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| the cia in hollywood: The CIA in Hollywood Tricia Jenkins, 2016-03-08 An in-depth study of the CIA’s collaboration with Hollywood since the mid-1990s, and the important and troubling questions it creates. What’s your impression of the CIA? A bumbling agency that can’t protect its own spies? A rogue organization prone to covert operations and assassinations? Or a dedicated public service that advances the interests of the United States? Astute TV and movie viewers may have noticed that the CIA’s image in popular media has spanned this entire range, with a decided shift to more positive portrayals in recent years. But what very few people know is that the Central Intelligence Agency has been actively engaged in shaping the content of film and television, especially since it established an entertainment industry liaison program in the mid-1990s. The CIA in Hollywood offers the first full-scale investigation of the relationship between the Agency and the film and television industries. Tricia Jenkins draws on numerous interviews with the CIA’s public affairs staff, operations officers, and historians, as well as with Hollywood technical consultants, producers, and screenwriters who have worked with the Agency, to uncover the nature of the CIA’s role in Hollywood. In particular, she delves into the Agency’s and its officers’ involvement in the production of The Agency, In the Company of Spies, Alias, The Recruit, The Sum of All Fears, Enemy of the State, Syriana, The Good Shepherd, and more. Her research reveals the significant influence that the CIA now wields in Hollywood and raises important and troubling questions about the ethics and legality of a government agency using popular media to manipulate its public image. “Fascinating, highly readable . . . Overall, Jenkins’s work is fresh and original, and demonstrates sound scholarship. The author has a passion for the topic that translates to vibrant writing. It is also a concise as well as entertaining look at an aspect of the CIA—its media relations with Hollywood—of which little is known. Enthusiastically written and incorporating effective, illustrative case studies, The CIA in Hollywood is definitely recommended to students of film, media relations, the CIA, and U.S. interagency relations.” —H-War |
| the cia in hollywood: Hollywood and the CIA Oliver Boyd Barrett, David Herrera, James Baumann, 2011-03 This book investigates representations of the Central Intelligence Agency (CIA) in Hollywood films, and the synergies between Hollywood product, U.S. military/defense interests and U.S. foreign policy. As probably the best known of the many different intelligence agencies of the US, the CIA is an exceptionally well known national and international icon or even brand, one that exercises a powerful influence on the imagination of people throughout the world as well as on the creative minds of filmmakers. The book examines films sampled from five decades - the 1960s, 1970s, 1980s, 1990s and 2000s - and explores four main issues: the relative prominence of the CIA; the extent to which these films appeared to be overtly political; the degree to which they were favorable or unfavorable to the CIA; and their relative attitude to the business of intelligence. A final chapter considers the question: do these Hollywood texts appear to function ideologically to normalize the CIA? If so, might this suggest the further hypothesis that many CIA movies assist audiences with reconciling two sometimes fundamental opposites: often gruesome covert CIA activity for questionable goals and at enormous expense, on the one hand, and the values and procedures of democratic society, on the other. This interdisciplinary book will be of much interest to students of the CIA/Intelligence Studies, media and film studies, US politics and IR/Security Studies in general. |
| the cia in hollywood: Argo Antonio Mendez, Matt Baglio, 2013-02-06 The true account of a daring rescue that inspired the film ARGO, winner of the 2012 Academy Award for Best Picture On November 4, 1979, Iranian militants stormed the American embassy in Tehran and captured dozens of American hostages, sparking a 444-day ordeal and a quake in global politics still reverberating today. But there is a little-known drama connected to the crisis: six Americans escaped. And a top-level CIA officer named Antonio Mendez devised an ingenious yet incredibly risky plan to rescue them before they were detected. Disguising himself as a Hollywood producer, and supported by a cast of expert forgers, deep cover CIA operatives, foreign agents, and Hollywood special effects artists, Mendez traveled to Tehran under the guise of scouting locations for a fake science fiction film called Argo. While pretending to find the perfect film backdrops, Mendez and a colleague succeeded in contacting the escapees, and smuggling them out of Iran. Antonio Mendez finally details the extraordinarily complex and dangerous operation he led more than three decades ago. A riveting story of secret identities and international intrigue, Argo is the gripping account of the history-making collusion between Hollywood and high-stakes espionage. |
| the cia in hollywood: In Secrecy's Shadow Simon Willmetts, 2016-04-26 During the Second World War hundreds of Hollywood filmmakers under the command of the legendary director John Ford enlisted in the OSS to produce training, reconnaissance and propaganda films. This wartime bond continued into the post-war period, when a number of studios produced films advocating the creation of a permanent peacetime successor to the OSS: what became the Central Intelligence Agency. By the 1960s however, Hollywood's increasingly irreverent attitude towards the CIA reflected a growing public anxiety about excessive US government secrecy. In Secrecy's Shadow provides the first comprehensive history of the birth and development of Hollywood's relationship with American intelligence. It takes an interdisciplinary approach, synthesizing literatures and methodologies from diplomatic history, film studies and cultural theory, and it presents new perspectives on a number of major filmmakers including Darryl F. Zanuck, Alfred Hitchcock and John Ford. Based on research conducted in over 20 archival repositories across the United States and UK, In Secrecy's Shadow explores the revolution in the relationship between Hollywood and the secret state, from unwavering trust and cooperation to extreme scepticism and paranoia, and demonstrates the debilitating effects of secrecy upon public trust in government and the stability of national memory. |
