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| the commissariat of enlightenment: The Commissariat of Enlightenment Sheila Fitzpatrick, 2002-06-06 A study of Lunacharsky's commissariat which ran both education and the arts in Bolshevik Russia. |
| the commissariat of enlightenment: The Commissariat of Englightenment Sheila Fitzpatrick, 1970 |
| the commissariat of enlightenment: The Commissariat of Enlightenment Sheila Fitzpatrick, 1970 |
| the commissariat of enlightenment: The Commissariat of Enlightenment Ken Kalfus, 2009-02-19 Russia, 1910. Leo Tolstoy lies dying in Astapovo, a remote railway station. Members of the press from around the world have descended upon this sleepy hamlet to record his passing for a public suddenly ravenous for celebrity news. They have been joined by a film company whose cinematographer, Nikolai Gribshin, is capturing the extraordinary scene and learning how to wield his camera as a political tool. At this historic moment he comes across two men -- the scientist, Professor Vorobev, and the revolutionist, Joseph Stalin -- who have radical, mysterious plans for the future. Soon they will accompany him on a long, cold march through an era of brutality and absurdity. The Commissariat of Enlightenment is a mesmerizing novel of ideas that brilliantly links the tragedy and comedy of the Russian Revolution with the global empire of images that occupies our imaginations today. |
| the commissariat of enlightenment: The Commissariat of Enlightenment Sean Fitzpatrick, 1970 |
| the commissariat of enlightenment: Education and Social Mobility in the Soviet Union 1921-1934 Sheila Fitzpatrick, 2002-05-16 A history of Soviet education policy 1921-34, this is a sequel to the author's highly praised Commissariat of Enlightenment. |
| the commissariat of enlightenment: Bolshevik Visions William G. Rosenberg, 1990 The first volume of a collection of writings by early Soviet critics and theorists |
| the commissariat of enlightenment: The Commissariat of Enlightenment Ken Kalfus, 2003 Ken Kalfus's mesmerising first novel is about two events that become milestones in the history of the modern media: the death of Tolstoy and the murder of Lenin. One yound filmmaker was there. The story begins in 1910, as Leo Tolstoy lies dying in Astapovo, a railway station in provincial Russia. Members of the press from around the world have descended upon this sleepy hamlet to record his passing for a public suddenly ravenous for celebrity news. Cinema is the newcomer, and Nikolai Gribshin arrives to capture the extraordinary scene and learn how to wield his camera as a political tool. At this historic moment, he comes across two men - the scientist, Professor Vorobev, and the revolutionist, Joseph Stalin - who have radical, mysterious plans for the future. Soon they will accompany him on a long, cold march through an era of brutality and absurdity, as science struggles with superstition. Brimming with intellect, humour, and rich, inventive storytelling, THE COMMISSARIAT OF ENLIGHTENMENT is a novel of ideas that brilliantly evokes the tragi-comic world of revolutionary Russia as well as the birth of today's image-based society. |
| the commissariat of enlightenment: Everyday Stalinism Sheila Fitzpatrick, 1999-03-04 Focusing on urban areas in the 1930s, this college professor illuminates the ways that Soviet city-dwellers coped with this world, examining such diverse activities as shopping, landing a job, and other acts. |
| the commissariat of enlightenment: The Futurist Files Iva Glisic, 2018-10-26 Futurism was Russia's first avant-garde movement. Gatecrashing the Russian public sphere in the early twentieth century, the movement called for the destruction of everything old, so that the past could not hinder the creation of a new, modern society. Over the next two decades, the protagonists of Russian Futurism pursued their goal of modernizing human experience through radical art. The success of this mission has long been the subject of scholarly debate. Critics have often characterized Russian Futurism as an expression of utopian daydreaming by young artists who were unrealistic in their visions of Soviet society and naïve in their comprehension of the Bolshevik political agenda. By tracing the political and ideological evolution of Russian Futurism between 1905 and 1930, Iva Glisic challenges this view, demonstrating that Futurism took a calculated and systematic approach to its contemporary socio-political reality. This approach ultimately allowed Russia's Futurists to devise a unique artistic practice that would later become an integral element of the distinctly Soviet cultural paradigm. Drawing upon a unique combination of archival materials and employing a theoretical framework inspired by the works of philosophers such as Lewis Mumford, Karl Mannheim, Ernst Bloch, Fred Polak, and Slavoj Žižek, The Futurist Files presents Futurists not as blinded idealists, but rather as active and judicious participants in the larger project of building a modern Soviet consciousness. This fascinating study ultimately stands as a reminder that while radical ideas are often dismissed as utopian, and impossible, they did—and can—have a critical role in driving social change. It will be of interest to art historians, cultural historians, and scholars and students of Russian history. |
