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| thats a rap: That's a Rap MattyB, Mattyb, Travis Thrasher, 2017-01-03 In his first memoir, That s a Rap, MattyB opens up about his journey so far, including what it s like to go from the boy next door to a global sensation, grow up with a sister with Down syndrome (and how he uses his songs to spread awareness about it), the heart and soul that goes into making his music, and the importance of the Christian values that have kept him and his family grounded through every up and down along the way.--Provided by publisher. |
| thats a rap: The Anthology of Rap Adam Bradley, Andrew DuBois, 2010-11-02 From the school yards of the South Bronx to the tops of the Billboard charts, rap has emerged as one of the most influential cultural forces of our time. This pioneering anthology brings together more than 300 lyrics written over 30 years, from the old school to the present day. |
| thats a rap: Rap Dad Juan Vidal, 2020-03-17 This timely reflection on male identity in America that explores the intersection of fatherhood, race, and hip-hop culture “is a page-turner…drenched in history and encompasses the energy, fire, and passion that is hip-hop” (D. Watkins, New York Times bestselling author). Just as his music career was taking off, Juan Vidal received life-changing news: he’d soon be a father. Throughout his life, neglectful men were the norm—his own dad struggled with drug addiction and infidelity—a cycle that, inevitably, wrought Vidal with insecurity. At age twenty-six, with barely a grip on life, what lessons could he possibly offer a kid? Determined to alter the course for his child, Vidal did what he’d always done when confronted with life’s challenges—he turned to the counterculture. In Rap Dad, the musician-turned-journalist takes a thoughtful and inventive approach to exploring identity and examining how today’s society views fatherhood. To root out the source of his fears around parenting, Vidal revisits the flash points of his juvenescence, a feat that transports him, a first-generation American born to Colombian parents, back to the drug-fueled streets of 1980s–90s Miami. It’s during those pivotal years that he’s drawn to skateboarding, graffiti, and the music of rebellion: hip-hop. As he looks to the past for answers, he infuses his personal story with rap lyrics and interviews with some of pop culture’s most compelling voices—plenty of whom have proven to be some of society’s best, albeit nontraditional, dads. Along the way, Vidal confronts the unfair stereotypes that taint urban men—especially Black and Latino men. “A heartfelt examination of the damage that wayward fathers can leave in their wake” (The Washington Post), Rap Dad is “rich with symbolism…a poetic chronicle of beats, rhymes, and life” (NPR). |
| thats a rap: The Story of Rap Lindsey Sagar, 2019-06-13 From Grandmaster Flash to Jay-Z rap has shaped generations and transformed the charts. Bop along with the greats in this adorable baby book that introduces little ones to the rappers that started it all. |
| thats a rap: Rap on Trial Erik Nielson, Andrea Dennis, 2019 In 2001, a rapper named Mac whose music had gained national recognition was convicted of manslaughter after the prosecutor quoted liberally from his album Shell Shocked. Mac was sentenced to thirty years in prison, where he remains. And his case is just one of many across the US. Rap on Trial places this disturbing prosecutorial practice in the context of hip-hop history and exposes what's at stake. It's a gripping, timely exploration at the crossroads of contemporary hip-hop and mass incarceration. |
| thats a rap: The Rap Year Book Shea Serrano, 2015-10-13 A New York Times–bestselling, in-depth exploration of the most pivotal moments in rap music from 1979 to 2014. Here’s what The Rap Year Book does: It takes readers from 1979, widely regarded as the moment rap became recognized as part of the cultural and musical landscape, and comes right up to the present, with Shea Serrano hilariously discussing, debating, and deconstructing the most important rap song year by year. Serrano also examines the most important moments that surround the history and culture of rap music—from artists’ backgrounds to issues of race, the rise of hip-hop, and the struggles among its major players—both personal and professional. Covering East Coast and West Coast, famous rapper feuds, chart toppers, and show stoppers, The Rap Year Book is an in-depth look at the most influential genre of music to come out of the last generation. Picked by Billboard as One of the 100 Greatest Music Books of All-Time Pitchfork Book Club’s first selection |
