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| the negro speaks of rivers summary: The Weary Blues Langston Hughes, 2022-01-24 Immediately celebrated as a tour de force upon its release, Langston Hughes's first published collection of poems still offers a powerful reflection of the Black experience. From The Weary Blues to Dream Variation, Hughes writes clearly and colorfully, and his words remain prophetic. |
| the negro speaks of rivers summary: Hughes: Poems Langston Hughes, 1999-03-23 A collection of poems by the African-American poet Langston Hughes. |
| the negro speaks of rivers summary: Black Poets of the United States Jean Wagner, 1973 Traces the evolution of Afro-American poetry, highlighting individual poets up to the time of the Harlem Renaissance. |
| the negro speaks of rivers summary: The Big Sea Langston Hughes, 2022-08-01 In The Big Sea, Langston Hughes artfully chronicles his journey from the Midwest to Harlem during the vibrant period of the Harlem Renaissance, blending autobiographical narrative with profound social commentary. Written in a lyrical prose style, the book captures his artistic growth, personal struggles, and encounters with influential figures in the world of literature and jazz. Hughes's reflection on race, identity, and the African American experience is interspersed with rich imagery and poignant anecdotes, making the text not only a memoir but also a timeless exploration of cultural heritage and resilience. Langston Hughes, known for his pioneering contributions to American literature and the Harlem Renaissance, was deeply influenced by his own life experiences, growing up in a racially segregated America. His travels to Paris, where he mingled with expatriate artists, profoundly impacted his worldview and literary voice. Hughes's commitment to using art as a vehicle for social change and cultural expression imbues The Big Sea with a sense of urgency and relevance that resonates with readers from all backgrounds. This remarkable memoir is recommended for anyone seeking an understanding of the socio-cultural landscape of early 20th-century America, as well as those interested in the intersections of race, art, and identity. Hughes's insightful reflections and eloquent prose offer both historical context and personal depth, making The Big Sea an essential read for lovers of literature and advocates of social justice. |
| the negro speaks of rivers summary: Vintage Hughes Langston Hughes, 2004-01-06 Presents selected works from The Collected Poems of Langston Hughes, and The Ways of White Folks. |
| the negro speaks of rivers summary: The Ways of White Folks Langston Hughes, 2011-09-07 A collection of vibrant and incisive short stories depicting the sometimes humorous, but more often tragic interactions between Black people and white people in America in the 1920s and ‘30s. One of the most important writers to emerge from the Harlem Renaissance, Langston Hughes may be best known as a poet, but these stories showcase his talent as a lively storyteller. His work blends elements of blues and jazz, speech and song, into a triumphant and wholly original idiom. Stories included in this collection: Cora Unashamed Slave on the Block Home Passing A Good Job Gone Rejuvenation Through Joy The Blues I'm Playing Red-Headed Baby Poor Little Black Fellow Little Dog Berry Mother and Child One Christmas Eve Father and Son |
| the negro speaks of rivers summary: Not Without Laughter Langston Hughes, 2008-04-04 Poet Langston Hughes' only novel, a coming-of-age tale that unfolds amid an African-American family in rural Kansas, explores the dilemmas of life in a racially divided society. |
| the negro speaks of rivers summary: Selected Poems of Langston Hughes Langston Hughes, 2011-10-26 Langston Hughes electrified readers and launched a renaissance in Black writing in America—the poems in this collection were chosen by Hughes himself shortly before his death and represent stunning work from his entire career. The poems Hughes wrote celebrated the experience of invisible men and women: of slaves who rushed the boots of Washington; of musicians on Lenox Avenue; of the poor and the lovesick; of losers in the raffle of night. They conveyed that experience in a voice that blended the spoken with the sung, that turned poetic lines into the phrases of jazz and blues, and that ripped through the curtain separating high from popular culture. They spanned the range from the lyric to the polemic, ringing out wonder and pain and terror—and the marrow of the bone of life. The collection includes The Negro Speaks of Rivers, The Weary Blues, Still Here, Song for a Dark Girl, Montage of a Dream Deferred, and Refugee in America. It gives us a poet of extraordinary range, directness, and stylistic virtuosity. |
