The Look Of Buster Keaton Book

  the look of buster keaton book: Camera Man Dana Stevens, 2022-01-25 From the chief film critic of Slate comes a fresh and captivating biography on comedy legend and acclaimed filmmaker Buster Keaton that also explores the evolution of film from the silent era to the 1940s. As one of the most famous faces of silent cinema, Buster Keaton was and continues to be revered for his stoic expressions, clever visual gags, and acrobatic physicality in classics such as Sherlock Jr., The General, and The Cameraman. In this spirited biography, every aspect of Buster Keaton's astonishing life is explored, from his humble beginnings in vaudeville with his parents to his meteoric rise to Hollywood stardom during the silent era. Based on vigorous research of both Keaton and the film industry, it also delves into the dark sides of fame, such as Keaton's ill-advised businesses deals and alcoholism, to his unexpected resurgence in the 1940s as his contributions as both an actor and director were finally celebrated. This is a fascinating and uniquely astounding look at both the classic era of Hollywood and one of its most beloved stars.
  the look of buster keaton book: Buster Keaton James Curtis, 2022-02-15 **One of Literary Hub’s Five “Most Critically Acclaimed” Biographies of 2022** From acclaimed cultural and film historian James Curtis—a major biography, the first in more than two decades, of the legendary comedian and filmmaker who elevated physical comedy to the highest of arts and whose ingenious films remain as startling, innovative, modern—and irresistible—today as they were when they beguiled audiences almost a century ago. It is brilliant—I was totally absorbed, couldn't stop reading it and was very sorry when it ended.—Kevin Brownlow It was James Agee who christened Buster Keaton “The Great Stone Face.” Keaton’s face, Agee wrote, ranked almost with Lincoln’s as an early American archetype; it was haunting, handsome, almost beautiful, yet it was also irreducibly funny. Keaton was the only major comedian who kept sentiment almost entirely out of his work and . . . he brought pure physical comedy to its greatest heights.” Mel Brooks: “A lot of my daring came from Keaton.” Martin Scorsese, influenced by Keaton’s pictures in the making of Raging Bull: “The only person who had the right attitude about boxing in the movies for me,” Scorsese said, “was Buster Keaton.” Keaton’s deadpan stare in a porkpie hat was as recognizable as Charlie Chaplin’s tramp and Harold Lloyd’s straw boater and spectacles, and, with W. C. Fields, the four were each considered a comedy king--but Keaton was, and still is, considered to be the greatest of them all. His iconic look and acrobatic brilliance obscured the fact that behind the camera Keaton was one of our most gifted filmmakers. Through nineteen short comedies and twelve magnificent features, he distinguished himself with such seminal works as Sherlock Jr., The Navigator, Steamboat Bill, Jr., The Cameraman, and his masterpiece, The General. Now James Curtis, admired biographer of Preston Sturges (“definitive”—Variety), W. C. Fields (“by far the fullest, fairest and most touching account we have yet had. Or are likely to have”—Richard Schickel, front page of The New York Times Book Review), and Spencer Tracy (“monumental; definitive”—Kirkus Reviews), gives us the richest, most comprehensive life to date of the legendary actor, stunt artist, screenwriter, director—master.
  the look of buster keaton book: Buster Keaton Remembered Eleanor Keaton, Jeffrey Vance, 2001-04 In this unique illustrated survey of Keaton's career, Eleanor Keaton, his wife of 26 years, & film historian Jeffrey Vance provide a personal account of this icon of American cinema. - Tie in with the Academy of Motion Picture Arts & Sciences.
  the look of buster keaton book: My Wonderful World Of Slapstick Buster Keaton, Charles Samuels, 1982-08-22 Buster Keaton's autobiography is a view into the quirky mind behind the stoic face of the legendary film comedian.
  the look of buster keaton book: Silent Echoes John Bengtson, 2000 Silent Echoes: Discovering Early Hollywood Through the Films of Buster Keaton is an epic look at a genius at work and at a Hollywood that no longer exists. Painstakingly researching the locations used in Buster Keaton's classic silent films, author John Bengtson combines images from Keaton's movies with archival photographs, historic maps, and scores of dramatic then and now photos. In the process, Bengtson reveals dozens of locations that lay undiscovered for nearly 80 years. Part time machine, part detective story, Silent Echoes presents a fresh look at the matchless Keaton at work, as well as a captivating glimpse of Hollywood's most romantic era. More than a book for film, comedy, or history buffs, Silent Echoes appeals to anyone fascinated with solving puzzles or witnessing the awesome passage of time.