| thats a rap: Rap Dictionary DailyRapFacts, 2020-07-26 The Official & Essential Hip-Hop Dictionary. eBook version. Rap Dictionary: An A-Z guide to Rap/Hip-Hop (eBook) slang and terms. This is the first edition of Rap Dictionary, a book which includes slang, terms, numbers, phrases, ad-libs, idioms, expressions, currencies & symbols, weed measurements AND more. Featuring the most used slangs in Hip-Hop & Rap music, the physical copy of Rap Dictionary makes a wonderful gift for a hip-hop head. |
| thats a rap: That's the Joint! Murray Forman, Mark Anthony Neal, 2004 Spanning 25 years of serious writing on hip-hop by noted scholars and mainstream journalists, this comprehensive anthology includes observations and critiques on groundbreaking hip-hop recordings. |
| thats a rap: Cibola Burn James S. A. Corey, 2014-06-17 The fourth book in the NYT bestselling Expanse series, Cibola Burn sees the crew of the Rocinante on a new frontier, as the rush to colonize the new planets threatens to outrun law and order and give way to war and chaos. Now a Prime Original series. HUGO AWARD WINNER FOR BEST SERIES Enter a new frontier. An empty apartment, a missing family, that's creepy. But this is like finding a military base with no one on it. Fighters and tanks idling on the runway with no drivers. This is bad juju. Something wrong happened here. What you should do is tell everyone to leave. The gates have opened the way to a thousand new worlds and the rush to colonize has begun. Settlers looking for a new life stream out from humanity's home planets. Ilus, the first human colony on this vast new frontier, is being born in blood and fire. Independent settlers stand against the overwhelming power of a corporate colony ship with only their determination, courage, and the skills learned in the long wars of home. Innocent scientists are slaughtered as they try to survey a new and alien world. The struggle on Ilus threatens to spread all the way back to Earth. James Holden and the crew of his one small ship are sent to make peace in the midst of war and sense in the midst of chaos. But the more he looks at it, the more Holden thinks the mission was meant to fail. And the whispers of a dead man remind him that the great galactic civilization that once stood on this land is gone. And that something killed it. The Expanse Leviathan Wakes Caliban's War Abaddon's Gate Cibola Burn Nemesis Games Babylon's Ashes Persepolis Rising Tiamat's Wrath Leviathan Falls Memory's Legion The Expanse Short Fiction Drive The Butcher of Anderson Station Gods of Risk The Churn The Vital Abyss Strange Dogs Auberon The Sins of Our Fathers |
| thats a rap: Does God Listen to Rap? Curtis Allen, 2013-11-01 A lot of people think that if there is one style of music in the world that God hates, it has got to be rap. Some have even gone so far as to call rap, “An unclean thing before the Lord.” They don’t believe something originally associated with so much evil can ever be redeemed for God’s glory. Lots of other people love and accept rap as their preferred form of musical expression. Many of these who are Christians can’t imagine why God would have any issues with rap – at least, not with songs by believers that encourage and edify them in the faith. Who’s right? And maybe more importantly, who cares? You should. And here’s why. In the past 30 years, rap music has become a vital artistic and cultural force globally, and it’s showing no signs of slowing down. Like it or not, you are probably exposed to rap in one form or another on a fairly regular basis. If you’re interested in this book you may be a believer in Jesus who likes rap a lot, and as Christians, when we love something that is (if you hadn’t noticed) closely associated with sin and rebellion, our justification for being involved with it really does need to go beyond, “Dude, this is good stuff.” But maybe you’re in a different category. Maybe you’re a Christian parent, concerned that rap music may have a negative impact on your child. Maybe you’re a youth pastor worried about having a rap concert at his church because of the potential pushback. Or maybe you’re just a rap fan who is curious to see if there’s even any biblical evidence for or against rap. To put it simply, if you’ve made it this far, this book is probably for you. Does God Listen to Rap? covers two areas. First, it presents a sociological history of the emergence and development of rap. If you enjoy rap and hip hop culture, you’ll love this part of the book. Then the book explores the Scriptures to bring some biblical (not just personal or anecdotal) resolution to the question of God and rap. Ultimately, this involves a set of larger questions involving God and the arts. This is more than just an apologetic for rap music, this is a biblical way to think about how Christians can be in the world yet not of the world, and how they can express themselves to the glory of God. So, does God listen to rap? Come find out. |
