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the book of mormon musical chicago: Exhibiting Mormonism Reid Neilson, 2011-12-09 The 1893 Columbian Exposition, also known as the Chicago World's Fair, presented the Latter-day Saints with their first opportunity to exhibit the best of Mormonism for a national and an international audience after the abolishment of polygamy in 1890. The Columbian Exposition also marked the dramatic reengagement of the LDS Church with the non-Mormon world after decades of seclusion in the Great Basin. Between May and October 1893, over seven thousand Latter-day Saints from Utah attended the international spectacle popularly described as the ''White City.'' While many traveled as tourists, oblivious to the opportunities to ''exhibit'' Mormonism, others actively participated to improve their church's public image. Hundreds of congregants helped create, manage, and staff their territory's impressive exhibit hall; most believed their besieged religion would benefit from Utah's increased national profile. Moreover, a good number of Latter-day Saint women represented the female interests and achievements of both Utah and its dominant religion. These women hoped to use the Chicago World's Fair as a platform to improve the social status of their gender and their religion. Additionally, two hundred and fifty of the Mormon Tabernacle Choir's best singers competed in a Welsh eiseddfodd, a musical competition held in conjunction with the Chicago World's Fair, and Mormon apologist Brigham H. Roberts sought to gain LDS representation at the affiliated Parliament of Religions. In the first study ever written of Mormon participation at the Chicago World's Fair, Reid L. Neilson explores how Latter-day Saints attempted to ''exhibit'' themselves to the outside world before, during, and after the Columbian Exposition, arguing that their participation in the Exposition was a crucial moment in the Mormon migration to the American mainstream and its leadership's discovery of public relations efforts. After 1893, Mormon leaders sought to exhibit their faith rather than be exhibited by others. |
the book of mormon musical chicago: Working on a Song Anaïs Mitchell, 2020-10-06 Working On A Song is one of the best books about lyric writing for the theater I've read.—Lin-Manuel Miranda Anaïs Mitchell named to TIME's List of the 100 Most Influential People in the World of 2020 An illuminating book of lyrics and stories from Hadestown—the winner of eight Tony Awards, including Best Musical—from its author, songwriter Anaïs Mitchell with a foreword by Steve Earle On Broadway, this fresh take on the Greek myth of Orpheus and Eurydice has become a modern classic. Heralded as “The best new musical of the season,” by The Wall Street Journal, and “Sumptuous. Gorgeous. As good as it gets,” by The New York Times, the show was a breakout hit, with its poignant social commentary, and spellbinding music and lyrics. In this book, Anaïs Mitchell takes readers inside her more than decade’s-long process of building the musical from the ground up—detailing her inspiration, breaking down the lyrics, and opening up the process of creation that gave birth to Hadestown. Fans and newcomers alike will love this deeply thoughtful, revealing look at how the songs from “the underground” evolved, and became the songs we sing again and again. |
the book of mormon musical chicago: The Producers Mel Brooks, 2003 (Piano/Vocal/Guitar Songbook). This fabulous collection features 15 selections from Mel Brooks' classic blockbuster that swept the 2001 Tonys, winning a record 12 awards including the coveted Best Musical and Best Original Score! The songs are in standard piano/vocal format with the melody line in the piano part. Includes: Along Came Bialy * Betrayed * Der Guten Tag Hop-Clop * Goodbye! * Haben Sie Gehort Das Deutsche Band? * Heil Myself * I Wanna Be a Producer * Keep It Gay * The King of Broadway * Prisoners of Love * Springtime for Hitler * That Face * 'Til Him * We Can Do It * When You Got It, Flaunt It. |
the book of mormon musical chicago: Make Yourselves Gods Peter Coviello, 2019-11-14 From the perspective of Protestant America, nineteenth-century Mormons were the victims of a peculiar zealotry, a population deranged––socially, sexually, even racially––by the extravagances of belief they called “religion.” Make Yourselves Gods offers a counter-history of early Mormon theology and practice, tracking the Saints from their emergence as a dissident sect to their renunciation of polygamy at century’s end. Over these turbulent decades, Mormons would appear by turns as heretics, sex-radicals, refugees, anti-imperialists, colonizers, and, eventually, reluctant monogamists and enfranchised citizens. Reading Mormonism through a synthesis of religious history, political theology, native studies, and queer theory, Peter Coviello deftly crafts a new framework for imagining orthodoxy, citizenship, and the fate of the flesh in nineteenth-century America. What emerges is a story about the violence, wild beauty, and extravagant imaginative power of this era of Mormonism—an impassioned book with a keen interest in the racial history of sexuality and the unfinished business of American secularism. |