  the look of buster keaton book: Buster Keaton Edward McPherson, 2011-03-17 'Tracing Keaton's beginnings in vaudeville and how he eventually applied that form's traits to cinema, McPherson creates an excellent portrait of a formidable talent, also addressing the private demons that accelerated his eventual slide.' Empire 'The author, rather like his subject, has the knack of sketching a poignant moment using minimum of sentimental flannel.' Sunday Telegraph 'McPherson wins one over because of his loving fan's attention to, and lively evocation of, the core of Keaton's achievement.' Telegraph 'Graceful and charming... McPherson's account is animated by the same sort of colour and vitality as Buster's best work.' Scotsman
  the look of buster keaton book: Buster Keaton's Sherlock Jr. Andrew Horton, 1997 On the film Sherlock Jr. directed by Buster Keaton
  the look of buster keaton book: Keep Your Eye on the Kid Catherine Brighton, 2008-04-01 FAMOUS AT FOUR! Four-year-old Buster Keaton became one of the best-known comedians of his age and inches when his father threw him across a vaudeville stage, shouting “Keep your eye on the kid!” The crowd roared as he easily landed on his feet and instantly became a star. As Buster grew, he set his sights on the budding world of Hollywood and went on to become one of America’s most beloved silent-film stars. Airy detailed illustrations evoke small-town USA in the early 20th century. Told in Buster’s voice, this captivating biography introduces young readers to a boy who became an American icon and changed the face of comedy and the film world forever.
  the look of buster keaton book: The Best of Buster Richard J. Anobile, 1976
  the look of buster keaton book: The Look of Buster Keaton Robert Benayoun, 1980
  the look of buster keaton book: The Fall of Buster Keaton James L. Neibaur, 2010-07-16 The Fall of Buster Keaton assesses Keaton's work during the talking picture era, especially those made at MGM, Educational, and Columbia studios. While giving some attention to the early part of Keaton's career, Neibaur focuses primarily on Keaton's contract work with the three studios, as well as his subsequent work as a gagman, supporting player, and television pitchman. The book also recounts the resurgence of interest in Keaton's silent work, which resulted in a lifetime achievement Oscar and worldwide recognition before his death in 1966.
  the look of buster keaton book: Buster Keaton: Cut to the Chase Marion Meade, 2014-04-01 An American icon, Joseph Frank “Buster” Keaton is easily acknowledged as one of the greatest filmmakers in early cinema and beyond. His elaborate slapstick made audiences scream with laughter. But, his stone face hid an internal turmoil. In BUSTER KEATON: CUT TO THE CHASE, biographer Marion Meade seamlessly lays out the life and works of this comedy genius who lacked any formal education. “Buster” made his name as a child of vaudeville, thrown around the stage by his father in a cartoon pantomime of very real abuse. The lessons he carried forward from that experience translated into some of the greatest silent films of all time. Keaton wrote, directed, performed, and edited dozens of features and shorts, including his masterpiece, The General. However, those early scars also led to decades of drinking and mistreatment of women. Keaton saw huge successes, Hollywood sex scandals, years of neglect from studios and audiences, and finally a shaky resurrection that assured his place in Hollywood’s film canon. Meticulously researched, this book brings together four years of research and hundreds of interviews to paint a nuanced portrait of a compelling artist. No comedy fan or film buff should miss this insider story of the man behind the stone face.
  the look of buster keaton book: Buster Keaton Imogen Sara Smith, 2013-11-24 Buster Keaton is remembered today as one of the most innovative and hilarious comedians of the silent movie era, considered now to be the equal to Charlie Chaplin and Harold Lloyd. Starting his career as a child in vaudeville with his parents in a violent, knockabout comedy act known as The Three Keatons, Buster - so called because he could take a fall without getting hurt - was a seasoned stage professional by the time of his film debut with Roscoe Fatty Arbuckle in 1917 at only 21 years old. Keaton's soaring success in motion pictures lasted 15 years until a devastating crash brought on by personal troubles, alcoholism and the advent of sound pictures. By 1932, Buster had become nearly unemployable. The true story of how he bounced back to become an icon in film history is the beautifully written and thoroughly researched tale lovingly crafted in Buster Keaton: The Persistence of Comedy by film analyst and writer, Imogen Sara Smith.
