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| the human argument agnes denes: The Human Argument Agnes Denes, 2008-03-05 The Human Argument is the first publication of Agnes Denes's collected writings. Denes-an early pioneer of both the environmental art movement and Conceptual art-has investigated the physical and social sciences, philosophy, linguistics, psychology, art history, poetry and music and transformed her explorations into unique works of visual art. Her work involves ecological, cultural, and social issues, and are often monumental in scale. She is perhaps best known for Wheatfield - A Confrontation (1982), a two-acre wheat field she planted and harvested in downtown Manhattan, a work that addresses human values and misplaced priorities. |
| the human argument agnes denes: Book of Dust Agnes Denes, 1989 Denes began her compilation of data for this major work in 1972. Using dust as a metaphor and a connecting thread to facts and phenomena, she studies the human mind, our ethical values, standards of living, and survival, presenting haunting images of dust particles from outer space, such as the death of a star, distant and large objects in the universe, as well as earthly dust, including human dust, hallucinogens, poisons, chemicals, and nuclear waste. Book of Dust is a glance at the history and the future of the universe, from its violent birth to the formation of stars, the silent demise of galaxies, and the death of matter. From cosmic dust to human dust, from molecules to intelligence, this work is a cross-section of existence. |
| the human argument agnes denes: Agnes Denes: Absolutes and Intermediates AGNES. DENES, 2019-11-19 Agnes Denes, the queen of land art, made one of New York's greatest public art projects ever in 1982. Now, the world might be catching up with her. -Karrie Jacobs, New York Times Agnes Denes: Absolutes and Intermediates accompanies the largest exhibition of the artist's work in New York to date, held at The Shed in fall 2019 as part of the arts space's opening season. Presenting more than 130 works, this comprehensive publication, presented in an embossed slipcase, spans the 50-year career of the path-breaking artist dubbed the queen of land art by the New York Times, famed for her iconic Wheatfield--A Confrontation (1982), for which she planted a two-acre wheatfield in Lower Manhattan on the Battery Park Landfill, in the shadow of the then recently erected Twin Towers. A major undertaking, this superb catalog includes a comprehensive text by the exhibition's curator, Emma Enderby, an interview with Denes by Hans Ulrich Obrist, essays by prominent scholars and curators including Caroline A. Jones, Lucy R. Lippard and Timothy Morton that examine Denes' multifaceted practice in new ways, writings by the artist and reflections by curators who have worked with Denes over the course of her career. New works by Denes commissioned by The Shed for the exhibition are presented in a special insert. Budapest-born, New York-based artist Agnes Denes (born 1931) rose to international attention in the 1960s and 1970s as a leading figure in conceptual, environmental and ecological art. A pioneer of several art genres, she has created work in many mediums, utilizing various disciplines--such as science, philosophy, linguistics, ecology and psychology--to analyze, document and ultimately aid humanity. |
| the human argument agnes denes: Isometric Systems in Isotropic Space Agnes Denes, 1979 Isometric Systems in Isotropic Space: Map Projections, like most of my work, maps human perimeters within the changing aspects of reality, and involves distortions and perspective, probability and space relations, transformations and interactions of phenomena. |
| the human argument agnes denes: Where is Ana Mendieta? Jane Blocker, Ana Mendieta, 1999 An analysis of the career of Ana Mendieta, a Cuban-American feminist artist who came to prominence in the late 70s and early 80s, in terms of gender and performance theory. |
| the human argument agnes denes: From Conceptualism to Feminism Cornelia H. Butler, 2012 ... examines the numbers shows and follows Lippard's trajectory as critic and curator, tracing her growing political engagement and involvement with feminism. Extensive archival material is complemented by a new essay by Cornelia Butler and interviews with Lippard, Seth Siegelaub and exhibiting artists as well as critical responses written at the time by Peter Plagens and Griselda Pollock... also includes an essay by Pip Day analysing artists' initiatives in Argentina as a context for Lipard's emerging political consciousness. --back cover. |
| the human argument agnes denes: Conceptual Art Robert C. Morgan, 1994 During the mid-1960s avant-garde artists in New York developed a multimedia art form devoted to ideas instead of objects. A history of the movement can be traced back to the minimal art and the earlier works of Marcel Duchamp, the black paintings of Ad Reinhardt and the philosophy of Ludwig Wittgenstein. By 1965, such artists as Mel Bochner and Joseph Kosuth were turning away from conventional art and viewing art as a concept, based primarily upon language. |