| the negro speaks of rivers summary: The Collected Poems of Langston Hughes Langston Hughes, 1995-10-31 The definitive sampling of a writer whose poems were “at the forefront of the Harlem Renaissance and of modernism itself, and today are fundamentals of American culture” (OPRAH Magazine). Here, for the first time, are all the poems that Langston Hughes published during his lifetime, arranged in the general order in which he wrote them. Lyrical and pungent, passionate and polemical, the result is a treasure of a book, the essential collection of a poet whose words have entered our common language. The collection spans five decades, and is comprised of 868 poems (nearly 300 of which never before appeared in book form) with annotations by Arnold Rampersad and David Roessel. Alongside such famous works as The Negro Speaks of Rivers and Montage of a Dream Deferred, The Collected Poems includes Hughes's lesser-known verse for children; topical poems distributed through the Associated Negro Press; and poems such as Goodbye Christ that were once suppressed. |
| the negro speaks of rivers summary: Black Misery Langston Hughes, 2001 Hughes takes a child's view of growing up African American in the 1960s. |
| the negro speaks of rivers summary: Langston's Salvation Wallace D. Best, 2019-02-01 Winner of the 2018 Award for Excellence in the Study of Religion in Textual Studies, presented by the American Academy of Religion 2018 Outstanding Academic Title, given by Choice Magazine A new perspective on the role of religion in the work of Langston Hughes Langston's Salvation offers a fascinating exploration into the religious thought of Langston Hughes. Known for his poetry, plays, and social activism, the importance of religion in Hughes’ work has historically been ignored or dismissed. This book puts this aspect of Hughes work front and center, placing it into the wider context of twentieth-century American and African American religious cultures. Best brings to life the religious orientation of Hughes work, illuminating how this powerful figure helped to expand the definition of African American religion during this time. Best argues that contrary to popular perception, Hughes was neither an avowed atheist nor unconcerned with religious matters. He demonstrates that Hughes’ religious writing helps to situate him and other black writers as important participants in a broader national discussion about race and religion in America. Through a rigorous analysis that includes attention to Hughes’s unpublished religious poems, Langston’s Salvation reveals new insights into Hughes’s body of work, and demonstrates that while Hughes is seen as one of the most important voices of the Harlem Renaissance, his writing also needs to be understood within the context of twentieth-century American religious liberalism and of the larger modernist movement. Combining historical and literary analyses with biographical explorations of Langston Hughes as a writer and individual, Langston’s Salvation opens a space to read Langston Hughes’ writing religiously, in order to fully understand the writer and the world he inhabited. |
| the negro speaks of rivers summary: Letters from Langston Langston Hughes, 2016-02-01 Langston Hughes, one of America's greatest writers, was an innovator of jazz poetry and a leader of the Harlem Renaissance whose poems and plays resonate widely today. Accessible, personal, and inspirational, Hughes’s poems portray the African American community in struggle in the context of a turbulent modern United States and a rising black freedom movement. This indispensable volume of letters between Hughes and four leftist confidants sheds vivid light on his life and politics. Letters from Langston begins in 1930 and ends shortly before his death in 1967, providing a window into a unique, self-created world where Hughes lived at ease. This distinctive volume collects the stories of Hughes and his friends in an era of uncertainty and reveals their visions of an idealized world—one without hunger, war, racism, and class oppression. |
| the negro speaks of rivers summary: I Hear America Singing Walt Whitman, 1991 Whitman's famous poem, accompanied by linoleum-cut illustrations, depicts people at work all over an earlier America. |
| the negro speaks of rivers summary: The Weary Blues Langston Hughes, 1927 |
| the negro speaks of rivers summary: The Panther and the Lash Langston Hughes, 2011-10-26 Hughes's last collection of poems commemorates the experience of Black Americans in a voice that no reader could fail to hear—the last testament of a great American writer who grappled fearlessly and artfully with the most compelling issues of his time. “Langston Hughes is a titanic figure in 20th-century American literature ... a powerful interpreter of the American experience.” —The Philadelphia Inquirer From the publication of his first book in 1926, Langston Hughes was America's acknowledged poet of color. Here, Hughes's voice—sometimes ironic, sometimes bitter, always powerful—is more pointed than ever before, as he explicitly addresses the racial politics of the sixties in such pieces as Prime, Motto, Dream Deferred, Frederick Douglas: 1817-1895, Still Here, Birmingham Sunday. History, Slave, Warning, and Daybreak in Alabama. |
