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| the last crusade lyrics: The Last Crusade Michael A. Palmer, 2007 The United States, argues Michael A. Palmer, is engaged in a political crusade to modernize the Islamic world. Americanism is in the vanguard of modernity's relentless advance, promoting capitalist markets and democratic institutions. To compete, Islamic societies must adopt a more secular and material approach, as have the West and South and East Asia. But these principles conflict with Islamic fundamentals. Once a vibrant force, much of the Muslim world spent four centuries as prisoner of an Ottoman Empire that embraced feudalism while the West jettisoned it. In the absence of a renaissance or enlightenment, modernization in the Islamic world has been painful and unsuccessful. While many in the West long for an Islamic reformation, Palmer argues that Islamists such as Osama bin Laden are the face of that reformation. Just as Protestant reformers sought a return to the purity of early Christianity, jihadists desire a return to the halcyon days of conquest and expansion, when the Caliphate controlled a united and powerful Muslim community. American actions have not provoked this conflict, nor can American withdrawal end it, Palmer contends. For example, China, also a once-powerful civilization subjected to Western imperialism, has not produced homicide bombers. Instead, the Chinese are busy modernizing. Islam's failure to modernize is the root cause of the current situation. Bin Laden and other jihadists understand, correctly, that if Islam is to avoid the materialism and secularism that come with modernity, they must Islamize the West by force. |
| the last crusade lyrics: Lyrics of the Middle Ages James Wilhelm, 2019-06-03 Originally published in 1990, the main purpose of this anthology is to present the vernacular secular lyric of the Middle Ages, although it also includes Latin literature of the Middle Ages and the influence of the hymn. |
| the last crusade lyrics: Single-stanza Lyrics Walther, 2003 First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company. |
| the last crusade lyrics: The Medieval Lyric Peter Dronke, 1996 He shows the men and women who sang and played in medieval Europe as the heirs of both a Roman and a Germanic lyric tradition, united but differentiated from country to country; he introduces the scholars and musicians from the Byzantine world and the Paris schools, the German courts and Italian city-states, and he brilliantly presents their work, both sacred and profane. |
| the last crusade lyrics: Celebrating Flamenco's Tangled Roots K. Meira Goldberg, Antoni Pizà, 2022-01-18 This collection of essays poses a series of questions revolving around nonsense, cacophony, queerness, race, and the dancing body. How can flamenco, as a diasporic complex of performance and communities of practice frictionally and critically bound to the complexities of Spanish history, illuminate theories of race and identity in performance? How can we posit, and argue for, genealogical relationships within and between genres across the vast expanses of the African—and Roma—diaspora? Neither are the essays presented here limited to flamenco, nor, consequently, are the responses to these questions reduced to this topic. What all the contributions here do share is the wish to come together, across disciplines and subject areas, within the academy and without, in the whirling, raucous, and messy spaces where the body is free—to celebrate its questioning, as well as the depths of the wisdom and knowledge it holds and sometimes reveals. |
| the last crusade lyrics: The Subject of Crusade Marisa Galvez, 2020-04-10 In the Middle Ages, religious crusaders took up arms, prayed, bade farewell to their families, and marched off to fight in holy wars. These Christian soldiers also created accounts of their lives in lyric poetry, putting words to the experience of personal sacrifice and the pious struggle associated with holy war. The crusaders affirmed their commitment to fighting to claim a distant land while revealing their feelings as they left behind their loved ones, homes, and earthly duties. Their poems and related visual works offer us insight into the crusaders’ lives and values at the boundaries of earthly and spiritual duties, body and soul, holy devotion and courtly love. In The Subject of Crusade, Marisa Galvez offers a nuanced view of holy war and crusade poetry, reading these lyric works within a wider conversation with religion and culture. Arguing for an interdisciplinary treatment of crusade lyric, she shows how such poems are crucial for understanding the crusades as a complex cultural and historical phenomenon. Placing them in conversation with chronicles, knightly handbooks, artworks, and confessional and pastoral texts, she identifies a particular “crusade idiom” that emerged out of the conflict between pious and earthly duties. Galvez fashions an expanded understanding of the creative works made by crusaders to reveal their experiences, desires, ideologies, and reasons for taking up the cross. |