| the human argument agnes denes: New Practices - New Pedagogies Malcolm Miles, 2004-11-23 With radical changes happening in arts over the past two decades, this book brings us up to date with the social and economic contexts in which the arts are produced. Influential and knowledgable leaders in the field debate how arts education - particularly in visual art - has changed to meet new needs or shape new futures for its production and reception. Opening up areas of thought previously unexplored in arts and education, this book introduces students of visual culture, peformance studies and art and design to broad contextual frameworks, new directions in practice, and finally gives detailed cases from, and insights into, a changing pedagogy. |
| the human argument agnes denes: Ecologies of the Moving Image Adrian J. Ivakhiv, 2013-10-07 This book presents an ecophilosophy of cinema: an account of the moving image in relation to the lived ecologies – material, social, and perceptual relations – within which movies are produced, consumed, and incorporated into cultural life. If cinema takes us on mental and emotional journeys, the author argues that those journeys that have reshaped our understanding of ourselves, life, and the Earth and universe. A range of styles are examined, from ethnographic and wildlife documentaries, westerns and road movies, sci-fi blockbusters and eco-disaster films to the experimental and art films of Tarkovsky, Herzog, Malick, and Brakhage, to YouTube’s expanding audio-visual universe. |
| the human argument agnes denes: Index Cards Moyra Davey, 2020 An essential selection of Moyra Davey's sly, surprising, and brilliant essays |
| the human argument agnes denes: The Melancholy Science Gillian Rose, 2014-01-28 The Melancholy Science is the first and foundational work from the celebrated philosopher Gillian Rose and a classic critique of critical theory. |
| the human argument agnes denes: Wolfgang Laib ; Kunst Museum, Bonn, 6. November 1992 bis 24. Januar Wolfgang Laib, Städtisches Kunstmuseum (Bonn), 1992 |
| the human argument agnes denes: How to Imagine Gianfranco Baruchello, Henry Martin, 2017-04-15 Taking the farm he operates outside Rome as his starting point, Baruchello -- one of the outstanding poly-artists to emerge from Italy in the 1960s -- explores the spaces and forces that surround and nurture imagination and perception. How to Imagine began as a series of conversations between the authors, which accounts for the captivating and personal tone, fired by the wit of a natural raconteur, and filled with lively and unexpected revelations. |
| the human argument agnes denes: Rewriting Conceptual Art Michael Newman, Jon Bird, 1999-12 An international movement that developed along separate but parallel lines in Europe and America during the 1970s, Conceptual Art grew out of the legacy of Marcel Duchamp. Aiming to completely redefine the relationships between the production, definition and ownership of artworks and their various audiences, Conceptual artists rejected traditional formats, media and definitions. Instead they chose to address some of the key issues underlying modern life and art. Thse included the gulf between initial idea and finished work, the value assigned works of art in modern economies, the role of women and of feminine creativity in general, the politics of exhibition organization - in short, the ways art and the art world have been defined for centuries. Among the notable figures whose work is discussed in essays ranging from the evaluative to the theoretical are Judy Chicago, Robert Morris, Sol LeWitt, Marcel Broodthaers and Mary Kelly. The influence of Conceptual Art continues to be felt today in the work of such controversial young artists as Rachel Whiteread and Damien Hirst. - back cover. |
| the human argument agnes denes: Modern Art in Eastern Europe S. A. Mansbach, 1998-09-28 This pioneering and award-winning study provides the world with the first coherent narrative of Eastern European contributions to the modern art movement. Analyzing an enormous range of works, from art centers such as Prague, Warsaw and Budapest, (many published here for the first time), S.A. Mansbach shows that any understanding of Modernism is essentially incomplete without the full consideration of vital Eastern European creative output. He argues that Cubism, Expressionism and Constructivism, along with other great modernist styles, were merged with deeply rooted, Eastern European visual traditions. The art that emerged was vital modernist art that expressed the most pressing concerns of the day, political as well as aesthetic. Mansbach examines the critical reaction of the contemporary artistic culture and political state. A major groundbreaking interpretation of Modernism, Modern Art in Eastern Europe completes any full assessment of twentieth-century art, as well as its history. Modern Art in Eastern Europe is the recipient of the 1997 C.I.N.O.A. Prize, awarded by La Confédération Internationale de Négociants en Oeuvres d'Art. The prize is awarded to defray the costs of publication in order to encourage publishers to produce maunscripts of particular merit and the works of younger art historians. |