| the cia in hollywood: Spooked Nicholas Schou, 2016-06-28 The American people depend on a free press to keep a close and impartial watch on the national security operations that are carried out in our name. But in many cases, this trust is sadly misplaced, as leading journalists are seduced and manipulated by the secretive agencies they cover. While the press remains silent about its corrupting relationship with the intelligence community—a relationship that dates back to the Cold War—Spooking the News will blow the lid off this unseemly arrangement. Schou will name names and shine a spotlight on flagrant examples of collusion, when respected reporters have crossed the line and sold out to powerful agencies. The book will also document how the CIA has embedded itself in “liberal” Hollywood to ensure that its fictional spies get the hero treatment on screen. Among the revelations in Spooking the News: • The CIA created a special public affairs unit to influence the production of Hollywood films and TV shows, allowing celebrities involved in pro-CIA projects—including Harrison Ford and Ben Affleck—unique access inside the agency's headquarters. • The CIA vets articles on controversial topics like the drone assassination program and grants friendly reporters background briefings on classified material, while simultaneously prosecuting ex-officers who spill the beans on damaging information. |
| the cia in hollywood: Operation Hollywood David L. Robb, 2011-04-29 Directors of war and action movies receive access to billions of dollars worth of military equipment and personnel, but it comes with a hidden cost. As a veteran Hollywood journalist shows, the final product is often not just what the director intends but also what the powers-that-be in the military want to project about America's armed forces. |
| the cia in hollywood: Hollywood and Israel Tony Shaw, Giora Goodman, 2022-03-08 Winner, 2023 Shapiro Best Book Award, Association for Israel Studies From Frank Sinatra’s early pro-Zionist rallying to Steven Spielberg’s present-day peacemaking, Hollywood has long enjoyed a “special relationship” with Israel. This book offers a groundbreaking account of this relationship, both on and off the screen. Tony Shaw and Giora Goodman investigate the many ways in which Hollywood’s moguls, directors, and actors have supported or challenged Israel for more than seven decades. They explore the complex story of Israel’s relationship with American Jewry and illuminate how media and soft power have shaped the Arab-Israeli conflict. Shaw and Goodman draw on a vast range of archival sources to demonstrate how show business has played a pivotal role in crafting the U.S.-Israel alliance. They probe the influence of Israeli diplomacy on Hollywood’s output and lobbying activities, but also highlight the limits of ideological devotion in high-risk entertainment industries. The book details the political involvement with Israel—and Palestine—of household names such as Eddie Cantor, Kirk Douglas, Elizabeth Taylor, Barbra Streisand, Vanessa Redgrave, Arnold Schwarzenegger, Robert De Niro, and Natalie Portman. It also spotlights the role of key behind-the-scenes players like Dore Schary, Arthur Krim, Arnon Milchan, and Haim Saban. Bringing the story up to the moment, Shaw and Goodman contend that the Hollywood-Israel relationship might now be at a turning point. Shedding new light on the political power that images and celebrity can wield, Hollywood and Israel shows the world’s entertainment capital to be an important player in international affairs. |
| the cia in hollywood: The Quiet Americans Scott Anderson, 2020-09-01 From the bestselling author of Lawrence in Arabia—the gripping story of four CIA agents during the early days of the Cold War—and how the United States, at the very pinnacle of its power, managed to permanently damage its moral standing in the world. “Enthralling … captivating reading.” —The New York Times Book Review At the end of World War II, the United States was considered the victor over tyranny and a champion of freedom. But it was clear—to some—that the Soviet Union was already seeking to expand and foment revolution around the world, and the American government’s strategy in response relied on the secret efforts of a newly formed CIA. Chronicling the fascinating lives of four agents, Scott Anderson follows the exploits of four spies: Michael Burke, who organized parachute commandos from an Italian villa; Frank Wisner, an ingenious spymaster who directed actions around the world; Peter Sichel, a German Jew who outwitted the ruthless KGB in Berlin; and Edward Lansdale, a mastermind of psychological warfare in the Far East. But despite their lofty ambitions, time and again their efforts went awry, thwarted by a combination of ham-fisted politicking and ideological rigidity at the highest levels of the government. |
| the cia in hollywood: Reel Power Matthew Alford, 2010-09-15 Hollywood is often characterized as a stronghold of left-liberal ideals. In Reel Power, Matthew Alford shows it is in fact deeply complicit in serving the interests of the most regressive U.S. corporate and political forces. Films like Transformers, Terminator: Salvation and Black Hawk Down are constructed with Defense Department assistance as explicit cheerleaders for the U.S. military, but Matthew Alford also emphasizes how so-called radical films like Three Kings, Hotel Rwanda and Avatar present watered-down alternative visions of American politics that serve a similar function. Reel Power is the first book to examine the internal workings of contemporary Hollywood as a politicized industry as well as scores of films across all genres. No matter what the progressive impulses of some celebrities and artists, Alford shows how they are part of a system that is hard-wired to encourage American global supremacy and frequently the use of state violence. |
| the cia in hollywood: Lookout America! Kevin Hamilton, Ned O'Gorman, 2019 The story of the Cold War era Lookout Mountain Laboratory, or the 1352nd Photographic Group of the United States Air Force, which employed hundreds of Hollywood studio veterans. Engages with issues of the Cold War state and visual culture-- |
| the cia in hollywood: The Spymasters Chris Whipple, 2021-10-26 Only eleven men and one woman are alive today who have made the life-and-death decisions that come with running the world's most powerful and influential intelligence service. With unprecedented, deep access to nearly all these individuals plus several of their predecessors, Chris Whipple tells the story of an agency that answers to the United States president alone, but whose activities--spying, espionage, and covert action--take place on every continent. At pivotal moments, the CIA acts as a brake on rogue presidents, starting in the mid-seventies with DCI Richard Helms's refusal to conceal Richard Nixon's criminality and continuing to the present as the actions of a CIA whistleblower have ignited impeachment proceedings against Donald Trump. Since its inception in 1947, the Central Intelligence Agency has been a powerful player on the world stage, operating largely in the shadows to protect American interests. For The Spymasters, Whipple conducted extensive, exclusive interviews with nearly every living CIA director, pulling back the curtain on the world's elite spy agencies and showing how the CIA partners--or clashes--with counterparts in Britain, France, Germany, Israel, Jordan, Saudi Arabia, and Russia. Topics covered in the book include attempts by presidents to use the agency for their own ends; simmering problems in the Middle East and Asia; rogue nuclear threats; and cyberwarfare-- |