| the commissariat of enlightenment: Club Red Diane P. Koenker, 2013-04-26 The Bolsheviks took power in Russia 1917 armed with an ideology centered on the power of the worker. From the beginning, however, Soviet leaders also realized the need for rest and leisure within the new proletarian society and over subsequent decades struggled to reconcile the concept of leisure with the doctrine of communism, addressing such fundamental concerns as what the purpose of leisure should be in a workers' state and how socialist vacations should differ from those enjoyed by the capitalist bourgeoisie. In Club Red, Diane P. Koenker offers a sweeping and insightful history of Soviet vacationing and tourism from the Revolution through perestroika. She shows that from the outset, the regime insisted that the value of tourism and vacation time was strictly utilitarian. Throughout the 1920s and '30s, the emphasis was on providing the workers access to the repair shops of the nation's sanatoria or to the invigorating journeys by foot, bicycle, skis, or horseback that were the stuff of proletarian tourism. Both the sedentary vacation and tourism were part of the regime's effort to transform the poor and often illiterate citizenry into new Soviet men and women. Koenker emphasizes a distinctive blend of purpose and pleasure in Soviet vacation policy and practice and explores a fundamental paradox: a state committed to the idea of the collective found itself promoting a vacation policy that increasingly encouraged and then had to respond to individual autonomy and selfhood. The history of Soviet tourism and vacations tells a story of freely chosen mobility that was enabled and subsidized by the state. While Koenker focuses primarily on Soviet domestic vacation travel, she also notes the decisive impact of travel abroad (mostly to other socialist countries), which shaped new worldviews, created new consumer desires, and transformed Soviet vacation practices. |
| the commissariat of enlightenment: The Unsung Hero of the Russian Avant-Garde Natalia Murray, 2012-06-27 The first biography of Nikolay Punin, this book offers a comprehensive analisys of his life in the context of Russian political, social and cultural history in the first half of the XX century. |
| the commissariat of enlightenment: Russia in the Era of NEP Sheila Fitzpatrick, Alexander Rabinowitch, Richard Stites, 1991-09-22 . . . a comprehensive look at an enigmatic era . . . —Choice This provocative collection of essays certainly takes some of the polish off Soviet socialism's golden age. —Journal of Interdisciplinary History The authors and editors of this splendid volume deserve great praise. Their work moves the field of Soviet history several large steps forward. —Slavic Review Lenin's New Economic Policy of the 1920s, although a relatively free and open potential alternative to Soviet communism, was also a time of extreme tension, as Russian society and culture were rocked by the forces of resistance and change. These essays examine the social and cultural dimensions of NEP in urban and rural Russia in the years before Stalin and rapid industrialization. |
| the commissariat of enlightenment: An Analysis of Sheila Fitzpatrick's Everyday Stalinism Victor Petrov, Riley Quinn, 2017-07-05 Sheila Fitzpatrick’s Everyday Stalinism rejects the simplistic treatment of the Soviet Union as a totalitarian government that tightly controlled its citizens. |
| the commissariat of enlightenment: Women, the State and Revolution Wendy Z. Goldman, 1993-11-26 Focusing on how women, peasants and orphans responded to Bolshevk attempts to remake the family, this text reveals how, by 1936, legislation designed to liberate women had given way to increasingly conservative solutions strengthening traditional family values. |