| thats a rap: The Roots of Rap Carole Boston Weatherford, 2025-06-10 Carole Boston Weatherford, once again, delivers a resounding testament and reminder, that hip-hop is a flavorful slice of a larger cultural cake. And to be hip-hop-to truly be it-we must remember that we are also funk, jazz, soul, folktale, and poetry. We must remember that . . . we are who we are! -Jason Reynolds, New York Times best-selling author Starting with its attention-getting cover, this picture book does an excellent job of capturing the essence of rap . . . This tribute to hip hop culture will appeal to a wide audience, and practically demands multiple readings. ―Booklist, STARRED REVIEW No way around it, this book is supa-dupa fly, with lush illustrations anchored in signature hip-hop iconography for the future of the global hip-hop nation. ―Kirkus Reviews, STARRED REVIEW With short, rhyming lines and dramatic portraits of performers, the creative team behind How Sweet the Sound: The Story of Amazing Grace offers a dynamic introduction to hip-hop. . . . This artful introduction to one of the most influential cultural movements of the 20th century pulses with the energy and rhythm of its subject. ―Publishers Weekly, STARRED REVIEW Explore the roots of rap in this stunning, rhyming, triple-timing book, now available as a board book! A generation voicing stories, hopes, and fears founds a hip-hop nation. Say holler if you hear. The roots of rap and the history of hip-hop have origins that precede DJ Kool Herc and Grandmaster Flash. Kids will learn about how it evolved from folktales, spirituals, and poetry, to the showmanship of James Brown, to the culture of graffiti art and break dancing that formed around the art form and gave birth to the musical artists we know today. Written in lyrical rhythm by award-winning author and poet Carole Boston Weatherford and complete with flowing, vibrant illustrations by Corettta Scott King Award winner, Frank Morrison, this book beautifully illustrates how hip-hop is a language spoken the whole world 'round, and it features a foreword by Swizz Beatz, a Grammy Award-winning American hip-hop rapper, DJ, and record producer. |
| thats a rap: Rap-Up Devin Lazerine, Cameron Lazerine, 2008-02-29 In this fun, edgy, and essential guide, the editors of today's hottest music magazine give you the ultimate, all-access pass to the exciting world of hip-hop and contemporary R&B. From the megaselling songs to the biggest stars to the most outrageous scandals, Rap-Up gives you a comprehensive behind-the-scenes look at the revolutionary music that's transforming pop culture. Discover: HISTORY LESSON How it all started, from rappers armed with toy keyboards and ambition...to breakout groups like Run-D.M.C. and Public Enemy who brought the 'hood to the suburbs and changed music forever. THE NEW NEW SCHOOL One-of-a-kind profiles of Jay-Z, Beyoncé, 50 Cent, Usher, Ciara, and all the hottest artists. And a look at the moguls and producers who shape the hits, including urban-flow stylist Jermaine Dupri, off-center innovators The Neptunes, and techno-beat genius Timbaland. WHERE'S THE BEEF? The inside story on rap's most notorious battles, from the legendary Juice Crew vs. Boogie Down Productions duel over hip-hop bragging rights, to the Jay-Z vs. Nas battle-of-the-giants, to the 50 Cent vs. The Game take-no-prisoners faceoff. FROM HOLLIS TO HOLLYWOOD A comprehensive list of hip-hop on the silver screen-the good, the bad, and the performers (Will Smith, Jamie Foxx, Queen Latifah) who achieved box office gold and Oscar fame. Complete with takes on must-own CDs and tracks, pop quizzes, career highlights, and artist road maps, this unique, definitive book is all you need to get down with everything hip-hop and R&B. |
| thats a rap: Decoded (Enhanced Edition) Jay-Z, 2010-12-07 This enhanced eBook includes: • Over 30 minutes of never-before-seen video* interviews with Jay-Z discussing the back-story and inspiration for his songs • Two bonus videos*: “Rap is Poetry” and “The Evolution of My Style” • The full text of the book with illustrations and photographs *Video may not play on all readers. Check your user manual for details. Expanded edition of the acclaimed New York Times bestseller features 16 pages of new material, including 3 new songs decoded. Decoded is a book like no other: a collection of lyrics and their meanings that together tell the story of a culture, an art form, a moment in history, and one of the most provocative and successful artists of our time. |