| the human argument agnes denes: El Mirage Grey Crawford, 1978 |
| the human argument agnes denes: Practice Levine BOON, Marcus Boon, Gabriel Levine, 2018-02 Practice' is one of the key words of contemporary art, used in contexts ranging from artists? descriptions of their practice to curatorial practice, from social practice to practice-based research. This is the first anthology to investigate what contemporary notions of practice mean for art, tracing their development and speculating on where this leads. Reframing the question of practice offers new ways of reading the history of art and of evaluating particular forms of practice-based art. |
| the human argument agnes denes: A Keener Perception Alan C. Braddock, Christoph Irmscher, 2009 A landmark collection of essays on the intersections of visual art, cultural studies, and environmental history in America. Issues of ecology--both as they appear in the works of nature writers and in the works of literary writers for whom place and the land are central issues--have long been of interest to literary critics, and have given rise over the last two decades to the now firmly established field of ecocriticism. The essays in this volume, written by art historians and literary critics, seek to bring the study of American art into the expanding discourse of ecocriticism. A Keener Perception offers a series of case studies on topics ranging from John White's watercolors of the Carolina landscape executed during Sir Walter Raleigh's 1585 Roanoke expedition to photographs by environmental activist Eliot Porter. Rather than merely resurrect past instances of ecologically attuned art, this volume features essays that resituate many canonical figures, such as Thomas Eakins, Aaron Douglas, and Thomas Cole, in an ecocritical light by which they have yet to be viewed. Studying such artists and artworks through an ecocritical lens not only provides a better understanding of these works and the American landscape, but also brings a new interpretive paradigm to the field of art history--a field that many of these critics believe would do well to embrace environmental concerns as a vital area of research. In highlighting the work of scholars who bring ecological agendas to their study of American art, as well as providing models for literary scholars who might like to better incorporate the visual arts into their own scholarship and teaching, A Keener Perception is truly a landmark collection--timely, consequential, and controversial. |
| the human argument agnes denes: Male Fantasies Klaus Theweleit, 1987 |
| the human argument agnes denes: Cyclonopedia Reza Negarestani, 2008 At once a horror fiction, a work of speculative theology, an atlas of demonology, a political samizdat and a philosophic grimoire, CYCLONOPEDIA is a theory-fiction on the Middle East as a living entity. Negarestani bridges contemporary politics and the War on Terror with the archeologies of the Middle East and the natural history of the Earth.--Provided by publisher. |
| the human argument agnes denes: The Genius Decision Klaus Ottmann, 2004-02-19 While there is no essentialist quality of genius, the postmodern artist can reach the extraordinary by way of an active-passive Genius Decision, which is engaged in an activity of failure in its desire to represent the nonrepresentable. |
| the human argument agnes denes: Michelangelo Klaus Ottmann, 2000 Offers a brief introduction to the life and work of Italian Renaissance painter and sculptor Michelangelo Buonarroti. |
| the human argument agnes denes: Identifying Talent, Institutionalizing Diversity Jiannbin Lee Shiao, 2005 DIVShiao shows how two local foundation offices produce different diversity policies and funding profiles in Cleveland and San Francisco three decades after the Civil Rights movement./div |
| the human argument agnes denes: On Photography Susan Sontag, 2025-02-18 Winner of the National Book Critics' Circle Award for Criticism. One of the most highly regarded books of its kind, Susan Sontag's On Photography first appeared in 1977 and is described by its author as a progress of essays about the meaning and career of photographs. It begins with the famous In Plato's Caveessay, then offers five other prose meditations on this topic, and concludes with a fascinating and far-reaching Brief Anthology of Quotations. |
| the human argument agnes denes: The Cambridge Haydn Encyclopedia Caryl Clark, Sarah Day-O'Connell, 2019-04-30 For well over two hundred years, Joseph Haydn has been by turns lionized and misrepresented - held up as celebrity, and disparaged as mere forerunner or point of comparison. And yet, unlike many other canonic composers, his music has remained a fixture in the repertoire from his day until ours. What do we need to know now in order to understand Haydn and his music? With over eighty entries focused on ideas and seven longer thematic essays to bring these together, this distinctive and richly illustrated encyclopedia offers a new perspective on Haydn and the many cultural contexts in which he worked and left his indelible mark during the Enlightenment and beyond. Contributions from sixty-seven scholars and performers in Europe, the Americas, and Oceania, capture the vitality of Haydn studies today - its variety of perspectives and methods - and ultimately inspire further exploration of one of western music's most innovative and influential composers. |