| the cia in hollywood: Debriefing the President John Nixon, 2016-12-27 Debriefing the President presents an astounding, candid portrait of one of our era’s most notorious strongmen. John Nixon, the first man to conduct a prolonged interrogation of Hussein after his capture, offers expert insight into the history and mind of America’s most enigmatic enemy. In December 2003, after one of the largest, most aggressive manhunts in history, US military forces captured Iraqi president Saddam Hussein near his hometown of Tikrit. Beset by body-double rumors and false alarms during a nine-month search, the Bush administration needed positive identification of the prisoner before it could make the announcement that would rocket around the world. At the time, John Nixon was a senior CIA leadership analyst who had spent years studying the Iraqi dictator. Called upon to make the official ID, Nixon looked for telltale scars and tribal tattoos and asked Hussein a list of questions only he could answer. The man was indeed Saddam Hussein, but as Nixon learned in the ensuing weeks, both he and America had greatly misunderstood just who Saddam Hussein really was. After years of parsing Hussein’s leadership from afar, Nixon faithfully recounts his debriefing sessions and subsequently strips away the mythology surrounding an equally brutal and complex man. His account is not an apology, but a sobering examination of how preconceived ideas led Washington policymakers—and the Bush White House—astray. Unflinching and unprecedented, Debriefing the President exposes a fundamental misreading of one of the modern world’s most central figures and presents a new narrative that boldly counters the received account. |
| the cia in hollywood: The Agency Melody Godfred, 2011-07-01 Meet Caroline Madison, a CIA operative who is deep undercover running The Agency, the premier talent agency in Los Angeles. Using her Hollywood clout, CIA training and a network of special agents posing as actors, paparazzi and beyond, Caroline masterminds the latest form of propaganda : mass entertainment distraction. By secretly manipulating her celebrity clients, Caroline generates entertainment scandals that distract a gossip-hungry American public from politcal affairs. Caroline successfully navigates her dual identity until one day, her personal life is thrust into the limelight and she becomes the victim of her own design. As her two worlds collide, Caroline struggles to salvage what's left of her splintering identity in order to beat the system that created her. |
| the cia in hollywood: The Hollywood Jim Crow Maryann Erigha, 2019-02-05 The story of racial hierarchy in the American film industry The #OscarsSoWhite campaign, and the content of the leaked Sony emails which revealed, among many other things, that a powerful Hollywood insider didn’t believe that Denzel Washington could “open” a western genre film, provide glaring evidence that the opportunities for people of color in Hollywood are limited. In The Hollywood Jim Crow, Maryann Erigha tells the story of inequality, looking at the practices and biases that limit the production and circulation of movies directed by racial minorities. She examines over 1,300 contemporary films, specifically focusing on directors, to show the key elements at work in maintaining “the Hollywood Jim Crow.” Unlike the Jim Crow era where ideas about innate racial inferiority and superiority were the grounds for segregation, Hollywood’s version tries to use economic and cultural explanations to justify the underrepresentation and stigmatization of Black filmmakers. Erigha exposes the key elements at work in maintaining Hollywood’s racial hierarchy, namely the relationship between genre and race, the ghettoization of Black directors to black films, and how Blackness is perceived by the Hollywood producers and studios who decide what gets made and who gets to make it. Erigha questions the notion that increased representation of African Americans behind the camera is the sole answer to the racial inequality gap. Instead, she suggests focusing on the obstacles to integration for African American film directors. Hollywood movies have an expansive reach and exert tremendous power in the national and global production, distribution, and exhibition of popular culture. The Hollywood Jim Crow fully dissects the racial inequality embedded in this industry, looking at alternative ways for African Americans to find success in Hollywood and suggesting how they can band together to forge their own career paths. |
| the cia in hollywood: Life Undercover Amaryllis Fox, 2019-10-17 The instant New York Times Bestseller soon to be a major Apple TV series with Brie Larson. 'Reads as if a John le Carré character landed in Eat Pray Love' - New York Times ‘Best book of the year’ - Tom Marcus, author of Soldier, Spy Do you have what it takes to stand between us and the enemy? I’m here to prevent a major and imminent attack. One that will kill children. I’m alone and operational in the country where my colleague was taken and beheaded, and every hour I’m delayed is another hour for something to go wrong - for an informant to disclose my location, for the source I’m meeting to cancel, for the attack to go boom. The fear injects my thoughts with venom. Amaryllis Fox was recruited by the CIA at the age of 21 in the aftermath of 9/11. After an intense training period – where she learns how to master a Glock, get out of flexicuffs while in the trunk of a car, withstand torture, and commit suicide in case of captivity – she is sent undercover to keep nuclear, biological and chemical weapons out of the hands of terror groups. Posing as an art dealer, she is sent on countless dangerous missions around the globe. Each time, the stakes become even higher and the risks more terrifying. Determined to stop the masterminds, Amaryllis’s quest will almost destroy her, until she realises that the only way to actually defeat the enemy is to have the courage to sit across from them... and listen. In this explosive first-hand account – filled with suspense and plot twists to rival Carrie Mathison in Homeland – Life Undercover is an edgy story of an undercover CIA operative, hunting the world’s most dangerous terrorists, using deception and disguises and dead drops in the night in order to protect our streets. Revealed in never-before-seen detail, Amaryllis offers compelling insight that can only come from having fought on the front lines. |
| the cia in hollywood: Target: Hollywood Lawrence Pintak, 2022-02-02 Two Middle Eastern cousins. One determined to strike at the capital of American decadence. The other trying desperate to stop him. The untold story of a plot at the dawn of America's war on terror by award-winning author Lawrence Pintak. |
