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| tales the muses told: Tales the Muses Told Roger Lancelyn Green, 1965 Twenty of the best tales from the far-off times when the gods took a hand in men's affairs and sometimes walked the earth in disguise. |
| tales the muses told: Tales the Muses Told Roger Lancelyn Green, 1965 Grades 5-7. For contents, see Author Catalog. |
| tales the muses told: Tales the Muses Told. Greeks Myths Roger Lancelyn Green, 1965 |
| tales the muses told: Walking with the Muses Pat Cleveland, Lorraine Glennon, 2016-06-14 New York in the sixties and seventies was glamorous and gritty at the same time, a place where people like Warhol, Avedon, and Halston as well their muses came to pursue their wildest ambitions, and when the well began to run dry they darted off to Paris. Though born on the very fringes of this world, Patricia Cleveland, through a combination of luck, incandescent beauty, and enviable style, soon found herself in the centre of all that was creative, bohemian, and elegant. A walking girl, a runway fashion model whose inimitable style still turns heads on the runways of New York, Paris, Milan, and Tokyo, Cleveland was in high demand. Ranging from the streets of New York to the jet-set beaches of Mexico, from the designer retailers of Paris to the offices of Diana Vreeland, here is Cleveland's larger-than-life story. One minute she's in a Harlem tenement making her own clothes and dreaming of something bigger, the next she's about to walk Halston's show alongside fellow model Anjelica Huston. One minute she's partying with Mick Jagger and Jack Nicholson, the next she's sharing the dance floor with Warhol. One moment she's idolizing the silver screen sensation Warren Beatty, years later, she's deciding whether to resist his considerable amorous charms. In New York, she struggles to secure her first cover of a major magazine. In Paris, she's the toast of the town. A page-turning memoir of a life well lived, Walking with the Muses is a book you won't soon forget. |
| tales the muses told: The Poetical Tell-Tale; Or, Muses in Merry Story. By Prior, Pope ... and Other ... Poets, Both French and English TELL-TALE, 1764 |
| tales the muses told: Wisdom in the Telling Lorraine Hartin-Gelardi, 2011-04-05 Listen. Hear your deepest longings, triumphs and trials in these ancient tales of the human experience. Journey through these fascinating stories and you will see how myths and tales retold from many cultures bring universal themes from love and life, fears and foibles, straight into your heart. From the learned housekeeper who imparts her wisdom on the importance of listening, to a juggler who shows that gifts from the heart are truly the best of all, these stories offer timeless insight and inspiration. They will allow you to connect with the strength and value of your own myths and tales. Drawn from many cultures and faith traditions—including Irish, Scottish, English, European, Asian, Indian and Middle Eastern—each retelling illustrates the healing and powerful connection that stretches across the globe and unites us all in an embrace of wisdom through words. You will see your own struggles and successes mirrored in the lives of the characters contained in these pages: As you travel through their stories, you will hear a gentle voice urging you to tap into your own endless power and potential. |
| tales the muses told: Childhood and the Classics Sheila Murnaghan, Deborah H. Roberts, 2018-03-09 The dissemination of classical material to children has long been a major form of popularization with far-reaching effects, although until very recently it has received almost no attention within the growing field of classical reception studies. This volume explores the ways in which children encountered the world of ancient Greece and Rome in Britain and the United States over a century-long period beginning in the 1850s, as well as adults' literary responses to their own childhood encounters with antiquity. Rather than discussing the role of classics in education, it focuses on books read for enjoyment, and on two genres of children's literature in particular: the myth collection and the historical novel. The tradition of myths retold as children's stories is traced in the work of writers and illustrators from Nathaniel Hawthorne and Charles Kingsley to Roger Lancelyn Green and Ingri and Edgar Parin