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| the paris review: The Paris Review Book , 2003-05-03 To commemorate the 50th anniversary of the venerable Paris Review comes a unique anthology based on the themes of modern life. |
| the paris review: The Art of Fiction David Lodge, 2012-04-30 In this entertaining and enlightening collection David Lodge considers the art of fiction under a wide range of headings, drawing on writers as diverse as Henry James, Martin Amis, Jane Austen and James Joyce. Looking at ideas such as the Intrusive Author, Suspense, the Epistolary Novel, Magic Realism and Symbolism, and illustrating each topic with a passage taken from a classic or modern novel, David Lodge makes the richness and variety of British and American fiction accessible to the general reader. He provides essential reading for students, aspiring writers and anyone who wants to understand how fiction works. |
| the paris review: The Paris Review Interviews Philip Gourevitch, 2008 The Paris Review was founded in 1953 and it has given us invaluable conversations with the greatest writers of our age, vivid self-portraits that are themselves works of finely-crafted literature. The magazine has spoken with most of the world's leading novelists, poets and playwrights, and the interviews themselves have come to be recognised as classic words of literature in their own right. This third volume in the series builds on the success and acclaim of the first two editions. It includes interviews with: Ralph Ellison; Salman Rushdie; Norman Mailer; Margaret Atwood; Chinua Achebe; and, Joyce Carol Oates, among many others. |
| the paris review: The Flamethrowers Rachel Kushner, 2014-01-14 * Selected as ONE of the BEST BOOKS of the 21st CENTURY by The New York Times * NATIONAL BOOK AWARD FINALIST * New York magazine’s #1 Book of the Year * Best Book of the Year by: The Wall Street Journal; Vogue; O, The Oprah Magazine; Los Angeles Times; The San Francisco Chronicle; The New Yorker; Time; Flavorwire; Salon; Slate; The Daily Beast “Superb…Scintillatingly alive…A pure explosion of now.”—The New Yorker Reno, so-called because of the place of her birth, comes to New York intent on turning her fascination with motorcycles and speed into art. Her arrival coincides with an explosion of activity—artists colonize a deserted and industrial SoHo, stage actions in the East Village, blur the line between life and art. Reno is submitted to a sentimental education of sorts—by dreamers, poseurs, and raconteurs in New York and by radicals in Italy, where she goes with her lover to meet his estranged and formidable family. Ardent, vulnerable, and bold, Reno is a fiercely memorable observer, superbly realized by Rachel Kushner. |
| the paris review: The Unprofessionals The Paris Review, 2015-11-17 A dispatch from the front lines of literature. —The Atlantic The Unprofessionals is an energetic collection celebrating the bold writers at the forefront of today’s literary world—featuring stories, essays, and poems from “America’s greatest literary journal” (Time) For more than half a century, the Paris Review has launched some of the most exciting new literary voices, from Philip Roth to David Foster Wallace. But rather than trading on nostalgia, the storied journal continues to search outside the mainstream for the most exciting emerging writers. Harmonizing a timeless literary feel with impeccable modern taste, its pages are vivid proof that the best of today’s writing more than upholds the lofty standards that built the magazine’s reputation. The Unprofessionals collects pieces from the new iteration of the Paris Review by contemporary writers who treat their art not as a profession, but as a calling. Some, like Zadie Smith, Ben Lerner, and John Jeremiah Sullivan, are already major literary presences, while others, like Emma Cline, Benjamin Nugent, and Ottessa Moshfegh, will soon be household names. A master class in contemporary writing across genres, this collection introduces the must-know voices in the modern literary scene. |
| the paris review: The Recognitions William Gaddis, 2012-02-07 The book Jonathan Franzen dubbed the ur-text of postwar fiction and the first great cultural critique, which, even if Heller and Pynchon hadn't read it while composing Catch-22 and V., managed to anticipate the spirit of both”—The Recognitions is a masterwork about art and forgery, and the increasingly thin line between the counterfeit and the fake. Gaddis anticipates by almost half a century the crisis of reality that we currently face, where the real and the virtual are combining in alarming ways, and the sources of legitimacy and power are often obscure to us. |
| the paris review: The Savage Detectives Reread David Kurnick, 2022-02-01 The Savage Detectives elicits mixed feelings. An instant classic in the Spanish-speaking world upon its 1998 publication, a critical and commercial smash on its 2007 translation into English, Roberto Bolaño’s novel has also been called an exercise in 1970s nostalgia, an escapist fantasy of a romanticized Latin America, and a publicity event propped up by the myth of the bad-boy artist. David Kurnick argues that the controversies surrounding Bolaño’s life and work have obscured his achievements—and that The Savage Detectives is still underappreciated for the subtlety and vitality of its portrait of collective life. Kurnick explores The Savage Detectives as an epic of social structure and its decomposition, a novel that restlessly moves between the big configurations—of states, continents, and generations—and the everyday stuff—parties, jobs, moods, sex, conversation—of which they’re made. For Kurnick, Bolaño’s book is a necromantic invocation of life in history, one that demands surrender as much as analysis. Kurnick alternates literary-critical arguments with explorations of the novel’s microclimates and neighborhoods—the little atmospheric zones where some of Bolaño’s most interesting rethinking of sexuality, politics, and literature takes place. He also claims that The Savage Detectives holds particular interest for U.S. readers: not because it panders to them but because it heralds the exhilarating prospect of a world in which American culture has lost its presumptive centrality. |