| thats a rap: How to Rap 2 Paul Edwards, 2013 This sequel to How to Rap breaks down and examines techniques that have not previously been explained--such as triplets, flams, lazy tails, and breaking rhyme patterns. Based on interviews with hip-hop's most innovative artists and groups, including Tech N9ne, Crooked I, Pharcyde, Das EFX, Del the Funky Homosapien, and Big Daddy Kane, this book takes you through the intricacies of rhythm, rhyme, and vocal delivery, delving into the art form in unprecedented detail. It is a must-read for MCs looking to take their craft to the next level, as well as anyone fascinated by rapping and its complexity. |
| thats a rap: Gangsta Rap Coloring Book Aye Jay Morano, Aye Jay, 2004 The title of the book says it all. 48 pages of line-drawings of Gangsta' rappers, done with the black line we all remember from the colouring books of our youth. The juxtaposition of the outlaw image of the rappers with the childlike innocence of a colouring book makes for an instant laugh. In a smaller self-published edition, the book was an immediate hit with the few people who were able to see it. Now expanded from 20 to 48 pages, the book includes all of the top rappers and their underground peers.' |
| thats a rap: Who Got the Camera? Eric Harvey, 2021-10-05 Reality first appeared in the late 1980s—in the sense not of real life but rather of the TV entertainment genre inaugurated by shows such as Cops and America’s Most Wanted; the daytime gabfests of Geraldo, Oprah, and Donahue; and the tabloid news of A Current Affair. In a bracing work of cultural criticism, Eric Harvey argues that reality TV emerged in dialog with another kind of entertainment that served as its foil while borrowing its techniques: gangsta rap. Or, as legendary performers Ice Cube and Ice-T called it, “reality rap.” Reality rap and reality TV were components of a cultural revolution that redefined popular entertainment as a truth-telling medium. Reality entertainment borrowed journalistic tropes but was undiluted by the caveats and context that journalism demanded. While N.W.A.’s “Fuck tha Police” countered Cops’ vision of Black lives in America, the reality rappers who emerged in that group’s wake, such as Snoop Doggy Dogg and Tupac Shakur, embraced reality’s visceral tabloid sensationalism, using the media's obsession with Black criminality to collapse the distinction between image and truth. Reality TV and reality rap nurtured the world we live in now, where politics and basic facts don’t feel real until they have been translated into mass-mediated entertainment. |
| thats a rap: To Live and Defy in LA Felicia Angeja Viator, 2020-02-25 How gangsta rap shocked America, made millions, and pulled back the curtain on an urban crisis. How is it that gangsta rap—so dystopian that it struck aspiring Brooklyn rapper and future superstar Jay-Z as “over the top”—was born in Los Angeles, the home of Hollywood, surf, and sun? In the Reagan era, hip-hop was understood to be the music of the inner city and, with rare exception, of New York. Rap was considered the poetry of the street, and it was thought to breed in close quarters, the product of dilapidated tenements, crime-infested housing projects, and graffiti-covered subway cars. To many in the industry, LA was certainly not hard-edged and urban enough to generate authentic hip-hop; a new brand of black rebel music could never come from La-La Land. But it did. In To Live and Defy in LA, Felicia Viator tells the story of the young black men who built gangsta rap and changed LA and the world. She takes readers into South Central, Compton, Long Beach, and Watts two decades after the long hot summer of 1965. This was the world of crack cocaine, street gangs, and Daryl Gates, and it was the environment in which rappers such as Ice Cube, Dr. Dre, and Eazy-E came of age. By the end of the 1980s, these self-styled “ghetto reporters” had fought their way onto the nation’s radio and TV stations and thus into America’s consciousness, mocking law-and-order crusaders, exposing police brutality, outraging both feminists and traditionalists with their often retrograde treatment of sex and gender, and demanding that America confront an urban crisis too often ignored. |
| thats a rap: What's Good? Daniel Levin Becker, 2022 A love letter to the verbal artistry of hip-hop, What's Good is a work of passionate lyrical analysis. |
| thats a rap: Rap Capital Joe Coscarelli, 2022-10-18 From mansions to trap houses, office buildings to strip clubs, Atlanta is defined by its rap music. But this flashy and fast-paced world is rarely seen below surface-level as a collection not of superheroes and villains, cartoons and caricatures, but of flawed and inspired individuals all trying to get a piece of what everyone else seems to have. In artistic, commercial, and human terms, Atlanta rap represents the most consequential musical ecosystem of this century so far. Rap Capital tells the dramatic stories of the people who make it tick, and the city that made them that way.-- |
