include Stella Adler, Eddie Cantor, Jerry Lewis, Sophie Tucker, Mel Brooks, and Joan Rivers. The story of New York's Yiddish theater is a tale of creativity and legacy and of immigrants who, in the process of becoming Americans, had an enormous impact on the country's cultural and artistic development. |
| the essential theatre 11th edition: The Theatre of Les Waters Scott T. Cummings, 2022-04-28 The Theatre of Les Waters: More Like the Weather combines original writings from Les Waters with short essays by a wide range of his collaborators, creating a personal and multi-faceted portrait of an influential director, revered mentor, and inspirational theatre artist. The book begins with a critical introduction of Waters’s work, followed by essays written by a wide range of Waters's collaborators over the past four decades. These essays are framed by shorter pieces of writing by Waters himself: reflections, inspirations, observations, and personal anecdotes. At the heart of this book lies the notion that the director’s central position in theatrical production is defined by collaboration and that a study of directing should take into account how a director works with playwrights, designers, actors, stage managers, and dramaturgs to turn artistic vision into concrete reality on stage. An insightful resource for early career or student directors in theatre programs, The Theatre of Les Waters sheds light on the art of theatre directing by exploring the work of a major theatre artist whose accomplished career sits at the heart of American theatre in the 21st century. Drawing on aspects of memoir, case study, interview, miscellany, biography, and criticism, this is also an enlightening read for anyone with an interest in how theatre artists bring their creative vision to life. |
| the essential theatre 11th edition: Towards a Poor Theatre Jerzy Grotowski, 2012-11-12 In 1968, Jerzy Grotowski published his groundbreaking Towards a Poor Theatre, a record of the theatrical investigations conducted at his experimental theater in Poland. This classic work on acting and performance is now available once again. In his preface to the original edition, Peter Brook wrote: Grotowski is unique. Why? Because no one else in the world, to my knowledge no one since Stanislavski, has investigated the nature of acting, its phenomenon, its meaning, the nature and science of its mental-physical-emotional processes as deeply as Grotowski. More recently, Richard Schechner has called Grotowski one of the four great directors of Western theater. Jerzy Grotowski was born in Poland in 1933. In 1982 he moved to the United States and worked at the University of California. He later moved to Italy, where he continued his unique and intense theatrical investigation. He died in 1999--Publisher description. |
| the essential theatre 11th edition: The Reasonable Audience Kirsty Sedgman, 2018-11-02 Audiences are not what they used to be. Munching crisps or snapping selfies, chatting loudly or charging phones onstage – bad behaviour in theatre is apparently on the rise. And lately some spectators have begun to fight back... The Reasonable Audience explores the recent trend of ‘theatre etiquette’: an audience-led crusade to bring ‘manners and respect’ back to the auditorium. This comes at a time when, around the world, arts institutions are working to balance the traditional pleasures of receptive quietness with the need to foster more inclusive experiences. Through investigating the rhetorics of morality underpinning both sides of the argument, this book examines how models of 'good' and 'bad' spectatorship are constructed and legitimised. Is theatre etiquette actually snobbish? Are audiences really more selfish? Who gets to decide what counts as ‘reasonable’ within public space?Using theatre etiquette to explore wider issues of social participation, cultural exclusion, and the politics of identity, Kirsty Sedgman asks what it means to police the behaviour of others. |
| the essential theatre 11th edition: The Frantic Assembly Book of Devising Theatre Scott Graham, Steven Hoggett, 2014-07-25 ‘This is a close companion to Frantic Assembly’s practice and one that is written with an open and engaging, even disarming, tone ... A rich, rewarding and compelling text.’ Stuart Andrews, University of Surrey As Frantic Assembly move into their twentieth year of producing innovative and adventurous theatre, this new edition of their well-loved book demystifies the process of devising theatre in an unusually candid way. Artistic directors Scott Graham and Steven Hoggett offer an intimate and invaluable insight into their evolution and success, in the hope that sharing their experiences of devising theatre will encourage and inspire students and fellow practitioners. The Frantic Assembly Book of Devising Theatre is a uniquely personal account of the history and practice of this remarkable company, and includes: · practical exercises · essays on devising, writing and choreography · suggestions for scene development · a 16-page colour section, and illustrations throughout · a companion website featuring clips of rehearsals and performances. This is an accessible, educational and indispensable introduction to the working processes of Frantic Assembly, whose playful, intelligent and dynamic productions continue to be acclaimed by audiences and critics alike. |