| the paris review: Unpacking My Library Marcel Proust, 2017-01-01 A captivating tour of the bookshelves of ten leading artists, exploring the intricate connections between reading, artistic practice, and identity Taking its inspiration from Walter Benjamin's seminal 1931 essay, the Unpacking My Library series charts a spirited exploration of the reading and book collecting practices of today's leading thinkers. Artists and Their Books showcases the personal libraries of ten important contemporary artists based in the United States (Mark Dion, Theaster Gates, Wangechi Mutu, Ed Ruscha, and Carrie Mae Weems), Canada (Janet Cardiff and George Bures Miller), and the United Kingdom (Billy Childish, Tracey Emin, and Martin Parr). Through engaging interviews, the artists discuss the necessity of reading and the meaning of books in their lives and careers. This is a book about books, but it even more importantly highlights the role of literature in shaping an artist's self-presentation and persona. Photographs of each artist's bookshelves present an evocative glimpse of personal taste, of well-loved and rare volumes, and of the individual touches that make a bookshelf one's own. The interviews are accompanied by top ten reading lists assembled by each artist, an introduction by Jo Steffens, and Marcel Proust's seminal essay On Reading. |
| the paris review: Object Lessons , 2012-10-25 Edited by Lorin and Sadie Stein What does it take to write a great short story? In Object Lessons, twenty-one contemporary masters of the genre answer that question, sharing favourite stories from the pages of The Paris Review. A laboratory for new fiction since its founding in 1953, The Paris Review has launched hundreds of careers while publishing some of the most inventive and best-loved stories of the last half century. This anthology – the first of its kind – is more than a treasury: it is an indispensable resource for writers, students and anyone else who wants to understand fiction from a writer's point of view. A repository of incredible fiction, Object Lessons includes contributions from Chimamanda Ngozi Adichie, Daniel Alarcon, Donald Antrim, Lydia Davis, Dave Eggers, Mary Gaitskill, Aleksandar Hemon, Jonathan Lethem, Sam Lipsyte, Ben Marcus, Colum McCann, Lorrie Moore, Norman Rush, Mona Simpson and Ali Smith, among others. |
| the paris review: The Paris Review Book for Planes, Trains, Elevators, and Waiting Rooms The Paris Review, Paris Review, 2004-07 This ingeniously useful compendium--organized to suit whatever time that the reader has available at that moment--offers reading material to fill those gray, in-between moments in life with beauty, wonder, insight, and emotion. |
| the paris review: In the Distance Hernan Diaz, 2024-03-05 FINALIST FOR THE PULITZER PRIZE FINALIST FOR THE PEN/FAULKNER AWARD WINNER OF THE WHITING AWARD WINNER OF THE SAROYAN INTERNATIONAL PRIZE FOR WRITING WINNTER OF THE VCU CABELL FIRST NOVELIST AWARD WINNER OF THE NEW AMERICAN VOICES AWARD A PUBLISHERS WEEKLY TOP 10 BOOK OF THE YEAR The first novel by the Pulitzer Prize–winning author of Trust, an exquisite and blisteringly intelligent story of a young Swedish boy, separated from his brother, who becomes a legend and an outlaw A young Swedish immigrant finds himself penniless and alone in California. The boy travels east in search of his brother, moving on foot against the great current of emigrants pushing west. Driven back again and again, he meets criminals, naturalists, religious fanatics, swindlers, American Indians, and lawmen, and his exploits turn him into a legend. Diaz defies the conventions of historical fiction and genre, offering a probing look at the stereotypes that populate our past and a portrait of radical foreignness. |
| the paris review: A Carnival Of Losses Donald Hall, 2018-07-10 Former poet laureate of the United States Donald Hall’s final collection of essays, from the vantage point of very old age, once again “alternately lyrical and laugh-out-loud funny.”* *(New York Times) “Why should a nonagenarian hold anything back?” Donald Hall answers his own question in these self-knowing, fierce, and funny essays on aging, the pleasures of solitude, and the sometimes astonishing freedoms arising from both. Nearing ninety at the time of writing, he intersperses memories of exuberant days in his youth, with uncensored tales of literary friendships spanning decades—with James Wright, Richard Wilbur, Seamus Heaney, and other luminaries. Cementing his place alongside Roger Angell and Joan Didion as a generous and profound chronicler of loss, this final work is as original and searing as anything Hall wrote during his extraordinary literary lifetime. |
