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| the most important scale exercise in jazz: A Rock Guitarist's Gate Way to Jazz Glen Rose, 2008-06 This study shows rock and folk guitarist's how to make the most useful jazz chords and jazz progressions in the easiest way possible without reading music. |
| the most important scale exercise in jazz: From Practice to Performance Janek Gwizdala, 2020-11-20 Every bassist practices things like warm-ups, exercises, and new vocabulary. But how do you translate these concepts and techniques into your playing? From Practice to Performance will guide you through a tried-and-true process of transforming the elements of your practice routine into real, inspired music. The book is split into two parts: the first includes 30 exercises in all twelve keys, plus an in-depth look at how to construct a productive practice schedule utilizing this new vocabulary. Part Two puts these exercises into context, explaining precisely how to use them over various chord changes, with harmonic analysis and specialized tips from world-renowned bassist Janek Gwizdala. From Practice to Performance will not only transform your technique, your vocabulary, and how you practice, but it will revolutionize how effectively you can turn your hard work into real results as a performer. Along with a complete video master-class that provides a deeper understanding of the book's content, we're including highly polished play-alongs that will allow you to put all of these concepts into action immediately. The book also comes complete with TAB for each exercise in every key. |
| the most important scale exercise in jazz: Joe Pass Chord Solos Joe Pass, 2005-05-03 The art of improvising chord-style solos is an important part of any musician's resources. This book has been written to improve that art for guitar, vibes and all keyboard instruments. A careful study of these solos will give you a thorough understanding of chordal playing and substitutions. It is great for voicing as well as improvisation. |
| the most important scale exercise in jazz: How to Really Play the Piano Bill Hilton, 2009-11-01 |
| the most important scale exercise in jazz: Joe Pass Guitar Style Joe Pass, 2010-10-07 This is the internationally acclaimed Joe Pass guitar method in which Joe displays his mastery of the jazz guitar. Part One/Harmony, is divided into five sections on chord construction, embellishment, substitution, connection, and symmetric chords. Part Two/Melody, is divided into twelve sections, including chord scales, altered scales, ear training, whole tone scales, chord resolutions, improvising, blues, minor blues, modern blues, rhythm changes, 3/4 blues, and includes a transcribed solo recorded by Joe on his album for Django. |
| the most important scale exercise in jazz: Connecting Chords with Linear Harmony Bert Ligon, 1996 (Jazz Book). A study of three basic outlines used in jazz improv and composition, based on a study of hundreds of examples from great jazz artists. |
| the most important scale exercise in jazz: Improvising Jazz Jerry Coker, 2010-06-15 With musical scores and helpful charts, noted jazz educator and featured jazz soloist, Jerry Coker, gives the beginning performer and the curious listener insights into the art of jazz improvisation. Improvising Jazz gives the beginning performer and the curious listener alike insights into the art of jazz improvisation. Jerry Coker, teacher and noted jazz saxophonist, explains the major concepts of jazz, including blues, harmony, swing, and the characteristic chord progressions. An easy-to-follow self-teaching guide, Improvising Jazz contains practical exercises and musical examples. Its step-by-step presentation shows the aspiring jazz improviser how to employ fundamental musical and theoretical tools, such as melody, rhythm, and superimposed chords, to develop an individual melodic style. |
| the most important scale exercise in jazz: The Jazz Theory Book Mark Levine, 2011-01-12 The most highly-acclaimed jazz theory book ever published! Over 500 pages of comprehensive, but easy to understand text covering every aspect of how jazz is constructed---chord construction, II-V-I progressions, scale theory, chord/scale relationships, the blues, reharmonization, and much more. A required text in universities world-wide, translated into five languages, endorsed by Jamey Aebersold, James Moody, Dave Liebman, etc. |
