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| the american amusement park industry: The American Amusement Park Industry Judith Adams-Volpe, 1991 |
| the american amusement park industry: Legends Tim O'Brien, 2006 OBriens multi-book series pays homage to the greatest of the great--those who made the amusement parks, theme parks, and waterparks what they are today. |
| the american amusement park industry: Imagineering an American Dreamscape Barry R. Hill, 2020-06 Finally, the story of America's regional theme parks. Everybody knows pretty much everything about Disneyland-how it got started, how the Imagineers do their thing, and so on. But nobody ever talks about the parks that most of us across the country enjoy far more often. Regional theme parks, different from amusement parks, owe their existence to the magical land Walt built in Anaheim. There were a few false starts, but in 1961 Angus Wynne opened Six Flags Over Texas, triggering a tidal wave of Disneyland-lites over the next twenty years. Imagineering an American Dreamscape tells the story of the regionals and the strong-willed individuals behind them-where they came from, how they got started, and how they've changed over the decades. Some of the stories you may have heard. Most you probably haven't, and it's a fascinating tale to tell. Sit back and enjoy the long journey from the grand world expositions of yesteryear to the parks you grew up to love and cherish. Contents: Before Disneyland Walt sets a new standard Duplicating Disneyland is harder than you think Angus Wynne gets it done Entrepreneurs, visionaries, & mavericks Davy Crockett tangles with...Yogi Bear? Masters of the franchise Adolphus plants a garden Munchkins, berries & Hersheybars Who says we can't build a theme park now? Evolution Redemption Plus special contributions by theme park designers: Foreword by Rob Decker Duell Design 101, Mel McGowan Learning from legends: A personal retrospective, Rick Bastrup |
| the american amusement park industry: The Amusement Park Stephen M. Silverman, 2019-05-07 Experience the electrifying, never-before-told true story of amusement parks, from the middle ages to present day, and meet the colorful (and sometimes criminal) characters who are responsible for their enchanting charms. Step right up! The Amusement Park is a rich, anecdotal history that begins nine centuries ago with the pleasure gardens of Europe and England and ends with the most elaborate modern parks in the world. It's a history told largely through the stories of the colorful, sometimes hedonistic characters who built them, including: Showmen like Joseph and Nicholas Schenck and Marcus Loew Railroad barons Andrew Mellon and Henry E. Huntington The men who ultimately destroyed the parks, including Robert Moses and Fred Trump Gifted artisans and craft-people who brought the parks to life An amazing cast of supporting players, from Al Capone to Annie Oakley And, of course, this is a full-throttle celebration of the rides, those marvels of engineering and heart-stopping thrills from an author, Stephen Silverman, whose life-long passion for his subject shines through. The parks and fairs featured include the 1893 Chicago World's Fair, Coney Island, Steeplechase Park, Dreamland, Euclid Beach Park, Cedar Point, Palisades Park, Ferrari World, Dollywood, Sea World, Six Flags Great Adventure, Universal Studios, Disney World and Disneyland, and many more. |
| the american amusement park industry: The Global Theme Park Industry Salvador Anton Clavé, 2007 Since the 1980s, the theme park industry has developed into a global phenomenon, with everything from large, worldwide theme parks to countless smaller ventures. From the first pleasure gardens to the global theme park companies, this book provides an understanding of the nature and function of theme parks as spaces of entertainment. Illustrated throughout by worldwide case studies, empirical data and practical examples, the book portrays the impacts of theme park as global competitive actors, agents of global development and cultural symbols, particularly in the context of their role in the developing experience economy. In conclusion, this book is a practical guide to the planning and development of theme parks. |
| the american amusement park industry: The American Amusement Park Dale Samuelson, Wendy Yegoiants, 2001 A photographic retrospective covers more than 100 years of images from the history of the American amusement park. |