| the paris review: The Crane Wife CJ Hauser, 2023-06-27 A memoir in essays that expands on the viral sensation “The Crane Wife” with a frank and funny look at love, intimacy, and self in the twenty-first century. From friends and lovers to blood family and chosen family, this “elegant masterpiece” (Roxane Gay, New York Times bestselling author of Hunger) asks what more expansive definitions of love might offer us all. A BEST BOOK OF THE YEAR: TIME, THE GUARDIAN, GARDEN & GUN Hauser builds their life's inventory out of deconstructed personal narratives, resulting in a reading experience that's rich like a complicated dessert—not for wolfing down but for savoring in small bites. —The New York Times “Clever, heartfelt, and wrenching.” —Time “Brilliant.” —Oprah Daily Ten days after calling off their wedding, CJ Hauser went on an expedition to Texas to study the whooping crane. After a week wading through the gulf, they realized they'd almost signed up to live someone else's life. What if you released yourself from traditional narratives of happiness? What if you looked for ways to leave room for the unexpected? In Hauser’s case, this meant dissecting pop culture touchstone, from The Philadelphia Story to The X Files, to learn how not to lose yourself in a relationship. They attended a robot convention, contemplated grief at John Belushi’s gravesite, and officiated a wedding. Most importantly, they mapped the difference between the stories we’re asked to hold versus those we choose to carry. Told with the late-night barstool directness of your wisest, most bighearted friend, The Crane Wife is a book for everyone whose path doesn't look the way they thought it would; for everyone learning to find joy in the not-knowing and to build a new sort of life story, a new sort of family, a new sort of home to live in. |
| the paris review: The Paris Review Interviews (Boxed Set) I-IV . The Paris Review, Paris Review Staff, 2009-11-10 For more than half a century,The Paris Review has conducted in-depth interviews with our leading novelists, poets, and playwrights. These revealing, revelatory self-portraits have come to be recognized as themselves classic works of literature, and an essential and definitive record of the writing life. This beautiful slipcase edition brings together all four volumes of Picador's selected Paris Review Interviews, including Q&As with Ernest Hemingway, T.S. Eliot, Kurt Vonnegut, Elizabeth Bishop, Richard Price, Joan Didion, Gabriel Garcia Marquez, Philip Larkin, James Baldwin, Toni Morrison, Stephen King, Robert Lowell, Ralph Ellison, Joyce Carol Oates, Raymond Carver, Salman Rushdie, Martin Amis, Maya Angelou, Haruki Murakami, Paul Auster, Marilynne Robinson, and more. The Paris Review InterviewsBox Set is an indispensable treasury of wisdom from the world's literary masters. |
| the paris review: Miss MacIntosh, My Darling Marguerite Young, 1966 Novel. |
| the paris review: Women Writers at Work Paris Review, 1998-07-21 Sixteen of the world's great women writers speak about their work, their colleagues, and their lives. For More Than Forty Years, the acclaimed Paris Review interviews have been collected in the Writers at Work series. The Modern Library relaunches the series with the first of its specialized collections -- interviews with sixteen women novelists, poets, and playwrights, all offering rich commentary on the art of writing and on the opportunities and challenges a woman writer faces in contemporary society. |
| the paris review: The Journalist and the Murderer Janet Malcolm, 2011-06-22 Named one of the 100 Best Nonfiction Books by The Modern Library and The Guardian • With surgical precision, Janet Malcolm dissects the famous case of journalist Joe McGinniss and murderer Jeffrey MacDonald. A riveting exploration of the uneasy dynamic between writers and their subjects and a must-read for anyone intrigued by journalism, the complexities of human nature, and true crime Malcolm deftly analyzes the real-life lawsuit of Jeffrey MacDonald, a convicted murderer, against Joe McGinniss, the author of Fatal Vision. At the heart of this masterfully crafted narrative is McGinniss's controversial portrayal of MacDonald, a former Green Beret convicted of murdering his pregnant wife and two young daughters. While writing the true crime book Fatal Vision, McGinniss ingratiated himself with MacDonald under the guise of supporting his innocence, only to portray him as guilty in the final publication. The resulting libel case put McGinniss's methods on trial, sparking a gripping examination of the ethics governing the writer-subject covenant. Through probing interviews with the key players - the principals, their lawyers, members of the jury, and expert witnesses - Malcolm provides an atmospheric retelling of the sensational trial. But her true subject is the treacherous territory writers must navigate when trying to objectively chronicle the lives of others. With piercing self-awareness, Malcolm examines her own role and motivations, laying bare the inherent conflicts and power dynamics that arise when a journalist pursues a story. Her candid, rueful reflections transform a seemingly straightforward work of reportage into a profound exploration of journalistic ethics and the limits of factual truth. |