| the most important scale exercise in jazz: Advanced Jazz Guitar Concepts Jens Larsen, Joseph Alexander, 2019-07-12 In Advanced Jazz Guitar Techniques jazz guitar virtuoso Jens Larsen provides more deep insights into the techniques and theory of contemporary jazz guitar. You'll discover a practical, no-nonsense guide to jazz guitar topics that have mystified even experienced jazz musicians - such as effective soloing with triad pairs, applying quartal harmony, how and when to use altered scales, and much more! Master the advanced guitar techniques and melodic concepts you've heard in the music of everyone from Charlie Parker and Wes Montgomery, to Kurt Rosenwinkel, Michael Brecker and Mike Moreno. Jens Larsen gets to the heart of modern jazz guitar playing to focus on the techniques and theory that will set your playing apart from the crowd. His new jazz guitar book teaches how to create quartal arpeggio licks that combine the old-school cool jazz vocabulary of McCoy Tyner and John Coltrane with the modern sounds of Gilad Hekselman, Jonathan Kriesberg and Mike Moreno. |
| the most important scale exercise in jazz: Pentatonic Scales for Jazz Improvisation Ramon Ricker, 1999-11-27 More than a pattern book, this lays out the theory behind the use of pentatonic scales in jazz, and follows with transcribed solos and exercises. Still a favorite after 14 years, this book has become a standard in the field. |
| the most important scale exercise in jazz: A Modern Method Guitar William Leavitt, 2020 (Berklee Methods). The William Leavitt Modern Method for Guitar, used as the basic text for the Berklee College of Music guitar program, has stood the test of time and earned a vast and loyal following of dedicated guitar students and instructors. By popular demand, Berklee Press has created a compilation of the original volumes 1, 2, and 3, including all audio and video tracks. Now, serious guitar students and instructors, from beginning through advanced, have the convenience of progressing through all three volumes of this classic guitar method in one comprehensive book. Innovative solos, duets, and exercises progressively teach melody, harmony, and rhythm. This edition contains audio and video produced by William Leavitt's students Charles Chapman and Larry Baione (who was his successor as chair of the Berklee Guitar Department), demonstrating the examples and providing play-along tracks for the ensemble exercises. |
| the most important scale exercise in jazz: From Scales to Solos Graham Tippett, 2017-05-08 If you ask anyone who's been playing guitar for a while how to turn scales into solos, you'll likely get a variety of answers. They'll tell you to learn licks, work on your arpeggios, even learn your favorite players' solos note for note. While this is all good advice, I've had some particularly stubborn students that wanted to go beyond that; they wanted to be able to improvise using any scale up and down the fretboard, but at the same time break free from those deeply-ingrained scalar lines and patterns. It was then that I suggested the zonal approach to improvisation; by working in reduced areas of the neck with specifically designed patterns, they were soon able to create melodic, flowing lines that didn't sound at all like scales--they sounded like real music! This is the approach you'll find in this book. We dissect 15 of the most common scales, beyond the pentatonics, and break them down into zones which can be practiced either by scale, or for any particular scale across the fretboard. The objective of this book then is to provide a structured reference to make the transition from playing scales to playing, improvising and creating musical lines when soloing. It’s aimed at the intermediate to advanced guitarist looking to be able to improvise confidently and freely on the instrument in a wide variety of styles. It is also aimed at guitarists that want to move beyond rote pentatonic/blues soloing and incorporate other scales and modes into their playing, as well as building up a vocabulary to solo fluently over chord changes. |
| the most important scale exercise in jazz: Jazz Piano Masterclass: The Drop 2 Book Mark Levine, 2011-01-12 The most comprehensive book ever written on how to create the 4-note, block-chord approach to jazz piano playing used by masters like McCoy Tyner, Bill Evans, Barry Harris, Cedar Walton, etc. In this book, world-renowned pianist and educator Mark Levine provides a step-by-step, beginning to advanced, masterclass on how to create, practice and extend this most useful appraoch to jazz chord voicings. |
