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| the century superhero: The Superhero Multiverse Lorna Piatti-Farnell, 2021-11 The Superhero Multiverse focuses on the evolving meanings of the superhero icon in 21st-century film and popular media, with an emphasis on re-adapting, re-imagining, and re-making. With its focus on multimedia and transmedia transformations, The Superhero Multiverse pivots on two important points: firstly, it reflects on the core concerns of the superhero narrative—including the relationship between ‘superhero comics’ and ‘superhero films’, the comics roots of superhero media, matters of canon and hybridity, and issues of recycling and stereotyping in superhero films and media texts. Secondly, it considers how these intersecting textual and cultural preoccupations are intrinsic to the process of remaking and re-adapting superheroes, and brings attention to multiple ways of materializing these iconic figures in our contemporary context. |
| the century superhero: Panthers, Hulks and Ironhearts Jeffrey A. Brown, 2021-01-15 Panthers, Hulks and Ironhearts offers the first comprehensive study of how Marvel has racially diversified its lineup and reimagined what a superhero might look like in the twenty-first century. It examines how they have revitalized older characters like Black Panther, recast legacy heroes like Ms. Marvel, and developed new ones like the Latina Miss America. |
| the century superhero: DC Versus Marvel Comics Ron Marz, Peter Allen David, 1996 Written by Ron Marz and Peter David; Art by various Imagine if Coke and Pepsi got together and let consumers decide who would win in a fight. That's exactly what happened when the two biggest comic book publishers, DC Comics and Marvel Comics decided to write an epic story in which their legendary characters would not only interact and battle, but the fans would decide who would win those wars. See who triumphs when Superman takes on the Hulk, Spider-Man goes up against Superboy, Batman fights Captain America, Wolverine battles Lobo, Wonder Woman faces off against Storm, and the Silver Surfer brawls with Green Lantern. |
| the century superhero: The Flash and the Storm of the Century Michael Anthony Steele, 2020 When Weather Wizard unleashes the fury of his giant weather wand to extort money from the citizens of Central City, The Flash must outrun lightning to stop him. |
| the century superhero: Superheroes! Laurence Maslon, Michael Kantor, 2013-10-01 Superman, Batman, Spider-Man, Iron Man, Wonder Woman, the Avengers, the X-Men, Watchmen, and more: the companion volume to the PBS documentary series of the same name that tells the story of the superhero in American popular culture. Together again for the first time, here come the greatest comic book superheroes ever assembled between two covers: down from the heavens—Superman and the Mighty Thor—or swinging over rooftops—the Batman and Spider-Man; star-spangled, like Captain America and Wonder Woman, or clad in darkness, like the Shadow and Spawn; facing down super-villains on their own, like the Flash and the Punisher or gathered together in a team of champions, like the Avengers and the X-Men! Based on the three-part PBS documentary series Superheroes, this companion volume chronicles the never-ending battle of the comic book industry, its greatest creators, and its greatest creations. Covering the effect of superheroes on American culture—in print, on film and television, and in digital media—and the effect of American culture on its superheroes, Superheroes: Capes, Cowls, and the Creation of Comic Book Culture appeals to readers of all ages, from the casual observer of the phenomenon to the most exacting fan of the genre. Drawing from more than 50 new interviews conducted expressly for Superheroes!—creators from Stan Lee to Grant Morrison, commentators from Michael Chabon to Jules Feiffer, actors from Adam West to Lynda Carter, and filmmakers such as Zach Snyder—this is an up-to-the-minute narrative history of the superhero, from the comic strip adventurers of the Great Depression, up to the blockbuster CGI movie superstars of the 21st Century. Featuring more than 500 full-color comic book panels, covers, sketches, photographs of both essential and rare artwork, Superheroes is the definitive story of this powerful presence in pop culture. |
| the century superhero: Money Man Abhijeet Singh, 2017-01-19 I want a helicopter on the roof; will you get that for me?” she said. Which chopper?” the stranger queried without an ounce of doubt. Bhavna was on an ‘accidental date’, with a stranger she just met. She embarked on a journey with this stranger, around the world and to its baffling reality, hidden behind the facade of cosmetic speeches scripted for International Forums. Their journey is marred with experiences that leave them with questions like, Is there any space on this planet where money doesn't have control? What really helps to run this world, Hope or Greed? |