| the commissariat of enlightenment: Greek Diaspora and Migration since 1700 Dimitris Tziovas, 2016-04-22 The Greek diaspora is one of the paradigmatic historical diasporas. Though some trace its origins to ancient Greek colonies, it is really a more modern phenomenon. Diaspora, exile and immigration represent three successive phases in Modern Greek history and they are useful vantage points from which to analyse changes in Greek society, politics and culture over the last three centuries. Embracing a wide range of case studies, this volume charts the role of territorial displacements as social and cultural agents from the eighteenth century to the present day and examines their impact on communities, politics, institutional attitudes and culture. By studying migratory trends the aim is to map out the transformation of Greece from a largely homogenous society with a high proportion of emigrants to a more diverse society inundated by immigrants after the end of the Cold War. The originality of this book lies in the bringing together of diaspora, exile and immigration and its focus on developments both inside and outside Greece. |
| the commissariat of enlightenment: Soviet Cinema in the Silent Era, 1918–1935 Denise J. Youngblood, 2014-09-10 The golden age of Soviet cinema, in the years following the Russian Revolution, was a time of both achievement and contradiction, as reflected in the films of Eisenstein, Pudovkin, and Kuleshov. Tensions ran high between creative freedom and institutional constraint, radical and reactionary impulses, popular and intellectual cinema, and film as social propaganda and as personal artistic expression. In less than a decade, the creative ferment ended, subjugated by the ideological forces that accompanied the rise of Joseph Stalin and the imposition of the doctrine of Socialist Realism on all the arts. Soviet Cinema in the Silent Era, 1918–1935 records this lost golden age. Denise Youngblood considers the social, economic, and industrial factors that influenced the work of both lesser-known and celebrated directors. She reviews all major and many minor films of the period, as well as contemporary film criticism from Soviet film journals and trade magazines. Above all, she captures Soviet film in a role it never regained—that of dynamic artform of the proletarian masses. |
| the commissariat of enlightenment: The Birth of the Propaganda State Peter Kenez, 1985-11-29 Peter Kenez's comprehensive study of the Soviet propaganda system, describes how the Bolshevik Party went about reaching the Russian people. Kenez focuses on the experiences of the Russian people. The book is both a major contribution to our understanding of the genius of the Soviet state, and of the nature of propaganda in the twentieth-century. |
| the commissariat of enlightenment: Power of Film Propaganda Nicholas Reeves, 2004-03-01 Explores five case studies in Britain, the USSR, Germany and Italy to determine whether or not propaganda films reached the audiences at which they were targeted, and where they did, whether the films made the impact on those audiences that the propagandists had expected. |
| the commissariat of enlightenment: Soviet Nightingales Susan Grant, 2022-04-15 In Soviet Nightingales, Susan Grant tracks nursing care in the Soviet Union from its nineteenth-century origins in Russia through the end of the Soviet state. With the advent of the USSR, nurses were instrumental in helping to build the New Soviet Person and in constructing a socialist society. Disease and illness were rampant in the early 1920s after years of war, revolution, and famine. The demand for nurses was great, but how might these workers best serve the country's needs? By examining living and working conditions, nurse-patient relations, education, and attempts at international nursing cooperation, Grant recounts the history of the Bolshevik effort to define the Soviet nurse and organize a new system of socialist care for the masses. Although the Bolsheviks aimed to transform healthcare along socialist lines, they ultimately failed as the struggle to train skilled medical workers became entangled in politics. Soviet Nightingales draws on rich archival research from Russia, the United States, and Britain to describe how ideology reinvented the role of the nurse and shaped the profession. |
| the commissariat of enlightenment: Yiddish and the Creation of Soviet Jewish Culture David Shneer, 2004-02-13 Yiddish and the Creation of Soviet Jewish Culture gives voice to the activists empowered by the state to create a Soviet Jewish national culture. These activists were striving for a national revolution to create a new culture for Jews to identify as Jews on new, secular, Soviet terms. This book explores the ways in which Jews were part of, not apart from, both the Soviet system and Jewish history. Soviet Jewish culture worked within contemporary Jewish national and cultural trends and simultaneously participated in the larger project of propagating the Soviet state and ideology. Soviet Jewish activists were not nationalists or Soviets, but both at once. David Shneer addresses some of the painful truths about Jews' own implication and imbrication in the Soviet system and inserts their role in twentieth-century Jewish culture into the narrative of Jewish history. |