| the most important scale exercise in jazz: Berklee Jazz Piano Ray Santisi, 2009-01-01 (Berklee Guide). Play jazz piano with new facility and expression as Ray Santisi, one of the most revered educators at the Berklee College of Music and mentor to Keith Jarrett, Diana Krall, Joe Zawinul, and thousands of others reveals the pedagogy at the core of Berklee's jazz piano curriculum. From beginning through advanced levels, Berklee Jazz Piano maps the school's curriculum: a unique blend of theory and application that gives you a deep, practical understanding of how to play jazz. Concepts are illustrated on the accompanying online audio, where you'll hear how one of the great jazz pianists and educators of our time applies these concepts to both jazz standards and original compositions, and how you can do the same. You will learn: * Jazz chords and their characteristic tension substitutions, in many voicings and configurations * Modes and scales common in jazz * Techniques for comping, developing bass lines, harmonizing melodies, melodizing harmonies, and improvisation * Practice techniques for committing these concepts to your muscle memory * Variations for solo and ensemble playing * Advanced concepts, such as rhythmic displacement, approach-chord harmonization, and jazz counterpoint |
| the most important scale exercise in jazz: Mike Stern Altered Scale Soloing Mike Stern, Tim Pettingale, Joseph Alexander, 2021-01-07 Mike Stern is an electrifying guitarist whose blistering chops combine jazz harmony with rock-fusion and perfect bluesy phrasing. In this book, he shares his secrets of altered scale soloing and reveals the keys to his signature sound. |
| the most important scale exercise in jazz: Jazz Scales Sean Vigneau-Britt, 2017-11-04 Scales, chords, and exercises to help improve jazz improvisation and theory. This book is designed for students who know how to read music and want to improve their knowledge of jazz technique and theory. FAQ: What scales does this book include? All seven modal scales, five of the seven melodic minor modal scales, all whole tone scales, diminished scales, pentatonic and blues scales. Transcribed in every key! The full list is: Lydian, Ionian, Mixolydian, Dorian, Aeolian, Phrygian, Locrian, Lydian Augmented, Lydian Dominant, Ascending Melodic Minor, Half Diminished, Altered Dominant, Whole Tone, Diminished (Whole Step-Half Step and Half Step-Whole Step), Pentatonic and Blues Scales. Just the scales? Absolutely not! Each scale family includes exercises for practicing the melodies and harmonies produced by that scale. Are there exercises for each scale? Each exercise is written in one key, e.g. F Lydian, C Ionian, etc. You are strongly encouraged to learn the exercises in every key, but transcribing them in every key would require a book forty times longer! I know how to read music, but I'm new to jazz. Is this a good book for me? This is the perfect book for you! The essential melodic and harmonic tools for jazz improvisation are all here. This is a great way to increase your knowledge of jazz improvisation and theory. I am completely new to music. Is this a good book for me? Unfortunately, you need to know how to read music before using this book. Please come back to it when you know the basics and are ready to begin playing jazz! |
| the most important scale exercise in jazz: The Changes - Sid Jacobs Sid Jacobs, 2011-01-24 The Changes: Guide Tones for Jazz Chords, Lines, and Comping is offered for beginning to advanced players as a way to visualize guide tones on the fretboard. from these shapes lines can be created for soloing and voicings can be built for comping and chord melody. Most importantly, the changes of the progression being played can be heard with only a few notes. the simple approach is always best; guide tones are easy to play and are how the ear identifies a chord progression. Embellishing guide tones is what improvising musicians from baroque to bebop to beyond have been doing to make the changes. Companion CD includes all exercises. |
| the most important scale exercise in jazz: Jamey Aebersold's Jazz Ear Training: Book & 2 CDs Jamey Aebersold, 2015-02 Jamey Aebersold's Jazz Ear Training is a no-nonsense approach consisting of two hours of recorded ear training exercises with aural instructions before each. It starts very simply, with intervals and gradually increases in difficulty until you are hearing chord changes and progressions. All answers are listed in the book, and contains transposed parts for C, B-flat, and E-flat instruments to allow playing along. Beginning to advanced levels. |
| the most important scale exercise in jazz: How to Play from a Fake Book (Music Instruction) , 1999-01-01 (Piano). Ever wondered how to create better accompaniments for the melodies in your favorite fake books? This teach yourself book introduces you to chord building, various rhythmic styles, and much more, so that you play the songs you like just the way you want them. Keyboard players with a basic understanding of notation and sight-reading will be on their way to more fun with fake books. The relaxed tone of the text and selection of fun songs keep How to Play from a Fake Book entertaining throughout perfect for amateur musicians, or as a supplement for keyboard teachers and their students. |