D'Aulaire, while the discussion of historical fiction focuses particularly on the roles of nationality and gender in the construction of an ancient world for modern children. The book concludes with an investigation of the connections between childhood and antiquity made by writers for adults, including James Joyce, Virginia Woolf, and H.D. Recognition of the fundamental role in children's literature of adults' ideas about what children want or need is balanced throughout by attention to the ways in which child readers have made such works their own. The formative experiences of antiquity discussed throughout help to explain why despite growing uncertainty about the appeal of antiquity to modern children, the classical past remains perennially interesting and inspiring. |
| tales the muses told: Truevine Beth Macy, 2016-10-18 The true story of two African-American brothers who were kidnapped and displayed as circus freaks, and whose mother endured a 28-year struggle to get them back. The year was 1899 and the place a sweltering tobacco farm in the Jim Crow South town of Truevine, Virginia. George and Willie Muse were two little boys born to a sharecropper family. One day a white man offered them a piece of candy, setting off events that would take them around the world and change their lives forever. Captured into the circus, the Muse brothers performed for royalty at Buckingham Palace and headlined over a dozen sold-out shows at New York's Madison Square Garden. They were global superstars in a pre-broadcast era. But the very root of their success was in the color of their skin and in the outrageous caricatures they were forced to assume: supposed cannibals, sheep-headed freaks, even Ambassadors from Mars. Back home, their mother never accepted that they were gone and spent 28 years trying to get them back. Through hundreds of interviews and decades of research, Beth Macy expertly explores a central and difficult question: Where were the brothers better off? On the world stage as stars or in poverty at home? Truevine is a compelling narrative rich in historical detail and rife with implications to race relations today. |
| tales the muses told: The Moon in the Well Erica Helm Meade, 2001 The Moon in the Well is a collection of 65 tales from many cultures, followed by interpretive comments, suggested uses, and true-life examples of what can happen when a nourishing story is taken to heart. Erica Meade’s musings and suggestions are intended to pique readers’ interest in story and guide them in weaving wisdom tales into their everyday dialogues. |
| tales the muses told: Hearings United States. Congress. Senate. Committee on the Judiciary, 1966 |
| tales the muses told: The Tales of Tarya (complete series) Rachel Nightingale, When Mina joins a troupe of travelling actors, her aim is to find her missing brother, but her search unlocks a series of secrets that will change the world she knows forever. Tarya, the mystical realm spoken of in tales, is real, and her gift for story telling opens a way to it. But Tarya has a shadow side, and someone in the troupe of actors is using it to harm people. Mina soon realises she may be the only one with the power to stop them. The Tales of Tarya is a young adult fantasy trilogy about the gift of creativity and where it can take you. This book bundle contains all books in The Tales of Tarya trilogy: Harlequin's Riddle, Columbine's Tale, and Pierrot's Song. |
| tales the muses told: Alleged Price Fixing of Library Books United States. Congress. Senate. Committee on the Judiciary. Subcommittee on Antitrust and Monopoly, 1966 Examines alleged collusion between publishers and wholesalers to overcharge librarians for children's books. |
| tales the muses told: The Riverside Chaucer Geoffrey Chaucer, Larry Dean Benson, 2008 The third edition of the definitive collection of Chaucer's Complete Works, reissued with a new foreword by Christopher Cannon.Since F. N. Robinson's second edition of the The Works of Geoffrey Chaucer was published in 1957, there has been a dramatic increase in Chaucer scholarship. This has not only enriched our understanding of Chaucer's art, but has also enabled scholars, working for the first time with all thesource-material, to recreate Chaucer's authentic texts.For the third edition, an international team of experts completely re-edited all the works, added glosses to appear on the page with the text, andgreatly expanded the introductory material, explanatory notes, textual notes, bibliography, and glossary.In short, the Riverside Chaucer is the fruit of many years' study - the most authentic and exciting edition available of Chaucer's Complete Works. |