| the cia in hollywood: Hollywood Husbands Jackie Collins, 2012-01-31 Featuring a new introduction from Tasmina Perry talking about what Jackie and her books mean to her! ‘Underneath all the glitz and bluster, the sex and the scandal, her tales are moral’ TASMINA PERRY 'Jackie Collins’s daring, unapologetic stroke of the pen, combined with her glorious wit, has single-handedly given creative license to new generations of authors and storytellers.' COLLEEN HOOVER Hollywood Wives, with its ten-million copy sales, and its spectacular success as a television mini-series, left Jackie Collins' devoted audience avid for the other side of the story. NOW HOLLYWOOD HUSBANDS GO ALL THE WAY! There have been many imitators, but only ever one Jackie Collins. With millions of her books sold around the world, and thirty-one New York Times bestsellers, she is one of the world’s top-selling novelists. From glamorous Beverly Hills bedrooms to Hollywood movie studios; from glittering rock concerts to the yachts of billionaires, Jackie chronicled the scandalous lives of the rich, famous, and infamous from the inside looking out. 'A true inspiration, a trail blazer for women's fiction' JILLY COOPER ‘Jackie shows us all what being a strong, successful woman means at any age’ MILLY JOHNSON ‘Jackie will never be forgotten, she’ll always inspire me to #BeMoreJackie’ JILL MANSELL ‘Jackie’s heroines don’t take off their clothes to please a man, but to please themselves’ CLARE MACKINTOSH ‘Legend is a word used too lightly for so many undeserving people, but Jackie is the very definition of the word’ ALEX KHAN ‘What Jackie knew how to do so well, is to tell a thumping good story’ ROWAN COLEMAN ‘Here is a woman who not only wanted to entertain her readers, but also to teach them something; about the world and about themselves’ ISABELLE BROOM ‘There’s a lot a drag queen can learn from Jackie’ TOM RASMUSSEN ‘Lessons galore on every page… about feminism, equality, tolerance and love’ CARMEL HARRINGTON ‘Jackie is the queen of cliff-hangers’ SAMANTHA TONGE ‘For all her trademark sass, there is a moralist at work here’ LOUISE CANDLISH ‘Nobody does it quite like Jackie and nobody ever will’ SARRA MANNING ‘Jackie bought a bit of glitter, sparkle and sunshine into our humdrum existence’ VERONICA HENRY ‘Jackie wrote about Hollywood with total authenticity, breaking all the rules and taboos’ BARBARA TAYLOR BRADFORD ‘Collins was saying that women didn’t have to centre round men, either in books or in life’ JESSIE BURTON |
| the cia in hollywood: The CIA as Organized Crime Douglas Valentine, 2016-11-28 This book provides insight into the paradigmatic approaches evolved by CIA decades ago in Vietnam which remain operational practices today in Afghanistan, El Salvador, Iraq, Syria, Yemen and elsewhere. Valentine’s research into CIA activities began when CIA Director William Colby gave him free access to interview CIA officials who had been involved in various aspects of the Phoenix program in South Vietnam. The CIA would rescind it, making every effort to impede publication of The Phoenix Program, which documented the CIA’s elaborate system of population surveillance, control, entrapment, imprisonment, torture and assassination in Vietnam. While researching Phoenix, Valentine learned that the CIA allowed opium and heroin to flow from its secret bases in Laos, to generals and politicians on its payroll in South Vietnam. His investigations into this illegal activity focused on the CIA’s relationship with the federal drugs agencies mandated by Congress to stop illegal drugs from entering the United States. Based on interviews with senior officials, Valentine wrote two subsequent books, The Strength of the Wolf and The Strength of the Pack, showing how the CIA infiltrated federal drug law enforcement agencies and commandeered their executive management, intelligence and foreign operations staffs in order to ensure that the flow of drugs continues unimpeded to traffickers and foreign officials in its employ. Ultimately, portions of his research materials would be archived at the National Security Archive, Texas Tech University’s Vietnam Center, and John Jay College. This book includes excerpts from the above titles along with updated articles and transcripts of interviews on a range of current topics, with a view to shedding light on the systemic dimensions of the CIA’s ongoing illegal and extra-legal activities. These terrorism and drug law enforcement articles and interviews illustrate how the CIA’s activities impact social and political movements abroad and in the United States. A common theme is the CIA’s ability to deceive and propagandize the American public through its impenetrable government-sanctioned shield of official secrecy and plausible deniability. Though investigated by the Church Committee in 1975, CIA praxis then continues to inform CIA praxis now. Valentine tracks its steady infiltration into practices targeting the last population to be subjected to the exigencies of the American empire: the American people. |
| the cia in hollywood: In Deep David Rohde, 2021-05-25 Donald Trump blamed his 2020 defeat on Democrats and the “deep state”—a supposed secret cabal of Washington insiders that relentlessly encroaches on the individual rights of Americans—for stealing the election and undermining his presidency. Most Americans who supported him agreed. Americans on the left increasingly fear the “military-industrial complex,” a faction of generals and defense contractors who they believe routinely push the country into endless wars. But does the American “deep state” really exist? This question is fundamental to preserving the legitimacy of American democracy, as frustration with and distrust for the government continue to grow. In Deep seeks to dispel these pernicious myths through an examination of the FBI, CIA, and Justice Department scandals of the past fifty years from the Church Committee’s exposure of Cold War abuses to the claims and counterclaims of the Trump era and the relentless spread of conspiracy theories online and on air. It exposes the misconduct of Attorney General William Barr; how distrust of the “deep state” undermined the US government response to the COVID-19 pandemic; and the growing discord sowed by the explosion of false information online. It investigates Trump’s quest to discredit government experts, the legislative and judicial branches, and the results of the 2020 election and assume authoritarian power for himself. “The idea of the deep state, Rohde writes, is inextricably linked to a particular view of presidential power” (Dina Temple-Raston, Washington Post). Based on dozens of interviews with career CIA operatives and FBI agents, “In Deep is a wholly satisfying read and a necessary one for anyone wanting to understand the forces at play in our government today” (Andrea Bernstein, Peabody Award–winning cohost of the Trump, Inc. podcast and author of American Oligarchs). |
