Advertisement
the four fundamental concepts of psycho-analysis: The Four Fundamental Concepts of Psycho-Analysis Jacques Lacan, 2018-05-08 The author's writings, and especially the seminars for which he has become famous, have provoked intense controversies in French analytic circles, requiring as they do a radical reappraisal of the legacy bequeathed by Freud. This volume is based on a year's seminar, which is of particular importance because he was addressing a larger, less specialist audience than ever before, amongst whom he could not assume familiarity with his work. For his listeners then, and for his readers now, he wanted to introduce a certain coherence into the major concepts on which psycho-analysis is based, namely the unconscious, repetition, the transference and the drive. In re-defining these four concepts he explores the question that, as he puts it, moves from Is psycho-analysis a science? to What is a science that includes psycho-analysis? |
the four fundamental concepts of psycho-analysis: The Four Fundamental Concepts of Psycho-Analysis Jacques Lacan, 2018-05-08 The author's writings, and especially the seminars for which he has become famous, have provoked intense controversies in French analytic circles, requiring as they do a radical reappraisal of the legacy bequeathed by Freud. This volume is based on a year's seminar, which is of particular importance because he was addressing a larger, less specialist audience than ever before, amongst whom he could not assume familiarity with his work. For his listeners then, and for his readers now, he wanted to introduce a certain coherence into the major concepts on which psycho-analysis is based, namely the unconscious, repetition, the transference and the drive. In re-defining these four concepts he explores the question that, as he puts it, moves from Is psycho-analysis a science? to What is a science that includes psycho-analysis? |
the four fundamental concepts of psycho-analysis: Reading Seminar XI Richard Feldstein, Bruce Fink, Maire Jaanus, 1994-12-23 This book provides the first truly sustained commentary to appear in either French or English on Lacan's most important seminar, The Four Fundamental Concepts of Psychoanalysis. The 16 contributors unpack Lacan's notoriously difficult work in simple terms, and supply elegant illustrations from a variety of fields: psychoanalytic treatment, film, literature, art, and so on. Each of Lacan's fundamental concepts--the unconscious, transference, drive, and repetition--is discussed in detail, and related to other important notions such as object a cause of desire, the gaze, the Name-of-the-Father, the subject, and the Other. This volume also includes a translation of Lacan's companion piece to Seminar XI, Position of the Unconscious (an article from the French edition of the Ecrits that has never before appeared in English), by one of the foremost translators of Lacan's work, Bruce Fink. As an indication of the important of this article, Lacan considered it to be the sequel to his Function and Field of Speech and Language in Psychoanalysis, arguably his most important paper in the 1950s. The contributors include many of the best minds in the Lacanian psychoanalytic world in Paris today. Chapters include Excommunication: Context and Concepts by Jacques-Alain Miller, The Subject and the Other I and II by Colette Soler, Alienation and Separation I and II by Eric Laurent, Science and Psychoanalysis by Bruce Fink, The Name-of-the-Father by Francois Regnault, Transference as Deception by Pierre-Gilles Gueguen, The Drive I and II by Marie-Hele`ne Brousse, The Demontage of the Drive by Maire Jaanus, The Gaze as an Object by Antonio Quinet, The Phallic Gaze of Wonderland by Richard Feldstein, The 'Evil Eye' of Painting: Jacques Lacan and Witold Gombrowicz on the Gaze by Hanjo Berressem, Art and the Position of the Analyst by Robert Samuels, The Relation between Voice and the Gaze by Ellie Ragland, The Lamella of David Lynch by Slavoj Zizek, The Real Cause of Repetition by Bruce Fink, Introductory Talk at Sainte-Anne Hospital by Jacques-Alain Miller, and The End of Analysis I and II by Anne Dunand. |