| the negro speaks of rivers summary: A History of the Harlem Renaissance Rachel Farebrother, Miriam Thaggert, 2021-02-04 The Harlem Renaissance was the most influential single movement in African American literary history. The movement laid the groundwork for subsequent African American literature, and had an enormous impact on later black literature world-wide. In its attention to a wide range of genres and forms – from the roman à clef and the bildungsroman, to dance and book illustrations – this book seeks to encapsulate and analyze the eclecticism of Harlem Renaissance cultural expression. It aims to re-frame conventional ideas of the New Negro movement by presenting new readings of well-studied authors, such as Zora Neale Hurston and Langston Hughes, alongside analysis of topics, authors, and artists that deserve fuller treatment. An authoritative collection on the major writers and issues of the period, A History of the Harlem Renaissance takes stock of nearly a hundred years of scholarship and considers what the future augurs for the study of 'the New Negro'. |
| the negro speaks of rivers summary: Poetry for Young People: Langston Hughes (100th Anniversary Edition) Langston Hughes, 2021-06 Celebrate 100 years of Langston Hughes's powerful poetry. A Coretta Scott King Honor Award recipient, Poetry for Young People: Langston Hughes includes 26 of the poet's most influential pieces, including: Mother to Son; My People; Words Like Freedom; I, Too; and The Negro Speaks of Rivers--Hughes's first published piece, which was originally released in June 1921. This collection is curated and annotated by Arnold Rampersad and David Roessel, two leading poetry experts. It also features gallery-quality art by Benny Andrews and a new foreword by Renée Watson, a Newbery Honor Award recipient and founder of the I, Too Arts Collective. |
| the negro speaks of rivers summary: Thank You, M'am Langston Hughes, 2014-08 When a young boy named Roger tries to steal the purse of a woman named Luella, he is just looking for money to buy stylish new shoes. After she grabs him by the collar and drags him back to her home, he's sure that he is in deep trouble. Instead, Roger is soon left speechless by her kindness and generosity. |
| the negro speaks of rivers summary: Fine Clothes to the Jew Langston Hughes, 1927 |
| the negro speaks of rivers summary: The Mis-Education of the Negro Carter Godwin Woodson, 2012-03-07 This landmark work by a pioneering crusader of black education inspired African-Americans to demand relevant learning opportunities that were inclusive of their own culture and heritage. |
| the negro speaks of rivers summary: I Wonder As I Wander , 2008 |
| the negro speaks of rivers summary: Cane Jean Toomer, 1923 The novel is structured as a series of vignettes revolving around the origins and experiences of African Americans in the United States. |
| the negro speaks of rivers summary: Bronx Masquerade Nikki Grimes, 2017-08-08 This award-winning novel is a powerful exploration of self, an homage to spoken-word poetry, and an intriguing look into the life of eighteen teens. When Wesley Boone writes a poem for his high school English class, some of his classmates clamor to read their poems aloud too. Soon they're having weekly poetry sessions and, one by one, the eighteen students are opening up and taking on the risky challenge of self-revelation. There's Lupe Alvarin, desperate to have a baby so she will feel loved. Raynard Patterson, hiding a secret behind his silence. Porscha Johnson, needing an outlet for her anger after her mother OD's. Through the poetry they share and narratives in which they reveal their most intimate thoughts about themselves and one another, their words and lives show what lies beneath the skin, behind the eyes, beyond the masquerade. |
| the negro speaks of rivers summary: Dickinson Unbound Alexandra Socarides, 2014-07-01 In Dickinson Unbound, Alexandra Socarides takes readers on a journey through the actual steps and stages of Emily Dickinson's creative process. In chapters that deftly balance attention to manuscripts, readings of poems, and a consideration of literary and material culture, Socarides takes up each of the five major stages of Dickinson's writing career: copying poems onto folded sheets of stationery; inserting and embedding poems into correspondence; sewing sheets together to make fascicles; scattering loose sheets; and copying lines on often torn and discarded pieces of household paper. In so doing, Socarides reveals a Dickinsonian poetics starkly different from those regularly narrated by literary history. Here, Dickinson is transformed from an elusive poetic genius whose poems we have interpreted in a vacuum into an author who employed surprising (and, at times, surprisingly conventional) methods to wholly new effect. Dickinson Unbound gives us a Dickinson at once more accessible and more complex than previously imagined. As the first authoritative study of Dickinson's material and compositional methods, this book not only transforms our ways of reading Dickinson, but advocates for a critical methodology that insists on the study of manuscripts, composition, and material culture for poetry of the nineteenth century and thereafter. |