| the cia in hollywood: Once Upon a Time in Hollywood Quentin Tarantino, 2022-08-16 Quentin Tarantino's long-awaited first work of fiction--at once hilarious, delicious and brutal--is the always surprising, sometimes shocking, novelization of his Academy Award winning film. RICK DALTON--Once he had his own TV series, but now Rick's a washed-up villain-of-the week drowning his sorrows in whiskey sours. Will a phone call from Rome save his fate or seal it? CLIFF BOOTH--Rick's stunt double, and the most infamous man on any movie set because he's the only one there who might have got away with murder. . . . SHARON TATE--She left Texas to chase a movie-star dream, and found it. Sharon's salad days are now spent on Cielo Drive, high in the Hollywood Hills. CHARLES MANSON--The ex-con's got a bunch of zonked-out hippies thinking he's their spiritual leader, but he'd trade it all to be a rock 'n' roll star. |
| the cia in hollywood: Craft We Chose Richard L. Holm, 2011-08-01 Many books, fiction and nonfiction alike, purport to probe the inner workings of the U.S. Central Intelligence Agency. Many attempt to create spine-tingling suspense or allege that America's civilian spy operation has run amok and been infested with rogues and criminals. Not that The Craft We Chose lacks suspense, harrowing encounters, or its own share of villains, but this book is different; it is a straightforward, honest, surprisingly captivating memoir by one of the CIA's most well-known and honored career officers. For more than three decades, Richard L. Holm worked in the agency's Directorate of Operations now the National Clandestine Service the component directly responsible for collecting human intelligence. His assignments took him to seven countries on three continents, and his travels added many more destinations. At almost every turn Holm encountered his share of dangerous characters and situations, including one that nearly ended his life before he turned 30. The Craft We Chose is more than a chronicle of those episodes. It also reveals Holm's private life, his roots and family, his courtship and marriage, and his four daughters, whom he affectionately calls his platoon. |
| the cia in hollywood: The Book of Honor Ted Gup, 2001-05-01 A national bestseller, this extraordinary work of investigative reporting uncovers the identities, and the remarkable stories, of the CIA secret agents who died anonymously in the service of their country. In the entrance of the CIA headquarters looms a huge marble wall into which seventy-one stars are carved-each representing an agent who has died in the line of duty. Official CIA records only name thirty-five of them, however. Undeterred by claims that revealing the identities of these nameless stars might compromise national security, Ted Gup sorted through thousands of documents and interviewed over 400 CIA officers in his attempt to bring their long-hidden stories to light. The result of this extraordinary work of investigation is a surprising glimpse at the real lives of secret agents, and an unprecedented history of the most compelling—and controversial—department of the US government. |
| the cia in hollywood: Company Man John Rizzo, 2014-10-07 At the intersection of politics, law and national security--from protect us at all costs to what the hell have you guys been up to, anyway?--A lawyer's life in the CIA. Under seven presidents and 11 different CIA directors, Rizzo rose to become the CIA's most powerful career attorney. Given the agency's dangerous and secret mission, spotting and deterring possible abuses of law, offering guidance and protecting personnel from legal jeopardy was, and remains, no easy task. The author accumulated more than 30 years of war stories, and he tells most of them. |
| the cia in hollywood: More Stories from Langley Edward Mickolus, 2020-09-01 Who knew the CIA needed librarians? More Stories from Langley reveals the lesser-known operations of one of the most mysterious government agencies in the United States. Edward Mickolus is back with more stories to answer the question, “What does a career in the CIA look like?” Advice and anecdotes from both current and former CIA officers provide a look at the side of intelligence operations that is often left out of the movies. What was it like working for the CIA during 9/11? Do only spies get to travel? More Stories from Langley has physicists getting recruited to “the agency” during the Cold War, foreign-language majors getting lucky chances, and quests to “learn by living” turning into sweaty-palmed calls to the U.S. embassy after being detained by Russian intelligence officers. The world only needs so many suave super spies. More Stories from Langley shows how important academics, retired soldiers, and bilingual nannies can be in preserving the security of our nation. |
| the cia in hollywood: Work Like a Spy J. C. Carleson, 2013-02-07 “The book you are holding will fundamentally change the way you look at the collection, compartmentalization, analysis, distribution, application, and protection of intelligence in your business. J. C. Carleson’s presentation of years of spy tradecraft will make you a more effective force within your organization.” —James Childers, CEO, ASG Global, Inc. When J. C. Carleson left the corporate world to join the CIA, she expected an adventure, and she found it. Her assignments included work in Iraq as part of a weapons of mass destruction search team, travels throughout Afghanistan, and clandestine encounters with foreign agents around the globe. What she didn’t expect was that the skills she acquired from the CIA would be directly applicable to the private sector. It turns out that corporate America can learn a lot from spies—not only how to respond to crises but also how to achieve operational excellence. Carleson found that the CIA gave her an increased understanding of human nature, new techniques for eliciting information, and improved awareness of potential security problems, adding up to a powerful edge in business. Using real examples from her experiences, Carle-son explains how working like a spy can teach you the principles of: Targeting—figuring out who you need to know and how to get to them Elicitation—a subtle way to get the answers you need without even asking a question Counterintelligence—how to determine if your organization is unwittingly leaking information Screening—CIA recruiters’ methods for finding and hiring the right people The methods developed by the CIA are all about getting what you want from other people. In a business context, these techniques apply to seeking a new job, a promotion, a big sale, an advantageous regulatory ruling, and countless other situations. As Carleson writes, “In a world where information has a price, it pays to be vigilant.” Her book will show you how. |