| the paris review: Paris 1919 Margaret MacMillan, 2003-09-09 National Bestseller New York Times Editors’ Choice Winner of the PEN Hessell Tiltman Prize Winner of the Duff Cooper Prize Silver Medalist for the Arthur Ross Book Award of the Council on Foreign Relations Finalist for the Robert F. Kennedy Book Award For six months in 1919, after the end of “the war to end all wars,” the Big Three—President Woodrow Wilson, British prime minister David Lloyd George, and French premier Georges Clemenceau—met in Paris to shape a lasting peace. In this landmark work of narrative history, Margaret MacMillan gives a dramatic and intimate view of those fateful days, which saw new political entities—Iraq, Yugoslavia, and Palestine, among them—born out of the ruins of bankrupt empires, and the borders of the modern world redrawn. |
| the paris review: The Paris Hours Alex George, 2020-05-05 “Like All the Light We Cannot See, The Paris Hours explores the brutality of war and its lingering effects with cinematic intensity. The ending will leave you breathless.” —Christina Baker Kline, author of Orphan Train and A Piece of the World One day in the City of Light. One night in search of lost time. Paris between the wars teems with artists, writers, and musicians, a glittering crucible of genius. But amidst the dazzling creativity of the city’s most famous citizens, four regular people are each searching for something they’ve lost. Camille was the maid of Marcel Proust, and she has a secret: when she was asked to burn her employer’s notebooks, she saved one for herself. Now she is desperate to find it before her betrayal is revealed. Souren, an Armenian refugee, performs puppet shows for children that are nothing like the fairy tales they expect. Lovesick artist Guillaume is down on his luck and running from a debt he cannot repay—but when Gertrude Stein walks into his studio, he wonders if this is the day everything could change. And Jean-Paul is a journalist who tells other people’s stories, because his own is too painful to tell. When the quartet’s paths finally cross in an unforgettable climax, each discovers if they will find what they are looking for. Told over the course of a single day in 1927, The Paris Hours takes four ordinary people whose stories, told together, are as extraordinary as the glorious city they inhabit. |
| the paris review: Paris to the Moon Adam Gopnik, 2001-12-18 Paris. The name alone conjures images of chestnut-lined boulevards, sidewalk cafés, breathtaking façades around every corner--in short, an exquisite romanticism that has captured the American imagination for as long as there have been Americans. In 1995, Adam Gopnik, his wife, and their infant son left the familiar comforts and hassles of New York City for the urbane glamour of the City of Light. Gopnik is a longtime New Yorker writer, and the magazine has sent its writers to Paris for decades--but his was above all a personal pilgrimage to the place that had for so long been the undisputed capital of everything cultural and beautiful. It was also the opportunity to raise a child who would know what it was to romp in the Luxembourg Gardens, to enjoy a croque monsieur in a Left Bank café--a child (and perhaps a father, too) who would have a grasp of that Parisian sense of style we Americans find so elusive. So, in the grand tradition of the American abroad, Gopnik walked the paths of the Tuileries, enjoyed philosophical discussions at his local bistro, wrote as violet twilight fell on the arrondissements. Of course, as readers of Gopnik's beloved and award-winning Paris Journals in The New Yorker know, there was also the matter of raising a child and carrying on with day-to-day, not-so-fabled life. Evenings with French intellectuals preceded middle-of-the-night baby feedings; afternoons were filled with trips to the Musée d'Orsay and pinball games; weekday leftovers were eaten while three-star chefs debated a culinary crisis. As Gopnik describes in this funny and tender book, the dual processes of navigating a foreign city and becoming a parent are not completely dissimilar journeys--both hold new routines, new languages, a new set of rules by which everyday life is lived. With singular wit and insight, Gopnik weaves the magical with the mundane in a wholly delightful, often hilarious look at what it was to be an American family man in Paris at the end of the twentieth century. We went to Paris for a sentimental reeducation-I did anyway-even though the sentiments we were instructed in were not the ones we were expecting to learn, which I believe is why they call it an education. |
| the paris review: The Paris Review , 1985 |
| the paris review: Paris Reborn Stephane Kirkland, 2013-04-02 Stephane Kirkland gives an engrossing account of Napoleon III, Baron Haussmann, and one of the greatest transformations of a major city in modern history Traditionally known as a dirty, congested, and dangerous city, 19th Century Paris, France was transformed in an extraordinary period from 1848 to 1870, when the government launched a huge campaign to build streets, squares, parks, churches, and public buildings. The Louvre Palace was expanded, Notre-Dame Cathedral was restored and the French masterpiece of the Second Empire, the Opéra Garnier, was built. A very large part of what we see when we visit Paris today originates from this short span of twenty-two years. The vision for the new Nineteenth Century Paris belonged to Napoleon III, who had led a long and difficult climb to absolute power. But his plans faltered until he brought in a civil servant, Georges-Eugène Haussmann, to take charge of the implementation. Heedless of controversy, at tremendous cost, Haussmann pressed ahead with the giant undertaking until, in 1870, his political enemies brought him down, just months before the collapse of the whole regime brought about the end of an era. Paris Reborn is a must-read for anyone who ever wondered how Paris, the city universally admired as a standard of urban beauty, became what it is. |