| the commissariat of enlightenment: Nikolay Myaskovsky Patrick Zuk, 2021 Drawing on a wealth of unexplored sources, this biography offers the first comprehensive critical reappraisal of the life and works of Nikolay Myaskovsky. Zuk's account is far removed from Cold War clichés of the regimented Soviet artist or sentimental stereotypes of persecuted genius. 2022 CHOICE Outstanding Academic Title Winner. Drawing on a wealth of unexplored documentation, this biography reappraises the life and work of Nikolay Myaskovsky (1881-1950) - a central figure in twentieth-century Russian musical culture. The story of Myaskovsky's unlikely rise to prominence is an absorbing one. Destined by family tradition for a military career, he was 25 before he could leave the army and devote himself to music. He had just begun to emerge as a young composer of promise when he was called up for active service on Russia's western front in August 1914. On returning to civilian life in 1921, he played a major role in revitalising professional musical activity after the depredations of the Civil War years. His career vividly illustrates the challenges facing artists as they sought to work out a modus vivendi with Soviet power. Zuk's account depicts the composer and his milieu against the backdrop of his turbulent times, examining his involvement with Soviet musical institutions and his relationships with Prokofiev, Shostakovich, and other notable musicians. The portrait is far removed from Cold War clichés of the regimented Soviet artist or sentimental stereotypes of persecuted genius. Myaskovsky emerges as a man who displayed remarkable courage and integrity in the face of many pressures. The book also brings into focus the distinctive nature of Myaskovsky's creative achievement and affirms his stature as a leading symphonist of the era. |
| the commissariat of enlightenment: Closer to the Masses Matthew E. LENOE, Matthew E Lenoe, 2009-06-30 In this provocative book, Matthew Lenoe traces the origins of Stalinist mass culture to newspaper journalism in the late 1920s. In examining the transformation of Soviet newspapers during the New Economic Policy and the First Five Year Plan, Lenoe tells a dramatic story of purges, political intrigues, and social upheaval. Under pressure from the party leadership to mobilize society for the monumental task of industrialization, journalists shaped a master narrative for Soviet history and helped create a Bolshevik identity for millions of new communists. Everyday labor became an epic battle to modernize the USSR, a fight not only against imperialists from outside, but against shirkers and saboteurs within. Soviet newspapermen mobilized party activists by providing them with an identity as warrior heroes battling for socialism. Yet within the framework of propaganda directives, the rank-and-file journalists improvised in ways that ultimately contributed to the creation of a culture. The images and metaphors crafted by Soviet journalists became the core of Stalinist culture in the mid-1930s, and influenced the development of socialist realism. Deeply researched and lucidly written, this book is a major contribution to the literature on Soviet culture and society. |
| the commissariat of enlightenment: The Politics of Culture in Soviet Azerbaijan, 1920-40 Audrey Altstadt, 2016-06-23 The early Soviet Union’s nationalities policy involved the formation of many national republics, within which nation building and modernization were undertaken for the benefit of backward peoples. This book, in considering how such policies were implemented in Azerbaijan, argues that the Soviet policies were in fact a form of imperialism, with nation building and modernization imposed firmly along Soviet lines. The book demonstrates that in Azerbaijan, and more widely among western Turkic peoples, the Volga and Crimean Tatars, there were before the onset of Soviet rule, well developed, forward looking, secular, national movements, which were not at all backward and were different from the Soviets. The book shows how in the period 1920 to 1940 the two different visions competed with each other, with eventually the pre-Soviet vision of Azerbaijani culture losing out, and the Soviet version dominating in a new Soviet Azerbaijani culture. The book examines the details of this Sovietization of culture: in language policy and the change of the alphabet, in education, higher education and in literature. The book concludes by exploring how pre-Soviet Azerbaijani culture survived to a degree underground, and how it was partially rehabilitated after the death of Stalin and more fully in the late Soviet period. |