the four fundamental concepts of psycho-analysis: The Seminar of Jacques Lacan: The four fundamental concepts of psychoanalysis Jacques Lacan, 1988 Jacques Lacan's writings, and the seminars for which he has become famous, offer a radical reappraisal of the work of Freud. Focusing on psychological concepts developed by Freud, Lacan argues for a structural affinity between psychoanalysis and language, discusses the relation of psychoanalysis to religion, and reveals his particular stance on a number of related topics. |
the four fundamental concepts of psycho-analysis: Lacan's Four Fundamental Concepts of Psychoanalysis Roberto Harari, 2004-10-15 The informal tone of these ten lectures by Roberto Harari reflects their original character as classes held at El Centro de Extension Psicoanalitica del Centro Cultural General, San Martin Buenos Aires. Destined for a wider audience than just the psychoanalytical camp, Harari's work presents the Lacanian endeavor without presupposition of specialized knowledge—and yet without conceding intellectual subtlety. Harari provides an introductory display of essential themes developed in Lacan's Four Fundamental Concepts of Psychoanalysis, and offers his own insightful reading of the text's central ideas. These ten classes, sparked by the crucial Seminar XI within the teaching of Lacan, reframe a wide range of questions in psychoanalysis for the professional in the field, scholars and students across disciplines, and interested lay readers. Harari is so at ease with Lacan's oeuvre that he can dismantle and rebuild its structure so that order and logic suddenly appear inherent to Lacan's way of thinking. The unconscious, transference, repetition, and the drive are here reintroduced, not only to do justice to Freud's insights, but also to link these concepts to the larger question of the complex relationships between psychoanalysis, religion, and science. Harari's didactic approach and his analytic style come together to bring us one step closer to understanding Lacan and one step closer to understanding ourselves. |
the four fundamental concepts of psycho-analysis: The Four Fundamental Concepts of Psycho-Analysis Jacques Lacan, 1981-09-01 |
the four fundamental concepts of psycho-analysis: The Four Fundamental Concepts of Psycho-analysis Jacques Alain Miller, 1979 |
the four fundamental concepts of psycho-analysis: The Four Fundamental Concepts of Psycho-analysis Jacques Lacan, 1981 Probes the relationship between psychoanalysis and science and religion as well as defining the unconscious, the repetition, the transference, and the drive as the underlying concepts of psycho-analysis. |
the four fundamental concepts of psycho-analysis: The Four Fundamental Concepts of Psycho-analysis Jacques Lacan, 1994 |
the four fundamental concepts of psycho-analysis: The Other Side of Psychoanalysis Jacques Lacan, 2007 Revolutionary and innovative, Lacan's work lies at the epicenter of modern thought about otherness, subjectivity, sexual difference, and enjoyment. |
the four fundamental concepts of psycho-analysis: Reading Seminars I and II Richard Feldstein, Bruce Fink, Maire Jaanus, 1996-02-22 In this collection of essays, Lacan's early work is first discussed systematically by focusing on his two earliest seminars: Freud's Papers on Technique and The Ego in Freud's Theory and in the Technique of Psychoanalysis. These essays, by some of the finest analysts and writers in the Lacanian psychoanalytic world in Paris today, carefully lay out the background and development of Lacan's thought. In Part I, Jacques-Alain Miller spells out the philosophical and psychiatric origins of Lacan's work in great detail. In Parts II, III, and IV, Colette Soler, Eric Laurent, and others explain in the clearest of fashions the highly influential conceptualization Lacan introduces with the terms symbolic, imaginary, and real. Part V provides the first sustained account in English to date of Lacan's reformulation of psychoanalytic diagnostic categories--neurosis, perversion, psychosis, and their subcategories--their theoretical foundations, and clinical applications (ample case material is provided here.) Parts VI and VII of this collection take us well beyond Seminars I and II, relating Lacan's early work to his later views of the 1960s and 1970s. Slavoj Zizek explores the complex philosophical relations between Hegel and Lacan regarding the subject and the cause. And Lacan's article, On Freud's 'Trieb' and the Psychoanalyst's Desire--that appears here for the first time in English and is brilliantly unpacked by Jacques-Alain Miller in his Commentary on Lacan's Text--takes a giant step forward to 1965 where we see a crucial reversal in Lacan's perspective: desire is suddenly devalued, the defensive, inhibiting nature of desire coming to the fore. What then becomes essential is the drive as an activity related to the lost object that produces jouissance. |