the book of mormon musical chicago: Too Much Is Not Enough Andrew Rannells, 2020-03-03 From the star of Broadway’s The Book of Mormon and Tony–nominated Gutenberg! The Musical!, the heartfelt and hilarious coming-of-age memoir of a Midwestern boy surviving bad auditions, bad relationships, and some really bad highlights as he chases his dreams in New York City—now with a new afterword “Candid, funny, crisp . . . honest and tender about lessons of the heart.”—Vogue ONE OF NPR’S BEST BOOKS OF THE YEAR When Andrew Rannells left Nebraska for New York City in 1997, he, like many young hopefuls, saw the city as a chance to break free. To start over. To transform the fiercely ambitious but sexually confused teenager he saw in the mirror into the Broadway leading man of his dreams. In Too Much Is Not Enough, Rannells takes us on the journey of a twentysomething hungry to experience everything New York has to offer: new friends, wild nights, great art, standing ovations. At the heart of his hunger lies a powerful drive to reconcile the boy he was when he left Omaha with the man he desperately wants to be. As Rannells fumbles his way towards the Great White Way, he also shares the drama of failed auditions and behind-the-curtain romances, the heartbreak of losing his father at the height of his struggle, and the exhilaration of making his Broadway debut in Hairspray at the age of twenty-six. Along the way, he learns that you never really leave your past—or your family—behind; that the most painful, and perversely motivating, jobs are the ones you almost get; and that sometimes the most memorable nights with friends are marked not by the trendy club you danced at but by the recap over diner food afterward. Honest and filled with charm, Too Much Is Not Enough is an unforgettable look at love, loss, and the powerful forces that determine who we become. |
the book of mormon musical chicago: Love, Loss, and what I Wore , 2005-01-01 In a volume originally intended just for friends, the author reflects on her fortunes and misfortunes through the clothes she has worn, clothes that have expressed her hopes and dreams--from her Brownie uniform to her first maternity dress. Reprint. |
the book of mormon musical chicago: A Strange Loop Michael R. Jackson, 2021-01-19 Winner of the 2020 Pulitzer Prize for Drama “To watch this show is to enter, by some urgent, bawdy magic, an ecstatic and infinitely more colorful version of the famous surreal lithograph by M. C. Escher: the hand that lifts from the page, becoming almost real, then draws another hand, which returns the favor. Which came first? A Strange Loop is complex, teasing, thrilling.” —Vinson Cunningham, New Yorker Usher is a Black, queer writer, working a day job he hates while writing his original musical: a piece about a Black, queer writer, working a day job he hates while writing his original musical. This blistering musical follows a young artist at war with a host of demons—not least of which are the punishing thoughts in his own head—in an attempt to understand his own strange loop. |
the book of mormon musical chicago: Americanist Approaches to the Book of Mormon Elizabeth A. Fenton, Jared Hickman, 2019 As the sacred text of a modern religious movement of global reach, The Book of Mormon has undeniable historical significance. That significance, this volume shows, is inextricable from the intricacy of its literary form and the audacity of its historical vision. This landmark collection brings together a diverse range of scholars in American literary studies and related fields to definitively establish The Book of Mormon as an indispensable object of Americanist inquiry not least because it is, among other things, a form of Americanist inquiry in its own right--a creative, critical reading of America. Drawing on formalist criticism, literary and cultural theory, book history, religious studies, and even anthropological field work, Americanist Approaches to The Book of Mormon captures as never before the full dimensions and resonances of this American Bible. |