| the century superhero: The Meaning of Superhero Comic Books Terrence R. Wandtke, 2014-01-10 For decades, scholars have been making the connection between the design of the superhero story and the mythology of the ancient folktale. Moving beyond simple comparisons and common explanations, this volume details how the workings of the superhero comics industry and the conventions of the medium have developed a culture like that of traditional epic storytelling. It chronicles the continuation of the oral/traditional culture of the early 20th century superhero industry in the endless variations on Superman and shows how Frederic Wertham's anti-comic crusade in the mid-1950s helped make comics the most countercultural new medium of the 20th century. By revealing how contemporary superhero comics, like Geoff Johns' Green Lantern and Warren Ellis's The Authority, connect traditional aesthetics and postmodern theories, this work explains why the superhero comic book flourishes in the new traditional shape of our acutely self-conscious digital age. |
| the century superhero: The Amazing Transforming Superhero! Terrence R. Wandtke, 2011-11-16 This collection of essays analyzes the many ways in which comic book and film superheroes have been revised or rewritten in response to changes in real-world politics, social mores, and popular culture. Among many topics covered are the jingoistic origin of Captain America in the wake of the McCarthy hearings, the post-World War II fantasy-feminist role of Wonder Woman, and the Nietzschean influences on the sidekick revolt in the 2004 film The Incredibles. |
| the century superhero: The 21st Century Superhero Richard J. Gray II, Betty Kaklamanidou, 2011-09-07 Superhero films are one of the most enduring genres of cinema, and their popularity is only increasing in the 21st century. These ten critical essays explore the phenomenon through the lenses of numerous academic disciplines, and cover topics such as the role of globalization in the formation of superhero narratives, the shifting nature of masculinity and femininity in the superhero world and the state of the genre today. Of particular interest is the way these narratives, however fantastic, abstract, futuristic or simplistic, resonate with specific events in the world and function as starting points for discussion of contemporary sociopolitical conflicts. |
| the century superhero: Comic Book Century Stephen Krensky, 2008-01-01 Uses newspaper articles, historical overviews, and personal interviews to explain the history of American comic books and graphic novels. |
| the century superhero: The Violent Century Lavie Tidhar, 2019-07-23 Praise for The Violent Century “The Violent Century is a very sophisticated blend of fantasy and real life. Of flawed superheroes engaging with key events in the twentieth and twenty-first centuries. Lavie Tidhar is a veteran of seamlessly weaving an intriguing blend of fiction into world changing historical events.” —Strange Alliances “The Violent Centuryis a wonderfully constructed, crafted work that bears a great emotional weight even as it raises more intellectual questions. It’s the kind of work that lingers in the mind long after the reading.” —Fantasy Literature “Heart, a sly sense of humour, great action set-pieces and a range of fascinating supporting players.” —Newtown Review of Books “A brilliantly etched phantasmagoric reconfiguring of that most sizzling of eras—the twilight 20th . . . a torrid tour de force.” —James Ellroy, author of L.A. Confidential and Blood’s a Rover “A brilliant novel of ideas.” — B&N Book Blog “The Violent Century is admirably plotted and well paced, with an atmosphere of menace throughout, I’m puzzled as to why this wasn’t on any award shortlist for its year.” —Jack Deighton, author of A Son of the Rock “Like Watchmen on crack.” —io9 “If Nietzche had written an X-Men storyline whilst high on mescaline, it might have read something like The Violent Century.” —Adam Roberts, author of Jack Glass “Pack your bags and go home; the superhero genre is now completed . . . if John le Carre wrote a superhero novel about the Cold War, it might be this good.” —Charles Stross, author of Neptune’s Brood: A Space Opera “The Violent Century is a brilliant story of superheroes and spies and secret histories. It stands with Alan Moore’s Watchmen as an examination of the myths that we made in the 20th Century and the ways they still haunt us now. it’s as dramatic and vital as the best comic books and as beautifully written and evocative as any literary novel today. Read it. You’ll see.” — Christopher Farnsworth, author of Blood Oath and Flashmob “An alternative history tour-de-force. Epic, intense and authentic. Lavie Tidhar reboots the 20th century with spies and superheroes battling for mastery—and the results are electric.” —Tom Harper, author of The Lost Temple “A stunning masterpiece” —The Independent “Tidhar synthesises the geeky and the political in a vision of world events that breaks new superhero ground.” —The Guardian “It’s hard, but not impossible as Alan Moore, Neil Gaiman, Mike Carey and others have shown, to create a morally complex, artistically ambitious story based on characters whose origins are not that far removed from the simplicity of Superman, Spiderman, and their ilk. Tidhar has succeeded brilliantly in this task.” —LA Review of Books “A sophisticated, moving and gripping take on 20th century conflicts and our capacity for love and hate, honour and betrayal.” —The Daily Mail “A love story and meditation on heroism, this is an elegiac espionage adventure that demands a second reading.” —Metro “Could keep anyone, regardless of the types of stories they regularly enjoy, interested and engaged. Tidhar has created a book that oozes excellence in both characterisation and storytelling.” —The Huffington Post [STARRED REVIEW]This study in heroism, love, revenge, and violence will be in demand by lovers of complex, intelligent sf and alternative history. Anyone