| tales the muses told: Hearings, Reports and Prints of the Senate Committee on the Judiciary United States. Congress. Senate. Committee on the Judiciary, 1965 |
| tales the muses told: Fiction, Folklore, Fantasy & Poetry for Children, 1876-1985: Titles, awards Beverly Lamar, 1986 |
| tales the muses told: Alleged Price Fixing of Library Books United States. Congress. Senate. Judiciary, 1966 |
| tales the muses told: hearings before the subcommittee on antitrust and monopoly of the committee on the judiciary , 1966 |
| tales the muses told: Antitrust Exemptions for Agreements Relating to Balance of Payments United States. Congress. Senate. Committee on the Judiciary. Subcommittee on Administrative Practice and Procedure, United States. Congress. Senate. Committee on the Judiciary. Subcommittee on Antitrust and Monopoly, United States. Congress. Senate. Committee on the Judiciary. Subcommittee on Improvements in Judicial Machinery, United States. Congress. Senate. Committee on the Judiciary. Subcommittee to Investigate Problems Connected with Refugees and Escapees, 1965 Considers H.R. 5280, to exempt banks and other financial interests from antitrust laws with respect to agreements and programs related to balance of payments. |
| tales the muses told: Ovid and the Canterbury Tales Richard L. Hoffman, 2016-11-11 This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas. |
| tales the muses told: Some Pleasant Recollections of School Life at the Helen Dunlap Memorial School, Winslow, Arkansas Edward T. Mabley, 1925 |
| tales the muses told: Catalog of Copyright Entries. Third Series Library of Congress. Copyright Office, 1968 Includes Part 1, Number 2: Books and Pamphlets, Including Serials and Contributions to Periodicals July - December) |
| tales the muses told: The Publishers' Trade List Annual , 1917 |
| tales the muses told: Zeus Is A Dick Susie Donkin, 2020-11-05 In the beginning, everything was fine.* And then along came Zeus. *more or less Ahh Greek myths. Those glorious tales of heroism, honour and... petty squabbles, soap-opera drama and more weird sex than Fifty Shades of Grey could shake a stick at! It's about time we stopped respecting myths and started laughing at them. Did you know Aphrodite, goddess of love and beauty, was born of some discarded genitals? Or that Hera threw her own son off a mountain because he was ugly? Or that Apollo once kidnapped a boat full of people while pretending to be a dolphin? And let's not even get started on Zeus - king of the gods, ruler of the skies and a man who's never heard of self-control. In fact, if there's one thing most Greek myths have in common, it's that all the drama could have been avoided if SOMEONE could keep it in their toga... Horrible Histories writer Susie Donkin takes us on a hilarious romp through mythology and the many times the gods (literally) screwed everything up! Stephen Fry's Mythos by way of Drunk History, Zeus is a Dick is perfect for those who like their myths with a heavy dollop of satire. 'Who knew mythology was so bonkers? I am grateful - it had me laughing from the first page to the last.' - Miranda Hart 'It's about time someone called him out on all this' - Hera, goddess of marriage, wife of Zeus 'Worst. Father. Ever.' - Artemis, goddess of the hunt, daughter of Zeus 'Oh yeah, focus on him. I never did anything wrong. Nothing to see here' - Poseidon, god of the seas, brother of Zeus 'Just a real dick, honestly' - Many, many people |
| tales the muses told: Goddess Bless! Sirona Knight, 2003-01-01 The Goddess represents a divine spirit that is as old as Earth herself. She is the source of all creation. When you call on her, she will help you draw from her infinite power and wisdom to create a brighter, more loving life for yourself. Goddess Bless! begins by exploring the different forms and names the Goddess has taken around the world and throughout time -- Kali and Kwan Yin, Aphrodite and Artemis, Inana and Maeve. The Goddess as we know her often follows the stages of life -- Maid, Mother, Crone. Goddess Bless! couldn't be more practical -- or more needed. Knight has collected blessings and prayers that have been passed down for generations. She combines them with contemporary, specific affirmations and prayers she's created to help readers call on the Goddess's wisdom and energy to achieve their goals. With prayers, blessings, and affirmations to the Goddess associated with topics including: * love * creativity * good health and vitality * abundance and attaining goals * peace and harmony * greater spiritual awareness With tools to inspire and heal, Goddess Bless! will appeal to women of many religious and spiritual traditions and couldn't be more timely. |