| the paris review: Paris in the Present Tense Mark Helprin, 2017-10-03 Mark Helprin’s powerful, rapturous new novel is set in a present-day Paris caught between violent unrest and its well-known, inescapable glories. Seventy-four-year-old Jules Lacour—a maître at Paris-Sorbonne, cellist, widower, veteran of the war in Algeria, and child of the Holocaust—must find a balance between his strong obligations to the past and the attractions and beauties of life and love in the present. In the midst of what should be an effulgent time of life—days bright with music, family, rowing on the Seine—Jules is confronted headlong and all at once by a series of challenges to his principles, livelihood, and home, forcing him to grapple with his complex past and find a way forward. He risks fraud to save his terminally ill infant grandson, matches wits with a renegade insurance investigator, is drawn into an act of savage violence, and falls deeply, excitingly in love with a young cellist a third his age. Against the backdrop of an exquisite and knowing vision of Paris and the way it can uniquely shape a life, he forges a denouement that is staggering in its humanity, elegance, and truth.In the intoxicating beauty of its prose and emotional amplitude of its storytelling, Mark Helprin’s Paris in the Present Tense is a soaring achievement, a deep, dizzying look at a life through the purifying lenses of art and memory. |
| the paris review: The Liars' Club Mary Karr, 1995 The author, a poet, recounts her difficult childhood growing up in a Texas oil town. |
| the paris review: The Mistress of Paris Catherine Hewitt, 2017-01-24 First published in the United Kingdom by Icon Books Ltd--Title page verso. |
| the paris review: A Boy's Own Story Edmund White, 2002 A young man struggles to come to terms with his homosexuality while coming of age in the 1950s. |
| the paris review: The Third Reich Roberto Bolaño, 2011-11-22 On vacation with his girlfriend, Ingeborg, the German war games champion Udo Berger returns to a small town on the Costa Brava where he spent the summers of his childhood. Soon they meet another vacationing German couple, Charly and Hanna, who introduce them to a band of locals—the Wolf, the Lamb, and El Quemado—and to the darker side of life in a resort town. Late one night, Charly disappears without a trace, and Udo's well-ordered life is thrown into upheaval; while Ingeborg and Hanna return to their lives in Germany, he refuses to leave the hotel. Soon he and El Quemado are enmeshed in a round of Third Reich, Udo's favorite World War II strategy game, and Udo discovers that the game's consequences may be all too real. Written in 1989 and found among Roberto Bolaño's papers after his death, The Third Reich is a stunning exploration of memory and violence. Reading this quick, visceral novel, we see a world-class writer coming into his own—and exploring for the first time the themes that would define his masterpieces The Savage Detectives and 2666. |
| the paris review: The Other Paris Lucy Sante, 2015-10-27 “The Other Paris is both eulogy and paean to the matrixes of anarchy, creativity, crime, and serendipity that once gave shape to the City of Light.” —Anna Wiener, The New Republic Paris, the City of Light, the city of fine dining and seductive couture and intellectual hauteur, was until fairly recently always accompanied by its shadow: the city of the poor, the outcast, the criminal, the eccentric, the willfully nonconforming. In The Other Paris, Lucy Sante gives us a panoramic view of that second metropolis, which has nearly vanished but whose traces are in the bricks and stones of the contemporary city, in the culture of France itself, and, by extension, throughout the world. Drawing on testimony from a great range of witnesses—from Balzac and Hugo to assorted boulevardiers, rabble-rousers, and tramps—Sante, whose thorough research is matched only by the vividness of her narration, takes the reader on a whirlwind tour. Richly illustrated with more than three hundred images, The Other Paris scuttles through the knotted streets of pre-Haussmann Paris, through the improvised accommodations of the original bohemians, through the whorehouses and dance halls and hobo shelters of the old city. A lively survey of labor conditions, prostitution, drinking, crime, and popular entertainment, and of the reporters, réaliste singers, pamphleteers, and poets who chronicled their evolution, The Other Paris is a book meant to upend the story of the French capital, to reclaim the city from the bons vivants and the speculators, and to hold a light to the works and lives of those expunged from its center by the forces of profit. “A wonderfully rich book.” —Allan Massie, The Wall Street Journal |