the four fundamental concepts of psycho-analysis: Lacan in Contexts David Macey, 2020-05-05 In the most comprehensive study of Jacques Lacan yet to be published in English, David Macey challenges many of the assumptions that have come to surround Lacan's work. He shows that key elements of Lacanian thought relate not to structuralism, as is often claimed, but to surrealism, Bataille and the early French phenomenologists. The famous return to Freud is shown to mask Lacan's adherence to a psychiatric tradition and to trends within French psychoanalysis which were opposed by Freud himself. A detailed and challenging reading of work by Lacan and his associates on femininity reveals its reliance upon a virulently sexist discourse and upon an iconography derived from surrealism. The view that Lacanian psychoanalysis has a positive contribution to make to feminism and to theories of gender and sexual difference is contested. As well as providing a new and provocative reading of Lacan's work, Lacan in Contexts is an important contribution to psychoanalytic history and to the history of French intellectual life. |
the four fundamental concepts of psycho-analysis: Lacan's Four Fundamental Concepts of Psychoanalysis Roberto Harari, 2020-09-08 The informal tone of these ten lectures by Roberto Harari reflects their original character as classes held at El Centro de Extension Psicoanalitica del Centro Cultural General, San Martin Buenos Aires. Destined for a wider audience than just the psychoanalytical camp, Harari's work presents the Lacanian endeavor without presupposition of specialized knowledge—and yet without conceding intellectual subtlety. Harari provides an introductory display of essential themes developed in Lacan's Four Fundamental Concepts of Psychoanalysis, and offers his own insightful reading of the text's central ideas. These ten classes, sparked by the crucial Seminar XI within the teaching of Lacan, reframe a wide range of questions in psychoanalysis for the professional in the field, scholars and students across disciplines, and interested lay readers. Harari is so at ease with Lacan's oeuvre that he can dismantle and rebuild its structure so that order and logic suddenly appear inherent to Lacan's way of thinking. The unconscious, transference, repetition, and the drive are here reintroduced, not only to do justice to Freud's insights, but also to link these concepts to the larger question of the complex relationships between psychoanalysis, religion, and science. Harari's didactic approach and his analytic style come together to bring us one step closer to understanding Lacan and one step closer to understanding ourselves. |
the four fundamental concepts of psycho-analysis: The Ethics of Psychoanalysis 1959-1960 Jacques Lacan, 2016-06-28 In his famous lecture, Jacques Lacan re-examines the work of Freud and the experience of psychoanalysis in relation to ethics. One of the most influential intellectuals of this century, Lacan is seen here at the height of his powers. |
the four fundamental concepts of psycho-analysis: Key Concepts of Lacanian Psychoanalysis Dany Nobus, 2020-10-13 By detailing the constitutive incompletion of the Lacanian project, the contributors have guaranteed the success of their book, which will remain a major reference for a long time to come. -Joan Copjec |
the four fundamental concepts of psycho-analysis: How to Read Lacan Slavoj Žižek, 2007 The only thing of which one can be guilty of is having given ground relative to one's desire.--Jacques Lacan |
the four fundamental concepts of psycho-analysis: Jacques Lacan and the Other Side of Psychoanalysis Justin Clemens, Russell Grigg, 2006-05-23 DIVArticles by noted Lacanian psychoanalysts and scholars discussing issues that emerge in Lacan's Seminar XVII (newly translated) that import fields of psychoanalysis, philosophy, political theory, cultural studies and literary studies./div |
