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| the knight poem adrienne rich: Reading Adrienne Rich Jane Roberta Cooper, 1984 Gathering reviews and essays which examine Rich's poetry and prose, this text also looks at how critical opinion about her works has changed. |
| the knight poem adrienne rich: The Aesthetics of Power Claire Keyes, 2008 When still a senior at Radcliffe, Adrienne Rich was selected as a Yale Younger Poet. The judge, W.H. Auden, wrote the introduction to her first book of poems. Thus Rich's career was launched by one of the most distinguished poets of the twentieth century, someone Rich herself admired and emulated. Adrienne Rich's early mentors were men, and her early poetry consequently adopted a strong male persona. In her development as artist, woman, and activist, however, Rich emerged as a leading voice of modern feminism--a voice which rejects a male-dominated world, forcing new definitions of power, new possibilities for women, and profound repercussions for society. In The Aesthetics of Power, Claire Keyes examines the shape and scope of Rich's poetry as it applies to Rich's female aesthetic. Keyes uncovers the process by which Rich embraces, then rejects, accepted uses of power, achieving a vision of beneficent female power. In her early poems, Adrienne Rich accepts certain traditions associated with the divisions of power according to sex. Later, Rich continually defines and redefines power until she can reject power-as-force (patriarchal power) for the power-to-transform, which, for her, is the truly significant and essential power. Surveying Rich's poetry and prose from 1951 to the present, this book traces the development of Adrienne Rich's new understanding of the power of the poet and the power of woman. Sharing Rich's feminist sensibilities, yet at times critical of her more radical positions, Claire Keyes draws a portrait of an artist who was molded by the complex political and social climate of post-World War II America. It is a portrait that reveals the creative growth of an artist, and the personal growth of a powerful and controversial woman. |
| the knight poem adrienne rich: Adrienne Rich Karen F. Stein, 2017-10-10 In her six-decade long writing career Adrienne Rich (1929–2012) addressed, with sagacity and probing honesty, most of the significant issues of her lifetime. A poet of finely tuned craft, she won numerous prizes, awards, and honorary degrees, and famously rejected the prestigious National Medal for the Arts in 1997. She wrote twenty-five volumes of poetry and seven non-fiction books as she combined the roles of poet, scholar, theorist, and activist. Rich wrote passionately and powerfully about major 20th and early 21st century concerns such as feminism, racism, sexism, the Vietnam War, Marxism, militarism, the growing income disparities in the U.S., and other social issues. Her works ask important questions about how we should act, and what we should believe. They imagine new ways to deal with the social and political challenges of the twentieth century. Setting her work in the context of her life and American politics and culture during her lifetime, this book explores Rich’s poetic and personal journey from conservative, dutiful follower of cultural and poetic traditions to challenging questioner and critic, from passivity and powerlessness to activist, theorist, and acclaimed “poet of the oppositional imagination.” |
| the knight poem adrienne rich: The Power of Adrienne Rich Hilary Holladay, 2025-04-15 A New York Times Book Review Editors’ Choice “A comprehensive biography of . . . one of the most acclaimed poets of her generation and a face of American feminism.”—New York Times A major American writer, thinker, and activist, Adrienne Rich (1929–2012) transformed herself from a traditional, Radcliffe-educated lyric poet and married mother of three sons into a path-breaking lesbian-feminist author of forceful, uncompromising prose as well as poetry. In doing so, she emerged as an architect and exemplar of the feminist movement, breaking ranks to denounce the male-dominated literary establishment and paving the way for women writers to take their places in the cultural mainstream. Drawing on a wealth of unpublished materials, including Rich’s correspondence and in-depth interviews with many people who knew her, Hilary Holladay provides a vividly detailed, full-dimensional portrait of a woman whose work and life continue to challenge and inspire new generations. |
| the knight poem adrienne rich: The Emergence of Woman's Voice in the Poetry of Adrienne Rich Dian J. Pizurie, 1990 |
| the knight poem adrienne rich: In Search of a Voice Madhurita Choudhary, 2006 |
| the knight poem adrienne rich: Poems: Selected and New, 1950-1974 Adrienne Rich, 1974 Adrienne Rich is a major American poet whose work compels the attention of an ever-growing number of readers. Her most recent book, Diving into the Wreck, was co-winner of the 1974 National Book Award for Poetry. For this new book, she has selected poems that span almost a quarter of a century--twenty-four years of radical inner growth in the poet. She has made herself important to her readers because she shares with them her commitment to that growth. The present selection draws from all seven of the poet's earlier books; it also includes eight poems not published in earlier volumes and thirteen poems written since Diving into the Wreck. Readers familiar with Rich's career will find here poems long unavailable; others, who have come more recently to her work, will discover how deeply, how far back into the past her themes go. Most significantly, the book is not, as she says, summing-up or even a retrospective; it is the graph of a process still going on-- |