the book of mormon musical chicago: The Lost Book of Mormon Avi Steinberg, 2014-10-21 Is the Book of Mormon the Great American Novel? Decades before Melville and Twain composed their great works, a farmhand and child seer named Joseph Smith unearthed a long-buried book from a haunted hill in western New York State that told of an epic history of ancient America, a story about a family that fled biblical Jerusalem and took a boat to the New World. Using his prophetic gift, Joseph translated the mysterious book into English and published it under the title The Book of Mormon. The book caused an immediate sensation, sparking anger and violence, boycotts and jealousy, curiosity and wonder, and launched Joseph on a wild, decades-long adventure across the American West. Today The Book of Mormon, one of the most widely circulating works of American literature, continues to cause controversy—which is why most of us know very little about the story it tells. Avi Steinberg wants to change that. A fascinated nonbeliever, Steinberg spent a year and a half on a personal quest, traveling the path laid out by Joseph’s epic. Starting in Jerusalem, where The Book of Mormon opens with a bloody murder, Steinberg continued to the ruined Maya cities of Central America—the setting for most of the The Book of Mormon’s ancient story—where he gallivanted with a boisterous bus tour of believers exploring Maya archaeological sites for evidence. From there the journey took him to upstate New York, where he participated in the true Book of Mormon musical, the annual Hill Cumorah Pageant. And finally Steinberg arrived at the center of the American continent, Jackson County, Missouri, the spot Smith identified as none other than the site of the Garden of Eden. Threaded through this quirky travelogue is an argument for taking The Book of Mormon seriously as a work of American imagination. Literate and funny, personal and provocative, the genre-bending The Lost Book of Mormon boldly explores our deeply human impulse to write bibles and discovers the abiding power of story. |
the book of mormon musical chicago: The Mormons Thomas F. O'Dea, 1970 |
the book of mormon musical chicago: American Universities and the Birth of Modern Mormonism, 1867–1940 Thomas W. Simpson, 2016-08-26 In the closing decades of the nineteenth century, college-age Latter-day Saints began undertaking a remarkable intellectual pilgrimage to the nation's elite universities, including Harvard, Columbia, Michigan, Chicago, and Stanford. Thomas W. Simpson chronicles the academic migration of hundreds of LDS students from the 1860s through the late 1930s, when church authority J. Reuben Clark Jr., himself a product of the Columbia University Law School, gave a reactionary speech about young Mormons' search for intellectual cultivation. Clark's leadership helped to set conservative parameters that in large part came to characterize Mormon intellectual life. At the outset, Mormon women and men were purposefully dispatched to such universities to gather the world's knowledge to Zion. Simpson, drawing on unpublished diaries, among other materials, shows how LDS students commonly described American universities as egalitarian spaces that fostered a personally transformative sense of freedom to explore provisional reconciliations of Mormon and American identities and religious and scientific perspectives. On campus, Simpson argues, Mormon separatism died and a new, modern Mormonism was born: a Mormonism at home in the United States but at odds with itself. Fierce battles among Mormon scholars and church leaders ensued over scientific thought, progressivism, and the historicity of Mormonism's sacred past. The scars and controversy, Simpson concludes, linger. |
the book of mormon musical chicago: Take Me Out Richard Greenberg, 2020-12-15 THE STORY: Darren Lemming, the star center fielder of the world champion New York Empires, is young, rich, famous, talented, handsome and so convinced of his popularity that when he casually announces he's gay, he assumes the news will be readily a |
the book of mormon musical chicago: Choir Boy Tarell Alvin McCraney, 2015-06-30 A stirring new drama by the 2009 winner of the New York Times’ Outstanding Playwright Award. |
the book of mormon musical chicago: Mean Girls Nell Benjamin, Jeff Richmond, 2019-09-04 Typescript, dated Rehearsal Draft April 7, 2018. Without music. Unmarked typescript of a musical that opened April 8, 2018, at the August Wilson Theatre, New York, N.Y., directed by Casy Nicholaw. |
the book of mormon musical chicago: The Young Missionaries. [With Illustrations.] Mary Seymour, 1874 |
the book of mormon musical chicago: The Band's Visit , 2018-06-01 (Vocal Selections). Winner of the New York Drama Critics' Circle Award for Best Musical, The Band's Visit is a musical adaptation of the 2007 Israeli film of the same name. This vocal selections folio features 11 vocal line arrangements with piano accompaniment composed by David Yazbek: Answer Me * The Beat of Your Heart * Haled's Song About Love * It Is What It Is * Itzik's Lullaby * Omar Sharif * Papi Hears the Ocean * Something Different * Soraya * Waiting * Welcome to Nowhere. |