| the american amusement park industry: Disney's Land Richard Snow, 2020-12-01 A propulsive and “entertaining” (The Wall Street Journal) history chronicling the conception and creation of the iconic Disneyland theme park, as told like never before by popular historian Richard Snow. One day in the early 1950s, Walt Disney stood looking over 240 acres of farmland in Anaheim, California, and imagined building a park where people “could live among Mickey Mouse and Snow White in a world still powered by steam and fire for a day or a week or (if the visitor is slightly mad) forever.” Despite his wealth and fame, exactly no one wanted Disney to build such a park. Not his brother Roy, who ran the company’s finances; not the bankers; and not his wife, Lillian. Amusement parks at that time, such as Coney Island, were a generally despised business, sagging and sordid remnants of bygone days. Disney was told that he would only be heading toward financial ruin. But Walt persevered, initially financing the park against his own life insurance policy and later with sponsorship from ABC and the sale of thousands and thousands of Davy Crockett coonskin caps. Disney assembled a talented team of engineers, architects, artists, animators, landscapers, and even a retired admiral to transform his ideas into a soaring yet soothing wonderland of a park. The catch was that they had only a year and a day in which to build it. On July 17, 1955, Disneyland opened its gates…and the first day was a disaster. Disney was nearly suicidal with grief that he had failed on a grand scale. But the curious masses kept coming, and the rest is entertainment history. Eight hundred million visitors have flocked to the park since then. In Disney’s Land, “Snow brings a historian’s eye and a child’s delight, not to mention superb writing, to the telling of this fascinating narrative” (Ken Burns) that “will entertain Disneyphiles and readers of popular American history” (Publishers Weekly). |
| the american amusement park industry: Riverview Amusement Park Dolores Haugh, 2004 Open every summer from 1904 to 1967, tells the story of the the world's largest amusement park and how it grew from twenty-two acres and three rides to 140 acres and more than one hunred attractions. |
| the american amusement park industry: Early Amusement Parks of Orange County Richard Harris, 2008 The Orange County coast had its Joy Zone and its Fun Zone in the early decades of the 20th century. Knott's Berry Farm sprouted from a simple berry stand in Buena Park. The spot that would become Walt Disney's theme-park empire began as a citrus grove in Anaheim. Before long, Orange County was recognized as the nurturing ground for the growing amusement park industry. This book concerns the early history of such parks in the county east and south of Los Angeles, before high-tech digitization, when custom cars, enormous alligators, stunt planes, dolphin leaps, and movie stars' wax likenesses thrilled patrons. Some amusement parks have come and gone over a century of development, and some are still here, changing with the times to create new adventure and excitement for park goers. |
| the american amusement park industry: Walt Disney and the Quest for Community Steve Mannheim, 2016-02-24 During the final months of his life, Walt Disney was consumed with the world-wide problems of cities. His development concept at the time of his death on December 15th, 1966 would be his team’s conceptual response to the ills of the inner cities and the sprawl of the megalopolis: the Experimental Prototype Community of Tomorrow or, as it became known, EPCOT. This beautifully written, instantly engrossing volume focuses on the original concept of EPCOT, which was conceived by Disney as an experimental community of about 20,000 people on the Disney World property in central Florida. With its radial plan, 50-acre town center enclosed by a dome, themed international shopping area, greenbelt, high-density apartments, satellite communities, monorail and underground roads, the original EPCOT plan is reminiscent of post-war Stockholm and the British New Towns, as well as today's transit-oriented development theory. Unfortunately, Disney himself did not live long enough to witness the realization of his model city. However, EPCOT's evolution into projects such as the EPCOT Center and the town of Celebration displays a remarkable commitment by the Disney organization to the original EPCOT philosophy, one which continues to have relevance in the fields of planning and development. |
| the american amusement park industry: Denver's Lakeside Amusement Park David Forsyth, 2016-04 Conclusion: A Century of Fun at Lakeside Amusement Park -- Notes -- Bibliography -- Index |
| the american amusement park industry: Electric Dreamland Lauren Rabinovitz, 2012 More than two thousand amusement parks dotted the American landscape in the early twentieth century, thrilling the general public with the latest in entertainment and motion picture technology. Amusement parks were the playgrounds of the working class, combining numerous, mechanically-based spectacles into one unique, modern cultural phenomenon. Lauren Rabinovitz describes the urban modernity engendered by these parks and their media, encouraging ordinary individuals to sense, interpret, and embody a burgeoning national identity. As industrialization, urbanization, and immigration upended society before World War I, amusement parks tempered the shocks of racial, ethnic, and cultural conflict while shrinking the distinctions between gender and class. As she follows the rise of American parks from 1896 to 1918, Rabinovitz seizes on a simultaneous increase in cinema and spectacle audiences and connects both to the success of leisure activities in stabilizing society.-- |