| the most important scale exercise in jazz: Jazz Ears Thom David Mason, 1997 (Jazz Book). From Thom Mason comes a fun and interesting guide to help you develop aural skills. This book focuses on improving your technique in hearing pitches, rhythms, melodies, and chord progressions, as directly applied to actual music in the jazz repertoire. The text will help you to hear music in your head from the written page, transcribe, and sight sing, all the while making it musical through appropriate jazz phrasing and articulations. The valuable lessons learned can be applied to any instrument or voice, with skills that transcend jazz, useful in all styles of music. |
| the most important scale exercise in jazz: School of Advanced Piano Playing Rafael Joseffy, 1986-11 Piano Method |
| the most important scale exercise in jazz: Scales, Chords and Arpeggios for Piano : the Brown Scale Book Frederick Harris Music Co, University of Toronto. Royal Conservatory of Music of Toronto, 1977 |
| the most important scale exercise in jazz: How to Practice Jazz Jerry Coker, 1990 An essential book for every jazz musician wishing to organize their practice time and priorities. Ever feel like you have a million things to practice, but you don't know where to start? Jerry condenses his decades in jazz education into a usable, practical book that highlights some of the best ways of dividing your practice time so that you can focus on the essentials, instead of just running over the same scales and tunes with no real direction. Includes a list of most of the Jazz play-along recordings available (by track) and analysis of each. Paperback. |
| the most important scale exercise in jazz: Forward Motion Hal Galper, 2003 |
| the most important scale exercise in jazz: Guitar Arpeggio Studies on Jazz Standards Mimi Fox, 2004 An in-depth approach by Mimi Fox to mastering arpeggios for guitarists, beginning with simple arpeggio studies, this book progresses through simple concepts and tunes then proceeds to tackle some of the great standards that jazz musicians play. The lesson concludes with advanced arpeggio concepts including super-imposition of unusual arpeggios over various chord types to create startling tonal clusters. This is a must-have for all serious guitarists who want to achieve great technique while developing their sense of harmony. Companion CD included. |
| the most important scale exercise in jazz: First 50 Jazz Standards You Should Play on Piano Hal Leonard Publishing Corporation, 2017-02-01 (Easy Piano Songbook). Do you feel you've learned enough piano skills to take on some jazz tunes? This book is designed to let beginners dive into jazz standards with success. The arrangements, although easy, are full enough to make you sound great. Lyrics are also included. This collection features 50 of the best jazz standards ever, including: All the Things You Are * Autumn in New York * Body and Soul * Don't Get Around Much Anymore * Fly Me to the Moon (In Other Words) * Georgia on My Mind * The Girl from Ipanema (Garota De Ipanema) * It Could Happen to You * Misty * My Funny Valentine * Night and Day * Satin Doll * Speak Low * Summertime * The Way You Look Tonight * When I Fall in Love * You Stepped Out of a Dream * and more. |
| the most important scale exercise in jazz: Guitar Fretboard Fluency Joseph Alexander, 2019-04 Fretboard fluency trains your ears and brain to be in charge of your fingers while also developing your internal 'dictionary' of creative, melodic approaches. |
| the most important scale exercise in jazz: Jazz Licks BopLand, 2014-10 Jazz Licks: Bass Clef Version is designed to build and extend the melodic vocabulary of improvising musicians. The volume contains over 1500 jazz licks in standard notation for the most popular chord progressions available in all keys. In addition to the essential 2-5-1 and 1-6-2-5 chord progressions, there provided a long list of tunes which includes All The Things You Are, The Days Of Wine And Roses, My Funny Valentine, Someday My Prince Will Come, Stella By Starlight, Take Five, and many more. The book is equally useful for both students and professional musicians. Prepared with love, Jazz Licks can be used as a dictionary of the language of bebop, as a source of beautiful melodic ideas, or as an exercise book for you to play wonderful music. |
| the most important scale exercise in jazz: Fundamentals of Piano Practice Chuan C. Chang, 2016-01-06 This is the first book that teaches piano practice methods systematically, based on mylifetime of research, and containing the teachings of Combe, material from over 50 pianobooks, hundreds of articles, and decades of internet research and discussions with teachersand pianists. Genius skills are identified and shown to be teachable; learning piano can raiseor lower your IQ. Past widely taught methods based on false assumptions are exposed;substituting them with efficient practice methods allows students to learn piano and obtainthe necessary education to navigate in today's world and even have a second career. See http://www.pianopractice.org/ |