who enjoys stories of people with supernatural abilities will thrive reading Tidhar’s world.” —Library Journal “A terrifically told tale of heroism and enduring friendship that captures our imaginations from the very first page.” —Booklist “If you love Philip K. Dick, Lavie Tidhar should be your new favorite writer . . . an unforgettable read.” —The Jewish Standard “He’s dealing with the grandest schemes on the largest of backdrops in time and place, and this level of awe-inspiring craft places him firmly within the highest tier of writers working today, no longer an emerging writer, but a master.” —British Fantasy Society “Intense and evocative.” —SFX “Gripping, imaginative and moving.” —Sci Fi Now “The sort of thing Quentin Tarantino did as bloody wish-fulfillment in Inglourious Basterds, multiplied by several orders of magnitude.” —Locus “This is a novel that can break your heart and then, ever so subtly, include a cameo by Stan Lee. Tidhar clearly knows as much about supermen of all kinds as he does about the circumstances that produce them.” —Strange Horizons “The Violent Century is an excellent novel that demonstrates, once again, the impressive versatility of its author.” —Interzone “A masterful example of alternate universe science fiction and can only add to its author’s rapidly growing reputation.”— The Los Angeles Review of Books “An original, engrossing fusion of noir-ish super-heroes and gritty espionage thriller . . . a fantastic novel” —Civilian Reader “Lavie Tidhar is no longer a rising star in the genre, but one burning bright.” —Staffer’s Book Review Praise for the Campbell Award and Neukom Literary-winning novel Central Station An NPR Best Book of 2016 An Amazon Featured Best Science Fiction & Fantasy Book A Tor.com Best Book of 2016 A Guardian Best SF & Fantasy Book of 2016 A Publishers Weekly Staff Pick A Kirkus Best Science Fiction and Fantasy pick British Science Fiction Award, shortlist Arthur C. Clarke Award, shortlist “It is just this side of a masterpiece — short, restrained, lush — and the truest joy of it is in the way Tidhar scatters brilliant ideas like pennies on the sidewalk.” —NPR Books [STARRED REVIEW] Readers of all persuasions will be entranced.” —Publishers Weekly [STARRED REVIEW] “. . . a fascinating future glimpsed through the lens of a tight-knit community. Verdict: Tidhar (A Man Lies Dreaming; The Violent Century) changes genres with every outing, but his astounding talents guarantee something new and compelling no matter the story he tells.” —Library Journal, starred review A sprawling hymn to the glory and mess of cultural diversity.” —Guardian ”Quietly enthralling and subtly ingenious.” —Asimov's Science Fiction “Beautiful, original, a shimmering tapestry of connections and images - I can't think of another SF novel quite like it. Lavie Tidhar is one of the most distinctive voices to enter the field in many years.” —Alastair Reynolds, author of the Revelation Space series “If you want to know what SF is going to look like in the next decade, this is it.” —Gardner Dozois, editor of the bestselling Year’s Best Science Fiction series “A dazzling tale of complicated politics and even more complicated souls. Beautiful.” —Ken Liu, author of The Paper Menagerie “Central Station is masterful: simultaneously spare and sweeping—a perfect combination of emotional sophistication and speculative vision. Tidhar always stuns me.” —Kij Johnson, author of At the Mouth of the River of Bees “ A unique marriage of Philip K. Dick, William Gibson, C. L. Moore, China Miéville, and Larry Niven with 50 degrees of compassion and the bizarre added. An irresistible cocktail.” —Maxim Jakubowski, author of the Sunday Times bestselling Vina Jackson novels Praise for Unholy Land “Lavie Tidhar does it again. A jewelled little box of miracles. Magnificent.” —Warren Ellis, author of Gun Machine “[STARRED REVIEW] Readers of all kinds, and particularly fans of detective stories and puzzles, will enjoy grappling with the numerous questions raised by this stellar work.” —Publishers Weekly “It’s precisely what we’ve come to expect of Tidhar, a writer who just keeps getting better.” —Angela Slatter, author of the World Fantasy Award-winning The Bitterwood Bible “There are SFF writers. There are good SFF writers. And there is Lavie Tidhar . . . Bold and witty and smoky, [Unholy Land] plays games and coquetries, makes dark dalliances and will leave you dazzled and delighted.” —Ian McDonald, author of Time Was and Luna: Wolf Moon A genius, dreamlike fantasy for those who slip across might-have-been worlds.” —Saad Z. Hossain, author of Escape from Baghdad! “Unholy Land is a stunning achievement.” —The Speculative Shelf “Lavie Tidhar has given us a mystically charged, morally complex vision of Theodor Herzl’s famous Jewish state that might have been.” —James Morrow, author of The Last Witchfinder and Shambling Towards Hiroshima “Lavie Tidhar’s daring Unholy Land brilliantly showcases one of the foremost science fiction authors of our generation.” — Silvia Moreno-Garcia, World Fantasy Award-winning editor and author of Certain Dark Things “Unholy Land is probably better than Michael Chabon’s Yiddish Policeman’s Union.” —Bradley Horner, author of the Darkside Earther series |