| the human argument agnes denes: Climate Change and Museum Futures Fiona Cameron, Brett Neilson, 2014-12-05 Climate change is a complex and dynamic environmental, cultural and political phenomenon that is reshaping our relationship to nature. Climate change is a global force, with global impacts. Viable solutions on what to do must involve dialogues and decision-making with many agencies, stakeholder groups and communities crossing all sectors and scales. Current policy approaches are inadequate and finding a consensus on how to reduce levels of greenhouse gases in the atmosphere through international protocols has proven difficult. Gaps between science and society limit government and industry capacity to engage with communities to broker innovative solutions to climate change. Drawing on leading-edge research and creative programming initiatives, this collection details the important roles and agencies that cultural institutions (in particular, natural history and science museums and science centres) can play within these gaps as resources, catalysts and change agents in climate change debates and decision-making processes; as unique public and trans-national spaces where diverse stakeholders, government and communities can meet; where knowledge can be mediated, competing discourses and agendas tabled and debated; and where both individual and collective action might be activated. |
| the human argument agnes denes: Into Performance Midori Yoshimoto, 2005-04-28 The 1960s was a time of incredible freedom and exploration in the art world, particularly in New York City, which witnessed the explosion of New Music, Happenings, Fluxus, New Dance, pop art, and minimalist art. Also notable during this period, although often overlooked, is the inordinate amount of revolutionary art that was created by women. Into Performance fills a critical gap in both American and Japanese art history as it brings to light the historical significance of five women artists—Yoko Ono, Yayoi Kusama, Takako Saito, Mieko Shiomi, and Shigeko Kubota. Unusually courageous and self-determined, they were among the first Japanese women to leave their country—and its male-dominated, conservative art world—to explore the artistic possibilities in New York. They not only benefited from the New York art scene, however, they played a major role in the development of international performance and intermedia art by bridging avant-garde movements in Tokyo and New York. This book traces the pioneering work of these five women artists and the socio-cultural issues that shaped their careers. Into Performance also explores the transformation of these artists' lifestyle from traditionally confined Japanese women to internationally active artists. Yoshimoto demonstrates how their work paved the way for younger Japanese women artists who continue to seek opportunities in the West today. |
| the human argument agnes denes: Impossible Histories Dubravka Djurić, Miško Šuvaković, 2003 The first critical survey of the largely unknown avant-garde movements of the former Yugoslavia. |
| the human argument agnes denes: L.A. Xicano Chon A. Noriega, Terecita Romo, Pilar Tompkins Rivas, Pillar Tompkins, Autry National Center, Los Angeles County Museum of Art, 2011 Catalog of exhibitions held at the Autry National Center, Los Angeles, Calif., Oct. 14-2011-Jan. 8, 2012, the Fowler Museum at UCLA, Los Angeles, Calif., Sept. 25, 2011-Feb. 26, 2012 and Oct. 16, 2011-Feb. 26, 2012, and LACMA, Los Angeles, Calif., Oct. 16, 2011-Jan. 22, 2012. |
| the human argument agnes denes: Agnes Denes Agnes Denes, Eleanor Heartney, 2003 |
| the human argument agnes denes: They Were Counted Miklós Bánffy, 2009-07-09 Perfect late night reading JAN MORRIS Banffy is a born storyteller PATRICK LEIGH FERMOR Totally absorbing MARTHA KEARNEY So evocative SIMON JENKINS An extraordinary portrait of the vanished world of pre-1914 Hungary, this epic story is told through the eyes of two cousins, Count Balint Abady and Count Laszlo Gyeroffy. Shooting parties in great country houses, turbulent scenes in parliament and the luxury life in Budapest provide the backdrop for this gripping, prescient novel, forming a chilling indictment of upper-class frivolity and political folly in which good manners cloak indifference and brutality. Abady becomes aware of the plight of a group of Romanian mountain peasants and champions their cause, while Gyeroffy dissipates his resources at the gaming tables, mirroring the decline of the Austro-Hungarian empire itself. This is the first volume Banffy's trilogy, which continues with They Were Found Wanting and They Were Divided. It was rediscovered for an international readership after the fall of communism in Hungary. With a Foreword by Patrick Leigh-Fermor and translated from Hungarian by Patrick Thursfield and Katalin Banffy-Jelen WINNER OF THE WEIDENFELD TRANSLATION PRIZE |