| the cia in hollywood: Stories from Langley Edward Mickolus, 2014-12 Applicants to the Central Intelligence Agency often asked Edward Mickolus what they might expect in a career there. Mickolus, a former CIA intelligence officer whose duties also included recruiting and public affairs, never had a simple answer. If applicants were considering a life in the National Clandestine Service, the answer was easy. Numerous memoirs show the lives of operations officers collecting secret intelligence overseas, conducting counterintelligence investigations, and running covert action programs. But the CIA isn’t only about case officers in far-flung areas of the world, recruiting spies to steal secrets. For an applicant considering a career as an analyst, a support officer, a scientist, or even a secretary, few sources provide reliable insight into what a more typical career at the CIA might look like. This collection of the exploits and insights of twenty-nine everyday agency employees is Mickolus’s answer. From individuals who have served at the highest levels of the agency to young officers just beginning their careers, Stories from Langley reveals the breadth of career opportunities available at the CIA and offers advice from agency officers themselves. |
| the cia in hollywood: Agents of Influence Henry Hemming, 2019-10-08 The astonishing story of the British spies who set out to draw America into World War II As World War II raged into its second year, Britain sought a powerful ally to join its cause-but the American public was sharply divided on the subject. Canadian-born MI6 officer William Stephenson, with his knowledge and influence in North America, was chosen to change their minds by any means necessary. In this extraordinary tale of foreign influence on American shores, Henry Hemming shows how Stephenson came to New York--hiring Canadian staffers to keep his operations secret--and flooded the American market with propaganda supporting Franklin Roosevelt and decrying Nazism. His chief opponent was Charles Lindbergh, an insurgent populist who campaigned under the slogan America First and had no interest in the war. This set up a shadow duel between Lindbergh and Stephenson, each trying to turn public opinion his way, with the lives of millions potentially on the line. |
| the cia in hollywood: The Lost Symbol Dan Brown, 2012-05-01 THE #1 WORLDWIDE BESTSELLER FROM THE ICONIC AUTHOR OF THE DA VINCI CODE “Impossible to put down.” —The New York Times “Thrilling and entertaining, like the experience on a roller coaster.” —Los Angeles Times Famed Harvard symbologist Robert Langdon answers an unexpected summons to deliver a lecture at the U.S. Capitol Building. His plans are interrupted when a disturbing object—artfully encoded with five symbols—is discovered in the building. Langdon recognizes in the find an ancient invitation into a lost world of esoteric, potentially dangerous wisdom. When his mentor, Peter Solomon—a long-standing Mason and beloved philanthropist—is kidnapped, Langdon realizes that the only way to save Solomon is to accept the mystical invitation and plunge headlong into a clandestine world of Masonic secrets, hidden history, and one inconceivable truth . . . all under the watchful eye of a terrifying enemy. Robert Langdon returns in Inferno, Origin, and The Secret of Secrets (coming soon)! |
| the cia in hollywood: 13 Hours Mitchell Zuckoff, 2014-09-09 The harrowing, true account from the brave men on the ground who fought back during the Battle of Benghazi -- and the basis of the movie starring Jon Krasinski and directed by Michael Bay. 13 Hours presents, for the first time ever, the true account of the events of September 11, 2012, when terrorists attacked the US State Department Special Mission Compound and a nearby CIA station called the Annex in Benghazi, Libya. A team of six American security operators fought to repel the attackers and protect the Americans stationed there. Those men went beyond the call of duty, performing extraordinary acts of courage and heroism, to avert tragedy on a much larger scale. This is their personal account, never before told, of what happened during the thirteen hours of that now-infamous attack. 13 Hours sets the record straight on what happened during a night that has been shrouded in mystery and controversy. Written by New York Times bestselling author Mitchell Zuckoff, this riveting book takes readers into the action-packed story of heroes who laid their lives on the line for one another, for their countrymen, and for their country. 13 Hours is a stunning, eye-opening, and intense book--but most importantly, it is the truth. The story of what happened to these men--and what they accomplished--is unforgettable. |
| the cia in hollywood: J. Edgar Hoover Goes to the Movies John Sbardellati, 2012-05-15 Between 1942 and 1958, J. Edgar Hoover’s Federal Bureau of Investigation conducted a sweeping and sustained investigation of the motion picture industry to expose Hollywood’s alleged subversion of the American Way through its depiction of social problems, class differences, and alternative political ideologies. FBI informants (their names still redacted today) reported to Hoover’s G-men on screenplays and screenings of such films as Frank Capra’s It’s a Wonderful Life (1946), noting that this picture deliberately maligned the upper class attempting to show that people who had money were mean and despicable characters. The FBI’s anxiety over this film was not unique; it extended to a wide range of popular and critical successes, including The Grapes of Wrath (1940), The Best Years of Our Lives (1946), Crossfire (1947) and On the Waterfront (1954). In J. Edgar Hoover Goes to the Movies, John Sbardellati provides a new consideration of Hollywood’s history and the post–World War II Red Scare. In addition to governmental intrusion into the creative process, he details the efforts of left-wing filmmakers to use the medium to bring social problems to light and the campaigns of their colleagues on the political right, through such organizations as the Motion Picture Alliance for the Preservation of American Ideals, to prevent dissemination of un-American ideas and beliefs. Sbardellati argues that the attack on Hollywood drew its motivation from a sincerely held fear that film content endangered national security by fostering a culture that would be at best apathetic to the Cold War struggle, or, at its worst, conducive to communism at home. Those who took part in Hollywood’s Cold War struggle, whether on the left or right, shared one common trait: a belief that the movies could serve as engines for social change. This strongly held assumption explains why the stakes were so high and, ultimately, why Hollywood became one of the most important ideological battlegrounds of the Cold War. |