  the look of buster keaton book: Comedy Incarnate Noël Carroll, 2009-01-12 COMEDY INCARNATE COMEDY INCARNATE Buster Keaton, Physical Humor and Bodily Coping “Buster Keaton was an engineer of the comic, a craftsman of gags, a mechanic of humor. While Carroll does not aspire to be as funny as Keaton, he can match (and follow) him in intricate and brilliant analysis, providing a logic of illogic. A book that will change how we think about slapstick and film style.” Tom Gunning, University of Chicago “Comedy Incarnate is a brilliant, inventive and lucid examination of Buster Keaton’s The General. Through close textual analysis, Carroll opens up a wide expanse of historical and theoretical territory – positioning The General in relation to the writings of Merleau-Ponty, Bergson, and Poulet, as well as to the films of Chaplin, Lloyd, and Langdon.” Lucy Fischer, University of Pittsburgh “Building on Keaton’s directorial practice as a sort of civil engineer who engaged a mechanical universe, Carroll . . . investigates how Keaton’s emphasis on gags and their intelligibility characterize the film in specific ways. In so doing he opens up an understanding of how Keaton’s comedy of body intelligence works, especially in contrast to contemporaries like Charlie Chaplin and Harold Lloyd, and he shows how intelligence – the artist’s and the viewer’s – informs laughter.” CHOICE Comedy Incarnate explores the intricacies of Buster Keaton’s unique visual style to discover what provokes laughter in his timeless films, paying special attention to The General. Keaton’s precise body comedy, coupled with his unconventional directorial decisions, suggests a new way of analyzing the film in terms of its visual elements as opposed to its narrative. Written by one of America’s foremost film theorists, this in-depth examination of the comedy of the steam, steel, and railroad era will provide a fresh vantage point for analysis of film and comedy itself.
  the look of buster keaton book: Keaton, the Man who Wouldn't Lie Down Tom Dardis, 1988 Explores the complex nature of the enigmatic silent-film star through the eyes of his close friends and associates, recreating his vaudeville days, his great successes in the 1920s, and the years of decline
  the look of buster keaton book: Buster Keaton's Crew Lisle Foote, 2014-11-14 Buster Keaton told an interviewer in 1965, When I'm working alone, the cameraman, the prop man, the electrician, these are my eyes out there.... They knew what they were talking about. Drawn from film trade magazines, newspapers, interviews and public records, this book tells the previously unpublished stories of the behind-the-scenes crew who worked on Keaton's silent films--like Elgin Lessley, who went from department store clerk to chief cameraman, and Fred Gabourie, who served as an army private in the Spanish American War before he became Keaton's technical director. I'd ask, 'Did that work the way I wanted it to?' and they'd say yes or no, Keaton said of his crew. He couldn't have made his films without them.
  the look of buster keaton book: The Theater and Cinema of Buster Keaton Robert Knopf, 2018-06-05 Famous for their stunts, gags, and images, Buster Keaton's silent films have enticed everyone from Hollywood movie fans to the surrealists, such as Dalí and Buñuel. Here Robert Knopf offers an unprecedented look at the wide-ranging appeal of Keaton's genius, considering his vaudeville roots and his ability to integrate this aesthetic into the techniques of classical Hollywood cinema in the 1920s. When young Buster was being hurled about the stage by his comically irate father in the family's vaudeville act, The Three Keatons, he was perfecting his acrobatic skills, timing, visual humor, and trademark stone face. As Knopf demonstrates, such theatrics would serve Keaton well as a film director and star. By isolating elements of vaudeville within works that have previously been considered classical, Knopf reevaluates Keaton's films and how they function. The book combines vivid visual descriptions and illustrations that enable us to see Keaton at work staging his memorable images and gags, such as a three-story wall collapsing on him (Steamboat Bill, Jr., 1928) and an avalanche of boulders chasing him down a mountainside (Seven Chances, 1925). Knopf explains how Keaton's stunts and gags served as fanciful departures from his films' storylines and how they nonetheless reinforced a strange sense of reality, that of a machine-like world with a mind of its own. In comparison to Chaplin and Lloyd, Keaton made more elaborate use of natural locations. The scene in The Navigator, for example, where Buster brandishes a swordfish to fend off another swordfish derives much of its power from actually being shot under water. Such hyper-literalism was but one element of Keaton's films that inspired the surrealists. Exploring Keaton's influence on Salvador Dalí, Luis Buñuel, Federico García Lorca, and Robert Desnos, Knopf suggests that Keaton's achievement extends beyond Hollywood into the avant-garde. The book concludes with an examination of Keaton's late-career performances in Gerald Potterton's The Railrodder and Samuel Beckett's Film, and locates his legacy in the work of Jackie Chan, Blue Man Group, and Bill Irwin.