| the last crusade lyrics: Songbook Marisa Galvez, 2012-06-19 How medieval songbooks were composed in collaboration with the community—and across languages and societies: “Eloquent…clearly argued.”—Times Literary Supplement Today we usually think of a book of poems as composed by a poet, rather than assembled or adapted by a network of poets and readers. But the earliest European vernacular poetries challenge these assumptions. Medieval songbooks remind us how lyric poetry was once communally produced and received—a collaboration of artists, performers, live audiences, and readers stretching across languages and societies. The only comparative study of its kind, Songbook treats what poetry was before the emergence of the modern category poetry: that is, how vernacular songbooks of the thirteenth to fifteenth centuries shaped our modern understanding of poetry by establishing expectations of what is a poem, what is a poet, and what is lyric poetry itself. Marisa Galvez analyzes the seminal songbooks representing the vernacular traditions of Occitan, Middle High German, and Castilian, and tracks the process by which the songbook emerged from the original performance contexts of oral publication, into a medium for preservation, and, finally, into an established literary object. Galvez reveals that songbooks—in ways that resonate with our modern practice of curated archives and playlists—contain lyric, music, images, and other nonlyric texts selected and ordered to reflect the local values and preferences of their readers. At a time when medievalists are reassessing the historical foundations of their field and especially the national literary canons established in the nineteenth century, a new examination of the songbook’s role in several vernacular traditions is more relevant than ever. |
| the last crusade lyrics: Chivalry in Twelfth-century Germany W. H. Jackson, 1994 Concerned principally to situate Hartmann's works in their social and cultural historical context, Jackson's carefully constructed and lucidly written book will be required and compelling reaading at every level of interest, from undergraduate student to specialist scholar. It expounds knighthood as the major theme of Hartmann's varied oeuvre, reflected and refracted through the prism of different genres, fictional material and narrative positions. Jackson's unrivalled grasp of the historical evidence for the material, social and ideological dimensions of chivalry in the twelfth century is brought to bear on the texts in a way which never reduces these to mere functions of an extra-literary reality, but brings out the subtle and dynamic interplay of their aesthetic patterns and documentary correlatives... The book also builds up a persuasive framework for understanding Hartmann's literary production as a whole and for grasping it as an evolving reflection of and on knighthood as the key mode and model of social self-realisation for his chivalric audience.' FORUM FOR MODERN LANGUAGE STUDIES Hartmann von Aue is a major figure in medieval German literature, and his works document key features of the history of chivalry in an important phase of transition and consolidation. This book is the first full-scale enquiry undertaken of the presentation of the role of knighthood across the full range of Hartmann's works, considering the social, ideological and literary dimensions of chivalry and fruitfully combining literary, linguistic and historical approaches. The opening chapters place Hartmann's works in the broader perspective of Arthurian literature and of kingship and chivalry in western Europe, and in the context of the changing historical reality of knighthood as a military and a social order in twelfth-century Germany. Further chapters are devoted to each of his works, Erec, Gregorius, the Klage and his lyrics, Der arme Heinrich and Dwein, which are interpreted both with a historical |
| the last crusade lyrics: Keeping Score Alvin H. Marill, 1998 In this update containing more than 7300 individual entries on the stars of scoring for film and television, Keeping Score presents the credits for the full-bodied, symphonic masterworks from primarily English-language films, though a substantial number of French and Spanish films that have become popular in international markets are also included. The reader or researcher can locate the musical score by searching in a variety of easy ways: under the composer's name, by the title of the film, or by the year of the film's release. Included is a complete collection of composer award list winners of the Oscars, Emmys, Ace Awards, and the Golden Globes. Additionally, the book includes a selective discography of film and television soundtracks and music scores. |
| the last crusade lyrics: The Crusades Alan V. Murray, 2006-08-30 The first multivolume encyclopedia to document the history of one of the most influential religious movements of the Middle Ages—the Crusades. The Crusades: An Encyclopedia surveys all aspects of the crusading movement from its origins in the 11th century to its decline in the 16th century. Unlike other works, which focus on the eastern Mediterranean region, this expansive four-volume encyclopedia also includes the struggle of Christendom against its enemies in Iberia, Eastern Europe, and the Baltic region, and also covers the military orders, crusades against fellow Christians, heretics, and more. This work includes comprehensive entries on personalities such as Godfrey of Bouillon, who refused the title King of Jerusalem, and St. Bernard of Clairvaux, who tore up his own clothing to make symbols of the cross for crusaders, as well as key events, countries, places, and themes that shed light on everything from the propaganda that inspired crusading warriors to the ways in which they fought. Special coverage of topics such as taxation, pilgrimage, warfare, chivalry, and religious orders give readers an appreciation of the multifaceted nature of these holy wars. |