| the human argument agnes denes: Instead of an Animal Leslie Scalapino, 1978 |
| the human argument agnes denes: Digital Light Sean Cubitt, Daniel Palmer, Nathaniel Tkacz, 2015-03-31 Light symbolises the highest good, it enables all visual art, and today it lies at the heart of billion-dollar industries. The control of light forms the foundation of contemporary vision. Digital Light brings together artists, curators, technologists and media archaeologists to study the historical evolution of digital light-based technologies. Digital Light provides a critical account of the capacities and limitations of contemporary digital light-based technologies and techniques by tracing their genealogies and comparing them with their predecessor media. As digital light remediates multiple historical forms (photography, print, film, video, projection, paint), the collection draws from all of these histories, connecting them to the digital present and placing them in dialogue with one another. Light is at once universal and deeply historical. The invention of mechanical media (including photography and cinematography) allied with changing print technologies (half-tone, lithography) helped structure the emerging electronic media of television and video, which in turn shaped the bitmap processing and raster display of digital visual media. Digital light is, as Stephen Jones points out in his contribution, an oxymoron: light is photons, particulate and discrete, and therefore always digital. But photons are also waveforms, subject to manipulation in myriad ways. From Fourier transforms to chip design, colour management to the translation of vector graphics into arithmetic displays, light is constantly disciplined to human purposes. In the form of fibre optics, light is now the infrastructure of all our media; in urban plazas and handheld devices, screens have become ubiquitous, and also standardised. This collection addresses how this occurred, what it means, and how artists, curators and engineers confront and challenge the constraints of increasingly normalised digital visual media. While various art pieces and other content are considered throughout the collection, the focus is specifically on what such pieces suggest about the intersection of technique and technology. Including accounts by prominent artists and professionals, the collection emphasises the centrality of use and experimentation in the shaping of technological platforms. Indeed, a recurring theme is how techniques of previous media become technologies, inscribed in both digital software and hardware. Contributions include considerations of image-oriented software and file formats; screen technologies; projection and urban screen surfaces; histories of computer graphics, 2D and 3D image editing software, photography and cinematic art; and transformations of light-based art resulting from the distributed architectures of the internet and the logic of the database. Digital Light brings together high profile figures in diverse but increasingly convergent fields, from academy award-winner and co-founder of Pixar, Alvy Ray Smith to feminist philosopher Cathryn Vasseleu. |
| the human argument agnes denes: The War of Art Lauren O'Neill-Butler, 2025-06-17 How artists have changed America through direct action Artists in America have long battled against injustices, believing that art can in fact “do more.” The War of Art tells this history of artist-led activism and the global political and aesthetic debates of the 1960s to the present. In contrast to the financialized art market and celebrity artists, the book explores the power of collective effort — from protesting to philanthropy, and from wheat pasting to planting a field of wheat. Lauren O’Neill-Butler charts the post-war development of artists’ protest and connects these struggles to a long tradition of feminism and civil rights activism. The book offers portraits of the key individuals and groups of artists who have campaigned for solidarity, housing, LGBTQ+, HIV/AIDS awareness, and against Indigenous injustice and the exclusion of women in the art world. This includes: the Black Emergency Cultural Coalition (BECC), Women Artists in Revolution (WAR), David Wojnarowicz’s work with ACT UP, Top Value Television (TVTV), Agnes Denes, Edgar Heap of Birds, Dyke Action Machine! (DAM!), fierce pussy, Project Row Houses, and Nan Goldin’s Prescription Addiction Intervention Now (PAIN). Based upon in-depth oral histories with the key figures in these movements, and illustrated throughout, The War of Art is an essential corrective to the idea that art history excludes politics. |