| the essential theatre 11th edition: The Teen's Musical Theatre Collection Louise Lerch, 1997 (Vocal Collection). This publication is a hit! With 33 great songs from stage and movie musicals plus plot notes for each this series is indispensible for teaching young singers. The Young Women's Edition includes: Beauty and the Beast * Belle (Reprise) * Diamonds Are a Girl's Best Friend * Feed the Birds * God Help the Outcasts * Honey Bun * I Could Have Danced All Night * I Enjoy Being a Girl * I Got the Sun in the Morning * I Have Confidence * I'll Know * If Momma Was Married * In My Own Little Corner * It's a Most Unusual Day * Just You Wait * Many a New Day * Memory * Much More * My Favorite Things * On My Own * Once upon a Dream * Out of My Dreams * Part of Your World * People Will Say We're in Love * The Simple Joys of Maidenhood * Sisters * Sixteen Going on Seventeen * Stepsisters' Lament * There Are Worse Things I Could Do * Think of Me * Till There Was You * Unexpected Song * Wouldn't It Be Loverly. Young Women's Edition Book/CD pack = 00740160. |
| the essential theatre 11th edition: Theatres of Dust Linda Hassall, 2021-10-29 Through a contemporary Gothic lens, the book explores theatre theories, processes and practices that explore; the impacts of continuing drought and natural disaster, the conflicts concerning resource extraction and mining and current political debates focussed on climate change denial. While these issues can be argued from various political and economic platforms, theatrical investigations as discussed here suggest that scholars and theatre makers are becoming empowered to dramaturgically explore the ecological challenges we face now and may face in the future. In doing so the book proposes that theatre can engage in not only climate change analysis and discussion but can develop climate literacies in a broader socio-cultural context. |
| the essential theatre 11th edition: Theatre, Performance and Change Stephani Etheridge Woodson, Tamara Underiner, 2017-12-01 This book works to 'make change strange' from and for the field of theatre and performance studies. Growing from the idea that change is an under-interrogated category that over-determines theatre and performance as an artistic, social, educational, and material practice, the scholars and practitioners gathered here (including specialists in theatre history and literature, educational theatre, youth arts, arts policy, socially invested theatre, and activist performance) take up the question of change in thirty-five short essays. For anyone who has wondered about the relationships between theatre, performance and change itself, this book is an essential conversation starter. |
| the essential theatre 11th edition: Theatrical Worlds (Beta Version) Charles Mitchell, 2014 From the University of Florida College of Fine Arts, Charlie Mitchell and distinguished colleagues form across America present an introductory text for theatre and theoretical production. This book seeks to give insight into the people and processes that create theater. It does not strip away the feeling of magic but to add wonder for the artistry that make a production work well. -- Open Textbook Library. |
| the essential theatre 11th edition: The Essentials of Governance Wu Jing, 2021-01-21 In the eighth century, Wu Jing selected exchanges between Emperor Taizong and his ministers that he deemed key to good governance. This collection of dialogues has been used for the education of emperors, political elites and general readers ever since, and is a standard reference work in East Asian political thought. Consisting of ten volumes, subdivided into forty topics, The Essentials of Governance addresses core themes of Chinese thinking about the politics of power, from the body politic, presenting and receiving criticism, recruitment, the education of the imperial clan, political virtues and vices, to cultural policy, agriculture, law, taxation, border policy, and how to avoid disaster and dynastic fall. Presented with introductory commentary that offers insights into its historical context and global reception, this accessible and reliable translation brings together ten scholars of Chinese intellectual history to offer a nuanced edition that preserves the organisation, tone and flow of the original. |
| the essential theatre 11th edition: Teaching Drama 11-18 Helen Nicholson, 2000-06-01 Drama teachers often thrive on shared experience and the imaginative exchange of ideas and perspectives. Yet books that provide such access are, strangely, hard to find. Teaching Drama 11-18 is an inspiring, comprehensive, and vibrant guide to effective and liberating practice in this subject. |