| the commissariat of enlightenment: 2014 Günter Berghaus, 2014-05-21 The International Yearbook of Futurism Studies was founded in 2009, the centenary year of Italian Futurism, in order to foster intellectual cooperation between Futurism scholars across countries and academic disciplines. The Yearbook does not focus exclusively on Italian Futurism, but on the relations between Italian Futurism and other Futurisms worldwide, on artistic movements inspired by Futurism, and on artists operating in the international sphere with close contacts to Italian or Russian Futurism. Volume 4 (2014) is an open issue that addresses reactions to Italian Futurism in 16 countries (Argentina, Armenia, Brazil, Egypt, France, Germany, Great Britain, Greece, Holland, Hungary, Japan, Portugal, Russia, Slovenia, Spain, USA), and in the artistic media of photography, theatre and visual poetry. |
| the commissariat of enlightenment: Small Comrades Lisa A. Kirschenbaum, 2013-09-13 Small Comrades is a fascinating examination of Soviet conceptions of childhood and the resulting policies directed toward children. Working on the assumption that cultural representations and self-representations are not entirely separable, this book probes how the Soviet regime's representations structured teachers' observations of their pupils and often adults' recollections of their childhood. The book draws on work that has been done on Soviet schooling, and focuses specifically on the development of curricula and institutions, but it also examines the wider context of the relationship between the family and the state, and to the Bolshevik vision of the children of October |
| the commissariat of enlightenment: The Right to Be Helped Maria Cristina Galmarini, 2016-08-15 Doesn't an educated person—simple and working, sick and with a sick child—doesn't she have the right to enjoy at least the crumbs at the table of the revolutionary feast? Disabled single mother Maria Zolotova-Sologub raised this question in a petition dated July 1929 demanding medical assistance and a monthly subsidy for herself and her daughter. While the welfare of able-bodied and industrially productive people in the first socialist country in the world was protected by a state-funded insurance system, the social rights of labor-incapacitated and unemployed individuals such as Zolotova-Sologub were difficult to define and legitimize. The Right to Be Helped illuminates the ways in which marginalized members of Soviet society understood their social rights and articulated their moral expectations regarding the socialist state between 1917 and 1950. Maria Galmarini-Kabala shows how definitions of state assistance and who was entitled to it provided a platform for policymakers and professionals to engage in heated debates about disability, gender, suffering, and productive and reproductive labor. She explores how authorities and experts reacted to requests for support, arguing that responses were sometimes characterized by an enlightened nature and other times by coercive discipline, but most frequently by a combination of the two. By focusing on the experiences of behaviorally problematic children, unemployed single mothers, and blind and deaf adults in several major urban centers, this important study shows that the dialogue over the right to be helped was central to defining the moral order of Soviet socialism. It will appeal to scholars and students of Russian history, as well as those interested in comparative disabilities and welfare studies. |
| the commissariat of enlightenment: Power and Possession in the Russian Revolution Anne O'Donnell, 2024-01-16 Most histories of economic life explore how markets are built. This book looks instead at how they have been dismantled. Soon after the Bolsheviks seized power in Russia, they began the process of transforming the economy, and indeed all of society, in accordance with communist ideology. Asserting their authority and creating a Soviet republic involved confiscating property and demolishing existing systems of exchanging goods. At a national level, industries like transport and banking were brought under state control. At the local level, everything from apartments to personal possessions were subject to seizure. In analyzing the confiscation of property and its redistribution, historian Anne O'Donnell focuses on the lived experience of revolution, drawing upon archival sources such as popular petitions, neighborhood meeting transcripts, audits of state agencies, and testimony in court cases. Telling the stories of both people who were dispossessed and the bureaucrats who inventoried and managed the property that now belonged to the state, O'Donnell reveals the making of an illiberal state, arguing that Soviet statecraft was built upon imperfect attempts to install new forms of valuation consistent with communist principles through chaotic property seizures. The work also offers a novel look at the everyday life of revolutionary Russia-- |
