The Negro Mother

  the negro mother: The Negro Mother Langston Hughes, 1931
  the negro mother: The Negro Speaks of Rivers Langston Hughes, 2009-01-06 Langston Hughes has long been acknowledged as the voice, and his poem, The Negro Speaks of Rivers, the song, of the Harlem Renaissance. Although he was only seventeen when he composed it, Hughes already had the insight to capture in words the strength and courage of black people in America. /DIVDIV Artist E.B. Lewis acts as interpreter and visionary, using watercolor to pay tribute to Hughes’s timeless poem, a poem that every child deserves to know.
  the negro mother: Lullaby (for a Black Mother) Langston Hughes, 2013 My little dark baby, / My little earth-thing, / My little love-one, / What shall I sing / For your lullaby? With a few simple words as smooth as a song, the poet Langston Hughes celebrates the love between an African American mother and her baby. The award-winning illustrator Sean Qualls's painted and collaged artwork captures universally powerful maternal moments with tenderness and whimsy. In the end, readers will find a rare photo of baby Hughes and his mother, a biographical note, further reading, and the complete lullaby. Like little love-ones, this beautiful book is a treasure.
  the negro mother: The Negro mother Langston Hughes, Prentiss Taylor, 1971
  the negro mother: The Negro Mother And Other Dramatic Recitations Langston Huges, 1990
  the negro mother: The Collected Poems of Langston Hughes Langston Hughes, 1995-10-31 The definitive sampling of a writer whose poems were “at the forefront of the Harlem Renaissance and of modernism itself, and today are fundamentals of American culture” (OPRAH Magazine). Here, for the first time, are all the poems that Langston Hughes published during his lifetime, arranged in the general order in which he wrote them. Lyrical and pungent, passionate and polemical, the result is a treasure of a book, the essential collection of a poet whose words have entered our common language. The collection spans five decades, and is comprised of 868 poems (nearly 300 of which never before appeared in book form) with annotations by Arnold Rampersad and David Roessel. Alongside such famous works as The Negro Speaks of Rivers and Montage of a Dream Deferred, The Collected Poems includes Hughes's lesser-known verse for children; topical poems distributed through the Associated Negro Press; and poems such as Goodbye Christ that were once suppressed.
  the negro mother: The Negro Motorist Green Book Victor H. Green, The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century.
  the negro mother: Vintage Hughes Langston Hughes, 2004-01-06 Presents selected works from The Collected Poems of Langston Hughes, and The Ways of White Folks.
  the negro mother: The Negro Mother ,
  the negro mother: Selected Poems of Langston Hughes Langston Hughes, 2011-10-26 Langston Hughes electrified readers and launched a renaissance in Black writing in America—the poems in this collection were chosen by Hughes himself shortly before his death and represent stunning work from his entire career. The poems Hughes wrote celebrated the experience of invisible men and women: of slaves who rushed the boots of Washington; of musicians on Lenox Avenue; of the poor and the lovesick; of losers in the raffle of night. They conveyed that experience in a voice that blended the spoken with the sung, that turned poetic lines into the phrases of jazz and blues, and that ripped through the curtain separating high from popular culture. They spanned the range from the lyric to the polemic, ringing out wonder and pain and terror—and the marrow of the bone of life. The collection includes The Negro Speaks of Rivers, The Weary Blues, Still Here, Song for a Dark Girl, Montage of a Dream Deferred, and Refugee in America. It gives us a poet of extraordinary range, directness, and stylistic virtuosity.
  the negro mother: The Mis-Education of the Negro Carter Godwin Woodson, 2012-03-07 This landmark work by a pioneering crusader of black education inspired African-Americans to demand relevant learning opportunities that were inclusive of their own culture and heritage.
  the negro mother: The Big Sea Langston Hughes, 2022-08-01 In The Big Sea, Langston Hughes artfully chronicles his journey from the Midwest to Harlem during the vibrant period of the Harlem Renaissance, blending autobiographical narrative with profound social commentary. Written in a lyrical prose style, the book captures his artistic growth, personal struggles, and encounters with influential figures in the world of literature and jazz. Hughes's reflection on race, identity, and the African American experience is interspersed with rich imagery and poignant anecdotes, making the text not only a memoir but also a timeless exploration of cultural heritage and resilience. Langston Hughes, known for his pioneering contributions to American literature and the Harlem Renaissance, was deeply influenced by his own life experiences, growing up in a racially segregated America. His travels to Paris, where he mingled with expatriate artists, profoundly impacted his worldview and literary voice. Hughes's commitment to using art as a vehicle for social change and cultural expression imbues The Big Sea with a sense of urgency and relevance that resonates with readers from all backgrounds. This remarkable memoir is recommended for anyone seeking an understanding of the socio-cultural landscape of early 20th-century America, as well as those interested in the intersections of race, art, and identity. Hughes's insightful reflections and eloquent prose offer both historical context and personal depth, making The Big Sea an essential read for lovers of literature and advocates of social justice.