  the look of buster keaton book: Buster Keaton Edward McPherson, 2007-02-01 This “appreciative biography that rolls as smoothly as a film reel” (Cleveland Plain Dealer) celebrates one of cinema’s greatest clowns, painting a detailed portrait of the man behind the mayhem and offering a fresh look at the classic comedies that defined the Golden Age of Silent Film. Writer—and avowed fan—Edward McPherson takes the reader on a fascinating journey through Buster Keaton’s life and times, from the vaudeville stage to the glittering screens of early Hollywood, where he rivaled even Charlie Chaplin as the master of silent comedy. Based on extensive research, this biography reveals Keaton in his prime as an antic genius—equal parts auteur, innovator, prankster, and daredevil—focusing on his glorious 1920s films, which “McPherson evokes with insight and enthusiasm” (Washington Post Book World).
  the look of buster keaton book: The Parade's Gone By Kevin Brownlow, 1968 Well illustrated book on history of silent movies
  the look of buster keaton book: Buster Keaton Chris Wade, 2018-01-19 In the golden age of silent cinema, Buster Keaton was one of the world's most revered filmmakers, his fame and acclaim matched only by Chaplin. However, when his career and personal life took a down turn upon the arrival of sound, Keaton's achievements were forgotten, and for years he was seen as a faded relic from another era. Contrary to popular belief however, Keaton bounced back. He quit the drink, remarried and got his career back on track. In the 1950s and 60s, he kept on working steadily on TV, in commercials, telefilms, mainstream movies and independent features. This book explores the final years, and days, of Buster Keaton. Chris Wade looks at the wide variety of work he took on, such as Film, which Keaton made with Samuel Beckett; The Railrodder, one of his final two- reelers; and a host of other lost curiosities worthy of dusting off and re-evaluating. Wade makes a case for this latter period being a Keaton renaissance. Also includes a new Q and A with Gerald Potterton, director of The Railrodder.
  the look of buster keaton book: The Gag Man Matthew Dessem, 2015-09-15 A moving and in-depth biography of one of Hollywood's early, forgotten pioneers.
  the look of buster keaton book: Show Me a Story! Leonard S. Marcus, 2013-09-10 “Will inspire, inform, and delight those of any age who areengaged in—or by—the arts.” — The Horn Book Renowned children’s literature authority Leonard S. Marcus speaks with twenty-one of the world’s most celebrated illustrators of picture books, asking about their childhood, their inspiration, their creative choices, and more. Amplifying these richly entertaining and thought-provoking conversations are eighty-eight full- color plates revealing each illustrator’s artistic process in fascinating, behind- the-scenes detail. This inspiring collection confirms that picture books matter because they make a difference in our children’s lives.
  the look of buster keaton book: Harry Langdon Gabriella Oldham, Mabel Langdon, 2017-04-18 Among silent film comedians, three names stand out—Charlie Chaplin, Buster Keaton, and Harold Lloyd—but Harry Langdon indisputably deserves to sit among them as the fourth king. In films such as The Strong Man (1926) and Long Pants (1927), Langdon parlayed his pantomime talents, expressive eyes, and childlike innocence into silent-era stardom. This in-depth biography, which features behind-the-scenes accounts and personal recollections compiled by Langdon's late wife, provides a full and thoughtful picture of this multifaceted entertainer and his meteoric rise and fall. Authors Gabriella Oldham and Mabel Langdon explore how the actor developed and honed his comedic skills in amateur shows, medicine shows, and vaudeville. Together they survey his early work on the stage at the turn of the twentieth century as well as his iconic routines and characters. They also evaluate his failures from the early sound period, including his decision to part ways with director Frank Capra. Despite his dwindling popularity following the introduction of talkies, Langdon persevered and continued to perform in theater, radio, and film—literally until his dying day—leaving behind a unique and brilliant body of work. Featuring never-before-published stories and photos from his immediate family, this biography is a fascinating and revealing look at an unsung silent film giant.
  the look of buster keaton book: The Blue Book of the Screen Ruth Wing, 1924
  the look of buster keaton book: The Body in Hollywood Slapstick Alex Clayton, 2014-12-24 Because they rely heavily on physical comedy, many Hollywood slapstick films can be understood as comic meditations on the place and nature of the human body. Focusing on the works of Charlie Chaplin, Buster Keaton, Harold Lloyd, and Laurel and Hardy, among others, this book examines ways that the body represents or interacts with the mind, setting, voice and machines in slapstick films. Also covered are female performances in slapstick and brutality and suffering in the slapstick tradition.