| the american amusement park industry: Performance and the Disney Theme Park Experience Jennifer A. Kokai, Tom Robson, 2019-11-27 This book addresses Disney parks using performance theory. Few to no scholars have done this to date—an enormous oversight given the Disney parks’ similarities to immersive theatre, interpolation of guests, and dramaturgical construction of attractions. Most scholars and critics deny agency to the tourist in their engagement with the Disney theme park experience. The vast body of research and journalism on the Disney “Imagineers”—the designers and storytellers who construct the park experience—leads to the misconception that these exceptional artists puppeteer every aspect of the guest’s experience. Contrary to this assumption, Disney park guests find a range of possible reading strategies when they enter the space. Certainly Disney presents a primary reading, but generations of critical theory have established the variety of reading strategies that interpreters can employ to read against the text. This volume of twelve essays re-centers the park experience around its protagonist: the tourist. |
| the american amusement park industry: Amusement Park Rides Martin Easdown, 2012-07-10 A ride on a rollercoaster is the highlight of any trip to an amusement or theme park, and such attractions have been entertaining the public for well over a century. From the first mass-produced rollercoaster, the Switchback Railway, through to the giant wooden coasters of the inter-war period, seaside historian Martin Easdown uses historic postcards and photographs to chart their development and that of other amusement rides including revolving towers, aerial rides, Ferris wheels and water chutes, all of which were produced from the late Victorian era in myriad forms. Essential to the very existence of such amusement venues as Blackpool Pleasure Beach and Margate Dreamland, these much-loved rides are not so far removed from their modern-day equivalents as they might at first appear. |
| the american amusement park industry: Indian Trail and Edgemont Amusement Parks Sean Billings, 2005 Indian Trail and Edgemont Amusement Parks highlights the history of two legendary amusement parks in Lehigh Township. Unique images cover Indian Trail Park from its founding by Samuel and William Solliday in 1929 to its closing in 1984. Photographs of Edgemont Park recall its days as a trolley park, started by the Blue Ridge Traction Company. These images are sure to bring back memories of the rides, games, and thrills that kept people coming back year after year. |
| the american amusement park industry: Nunley's Amusement Park Marisa L. Berman, 2013 Nunley s Amusement Park in Baldwin, New York, was a beloved family destination for Long Islanders from 1939 until it closed in 1995. The park s most notable attraction was its famed Stein & Goldstein carousel. The Nunley family established numerous amusement parks in the Long Island area, such as those found in Bethpage, Rockaway Beach, and Broad Channel. Nunley s Amusement Park, which was in operation for over 50 years, has a special place in the memories of multiple generations of Long Islanders. After the park closed, the rides and games were sold at auction. In protest, Long Islanders banded together to prevent the carousel from being disassembled and sold off separately. Recognizing the passion residents held for the park, Nassau County stepped in and purchased the beloved carousel, and an elaborate campaign was established for its restoration. The year 2012 marked the 100th anniversary of the famous Nunley s Carousel, which is currently in operation at Museum Row in Garden City, New York. |
| the american amusement park industry: Three Years in Wonderland Todd James Pierce, 2016-03-10 While the success of Disneyland is largely credited to Walt and Roy Disney, there was a third, mostly forgotten dynamo instrumental to the development of the park--fast-talking Texan C. V. Wood. Three Years in Wonderland presents the never-before-told, full story of the happiest place on earth. Using information from over one hundred unpublished interviews, Todd James Pierce lays down the arc of Disneyland's development from an idea to a paragon of entertainment. In the early 1950s, the Disney brothers hired Wood and his team to develop a feasibility study for an amusement park Walt wanted to build in southern California. Woody quickly became a central figure. In 1954, Roy Disney hired him as Disneyland's first official employee, its first general manager, and appointed him vice president of Disneyland, Inc., where his authority was exceeded only by Walt. A brilliant project manager, Wood was also a con man of sorts. Previously, he had forged his university diploma. A smooth-talker drawn to Hollywood, the first general manager of Disneyland valued money over art. As relations soured between Wood and the Disney brothers, Wood found creative ways to increase his income, leveraging his position for personal fame. Eventually, tensions at the Disney park reached a boiling point, with Walt demanding he be fired. In compelling detail, Three Years in Wonderland lays out the struggles and rewards of building the world's first cinematic theme park and convincing the American public that a $17 million amusement park was the ideal place for a family vacation. The early experience of Walt Disney, Roy Disney, and C. V. Wood is one of the most captivating untold stories in the history of Hollywood. Pierce interviewed dozens of individuals who enjoyed long careers at the Walt Disney Company as well as dozens of individuals who--like C. V. Wood--helped develop the park but then left the company for good once the park was finished. Through much research and many interviews, Three Years in Wonderland offers readers a rare opportunity to stand shoulder-to-shoulder with the men and women who built the best-known theme park in the world. |