  the negro mother: Proud Shoes Pauli Murray, 2024-06-25 First published in 1956, Proud Shoes is the remarkable true story of slavery, survival, and miscegenation in the South from the pre-Civil War era through the Reconstruction. Written by Pauli Murray the legendary civil rights activist and one of the founders of NOW, Proud Shoes chronicles the lives of Murray's maternal grandparents. From the birth of her grandmother, Cornelia Smith, daughter of a slave whose beauty incited the master's sons to near murder to the story of her grandfather Robert Fitzgerald, whose free black father married a white woman in 1840, Proud Shoes offers a revealing glimpse of our nation's history.
  the negro mother: Hughes: Poems Langston Hughes, 1999-03-23 A collection of poems by the African-American poet Langston Hughes.
  the negro mother: Not Without Laughter Langston Hughes, 2008-04-04 Poet Langston Hughes' only novel, a coming-of-age tale that unfolds amid an African-American family in rural Kansas, explores the dilemmas of life in a racially divided society.
  the negro mother: Selected Letters of Langston Hughes Langston Hughes, 2015-02-10 This is the first comprehensive selection from the correspondence of the iconic and beloved Langston Hughes. It offers a life in letters that showcases his many struggles as well as his memorable achievements. Arranged by decade and linked by expert commentary, the volume guides us through Hughes’s journey in all its aspects: personal, political, practical, and—above all—literary. His letters range from those written to family members, notably his father (who opposed Langston’s literary ambitions), and to friends, fellow artists, critics, and readers who sought him out by mail. These figures include personalities such as Carl Van Vechten, Blanche Knopf, Zora Neale Hurston, Arna Bontemps, Vachel Lindsay, Ezra Pound, Richard Wright, Kurt Weill, Carl Sandburg, Gwendolyn Brooks, James Baldwin, Martin Luther King, Jr., Alice Walker, Amiri Baraka, and Muhammad Ali. The letters tell the story of a determined poet precociously finding his mature voice; struggling to realize his literary goals in an environment generally hostile to blacks; reaching out bravely to the young and challenging them to aspire beyond the bonds of segregation; using his artistic prestige to serve the disenfranchised and the cause of social justice; irrepressibly laughing at the world despite its quirks and humiliations. Venturing bravely on what he called the “big sea” of life, Hughes made his way forward always aware that his only hope of self-fulfillment and a sense of personal integrity lay in diligently pursuing his literary vocation. Hughes’s voice in these pages, enhanced by photographs and quotations from his poetry, allows us to know him intimately and gives us an unusually rich picture of this generous, visionary, gratifyingly good man who was also a genius of modern American letters.
  the negro mother: No Crystal Stair Mairuth Sarsfield, 2021-11 First published in 1997, No Crystal Stair is an absorbing story of Montreal in the 1940s. Raising her three daughters alone, Marion discovers she can only find gainful employment if she passes as white. Set in Little Burgundy against the backdrop of an exciting cosmopolitan jazz scene--home of Oscar Peterson, Oliver Jones, and Rockhead's Paradise--and the tense years of World War II, No Crystal Stair is both a tender story and an indictment of Canada's soft racism. In 2005, No Crystal Stair was nominated for that year's Canada Reads and was defended by Olympic fencer Sherraine MacKay.
  the negro mother: The Different Faces of Motherhood Beverly Birns, Dale Hay, 2013-06-29 The Different Faces of Motherhood began during a conversation between the two editors, developmental psychologists who have spent our professional careers working with infants and very young children. We are well aware of the impor tance of infants to their mothers and of mothers to their infants. However, we were particularly aware of the fact that, whereas our knowledge about infants increases exponentially . each decade, our assumptions about mothers change relatively little. We were concerned about the theories that underlie the advice given to mothers and also about the assumption that mothers appear to be generic. More and more we have learned about individual differences in babies, but not more and more about individual differences in mothers. Our second concern has been to expand our knowledge about mothers. Our assumptions were few and our questions were many. We believed that the experience of women would vary greatly, both in outlook and in behavior, depending on each woman's age, marital status, finan Cial status, ethnicity, health, education and work experience, as well as a wom an's own experience in her family origin and her relationship to her husband. If we are to understand child development and believe that the early years are important in a child's life, then it seems critical to examine our beliefs about mothers. If we are to understand human development, then being a mother is surely an important area of inquiry.
  the negro mother: The Negro in Illinois Brian Dolinar, 2015-02-01 The Negro in Illinois was produced by a special division of the Illinois Writers' Project, one of President Roosevelt's Works Progress Administration programs. Headed by Harlem Renaissance poet Arna Bontemps and white proletarian writer Jack Conroy, The Negro in Illinois employed Richard Wright, Margaret Walker, Katherine Dunham, Fenton Johnson, Frank Yerby, Richard Durham, and other major black writers living in Chicago. The authors chronicled the African American experience in Illinois from the beginnings of slavery to the Great Migration. Individual chapters discuss various aspects of public and domestic life, recreation, politics, religion, literature, and performing arts. After the project's cancellation in 1942, most of the writings went unpublished for more than half a century--until now. Editor Brian Dolinar provides an informative introduction and epilogue which explain the origins of the project and place it in the context of the Black Chicago Renaissance.
  the negro mother: The Negro Mother and Other Poems Langston Hughes, Prentiss Taylor, 1931