  the look of buster keaton book: Civil Rights Queen Tomiko Brown-Nagin, 2023-03-07 With the US Supreme Court confirmation of Ketanji Brown Jackson, “it makes sense to revisit the life and work of another Black woman who profoundly shaped the law: Constance Baker Motley” (CNN). The first major biography of one of our most influential judges—an activist lawyer who became the first Black woman appointed to the federal judiciary—that provides an eye-opening account of the twin struggles for gender equality and civil rights in the 20th Century. “A must-read for anyone who dares to believe that equal justice under the law is possible and is in search of a model for how to make it a reality.” —Anita Hill Born to an aspirational blue-collar family during the Great Depression, Constance Baker Motley was expected to find herself a good career as a hair dresser. Instead, she became the first black woman to argue a case in front of the Supreme Court, the first of ten she would eventually argue. The only black woman member in the legal team at the NAACP's Inc. Fund at the time, she defended Martin Luther King in Birmingham, helped to argue in Brown vs. The Board of Education, and played a critical role in vanquishing Jim Crow laws throughout the South. She was the first black woman elected to the state Senate in New York, the first woman elected Manhattan Borough President, and the first black woman appointed to the federal judiciary. Civil Rights Queen captures the story of a remarkable American life, a figure who remade law and inspired the imaginations of African Americans across the country. Burnished with an extraordinary wealth of research, award-winning, esteemed Civil Rights and legal historian and dean of the Harvard Radcliffe Institute, Tomiko Brown-Nagin brings Motley to life in these pages. Brown-Nagin compels us to ponder some of our most timeless and urgent questions--how do the historically marginalized access the corridors of power? What is the price of the ticket? How does access to power shape individuals committed to social justice? In Civil Rights Queen, she dramatically fills out the picture of some of the most profound judicial and societal change made in twentieth-century America.
  the look of buster keaton book: Missing Reels Farran Smith Nehme, 2014-11-12 New York in the late 1980s. Ceinwen Reilly has just moved from Yazoo City, Mississippi, and she’s never going back, minimum wage job (vintage store salesgirl) and shabby apartment (Avenue C walkup) be damned. Who cares about earthly matters when Ceinwen can spend her days and her nights at fading movie houses—and most of the time that’s left trying to look like Jean Harlow? One day, Ceinwen discovers that her downstairs neighbor may have—just possibly—starred in a forgotten silent film that hasn’t been seen for ages. So naturally, it’s time for a quest. She will track down the film, she will impress her neighbor, and she will become a part of movie history: the archivist as ingénue. As she embarks on her grand mission, Ceinwen meets a somewhat bumbling, very charming, 100% English math professor named Matthew, who is as rational as she is dreamy. Together, they will or will not discover the missing reels, will or will not fall in love, and will or will not encounter the obsessives that make up the New York silent film nut underworld. A novel as winning and energetic as the grand Hollywood films that inspired it, Missing Reels is an irresistible, alchemical mix of Nora Ephron and David Nicholls that will charm and delight.
  the look of buster keaton book: Bad Taste Jim Barratt, 2008 'Bad Taste' is a steady-earning cult classic that launched the career of the world's highest-paid filmmaker, Peter Jackson. This book recounts the story of the film's unconventional, homemade production and is unexpected success at the Cannes Film Festival.
  the look of buster keaton book: The Silent Clowns Walter Kerr, 1979 'A lavishly illustrated, affectionate treatment by one of the finest critics of our time...Kerr is more than a brilliant master of verbal description; he is a penetrating, lucid theorist. This book is as much about comedy as about movies, about eyes and ears and how and why we laugh.'-Thomas Wills, Chicago Tribune Book World
  the look of buster keaton book: Buster Keaton in His Own Time Wes D. Gehring, 2018-03-14 Buster Keaton can impress a weary world with the vitally important fact that life, after all, is a foolishly inconsequential affair, wrote critic Robert Sherwood in 1918. A century later Keaton, with his darkly comic theater of the absurd, speaks to audiences like no other silent comedian. If you thought you knew Keaton--think again!
  the look of buster keaton book: Anne Bancroft Douglass K. Daniel, 2017-09-22 Mrs. Robinson, you're trying to seduce me. Aren't you? These famous lines from The Graduate (1967) would forever link Anne Bancroft (1931–2005) to the groundbreaking film and confirm her status as a movie icon. Along with her portrayal of Annie Sullivan in the stage and film drama The Miracle Worker, this role was a highlight of a career that spanned a half-century and brought Bancroft an Oscar, two Tonys, and two Emmy awards. In the first biography to cover the entire scope of Bancroft's life and career, Douglass K. Daniel brings together interviews with dozens of her friends and colleagues, never-before-published family photos, and material from film and theater archives to present a portrait of an artist who raised the standards of acting for all those who followed. Daniel reveals how, from a young age, Bancroft was committed to challenging herself and strengthening her craft. Her talent (and good timing) led to a breakthrough role in Two for the Seesaw, which made her a Broadway star overnight. The role of Helen Keller's devoted teacher in the stage version of The Miracle Worker would follow, and Bancroft also starred in the movie adaption of the play, which earned her an Academy Award. She went on to appear in dozens of film, theater, and television productions, including several movies directed or produced by her husband, Mel Brooks. Anne Bancroft: A Life offers new insights into the life and career of a determined actress who left an indelible mark on the film industry while remaining true to her art.