| the negro speaks of rivers summary: Collected Prose Robert Hayden, 2021-08-02 A collection of essays on poetry and the experiences that influenced poet Robert Hayden. Contents include The History of Punchinello: A Baroque Play in One Act, Hayden's introductory remarks to volumes like Kaleidoscope: Poems by American Negro Poet and The New Negro, and interviews with Hayden. |
| the negro speaks of rivers summary: A Raisin in the Sun Lorraine Hansberry, 2016-11-01 A Raisin in the Sun reflects Lorraine Hansberry's childhood experiences in segregated Chicago. This electrifying masterpiece has enthralled audiences and has been heaped with critical accolades. The play that changed American theatre forever - The New York Times. Edition Description |
| the negro speaks of rivers summary: The Art and Imagination of Langston Hughes R Miller, 2014-10-17 Langston Hughes was one of the most important American writers of his generation, and one of the most versatile, producing poetry, fiction, drama, and autobiography. In this innovative study, R. Baxter Miller explores Hughes's life and art to enlarge our appreciation of his contribution to American letters. Arguing that readers often miss the complexity of Hughes's work because of its seeming accessibility, Miller begins with a discussion of the writer's auto-biography, an important yet hitherto neglected key to his imagination. Moving on to consider the subtle resonances of his life in the varied genres over which his imagination wandered, Miller finds a constant symbiotic bond between the historical and the lyrical. The range of Hughes's artistic vision is revealed in his depiction of Black women, his political stance, his lyric and tragi-comic modes. This is one of the first studies to apply recent methods of literary analysis, including formalist, structuralist, and semiotic criticism, to the work of a Black American writer. Miller not only affirms in Hughes's work the peculiar qualities of Black American culture but provides a unifying conception of his art and identifies the primary metaphors lying at its heart. Here is a fresh and coherent reading of the work of one of the twentieth century's greatest voices, a reinterpretation that renews our appreciation not only of Black American text and heritage but of the literary imagination itself. |
| the negro speaks of rivers summary: Freedom's Plow Langston Hughes, 1943 |
| the negro speaks of rivers summary: Modern Black Poets Donald B. Gibson, 1973 Twelve critical essays sketch the tradition of black poets in the U. S. from the Harlem Renaissance of the 1920's to the black rage of the 1970's. Separate critiques are devoted to the work of Langston Hughes, Countee Cullen, Melvin B. Tolson, Robert Hayden, and Imamu Amiri Baraka. |
| the negro speaks of rivers summary: Dream Boogie Langston Hughes, 2017-11-17 Langston Hughes was an American poet, social activist, novelist, playwright, and a columnist. Hughes was one of the earliest innovators of the then-new literary art form called jazz poetry. Hughes is best known as a leader of the Harlem Renaissance in New York City. He famously wrote about the period, which was later paraphrased as when Harlem was in vogue. |
| the negro speaks of rivers summary: Women Who Wrote: Stories and Poems from Audacious Literary Mavens Louisa May Alcott, Jane Austen, Charlotte Bronte, Emily Bronte, Gertrude Stein, Phillis Wheatley, 2024-02-13 This beautiful, giftable collection celebrates both the wisdom and tenacity of courageous women who defied society's expectations and gifted the world with literary treasures through unparalleled fiction and poetry. We know many of their names--Austen and Alcott, Brontë and Browning, Wheatley, and Woolf--though some may be less familiar. They are here, waiting to introduce themselves. They wrote against all odds. Some wrote defiantly; some wrote desperately. Some wrote while trapped within the confines of status and wealth. Some wrote hand-to-mouth in abject poverty. Some wrote trapped in a room of their father's house, and some went in search of a room of their own. They had lovers and families. They were sometimes lonely. Many wrote anonymously or under a pseudonym for a world not yet