| the commissariat of enlightenment: Centre-Local Relations in the Stalinist State, 1928-1941 E. A. Rees, 2002-10-22 This book analyzes the development of the Stalinist state of the 1930s from the perspective of the changing nature of centre-local relations. It examines the trend toward greater central state control over the formation and implementation of economic policy and the shift towards increased state repression through a series of archive-based case studies of the centre's interactions with its republican and regional bodies. The book provides the basis for a new conceptualization of the Stalinist state. |
| the commissariat of enlightenment: The Fate of the Bolshevik Revolution Lara Douds, James Harris, Peter Whitewood, 2020-01-23 How did a regime that promised utopian-style freedom end up delivering terror and tyranny? For some, the Bolsheviks were totalitarian and the descent was inevitable; for others, Stalin was responsible; for others still, this period in Russian history was a microcosm of the Cold War. The Fate of the Bolshevik Revolution reasons that these arguments are too simplistic. Rather, the journey from Bolshevik liberation to totalitarianism was riddled with unsuccessful experiments, compromises, confusion, panic, self-interest and over-optimism. As this book reveals, the emergence (and persistence) of the Bolshevik dictatorship was, in fact, the complicated product of a failed democratic transition. Drawing on long-ignored archival sources and original research, this fascinating volume brings together an international team of leading scholars to reconsider one of the most important and controversial questions of 20th-century history: how to explain the rise of the repressive Stalinist dictatorship. |
| the commissariat of enlightenment: Stalin's Great Science A. B. Kozhevnikov, 2004 World-class science and technology developed in the Soviet Union during Stalin's dictatorial rule under conditions of political violence, lack of international contacts, and severe restrictions on the freedom of information. Stalin's Great Science: The Times and Adventures of Soviet Physicists is an invaluable book that investigates this paradoxical success by following the lives and work of Soviet scientists ? including Nobel Prize-winning physicists Kapitza, Landau, and others ? throughout the turmoil of wars, revolutions, and repression that characterized the first half of Russia's twentieth century.The book examines how scientists operated within the Soviet political order, communicated with Stalinist politicians, built a new system of research institutions, and conducted groundbreaking research under extraordinary circumstances. Some of their novel scientific ideas and theories reflected the influence of Soviet ideology and worldview and have since become accepted universally as fundamental concepts of contemporary science. In the process of making sense of the achievements of Soviet science, the book dismantles standard assumptions about the interaction between science, politics, and ideology, as well as many dominant stereotypes ? mostly inherited from the Cold War ? about Soviet history in general. Science and technology were not only granted unprecedented importance in Soviet society, but they also exerted a crucial formative influence on the Soviet political system itself. Unlike most previous studies, Stalin's Great Science recognizes the status of science as an essential element of the Soviet polity and explores the nature of a special relationship between experts (scientists and engineers) and communist politicians that enabled the initial rise of the Soviet state and its mature accomplishments, until the pact eroded in later years, undermining the communist regime from within. |
| the commissariat of enlightenment: The Bolshevik Response to Antisemitism in the Russian Revolution Brendan McGeever, 2019-09-26 The first book-length analysis of how the Bolsheviks responded to antisemitism during the Russian Revolution. |