| the last crusade lyrics: Books of 1912- , 1922 |
| the last crusade lyrics: A Companion to the Middle English Lyric Thomas Gibson Duncan, 2005 Aims to provide both background information on and assessments of the lyric. This work includes features of formal and thematic importance: they are rhyme scheme, stanzaic form, the carol genre, love poetry in the manner of the troubadour poets, and devotional poems focusing on the love, and suffering and compassion of Christ and the Virgin Mary. |
| the last crusade lyrics: The Athenaeum , 1902 |
| the last crusade lyrics: Epic Herbert F. Tucker, 2012-11-29 Literary history has conventionally viewed Milton as the last real practitioner of the epic in English verse. Herbert Tucker's spirited book shows that the British tradition of epic poetry was unbroken from the French Revolution to World War I. |
| the last crusade lyrics: Finding List of the Enoch Pratt Free Library of Baltimore City, Central Library Enoch Pratt Free Library, 1890 |
| the last crusade lyrics: On the Track Fred Karlin, Rayburn Wright, 2013-07-04 On the Track offers a comprehensive guide to scoring for film and television. Covering all styles and genres, the authors, both noted film composers, cover everything from the nuts-and-bolts of timing, cuing, and recording through balancing the composer's aesthetic vision with the needs of the film itself. Unlike other books that are aimed at the person dreaming of a career, this is truly a guide that can be used by everyone from students to technically sophisticated professionals. It contains over 100 interviews with noted composers, illustrating the many technical points made through the text. |
| the last crusade lyrics: Vintage Geek Marshall Julius, 2019-10-10 'Vintage Geek is Marshall Julius's super-fun trivia treasure-chest for nerds of all ages. Essential reading.' Mark Hamill The ultimate quiz book for old school nerds, Vintage Geek celebrates a splendid selection of 20th-century fandoms, from Fifties' sci fi cinema, Sixties' Star Trek and Seventies' Stephen King to Eighties' actioners, Nineties' Batman 'toons and more. What does the sign say on the gate of Kananga's crocodile farm? What's the first Thing Mary Jane Watson ever said to Peter Parker? Why does Robby the Robot rarely partake of Altair IV's high oxygen content? No matter what we're into, geeks of the world share a few common traits: intense and unconditional enthusiasm and the relentless urge to know, and then prove we know, every last thing about the objects of our affection. With a foreword from Simpsons writer Mike Reiss, Vintage Geek additionally features a fabulous fifty celebrity-penned questions from the likes of Mark Hamill, John Carpenter, George Takei, Sam Neill, Mark Millar, Tom Savini, Pat Mills, Yeardley Smith and Sam J. Jones. Vintage Geek is here to chew bubblegum and assess the limits of your trivia knowledge and it's all out of bubblegum! |
| the last crusade lyrics: The Americana , 1923 |
| the last crusade lyrics: The Pall Mall Budget , 1887 |
| the last crusade lyrics: Crusading and Warfare in the Middle Ages Simon John, Nicholas Morton, 2016-04-22 This volume has been created by scholars from a range of disciplines who wish to show their appreciation for Professor John France and to celebrate his career and achievements. For many decades, Professor France’s work has been instrumental in many of the advances made in the fields of crusader studies and medieval warfare. He has published widely on these topics including major publications such as: Victory in the East: A Military History of the First Crusade (1994) and Western Warfare in the Age of the Crusades (1999). This present volume mirrors his interests, offering studies upon both areas. The fifteen essays cover a wide variety of topics, spanning chronologically from the Carolingian period through to the early fourteenth century. Some offer new insights upon long-contested issues, such as the question of whether a new form of cavalry was created by Charles Martel and his successors or the implications of the Mongol defeat at Ayn Jalut. Others use innovative methodologies to unlock the potential of various types of source material including: manuscript illuminations depicting warfare, Templar graffiti, German crusading songs, and crusading charters. Several of the articles open up new areas of debate connected to the history of crusading. Malcolm Barber discusses why Christendom did not react decisively to the fall of Acre in 1291. Bernard Hamilton explores how the rising Frankish presence in the Eastern Mediterranean during the central medieval period reshaped Christendom’s knowledge and understanding of the North African cultures they encountered. In this way, this work seeks both to advance debate in core areas whilst opening new vistas for future research. |