| the knight poem adrienne rich: Adrienne Rich Craig Hansen Werner, 1988 |
| the knight poem adrienne rich: Coming to Light Stanford University. Center for Research on Women, 1985 This collection of 16 essays discusses the broad relationship of women poets to the American literary tradition |
| the knight poem adrienne rich: Translating Poetic Discourse Myriam Díaz-Diocaretz, 1985-01-01 Translating Poetic Discourse argues in favor of a critical model that bridges between translation and women's studies on theoretical and practical levels. It proposes key-elements to be integrated into the problem of interpretation of contemporary poetry by women, and discusses the links between gender markers and the speech situation in feminist discourse as a systematic problem. This book will be of interest to scholars of Translation Studies, Women's Studies, Poetry, Comparative Literature and Discourse. |
| the knight poem adrienne rich: Nathaniel Hawthorne, Henry James, Adrienne Rich , 1991 |
| the knight poem adrienne rich: Making the Poem George S. Lensing, 2018-06-09 Over sixty years after his death, Wallace Stevens remains one of the major figures of American modernist poetry, celebrated for his masterful style, formal rigor, and aesthetic investigations of the natural, political, and metaphysical worlds. In Making the Poem, noted Stevens scholar George S. Lensing explores the poet’s progress in the creation of his body of work, considering its development, composition, and reception. Drawing on little-known sources and nuanced readings of Stevens’ texts, Lensing expands the customary view of the poet’s creative approaches. This wide-ranging study extends from the origins and overlapping themes of well-known poems through the social and political backgrounds that marked Stevens’ work to the prosodic and musical elements central to his style. Making the Poem features a dynamic new reading of the important early poem “Sea Surface Full of Clouds”—viewing it alongside his wife Elsie’s journal describing the sea voyage that inspired the poem—and an extensive, multiperspective treatment of the widely anthologized “The Idea of Order at Key West,” as well as a careful excavation of the poem “Mozart, 1935” in the context of the U.S. Great Depression. Lensing concludes with a discussion of the gradual (and sometimes reluctant) recognition Stevens’ work received from poets and critics in Great Britain and Ireland. Stemming from decades of research and writing, Making the Poem: Stevens’ Approaches presents a holistic view of his creative achievements and a wealth of new material for readers to draw upon in their future encounters with the poetry of Wallace Stevens. |
| the knight poem adrienne rich: Snapshots of a Daughter-in-law Adrienne Rich, 1970 |
| the knight poem adrienne rich: Something Rich and Strange Sue Hosking, Susan Hosking, 2009 Beaches are places of contact, play, confrontation and friction: first comers always arrive on a beach. After Europeans moved into the Antipodes, the coast was the first frontier to be defined. Flinders' circumnavigation in 1802 had mapped 'Australia', revealing the land as 'girt by sea', as the national anthem continues to remind us. All kinds of ideas about the coast, beaches, sea changes, holiday places and islands swirl and eddy in this unique collection of writing. |
| the knight poem adrienne rich: Women's Poetry of the First World War Nosheen Khan, 1988-01-01 |
| the knight poem adrienne rich: No Man's Land Sandra M. Gilbert, Susan Gubar, 1996-02-21 How do writers and their readers imagine the future in a turbulent time of sex war and sex change? And how have transformations of gender and genre affected literary representations of woman, man, family, and society? This final volume in Gilbert and Gubar's landmark three-part No Man's Land: The Place of the Woman Writer in the Twentieth Century argues that throughout the twentieth century women of letters have found themselves on a confusing cultural front and that most, increasingly aware of the artifice of gender, have dispatched missives recording some form of the future shock associated with profound changes in the roles and rules governing sexuality. Divided into two parts, Letters from the Front is chronological in organization, with the first section focusing on such writers of the modernist period as Virginia Woolf, Zora Neale Hurston, Edna St. Vincent Millay, Marianne Moore, and H.D., and the second devoted to authors who came to prominence after the Second World War, including Gwendolyn Brooks, Sylvia Plath, Margaret Atwood, Toni Morrison, and A.S. Byatt. Embroiled in the sex antagonism that Gilbert and Gubar traced in The War of the Words and in the sexual experimentations that they studied in Sexchanges, all these