| the most important scale exercise in jazz: The Melodic Minor Handbook Bobby Stern, 2015-04 What would you play when you see the chord symbols A7b9-sharp9, F7+5, Csusb9, or D-flatMaj7+5? What would you blow over a D Locrian #2? The Melodic Minor Handbook provides musicians of all levels with these answers in presenting a concise, practical, easy-to-absorb method of exposure, study, and practice in the components of melodic minor harmony, and its use within the jazz vocabulary. Although the sound of melodic minor harmony has been a staple of jazz music over the last half century, familiarity among many aspiring musicians with its derivative modes and chord types still seems to remain a mystery; and even though touched upon to a greater or lesser degree by various books and methods, a comprehensive study stressing melodic minor harmony as a unique harmonic universe of its own has been absent---until now 176 pages, spiral bound. |
| the most important scale exercise in jazz: A Chromatic Approach to Jazz Harmony and Melody Dave Liebman, 2006 |
| the most important scale exercise in jazz: Super Chops Howard Mancel Roberts, 1978 |
| the most important scale exercise in jazz: Double Bass Jeff Bradetich, 2009 |
| the most important scale exercise in jazz: Comprehensive Jazz Studies & Exercises for All Instruments Eric Marienthal, A complete book of jazz technique studies and exercises for all instrumentalists. This text deals with many technique issues jazz musicians encounter in the real world, including chord scale exercises, motif exercises, finger busters, extended motif exercises, and ideas for improvisation. |
| the most important scale exercise in jazz: Jazz Piano Fundamentals (Books 1-3) Jeremy Siskind, 2024-02-22 Comprising 750-pages of carefully sequenced jazz piano knowledge, the Jazz Piano Fundamentals series represents the most complete jazz piano curriculum in the world. Throughout the book's thirty-six units, master-teacher Jeremy Siskind provides welcoming, clear, and detailed instruction that includes lessons, improvisation exercises, written practice, licks, listening guides, and practice plans in hopes that your jazz piano learning experience is organized, productive, and creative. This book is designed to be used in conjunction with The Real Book, Volume 6. Recommended for pianists with knowledge of all major scales and coordination to play a Chopin Nocturne or Bach Invention. “I love this book - and plan on using it in at my own school. A must for any beginning jazz piano student!” - Martin Bejerano, jazz pianist/composer and professor, Frost School of Music, University of Miami Jeremy Siskind's book creates a methodology and answers questions in a way that I have almost never seen done in a jazz educational tome. He breaks down the practice of improvisation to its smallest building blocks, and is careful to relate each lesson to real-life examples from the jazz canon....This book will be excellent for jazz beginners, players of other instruments who wish to bone up on their piano skills, and advanced improvisers may find ways to fill in gaps in their skill sets - Mark Shilansky, pianist/composer, professor, Berklee College of Music “Jeremy’s book is a reflection on who he is as a pianist - a true artist who has done his homework. Behind the meticulous attention to detail is a respect for jazz tradition and a desire to help pianists explore their own creativity.” - Aimee Nolte, jazz pianist/vocalist and YouTube Star “Jeremy's book is not only perfect to start this wonderful journey called Jazz Piano, but also one to come back to... Thank you!!” - Otmaro Ruiz, Grammy-nominated jazz pianist and professor, UCLA |
| the most important scale exercise in jazz: Jazz Piano Fundamentals – Book 1: Months 1-6 Jeremy Siskind, 2024-01-16 Jazz Piano Fundamentals is master-teacher Jeremy Siskind’s welcoming, clear, and detailed guide to the first stages of jazz piano study. Each of the book’s twelve units presents lessons, exercises, licks, activities, listening guides, and practice plans to keep studies organized, productive, and creative. Step-by-step lessons guide students towards mastery in improvisation, chord symbols, leadsheet reading, voicings, swing rhythm and articulation, comping, playing basslines, personalizing a melody, the blues, bossa nova, and more. Every unit includes frequently asked questions and exclusive video content to ensure that all subjects are presented clearly and with sufficient depth. This book is designed to be used in conjunction with The Real Book, Volume 6. Recommended for pianists with knowledge of all major scales and coordination to play a Chopin Nocturne or Bach Invention |