| the century superhero: The British Superhero Chris Murray, 2017-03-15 Chris Murray reveals the largely unknown and rather surprising history of the British superhero. It is often thought that Britain did not have its own superheroes, yet Murray demonstrates that there were a great many in Britain and that they were often used as a way to comment on the relationship between Britain and America. Sometimes they emulated the style of American comics, but they also frequently became sites of resistance to perceived American political and cultural hegemony, drawing upon satire and parody as a means of critique. Murray illustrates that the superhero genre is a blend of several influences, and that in British comics these influences were quite different from those in America, resulting in some contrasting approaches to the figure of the superhero. He identifies the origins of the superhero and supervillain in nineteenth-century popular culture such as the penny dreadfuls and boys' weeklies and in science fiction writing of the 1920s and 1930s. He traces the emergence of British superheroes in the 1940s, the advent of fake American comics, and the reformatting of reprinted material. Murray then chronicles the British Invasion of the 1980s and the pivotal roles in American superhero comics and film production held by British artists today. This book will challenge views about British superheroes and the comics creators who fashioned them. Murray brings to light a gallery of such comics heroes as the Amazing Mr X, Powerman, Streamline, Captain Zenith, Electroman, Mr Apollo, Masterman, Captain Universe, Marvelman, Kelly's Eye, Steel Claw, the Purple Hood, Captain Britain, Supercats, Bananaman, Paradax, Jack Staff, and SuperBob. He reminds us of the significance of many such creators and artists as Len Fullerton, Jock McCail, Jack Glass, Denis Gifford, Bob Monkhouse, Dennis M. Reader, Mick Anglo, Brendan McCarthy, Alan Moore, Grant Morrison, Dave Gibbons, and Mark Millar. |
| the century superhero: Superhero Ethics Travis Smith, 2018-06-01 Whether in comic books or on movie screens, superhero stories are where many people first encounter questions about how they should conduct their lives. Although these outlandish figures—in their capes, masks, and tights, with their unbelievable origins and preternatural powers—are often dismissed as juvenile amusements, they really are profound metaphors for different approaches to shaping one’s character and facing the challenges of life. But, given the choice, which superhero should we follow today? Who is most worthy of our admiration? Whose goals are most noble? Whose ethics should we strive to emulate? To decide, Travis Smith takes ten top superheroes and pits them one against another, chapter by chapter. The hero who better exemplifies how we ought to live advances to the final round. By the end of the book, a single superhero emerges victorious and is crowned most exemplary for our times. How, then, shall we live? How can we overcome our beastly nature and preserve our humanity? (The Hulk vs. Wolverine) How far can we rely on our willpower and imagination to improve the human condition? (Iron Man vs. Green Lantern) What limits must we observe when protecting our neighborhood from crime and corruption? (Batman vs. Spider-Man) Will the pursuit of an active life or a contemplative life bring us true fulfillment? (Captain America vs. Mr. Fantastic) Should we put our faith in proven tradition or in modern progress to achieve a harmonious society? (Thor vs. Superman) Using superheroes to bring into focus these timeless themes of the human condition, Smith takes us on an adventure as fantastic as any you’ll find on a splash page or the silver screen—an intellectual adventure filled with surprising insights, unexpected twists and turns, and a daring climax you’ll be thinking about long after it’s over. |
| the century superhero: All New, All Different? Allan W. Austin, Patrick L. Hamilton, 2019-11-05 Taking a multifaceted approach to attitudes toward race through popular culture and the American superhero, All New, All Different? explores a topic that until now has only received more discrete examination. Considering Marvel, DC, and lesser-known texts and heroes, this illuminating work charts eighty years of evolution in the portrayal of race in comics as well as in film and on television. Beginning with World War II, the authors trace the vexed depictions in early superhero stories, considering both Asian villains and nonwhite sidekicks. While the emergence of Black Panther, Black Lightning, Luke Cage, Storm, and other heroes in the 1960s and 1970s reflected a cultural revolution, the book reveals how nonwhite superheroes nonetheless remained grounded in outdated assumptions. Multiculturalism encouraged further diversity, with 1980s superteams, the minority-run company Milestone’s new characters in the 1990s, and the arrival of Ms. Marvel, a Pakistani-American heroine, and a new Latinx Spider-Man in the 2000s. Concluding with contemporary efforts to make both a profit and a positive impact on society, All New, All Different? enriches our understanding of the complex issues of racial representation in American popular culture. |