| the paris review: Close to the Knives David Wojnarowicz, 2014-06-03 The “fierce, erotic, haunting, truthful” memoirs of an extraordinary artist, activist, and iconoclast who lit up late-twentieth-century New York (Dennis Cooper). One of the New York Times’ “50 Best Memoirs of the Past 50 Years” David Wojnarowicz’s brief but eventful life was not easy. From a suburban adolescence marked by neglect, drugs, prostitution, and abuse to a squalid life on the streets of New York City, to fame—and infamy—as an activist and controversial visual artist whose work was lambasted in the halls of Congress, all before his early death from AIDS at age thirty-seven, Wojnarowicz seemed to be at war with a homophobic “establishment” and the world itself. Yet what emerged from the darkness was a truly extraordinary artist and human being—an angry young man of remarkable poetic sensibilities who was inordinately sympathetic to those who, like him, lived and struggled outside society’s boundaries. Close to the Knives is his searing yet strangely beautiful account told in a collection of powerful essays. An author whom reviewers have compared to Kerouac and Genet, David Wojnarowicz mesmerizes, horrifies, and delights in equal measure with his unabashed honesty. At once savage and funny, poignant and sexy, compassionate and unforgiving, his words and stories cut like knives, leaving indelible marks on all who read them. |
| the paris review: The Writer's Chapbook Nicole Rudick, 2018-03 In 1989, George Plimpton compiled a survey of writers on writing¿anecdotes, aphorisms, and excerpts culled from the Writers at Work interviews. Our new, updated edition brings together almost four hundred writers, editors, and translators from issue no. 1 to issue no. 224 to provide a rare glimpse of what being a writer is really like. Divided into four parts¿¿The Writer: A Profile,¿ ¿Technical Matters,¿ ¿Different Forms,¿ and ¿The Writer¿s Life¿¿the book dilates on subjects such as first efforts, work habits, plot, writer¿s block, prizes, and politics. |
| the paris review: Happy are the Happy Yasmina Reza, 2014-07-03 1 novel. 18 people. 18 lives. Infinite combinations: families and friends, colleagues and patients, lovers and mourners... But sometimes a crowd is the loneliest place to be. An award-winning exploration of dreams and disillusionment, love and infidelity from the creator of global theatre sensation Art and God of Carnage. |
| the paris review: The Paris Review Lorin Stein, 2013 The latest edition of the seminal literary magazine. |
| the paris review: The Paris Library Janet Skeslien Charles, 2021-02-02 Based on the true World War II story of the American Library in Paris, an unforgettable novel about the power of books and the bonds of friendship—and the ordinary heroes who can be found in the most perilous times and the quietest places. Paris, 1939. Young, ambitious, and tempestuous, Odile Souchet has it all: Paul, her handsome police officer beau; Margaret, her best friend from England; Remy, her twin brother who she adores; and a dream job at the American Library in Paris, working alongside the library’s legendary director, Dorothy Reeder. When World War II breaks out, Odile stands to lose everything she holds dear—including her beloved library. After the Nazi army marches into the City of Light and declares a war on words, Odile and her fellow librarians join the Resistance with the best weapons they have: books. Again and again, they risk their lives to help their fellow Jewish readers, but by war’s end, Odile tastes the bitter sting of unspeakable betrayal. Montana, 1983. Odile’s solitary existence in gossipy small-town Montana is unexpectedly interrupted by her neighbor Lily, a lonely teenager craving adventure. As Lily uncovers more about Odile’s mysterious past, they find they share not only a love of language but also the same lethal jealousy. Odile helps Lily navigate the troubled waters of adolescence by always recommending the right book at the right time, never suspecting that Lily will be the one to help her reckon with her own terrible secret. Based on the true story of the American Library in Paris, The Paris Library is a mesmerizing and captivating novel about the people and the books that make us who we are, for good and for bad, and the courage it takes to forgive. |
| the paris review: Writers at Work Around the World The Paris Review, 2019-04-16 |
| the paris review: Foucault's Pendulum Umberto Eco, 2014-08-29 Three book editors, jaded by reading far too many crackpot manuscripts on the mystic and the occult, are inspired by an extraordinary conspiracy story told to them by a strange colonel to have some fun. They start feeding random bits of information into a powerful computer capable of inventing connections between the entries, thinking they are creating nothing more than an amusing game, but then their game starts to take over, the deaths start mounting, and they are forced into a frantic search for the truth |
| the paris review: Complete Collected Essays Victor Sawdon Pritchett, 1991 The essayist, critic, novelist, short story writer, and biographer presents 203 essays on such writers as Gibbon, Cervantes, Balzac, Flaubert, Woolf, Shaw, Twain, Garci+a7a Lorca, Updike, Rushdie, and others. - Google Books. |
| the paris review: Under the Roofs of Paris Henry Miller, 2007-12-01 In 1941, Henry Miller, the author of Tropic of Cancer, was commissioned by a Los Angeles bookseller to write an erotic novel for a dollar a page. Under the Roofs of Paris (originally published as Opus Pistorum) is that book. Here one finds Miller’s characteristic candor, wit, self-mockery, and celebration of the good life. From Marcelle to Tania, to Alexandra, to Anna, and from the Left Bank to Pigalle, Miller sweeps us up in his odyssey in search of the perfect job, the perfect woman, and the perfect experience. |