| thats a rap: How to Rap Paul Edwards, 2012 A first of its kind collection, How to Rap is an insightful and intelligent breakdown of the elements of rap for anyone wanting to learn the art form or understand the principles behind it. Author Paul Edwards examines the dynamics of hip hop from every region and in every form - mainstream, underground, current and classic - looking in particular at content, flow, writing and delivery. Edwards provides unparalleled access to the most acclaimed names in rap and their methods of working, with a foreword by Kool G Rap and interviews with over 100 artists, including Public Enemy, Mobb Deep, Schoolly D, Nelly, will.i.am, Arrested Development, A Tribe Called Quest, and Rah Digga. This one and only comprehensive examination of the MC art form is pure gold for the hip hop lover. |
| thats a rap: Ego Trip's Book of Rap Lists Sacha Jenkins, Elliott Wilson, Jeff Mao, Gabe Alvarez, Brent Rollins, 2014-03-25 Ego Trip's Book of Rap Lists is more popular than racism! Hip hop is huge, and it's time someone wrote it all down. And got it all right. With over 25 aggregate years of interviews, and virtually every hip hop single, remix and album ever recorded at their disposal, the highly respected Ego Trip staff are the ones to do it. The Book of Rap Lists runs the gamut of hip hop information. This is an exhaustive, indispensable and completely irreverent bible of true hip hip knowledge. |
| thats a rap: Euro Horror Ian Olney, 2013 Beginning in the 1950s, Euro Horror movies materialized in astonishing numbers from Italy, Spain, and France and popped up in the US at rural drive-ins and urban grindhouse theaters such as those that once dotted New York's Times Square. Gorier, sexier, and stranger than most American horror films of the time, they were embraced by hardcore fans and denounced by critics as the worst kind of cinematic trash. In this volume, Olney explores some of the most popular genres of Euro Horror cinema—including giallo films, named for the yellow covers of Italian pulp fiction, the S&M horror film, and cannibal and zombie films—and develops a theory that explains their renewed appeal to audiences today. |
| thats a rap: Third Coast Roni Sarig, 2007-05 La 4e de couverture indique : Typically, more than half the top rap songs in the country are the work of Southern artists. In a world still stuck in the East/West coast paradigm of the '90s, the simple fact is that Southern hip-hop has dominated the genre - and defined the culture - for years. Roni Sarig explains how and why. From the crime-ridden wards of New Orleans to the upscale suburbs of Atlanta, from the secluded outpost of Virginia Beach to the international hub of Miami - plus all the small Southern towns in between - Third Coast chronicles the artists, labels, and communities that rewrote the script on how hip-hop could sound, signify, and get sold. |
| thats a rap: 5 Grams Dimitri A. Bogazianos, 2011-12-01 In 2010, President Barack Obama signed a law repealing one of the most controversial policies in American criminal justice history: the one hundred to one sentencing disparity between crack cocaine and powder whereby someone convicted of “simply” possessing five grams of crack—the equivalent of a few sugar packets—had been required by law to serve no less than five years in prison. In this highly original work, Dimitri A. Bogazianos draws on various sources to examine the profound symbolic consequences of America’s reliance on this punishment structure, tracing the rich cultural linkages between America’s War on Drugs, and the creative contributions of those directly affected by its destructive effects. Focusing primarily on lyrics that emerged in 1990s New York rap, which critiqued the music industry for being corrupt, unjust, and criminal, Bogazianos shows how many rappers began drawing parallels between the “rap game” and the “crack game. He argues that the symbolism of crack in rap’s stance towards its own commercialization represents a moral debate that is far bigger than hip hop culture, highlighting the degree to which crack cocaine—although a drug long in decline—has come to represent the entire paradoxical predicament of punishment in the U.S. today. |