| the century superhero: Marvel Comics into Film Matthew J. McEniry, Robert Moses Peaslee, Robert G. Weiner, 2016-04-05 Marvel Studios' approach to its Cinematic Universe--beginning with the release of Iron Man (2008)--has become the template for successful management of blockbuster film properties. Yet films featuring Marvel characters can be traced back to the 1940s, when the Captain America serial first appeared on the screen. This collection of new essays is the first to explore the historical, textual and cultural context of the larger cinematic Marvel universe, including serials, animated films, television movies, non-U.S. versions of Marvel characters, films that feature characters licensed by Marvel, and the contemporary Cinematic Universe as conceived by Kevin Feige and Marvel Studios. Films analyzed include Transformers (1986), Howard the Duck (1986), Blade (1998), Planet Hulk (2010), Iron Man: Rise of Technovore (2013), Elektra (2005), the Conan the Barbarian franchise (1982-1990), Ultimate Avengers (2006) and Ghost Rider (2007). |
| the century superhero: Captain America Rich Johnson, 2025-04-01 An engaging insider’s celebration of Captain America’s seminal comic book stories over the comic book’s 80 year run, including all things Cap: his character’s origin; various significant storylines over the decades; and his importance as a cultural icon in today’s wildly popular superhero climate. Captain America explores the phenomenon of one of Marvel Comics’s most popular superheroes with the 30 most significant and influential Captain America stories and includes relevant spinoffs and ancillary comic book events. Framed by longtime comic book industry insider Rich Johnson, the story is told using countless comic book images, film stills, and story-boards: how Steve Rogers origin story as Cap began as a WWII hero and where his story took him further into the twentieth century and beyond; costume and character story changes over the decades; the influence of Captain America on all other comic book characters since Cap’s inception; and how Captain America is even powerful and relevant in today’s comic book (and superhero film) culture. The book contains more than 200 Captain America illustrations, including covers, interior comic art, and sketch treat-ments, beginning with his inception in the early 1940s to present-day treatments of the character. Captain America will appeal to the fans looking for a great place to start learning about Cap, to megafans, and to Marvel collectors alike. |
| the century superhero: The Myth of the American Superhero John Shelton Lawrence, Robert Jewett, 2002 As the nation seems to yearn for redemption from the evils that threaten its tranquility, the authors maintain that Joseph Campbell's monomythic hero is alive and well, but significantly displaced, in American popular culture. |
| the century superhero: Ages of Heroes, Eras of Men Julian C. Chambliss, 2014-11-10 Ages of Heroes, Eras of Men explores the changing depiction of superheroes from the comic books of the 1930s to the cinematic present. In this anthology, scholars from a variety of disciplines including history, cultural studies, Latin American studies, film studies, and English examine the superheros cultural history in North America with attention to particular stories and to the historical contexts in which those narratives appeared. Enduring comic book characters from DC and Marvel Comics including Superman, Iron Man, Batman, Wonder Woman and the Avengers are examined, along with lesser-known Canadian, Latino, and African-American superheroes. With a sweep of characters ranging from the Pulp Era to recent cinematic adaptations, and employing a variety of analytical frameworks, this collection offers new insights for scholars, students, and fans of the superhero genre. |
| the century superhero: Superheroes in Crisis Jeffrey K. Johnson, 2014 An examination of how Superman and Batman dealt with cultural and social changes in the 1960s and 1970s and how this mirrored American societal changes in general. |
| the century superhero: Comic Book Nation Bradford W. Wright, 2001-04-26 As American as jazz or rock and roll, comic books have been central in the nation's popular culture since Superman's 1938 debut in Action Comics #1. The author offers a history of the comic book industry within the context of twentieth-century American society. |
| the century superhero: The Marvel Comics Guide to New York City Peter Sanderson, 2007-11-20 New York City has had a profound influence on the Marvel Comics universe. Unlike Batman's Gotham City or Superman's Metropolis, the Marvel superheroes - Spider-Man, the Fantastic Four, the Avengers - are grounded firmly in the streets of New York, working and living beside us. This fun and informative guide will take you through those streets, pointing out locations of interest along the way. Peter Parker's apartment in the West Village? We'll show you how to get there. Looking for the Avengers headquarters? They might give you funny looks when you show up at the Frick Museum, but don't worry, you're in the right place. You'll also discover why Stan Lee decided to use New York as his backdrop in the first place, and what effect that decision has had on subsequent generations of comic book artists and writers. Whether you're a curious traveller or just a Marvel Comics fan, The Marvel Comics Guide to New York Citygives a fresh and fun new look at the greatest city in the world - and the Marvel universe. |