| the cia in hollywood: Undaunted John O. Brennan, 2020-10-06 **THE INSTANT NEW YORK TIMES BESTSELLER** John Brennan is one of the hardest-working, most patriotic public servants I've ever seen, and our country is better off for it. As president, he was one of my closest advisors and a great friend. And in his memoir, Undaunted, you'll see why. I hope you'll read it. —President Barack Obama A powerful and revelatory memoir from former CIA director John Brennan, spanning his more than thirty years in government. Friday, January 6, 2017: On that day, as always, John Brennan’s alarm clock was set to go off at 4:15 a.m. But nothing else about that day would be routine. That day marked his first and only security briefing with President-elect Donald Trump. And it was also the day John Brennan said his final farewell to Owen Brennan, his father, the man who had taught him the lessons of goodness, integrity, and honor that had shaped the course of an unparalleled career serving his country from within the intelligence community. In this brutally honest memoir, Brennan, the son of an Irish immigrant who settled in New Jersey, describes the life that took him from being a young CIA recruit enamored with the mystique of spy work, secretly defiant enough to drive a motorcycle and sport a diamond earring, and invigorated by his travels in the Middle East to being the most powerful individual in American intelligence. He details his experiences with very different presidents and what it’s been like to bear responsibility for some of the nation’s most crucial and polarizing national security decisions. He pulls back the curtain on the inner workings of the Agency, describing the selfless, patriotic, and invisible work of the women and men involved in national security. He also examines the insularity, arrogance, and myopia that have, at times, undermined its reputation in the eyes of the American people and of members of other branches of government. Through topics ranging from George W. Bush’s intervention in Iraq to his thoughts on the CIA’s controversial use of enhanced interrogation techniques to his eye-opening account of the planning of the raid that resulted in Bin Laden’s death to his realization that Russia had interfered with the 2016 election, Brennan brings the reader behind the scenes of some of the most crucial moments in recent U.S. history. He also candidly discusses the times he has failed to live up to his own high standards and the very public fallouts that have resulted. With its behind-the-scenes look at how major U.S. national security policies and actions unfolded during his long and distinguished career—especially during his eight years in the Obama administration—John Brennan’s memoir is a work of history with strong implications for the future of America and our country’s relationships with other world powers. Undaunted: My Fight Against America’s Enemies, at Home and Abroad offers a rare and insightful look at the often-obscured world of national security, the intelligence profession, and Washington’s chaotic political environment. But more than that, it is a portrait of a man striving for integrity; for himself, for the CIA, and for his country. |
| the cia in hollywood: An Ordinary Spy Joseph Weisberg, 2008-01-01 Written in the style of a CIA-censored intelligence report, a tale of two embattled spies follows their extraordinary efforts to protect their informants and traces new agent Mart Ruttenberg's investigation into a former operative's suspicious termination |
| the cia in hollywood: Black Site Philip Mudd, 2019-07-30 A bold account of one of the most controversial and haunting initiatives in American history, Black Site tells the full story of the post-9/11 counterterrorism world at the CIA. When the towers fell on September 11, 2001, nowhere were the reverberations more powerfully felt than at CIA headquarters in Langley, Virginia. Almost overnight, the intelligence organization evolved into a warfighting intelligence service, constructing what was known internally as “the Program”: a web of top-secret detention facilities intended to help prevent future attacks on American soil and around the world. With Black Site, former deputy director of the CIA Counterterrorist Center Philip Mudd presents a full, never-before-told story of this now-controversial program, directly addressing how far America went to pursue al-Qa’ida and prevent another catastrophe. Heated debates about torture were later ignited in 2014 after the US Senate published a report of the Program, detailing the CIA’s use of “enhanced interrogation techniques” to draw information from detainees. The report, Mudd posits, did not fully address key questions: How did the officials actually come to their decisions? What happened at the detention facilities—known as “Black Sites”—on a day-to-day basis? What did they look like? How were prisoners transported there? And how did the officers feel about what they were doing? Black Site seeks answers to these questions and more, first by examining pre-9/11 Langley, when the CIA was tasked with collecting, disseminating, and analyzing information related to overseas events. Mudd argues that September 12, 2001, marked an operational revolution, as officials suddenly felt the weight of protecting a nation from a second wave of attacks inside the United States. Re-creating the incredibly tense atmosphere of the time, Mudd reveals that many officials felt an unshakable personal responsibility to thwart another attack. Based on interviews from dozens of officials—many of whom have never spoken out before— Black Site illuminates how the Agency quickly stepped into the process of organizing a full-blown interrogation program. Mudd offers a deeper understanding of how the enhanced interrogation techniques were developed and how intelligence professionals prepared to talk to the world’s most hardened terrorists. With careful detail, he takes us through the process of each legally approved technique, including waterboarding. As compelling as it is revelatory, Black Site shows us the tragedy and triumph of the CIA during its most difficult days. |
| the cia in hollywood: The Master of Disguise Antonio J. Mendez, 2000-11-07 For the first time, the CIA has authorized a top-level operative to tell all in an unforgettable behind-the-scenes look at espionage in action. an undisputed genius who could create an entirely new identity for anybody, anywhere, anytime, Antonio J. Mendez combined the cunning tricks of a magician with the analytical insight of a psychologist to help hundreds of people escape potentially fatal situations. From Wild West adventures in East Asia to Cold War intrigue in Moscow and helping six Americans escape revolutionary Tehran in 1980, Mendez was on the scene. Here he gives us a privileged look at what really happens in the field and behind closed doors at the highest levels of international espionage, some of it shocking, frightening, and wildly inventive--all of it unforgettable. |