| the commissariat of enlightenment: How St. Petersburg Learned to Study Itself Emily D. Johnson, 2006-06-06 In the bookshops of present-day St. Petersburg, guidebooks abound. Both modern descriptions of Russia’s old imperial capital and lavish new editions of pre-Revolutionary texts sell well, primarily attracting an audience of local residents. Why do Russians read one- and two-hundred-year-old guidebooks to a city they already know well? In How St. Petersburg Learned to Study Itself, Emily Johnson traces the Russian fascination with local guides to the idea of kraevedenie. Kraevedenie (local studies) is a disciplinary tradition that in Russia dates back to the early twentieth century. Practitioners of kraevedenie investigate local areas, study the ways human society and the environment affect each other, and decipher the semiotics of space. They deconstruct urban myths, analyze the conventions governing the depiction of specific regions and towns in works of art and literature, and dissect both outsider and insider perceptions of local population groups. Practitioners of kraevedenie helped develop and popularize the Russian guidebook as a literary form. Johnson traces the history of kraevedenie, showing how St. Petersburg–based scholars and institutions have played a central role in the evolution of the discipline. Distinguished from obvious Western equivalents such as cultural geography and the German Heimatkunde by both its dramatic history and unique social significance, kraevedenie has, for close to a hundred years, served as a key forum for expressing concepts of regional and national identity within Russian culture. How St. Petersburg Learned to Study Itself is published in collaboration with the Harriman Institute at Columbia University as part of its Studies of the Harriman Institute series. |
| the commissariat of enlightenment: The Heart of Russia Scott Mark Kenworthy, 2010-10-08 In the 1830s and 1840s, increasing numbers of Russians renounced the modernized, secularized, Westernized Russia created by Peter the Great in an effort to revive alternative lifestyles based on Orthodox spirituality and values. This effort found expression in a revival of monasticism that began in the era of Nicholas I and would last for the duration of the imperial period, brought to an end only by the cataclysm of revolution and repression of the new Bolshevik regime. Suppressed by the communists, Russian monasticism experienced another revival in the post-World War II era and again in the post-Soviet period, demonstrating that the impulse to renounce the contemporary world for the cloister is a central pattern of Russian religiosity. This book is the first comprehensive analysis of these monastic revivals, presenting a fundamentally new picture of religion in modern Russia. Scott Kenworthy's approach is that of a contextualized microhistory: an in-depth study of one monastic complex, framed within research on monasticism more broadly. The case study here is Russia's largest and most famous monastery, the Trinity-Sergius Lavra in Sergiev Posad, near Moscow. With the collapse of the Soviet Union, the Russian Orthodox Church is again experiencing a revival, and monasticism is playing a central role in this resurgence. In the search to recover the past, Russian Orthodox are turning to the nineteenth century revival as a normative model. Numerous Russians are once again renouncing the contemporary world--in this case, both the socialist past and the post-socialist capitalist present--and opting for a mode of life that represents a return to past values. Monasteries are again foci of popular piety as well as of important publishing activities, and their spirituality is regarded as the purest expression of Orthodox ideals. This book provides an essential basis for understanding Orthodoxy in its historical context and its contemporary manifestations. |
| the commissariat of enlightenment: Jewish Renaissance in the Russian Revolution Kenneth B. Moss, 2009-10-30 Between 1917 and 1921, Jewish intellectuals and writers across the Russian empire pursued a “Jewish renaissance.” Here is a revisionist argument about the nature of cultural nationalism, the relationship between nationalism and socialism, and culture itself—the pivot point for the encounter between Jews and European modernity over the past century. |
| the commissariat of enlightenment: Eisenstein, Cinema, and History James Goodwin, 1993 Among early directors, Sergei Eisentein stands alone as the maker of a fully historical cinema. James Goodwin treats issues of revolutionary history and historical representation as central to an understanding of Eisentein's work, which explores two movements within Soviet history and consciousness: the Bolshevik Revolution and the Stalinist state. Goodwin articulates intersections between Eisentein's ideas and aspects of the thought of Walter Benjamin, Georg Lukács, Ernst Bloch, and Bertolt Brecht. He also shows how the formal properties and filmic techniques of each work reveal perspectives on history . Individual chapters focus on Strike, Battleship Potemkin, October, Old and New, projects of the 1930s, Alexander Nevsky, and Ivan the Terrible. |