| the human argument agnes denes: Bioprotopia Ruth Morrow, Ben Bridgens, Louise Mackenzie, 2023-06-06 Designing with living materials: thoughts on the paradigm shift and an overview of the state of research What is “Bioprotopia”? It is a vision of a world with buildings that grow, self-heal and create virtuous cycles where waste from one process feeds another. A vision where the spaces that we inhabit are attuned to both the human occupants and non-human microbial ecologies. This is the first book to ground the concept of biotechnology in the built environment in tangible, large-scale prototypes. With rich visuals, it presents materials and processes that bring to life the many possibilities of shaping the built environment with micro-organisms. In addition to considering scientific and technical challenges, the book also discusses the need for a shift in thinking and culture to realise this vision. First comprehensive publication on the state of research Demonstrates the use of renewable materials in design Illustrative, scientific documentation for design professions and researchers |
| the human argument agnes denes: "Science, Technology, and Utopias " Christine Filippone, 2017-07-05 The rise of proxy wars, the Space Race, and cybernetics during the Cold War marked science and technology as vital sites of social and political power. Women artists, historically excluded from these domains, responded critically, while simultaneously redeploying the products of Technological Society into works that promoted ideals of progress and alternative concepts of human community. In this innovative book, author Christine Filippone offers the first focused examination of the conceptual use of science and technology by women artists during and just after the women?s movement. She argues that artists Alice Aycock, Agnes Denes, Martha Rosler and Carolee Schneemann used science and technology to mount a critique on Cold War American society as they saw it?conservative and constricting. Motivated by the contemporary American Women?s Movement, these artists transformed science and technology into new modes of artmaking that transgressed modernist, heroic, painterly styles and subverted the traditional economic structures of the gallery, the museum and the dealer. At the same time, the artists also embraced these domains of knowledge and practice as expressions of hope for a better future. Many found inspiration in the scientific theory of open systems, which investigated problems of wholeness, dynamic interaction and organization, enabling consideration of the porous boundaries between human bodies and their social, political and nonhuman environments. Filippone also establishes that the theory of open systems not only informed feminist art, but also continued to influence women artists? practice of reclamation and ecological art through the twenty-first century. |
| the human argument agnes denes: 9.5 Theses on Art and Class Ben Davis, 2013 In 9.5 Theses on Art and Class, Ben Davis takes on a broad array of contemporary art's most persistent debates: How does creative labor fit into the economy? Is art merging with fashion and entertainment? What can we expect from political art? Davis argues that returning class to the center of discussion can play a vital role in tackling the challenges that visual art faces today, including the biggest challenge of all--how to maintain faith in art itself in a dysfunctional world. |
| the human argument agnes denes: Lee Lozano Jo Applin, 2018-01-01 An illuminating study of an overlooked artist from the 1960s whose work has recently returned to the limelight This is the first in‑depth study of the idiosyncratic ten‑year career of Lee Lozano (1930-1999), assuring this important artist a key place in histories of post‑war art. The book charts the entirety of Lozano's production in 1960s New York, from her raucous drawings and paintings depicting broken tools, genitalia, and other body parts to the final exhibition of her spectacular series of abstract Wave Paintings at the Whitney Museum of American Art in 1970. Highly regarded at the time, Lozano is now perhaps best known for Dropout Piece (1970), a conceptual artwork and dramatic gesture with which she quit the art world. Shortly afterwards she announced she would have no further contact with other women. Her dropout and boycott of women lasted until her death, by which time she was all but forgotten. This book tackles head‑on the challenges that Lozano poses to art history--and especially to feminist art history--attending to her failures as well as her successes, and arguing that through dead ends and impasses she struggled to forge an alternative mode of living. Lee Lozano: Not Working looks for the means to think about complex figures like Lozano whose radical, politically ambiguous gestures test our assumptions about feminism and the right way to live and work. |
| the human argument agnes denes: Drawing from the Modern Jodi Hauptman, Gary Garrels, Museum of Modern Art (New York, N.Y.), 2004 Published on the occasion of the exhibition held at the Museum of Modern Art, New York, Mar. 30-Aug. 29, 2005. |
| the human argument agnes denes: The Grove Encyclopedia of American Art Joan M. Marter, 2011 Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries. |
Human or Not: Frequently Asked Questions
Find answers to frequently asked questions about the Human or Not game. Learn about the game, its purpose, who the humans and AI bots in the game are, and more.