the four fundamental concepts of psycho-analysis: An Introductory Dictionary of Lacanian Psychoanalysis Dylan Evans, 2006-06-19 Jacques Lacan's thinking revolutionised the theory and practice of psychoanalysis and had a major impact in fields as diverse as film studies, literary criticism, feminist theory and philosophy. Yet his writings are notorious for their complexity and idiosyncratic style. Emphasising the clinical basis of Lacan's work, An Introductory Dictionary of Lacanian Psychoanalysis is an ideal companion to his ideas for readers in every discipline where his influence is felt. The Dictionary features: * over 200 entries, explaining Lacan's own terminology and his use of common psychoanalytic expressions * details of the historical and institutional context of Lacan's work * reference to the origins of major concepts in the work of Freud, Saussure, Hegel and other key thinkers * a chronology of Lacan's life and works. |
the four fundamental concepts of psycho-analysis: Erratum of The Four Fundamental Concepts of Psycho-Analysis Jacques Lacan, Jacques-Alain Miller, Alan Sheridan, 2011-02 Dr. Lacan's writings, and especially the seminars for which he has become famous, have provoked intense controversies in French analytic circles, requiring as they do a radical reappraisal of the legacy bequeathed by Freud. The Four Fundamental Concepts of Psycho-Analysis is based on a year's seminar, which is of particular importance because he was addressing a larger, less specialized audience than ever before, among whom he could not assume familiarity with his work. For his listeners then, and for his readers now, he wanted to introduce a certain coherence into the major concepts on which psycho-analysis is based, namely, the unconscious, repetition, the transference, and the drive. This particular seminar, in this particular edition, has often been used as the basic text for Anglo-American scholars and students alike seduced by the possibilities inherent in Lacanian psycho-analysis. In particular, notions of the gaze and ruminations on the role of subjectivity in two-dimensional representations have been adopted wholesale by spheres of film studies, art history, and visual studies. By default, Alan Sheridan, through this translation, has been key in the reception of Lacan in the Anglo-American academy. Alas, particularly for visual studies, a key phrase in this edition differs significantly from the French edition. An internet search proves that both versions of this phrase have been quoted equally in North American scholarly writings. While arguments could be made as to the apt-ness of continuing to use Sheridan's translation as it exists - and we at Parasitic Ventures Press considered the possibility of presenting one such - we offer, instead, this edition, an Erratum of The Four Fundamental Concepts of Psycho-Analysis, to allow our readers to decide for themselves. |
the four fundamental concepts of psycho-analysis: Hysteria from Freud to Lacan Monique David-Ménard, 1989 |
the four fundamental concepts of psycho-analysis: Desire and its Interpretation Jacques Lacan, 2021-03-22 What does Lacan show us? He shows us that desire is not a biological function; that it is not correlated with a natural object; and that its object is fantasized. Because of this, desire is extravagant. It cannot be grasped by those who might try to master it. It plays tricks on them. Yet if it is not recognized, it produces symptoms. In psychoanalysis, the goal is to interpret—that is, to read—the message regarding desire that is harbored within the symptom. Although desire upsets us, it also inspires us to invent artifices that can serve us as a compass. An animal species has a single natural compass. Human beings, on the other hand, have multiple compasses: signifying montages and discourses. They tell you what to do: how to think, how to enjoy, and how to reproduce. Yet each person's fantasy remains irreducible to shared ideals. Up until recently, all of our compasses, no matter how varied, pointed in the same direction: toward the Father. We considered the patriarch to be an anthropological invariant. His decline accelerated owing to increasing equality, the growth of capitalism, and the ever-greater domination of technology. We have reached the end of the Father Age. Another discourse is in the process of taking the former's place. It champions innovation over tradition; networks over hierarchies; the draw of the future over the weight of the past; femininity over virility. Where there had previously been a fixed order, transformational flows constantly