| the century superhero: Men of Tomorrow Gerard Jones, 2004 Animated by the stories of some of the last century's most charismatic and conniving artists, writers, and businessmen, Men of Tomorrow brilliantly demonstrates how the creators of the superheroes gained their cultural power and established a crucial place in the modern imagination. This history of the birth of superhero comics highlights three pivotal figures. The story begins early in the last century, on the Lower East Side, where Harry Donenfeld rises from the streets to become the king of the 'smooshes'-soft-core magazines with titles like French Humor and Hot Tales. Later, two high school friends in Cleveland, Joe Shuster and Jerry Siegel, become avid fans of 'scientifiction,' the new kind of literature promoted by their favorite pulp magazines. The disparate worlds of the wise guy and the geeks collide in 1938, and the result is Action Comics #1, the debut of Superman. For Donenfeld, the comics were a way to sidestep the censors. For Shuster and Siegel, they were both a calling and an eventual source of misery: the pair waged a lifelong campaign for credit and appropriate compensation. -The New Yorker. |
| the century superhero: Marvel's Black Panther Todd Steven Burroughs, 2018-02-14 Created by Marvel Comics Legends Stan Lee and Jack Kirby, The Black Panther is considered the first Black superhero in American mainstream comics. Through a textual analysis, this book narrates the history of the character from his first appearance in 1966—the same year, the Black Panther Party was formed in Oakland, California—through Ta-Nehisi Coates’ version in 2015. It tells the story of how Black and white writers envisioned the character between those years, as a Patrice Lumumba to a Sidney Poitier to a Nelson Mandela to a hip-hop cool to a reflective, 21st century king. Along the way, the limitations of white liberalism and the boundless nature of the Black imagination are revealed. Marvel's Black Panther is the first textual study of a superhero comic book character, examining its writers and the stories they have created over a fifty year period. |
| the century superhero: Stan Lee Bob Batchelor, 2017-09-15 This first true biography of Stan Lee is an eye-opening look at a pop culture visionary. This book traces Lee's life—from his Depression-era childhood to his years as a teen editor and ultimately to his triumphs as the genius behind some of the most beloved characters in pop culture history, including Spider-Man, Iron Man, Hulk, and Thor. |
| the century superhero: Superman Stuart Immonen, 2003-10 Superman must defend the planet from an evil, immortal being who happens to be the child of Lex Luthor's ex-wife. |
| the century superhero: The Cinematic Superhero as Social Practice Joseph Zornado, Sara Reilly, 2021-11-06 This book analyzes the cinematic superhero as social practice. The study’s critical context brings together psychoanalysis and restorative and reflective nostalgia as a way of understanding the ideological function of superhero fantasy. It explores the origins of cinematic superhero fantasy from antecedents in myth and religion, to twentieth-century comic book, to the cinematic breakthrough with Superman (1978). The authors then focus on Spider-Man as reflective response to Superman’s restorative nostalgia, and read MCU’s overarching narrative from Iron Man to End Game in terms of the concurrent social, political, and environmental conditions as a world in crisis. Zornado and Reilly take up Wonder Woman and Black Panther as self-conscious attempts to reflect on gender and race in restorative superhero fantasy, and explore Christopher Nolan’s Dark Knight trilogy as a meditation on the need for authoritarian fascism. The book concludes with Logan, Wonder Woman 1984, and Amazon Prime’s The Boys as distinctly reflective fantasy narratives critical of the superhero fantasy phenomenon. |
| the century superhero: The Modern Superhero in Film and Television Jeffrey A. Brown, 2016-11-10 Hollywood’s live-action superhero films currently dominate the worldwide box-office, with the characters enjoying more notoriety through their feature film and television depictions than they have ever before. This book argues that this immense popularity reveals deep cultural concerns about politics, gender, ethnicity, patriotism and consumerism after the events of 9/11. Superheroes have long been agents of hegemony, fighting for abstract ideals of justice while overall perpetuating the American status quo. Yet at the same time, the book explores how the genre has also been utilized to question and critique these dominant cultural assumptions. |
| the century superhero: The Marvel Studios Story Charlie Wetzel, Stephanie Wetzel, 2020-05-26 What can you learn from the world’s most successful companies? Marvel characters have been shaping pop culture for decades and when comic books were no longer keeping the company afloat, Marvel Studios was born. Marvel Studios is the multibillion-dollar home to iconic franchises. They are known for creating brilliant multilayered worlds and storylines that allow their audiences to escape into a fantasy and inspire the creative side of every viewer. But, behind those visionaries is a well-oiled storytelling machine dedicated to getting the Hulk’s smash fists in the hands of every child and a sea of Spiderman costumes deployed every Halloween. The Marvel Studios Story educates you on how one of the largest creative companies in the planetary universe runs their business and keeps their fans and their parent company, Disney, counting the profits. Through the story of Marvel Studios, you’ll learn: How to recognize and pursue additional revenue streams. How a company can successfully balance the creative with business to appease investors and fans alike. And how to keep a decades-old superhero franchise new and exciting without losing sight of its roots. The Marvel Studios Story will help you understand and adopt the competitive strategies, workplace culture, and daily business practices that enabled a struggling comic book publisher to parlay the power of myth and storytelling to become one of history’s most successful movie studios. |