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"Human or Not" is the Turing Test in turbo mode and all online. It's like playing "Guess Who?" but with real people and sneaky AIs. Here's the deal: You're in this digital guessing game, trying to …
Human or Not: Classified Files
Explore the Turing Test concept through our AI-powered 'Human or Not?' interactive game. Historical context. Current progress, our plans. How to participate.
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Start playing game here: Do a search, find a match, chat and then guess if you're conversing with a human or an AI bot in this Turing test-inspired challenge.
Human or Not: Launch Story From Idea Inception to 80k Games a …
According to AI21 Labs' research, humanornot.ai has achieved impressive results: 40% of human votes were incorrect after conversing with bots, indicating that 40% of the time, humans …
Human or Not: Terms of Use for Humans
Read the terms of use for the Human or Not game. Understand the rules, your rights, and our responsibilities before you start playing.
Human or Not: A Social Turing Game is Back, Play Now
Play a super fun chatroulette game! Try to figure out if you’re talking to a human or an AI bot. Do you think you can spot who's who?
Human or Not: Privacy Policy
Read the privacy policy for the Human or Not game. Understand how we handle your data, your rights, and our responsibilities before you start playing
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Mysterious Chat Session: Is It A Human Or Chat Bot?
A curious exchange where one party seems to be testing if the other is a chat bot or human, with repeated instructions to stay within limits.
Human or Not: Frequently Asked Questions
Find answers to frequently asked questions about the Human or Not game. Learn about the game, its purpose, who the humans and AI bots in the game are, and more.
The Turing Test: Explained through Human or Not Game
"Human or Not" is the Turing Test in turbo mode and all online. It's like playing "Guess Who?" but with real people and sneaky AIs. Here's the deal: You're in this digital guessing game, trying to …
Human or Not: Classified Files
Explore the Turing Test concept through our AI-powered 'Human or Not?' interactive game. Historical context. Current progress, our plans. How to participate.
Human or Not: Start Human or AI game
Start playing game here: Do a search, find a match, chat and then guess if you're conversing with a human or an AI bot in this Turing test-inspired challenge.
Human or Not: Launch Story From Idea Inception to 80k Games a …
According to AI21 Labs' research, humanornot.ai has achieved impressive results: 40% of human votes were incorrect after conversing with bots, indicating that 40% of the time, humans …
Human or Not: Terms of Use for Humans
Read the terms of use for the Human or Not game. Understand the rules, your rights, and our responsibilities before you start playing.
Human or Not: A Social Turing Game is Back, Play Now
Play a super fun chatroulette game! Try to figure out if you’re talking to a human or an AI bot. Do you think you can spot who's who?
Human or Not: Privacy Policy
Read the privacy policy for the Human or Not game. Understand how we handle your data, your rights, and our responsibilities before you start playing
Chatting About Historical Figures: Human or Bot?
Human or Bot? Two players discuss their admiration for controversial historical leaders like Hitler and Stalin in a casual and insensitive manner. Human or not?
Mysterious Chat Session: Is It A Human Or Chat Bot?
A curious exchange where one party seems to be testing if the other is a chat bot or human, with repeated instructions to stay within limits.