push back any and all limits. Freud was a product of the Father Age. He did a great deal to save it. The Catholic Church finally realized this. Lacan followed the way paved by Freud, but it led him to posit that the father is a symptom. He demonstrates that here using Hamlet as an example. What people have latched onto about Lacan's work—his formalization of the Oedipus complex and his emphasis on the Name-of-the-Father—was merely his point of departure. Seminar VI already revises this: the Oedipus complex is not the only solution to desire, it is merely a normalized form thereof; it is, moreover, a pathogenic form; it does not exhaustively explain desire’s course. Hence the eulogy of perversion with which this seminar ends: Lacan views perversion here as a rebellion against the identifications that assure the maintenance of social routines. This Seminar predicted “the revamping of formally established conformisms and even their explosion.” We have reached that point. Lacan is talking about us. |
the four fundamental concepts of psycho-analysis: The Four Fundamental Concepts of Psycho-analysis Jacques Lacan, 1977 |
the four fundamental concepts of psycho-analysis: The Seminar of Jacques Lacan Jacques Lacan, 1988 |
the four fundamental concepts of psycho-analysis: On Feminine Sexuality the Limits of Love and Knowledge Jacques Lacan, 1999-11-23 In his psycholinguistic exploration of the relationship between the desire for love and the attainment of knowledge, Jacques Lacan leads into an new way of interpreting the two most fundamental human drives. |
the four fundamental concepts of psycho-analysis: The Analyst’s Desire Mitchell Wilson, 2020-08-06 Mitchell Wilson explores the fundamental role that lack and desire play in psychoanalytic interpretation by using a comparative method that engages different psychoanalytic traditions: Lacanian, Bionian, Kleinian, Contemporary Freudian. Investigating crucial questions Wilson asks: What is the nature of the psychoanalytic process? How are desire and counter-transference linked? What is the relationship between desire, analytic action, and psychoanalytic ethics? |
the four fundamental concepts of psycho-analysis: The Origin and development of psychoanalysis 1910 Sigmund Freud, 1910 |
the four fundamental concepts of psycho-analysis: Jacques Lacan and the Philosophy of Psychoanalysis Ellie Ragland-Sullivan, 1987 |
the four fundamental concepts of psycho-analysis: Lacan, Psychoanalysis, and Comedy Patricia Gherovici, Manya Steinkoler, 2016-08-02 This collection of essays explores laughter, humor, and the comic from a psychoanalytic perspective. Edited by two leading practicing psychoanalysts and with original contributions from Lacanian practitioners and scholars, this cutting-edge volume proposes a paradigm swerve, a Freudian slip on a banana peel. Psychoanalysis has long been associated with tragedy and there is a strong warrant to take up comedy as a more productive model for psychoanalytic practice and critique. Jokes and the comic have not received nearly as much consideration as they deserve given the fundamental role they play in our psychic lives and the way they unite the fields of aesthetics, literature, and psychoanalysis. Lacan, Psychoanalysis and Comedy addresses this lack and opens up the discussion. |
the four fundamental concepts of psycho-analysis: Lacan and Contemporary Film Todd Mcgowan, 2020-09-08 This unique volume collects a series of essays that link new developments in Lacanian psychoanalytic theory and recent trends in contemporary cinema. Though Lacanian theory has long had a privileged place in the analysis of film, film theory has tended to ignore some of Lacan's most important ideas. As a result, Lacanian film theory has never properly integrated the disruptive and troubling aspects of the filmic experience that result from the encounter with the Real that this experience makes possible. Many contemporary theorists emphasize the importance of the encounter with the Real in Lacan's thought, but rarely in discussions of film. By bringing the encounter with the Real into the dialogue of film theory, the contributors to this volume present a new version of Lacan to the world of film studies. These essays bring this rediscovered Lacan to bear on contemporary cinema through analysis of a wide variety of films, including Memento, Eyes Wide Shut, Breaking the Waves, and Fight Club. The