| the century superhero: Captain Marvel Vs. Rogue Chris Claremont, 2021-04-21 Collects Avengers Annual (1967) #10; Uncanny X-Men (1981) #158, 171, 269; Ms. Marvel (2006) #9-10; X-Men Legacy (2008) #269-270; Captain Marvel (2019) #4-5; material from Marvel Super-Heroes (1990) #11. One of the mightiest Avengers vs. one of the most steadfast X-Men! Rogue used to be a villain, and she and Captain Marvel once clashed in a battle that left both women changed forever! On behalf of the Brotherhood, Rogue ambushed Carol — and permanently absorbed her memories and powers! As Rogue battled the Avengers, Carol struggled to rebuild her life. Tormented by Carol’s memories, Rogue eventually reformed. The two powerhouses have crossed paths time and again since then, both as enemies and reluctant allies. But can Captain Marvel and Rogue ever find a way to bury the hatchet — other than in each other’s heads? |
| the century superhero: The Virtues of Captain America , 2014-01-27 The first look at the philosophy behind the Captain America comics and movies, publishing in advance of the movie release of Captain America: The Winter Solider in April 2014. In The Virtues of Captain America, philosopher and long-time comics fan Mark D. White argues that the core principles, compassion, and judgment exhibited by the 1940’s comic book character Captain America remain relevant to the modern world. Simply put, Cap embodies many of the classical virtues that have been important to us since the days of the ancient Greeks: honesty, courage, loyalty, perseverance, and, perhaps most importantly, honor. Full of entertaining examples from more than 50 years of comic books, White offers some serious philosophical discussions of everyone’s favorite patriot in a light-hearted and accessible way. Presents serious arguments on the virtues of Captain America while being written in a light-hearted and often humorous tone Introduces basic concepts in moral and political philosophy to the general reader Utilizes examples from 50 years of comics featuring Captain America, the Avengers, and other Marvel superheroes Affirms the value of old-fashioned virtues for the modern world without indulging in nostalgia for times long passed Reveals the importance of the sound principles that America was founded upon Publishing in advance of Captain America: The Winter Soldier out in April 2014. |
| the century superhero: All of the Marvels Douglas Wolk, 2023-10-03 Winner of the 2022 Eisner Award for Best Comics-Related Book A New York Times Book Review Editor's Choice The first-ever full reckoning with Marvel Comics’ interconnected, half-million-page story, a revelatory guide to the “epic of epics”—and to the past sixty years of American culture—from a beloved authority on the subject who read all 27,000+ Marvel superhero comics and lived to tell the tale “Thorough, fascinating, and joyfully executed, All of the Marvels is essential reading for fans and scholars alike.” —G. Willow Wilson (Ms. Marvel) “A revelation, a tour both electrifying in its weird charisma and replenishing in its loving specificity . . . a testament, and a tribute.” —Jonathan Lethem “Brilliant, eccentric, moving and wholly wonderful. . . . Wolk proves to be the perfect guide for this type of adventure: nimble, learned, funny and sincere. . . . All of the Marvels is magnificently marvelous. Wolk’s work will invite many more alliterative superlatives. It deserves them all.” —Junot Díaz, New York Times Book Review The superhero comic books that Marvel Comics has published since 1961are the longest continuous, self-contained work of fiction ever created. Thousands of writers and artists have contributed to it. Everyone recognizes its protagonists. Eighteen of the hundred highest-grossing movies of all time are based on parts of it. And Douglas Wolk has read the whole thing. Wolk sees both into the ever-expanding story and through it, as a prism through which to view the landscape of American culture. In his hands, the mammoth Marvel narrative becomes a fun-house-mirror history of the past sixty years—a boisterous, tragicomic, magnificently filigreed epic about power and ethics, set in a world transformed by wonders. A huge treat for Marvel fans, this book is also a revelation for readers who don’t know Doctor Strange from Doctor Doom. Here, truly, are all of the marvels. |
| the century superhero: Dc Versus Marvel Ron Marz, Peter David, Dan Jurgens, Bill Oakley, Chris Eliopoulos, Gregory Wright, Matt Hollingsworth, 2010-04 Presenting the long-contested face-off between the powerhouses of comics, we find heroes and villains crossing over from each dimension into the other and celestial beings begin a strange and deadly cosmic chess game to determine which universe is more powerful. |