| the american amusement park industry: Freedomland U.S.A. - More Definitive History Michael R Virgintino, 2024-12-05 There's More to the Story of America's Park During the handful of years since the publication of Freedomland U.S.A.: The Definitive History, many employees, their spouses, and their children have stepped forward to share memories and stories about America's Theme Park. Each conversation generated many new questions, leading journalist and author Michael R. Virgintino to explore previously unknown paths where he uncovered substantially more information about the world's largest entertainment center. At this same time, an increased number of newspapers from the 1950s and 1960s have been digitized to reveal additional news and feature articles along with advertisements that showcased the park. The author also obtained hundreds of photographs from the children, teens, and young adults who visited and worked at Freedomland along with three extensive photo archives with more than 3,500 images captured by park photographers. Each image reveals another piece of the puzzle to enhance the Freedomland story. Significant information about Freedomland also has been discovered in museum archives in California, Connecticut, Delaware, and New York. While Freedomland U.S.A.: More Definitive History reprises the roles of people mentioned in the first volume, the book also introduces many other people associated with the park. All of them have assisted the author in his ongoing documentation of Freedomland's history. Several corrections and clarifications of previous assumptions and a few minor errors that appeared in the earlier volume are attributed to new revelations. This narrative, unfortunately, does not alter the outcome for this beloved park. But, the new stories and information provide every park guest with a more complete understanding about Freedomland's creation and operations along with the events that drove the park into bankruptcy to make way for the planned commercial development of the land. The author also reveals many other previously unknown stories that enjoy a special connection to Freedomland U.S.A. |
| the american amusement park industry: Action Park Andy Mulvihill, Jake Rossen, 2020-06-30 Citizen Kane does Adventureland. —The Washington Post The outlandish, hilarious, terrifying, and almost impossible-to-believe story of the legendary, dangerous amusement park where millions were entertained and almost as many bruises were sustained, told through the eyes of the founder's son. Often called Accident Park, Class Action Park, or Traction Park, Action Park was an American icon. Entertaining more than a million people a year in the 1980s, the New Jersey-based amusement playland placed no limits on danger or fun, a monument to the anything-goes spirit of the era that left guests in control of their own adventures--sometimes with tragic results. Though it closed its doors in 1996 after nearly twenty years, it has remained a subject of constant fascination ever since, an establishment completely anathema to our modern culture of rules and safety. Action Park is the first-ever unvarnished look at the history of this DIY Disneyland, as seen through the eyes of Andy Mulvihill, the son of the park's idiosyncratic founder, Gene Mulvihill. From his early days testing precarious rides to working his way up to chief lifeguard of the infamous Wave Pool to later helping run the whole park, Andy's story is equal parts hilarious and moving, chronicling the life and death of a uniquely American attraction, a wet and wild 1980s adolescence, and a son's struggle to understand his father's quixotic quest to become the Walt Disney of New Jersey. Packing in all of the excitement of a day at Action Park, this is destined to be one of the most unforgettable memoirs of the year. |
| the american amusement park industry: Lost Amusement Parks of Kentuckiana Carrie Cooke Ketterman, 2019-03-25 Once upon a time, the banks of the Ohio River provided an ideal location where amusement parks thrived - the area simply known as Kentuckiana! Picnic grounds flourished and steamboat travel was abundant at the coast the Ohio River known as Kentuckiana. Popular amusement parks such as Glenwood Park, Rose Island, White City, Fontaine Ferry, and Kiddieland welcomed visitors as early as 1902, and the more successful parks continued to operate well into the 1960s. Visitors to these parks enjoyed steamboat excursions, live music, rides, games, picnics, sporting events, and more. These parks were not only for amusement seekers but also for keen businessmen like David Rose, who purchased Fern Grove in 1923 and renamed the park Rose Island. Transportation businesses thrived, with steamboats like the Idlewild (now the Belle of Louisville) providing regular transportation to the parks along the Ohio River. In addition to an increase in river traffic, companies like the New Albany Traction Company purchased the area that would become Glenwood Park from the well-known Beharrel family, of New Albany, Indiana, and provided rail transportation to their park. |