| thats a rap: Blowin' Up Jooyoung Lee, 2016-03-22 What many readers have wished for is now reality: a richly descriptive ethnography of street rappers. Blowing up refers to rappers dream of becoming rich and famous, or, at the least, successful as recording artists. Jooyoung Lee adds a shape to his story of Flawliis, VerBS, E. Crimsin, Psychosiz, and Tick-a-Lott: how do young black men from the inner city navigate their twenties? Blowin Up is a vibrant look at the young-adult stage of people who grow up in the shadow of gangs, dead-end jobs, and a glittering entertainment industry (the setting is Los Angeles). No other account of ghetto youth affords us this particular angle of vision. Lee discovers that in South Central L.A., rap can create bridges that bring young men together with peers from different neighborhoods (underscoring the importance of a healthy alternative to gangs). A rapper s underground artistic career is rooted in battle skills and crowd appeal, and, to boot, is meritocratic (whereas mainstream career success is based on branding, timing, funding, networks, and gimmicks). Rapping is an embodied artit takes much practice to learn, and requires body skills in dance, stance, and voice. Lee homes in on the skills and personalities of individual rappers, but he also illuminates the complex hip-hop scene around which these young men orbit, giving us detailed understandings of how young men navigate the intricate, tightly-wound world of tragedy and opportunity in the city. Lee balances the prospect of risk and existential uncertainty for youth entering a young adult life-stage with the hope for a big break in forging an entertainment career. In the end, Lee shows us how the arts can shape the lives of at-risk youth. |
| thats a rap: Fox in Socks Dr. Seuss, 2017-12-01 Laugh along with irrepressible Fox in Socks and his hilarious tongue-twisters and rollicking rhymes, read by the brilliant Adrian Edmondson. Enjoy this classic Dr. Seuss favourite anytime, anywhere! |
| thats a rap: Approaches to Measuring Human Behavior in the Social Environment William R. Nugent, 2012-12-06 Make the best use of measurement approaches that gauge social behavior Here is a state-of-the-art examination of various approaches to measuring and assessing client functioning and specific aspects of clients’ social environments. It examines numerous age groups and ethnic populations and makes use of cutting-edge methodologies in its examinations of measuring depression in children, measuring “the neighborhood” from a child’s perspective, measuring and assessing family functioning, measuring spirituality, and measuring psychosocial problems in seriously mentally ill families. Helpful tables in each chapter make complex information easy to access and understand. Inside Approaches to Measuring Human Behavior in the Social Environment you’ll find: a psychometric evaluation of the Structured Clinical Interview for DSM-IV Childhood Diagnoses (KID-SCID) (with 4 tables) a clinical/psychometric perspective on using self-rating scales for assessing severely mentally ill individuals (with a chapter appendix and 2 tables) vital information on assessing the influence of tradition upon Chinese elders in order to provide culturally sensitive services (with 4 tables) a report on the psychometric properties of the Rap Music Attitude and Perception (RAP) Scale, an instrument designed to measure attitudes toward and perceptions of rap music (with 6 tables) a report on the assessment of self-esteem in people with severe mental illness (with 2 figures and 4 tables) a qualitative study of fourth and fifth graders’ views of the neighborhoods they live in (with 5 figures and 2 tables) an NIMH- and USDHHS-funded study examining the reliability and validity of the Preschool Symptom Self-Report (PRESS) which measures depression in maltreated young children (with 4 tables) a study of advances designed to improve the reliability/validity of the North Carolina Family Assessment Scale (NCFAS) as it relates to placement and the prediction of future placement within the context of Intensive Family Preservation Services (IFPS) (with 1 figure and 7 tables) conformatory factor analyses of the Secondary Traumatic Stress Scale (STSS) (with 3 figures and 4 tables) a report illustrating the development and empirical testing of the Spiritual Strategies Scale (SSS)—a measure of spiritual supports used by older adults in managing challenges in their lives (with 4 tables) an examination of the validity of college students’ responses to the Scale for the Identification of Acquaintance Rape Attitudes (SIARA), a measure designed to assess attitudes believed to be supportive of sexual violence within dating relationships (with 3 figures and 5 tables) Approaches to Measuring Human Behavior in the Social Environment is vital reading for master’s and PhD level social workers, psychologists, counselors, marriage and family therapists, psychiatrists, and researchers in these fields. |