| the last crusade lyrics: Apocalypses Eugen Weber, 2011-09-21 Eugen Weber delivered the Barbara Frum Historical Lecture, based on Apocalypses, at the University of Toronto in March 1999. This annual lecture on a subject of contemporary history in historical perspective was established in memory of Barbara Frum. Apocalypses Prophecies, Cults and Millennial Beliefs through the Ages The Barbara Frum Historical Lectureship A national bestseller What drove eminent historian Eugen Weber to write Apocalypses? His desire to redress the historical and religious amnesia that has consigned the study of apocalyptic and millennialist thought to the lunatic fringe. An absolute belief in the end time was omnipresent until the 17th century, and retains many adherents even now. Apocalyptic visions and prophecies inspired crusades, scientific discoveries, works of art, voyages such as those of Columbus, rebellions and reforms. Elegantly written, as witty and entertaining as it is profound, Apocalypses displays Eugen Weber's talents as a stylist and historical detective; this is more a travel book of the apocalypse than a definitive academic treatment. On the eve of a billennium beset by a host of apocalyptic predictions and cults, Apocalypses offers a sympathetic review of creeds we ignore at our peril. |
| the last crusade lyrics: Popular Culture in the Middle East and North Africa Walid El Hamamsy, Mounira Soliman, 2013-01-04 This book explores the body and the production process of popular culture in, and on, the Middle East and North Africa, Turkey, and Iran in the first decade of the 21st century, and up to the current historical moment. Essays consider gender, racial, political, and cultural issues in film, cartoons, music, dance, photo-tattoos, graphic novels, fiction, and advertisements. Contributors to the volume span an array of specializations ranging across literary, postcolonial, gender, media, and Middle Eastern studies and contextualize their views within a larger historical and political moment, analyzing the emergence of a popular expression in the Middle East and North Africa region in recent years, and drawing conclusions pertaining to the direction of popular culture within a geopolitical context. The importance of this book lies in presenting a fresh perspective on popular culture, combining media that are not often combined and offering a topical examination of recent popular production, aiming to counter stereotypical representations of Islamophobia and otherness by bringing together the perspectives of scholars from different cultural backgrounds and disciplines. The collection shows that popular culture can effect changes and alter perceptions and stereotypes, constituting an area where people of different ethnicities, genders, and orientations can find common grounds for expression and connection. |
| the last crusade lyrics: Dissertation Abstracts International , 1984 |
| the last crusade lyrics: The Poetics of Disappointment Laura Quinney, 1999 |
| the last crusade lyrics: Chaucer and the Poems of 'Ch' James I Wimsatt, 2009-03-01 On several counts, one particular collection of French lyrics made in France in the late fourteenth century, University of Pennsylvania MS 15, is the most likely repository of Chaucer's French poems. It is the largest manuscript anthology extant of fourteenth-century French lyrics in the formes fixes (balade, rondeaux, virelay, lay, and five-stanza chanson) with by far the largest number of works of unknown authorship. |
| the last crusade lyrics: Motion Picture Almanac , 2007 |
| the last crusade lyrics: Badge to Badge Brad Green, 2022-03-08 The job of a first responder has always been difficult. Today’s political environment has added to that challenge in a way that has never been seen in the history of our country. The men and women who serve in law enforcement, fire protection, emergency medical services, and our military experience physical and emotional stress that the regular civilian cannot imagine. The constant exposure to trauma can cause many to lose hope, and it affects both their professional and personal lives. Badge to Badge is a daily devotional that has been written to encourage these heroes from the only source that can always be trusted, God’s Word! Chaplain Brad Green is a retired police officer and associate pastor who has compiled stories from his professional and personal experiences that all first responders will relate to. He then connects these accounts with encouragement and direction from the Bible. Be ready to laugh, cry, and be exhorted as Chaplain Brad urges you toward a deeper relationship with Jesus Christ through the pages of this devotional. |
| the last crusade lyrics: Medieval Lyrics of Europe Willard Ropes Trask, 1969 |
| the last crusade lyrics: International Television and Video Almanac Tracy Stevens, 2001 |
| the last crusade lyrics: Finding List of Books and Periodicals in the Central Library , 1890 |
| the last crusade lyrics: A List of Eighty-seven Poets Representing American Verse from 1900 to 1919 Poetry Society of America, 1919 |