| the american amusement park industry: Theme Park Design Steve Alcorn, 2020-06-09 If you've ever visited a theme park and wondered how the magic is created, this is the book for you. Theme park design invites you to become an apprentice Imagineer. Inside, you'll: - Explore the different types of rides and shows- Experience creating an attraction from conception to opening day- Discover the different professional roles in Imagineering so you can determine which best suits your interestsAnd for avid fans and gearheads, a special section takes you on a deep dive into show control, ride control, audio, video and special effects.Whether your goal is to become an Imagineer, or you're just curious about how theme parks are created, Theme Park Design pulls back the curtain on what goes into creating the greatest attractions on Earth |
| the american amusement park industry: The Great American Amusement Parks Gary Kyriazi, 1976 Traces the history of Coney Island and points to the attractions of the most successful American amusement parks of the past and present |
| the american amusement park industry: The Global Theme Park Industry Salvador Anton Clavé, 2007 From the first pleasure gardens to the global theme park companies, this book provides an understanding of the nature and function of theme parks as spaces of entertainment. It portrays the impacts of theme parks as global competitive actors, agents of global development and cultural symbols, in the context of their role in the developing economy. |
| the american amusement park industry: Holiday World & Splashin' Safari Jim Futrell, Ron Gustafson, Dave Hahner, Nell Hedge, Leah Koch, 2022-05-03 America's first theme park, Holiday World & Splashin' Safari, is one of the largest family-owned and -operated independent parks in the United States, and its success is no accident. From moving Interstate 64 closer to the small town to introducing free unlimited soft drinks, four generations of the Koch family have amplified the legacy of this iconic Indiana attraction. Holiday World & Splashin' Safari celebrates the history of the Koch family and Santa Jim Yellig; the origins of Santa Claus, Indiana; and the early years of Santa Claus Land. The story continues with the expansion from Santa Claus Land to Holiday World, the addition of the park's famous trio of top-ranked wooden roller coasters, and the development of Splashin' Safari Water Park, ranked one of the top water parks in the country. For three-quarters of a century, the Koch family has launched the park into worldwide renown and national recognition. Featuring over 100 color illustrations, Holiday World & Splashin' Safari relives this joyous past while looking forward to the thrills fans can expect in the next 75 years. |
| the american amusement park industry: Kennywood David P. Hahner, 2004 For more than a century, Kennywood has been the Pittsburgh area's playground. Founded in 1898 at the terminus of the Monongahela Street Railway trolley line, the park quickly grew into a favorite summertime destination. Kennywood is unique in that it is one of the country's few successful trolley parks. In 1987, Kennywood was designated a National Historic Landmark and is known today as America's Finest Traditional Amusement Park. Many unique rides and attractions have distinguished Kennywood over the years. Some old favorites, such as the Rockets, Laff in the Dark, Ghost Ship, and Skooters, are long gone. Others, such as the Old Mill, Noah's Ark, Auto Race, Turtle, Whip, and Grand Carousel, still entertain guests today. Kennywood is perhaps best known for its impressive collection of roller coasters, from earlier coasters such as the Figure Eight, Speed-O-Plane, and Pippin to the Racer, Jack Rabbit, Thunderbolt, and Phantom's Revenge coasters that still thrill riders today. |
| the american amusement park industry: Theme Park Design & The Art of Themed Entertainment David Younger, 2016-03-28 Theme Park Design & The Art of Themed Entertainment aims to be the most in-depth book on theme park design ever written, documenting for professional designers, theme park design students, and curious theme park fans, the fascinating processes and techniques that go into creating the amazing worlds of theme park design. |
| the american amusement park industry: Going Out David Nasaw, 1999-04-15 David Nasaw has written a sparkling social history of twentieth-century show business and of the new American public that assembled in the city's pleasure palaces, parks, theaters, nickelodeons, world's fair midways, and dance halls. The new amusement centers welcomed women, men, and children, native-born and immigrant, rich, poor and middling. Only African Americans were excluded or segregated in the audience, though they were overrepresented in parodic form on stage. This stigmatization of the African American, Nasaw argues, was the glue that cemented an otherwise disparate audience, muting social distinctions among whites, and creating a common national culture. |