  the negro mother: Black Camelot William L. Van Deburg, 2008-04-15 In the wake of the Kennedy era, a new kind of ethnic hero emerged within African-American popular culture. Uniquely suited to the times, burgeoning pop icons projected the values and beliefs of the Civil Rights and Black Power movements, and reflected both the possibility and the actuality of a rapidly changing American landscape. In Black Camelot, William Van Deburg examines the dynamic rise of these new black champions, the social and historical contexts in which they flourished, and their powerful impact on the African-American community. Van Deburg manages the enviable feat of writing with flair within a standardized academic framework, covering politics, social issues and entertainment with equal aplomb.—Jonathan Pearl, Jazz Times [A] fascinating, thorough account of how African-American icons of the 1960s and '70s have changed the course of American history. . . . An in-depth, even-tempered analysis. . . . Van Deburg's witty, lively and always grounded style entertains while it instructs.—Publishers Weekly
  the negro mother: The Negro Family United States. Department of Labor. Office of Policy Planning and Research, 1965 The life and times of the thirty-second President who was reelected four times.
  the negro mother: The Negro Mother Langston Hughes, 1952
  the negro mother: Lost Plays of the Harlem Renaissance, 1920-1940 James Vernon Hatch, Leo Hamalian, 1996 The topics of the plays cover the realm of the human experience in styles as wide-ranging as poetry, farce, comedy, tragedy, social realism, and romance. Individual introductions to each play provide essential biographical background on the playwrights.
  the negro mother: A History of the Negro Troops in the War of the Rebellion, 1861-1865 George Washington Williams, 1887 A History of the Negro Troops in the War of the Rebellion, 1861-1865 ... by pioneer African American historian George Washington Williams remains a classic text in African American literature and Civil War history. In this powerful narrative, Williams, who served in the U.S. Colored Troops, tells the battle experiences of the almost 200,000 black men who fought for the Union cause. Determined to document the contributions of his fellow black soldiers, and to underscore the valor and manhood of his race, Williams gathered his material from the official records of U.S. and foreign governments, and from the orderly books and personal recollections of officers commanding Negro troops during the American Civil War.--Description from Fordham University Press edition.
  the negro mother: Negroland Margo Jefferson, 2015-09-08 NATIONAL BOOK CRITICS CIRCLE WINNER • NATIONAL BESTSELLER • An extraordinary look at privilege, discrimination, and the fallacy of post-racial America by the renowned Pulitzer Prize–winning cultural critic Jefferson takes us into an insular and discerning society: “I call it Negroland,” she writes, “because I still find ‘Negro’ a word of wonders, glorious and terrible.” Margo Jefferson was born in 1947 into upper-crust black Chicago. Her father was head of pediatrics at Provident Hospital, while her mother was a socialite. Negroland’s pedigree dates back generations, having originated with antebellum free blacks who made their fortunes among the plantations of the South. It evolved into a world of exclusive sororities, fraternities, networks, and clubs—a world in which skin color and hair texture were relentlessly evaluated alongside scholarly and professional achievements, where the Talented Tenth positioned themselves as a third race between whites and “the masses of Negros,” and where the motto was “Achievement. Invulnerability. Comportment.” Jefferson brilliantly charts the twists and turns of a life informed by psychological and moral contradictions, while reckoning with the strictures and demands of Negroland at crucial historical moments—the civil rights movement, the dawn of feminism, the falsehood of post-racial America.
  the negro mother: 100 Amazing Facts About the Negro Joel A. Rogers,
  the negro mother: The Abolitionist , 1833
  the negro mother: The Negro Mother Langston Hughes, 1931
  the negro mother: The Negro in the South, His Economic Progress in Relation to His Moral and Religious Development Booker T. Washington, William Edward Burghardt Du Bois, 1907 Four lectures given as part of an endowed Lectureship on Christian Sociology at Philadelphia Divinity School. Washington's two lectures concern the economic development of African Americans both during and after slavery. He argues that slavery enabled the freedman to become a success, and that economic and industrial development improves both the moral and the religious life of African Americans. Du Bois argues that slavery hindered the South in its industrial development, leaving an agriculture-based economy out of step with the world around it. His second lecture argues that Southern white religion has been broadly unjust to slaves and former slaves, and how in so doing it has betrayed its own hypocrisy.
  the negro mother: The Negro Law of South Carolina John Belton O'Neall, 1848
  the negro mother: The Bow in the Cloud; Or, The Negro's Memorial. A Collection of Original Contributions, in Prose and Verse, Illustrative of the Evils of Slavery and Commemorative of Its Abolition, Etc Bow, 1834
  the negro mother: Hearings, Reports and Prints of the Senate Committee on Appropriations United States. Congress. Senate. Committee on Appropriations, 1965
  the negro mother: Oration by Frederick Douglass. Delivered on the Occasion of the Unveiling of the Freedmen's Monument in Memory of Abraham Lincoln, in Lincoln Park, Washington, D.C., April 14th, 1876, with an Appendix Frederick Douglass, 2024-06-14 Reprint of the original, first published in 1876.
  the negro mother: The Mothers' friend, ed. by Ann Jane Ann Jane, 1851
