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| the pottering artist magazine: The Magazine of Art Marion Harry Spielmann, 1898 |
| the pottering artist magazine: Bessie Potter Vonnoh Julie Aronson, Janis C. Conner, 2008 In the Gilded Age, when most sculptors aspired to produce monuments, Bessie Potter Vonnoh (1872-1955) made significant contributions to small bronze sculpture and garden statuary designed for the embellishment of the home. Her work commanded admiration for her fluid and suggestive modeling, graceful lines, and sculptural form. In 1904 Bessie Potter Vonnoh won the gold medal for sculpture at the St. Louis World's Fair for bronzes of contemporary American women and children that delighted all who saw them. Although Vonnoh's work is represented today in museums throughout the United States, Bessie Potter Vonnoh: Sculptor of Women provides for the first time an intimate and engaging encounter with one of the most widely respected sculptors of her day. Julie Aronson explores how, by concentrating on sculpture for domestic settings that expertly combined naturalism with elegance, Vonnoh negotiated a male-dominated field to create a pathway to professional success and made high-quality sculpture accessible to a wider audience. In an essay that examines Vonnoh's relationship with her foundries and scrutinizes bronze castings, Janis Conner demystifies baffling issues of authenticity and quality in turn-of-the-century bronzes. This copiously illustrated book, indispensable for all sculpture enthusiasts, accompanies the first exhibition since 1930 dedicated to the art of Bessie Potter Vonnoh. |
| the pottering artist magazine: The Potter's Art John Ward, 1828 |
| the pottering artist magazine: The China Decorator , 1887 |
| the pottering artist magazine: My Life As a Potter Mary Fox, 2020-09-12 Acclaimed potter Mary Fox, known for creating stunning gravity-defying decorative vessels as well as contemporary functional ware, tells the story of her life as an artist. |
| the pottering artist magazine: The Potter's Art Henry Glassie, 1999 Coming into being, the work of art, this very pot, creates relations--relations between nature and culture, between the individual and society, between utility and beauty. Governed by desire, the artist's work answers questions of value. Is nature favored, or culture? Are individual needs or social needs more important? Do utilitarian or aesthetic concerns dominate in the transformation of nature? --from the Introduction The Potter's Art discusses and illustrates the work of modern masters of traditional ceramics from Bangladesh, Sweden, various parts of the United States, Turkey, and Japan. It will appeal to anyone interested in pottery and the study of folklore and folk art. Henry Glassie is College Professor of Folklore and Co-director of Turkish Studies at Indiana University. He has been a Guggenheim Fellow and a Fellow of the National Humanities Institute; he has also served as President of the Vernacular Architecture Forum and of the American Folklore Society. Material Culture--Henry Glassie, George Jevremovic, and William T. Sumner, editors (Note: there is an accent egue on the c Jevremovic) Contents: The Potter's Art Bangladesh Sweden Georgia Acoma Turkey Japan Hagi Work in the Clay Acknowledgments Notes Bibliography Index |
| the pottering artist magazine: The American Magazine , 1915 |
| the pottering artist magazine: Ceramics for the Artist Potter Frederick Harwood Norton, 1956 |
| the pottering artist magazine: The Eclectic Magazine of Foreign Literature, Science, and Art , 1853 |
| the pottering artist magazine: The Potter's Art Garth Clark, 1995-06-15 The first ever book to provide a comprehensive overview of British pottery, The Potter's Arttraces this remarkable history of pottery all the way from the rudimentary pots of the Middle Ages to the sophisticated art of today's studio potters. Beginning with the peasant potter, Garth Clark moves on to describe the development of style and fashion under the notorious Josiah Wedgwood. He also examines the work of the artist-potters William De Morgan and the Martin brothers, and the studio potters Bernard Leach and Lucie Rie. Focusing particularly on the distinctly human angle to the craft, the author brings the potters to life by describing their working conditions, lifestyles and characters. For all collectors and potters, this is an indispensable survey which sheds new light on the history of British pottery. For anyone with a sense of aestheticism or a general interest in the arts, it is an absorbing introduction to perhaps the most fundamental artistic medium in the history of civilization. |
| the pottering artist magazine: American Magazine , 1915 |
| the pottering artist magazine: The School Arts Magazine , 1915 |
| the pottering artist magazine: Arts & Decoration , 1911 |
| the pottering artist magazine: Beatrix Potter Artist, Storyteller and Countrywoman Judy Taylor, 2011-11-03 Starting with the publication of The Tale of Peter Rabbit in 1902, Beatrix Potter went on to become one of the world's most successful children's authors. This illustrated biographical eBook takes the reader through the whole of her life, from her Victorian childhood in London to her final years farming in the Lake District. Regarded as a standard work on Beatrix Potter's life, this work has been updated regularly to include fresh material and previously unpublished photographs that have come to light as interest in Beatrix Potter continues to grow. |