| the american amusement park industry: LeSourdsville Lake Amusement Park Scott E. Fowler, 2011-05 LeSourdsville Lake, also known as Americana Amusement Park by a generation of visitors, was a popular recreational park for many decades despite being located within 15 miles of Kings Island, one of the premier theme parks in the country. Emphasis on providing quality food and personalized catering enabled the park to host hundreds of annual company picnics, high school proms, and family reunions. The park's success was maintained by featuring such classic rides as the Electric Rainbow and the Whip and the Screechin' Eagle and Serpent roller coasters, while the Stardust Gardens provided quality entertainment ranging from the best of the big bands to the greatest music and television stars of the 1960s. Families visited the Lake as religiously as they drove the same route to work every day. |
| the american amusement park industry: The Outdoor Amusement Industry William F. Mangels, 1952 |
| the american amusement park industry: Family theme parks, happiness and children’s consumption David Cardell, 2015-09-24 This book provides an ethnographic contribution to research on children’s consumption, family life and happiness. Various and shifting notions of happiness are explored, as well as conditions for and challenges to happiness, through an analysis of video-recorded interviews and mobile ethnography conducted in two of the most popular theme parks in Sweden. Initially, the study outlines how previous research has conceptualized happiness in association with time and place in a rather static way. Based on a treatise of notions of happiness in philosophy and the social sciences, there is a turn in this thesis towards practice. It generates fundamental knowledge about the complexity of happiness. By employing this approach, it is possible to highlight how happiness is enacted as part of and in relation to ideals of family life, time, childhood, money, consumption, experiences and material things. As we explore the practices of children and their families, we discover that shifting meanings of happiness are located in contemporary culture, where emotions and consumption are of central importance. The approach is interdisciplinary, and draws on theoretical and methodological contributions in sociology, anthropology and Science and Technology Studies (STS). Notions of meshwork and enactment become important for the exploration of happiness as a complex and changing matter, which productively involves social relations and material things. Throughout the thesis there is a dialogue with previous research on happiness, consumption and childhood which highlights the importance of exploring messy practices, in movement. It is argued that explorations of practice contribute to a critical understanding of how happiness and contemporary ideals of childhood can be approached – through consumption and as part of citizenship in a consumer society where happiness is of central importance. Denna avhandling utgör ett etnografiskt bidrag till forskning om barns konsumtion, familjeliv och lycka. Genom en analys av videoinspelade intervjuer samt familjebesök till två av Sveriges mest välbesökta temaparker utforskas skiftande betydelser av lycka, liksom dess förutsättningar och utmaningar. Tidigare temaparks-forskning har generellt tagit lyckans existens för given. Utifrån en inledande diskussion om bland annat olika filosofiska och samhällsvetenskapliga lyckoteorier argumenterar avhandlingen för att studier av praktik tillför ny och grundläggande kunskap om lyckans komplexa sammansättningar. Avhandlingen visar därigenom att lycka iscensätts som en del av – och i förhållande till – ideal om familjeliv, tid, barndom, pengar, konsumtion, upplevelser och materiella ting. Genom att fokusera på barn och deras familjers praktiker lokaliseras lyckans skiftande betydelser i en samtidskultur där emotioner och konsumtion är centrala. Avhandlingens ansats är tvärvetenskaplig och hämtar teoretisk och metodologisk inspiration från sociologi, antropologi samt teknik- och vetenskapsstudier (STS). Genom denna ansats synliggörs sammanflätningar av sociala relationer och materiella ting som produktiva i iscensättandet av lycka. Genom en dialog mellan empiriska beskrivningar och forskning om lycka, konsumtion och barndom belyser avhandlingen nödvändigheten av att synliggöra och utforska röriga och rörliga praktiker. Det bidrar till en kritisk förståelse av praktik som kan förändra hur vi närmar oss lycka och samtida barndomsideal – som konsumenter och medborgare i ett lyckosträvande konsumtionssamhälle. |
| the american amusement park industry: A Cultural History of the Disneyland Theme Parks Sabrina Mittermeier, 2021 The first comparative historical study of the six Disneyland theme parks around the world in five distinct cultures: the USA, Tokyo, Paris, Hong Kong and Shanghai. Situates the parks in their respective historic contexts at the time of their opening, and considers the part that class plays in the success or failure of these ventures. |