| the commissariat of enlightenment: Cultivating the Masses David L. Hoffmann, 2011-10-18 Under Stalin's leadership, the Soviet government carried out a massive number of deportations, incarcerations, and executions. Paradoxically, at the very moment that Soviet authorities were killing thousands of individuals, they were also engaged in an enormous pronatalist campaign to boost the population. Even as the number of repressions grew exponentially, Communist Party leaders enacted sweeping social welfare and public health measures to safeguard people's well-being. Extensive state surveillance of the population went hand in hand with literacy campaigns, political education, and efforts to instill in people an appreciation of high culture. In Cultivating the Masses, David L. Hoffmann examines the Party leadership's pursuit of these seemingly contradictory policies in order to grasp fully the character of the Stalinist regime, a regime intent on transforming the socioeconomic order and the very nature of its citizens. To analyze Soviet social policies, Hoffmann places them in an international comparative context. He explains Soviet technologies of social intervention as one particular constellation of modern state practices. These practices developed in conjunction with the ambitions of nineteenth-century European reformers to refashion society, and they subsequently prompted welfare programs, public health initiatives, and reproductive regulations in countries around the world. The mobilizational demands of World War I impelled political leaders to expand even further their efforts at population management, via economic controls, surveillance, propaganda, and state violence. Born at this moment of total war, the Soviet system institutionalized these wartime methods as permanent features of governance. Party leaders, whose dictatorship included no checks on state power, in turn attached interventionist practices to their ideological goal of building socialism. |
| the commissariat of enlightenment: Science, Religion and Communism in Cold War Europe Paul Betts, Stephen A. Smith, 2016-05-14 Religion and science were fundamental aspects of Eastern European communist political culture from the very beginning, and remained in uneasy tension across the region over the decades. While both topics have long attracted a great deal of scholarly attention, they almost invariably have been studied discretely as separate stories. Religion, Science and Communism in Cold War Europe is the first scholarly effort to explore the delicate interface of religion, science and communism in Cold War Europe. It brings together an international team of researchers who address this relationship from a number of national viewpoints and thematic perspectives, ranging from mysticism to social science, space exploration to the socialist lifecycle, and architectural heritage to pop culture. |
| the commissariat of enlightenment: Know Your Enemy David C. Engerman, 2009-11-20 As World War II ended, few Americans in government or universities knew much about the Soviet Union. As David Engerman shows in this book, a network of scholars, soldiers, spies, and philanthropists created an enterprise known as Soviet Studies to fill in this dangerous gap in American knowledge. This group brought together some of the nation's best minds from the left, right, and center, colorful and controversial individuals ranging from George Kennan to Margaret Mead to Zbigniew Brzezinski, not to mention historians Sheila Fitzpatrick and Richard Pipes. Together they created the knowledge that helped fight the Cold War and define Cold War thought. Soviet Studies became a vibrant intellectual enterprise, studying not just the Soviet threat, but Soviet society and culture at a time when many said that these were contradictions in terms, as well as Russian history and literature. And this broad network, Engerman argues, forever changed the relationship between the government and academe, connecting the Pentagon with the ivory tower in ways that still matter today. |
| the commissariat of enlightenment: The Soviet Theater Laurence Senelick, Sergei Ostrovsky, 2014-06-24 In this monumental work, Laurence Senelick and Sergei Ostrovsky offer a panoramic history of Soviet theater from the Bolshevik Revolution to the eventual collapse of the USSR. Making use of more than eighty years’ worth of archival documentation, the authors celebrate in words and pictures a vital, living art form that remained innovative and exciting, growing, adapting, and flourishing despite harsh, often illogical pressures inflicted upon its creators by a totalitarian government. It is the first comprehensive analysis of the subject ever to be published in the English language. |
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