| the century superhero: Authorizing Superhero Comics Daniel Stein, 2021 Authorizing Superhero Comics examines the comic book superhero as a lasting phenomenon of US popular serial storytelling. Moving beyond linear- or creator-centered models of genre development, Daniel Stein identifies authorization conflicts that have driven the genre's evolution from the late 1930s to the present. These conflicts include paratextually mediated exchanges between officially authorized comic book producers and, alternatively, authorized fans that trouble the distinction between production and its reception; storyworld-building processes that subsume producers and fans into a collective rooted in a common style; parodies that ensure the genre's longevity by deflating criticism through self-reflexive humor; and collecting and archiving as forms of memory management that align the genre's past with the demands of the present. Taking seriously the serial agencies of the superhero comic book as a material artifact with a particular mediality, the study analyzes letter columns, editorial commentary, fanzines, encyclopedias, and other forms of comic book communication as critical frameworks for understanding the evolution of the genre--assessing rarely covered archival sources alongside some of the most treasured figures from the superhero's multi-decade history, from Batman and Spider-Man to Wonder Woman and Captain America. |
| the century superhero: Superhero John Logan, Tom Kitt, 2022-02-07 From the Pulitzer Prize Tony and Emmy Award-winning composer of Next to Normal (Tom Kitt) and the Tony Award-winning writer of Red (John Logan) Superhero is a deeply human new musical about a fractured family the mysterious stranger in apartment 4-B and the unexpected hero who just might save the day. Directed by Jason Moore (The Cher Show Avenue Q) Superhero made its world premiere in January 2019 at Second Stage Theater. Kitt writes beautifully for his anguished characters shaping the lyrics to each distinct voice. - Alexis Soloski The Guardian [Kitt's] lyrics are neatly turned and germane. - Michael Sommers New York Stage Review [The] book is intelligent and the songs are well-integrated into it. - Robert Sholiton Gotham Playgoer |
| the century superhero: Mixed-Race Superheroes Sika A. Dagbovie-Mullins, Eric L. Berlatsky, 2021 Mixed-Race Superheroes examines representations of racial mixedness, literal, metaphorical, and symbolic, that take on, challenge, or complicate the stereotypes and romanticization of mixed-race identities and the idea of the superhero in comics, film, and television. The collection addresses issues such as hybridity, belonging/nonbelonging, racial authenticity and purity, dual identities, passing, and post-racialism in a diverse collection of superhero texts. |
| the century superhero: Batman and the Outsiders (1983-) #1 Mike W. Barr, 2014-06-04 Enjoy this great comic from DC’s digital archive! |
| the century superhero: Marvel 1602 Neil Gaiman, 2009 1602, England. Her majesty's premier spy, Sir Nicholas Fury, fends off an assassination attempt on the Queen by winged warriors rumored to be in service to a mad despot named Doom. News is spreading of witchbreed sightings and at the center of the rising chaos is Virginia Dare, a young girl newly arrived from the New World, guarded by a towering Indian warrior. Can Fury and his allies find a connection to these unusual happenings before the whole world ends? |
| the century superhero: Hugo Gernsback and the Century of Science Fiction Gary Westfahl, 2007-08-01 An examination of science fiction editor and author Hugo Gernsback's career, this critical study explores the many ways in which his work influenced the genre. It summarizes the science fiction theories of Gernsback and his successors, considers his efforts to define science fiction both verbally and visually, and for the first time offers detailed studies of his rarest periodicals, including Technocracy Review, Superworld Comics, and Science-Fiction Plus. An analysis of his ground-breaking novel, Ralph 124C 41+: A Romance of the Year 2660, and its influences on a variety of science fiction novels, films and television programs is also offered. |
| the century superhero: Guardians of the Galaxy: Creating Marvel's Spacefaring Super Heroes Mark Sumerak, 2017-04-04 Explore the greatest art from five decades of Marvel’s Guardians of the Galaxy comics with this deluxe art book. The Guardians of the Galaxy made their first appearance in the pages of Marvel Super-Heroes back in 1969, and while the team’s lineup has changed significantly over the years, its popularity with fans has continued to grow and grow. This deluxe book delves into the creation and evolution of the Guardians through exclusive interviews with the people who brought them to life, including writers Dan Abnett and Andy Lanning, and artists Al Milgrom, Valerio Schiti, and Skottie Young. Filled with incredible art from nearly fifty years of comics, Guardians of the Galaxy: Creating Marvel’s Spacefaring Super Heroes is the best way to experience the zany creativity and dynamic artistic talent behind fan-favorite characters such as Star-Lord, Drax the Destroyer, Gamora, Rocket Raccoon, and Groot. |
| the century superhero: Origins of Marvel Comics Stan Lee, 1997-11 |
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Supercharge your child’s 11+ learning with Bond Online Premium. Build exam confidence with instant access to 20,000+ questions; Online test practice and mocks for grammar and …
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In this case study, we speak to Kirsty Lewey, Head of Geography at The Holy Trinity Church of England Secondary School, about how CENTURY can help to solve the unique challenges …
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CENTURY is an AI-powered teaching and learning platform for maths GCSEs and functional skills, aligned to the national curriculum.