| the last crusade lyrics: The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination Chris Anderton, Lori Burns, 2025-02-26 This Handbook illustrates the many ways that progressive rock and metal music forge striking engagements with literary texts and themes. The authors and their objects of analytic inquiry offer global and diverse perspectives on these genres and their literary connections: from ancient times to the modern world, from children’s literature to epic poetry, from mythology to science fiction, and from esoteric fantasy to harsh political criticism. The musical treatments of these literary materials span the continents from South and North America through Europe and Asia. The collection presents critical perspectives on the enduring and complex relationships between words and music as these are expressed in progressive rock and metal. The book is aimed primarily at an academic market, valuable for second- through final-year students on undergraduate courses devoted to both popular music and to literary studies, and to postgraduate programs and researchers in a range of fields, including popular music studies, musicology, creative music performance and composition, songwriting, literary studies, narrative studies, folklore studies, science fiction studies, cultural studies, liberal studies, and sociology, and for media and history courses that have an interest in the intersection of narratives, music, and society. |
| the last crusade lyrics: The Walrus Was Paul R. Gary Patterson, 1998-10-29 A guide to the hoax that Paul McCartney was killed in an automobile accident in 1966 and replaced by a look-a-like. |
| the last crusade lyrics: History and Community Florence S. Boos, 2016-04-14 The essays in this volume, originally published in 1992, examine some of the pervasive implications of Victorian medievalism, and assess its creative manifestations and dual capacities for expression of reformist anger and escapist retreat. Some of the emotional and intllectual reasons for the strong Victorian attraction to ‘medieval’ history and litereature are discussed and emblematic responses to this attraction are examined. |
| the last crusade lyrics: Routledge Library Editions: Historiography Various, 2021-06-23 The greatest problem in historical scholarship, theoretically and practically, is the relation between historians and their subject matter. The past is gone and historians can only study its remnants. On what basis do scholars select certain facts from the mass of data left from the past? How do they explain the interrelationship of the facts they select? What criteria do they use to evaluate their subject? The 35 volumes in this set, originally published between 1926 and 1990 discuss and answer these essential questions faced by historians. The development of historical understanding during the 18th and 19th centuries was one of the most striking features of Western culture. Both historiography and historical thinking advanced as never before. The historial movment of the 19th century was perhaps second only to the scientific revolution of the seventeenth century in transforming Western thought. One consequence was extensive organisation and professionalization of research, which the volumes in this set reflect. |
| the last crusade lyrics: The T. E. Lawrence Puzzle Stephen E. Tabachnick, 2012-02-01 From the early 1920s to the late 1960s, T. E. Lawrence's life and career were largely the subject of sensationalist speculation, fired mainly by the romantic image of “Lawrence of Arabia.” Then, as the result of various political, scholarly, and intellectual developments, study of Lawrence's career and influence began to take on a new aspect. This collection of fourteen essays, including Stephen E. Tabachnick's extensive introduction, provides balanced and fully documented analyses of Lawrence's multifaceted career by an international group of scholars. The T. E. Lawrence Puzzle will appeal to Lawrence experts and to general readers interested in objective, reasoned perspectives on a brilliant polymath with a fascinating personality, whose many achievements remain very relevant to our own times. |
| the last crusade lyrics: Bulletin and Italiana Italy America Society (New York, N.Y.), 1927 |
| the last crusade lyrics: Bulletin and Italiana , 1928 |
| the last crusade lyrics: How We Fight Dominic Tierney, 2010-11-04 Americans love war. We've never run from a fight. Our triumphs from the American Revolution to World War II define who we are as a nation and a people. Americans hate war. Our leaders rush us into conflicts without knowing the facts or understanding the consequences. Korea, Vietnam, and now Iraq and Afghanistan define who we are as a nation and a people. How We Fight explores the extraordinary doublemindedness with which Americans approach war, and reveals the opposing mindsets that have governed our responses throughout history: the crusade tradition-our grand quests to defend democratic values and overthrow tyrants; and the quagmire tradition-our resistance to the work of nation-building and its inevitable cost in dollars and American lives. How can one nation be so split? Studying conflicts from the Civil War to the present, Dominic Tierney has created a secret history of American foreign policy and a frank and insightful look at how Americans respond to the ultimate challenge. And he shows how success is possible. His innovative model for tackling the challenges of modern war can mean longstanding victory in Iraq and Afghanistan, by rediscovering a lost American warrior tradition. |
| the last crusade lyrics: The Athenæum James Silk Buckingham, John Sterling, Frederick Denison Maurice, Henry Stebbing, Charles Wentworth Dilke, Thomas Kibble Hervey, William Hepworth Dixon, Norman Maccoll, Vernon Horace Rendall, John Middleton Murry, 1887 |
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