artists struggled to envision the inscription of hitherto untold stories on what H.D. called the blank pages/of the unwritten volume of the new. Through the works of the first group, Gilbert and Gubar focus in particular on the demise of any single normative definition of the feminine and the rise of masquerades of femininity amounting to female female impersonation. In the writings of the second group, the critics pay special attention to proliferating revisions of the family romance--revisions significantly inflected by differences in race, class, and ethnicity--and to the rise of masquerades of masculinity, or male male impersonation. Throughout, Gilbert and Gubar discuss the impact on literature of such crucial historical events as the Harlem Renaissance, the Second World War, and the sexual revolution of the sixties. What kind of future might such a past engender? Their book concludes with a fantasia on The Further Adventures of Snow White in which their bravura retellings of the Grimm fairy tale illustrate ways in which future writing about gender might develop. |
| the knight poem adrienne rich: Introduction to Literature: Poems Lynn Altenbernd, Leslie Lisle Lewis, 1975 |
| the knight poem adrienne rich: Literature Thomas McLaughlin, 1989 |
| the knight poem adrienne rich: Reading Poetry: An Anthology of Poems DiYanni, 1988-09-01 A textbook anthology of poems by international authors both classic and contemporary, presented with commentary to develop the ability to read and analyze poetry perceptively. |
| the knight poem adrienne rich: Lost Saints Tricia A. Lootens, 1996 They also carry long-standing struggles over femininity and sanctity into new, highly charged secular contexts. |
| the knight poem adrienne rich: What Is It Then between Us? Eric Murphy Selinger, 2018-10-18 Tracing the solitude of the American self, the difference between idolatrous and companionate affection, and the dream of an America of love, Eric Murphy Selinger shows how such concerns can shape a poet's most intimate decisions about genre and form. His lucid, elegant prose illuminates not only well-known love poets, including Emily Dickinson and William Carlos Williams, but also more unexpected figures, notably Wallace Stevens and Mina Loy. Like the poets he discusses, Selinger refuses to view love reductively. Rather, he takes the impulse to debunk love as part of his subject, whether it crops up in Puritan theology or contemporary literary theory. As he details Whitman's courtship of his readers, weighs the restorations of romance in H. D. and Ezra Pound, and demonstrates the bonds between poets as disparate as Robert Creeley and Robert Lowell, Selinger establishes love poetry as an essential American genre. |
| the knight poem adrienne rich: Charlotte Perkins Gilman Jill Rudd, Val Gough, 1999-04-01 “These essays exemplify all the virtues of interdisciplinarity in consideration of that most multidisciplined of writers, Charlotte Perkins Gilman. The contributors simultaneously clarify and complicate our understanding of some of the more vexed areas of Gilman's work by engaging saliently with her theories of ethnicity, class, prostitution, and the dynamics of gender; posing difficult questions to contemporary feminist scholars; and providing sensitive and insightful guidance to a well-chosen and wide range of texts.”—Janet Beer, author of Kate Chopin, Edith Wharton and Charlotte Perkins Gilman: Studies in Short Fiction |
| the knight poem adrienne rich: Chopin's Polish Ballade Jonathan Bellman, 2010 Chopin's Polish Ballade examines the Second Ballade, Op. 38, and how that work gave voice to the Polish cultural preoccupations of the 1830s, using musical conventions from French opera and amateur piano music. This approach provides answers to several persistent questions about the work's form, programmatic content, and poetic inspiration. |
| the knight poem adrienne rich: A New Tradition? Janice Markey, 1985 |
| the knight poem adrienne rich: The Poet's Companion: A Guide to the Pleasures of Writing Poetry Kim Addonizio, Dorianne Laux, 2010-11-22 From the nuts and bolts of craft to the sources of inspiration, this book is for anyone who wants to write poetry-and do it well. The Poet's Companion presents brief essays on the elements of poetry, technique, and suggested subjects for writing, each followed by distinctive writing exercises. The ups and downs of writing life—including self-doubt and writer's block—are here, along with tips about getting published and writing in the electronic age. On your own, this book can be your teacher, while groups, in or out of the classroom, can profit from sharing weekly assignments. |