films discussed here demand a turn to Lacanian theory because they emphasize the disruptive role of the Real and of jouissance in the experience of the human subject. There is a growing number of films in contemporary cinema that speak to film's power to challenge and disturb the complacency of spectators, and the essays in Lacan and Contemporary Film analyze some of these films and bring their power to light. Because of its dual focus on developments in Lacanian theory and in contemporary film, this collection serves as both an accessible introduction to current Lacanian film theory and an introduction to the study of contemporary cinema. Each essay provides an accessible, jargon-free analysis of one or more important films, and at the same time, each explains and utilizes key concepts of Lacanian theory. The collection stages an encounter between Lacanian theory and contemporary cinema, and the result is the enrichment of both. |
the four fundamental concepts of psycho-analysis: Reading Lacan’s Écrits: From ‘Signification of the Phallus’ to ‘Metaphor of the Subject’ Stijn Vanheule, Derek Hook, Calum Neill, 2018-10-09 The Écrits was Jacques Lacan’s single most important text, a landmark in psychoanalysis which epitomized his aim of returning to Freud via structural linguistics, philosophy and literature. Reading Lacan’s Écrits is the first extensive set of commentaries on the complete edition of Lacan’s Écrits to be published in English. An invaluable document in the history of psychoanalysis, and one of the most challenging intellectual works of the twentieth century, Lacan’s Écrits still today begs the interpretative engagement of clinicians, scholars, philosophers and cultural theorists. The three volumes of Reading Lacan’s Écrits offer just this: a series of systematic paragraph-by-paragraph commentaries – by some of the world’s most renowned Lacanian analysts and scholars – on the complete edition of the Écrits, inclusive of lesser known articles such as ‘Kant with Sade’, ‘The Youth of Gide’, ‘Science and Truth’, ‘Presentation on Transference’ and ‘Beyond the Reality Principle. The originality and importance of Lacan’s Écrits to psychoanalysis and intellectual history is matched only by the text’s notorious inaccessibility. Reading Lacan’s Écrits is an indispensable companion piece and reference-text for clinicians and scholars exploring Lacan's magnum opus. Not only does it contextualize, explain and interrogate Lacan's arguments, it provides multiple interpretative routes through this most labyrinthine of texts. Reading Lacan’s Écrits provides an incisive and accessible companion for psychoanalysts and psychoanalytic psychotherapists in training and in practice, as well as philosophers, cultural theorists and literary, social science and humanities researchers who wish to draw upon Lacan’s pivotal work. |
the four fundamental concepts of psycho-analysis: The Concept of Anxiety: A Simple Psychologically Oriented Deliberation in View of the Dogmatic Problem of Hereditary Sin Søren Kierkegaard, 2014-03-03 The first new translation of Kierkegaard's masterwork in a generation brings to vivid life this essential work of modern philosophy. Brilliantly synthesizing human insights with Christian dogma, Soren Kierkegaard presented, in 1844, The Concept of Anxiety as a landmark psychological deliberation, suggesting that our only hope in overcoming anxiety was not through powder and pills but by embracing it with open arms. While Kierkegaard's Danish prose is surprisingly rich, previous translations—the most recent in 1980—have marginalized the work with alternately florid or slavishly wooden language. With a vibrancy never seen before in English, Alastair Hannay, the world's foremost Kierkegaard scholar, has finally re-created its natural rhythm, eager that this overlooked classic will be revivified as the seminal work of existentialism and moral psychology that it is. From The Concept of Anxiety: And no Grand Inquisitor has such frightful torments in readiness as has anxiety, and no secret agent knows as cunningly how to attack the suspect in his weakest moment, or to make so seductive the trap in which he will be snared; and no discerning judge understands how to examine, yes, exanimate the accused as does anxiety, which never lets him go, not in diversion, not in noise, not at work, not by day, not by night. |