| the american amusement park industry: Theme Park Scott A. Lukas, 2008-12-01 Theme parks are a uniquely interactive and enduring form of entertainment that have influenced architecture, technology, and culture in surprising ways for more than a century, as Scott Lukas now reveals in his compelling historical chronicle. Theme Park takes the primitive amusements of pleasure gardens as its starting point and launches from there into a rich, in-depth investigation of the evolution of the theme park over the twentieth century. Lukas examines theme parks in countries around the world—including in the United States, Mexico, Europe, Japan, China, South Africa, and Australia—and how themed fairs and parks developed through diverse means and in a variety of settings. The book examines world-famous and lesser-known parks, including the early parks of Coney Island; Madrid’s Movieworld; a series of World Fairs and their luxurious exhibition halls; Six Flags parks and virtual theme parks today; and, of course, the unparalleled achievements of Disneyland and Disney World. Lukas analyzes the theme park as a living entity that unexpectedly shapes people, their relationships, and the world around them. Theme parks have now become complex representations of the human mind itself, he contends, through its interpretations of books, feature films, video games, and Web sites. Ultimately, Theme Park reveals, the wider influence of theme parks can be found in the shopping malls, branded stores, and casinos that employ the tricks and techniques of amusement parks to dominate our entertainment world today. Packed with captivating illustrations, Theme Park takes us on historical roller coaster ride that both reanimates the places that shaped our childhoods and anticipates the future of escapism and fantasy fun. |
| the american amusement park industry: Opryland USA Stephen W. Phillips, 2016 Opryland USA attracted millions of visitors each year and gave many celebrities their first taste of show business. As the Home of American Music, Opryland USA still lives on in the hearts and minds of those who visited this show that made country music famous. By the late 1960s, the Ryman Auditorium - the fifth home of the Grand Ole Opry - was a deteriorating firetrap in a seedy part of Nashville, yet it still attracted thousands of people each weekend to the show that made country music famous. In an effort to develop an attraction that could sustain a larger Opry all week long, Opryland was born. Opryland USA operated from May 27, 1972, until December 31, 1997, attracting millions of visitors each year and giving many celebrities their first taste of show business. The park consisted of nine areas, dozens of rides, and Broadway-caliber shows featuring live bands and orchestras. As the Home of American Music, Opryland USA still lives on in the hearts and minds of those who visited its wooded trails, lazy streams, exciting attractions, and toe-tapping performances. |
| the american amusement park industry: Encyclopedia of Tourism Jafar Jafari, 2002-09-11 In fewer than three hundred years tourism has become a global service industry of great economic, cultural and political importance. Published to critical acclaim, the Encyclopedia of Tourism - now available as a Routledge World Reference title - is the definitive one-volume reference source to this challenging multisectoral industry and multi disciplinary field of study. Comprising over one thousand entries, this volume has been written by an international team of contributors to provide a comprehensive guide to both the manifest and hidden dimensions of tourism. It explores the wide range of definitions, concepts, perspectives and institutions and includes: comprehensive coverage of key issues and concepts definitions of all terms and acronyms entries on the significant institutions, associations and journals in the field country-specific tourism profiles, from Greece to Japan and Kenya to Peru thorough analysis of the trends and patterns of tourism development and growth. The extensive cross-referencing and comprehensive index will assist the reader in making links between the diverse aspects of tourism studies, and the suggestions for further reading are invaluable. |
| the american amusement park industry: Stakeholder Agenda Building Linda Diane Meeks, 1998 |
| the american amusement park industry: Libertyland John R. Stevenson V, 2017-09-25 From a lonely carosel ride to a southern vacation destination, the story of Libertyland is as surprising as its legendy roller coasters and as delightful as its memorable characters. Nestled in the heart of Memphis, Tennessee, the Libertyland theme park debuted on America's bicentennial: July 4, 1976. The quaint park celebrated America's history, heritage, and culture. Not only was it home to Elvis Presley's favorite roller coaster, Libertyland also offered guests rides on the historic Grand Carousel, exciting shows, gift shops selling handcrafted souvenirs, delicious food, and much more. The park's themed areas--Colonial Land, Frontier Land, and Turn-of-the-Century Land--paid tribute to some of the country's most historically significant eras. From its opening in 1976 until its closure in late 2005, Libertyland was a first roller coaster ride, a first date, a family reunion, a summer job, or simply a reprieve from the hustle and bustle of the real world. |