| the most important scale exercise in jazz: Jazz Piano Fundamentals (Books 1 and 2) Jeremy Siskind, 2024-02-24 Jazz Piano Fundamentals is master-teacher Jeremy Siskind’s welcoming, clear, and detailed guide to the first stages of jazz piano study. This two-book set contains enough material to study for more than a year. Each book contains twelve units that each present lessons, exercises, licks, activities, listening guides, and practice plans to keep studies organized, productive, and creative. Book 1 presents improvisation, chord symbols, leadsheet reading, voicings, swing rhythm and articulation, comping, playing basslines, personalizing a melody, the blues, bossa nova, and more. Book 2 presents shout-chorus voicings, transcription projects, closed-position voicings, drop two voicings, altered scales, coordination exercises, minor ii-V-i's, rhythm changes, and more. Praise for Jazz Piano Fundamentals, Book 1 Jeremy's book is a reflection on who he is as a pianist - a true artist who has done his homework. Behind the meticulous attention to detail is a respect for jazz tradition and a desire to help pianists explore their own creativity. - Aimee Nolte, jazz pianist/vocalist and YouTube Star I love this book - and plan on using it in at my own school. A must for any beginning jazz piano student! - Martin Bejerano, jazz pianist/composer and professor, Frost School of Music, University of Miami Jazz Piano Fundamentals creates a methodology and answers questions in a way that I have almost never seen done in a jazz educational tome. Jeremy breaks down the practice of improvisation to its smallest building blocks, and is careful to relate each lesson to real-life examples from the jazz canon....This book will be excellent for jazz beginners, players of other instruments who wish to bone up on their piano skills, and advanced improvisers may find ways to fill in gaps in their skill sets. - Mark Shilansky, pianist/composer, professor, Berklee College of Music Jeremy's book is not only perfect to start this wonderful journey called Jazz Piano, but also one to come back to... Thank you!! Otmaro Ruiz, Grammy-nominated jazz pianist and professor, UCLA |
| the most important scale exercise in jazz: Teaching School Jazz Chad West, Mike Titlebaum, 2019-06-04 Written by an experienced and diverse lineup of veteran jazz educators, Teaching School Jazz presents a comprehensive approach to teaching beginning through high school-level jazz. Thoroughly grounded in the latest research, chapters are supported by case studies woven into the narrative. The book therefore provides not only a wealth of school jazz teaching strategies but also the perspectives and principles from which they are derived. The book opens with a philosophical foundation to describe the current landscape of school jazz education. Readers are introduced to two expert school jazz educators who offer differing perspectives on the subject. The book concludes with an appendix of recommended audio, visual, digital, and written resources for teaching jazz. Accompanied by a website of playing exercises and audio examples, the book is invaluable resource for pre- and in-service music educators with no prior jazz experience, as well as those who wish to expand their knowledge of jazz performance practice and pedagogy. |
| the most important scale exercise in jazz: All Aspects of ROCK & JAZZ/3, The Electric Guitar , 2000 |
| the most important scale exercise in jazz: Rehearsing the Jazz Band - Resource Book Mary Jo Papich, Ryan Adamsons, 2019-12-01 (Meredith Music Resource). This book provides one huge room where everyone can gather to ask questions on the art of rehearsing and listen to answers from people who know. It includes chapters by Caleb Chapman, John Clayton, Jose Antonio Diaz, Curtis Gaesser, Antonio Garcia, Gordon Goodwin, Roosevelt Griffin III, Sherrie Maricle, Ellen Rowe, Roxanne Stevenson, Steve Wiest, and Greg Yasinitsky. |
grammar - When to use "most" or "the most" - English Language …
Jul 7, 2015 · "But what I remembered most is moving a lot" is correct, with or without "the". Although "the most" is the superlative, preferable. Here, "most" is used as an adverb modifying …
meaning - Is "most" equivalent to "a majority of"? - English …
"Most of the children chose cauliflower." Probably means a majority. "Cauliflower was chosen the most." Could be just a plurality. But wow, it's pretty vague. It might be very hard to say without …
"Most of which" or "most of whom" or "most of who"?