  the look of buster keaton book: Garbo Robert Gottlieb, 2021-12-07 A New York Times Book Review Editors' Choice | One of Esquire's 125 best books about Hollywood Award-winning master critic Robert Gottlieb takes a singular and multifaceted look at the life of silver screen legend Greta Garbo, and the culture that worshiped her. “Wherever you look in the period between 1925 and 1941,” Robert Gottlieb writes in Garbo, “Greta Garbo is in people’s minds, hearts, and dreams.” Strikingly glamorous and famously inscrutable, she managed, in sixteen short years, to infiltrate the world’s subconscious; the end of her film career, when she was thirty-six, only made her more irresistible. Garbo appeared in just twenty-four Hollywood movies, yet her impact on the world—and that indescribable, transcendent presence she possessed—was rivaled only by Marilyn Monroe’s. She was looked on as a unique phenomenon, a sphinx, a myth, the most beautiful woman in the world, but in reality she was a Swedish peasant girl, uneducated, naïve, and always on her guard. When she arrived in Hollywood, aged nineteen, she spoke barely a word of English and was completely unprepared for the ferocious publicity that quickly adhered to her as, almost overnight, she became the world’s most famous actress. In Garbo, the acclaimed critic and editor Robert Gottlieb offers a vivid and thorough retelling of her life, beginning in the slums of Stockholm and proceeding through her years of struggling to elude the attention of the world—her desperate, futile striving to be “left alone.” He takes us through the films themselves, from M-G-M’s early presentation of her as a “vamp”—her overwhelming beauty drawing men to their doom, a formula she loathed—to the artistic heights of Camille and Ninotchka (“Garbo Laughs!”), by way of Anna Christie (“Garbo Talks!”), Mata Hari, and Grand Hotel. He examines her passive withdrawal from the movies, and the endless attempts to draw her back. And he sketches the life she led as a very wealthy woman in New York—“a hermit about town”—and the life she led in Europe among the Rothschilds and men like Onassis and Churchill. Her relationships with her famous co-star John Gilbert, with Cecil Beaton, with Leopold Stokowski, with Erich Maria Remarque, with George Schlee—were they consummated? Was she bisexual? Was she sexual at all? The whole world wanted to know—and still wants to know. In addition to offering his rich account of her life, Gottlieb, in what he calls “A Garbo Reader,” brings together a remarkable assembly of glimpses of Garbo from other people’s memoirs and interviews, ranging from Ingmar Bergman and Tallulah Bankhead to Roland Barthes; from literature (she turns up everywhere—in Hemingway’s For Whom the Bell Tolls, in Evelyn Waugh, Graham Greene, and the letters of Marianne Moore and Alice B. Toklas); from countless songs and cartoons and articles of merchandise. Most extraordinary of all are the pictures—250 or so ravishing movie stills, formal portraits, and revealing snapshots—all reproduced here in superb duotone. She had no personal vanity, no interest in clothes and make-up, yet the story of Garbo is essentially the story of a face and the camera. Forty years after her career ended, she was still being tormented by unrelenting paparazzi wherever she went. Includes Black-and-White Photographs
  the look of buster keaton book: Buster Keaton Oliver Lindsey Scott, 1995
  the look of buster keaton book: Roger Ebert's Book of Film Roger Ebert, 1997 The Pulitzer Prize-winning film critic assembles and introduces more than one hundred essays and articles about film, with entries by and about movie stars, famous directors, industry executives, and critics. Tour.
  the look of buster keaton book: Damned in Paradise John Kobler, 1977
  the look of buster keaton book: The Spectator Studs Terkel, 2001-03-01 Gathers interviews with Buster Keaton, Lillian Gish, Carol Channing, Arthur Miller, James Cagney, Pauline Kael, Federico Fellini, Sybil Thorndike, James Baldwin, William Saroyan, Edward Albee, and Zero Mostel
  the look of buster keaton book: The Counterfeiters Hugh Kenner, 1968
  the look of buster keaton book: Oxford Bibliographies ,
  the look of buster keaton book: Keaton Rudi Blesh, 1971
LOOK Definition & Meaning - Merriam-Webster
The meaning of LOOK is to make sure or take care (that something is done). How to use look in a sentence. Synonym Discussion of Look.