| thats a rap: Brown Bear, Brown Bear, what Do You See? Bill Martin, 1996 |
| thats a rap: Dinosaur Rap John Foster, 2021-09-17 Get movin' and groovin' with 7 dancing dinosaurs! With funky lyrics and a catchy rap performance, this rhythmic romp encourages safe and exciting creative movements that are sure to inspire pretend play. Colourful artwork by bestselling Animal Boogieillustrator Debbie Harter and 6 pages of dinosaur facts make this an inclusive, educational and fun addition to your singalong library. You're guaranteed to put it on repeat! A QR code on the book provides access to video animation and audio. |
| thats a rap: Houston Rap Lance Scott Walker, 2013 The Houston, Texas, neighborhoods of Fifth Ward, Third Ward and South Park have grown to be hallowed ground for modern rap culture, populated with celebrities, entrepreneurs, support networks and a micro-economy of their own. Photographer Peter Beste (photographer of True Norwegian Black Metal) and writer Lance Scott Walker spent nine years documenting the most influential style in twenty-first-century hip hop and the vibrant inner city culture from which it stems. Houston Rap, edited by Johan Kugelberg, profiles noted artists such as Bun B of UGK, Z-Ro, Big Mike, K-Rino, Willie D of the Geto Boys, Lil’ Troy and Paul Wall, alongside reflections on the lives of departed legends such as DJ Screw, Pimp C and Big Hawk. The book also features community leaders, rappers, producers, businessmen and family members, all providing an astonishing and important insight into a great American cultural narrative. In addition to featuring Beste’s previously unseen images of the contemporary Houston rap scene, Houston Rapincludes a detailed timeline charting the growth of rap music in Houston from its origins to the present. |
| thats a rap: Signifying Rappers David Foster Wallace, Mark Costello, 2013-07-23 David Foster Wallace and Mark Costello's exuberant exploration of rap music and culture. Living together in Cambridge in 1989, David Foster Wallace and longtime friend Mark Costello discovered that they shared an uncomfortable, somewhat furtive, and distinctively white enthusiasm for a certain music called rap/hip-hop. The book they wrote together, set against the legendary Boston music scene, mapped the bipolarities of rap and pop, rebellion and acceptance, glitz and gangsterdom. Signifying Rappers issued a fan's challenge to the giants of rock writing, Greil Marcus, Robert Palmer, and Lester Bangs: Could the new street beats of 1989 set us free, as rock had always promised? Back in print at last, Signifying Rappers is a rare record of a city and a summer by two great thinkers, writers, and friends. With a new foreword by Mark Costello on his experience writing with David Foster Wallace, this rerelease cannot be missed. |
| thats a rap: Group Harmony Stuart L. Goosman, 2013-07-17 In 1948, the Orioles, a Baltimore-based vocal group, recorded It's Too Soon to Know. Combining the sound of Tin Pan Alley with gospel and blues sensibilities, the Orioles saw their first hit reach #13 on the pop charts, thus introducing the nation to vocal rhythm & blues and paving the way for the most successful groups of the 1950s. In the first scholarly treatment of this influential musical genre, Stuart Goosman chronicles the Orioles' story and that of myriad other black vocal groups in the postwar period. A few, like the Orioles, Cardinals, and Swallows from Baltimore and the Clovers from Washington, D.C., established the popularity of vocal rhythm & blues nationally. Dozens of other well-known groups (and hundreds of unknown ones) across the country cut records and performed until about 1960. Record companies initially marketed this music as rhythm & blues; today, group harmony continues to resonate for some as doo-wop. Focusing in particular on Baltimore and Washington and drawing significantly from oral histories, Group Harmony details the emergence of vocal rhythm & blues groups from black urban neighborhoods. Group harmony was a source of empowerment for young singers, for it provided them with a means of expression and some aspect of control over their lives where there were limited alternatives. Through group harmony, young black males celebrated and musically confounded, when they could not overcome, complex issues of race, separatism, and assimilation during the postwar period. Group harmony also became a significant resource for the popular music industry. Goosman interviews dozens of performers, deejays, and industry professionals to examine the entrepreneurial promise of midcentury popular music and chronicle the convergence of music, place, and business, including the business of records, radio, promotion, and song writing. Featured in the book's account of the black urban roots of rhythm & blues are the recollections of singers from groups such as the Cardinals, Clovers, Dunbar Four, Four Bars of Rhythm, Five Blue Notes, Hi Fis, Plants, Swallows, and many others, including Jimmy McPhail, a well-known Washington vocalist; Deborah Chessler, the manager and songwriter for the original Orioles; Jesse Stone, the writer and arranger from Atlantic Records; Washington radio personality Jackson Lowe; and seminal black deejays Al (Big Boy) Jefferson, Maurice (Hot Rod) Hulbert, and Tex Gathings. |