| tales the muses told: Dialectics & Analytical Psychology Wolfgang Giegerich, David L. Miller, Greg Mogenson, 2020-02-25 What is dialectical thinking and why do we need it in psychology? How are moments of truth to be psychologically discerned and differentiated? How does the recognition of the historicity of archetypal and mythological materials relate to their interpretation? In a seminar held in the El Capitan Canyon near Santa Barbara, California, in June of 2004, the renowned Jungian analyst Wolfgang Giegerich, along with conversation partners, David L. Miller and Greg Mogenson, tackled these important questions while at the same time thinking Jungian psychology forward in a radically new way. Conceived to meet the call for more that followed the publication of Giegerich’s landmark book, The Soul’s Logical Life, this volume also serves as the most accessible introduction to Giegerich’s approach to psychology for the first-time reader of his work. A valuable resource for students of fairy tale, myth, and depth psychology, this volume includes a complete and up-to-date bibliography of Giegerich’s writings in all languages. |
| tales the muses told: Mentors, Muses & Monsters Elizabeth Benedict, 2012-02-01 Thirty writers look back at the the people, events, and books that launched their literary lives. |
| tales the muses told: The Baker & Taylor Guide to the Selection of Books and Media for Your Elementary School Library Dorothy A. McGinniss, 1974 |
| tales the muses told: Texts and Contexts Kenneth Quinn, 2024-08-30 First published in 1979, Texts and Contexts identifies those classics of Roman literature which deserve to survive because of their intrinsic quality and their lasting significance. The most important of these texts are placed in the context of the tradition which each represents and which each group of texts, taken together, constitutes. Four main streams of tradition are identified: the poet as storyteller (narrative poetry and drama), the poet as teacher (didactic poetry), the poet as himself (personal poetry and the poetry of social comment), and Roman literary prose. Each major text is presented in the form of one or more passages of substantial length for analysis in detail and comparison with related works. The translations used include leading literary translations since the sixteenth century. The result is a history of Roman literature in which the emphasis is laid on the quality of the text discussed rather than on comprehensiveness of treatment, and on organic relationships rather than chronology. This book is the result of thirty years of teaching experience by the author and his conviction that existing books on the same subject are inadequate and misleading. It will be of particular interest to students taking classical literature and translation courses, to students of English literature and anyone who is interested in literature, even without a knowledge of Latin. |
| tales the muses told: Tales Flowers Tell Susan Annabelle Crowe, 2008-08-12 Illustrated with a Victorian style, Tales Flowers Tell is a whimsical collection of personified flower maidens set to poetry in hardback copy, composed in most poetry forms such as the sonnet, etheree, rictameter, free verse, minute poetry, kyrielle, monorhyme, cinquain, nonet, villanelle, rispetto, sestina & more! Author included a glossary as a quick reference for commonly-used forms & styles. |