the book of mormon musical chicago: Kingdom of Nauvoo: The Rise and Fall of a Religious Empire on the American Frontier Benjamin E. Park, 2020-02-25 Best Book Award • Mormon History Association A brilliant young historian excavates the brief life of a lost Mormon city, uncovering a “grand, underappreciated saga in American history” (Wall Street Journal). In Kingdom of Nauvoo, Benjamin E. Park draws on newly available sources to re-create the founding and destruction of the Mormon city of Nauvoo. On the banks of the Mississippi in Illinois, the early Mormons built a religious utopia, establishing their own army and writing their own constitution. For those offenses and others—including the introduction of polygamy, which was bitterly opposed by Emma Smith, the iron-willed first wife of Joseph Smith—the surrounding population violently ejected the Mormons, sending them on their flight to Utah. Throughout his absorbing chronicle, Park shows how the Mormons of Nauvoo were representative of their era, and in doing so elevates Mormon history into the American mainstream. |
the book of mormon musical chicago: The Book of Mormon Paul C. Gutjahr, 2012-03-25 Shows how Joseph Smith, Jr.'s influential Book of Mormon launched one of the fastest growing new religions on the planet. |
the book of mormon musical chicago: Prom , 2019 |
the book of mormon musical chicago: The Mormon People Matthew Bowman, 2012-01-24 “From one of the brightest of the new generation of Mormon-studies scholars comes a crisp, engaging account of the religion’s history.”—The Wall Street Journal With Mormonism on the nation’s radar as never before, religious historian Matthew Bowman has written an essential book that pulls back the curtain on more than 180 years of Mormon history and doctrine. He recounts the church’s origins and explains how the Mormon vision has evolved—and with it the esteem in which Mormons have been held in the eyes of their countrymen. Admired on the one hand as hardworking paragons of family values, Mormons have also been derided as oddballs and persecuted as polygamists, heretics, and zealots. The place of Mormonism in public life continues to generate heated debate, yet the faith has never been more popular. One of the fastest-growing religions in the world, it retains an uneasy sense of its relationship with the main line of American culture. Mormons will surely play an even greater role in American civic life in the years ahead. The Mormon People comes as a vital addition to the corpus of American religious history—a frank and balanced demystification of a faith that remains a mystery for many. With a new afterword by the author. “Fascinating and fair-minded . . . a sweeping soup-to-nuts primer on Mormonism.”—The Boston Globe “A cogent, judicious, and important account of a faith that has been an important element in American history but remained surprisingly misunderstood.”—Michael Beschloss “A thorough, stimulating rendering of the Mormon past and present.”—Kirkus Reviews “[A] smart, lucid history.”—Tom Brokaw |
the book of mormon musical chicago: Caroline, or Change Tony Kushner, 2004-09-01 “Caroline is a breakthrough—a story so grounded in the ordinary details of life that it almost seems to have discovered a new genre.” –Richard Zoglin, Time “Acute, smart and witty: a telling snapshot focusing with sharp clarity on characters captured at a fraught turning point in history—a culture’s and a family’s.” –Charles Isherwood, Variety “Thrilling. You’ve never seen anything quite like Caroline, or Change and likely won’t again anytime soon. There’s never a moment that the part-pop, part-opera, part-musical-theater score Jeanine Tesori has conjured up doesn’t ideally match Tony Kushner’s meticulously chosen words with clarion precision.” –Matthew Murray, talkinbroadway.com “A monumental achievement in American musical theater. Joyful, wholly successful, immensely moving, told with abundant wit and generosity of heart.” –John Helipern, New York Observer Louisiana, 1963: A nation reeling from the burgeoning Civil Rights Movement and the Kennedy assassination. Caroline, a black maid, and Noah, the son of the Jewish family she works for, struggle to find an identity for their friendship after Noah's stepmother, unable to give Caroline a raise, tells Caroline that she may keep the money Noah leaves in his pockets. Through their intimate story, this beautiful musical portrays the changing rhythms of a nation. Tony Kushner and composer Jeanine Tesori have created a story that addresses contemporary questions of culture, community, race and class through the lens and musical pulse of the 1960s. |
the book of mormon musical chicago: Redemption John Sroka, 2004-01-01 The author, after years of studying the book of mormon, discovered that the redundancies in the text have a purpose. Mormon and Moroni repeat certain key doctrines, such as the plan of redemption, the born-again experience and Nephi's main of the tree of life, to clarify and expand the meanings for the reader. The book presents his findings. |