| the knight poem adrienne rich: American Poetry since 1945 Eleanor Spencer-Regan, 2017-09-16 This book features a collection of essays on some of the key poets of post-war America, written by leading scholars in the field. All the essays have been newly commissioned to take account of the diverse movements in American poetry since 1945, and also to reflect, retrospectively, on some of the major talents that have shaped its development. In the aftermath of the Second World War, American poets took stock of their own tumultuous past but faced the future with radically new artistic ideals and commitments. More than ever before, American poetry spoke with its own distinctive accents and declared its own dreams and desires. This is the era of confessionalism, beat poetry, protest poetry, and avant-garde postmodernism. This book explores the work of John Berryman, Robert Lowell, Elizabeth Bishop, Adrienne Rich, and Sylvia Plath, as well as contemporary African American poets and new poetic voices emerging in the 21st century. This New Casebook introduces the major American poets of the post-war generation, evaluates their achievements in the light of changing critical opinion, and offers lively, incisive readings of some of the most challenging and enthralling poetry of the modern era. |
| the knight poem adrienne rich: Beat Myths in Literature Estíbaliz Encarnación-Pinedo, 2023-09-22 Beat Myths in Literature reassesses the work of women poets associated with the Beat Generation from the critical lens of revisionist discourses. Using the metaphor and the critical lens of looking back, an act infused with feminist implications after Adrienne Rich (1972), the volume focuses on poetry, fiction, and autobiographical writing to analyze the different ways in which Beat women used revisionist discourses to refashion the Beat Generation and establish themselves as literary and artistic subjects. Offering the first comprehensive study of the use of mythology in the Beat Generation, Beat Myths in Literature: Revisionist Strategies in Beat Women focuses on the specific re-writing or revisioning of mythical texts. As such, it studies the ways in which Beat poets incorporate mythology into their works, both through the feminist reinvention or appropriation of ancient myths, but also by debunking more contemporary myths used to contain women in particular social and artistic roles. Furthermore, this volume expands Rich’s notion of re-vision, considering memoirs and autobiographies as factual and fictional re-interpretations of history. Seen through the eyes of revisionist studies and the poets’ investment in “personal myth”, the book establishes new points of entrance into works that allow us to explore the feminist, political, and poetical relevance of the work of Beat women |
| the knight poem adrienne rich: The Bloomsbury Handbook of Contemporary American Poetry Craig Svonkin, Steven Gould Axelrod, 2023-01-12 With chapters written by leading scholars such as Steven Gould Axelrod, Cary Nelson, and Marjorie Perloff, this comprehensive Handbook explores the full range and diversity of poetry and criticism in 21st-century America. The Bloomsbury Handbook of Contemporary American Poetry covers such topics as: · Major histories and genealogies of post-war poetry – from the language poets and the Black Arts Movement to New York school and the Beats · Poetry, identity and community – from African American, Chicana/o and Native American poetry to Queer verse and the poetics of disability · Key genres and forms – including digital, visual, documentary and children's poetry · Central critical themes – economics, publishing, popular culture, ecopoetics, translation and biography The book also includes an interview section in which major contemporary poets such as Rae Armantrout, and Claudia Rankine reflect on the craft and value of poetry today. |
| the knight poem adrienne rich: No Milk Today Andrew Ward, 2016-10-20 Traditionally, in British society, the milkman has been a family friend, a sex symbol and a cheerful chappie. He has been the eyes and ears of the community, and his genetic legacy has supposedly passed into the lineage of housewives. This collection of folk tales about milkmen covers the history of the job and the milkman's everyday experience. The book is structured by the milkman's working day. It starts with the alarm-clock and ends with the milkman returning home in search of sustenance and tender loving care. The book is less about changes in the dairy industry and more about the work experiences of the people who have delivered milk. Many milkmen are featured: Chris Frankland delivered over eight million pints before he retired at seventy-four; Alistair Maclean drove two million miles across the north coast of Scotland in fifty years; and Tony Fowler, an award-winning Leicestershire milkman, helped to put over fifty people in prison. For more than thirty years the author has collected milkman stories through oral testimony, newspaper archives, anecdotes, diaries, books and more formal interviews. |
| the knight poem adrienne rich: Crossing Color Therese Frey Steffen, 2001 Rita Dove (b. 1952) was elected Poet Laureate--the first ever African-American to hold the position--in 1993, in recognition of work that combines racially sensitive observation with searing and immediate personal experience. She is best known for her substantial body of poetry, although she has also been recognized for her many accomplishments in drama and fiction, written in both German and English. Crossing Color, written by a well-known Americanist in the European community, is the first full-length critical study offering a comprehensive biographic and literary portrait of Rita Dove and her work. |