  the negro mother: The Life of Langston Hughes Arnold Rampersad, 2002-01-10 February 1, 2002 marks the 100th birthday of Langston Hughes. To commemorate the centennial of his birth, Arnold Rampersad has contributed new Afterwords to both volumes of his highly-praised biography of this most extraordinary and prolific American writer. In young adulthood Hughes possessed a nomadic but dedicated spirit that led him from Mexico to Africa and the Soviet Union to Japan, and countless other stops around the globe. Associating with political activists, patrons, and fellow artists, and drawing inspiration from both Walt Whitman and the vibrant Afro-American culture, Hughes soon became the most original and revered of black poets. In the first volume's Afterword, Rampersad looks back at the significant early works Hughes produced, the genres he explored, and offers a new perspective on Hughes's lasting literary influence. Exhaustively researched in archival collections throughout the country, especially in the Langston Hughes papers at Yale University's Beinecke Library, and featuring fifty illustrations per volume, this anniversary edition will offer a new generation of readers entrance to the life and mind of one of the twentieth century's greatest artists.
  the negro mother: The Development of Black Theater in America Leslie Catherine Sanders, 1989-08-01 In The Development of Black Theater in America, Leslie Sanders examines the work of the American black theater’s five most productive playwrights: Willis Richardson, Randolph Edmonds, Langston Hughes, LeRoi Jones, and Ed Bullins. Sanders sees the history of black theater as the process of creating a “black stage reality” while at the same time transforming conventions borrowed from white European culture into forms appropriate to black artists and audiences. The author argues that only when these things were accomplished could the aim of black playwrights, often articulated as “the realistic portrayal of the Negro,” be fully realized. This study also examines the changing nature of the dialogue black playwrights have held with the dominant tradition and how that dialogue has shaped their imaginations. Sanders’ discussion of Richardson, Edmonds, Hughes, Jones, and Bullins provides a context for approaching the work of other black playwrights, such as James Baldwin, Lorraine Hansberry, and Owen Dodson. And her argument provides a concrete way of understanding how the context of a dominant culture influences the artistic imagination of writers not of that culture, who must come to terms with its influences and transform it into a vehicle of their own.
  the negro mother: Opportunity Charles Spurgeon Johnson, Elmer Anderson Carter, 1928
  the negro mother: Mother to Son Latorial Faison, 2017-02-03 American Hip Hop artist, Nas, penned the lyrics, If I ruled the world, I'd free all my sons. Poet and author, Latorial Faison, attempts to do just that in this passionately resounding collection of her most prolific poems to date. With Mother to Son, Faison reminds all, especially her own sons to whom the book is dedicated, why we must rise above our greatest tragedies, our deepest pains. We can't give up this fight that is so increasingly laced with inner conflict, foundational challenges, systemic racism, social injustice, and inequality; we must stand up, rise up, and realize every possibility. Faison paints a lyrical picture that the urgency is still now. These 40 poems render a glimpse into the tumultuous life experiences that have caused this poet to evolve. Readers will gain a sense of those primary, yet pivotal moments that often become the very foundations on which we stand. Recalling the words, ideas, and the spirits of literary icons, such as Langston Hughes, James Baldwin, Lucille Clifton, Maya Angelou, and Amiri Baraka, Faison rhythmically galvanizes readers to hope, to resilience, to faith, to achievement, to sankofa. Every now and then a book comes along that changes the way we see our world and helps to fuel social change. Mother to Son is a march on humanity, a poetic protest, a profoundly lyrical plea, a storytelling that draws us all to the intersection of race, gender, and politics in America. Mothers, sons, and daring readers the world over-- all will find the boldness and passion with which Faison pens this analysis of life as she's experienced it both moving and stirring. This book is complete with wisdom and a very rich heritage of the contributions and the legacy Africans have created in America. It sings freedom song after freedom song to a tune that readers are sure to both embrace and lift their voices. Mother to Son is a must-read; it's uplifting and ushers readers into a renewed or continued sense of purpose, responsibility, and self-worth. Faison has penned a collection that is stunning, valuable, and profoundly necessary. This book is a mother to son, woman to mankind call to action.
  the negro mother: Human Rights Law and the Marginalized Other William Paul Simmons, 2011-09-26 This is a groundbreaking application of contemporary philosophy to human rights law that proposes significant innovations for the progressive development of human rights. Drawing on the works of prominent 'philosophers of the Other' including Emmanuel Levinas, Gayatri Chakravorti Spivak, Judith Butler and, most centrally, the Argentine philosopher of liberation Enrique Dussel, this book develops an ethics based on concrete face-to-face relationships with the Marginalized Other. It proposes that this should inspire a human rights law that is grounded in transcendental justice and framed from the perspective of marginalized groups. This would continuously deconstruct the original violence found in all human rights treaties and tribunals and promote preferential treatment for the marginalized. It would be especially attentive to such issues as access to justice, voice, representation, agency and responsibility. This differs markedly from more conventional theories that prioritize the autonomy of the ego, state sovereignty, democracy and/or equality.
Negro - Wikipedia
In the English language, the term negro (or sometimes negress for a female) is a term historically used to refer to people of Black African heritage. The term negro means the color black in …