ready for their genius and talent. The Women Who Wrote softcover edition offers: Stories from Jane Austen, Katherine Mansfield, Willa Cather, Louisa May Alcott, Edith Wharton, Zora Neale Hurston, and Virginia Woolf. Poems from Emily Dickinson, Gertrude Stein, Charlotte Brontë, Emily Brontë, Frances Ellen Watkins Harper, Edna St. Vincent Millay, Elizabeth Barrett Browning, Dorothy Parker, and Phillis Wheatley. These women wrote to change the world. They marched through the world one by one or in small sisterhoods, speaking to one another and to us over distances of place and time. Pushing back against the boundaries meant to keep us in our place, they carved enough space for themselves to write. They made space for us to follow. Here they are gathered together, an army of women who wrote an arsenal of words to inspire us. They walk with us as we forge our own paths forward. |
| the negro speaks of rivers summary: Tambourines to Glory Langston Hughes, 1958 |
| the negro speaks of rivers summary: Refugees Brian Bilston, 2024-09 'Refugee' is a book of two voices. The first one sees the people fleeing from war and persecution and asks, Why here? Why my country? It is a feeling many people share. It is one of fear and suspicion. But when you read the text the opposite way, a new voice emerges. It says, 'Why not make them welcome? Why not share the things we have?'. The world is undergoing a period of mass human migration. Whether this is caused by war, persecution or economics, the people we see on the news in those camps are waiting - waiting to live their lives. There are two sides to every debate. There are two sides to a wall. This story shows both sides of the issue with skill and the illustrations depict the issue in a magic realism style, powerful but never frightening, and will promote a deeper discussion on this topic with an older child.--Publisher. |
| the negro speaks of rivers summary: The Cremation of Sam McGee Robert Service, 2013-03-01 In 1986 Kids Can Press published an edition of Robert Service's ?The Cremation of Sam McGee? illustrated by painter Ted Harrison, who used his signature broad brushstrokes and unconventional choice of color to bring this gritty narrative poem to life. Evoking both the spare beauty and the mournful solitude of the Yukon landscape, Harrison's paintings proved the perfect match for Service's masterpiece about a doomed prospector adrift in a harsh land. Harrison's Illustrator's Notes on each page enhanced both poem and illustrations by adding valuable historical background. Upon its original publication, many recognized the book as an innovative approach to illustrating poetry for children. For years The Cremation of Sam McGee has stood out as a publishing landmark, losing none of its appeal both as a read-aloud and as a work of art. Kids Can Press proudly publishes this deluxe hardcover twentieth anniversary edition --- complete with a spot-varnished cover, new cover art and heavy coated stock --- of a book that remains as entrancing as a night sky alive with the vibrant glow of the Northern Lights. |
| the negro speaks of rivers summary: How It Feels to Be Colored Me Zora Neale Hurston, Marita O. Bonner, Jessie Redmon Fauset, Angelina Weld Grimke, Georgia Douglas Johnson, Helene Johnson, Anne Spencer, Gwendolyn Bennett, Elise Johnson McDougals, Nellie R. Bright, Blanche Taylor Dickinson, Mae V. Cowdery, Caroline Bond Day, Brenda Ray Moryck, Lena Williams, 2025-01-20 In narratives and poems, fifteen women share their poignant and personal views on life as an African American woman during the Harlem Renaissance. It includes the title essay by Zora Neale Hurston and On Being Young-a Woman-and Colored by Marita Bonner. Poems by Anne Spencer, Georgia Douglas Johnson, Angelina Weld Grimké, and more. |
| the negro speaks of rivers summary: Summary of Victoria Christopher Murray's Harlem Rhapsody Milkyway Media, 2025-04-17 Buy now to get the main key ideas from Victoria Christopher Murray's Harlem Rhapsody In Harlem Rhapsody (2025), bestselling novelist Victoria Christopher Murray brings to life the story of a woman whose influence helped define a cultural movement. In Murray’s fictionalized history, Jessie Fauset arrives in Harlem in 1919 to pursue her dream as the new literary editor of W.E.B. Du Bois’s The Crisis, the leading magazine of the NAACP. As a Black woman in an influential role, Jessie is determined to elevate emerging Black writers like Langston Hughes and Countee Cullen towards literary success. Jessie nurtures the Harlem Renaissance while navigating an affair with Du Bois, complicated by his marriage. Through passion, resilience, and a belief in the power of words, Jessie leaves an indelible mark on American literature. |
| the negro speaks of rivers summary: A Study Guide for Langston Hughes's "The Negro Speaks of Rivers" Gale, Cengage Learning, 2016 A Study Guide for Langston Hughes's The Negro Speaks of Rivers, excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs. |