the book of mormon musical chicago: The Other Place Sharr White, 2013-11-27 Her husband has filed for divorce, her daughter has eloped with a much older man and her own health is in jeopardy. But in this brilliantly crafted work, nothing is as it seems. Piece by piece, a mystery unfolds as fact blurs with fiction, past collides with present, and the elusive truth about Juliana boils to the surface. The Other Place received its world premiere Off-Broadway with MCC Theatre and its Broadway premiere with Manhattan Theatre Club, both productions featuring Laurie Metcalf (Lucille Lortel and Obie awards, Tony nomination). It was an Outer Critics Circle Award nominee for Outstanding New Off-Broadway Play. |
the book of mormon musical chicago: Mormons, Musical Theater, and Belonging in America Jake Johnson, 2019-06-30 The Church of Jesus Christ of Latter-day Saints adopted the vocal and theatrical traditions of American musical theater as important theological tenets. As Church membership grew, leaders saw how the genre could help define the faith and wove musical theater into many aspects of Mormon life. Jake Johnson merges the study of belonging in America with scholarship on voice and popular music to explore the surprising yet profound link between two quintessentially American institutions. Throughout the twentieth and twenty-first centuries, Mormons gravitated toward musicals as a common platform for transmitting political and theological ideas. Johnson sees Mormons using musical theater as a medium for theology of voice--a religious practice that suggests how vicariously voicing another person can bring one closer to godliness. This sounding, Johnson suggests, created new opportunities for living. Voice and the musical theater tradition provided a site for Mormons to negotiate their way into middle-class respectability. At the same time, musical theater became a unique expressive tool of Mormon culture. |
the book of mormon musical chicago: The Last Wife Kate Hennig, 2015 Kate Parr is smart, confident, and passionate: a rising star in a world of intense competition. But her obligatory marriage to Henry is rife with the threat of violence and the lure of deceit; her secret liaisons with Thom, her husband's former brother-in-law, could send her to an early grave; and her devotion to the education and equal rights of Henry's daughters is putting an even bigger strain on her marriage. Does Kate risk her life to gain authority in both her relationship and her political career? Which love will she be led to if she follows her heart? And what kind of future is there for her children if she makes a crucial mistake? |
the book of mormon musical chicago: Pretty Woman , 2019-02 For voice and piano, with chord symbols and guitar chord diagrams. |
the book of mormon musical chicago: The Minutes Tracy Letts, 2022-11-29 A searing new comedy from the Pulitzer Prize-winning playwright of August: Osage County. |
the book of mormon musical chicago: Dr. Seuss How the Grinch Stole Christmas Dana Richter, 2000-01-01 The Grinch tries on several outfits for the Whobiliation party, but Max doesn't like any of them. Includes sound box with replaceable batteries. |
the book of mormon musical chicago: Mr. Rickey Calls a Meeting Edward T. Schmidt, Ed Schmidt, 1994 |
the book of mormon musical chicago: The Play That Goes Wrong Henry Lewis, Jonathan Sayer, Henry Shields, 2014-04-23 Good evening. I'm Inspector Carter. Take my case. This must be Charles Haversham! I'm sorry, this must've given you all a damn shock. After benefitting from a large and sudden inheritance, the inept and accident-prone Cornley Polytechnic Drama Society embark on producing an ambitious 1920s murder mystery. They are delighted that neither casting issues nor technical hitches currently stand in their way. However, hilarious disaster ensues and the cast start to crack under the pressure, but can they get the production back on track before the final curtain falls? The Play That Goes Wrong is a farcical murder mystery, a play within a play, conceived and performed by award-winning company Theatre Mischief. It was first published as a one-act play and is published in this new edition as a two-act play. |
the book of mormon musical chicago: The Heavens are Hung in Black James Still, 2012 Focusing on the theatricality and humanity of Lincoln's second year in the White House (1862); a fevered, emotional epic about a U.S. president who read the Book of Job and the plays of Shakespeare, had the saddest face ever painted, openly wept in public, and led this country in a war that we're still fighting today. --p. 4 of cover. |
the book of mormon musical chicago: The Color Purple Brenda Russell, 2016 Typescript, 2015 BROADWAY PRODUCTION as of October 23, 2016. Without music. Typescript marked in blue and red ink by videographer. Used by The New York Public Library's Theatre on Film and Tape Archive on Nov. 9, 2016, when videorecording the stage production at the Bernard B. Jacobs Theatre, New York, N.Y. The production opened Dec. 10, 2015, and was directed by John Doyle. |