NEGRO Definition & Meaning - Merriam-Webster
The meaning of NEGRO is a person of Black African ancestry. Usage of Negro and Negress: Usage Guide.

Black vs. Negro - What's the Difference? | This vs. That
Black and Negro are both terms used to describe people of African descent. The term "Negro" has its origins in the Spanish and Portuguese languages, where it simply means "black." It …

Negro - Etymology, Origin & Meaning - Etymonline
Originating in the 1550s from Spanish/Portuguese "negro," derived from Latin "nigrum" meaning black or dark, the word denotes black-skinned African people.

Who and What is a Negro | Teaching American History
Feb 10, 2025 · The answer is, “A Negro is a person of dark complexion or race, who has not accomplished anything and to whom others are not obligated for any useful service.”

Negro - Wikipedia
In the English language, the term negro (or sometimes negress for a female) is a term historically used to refer to people of Black African heritage. The term negro means the color black in …

NEGRO Definition & Meaning - Merriam-Webster
The meaning of NEGRO is a person of Black African ancestry. Usage of Negro and Negress: Usage Guide.

Black vs. Negro - What's the Difference? | This vs. That
Black and Negro are both terms used to describe people of African descent. The term "Negro" has its origins in the Spanish and Portuguese languages, where it simply means "black." It was …

Negro - Etymology, Origin & Meaning - Etymonline
Originating in the 1550s from Spanish/Portuguese "negro," derived from Latin "nigrum" meaning black or dark, the word denotes black-skinned African people.

Who and What is a Negro | Teaching American History
Feb 10, 2025 · The answer is, “A Negro is a person of dark complexion or race, who has not accomplished anything and to whom others are not obligated for any useful service.”