| the pottering artist magazine: Printing Art , 1912 |
| the pottering artist magazine: The Art Teacher's Book of Lists Helen D. Hume, 2010-11-09 A revised and updated edition of the best-selling resource for art teachers This time-tested book is written for teachers who need accurate and updated information about the world of art, artists, and art movements, including the arts of Africa, Asia, Native America and other diverse cultures. The book is filled with tools, resources, and ideas for creating art in multiple media. Written by an experienced artist and art instructor, the book is filled with vital facts, data, readings, and other references, Each of the book's lists has been updated and the includes some 100 new lists Contains new information on contemporary artists, artwork, art movements, museum holdings, art websites, and more Offers ideas for dynamic art projects and lessons Diverse in its content, the book covers topics such as architecture, drawing, painting, graphic arts, photography, digital arts, and much more. |
| the pottering artist magazine: Printing Art, an Illustrated Monthly Magazine , 1925 |
| the pottering artist magazine: Master Potter of Meiji Japan Moyra Clare Pollard, 2002 This is the first book in a European language to make a comprehensive study of the life and works of the astonishingly versatile and accomplished Meiji potter, Makuzu Kozan (1842 - 1916), who was acclaimed as one of the greatest ceramic artists of the Meiji period.The Meiji period, after the opening of Japan to the West in the mid-nineteenth century, was a time of momentous change for Japanese society and Kozan's Makuzu workshop makes an ideal case study to examine the effects of these changes on the Japanese ceramic industry. This book tells the story ofKozan's Makuzu wares from their origins in a traditional workshop in Kyoto to their maturity in a prolific factory in the newly-opened port of Yokohama, where Kozan's ability to cater to the demands of a new Western export market and to incorporate new Western glaze techniques led to enormoussuccess, both in Japan and abroad at the international exhibitions that flourished from the 1850s.Lavish illustrations highlight Kozan's remarkable and technical and artistic achievements, while ceramic marks and box inscriptions are analysed as a practical guide to dating Makuzu ware. Clare Pollard discusses the role of later generations of the Miyagawa family in the running of the workshop andrelates developments in Makuzu ware to the work of other major potters of the era, both in Japan and in Europe and America.Incorporating contemporary sources (including previously unstudied archival material from the Makuzu workshop itself), recent research and the study of a large corpus of Makuzu wares in museums and private collections all over the world, the book examines the artistic, political, and commercialfactors that influenced Kozan and his contemporaries as they strove to come to terms with shifting life-styles and changing attitudes to the arts, and moved towards the creation of a modern ceramic industry. |
| the pottering artist magazine: Choreographies Jacky Lansley, 2017-06-15 Choreographer Jacky Lansley has been practicing and performing for more than four decades. In Choreographies, she offers unique insight into the processes behind independent choreography and paints a vivid portrait of a rigorous practice that combines dance, performance art, visuals and a close attention to space and site. Choreographies is both autobiography and archive – documenting production through rehearsal and performance photographs, illustrations, scores, process notes, reviews, audience feedback and interviews with both dancers and choreographers. Covering the author’s practice from 1975 to 2019, the book delves into an important period of change in contemporary British dance – exploring British New Dance, postmodern dance and experimental dance outside of a canonical US context. A critically engaged reflection that focuses on artistic process over finished product, Choreographies is a much-needed resource in the fields of dance and choreographic art making. |
| the pottering artist magazine: American Illustrated Magazine , 1915 |
| the pottering artist magazine: The Potter's Eye Mark Hewitt, Nancy Sweezy, 2005-01-01 Traces the history of North Carolina pottery from the nineteenth century to the present day, demonstrating the intriguing historic and aesthetic relationships that link pots produced in North Carolina to pottery traditions in Europe and Asia, in New England, and in the neighboring state of South Carolina. |
| the pottering artist magazine: The Lyceum Magazine Ralph Albert Parlette, 1919 |
| the pottering artist magazine: The Artist , 1900 |
| the pottering artist magazine: The Strand Magazine George Newnes, 1921 |