the book of mormon musical chicago: View of the Hebrews Ethan Smith, 2021-11-03 In the nineteenth century, it was a common belief that Native Americans were the descendants of the Ten Lost Tribes of Israel. Ethan Smith wrote on this topic, and in so doing, challenged the dismissal of the Indigenous Americans by European settlers. Smith used biblical scripture, similarities in the Hebrew and Native American languages and their name for God, and other points of evidence to prove the connection between Israel and the First Nations. From there he showed how the reunited Hebrew tribes would be restored to Zion before the end of the world. Perhaps the most fascinating aspect of Smith's book is that it is said to have influenced the Book of Mormon, which was published about seven years after later. As a child, Smith moved away from religion after his parents died but found his way back before he turned 20 and worked in the ministry until his death. Smith wrote several books while serving in the ministry in which he explored prophecies and baptism, among other subjects. But this book remains one of the most controversial of all his publications. |
the book of mormon musical chicago: The Tennessee Theatre Jack Neely, 2015 One of the most exuberant move palaces of the South, the Tennesse Theatre is a Jazz Age spectacle, a glimmer of a brifely extravagant era, a bold architectural celebration of an astonishing and suddenly popular new form of art. The motion picture changed the way Americans experienced their world,within its broad region, the Tennesseee became the superlative venue for that experiences. Despite its reputation as the finest, the most expensive, the theater with chandeliers and original art and antiques in its lobby, the Tennessee was also the largest, the busiest, and the most popular...Exclusiveness is one of the Tennessee's most effective illusions. After almost a century, the Tennessee is still obligatory on any trip to Knoxville, one of these sights you have to witness at least at once. Designed with dozens of shapes and countless colors to awe, it is distinct in appearance from every other theater in the world. It's a complex and fascinating artifact. But the Tennessee is also a practical edifice, a modern venue for classical music, opera, rock, jazz, bluegrass, and dozens of other genres that benefit from the old theater's excellent acoutiscs, praised in the national media for the quaility of its sound. |
the book of mormon musical chicago: The Lightning Thief , 2018-10 (Vocal Selections). A dozen vocal selections are included in this songbook featuring music and lyrics by Rob Rokicki for his off-Broadway musical adapted from the 2005 fantasy-adventure novel of the same name. Includes: Bring on the Monsters * D.O.A. * Drive * Good Kid * Killer Quest! * Lost! * My Grand Plan * Prologue/The Day I Got Expelled * Put You in Your Place * Son of Poseidon * Strong * The Tree on the Hill. |
the book of mormon musical chicago: The Great American Mousical (a Broadway Tale) Julie Andrews, Emma Walton Hamilton, 2025-10-21 The star of a theater troupe of mice disappears just before opening night in this illustrated middle-grade novel from New York Times bestselling mother-daughter duo Julie Andrews and Emma Walton Hamilton, with show-stopping illustrations from Tony Walton--now in full-color for the first time! In the heart of the great metropolis of New York City, the bright lights of Broadway shine. And down, down, down, beneath a theater known as the Sovereign, there sits a long-forgotten architect's model--the Sovereign's miniature replica. In this secret space, an adorable troupe of theater mice busily prepare to stage their own show, Broadway Airs. Among the cast and crew are Emil, the director; Harold, the character actor; Adelaide, the diva; and young Pippin, the intern. Rehearsals are in their usual state of chaos when suddenly the production is threatened by the imminent demolition of the theater and the devastating disappearance of Adelaide. As the clock ticks toward opening night, everyone is worried. Will the little Sovereign survive? How can they pull off the most important night in mouse theater without their star? Somehow, the show must go on! In this loving valentine to life in the theater, we join a delightful cast, follow a daring adventure, and welcome a brave new hero. This delicious tribute to the Broadway musical is written by two bestselling authors who have firsthand experience of this much-adored world. |