| tales the muses told: Dead Men Tell No Tales - 60+ Pirate Novels, Treasure-Hunt Tales & Sea Adventure Classics Jules Verne, Charles Dickens, Robert Louis Stevenson, James Fenimore Cooper, Edgar Allan Poe, William Hope Hodgson, Howard Pyle, Jack London, Arthur Conan Doyle, Richard Le Gallienne, Daniel Defoe, Alexandre Dumas, Charles Ellms, Frederick Marryat, Harold MacGrath, Joseph Lewis French, Harry Collingwood, Stanley Lane-Poole, Charles Boardman Hawes, L. Frank Baum, J. M. Barrie, R. M. Ballantyne, G. A. Henty, J. D. Jerrold Kelley, J. Allan Dunn, Robert E. Howard, F. Scott Fitzgerald, Sir Walter Scott, Ralph D. Paine, Captain Charles Johnson, W. H. G. Kingston, Currey E. Hamilton, John Esquemeling, 2023-12-12 This carefully crafted ebook collection is formatted for your eReader with a functional and detailed table of contents: Treasure Island (R. L. Stevenson) Blackbeard: Buccaneer (R. D. Paine) Pieces of Eight (Le Gallienne) Gold-Bug (Edgar A. Poe) The Dark Frigate (C. B. Hawes) Hearts of Three (Jack London) Captain Singleton (Defoe) Swords of Red Brotherhood (Howard) Queen of Black Coast (Howard) Afloat and Ashore (James F. Cooper) Pirate Gow (Defoe) The King of Pirates (Defoe) Barbarossa—King of the Corsairs (E. H. Currey) Homeward Bound (James F. Cooper) Red Rover (Cooper) The Pirate (Walter Scott) Book of Pirates (Howard Pyle) Under the Waves (R. M. Ballantyne) Rose of Paradise (Howard Pyle) Tales of the Fish Patrol (Jack London) Peter Pan and Wendy (J. M. Barrie) Captain Sharkey (Arthur Conan Doyle) The Pirate (Frederick Marryat) Three Cutters (Marryat) Madman and the Pirate (R. M. Ballantyne) Coral Island (Ballantyne) Pirate City (Ballantyne) Gascoyne (Ballantyne) Facing the Flag (Jules Verne) Captain Boldheart (Dickens) Mysterious Island (Jules Verne) Master Key (L. Frank Baum) A Man to His Mate (J. Allan Dunn) Isle of Pirate's Doom (Robert E. Howard) Black Vulmea (Howard) Robinson Crusoe (Defoe) Count of Monte Cristo (A. Dumas) Ghost Pirates (W. H. Hodgson) Offshore Pirate (F. Scott Fitzgerald) The Piccaroon (Michael Scott) The Capture of Panama, 1671 (John Esquemeling) The Malay Proas (James Fenimore Cooper) The Wonderful Fight of the Exchange of Bristol With the Pirates of Algiers (Samuel Purchas) The Daughter of the Great Mogul (Defoe) Morgan at Puerto Bello Among Malay Pirates: A Tale of Adventure and Peril The Ways of the Buccaneers A True Account of Three Notorious Pirates Narrative of the Capture of the Ship Derby, 1735 (Captain Anselm) Francis Lolonois The Fight Between the Dorrill and the Moca Jaddi the Malay Pirate The Terrible Ladrones The Female Captive The Passing of Mogul Mackenzie The Last of the Sea-Rovers Pagan Madonna ... |
| tales the muses told: Brazen in Blue Rachael Miles, 2020-08-25 Lady Emmeline Hartley has overcome every obstacle life has thrown her way. A spinster, disappointed in love, Em is on the brink of a marriage of convenience, when the man who rejected her heart reappears in need of her help. It gives Em a chance to escape, put to use one her most unusual talents—and perhaps convince him once and for all to risk his heart . . . Adam Montclair--one of the most successful agents at the Home Office--rubs elbows with the highest levels of society. Even so, he wasn’t to the manor born. No matter how much he desires Em, as a match he is completely unsuitable. While it pains him to be near her, it’s a punishment he richly deserves. Now on a mission to uncover a plot against the government, Adam knows Em's uncanny ability to recall voices will be essential. Yet as the two thwart the dangers in their path, it may become impossible to deny that Em is essential to happiness itself . . . Praise for the Muses’ Salon series “A feast for the imagination.” –Publishers Weekly “Rachael Miles’ knowledge of the time period she writes about adds a depth of authenticity that enriches every page.” –Jodi Thomas, New York Times bestselling author “A delicious, original read.” –RT Book Reviews Visit us at www.kensingtonbooks.com |
| tales the muses told: Ovid's Tragic Heroines Jessica A. Westerhold, 2023-07-15 Ovid's Tragic Heroines expands our understanding of Ovid's incorporation of Greek generic codes and the tragic heroines, Phaedra and Medea, while offering a new perspective on the Roman poet's persistent interest in these two characters and their paradigms. Ovid presents these two Attic tragic heroines as symbols of different passions that are defined by the specific combination of their gender and generic provenance. Their failure to be understood and their subsequent punishment are constructed as the result of their female nature, and are generically marked as tragic. Ovid's masculine poetic voice, by contrast, is given free rein to oscillate and play with poetic possibilities. Jessica A. Westerhold focuses on select