the four fundamental concepts of psycho-analysis: What Lacan Said About Women Colette Soler, 2020-10-06 The definitive work on Lacan's theory of the feminine. With exquisite prose and penetrating insights, Colette Soler shares her theoretical and clinical expertise in this vibrant new text. She spins out seductive explications of Lacan's thought on the controversial question of sexual difference. With the subtlety that these topics deserve, she takes up Lacan's conception of woman and her relation to masochism, femininity and hysteria, love and death, and the impossible sexual relation. Following more than the usual suspects, What Lacan Said About Women also explores the mother's place in the unconscious, how Lacan understands depression, and why depressives feel unloved. Soler's analysis examines the cultural implications of the texts that Lacan produced from the 1950s to the 1970s, such as the effects of science on contemporary conceptions of the feminine. She gracefully bridges the gap still left open between psychoanalysis and cultural studies. Winner of the Prix Psyche for the best work published in the fields of psychology and psychoanalysis in 2003, this book will appeal to cultural critics, especially those in gender and women's studies, as well as to anyone involved in contemporary theory or clinical practice. This study will transform novices within the field of Lacanian theory into informed thinkers and it will substantially supplement and refine the knowledge of Lacanian veterans. |
the four fundamental concepts of psycho-analysis: Transference Jacques Lacan, 2017-10-23 Alcibiades attempted to seduce Socrates, he wanted to make him, and in the most openly avowed way possible, into someone instrumental and subordinate to what? To the object of Alcibiades's desire – ágalma, the good object. I would go even further. How can we analysts fail to recognize what is involved? He says quite clearly: Socrates has the good object in his stomach. Here Socrates is nothing but the envelope in which the object of desire is found. It is in order to clearly emphasize that he is nothing but this envelope that Alcibiades tries to show that Socrates is desire's serf in his relations with Alcibiades, that Socrates is enslaved to Alcibiades by his desire. Although Alcibiades was aware that Socrates desired him, he wanted to see Socrates's desire manifest itself in a sign, in order to know that the other – the object, ágalma – was at his mercy. Now, it is precisely because he failed in this undertaking that Alcibiades disgraces himself, and makes of his confession something that is so affectively laden. The daemon of Αἰδώς (Aidós), Shame, about which I spoke to you before in this context, is what intervenes here. This is what is violated here. The most shocking secret is unveiled before everyone; the ultimate mainspring of desire, which in love relations must always be more or less dissimulated, is revealed – its aim is the fall of the Other, A, into the other, a. Jacques Lacan |
the four fundamental concepts of psycho-analysis: What Is Psychoanalysis? Barnaby B Barratt, 2013-05-20 2020 American Board & Academy of Psychoanalysis (ABAPsa) book award winner! In a radically powerful interpretation of the human condition, this book redefines the discipline of psychoanalysis by examining its fundamental assumptions about the unconscious mind, the nature of personal history, our sexualities, and the significance of the Oedipus Complex. With striking originality, Barratt explains the psychoanalytic way of exploring our inner realities, and criticizes many of the schools of psychoanalytic psychotherapy that emerged and prospered during the 20th century. In 1912, Sigmund Freud formed a Secret Committee, charged with the task of protecting and advancing his discoveries. In this book, Barratt argues both that this was a major mistake, making the discipline more like a religious organization than a science, and that this continues to infuse psychoanalytic institutes today. What is Psychoanalysis? takes each of the four fundamental concepts that Freud himself said were the cornerstones of his science of healing, and offers a fresh and detailed re-examination of their contemporary importance. Barratt's analysis demonstrates how the profound work, as well as the playfulness, of psychoanalysis, provides us with a critique of the ideologies that support oppression and exploitation on the social level. It will be of interest to advanced students of clinical psychology or philosophy, as well as psychoanalysts and psychotherapists. |