| the pottering artist magazine: American Folk Art Kristin G. Congdon, Kara Kelley Hallmark, 2012-03-19 Folk art is as varied as it is indicative of person and place, informed by innovation and grounded in cultural context. The variety and versatility of 300 American folk artists is captured in this collection of informative and thoroughly engaging essays. American Folk Art: A Regional Reference offers a collection of fascinating essays on the life and work of 300 individual artists. Some of the men and women profiled in these two volumes are well known, while others are important practitioners who have yet to receive the notice they merit. Because many of the artists in both categories have a clear identity with their land and culture, the work is organized by geographical region and includes an essay on each region to help make connections visible. There is also an introductory essay on U.S. folk art as a whole. Those writing about folk art to date tend to view each artist as either traditional or innovative. One of the major contributions of this work is that it demonstrates that folk artists more often exhibit both traits; they are grounded in their cultural context and creative in the way they make work their own. Such insights expand the study of folk art even as they readjust readers' understanding of who folk artists are. |
| the pottering artist magazine: The Craft and Art of Clay Susan Peterson, Jan Peterson, 2003 Widely considered to be the most comprehensive introduction to ceramics available, this book contains numerous step-by-step illustrations of various ceramic techniques to guide the beginner as well as inspirational ceramic pieces from contemporary potters from around the world. For the more experienced ceramist, there is a wealth of technical detail on things like glaze formulas and temperature conversions which make the book an ideal reference. To quote one review: ...I am a studio potter and would not be without it. The fourth edition has been updated to include profiles of key ceramists who have influenced the field, new material on marketing ceramics including using the internet, more on the use of computers, added coverage of paperclays, using gold and alternative glazes. |
| the pottering artist magazine: Canadian craft and museum practice, 1900-1950 Sandra Flood, 2001-01-01 This book presents the first overview of craft activity, as an integral part of Canadian culture between 1900 and 1950 and reviews the tone and focus of contemporaneous writing about craft. It explores the diversity of all aspects of craft, including makers, production, organization, education, and government involvement. Published in English. |
| the pottering artist magazine: Potter's American Monthly , 1876 |
| the pottering artist magazine: The Emergence of the Korean Art Collector and the Korean Art Market Charlotte Horlyck, 2024-08-29 Articulating the shifting interests in Korean art and offering new ways of conceiving the biases that initiated and impacted its collecting, this book traces the rise of the modern Korean art market from its formative period in the 1870s through to its peak and subsequent decline in the 1930s. The discussion centres on the collecting of Koryŏ celadon ceramics as they formed the focal point of commercial exchanges of Korean artefacts and explores how their acquisition and ownership formed part of the complex power relationship that played out between the Koreans, Japanese, Americans, and Europeans. Drawing on a wide range of primary sources, the volume analyses collectors’ acquisition practices, arguing that their fascination with ceramics from the Koryŏ kingdom (918–1392) was shaped not only by the aesthetic appeal of the objects but also by biased perceptions of the Korean peninsula, its history, and people. The book will be of interest to scholars working in art history, social history, cultural history, Korean studies, collection studies, museum studies, Korean history, and Asian studies. The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license. |
| the pottering artist magazine: Art of Suppression Pamela M. Potter, 2016-06-28 This provocative study asks why we have held on to vivid images of the Nazis’ total control of the visual and performing arts, even though research has shown that many artists and their works thrived under Hitler. To answer this question, Pamela M. Potter investigates how historians since 1945 have written about music, art, architecture, theater, film, and dance in Nazi Germany and how their accounts have been colored by politics of the Cold War, the fall of communism, and the wish to preserve the idea that true art and politics cannot mix. Potter maintains that although the persecution of Jewish artists and other “enemies of the state” was a high priority for the Third Reich, removing them from German cultural life did not eradicate their artistic legacies. Art of Suppression examines the cultural histories of Nazi Germany to help us understand how the circumstances of exile, the Allied occupation, the Cold War, and the complex meanings of modernism have sustained a distorted and problematic characterization of cultural life during the Third Reich. |
| the pottering artist magazine: Artist Photographer and Decorator , 1900 |
| the pottering artist magazine: The Art of Toshiko Takaezu Peter Held, 2011 Presents a series of essays about the life and accomplishments of the Japanese American artitst, describing her work as a potter, her incorporation of Eastern and Western techniques, and her transition into abstract sculpture and installation art. |
| the pottering artist magazine: Graham's Illustrated Magazine of Literature, Romance, Art, and Fashion , 1852 |