LOOK Synonyms: 234 Similar and Opposite Words - Merriam-Webster
Synonyms for LOOK: seem, feel, sound, appear, make, act, come across (as), pretend; Antonyms of LOOK: suppress, restrict, restrain, stifle, censor, ugliness, plainness, homeliness

LOOK | English meaning - Cambridge Dictionary
LOOK definition: 1. to direct your eyes in order to see: 2. to try to find something or someone: 3. to appear or…. Learn more.

Look - definition of look by The Free Dictionary
look - the act of directing the eyes toward something and perceiving it visually; "he went out to have a look"; "his look was fixed on her eyes"; "he gave it a good looking at"; "his camera does …

LOOK - Definition & Translations | Collins English Dictionary
Discover everything about the word "LOOK" in English: meanings, translations, synonyms, pronunciations, examples, and grammar insights - all in one comprehensive guide.

Look Definition & Meaning - YourDictionary
Look definition: To seem or appear to be.

LOOK | definition in the Cambridge English Dictionary
LOOK meaning: 1. to direct your eyes in order to see: 2. to try to find something or someone: 3. to appear or…. Learn more.

LOOK definition and meaning | Collins English Dictionary
You can use look to draw attention to a particular situation, person, or thing, for example because you find it very surprising, significant, or annoying. Hey, look at the time! We'll talk about it …

Look - Definition, Meaning & Synonyms - Vocabulary.com
When you look at something, you see it. Look can also describe how something appears, like when your dog looks sad, or something likely to happen, like a gray day that looks like rain. As …

look verb - Definition, pictures, pronunciation and usage notes ...
Definition of look verb from the Oxford Advanced Learner's Dictionary. [intransitive] to turn your eyes in a particular direction. Look closely and tell me what you see. If you look carefully you …

LOOK Definition & Meaning - Merriam-Webster
The meaning of LOOK is to make sure or take care (that something is done). How to use look in a sentence. Synonym Discussion of Look.

LOOK Synonyms: 234 Similar and Opposite Words - Merriam-Webst…
Synonyms for LOOK: seem, feel, sound, appear, make, act, come across (as), pretend; Antonyms of LOOK: suppress, restrict, restrain, stifle, censor, …

LOOK | English meaning - Cambridge Dictionary
LOOK definition: 1. to direct your eyes in order to see: 2. to try to find something or someone: 3. to appear or…. Learn more.

Look - definition of look by The Free Dictionary
look - the act of directing the eyes toward something and perceiving it visually; "he went out to have a look"; "his look was fixed on her eyes"; "he gave it a good looking at"; "his camera does his looking for him"

LOOK - Definition & Translations | Collins English Dictionary
Discover everything about the word "LOOK" in English: meanings, translations, synonyms, pronunciations, examples, and grammar insights - all in one comprehensive guide.