| the american amusement park industry: The SAGE International Encyclopedia of Travel and Tourism Linda L. Lowry, 2016-09 Taking a global and multidisciplinary approach, The SAGE International Encyclopedia of Travel and Tourism examines the world travel and tourism industry, which is expected to grow at an annual rate of four percent for the next decade. |
| the american amusement park industry: Jurassic Park Michael Crichton, 2012-05-14 #1 NEW YORK TIMES BESTSELLER • From the author of Timeline, Sphere, and Congo, this is the classic thriller of science run amok that took the world by storm. Nominated as one of America’s best-loved novels by PBS’s The Great American Read “[Michael] Crichton’s dinosaurs are genuinely frightening.”—Chicago Sun-Times An astonishing technique for recovering and cloning dinosaur DNA has been discovered. Now humankind’s most thrilling fantasies have come true. Creatures extinct for eons roam Jurassic Park with their awesome presence and profound mystery, and all the world can visit them—for a price. Until something goes wrong. . . . In Jurassic Park, Michael Crichton taps all his mesmerizing talent and scientific brilliance to create his most electrifying technothriller. Praise for Jurassic Park “Wonderful . . . powerful.”—The Washington Post Book World “Frighteningly real . . . compelling . . . It’ll keep you riveted.”—The Detroit News “Full of suspense.”—The New York Times Book Review |
| the american amusement park industry: The Unofficial Guide to Disneyland 2022 Seth Kubersky, Bob Sehlinger, Len Testa, Guy Selga Jr., 2021-12-07 The Most Thorough Guide to Disneyland Park and Disney California Adventure Filled with revolutionary, field-tested touring plans that can save 4 hours of waiting in line in a single day, The Unofficial Guide to Disneyland 2022 is the key to planning a perfect vacation. Get up-to-date information on Disneyland Park and Disney California Adventure. Each attraction is described in detail and rated by age group, based on a survey of more than 20,000 families. Whether you’re visiting Disneyland for a day or a week, there is a plan for any group or family. Enjoy the rides, activities, and entertainment instead of wasting time standing in line. What’s NEW in the 2022 edition of The Unofficial Guide to Disneyland: The latest scoop on Avengers Campus and the new Spider-Man ride at Disney's California Adventure The latest information on how COVID-19 has impacted the Disneyland Resort Comprehensive in-depth critical assessments of every attraction, including the new WEB Slingers and reimagined Snow White rides The latest information on how COVID-19 has impacted the Disneyland Resort Up-to-date information on visiting Star Wars: Galaxy's Edge, including how to use virtual boarding passes to ride Rise of the Resistance Profile and ratings for more than 30 Disneyland Resort and Anaheim hotels, including the luxurious new JW Marriott at GardenWalk Updated tips for visiting Universal Studios Hollywood, with reviews of the new Jurassic World and Secret Life of Pets rides |
| the american amusement park industry: The Invention of the Park Karen R. Jones, John Wills, 2005-07-11 The word 'park' conjures a kaleidoscope of bucolic images. Childhood frolics in urban playgrounds. Strolls through the country estates of Stourhead and Versailles. Wilderness adventures in the Serengeti. White-knuckle thrill rides at Blackpool Pleasure Beach and Coney Island. The Invention of the Park explores our fascination with making parks. In a broad-ranging environmental and social history, authors Karen Jones and John Wills search for a common set of ideas that inform park design. From Greek philosophers wandering sacred groves in the ancient world to today's kids watching Mickey Mouse in Disney's Magic Kingdom, the park has inspired and thrilled in equal measure. In a work spanning all five continents and several thousand years, Jones and Wills chart the evolution of the park idea. They ponder the intersection of the green pleasure ground with notions of democracy and freedom, welfare and consumption, conservation and nature. They forward the principle of a universal park idea malleable enough to survive war and revolution. Contributing to a growing literature on global environmental history, the Invention of the Park explores how the park idea has come to transcend national boundaries and found appeal among a worldwide audience. Jones and Wills situate the park as a complex product of natural and cultural forces. Their work is of interest not just to students and scholars of environmental philosophy, history, and landscape design, but to amateur gardeners, rollercoaster 'adrenalin junkies' and all those who like to take a 'walk in the park.' |
Two American Families - Swamp Gas Forums
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Two American Families - Swamp Gas Forums
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