| the paris review: Shakespeare and Company, Paris Krista Halverson, 2016 For almost 70 years, Shakespeare and Company, the English-language bookstore in Paris, has been a home-away-from-home for celebrated writers--including Jorge Luis Borges, James Baldwin, A.M. Homes, and Dave Eggers--as well as for young, aspiring authors and poets. Visitors are invited to read in the library, share a pot of tea, and sometimes even live in the shop itself, sleeping in beds tucked among the towering shelves of books. Since 1951, more than 30,000 have slept at the rag and bone shop of the heart. This first, fully illustrated history of the bookstore draws on a century's worth of never-before-seen archives. Photographs and ephemera are woven together with personal essays, diary entries, and poems from more than seventy contributors, including Allen Ginsberg, Anaïs Nin, Lawrence Ferlinghetti, Sylvia Beach, Nathan Englander, Dervla Murphy, Jeet Thayil, David Rakoff, Ian Rankin, Kate Tempest, and Ethan Hawke. With hundreds of images, it features Tumbleweed autobiographies, precious historical documents, and beautiful photographs, including ones of such renowned guests as William Burroughs, Henry Miller, Langston Hughes, Alberto Moravia, Zadie Smith, Jimmy Page, and Marilynne Robinson. Tracing more than 100 years in the French capital, the story touches on the Lost Generation and the Beats, the Cold War, May '68, and the feminist movement--all while reflecting on the timeless allure of bohemian life in Paris.--Adapted from dust jacket and publisher website. |
| the paris review: A Passage North Anuk Arudpragasam, 2021-07-15 SHORTLISTED FOR THE BOOKER PRIZE 2021 It begins with a message: a telephone call informing Krishan that his grandmother''s former care-giver, Rani, has died in unexpected circumstances, at the bottom of a well in her village in the north, her neck broken by the fall. The news arrives on the heels of an email from Anjum, an activist he fell in love with four years earlier while living in Delhi, bringing with it the stirring of distant memories and desires. As Krishan makes the long journey by train from Colombo into the war-torn Northern Province for the funeral, so begins a passage into the soul of an island devastated by violence. Written with precision and grace, A Passage North is a poignant memorial for the missing and the dead, and a luminous meditation on time, consciousness, and the lasting imprint of the connections we make with others. |
| the paris review: The Nancy Reagan Collection Maxe Crandall, 2020-09 Poetry. Fiction. Drama. LGBTQIA Studies. THE NANCY REAGAN COLLECTION is a response to growing up queer and trans under the rise of HIV-AIDS. Crossing genres and generations, this performance novel remixes the AIDS archive through an ever-spiraling politics and aesthetics of mourning. Alternating chapters offer up a narrative throughline composed of hallucinogenic episodes from the perspective of a nameless, grieving protagonist in the midst of the global carnage of the Reagan dynasty. Part revenge, part fantasy, the book experiments with poetic practices that challenge conceptions of memory and morality, activism and escapism, grief and beauty. 'What is there to say that you haven't not said already?' Maxe Crandall fills the Reagans' famous silence on AIDS with a dazzling fantasia on glamour, grief, testimony, fandom, and ferocious indignation. Crandall refracts the crimes of the eighties through the icons and cultural debris of that era--so many coldblooded ways for flesh, power, and image to meet in mass death. Global catastrophes ornament Nancy's reign of just saying no as the CIA runs crack to fund the Contras. She floats above, a ghoulish death's head, dead and life-like, the pole star of this performance novel. 'Nancy introduces hallucination at the viral spike.' Above all, THE NANCY REAGAN COLLECTION explores the meaning of the image in all dimensions, blunt and cryptic, 'the live self blinks behind the one represented.' Like Nancy, you will smile one of your political grins.--Robert GlÃ1/4ck 'He looks like the future, ' Maxe Crandall tells us. But what looks like the past? What can look at this never-ending past? This dark dream of a book is one answer. The Archive. Memory. Poets Theater. Elegy. Grief and rage undergirding high fashion; i.e., the world. Maxe conjures all of this, and conjures the conjuring. Time, genre, perspective--these things are unstable. That is, of limited (endless) use. Imagine a multiplayer video game--that is, a script. Pick a stage, any stage, and gather to you your closest enemies. The more harshly glittering the lights, the better. The past (which is to say the present and future) intervenes with increasing urgency. Your gloved hands will always and never touch.--Claudia La Rocco The energy and the invention of this work are impressive. If you read it sympathetically, you will like it.--Samuel R. Delany Maxe Crandall's THE NANCY REAGAN COLLECTION is a virtuosic experiment where the all too harrowing reality of the Reagan era and its discontents (AIDS, Iran-Contra, the beginning of the end of the progressive American dream) meets a phantasmagorical interlocution with its strangest protagonist--Nancy Reagan. Crandall hauntingly weaves poetry and historiography together alongside an index of our fallen ancestors to remind us of the bizarre ways that queer and trans people's lives are enmeshed in deadly intimacy with people whose politics and politesse kill us. I love this book.--Miguel Gutierrez |
The Paris Review - Wikipedia
The Paris Review is a quarterly English-language literary magazine established in Paris in 1953 by Harold L. Humes, Peter Matthiessen, and George Plimpton.