| the pottering artist magazine: Raf Simons Peter De Potter, Raf Simons, 2005 New Jersey Governor Chris Christie has become a national Republican Party figure, famous for his blunt public statements, his willingness to confront powerful special interests, and his determination to change the ingrown, corrupt, backroom political culture of New Jersey. In just two years as governor, Christie has moved aggressively to reduce the state's ballooning deficit, rein in lucrative entitlements for teacher, police, fire, and public employee unions, cut out-of-control government spending, and create jobs by reducing counterproductive business regulations. But beneath Christie's combative public persona is an intensely loyal family man, whose deep roots in New Jersey shape his core values. Written by New York Times bestselling author Bob Ingle and fellow journalist Michael Symons, who have covered the governor's political career for more than a decade, Chris Christie offers the first inside portrait of this fascinating man. Drawing on interviews with Christie himself, his wife, Mary Pat, his brother, Todd, his father, Bill, his uncle Joe, and many longtime supporters as well as political opponents, Ingle and Symons trace Christie's life. He grew up in New Jersey, surrounded by a big, roiling Italian-American family where his mother, Sondra, and grandmother Anne were powerful influences. Surprisingly, his political career nearly ended after a bruising loss in a local county campaign, but was revived when Christie was appointed United States Attorney for New Jersey. He soon became a feared prosecutor, and culminated an impressive string of successful cases with a multi-year investigation that resulted in the arrests of more than forty people, in one of the state's most notorious examples of political corruption. Despite calls to run for president, Christie reiterated his commitment to reforming New Jersey. Chris Christie: The Inside Story of His Rise to Power goes behind the scenes to reveal his family life, his public life, and what the future might hold. |
| the pottering artist magazine: The Mad Potter Jan Greenberg, Sandra Jordan, 2013-10-29 From the authors of the Sibert Honor book Ballet for Martha comes this biography of the world's most enigmatic and eccentric pottery artist. Illustrations. |
| the pottering artist magazine: The American Bookseller , 1880 |
| the pottering artist magazine: American Art Pottery Alice Cooney Frelinghuysen, Martin Eidelberg, Adrienne Spinozzi, 2018-09-25 p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} At the height of the Arts and Crafts era in Europe and the United States, American ceramics were transformed from industrially produced ornamental works to handcrafted art pottery. Celebrated ceramists such as George E. Ohr, Hugh C. Robertson, and M. Louise McLaughlin, and prize-winning potteries, including Grueby and Rookwood, harnessed the potential of the medium to create an astonishing range of dynamic forms and experimental glazes. Spanning the period from the 1870s to the 1950s, this volume chronicles the history of American art pottery through more than three hundred works in the outstanding collection of Robert A. Ellison Jr. In a series of fascinating chapters, the authors place these works in the context of turn-of-the-century commerce, design, and social history. Driven to innovate and at times fiercely competitive, some ceramists strove to discover and patent new styles and aesthetics, while others pursued more utopian aims, establishing artist communities that promoted education and handwork as therapy. Written by a team of esteemed scholars and copiously illustrated with sumptuous images, this book imparts a full understanding of American art pottery while celebrating the legacy of a visionary collector. |
| the pottering artist magazine: Suburban Life, the Countryside Magazine , 1908 |
| the pottering artist magazine: The Potter's Dictionary of Materials and Techniques Frank Hamer, Janet Hamer, 2004-06-23 This book is an authoritative survey of all aspects of making ceramics for craft potters and ceramic artists. |
| the pottering artist magazine: Women in the Biological Sciences Carol A. Biermann, Louise S. Grinstein, Rose K. Rose, 1997-07-16 Biology textbooks and books on the history of science generally give a limited picture of the roles women have played in the growth and development of the biological sciences, mentioning primarily the Nobel laureates. This book provides a definitive archival collection of essays on a larger group of women, profiling both their work and their lives. The volume includes 65 representative women from different countries and eras, and from as many branches of biological investigation as possible. In addition to biographical information and an evaluation of the woman's career and significance, each entry provides a full bibliographic listing of works by and about the subject. The volume includes entries on women who have gained recognition through attainment of advanced degrees despite familial and societal pressures, innovative research results, influence exerted in teaching and guidance of students, active participation and leadership in professional societies, extensive scholarly publication, participation on journal editorial boards, extensive field experience, and influence on public and political scientific policymaking. A woman was considered eligible for inclusion if she met several of these criteria. Providing a historical perspective, the book is limited to women who were born before 1930 or are deceased. |
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