the book of mormon musical chicago: The Book of Mormon Grant Hardy, 2005-08-10 Regarded as sacred scripture by millions, the Book of Mormon -- first published in 1830 -- is one of the most significant documents in American religious history. This new reader-friendly version reformats the complete, unchanged 1920 text in the manner of modern translations of the Bible, with paragraphs, quotations marks, poetic forms, topical headings, multichapter headings, indention of quoted documents, italicized reworkings of biblical prophecies, and minimized verse numbers. It also features a hypothetical map based on internal references, an essay on Book of Mormon poetry, a full glossary of names, genealogical charts, a basic bibliography of Mormon and non-Mormon scholarship, a chronology of the translation, eyewitness accounts of the gold plates, and information regarding the lost 116 pages and significant changes in the text. The Book of Mormon claims to be the product of three historical interactions: the writings of the original ancient American authors, the editing of the fourth-century prophet Mormon, and the translation of Joseph Smith. The editorial aids and footnotes in this edition integrate all three perspectives and provide readers with a clear guide through this complicated text. New readers will find the story accessible and intelligible; Mormons will gain fresh insights from familiar verses seen in a broader narrative context. This is the first time the Book of Mormon has been published with quotation marks, select variant readings, and the testimonies of women involved in the translation process. It is also the first return to a paragraphed format since versification was added in 1879. |
the book of mormon musical chicago: The Early Temples of the Mormons Laurel B. Andrew, 1978-06-30 This book is a study of the six temples which the Church of Jesus Christ of the Latter-day Saints constructed in the nineteenth century. Though sharing the characteristics of various revival styles, the buildings demonstrate a progressive modification of these styles so as to express the functions of the temples and to reflect the theology and politics of the Mormons. The four temples in Utah, designed by the church president Brigham Young and his builder-architects, symbolize the merging of spiritual and temporal concerns and, the author believes, were meant to play an instrumental role in the transformation of America into a millennial kingdom of God and a second Garden of Eden. Thus, the temples are studied within the specific context of Mormonism and the broader spectrum of American cultural history as well. The account begins in Ohio, where the believers in Joseph Smith's restored gospel erected a temple resembling the New England meetinghouse in form and use. It follows the Mormons to Nauvoo, Illinois, where the second temple was built in the 1840s. The author demonstrates how the developing theology and the introduction of secret rituals began to change the meaning and the architectural form of the temple, as the style and architectural symbols were incorporated on the exterior of the temple. From Illinois the Mormons moved to Utah, where four temples were built. The most important, at Salt Lake City, is discussed in detail. The author evaluates the contributions of Brigham Young to its design, illustrates and discusses the drawings of the architect, and offers an interpretation of the symbolism of the building. She also discusses the attempt of the Mormons to establish an independent Kingdom of God in preparation for the Second Coming of Christ, and relates the Salt Lake City temple and the other Utah buildings to this effort. Her conclusion is that the Salt Lake City temple was to have a civic as well as religious function as the governmental center of the Kingdom of God. The other three Utah temples were intended to extend the authority of the Mormon government throughout Utah. |
the book of mormon musical chicago: The Mormon Experience Leonard J. Arrington, Davis Bitton, 1992 The best history of the Latter-Day Saints addressed to a general audience now includes a new preface, an epilogue, and a bibliographical afterword. This is without a doubt the definitive Mormon history.--Library Journal. |
the book of mormon musical chicago: Mormonism W. Paul Reeve, Ardis E. Parshall, 2010-08-10 It began in upstate New York with Joseph Smith's miraculous vision. It spread across the American West with Brigham Young's founding of over 300 settlements and his establishment of Utah as its headquarters. Today, Mormonism is continually expanding with more members outside the United States than within. Mormonism: A Historical Encyclopedia helps readers explore a church that has gone from being an object of ridicule and sometimes violent persecution to a worldwide religion, counting prominent businesspeople and political leaders among its members (including former Massachusetts governor and 2012 presidential candidate Mitt Romney). |
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r/treasureinside: Community dedicated to the There's Treasure Inside book and treasure hunt by Jon Collins-Black.
Book Suggestions - Reddit
Our first book has been Passion or Pancakes (my friend saw a drew gooden video on the author and this book and insisted we read it). …
Library Genesis - Reddit
Library Genesis (LibGen) is the largest free library in history: giving the world free access to 84 million scholarly journal articles, 6.6 million academic …