Paris Review - Writers, Quotes, Biography, Interviews, Artists
The Paris Review is a literary magazine featuring original writing, art, and in-depth interviews with famous writers.
The Paris Review | Magazine, History, Poetry, Stories, George …
The Paris Review, American literary quarterly founded in 1953 by Peter Matthiessen, Harold L. Humes, and George Plimpton, with Plimpton also serving as the first editor. It is an English …
The Paris Review - The Morgan Library & Museum
An international literary quarterly, The Paris Review was founded in Paris in 1953 by Peter Matthiessen (1927–2014), Harold L. Humes (1926–1992), and George Plimpton (1927–2003). …
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The Paris Review. 398,406 likes · 1,621 talking about this. Quarterly literary magazine founded in 1953. http://www.theparisreview.org.
The Paris Review - The Org
Founded in Paris by Harold L. Humes, Peter Matthiessen, and George Plimpton in 1953, The Paris Review began with a simple editorial mission: “Dear reader,” William Styron wrote in a …
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The Paris Review No. 236, Spring 2021
Preview issue no. 236 at theparisreview.org. Allan Gurganus on the Art of Fiction: “Every writer must finally invent both a whole new-old landscape and the unique language needed to …
Paris Review - Writers, Quotes, Biography, Interviews, Artists
The Paris Review is a literary magazine featuring original writing, art, and in-depth interviews with famous writers.
The best prose, interviews, poetry, and art. Since 1953. - The Paris Review
The Review’s Review The Enemy Is a Bowl of Soup: On Quino’s Mafalda By Julia Kornberg. The cartoon character Mafalda, with her massive round head, sixties bob, triangular dress, and …
The Paris Review - Wikipedia
The Paris Review is a quarterly English-language literary magazine established in Paris in 1953 by Harold L. Humes, Peter Matthiessen, and George Plimpton.
Paris Review - Writers, Quotes, Biography, Interviews, Artists
The Paris Review is a literary magazine featuring original writing, art, and in-depth interviews with famous writers.
The Paris Review | Magazine, History, Poetry, Stories, George …
The Paris Review, American literary quarterly founded in 1953 by Peter Matthiessen, Harold L. Humes, and George Plimpton, with Plimpton also serving as the first editor. It is an English …
The Paris Review - The Morgan Library & Museum
An international literary quarterly, The Paris Review was founded in Paris in 1953 by Peter Matthiessen (1927–2014), Harold L. Humes (1926–1992), and George Plimpton (1927–2003). …
The Paris Review - Facebook
The Paris Review. 398,406 likes · 1,621 talking about this. Quarterly literary magazine founded in 1953. http://www.theparisreview.org.
The Paris Review - The Org
Founded in Paris by Harold L. Humes, Peter Matthiessen, and George Plimpton in 1953, The Paris Review began with a simple editorial mission: “Dear reader,” William Styron wrote in a letter in …
Twitter. It’s what’s happening / Twitter
We would like to show you a description here but the site won’t allow us.
The Paris Review No. 236, Spring 2021
Preview issue no. 236 at theparisreview.org. Allan Gurganus on the Art of Fiction: “Every writer must finally invent both a whole new-old landscape and the unique language needed to explore, …
Paris Review - Writers, Quotes, Biography, Interviews, Artists
The Paris Review is a literary magazine featuring original writing, art, and in-depth interviews with famous writers.
The best prose, interviews, poetry, and art. Since 1953. - The Paris Review
The Review’s Review The Enemy Is a Bowl of Soup: On Quino’s Mafalda By Julia Kornberg. The cartoon character Mafalda, with her massive round head, sixties bob, triangular dress, and black …