| the cia in hollywood: Clarity in Crisis Marc E. Polymeropoulos, 2022-08-02 Meet your next crisis head on and get through it stronger than ever by using the hard-earned strategies and core principles from Marc Polymeropoulos, a highly decorated, 26-year operations officer with the CIA. Marc Polymeropoulos has had to live with the consequences of decisions made under the most high-stress circumstances you can imagine as a senior intelligence officer in the CIA, retiring from his 26 years of service as one of the CIA's most decorated field officers. Though your crisis situations may not entail international counter terrorism as Marc's did, in our age of social media and a 24-hour news cycle, the consequences of mishandling a crisis can escalate quickly, leaving irreparable damage to a company's reputation and bottom line in its wake. In Clarity in Crisis, Marc shares how true leaders need to lead in and through times of crisis and thrive under conditions of ambiguity, rather than message their way out or duck from hard decisions. This book provides proven strategies and core principles that leaders can apply to meet any crisis head on and lead through it, including: The critical elements to managing crisis, such as knowing who you can always count on to execute under high-stress situations. An understanding of the importance of following and stressing key fundamentals and avoiding shortcuts that often do more harm than good. Implementation guidance from the Mad Minute section at the end of each chapter that summarizes key points and action items you can begin applying right away. How to gain confidence that you are ready for the next crisis and embrace any situation with no fear. Far from mere theory, Clarity in Crisis outlines the unique mindset and strategies Marc himself practiced and honed throughout his remarkable career. The core principles outlined in these pages will help you find unshakeable clarity in crisis and lead when others want to flee. |
| the cia in hollywood: The Control of Candy Jones Donald Bain, 1976-12-15 Candy Jones was the stage name of Jessica Wilcox (b. 1921) who became famous as a model and pinup girl in the early 1940s. Her story seems too bizarre to be true. One of America's most famous models, brainwashed by the CIA? Yes, it is another example of truth being stranger than fiction. The story begins with Candy's wedding to Long John Nebel, New York's most successful radio talk-show host. During the wedding, and regularly thereafter, Candy's personality would seem to shift. She would suddenly change from her affable, self-effacing self to a brusque, aggressive stranger. For the first few months of the marriage, these shifts were infrequent enough that Nebel didn't worry much about it, but as time went on, they got worse. Nebel began trying to relax his wife by hypnotizing her. Although Candy insisted that she couldn't be hypnotized, she slipped easily into a relaxed state, and then into a healthy, deep sleep. But during the third session, with no suggestion from Nebel, Candy spontaneously regressed to a young age. After that, Nebel began to record their sessions. The result of these sessions was that Nebel discovered his wife had been brainwashed into have a second identity, Arlene, whom a CIA doctor had used to carry messages all over the world. Eventually, Candy was tortured at CIA headquarters, so that her doctor could display her successful programming. The Control of Candy Jones sent shockwaves through the corridors of power when it was first published in 1976. After reportedly being suppressed by the CIA, it became an instant classic, and remains so today. |
| the cia in hollywood: Killing Hope William Blum, 2003 Is the United States a force for democracy? From 1940s China to Guatemala today, Blum presents a study of American covert and overt interference in the internal affairs of other countries. Each chapter of the book covers a year in which the author takes one particular country case and tells the story. |
| the cia in hollywood: Hollywood's Cold War Tony Shaw, 2007-09-19 Hollywood's Cold War |
We are the Nation's first line of defense - CIA
As the world’s premier foreign intelligence agency, the work we do at CIA is vital to U.S. national security. …
Central Intelligence Agency - Wikipedia
The Central Intelligence Agency (CIA; / ˌ s iː. aɪ ˈ eɪ /) is a civilian foreign intelligence service of the federal …
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The Central Intelligence Agency (CIA) collects, evaluates, and disseminates vital information on economic, …
Central Intelligence Agency
The Central Intelligence Agency (CIA) was created in 1947 with the signing of the National Security Act by …
Central Intelligence Agency (CIA) | History, Organization ...
4 days ago · Central Intelligence Agency (CIA), principal foreign intelligence and counterintelligence agency of the …
We are the Nation's first line of defense - CIA
As the world’s premier foreign intelligence agency, the work we do at CIA is vital to U.S. national security. We collect and analyze foreign intelligence and conduct covert action. U.S. …
Central Intelligence Agency - Wikipedia
The Central Intelligence Agency (CIA; / ˌ s iː. aɪ ˈ eɪ /) is a civilian foreign intelligence service of the federal government of the United States tasked with advancing national security through …
Central Intelligence Agency (CIA) - USAGov
The Central Intelligence Agency (CIA) collects, evaluates, and disseminates vital information on economic, military, political, scientific, and other developments abroad to safeguard national …
Central Intelligence Agency
The Central Intelligence Agency (CIA) was created in 1947 with the signing of the National Security Act by President Harry S. Truman. The Director of the Central Intelligence Agency (DCIA) serves …
Central Intelligence Agency (CIA) | History, Organization ...
4 days ago · Central Intelligence Agency (CIA), principal foreign intelligence and counterintelligence agency of the U.S. government. Formally created in 1947, the Central Intelligence Agency (CIA) …
Central Intelligence Agency - New World Encyclopedia
The Central Intelligence Agency (CIA) is an intelligence-gathering agency of the United States government whose primary mission today is collecting secret information from abroad through …
Records of the Central Intelligence Agency (CIA)
Jan 26, 2024 · The primary mission of the Central Intelligence Agency (CIA) is to develop and disseminate intelligence, counterintelligence, and foreign intelligence information to assist the …
Contact CIA - CIA - The World Factbook
There are a number of ways to contact CIA. Please read these instructions to make sure your message gets to the right office. The Office of Public Affairs (OPA) handles all questions about …
Central Intelligence Agency | Encyclopedia.com
May 21, 2018 · The Central Intelligence Agency (CIA) is an independent government organization, founded under the National Security Act of 1947. The agency is a leader among the 14 agencies …
CIA - HISTORY
Jul 13, 2017 · The CIA, or Central Intelligence Agency, is the U.S. government agency tasked primarily with gathering intelligence and international security information from foreign countries.