| the essential theatre 11th edition: Introduction to Theatre Arts 1 Teacher's Guide Suzi Zimmerman, 2020-08-04 We're excited to announce the upcoming release of the SECOND EDITION of everyone's favorite Introduction to Theatre Arts, volume 1, available August 11! You'll love that this brand new edition is gender neutral, better organized, updated to reflect modern technology and social media, and has a 2020 copyright date! Even better, the Student Workbook is just that... a true individual workbook for each student. Luckily, we've retained all the elements that made the first edition of this book a top-selling theatre arts curriculum text year after year. You'll still find the daily bell work, fun puzzles, and quizzes and tests that you've come to rely on to make classroom management easier. This classroom-tested, year-long curriculum covers the entire spectrum of theatre: theatre history, scene work, acting, characterization, publicity, play production, games and improvisations, and more. |
| the essential theatre 11th edition: Key Concepts in Theatre/drama Education Shifra Schonmann, 2011 Key Concepts in Theatre/Drama Education provides the first comprehensive survey of contemporary research trends in theatre/drama education.... Fifty seven entries, written by sixty scholars from across the world, aim to convey the zeitgeist of the field. The book's key innovation lies in its method of writing, through collaborative networking, an open peer-review process, and meaning-making involving all contributors.... The volume clearly shows that drama/theatre educators and researchers have created a language with its own grammar and lucid syntax. The concepts outlined convey the current knowledge of scholars, highlighting what they consider significant. Entries cover interdependent topics on teaching and learning, aesthetics and ethics, curricula and history, culture and community, various populations and their needs, theatre for young people, digital technology, narrative and pedagogy, research methods, Shakespeare and Brecht, other various modes of theatre and the education of theatre teachers.--From publisher description. |
| the essential theatre 11th edition: Ballet Jennifer Jackson, 2021-03 Ballet is a detailed guide to creative practice and performance. Compiled by ten leading practitioners, each chapter focuses on an aspect of ballet as a performing art. Together they outline a journey from the underpinning principles of ballet, through an appreciation of different styles and schooling, into the dance studio for practice in class and beyond. With additional insights from highly acclaimed dancers, choreographers and teachers, this practical guide offers advice on fundamental and advanced training and creative development. As well as providing information from dance science research into training well-being, this book supports the individual dancer in their artistic growth, offering strategies for exploration and discovery. Topics include: principles, styles and schooling of classical ballet; fundamental technique and advanced expression; developing versatility and creative thinking; advice on injury management, nutrition and lifestyle; choreography and music and, finally, best practice in the rehearsal studio is covered. 'A wonderfully accessible and comprehensive resource about the individual disciplines involved in ballet.' Leanne Benjamin OBE, former Principal of The Royal Ballet and international coach |
| the essential theatre 11th edition: Shakespeare and the History of Soliloquies James E. Hirsh, 2003 Provides the first systematic and comprehensive account of the conventions governing soliloquies in Western drama from ancient times to the twentieth century. Over the course of theatrical history, there have been several kinds of soliloquies. Shakespeare's soliloquies are not only the most interesting and the most famous, but also the most misunderstood, and several chapters examine them in detail. The present study is based on a painstaking analysis of the actual practices of dramatists from each age of theatrical history. This investigation has uncovered evidence that refutes long-standing commonplaces about soliloquies in general, about Shakespeare's soliloquies in particular, and especially about the to be, or not to be episode. 'Shakespeare and the history of Soliloquies' casts new lights on historical changes in the artistic representation of human beings and, because representations cannot be entirely disentangled from perception, on historical changes in the ways human beings have perceived theselves. |
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This guide explains how to install Optifine alongside Essential Mod, for an enhanced Minecraft experience.
Wiki - Essential Network Error | Essential Mod
Essential Mod can fail to authenticate your connection due to various reasons. The guides below help you fix common issues. Learn how to troubleshoot and resolve Essential Mod Network …
Wiki - Essential Coins | Essential Mod
Unlock premium cosmetics and emotes with Essential Coins! Discover how to use coins to access exclusive wardrobe items and support your favorite Minecraft creators.
Changelog - Essential Mod
Jun 4, 2025 · When Essential comes bundled with another mod, we will ask the user during the onboarding process whether they would like the full version of Essential with all features or the …
Wiki - Essential Installer | Essential Mod
The Essential Installer is the easiest way to install Essential Mod. Install to existing Minecraft installations, or create a new one with Essential Mod. If you’re looking for a manual install …