| the negro speaks of rivers summary: Shakespeare in Harlem Langston Hughes, 1942 A book of light verse. |
| the negro speaks of rivers summary: Transcendence in Langston Hughes' "The Negro Speaks of Rivers" Rebecca Rasche, 2006-10-16 Seminar paper from the year 2006 in the subject American Studies - Literature, grade: 1,3, Dresden Technical University (Amerikanische Kultur- und Literaturwissenschaften), course: Harlem Renaissance, language: English, abstract: Hughes had always been a part of small black communities, to whom he was strongly attached (Black Renaissance Reader 1251). He felt a strong racial pride, although his father, according to Hughes, hated himself for being black, and although Hughes experienced the vilest forms of discrimination (St. James Encyclopedia of Pop Culture). One incident in Hughes’ childhood shaped his point of view profoundly: During the McCarthy hearings, Hughes reported that his schoolmates stoned him on his way home from school. But one of his schoolmates, a very small, white youth, protected him. He had never forgotten this youngster standing up for him against these other first graders who were throwing stones at him. He goes on to indicate that he had always felt from that time on that there are white people in America who can be an African American’s friend. Hughes also emphasized the fact that he never said anything to create a division among whites or African Americans. For that reason I am of the opinion that Hughes’ poetry never became a bitter undercurrent, but was shaped by both his positive and negative experiences. According to Karen Jackson Ford, the one thing many readers of “twentieth-century American poetry can say about Langston Hughes is that he has known rivers” (Do right to write right: Langston Hughes′s aesthetics of simplicity). The Negro Speaks of Rivers became famous for the elevated, declamatory mood, mythic scale, and compelling cadenced repetitions. But however beautiful the poem’s cadences, it is remembered primarily because it is Hughes′s most frequently anthologized work: The Negro Speaks of Rivers is one of Hughes′ most atypical poems, and nonetheless it defined his reputation (Do right to write right: Langston Hughes′s aesthetics of simplicity). In view of the history and experiences that Africans have faced in America, the affirmation by Patricia Liggins Hill that “African American Writing is both a product of, and a response to, its own historical and cultural context” (768) seems to be vital for interpreting Langston Hughes famous poem “The Negro speaks of Rivers”. |
| the negro speaks of rivers summary: A Study Guide for Langston Hughes's "The Negro Speaks of Rivers" Cengage Learning Gale, 2017-07-25 |
Negro - Wikipedia
In the English language, the term negro (or sometimes negress for a female) is a term historically used to refer to people of Black African heritage. The term negro means the color black in …
NEGRO Definition & Meaning - Merriam-Webster
The meaning of NEGRO is a person of Black African ancestry. Usage of Negro and Negress: Usage Guide.
Black vs. Negro - What's the Difference? | This vs. That
Black and Negro are both terms used to describe people of African descent. The term "Negro" has its origins in the Spanish and Portuguese languages, where it simply means "black." It was …
Negro - Etymology, Origin & Meaning - Etymonline
Originating in the 1550s from Spanish/Portuguese "negro," derived from Latin "nigrum" meaning black or dark, the word denotes black-skinned African people.
Who and What is a Negro | Teaching American History
Feb 10, 2025 · The answer is, “A Negro is a person of dark complexion or race, who has not accomplished anything and to whom others are not obligated for any useful service.”
Negro - Wikipedia
In the English language, the term negro (or sometimes negress for a female) is a term historically used to refer to people of Black African heritage. The term negro means the color black in …
NEGRO Definition & Meaning - Merriam-Webster
The meaning of NEGRO is a person of Black African ancestry. Usage of Negro and Negress: Usage Guide.
Black vs. Negro - What's the Difference? | This vs. That
Black and Negro are both terms used to describe people of African descent. The term "Negro" has its origins in the Spanish and Portuguese languages, where it simply means "black." It …
Negro - Etymology, Origin & Meaning - Etymonline
Originating in the 1550s from Spanish/Portuguese "negro," derived from Latin "nigrum" meaning black or dark, the word denotes black-skinned African people.
Who and What is a Negro | Teaching American History
Feb 10, 2025 · The answer is, “A Negro is a person of dark complexion or race, who has not accomplished anything and to whom others are not obligated for any useful service.”