the four fundamental concepts of psycho-analysis: Reading Seminar XX Suzanne Barnard, Bruce Fink, 2012-02-01 This collection offers the first sustained, in-depth commentary on Seminar XX, Encore, considered the cornerstone of Lacan's work on the themes of sexual difference, knowledge, jouissance, and love. Although Seminar XX was originally popularized as Lacan's treatise on feminine sexuality, these essays, by some of today's foremost Lacanian scholars, go beyond feminine sexuality to address Lacan's significant intertwining concern with the rupture between reality and the real produced by modern science, and the implications of this rupture for subjectivity, knowledge, jouissance, and the body. The essays clarify basic concepts, but for readers already familiar with Lacan they also offer sophisticated workings-through of the more challenging and obscure arguments in Encore—both by tracing their historical development across Lacan's œuvre and by demonstrating their relation to particular philosophical, theological, mathematical, and scientific concepts. They cover much of the terrain necessary for understanding sexual difference—not in terms of chromosomes, body parts, choice of sexual partner, or varieties of sexual practice—but in terms of one's position vis-à-vis the Other and the kind of jouissance one is able to obtain. In so doing, they make significant interventions in the debates regarding sex, gender, and sexuality in feminist theory, philosophy, queer theory, and cultural studies. |
the four fundamental concepts of psycho-analysis: Fundamentals of Psychoanalytic Technique: A Lacanian Approach for Practitioners Bruce Fink, 2011-04-26 An introduction to psychoanalytic technique from a Lacanian perspective. |
Four - Buy Now, Pay Later
Buy Now, Pay Later. Allow your shoppers to pay over time while you get paid today, risk free!
4 - Wikipedia
4 (four) is a number, numeral and digit. It is the natural number following 3 and preceding 5. It is a square number, the smallest semiprime and composite number, and is considered unlucky in …
Four - definition of four by The Free Dictionary
1. a cardinal number, three plus one. 2. a symbol of this number, 4 or IV or IIII. 3. a set of this many persons or things. 4. a. an automobile powered by a four-cylinder engine. b. the engine …
FOUR Definition & Meaning | Dictionary.com
Four definition: a cardinal number, three plus one.. See examples of FOUR used in a sentence.
FOUR | definition in the Cambridge English Dictionary
FOUR meaning: 1. the number 4: 2. a team of four people in rowing, or the boat that they use 3. in cricket, four…. Learn more.
Four Definition & Meaning - YourDictionary
Four definition: The cardinal number equal to 3 + 1.
four - Definition, pictures, pronunciation and usage notes | Oxford ...
Definition of four in Oxford Advanced Learner's Dictionary. Meaning, pronunciation, picture, example sentences, grammar, usage notes, synonyms and more.
FOUR definition in American English | Collins English Dictionary
7 senses: 1. the cardinal number that is the sum of three and one 2. a numeral, 4, IV, etc, representing this number 3..... Click for more definitions.
FOUR Definition & Meaning - Merriam-Webster
The meaning of FOUR is a number that is one more than three. How to use four in a sentence.
4 (number) - Simple English Wikipedia, the free encyclopedia
In mathematics, the number four is an even number and the smallest composite number. Four is also the second square number after one. A small minority of people have four fingers on each …
Four - Buy Now, Pay Later
Buy Now, Pay Later. Allow your shoppers to pay over time while you get paid today, risk free!
4 - Wikipedia
4 (four) is a number, numeral and digit. It is the natural number following 3 and preceding 5. It is a square number, …
Four - definition of four by The Free Dictionary
1. a cardinal number, three plus one. 2. a symbol of this number, 4 or IV or IIII. 3. a set of this many persons or …
FOUR Definition & Meaning | Dictionary.com
Four definition: a cardinal number, three plus one.. See examples of FOUR used in a sentence.
FOUR | definition in the Cambridge English Dictionary
FOUR meaning: 1. the number 4: 2. a team of four people in rowing, or the boat that they use 3. in cricket, …