Apr 1, 2022 · Since "most of _____" is a prepositional phrase, the correct usage would be "most of whom." The phrase "most of who" should probably never be used. Another way to think …
Most is vs most are - English Language & Usage Stack Exchange
Most men are stupid. B. Most of the men in that club are stupid. C. Most of the men in the world are stupid. Sentences A and C seem the same in principle, but only A is completely unlimited. …
Punctuation for the phrase "including but not limited to"
Oct 1, 2013 · Comma use is subjective and in most, but not all cases is a style choice. The only place in that sentence where commas are required is in the list at the end (running, jumping, …
What is the most formal way to address a respected person while ...
Nov 10, 2014 · The most formal, respectful and deferential way of addressing a person today is Respected Sir, or Respected Madam. Use it when the other person is clearly not your equal in …
Is “zzzzz” the most common spelling to represent a person sleeping?
What is the most common or correct spelling of "zzzzz"? (1) zzzzz (5 letters) (2) zzzz (4 letters) (3) zzz (3 letters) My question stems from when I first wrote it as "zzzzz" (5 letters) in an …
Why is 'c*nt' so much more derogatory in the US than the UK?
Remember that most towns in England, in the Middle Ages, had a Gropecunt Lane, including several in London. The last recorded new one was named in 1561. In modern times they have …
Is "funnest" a word? - English Language & Usage Stack Exchange
My 2 cents, do not use "funnest", replace it with "the best". E.g.: "That was the funnest party ever!" vs "That was the best party ever!" For the nit-picky, the best way of saying the above …
Why is "pineapple" in English but "ananas" in all other languages?
Nov 7, 2013 · Never believe everything you read on the internet. That list is hand-picked in order to try to prove a point. While it's true that most European languages use some variant of …
grammar - When to use "most" or "the most" - English Language …
Jul 7, 2015 · "But what I remembered most is moving a lot" is correct, with or without "the". Although "the most" is the superlative, preferable. Here, "most" is used as an adverb modifying …
meaning - Is "most" equivalent to "a majority of"? - English …
"Most of the children chose cauliflower." Probably means a majority. "Cauliflower was chosen the most." Could be just a plurality. But wow, it's pretty vague. It might be very hard to say without …
"Most of which" or "most of whom" or "most of who"?
Apr 1, 2022 · Since "most of _____" is a prepositional phrase, the correct usage would be "most of whom." The phrase "most of who" should probably never be used. Another way to think about …
Most is vs most are - English Language & Usage Stack Exchange
Most men are stupid. B. Most of the men in that club are stupid. C. Most of the men in the world are stupid. Sentences A and C seem the same in principle, but only A is completely unlimited. …
Punctuation for the phrase "including but not limited to"
Oct 1, 2013 · Comma use is subjective and in most, but not all cases is a style choice. The only place in that sentence where commas are required is in the list at the end (running, jumping, …
What is the most formal way to address a respected person while ...
Nov 10, 2014 · The most formal, respectful and deferential way of addressing a person today is Respected Sir, or Respected Madam. Use it when the other person is clearly not your equal in …
Is “zzzzz” the most common spelling to represent a person sleeping?
What is the most common or correct spelling of "zzzzz"? (1) zzzzz (5 letters) (2) zzzz (4 letters) (3) zzz (3 letters) My question stems from when I first wrote it as "zzzzz" (5 letters) in an English …
Why is 'c*nt' so much more derogatory in the US than the UK?
Remember that most towns in England, in the Middle Ages, had a Gropecunt Lane, including several in London. The last recorded new one was named in 1561. In modern times they have …
Is "funnest" a word? - English Language & Usage Stack Exchange
My 2 cents, do not use "funnest", replace it with "the best". E.g.: "That was the funnest party ever!" vs "That was the best party ever!" For the nit-picky, the best way of saying the above would be …
Why is "pineapple" in English but "ananas" in all other languages?
Nov 7, 2013 · Never believe everything you read on the internet. That list is hand-picked in order to try to prove a point. While it's true that most European languages use some variant of …