| thats a rap: Book of Rhymes Adam Bradley, 2017-06-27 If asked to list the greatest innovators of modern American poetry, few of us would think to include Jay-Z or Eminem in their number. And yet hip hop is the source of some of the most exciting developments in verse today. The media uproar in response to its controversial lyrical content has obscured hip hop's revolution of poetic craft and experience: Only in rap music can the beat of a song render poetic meter audible, allowing an MC's wordplay to move a club-full of eager listeners. Examining rap history's most memorable lyricists and their inimitable techniques, literary scholar Adam Bradley argues that we must understand rap as poetry or miss the vanguard of poetry today. Book of Rhymes explores America's least understood poets, unpacking their surprisingly complex craft, and according rap poetry the respect it deserves. |
| thats a rap: SPIN , 1991-07 From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks. |
| thats a rap: Llama Llama Red Pajama Anna Dewdney, 2018-09-04 Llama, Llama red pajama waiting, waiting for his mama. Mama isn't coming yet. Baby Llama starts to fret. Anna Dewdney's classic tale of nighttime drama has been charming readers for over a decade. Now everyone's favorite Llama Llama who wants his Mama is available in a lap board book format. These infectious rhymes and oversized board book pages are perfect for bedtime reading anywhere, anytime! |
| thats a rap: Rap Attack 3 David Toop, 2000 Rap Attack 3 takes hip hop culture as its central focus for an investigation of African-American rapping in all its forms. It begins with the music's African roots and ends with the global acceptance of rap. |
| thats a rap: Ebony , 1990-06 EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine. |
| thats a rap: Ebony , 1990-06 EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine. |
| thats a rap: This Game of Hip Hop Artist Management Walt F.J. Goodridge, 2021-06-10 Managing Hip Hop artists is NOT the same as managing artists in any other genre. It's unique. There are cultural differences, industry differences and global differences you need to be aware of if you are to be successful. I know, because I've done it! Learn the business basics, as well as the unique success attitude and strategies you need in order to master the game! (220 pages; 8 x 10; ISBN: 978-0974531335) Read more at www.hiphopentrepreneur.com |
| thats a rap: 808s & Otherworlds Sean Avery Medlin, 2021 September's Most Anticipated LGBTQIA+ Literature --Lambda Literary Most-Anticipated New LGBTQIA+ Books of 2021 --Paperback Paris An elegant mash of memoir, poetry, tales of appropriation, thoughts on Black masculinity, Hulk, Kanye. --Christopher Borrelli, Chicago Tribune 808s & Otherworlds announces a bold and incendiary new voice in Sean Avery Medlin. Against the backdrop of the Phoenix suburbs where they were raised, Medlin interrogates the effects of media misrepresentation on the performance of Black masculinity. Through storytelling rhymes and vulnerable narratives in conversation with both contemporary Hip-Hop culture and systemic anti-Blackness, 808s & Otherworlds pieces together a speculative reality where Blackfolk are simultaneously superhuman and dehumanized. From the gut-wrenchingly real stories of young lovers unmythed by segregation or former classmates appropriating Black culture, to the fantastic settings of Hip-Hop songs and comic characters, Medlin weaves a tapestry of worlds and otherworlds while composing a love letter to family and self, told to an undeniably energetic beat. |
That's Not My Neighbor | Play Online Version
About That's Not My Neighbor. A new game on itch.io is taking the platform by storm, offering a unique blend of horror and bureaucracy. That's Not My Neighbor puts you in the shoes of a …
That's Not My Neighbor | Play Online Version
About That's Not My Neighbor. A new game on itch.io is taking the platform by storm, offering a unique blend of horror and bureaucracy. That's Not My Neighbor puts you in the shoes of a …