| the knight poem adrienne rich: Selected Poems: 1950-2012 Adrienne Rich, 2018-09-11 Sixty years of poems from pioneering writer, activist, and intellectual Adrienne Rich—“the Blake of American letters” (Nadine Gordimer). Adrienne Rich was the singular voice of her generation, bringing discussions of gender, race, and class to the forefront of poetical discourse. This generous selection from all nineteen of Rich’s published poetry volumes encompasses her best-known work—the clear-sighted and passionate feminist poems of the 1970s, including “Diving into the Wreck,” “Planetarium,” and “The Phenomenology of Anger”—and offers the full range of her evolution as a poet. From poems leading up to her feminist breakthrough through bold later work such as “North American Time” and “Calle Visión,” Selected Poems celebrates Rich’s prophetic vision as well as the inventiveness that shaped her enduring art. |
| the knight poem adrienne rich: To Float in the Space Between Terrance Hayes, 2023-03-07 “Hayes leaves resonance cleaving the air.” —NPR In these works based on his Bagley Wright lectures on the poet Etheridge Knight, Terrance Hayes offers not quite a biography but a compilation “as speculative, motley, and adrift as Knight himself.” Personal yet investigative, poetic yet scholarly, this multi-genre collection of writings and drawings enacts one poet’s search for another and in doing so constellates a powerful vision of black literature and art in America. The future Etheridge Knight biographer will simultaneously write an autobiography. Fathers who go missing and fathers who are distant will become the bones of the stories. There will be a fable about a giant who grew too tall to be kissed by his father. My father must have kissed me when I was boy. I can’t really say. . . . By the time I was eleven or even ten years old I was as tall as him. I was six inches taller than him by the time I was fifteen. My biography about Knight would be about intimacy, heartache. Terrance Hayes is the author of How to Be Drawn, which received a 2016 NAACP Image Award for Poetry; Lighthead, which won the 2010 National Book Award for poetry; and three other award-winning poetry collections. He is the poetry editor at the New York Times Magazine and also teaches at the University y of Pittsburgh. American Sonnets for My Past and Future Assassin will also be forthcoming in 2018. |
| the knight poem adrienne rich: Containing Multitudes Fred S. Moramarco, William John Sullivan, 1998 Essays cover American poets in the second half of the twentieth century. |
| the knight poem adrienne rich: The 1950s Richard Alan Schwartz, 2014-05-14 Traces the history of the United States during the 1950s through such primary sources as memoirs, letters, contemporary journalism, and official documents. |
| the knight poem adrienne rich: Vladimir Nabokov Brian Boyd, 2016-06-10 The story of Nabokov's life continues with his arrival in the United States in 1940. He found that supporting himself and his family was not easy--until the astonishing success of Lolita catapulted him to world fame and financial security. |
| the knight poem adrienne rich: Broken English/breaking English Rob Jackaman, 2003 This book discusses the work of a number of prominent contemporary poets writing in English. It argues that increasingly English as a poetic discourse has come under pressure from the hitherto marginalized forms of the language. -- book jacket. |
| the knight poem adrienne rich: The Forms of Things Unknown Shelley Savren, 2016-07-12 The Forms of Things Unknown: Teaching Poetry Writing to Teens and Adults draws from Shelley Savren’s forty years of teaching poetry writing to a diverse array of students, from teens with mental health issues to seniors to adults with developmental disabilities. Designed for use in a classroom or community setting, this book features forty-one lesson plans and nineteen more poetry-writing workshop ideas and provides guidance and inspiration for teaching poetry writing to teens and adults. |
| the knight poem adrienne rich: Second Finding Barbara Folkart, 2007-09-06 The translation of poetry has always fascinated the theorists, as the chances of replicating in another language the one-off resonance of music, imagery, and truth values of a poem are vanishingly small. Translation is often envisaged as a matter of mapping over into the target language the surface features or semiotic structures of the source poem. Little wonder, then, that the vast majority of translations fail to be poetry in their own right. These essays focus on the poetically viable translation - the derived poem that, while resonating with the original, really is a poem. They proceed from a writerly perspective, eschewing both the theoretical overkill that spawns mice out of mountains and the ideological misappropriation that uses poetry as a way to push agendas. The emphasis throughout is on process and the poem-to-come.to move forward in theory and practice and opens new paths in land policy research. |
| the knight poem adrienne rich: Twentieth-century Literary Criticism Gale Research Company, 2006 Excerpts from criticism of the works of novelists, poets, playwrights, and other creative writers, 1900-1960. |
| the knight poem adrienne rich: Twenty-one Love Poems Adrienne Rich, 1976 |
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