passages from the poems Ars Amatoria, Heroides, and Metamorphoses. Building on existing scholarship, she analyzes the dynamic nature of generic categories and codes in Ovid's poetry, especially the interplay of elegy and epic. Further, her analysis of Ovid's reception applies the idea of the abject to elucidate Ovid's process of constructing gender and genre in his poetry. Ovid's Tragic Heroines incorporates established theories of the performativity of sex, gender, and kinship roles to understand the continued maintenance of the normative and abject subject positions Ovid's poetry creates. The resulting analysis reveals how Ovid's Phaedras and Medeas offer alternatives both to traditional gender roles and to material appropriate to a poem's genre, ultimately using the tragic code to introduce a new perspective to epic and elegy. |
| tales the muses told: The Historical Jesus in Context Amy-Jill Levine, Dale C. Allison, John Dominic Crossan, 2009-01-10 This anthology presents a broad range of primary sources and expert commentary that contextualize the historical Jesus in his world. This landmark volume places the gospel narratives in their full literary, social, and archaeological context. More than twenty-five internationally recognized experts offer new translations and descriptions of texts that shed new light on the Jesus of history, including pagan prayers and private inscriptions, miracle tales and martyrdoms, parables and fables, divorce decrees and imperial propaganda. The translated materials—from Christian, Coptic, and Jewish as well as Greek, Roman, and Egyptian texts—extend beyond single phrases to encompass the full context, thus allowing readers to locate Jesus in a broader cultural setting than is usually made available. This book demonstrates that only by knowing the world in which Jesus lived and taught can we fully understand him, his message, and the spread of the Gospel. Gathering material that was previously available only in disparate sources, this formidable book provides innovative insight into matters no less grand than first-century Jewish and Gentile life, the composition of the Gospels, and Jesus himself. |
| tales the muses told: Grimoire For The Apprentice Wizard Oberon Zell-Ravenheart, 2004-02-04 Here is the book Merlin could have given a young Arthur . . . if only it had existed. Out of the millions of Harry Potter fans worldwide, there are tens of thousands who want to really do the magical things J.K. Rowling writes about. But would-be wizards must rely on information passed down from wizard elders. Is there a Hogwarts anywhere in the real world? A real Albus Dumbledore? Where is the book these aspiring wizards need? Luckily for all those fans, Oberon Zell-Ravenheart, today’s foremost genuine wizard, has written the essential handbook. What’s more, he has gathered some of the greatest names in Wicca—including Ellen Evert Hopman, Raymond Buckland, Raven Grimassi, Patricia Telesco, Jesse Wolf Hardin, Morning Glory Zell-Ravenheart, and many more into a modern-day “Grey Council” to publish for the first time everything an aspiring wizard needs to know. Lurking within the pages of Grimoire for the Apperntice Wizard are: Biographies of famous wizards of history and legend Detailed descriptions of magickal tools and regalia (with full instructions for making them) Rites and rituals for special occasions A bestiary of mythical creatures The Laws of Magick Myths and stories of gods and heroes Lore and legends of the stars and constellations Instruction for performing amazing illusions, special effects, and many other wonders of the magical multiverse Praise forGrimoire for the Apprentice Wizard “I can’t think of a better, more qualified person to write a Handbook for Apprentice Wizards. Oberon is a Wizard.” —Raymond Bucklland, author of Buckland’s Complete Book of Witchcraft “Oberon is not only extremely learned in the magickal arts but he communicates that knowledge with wit and charm.” —Fiona Horne, author of Witch: A Magickal Journey and star of Mad, Mad, Mad House |
| tales the muses told: The Prioresses Tale, Sir Thopas, the Monkes Tale, the Clerkes Tale, the Squieres Tale, from the Canterbury Tales Geoffrey Chaucer, 1880 |
| tales the muses told: The Prioresses Tale, Sire Thopas, the Monkes Tale, the Clerkes Tale, the Squieres Tale, from the Canterbury Tales Geoffrey Chaucer, 1893 |
| tales the muses told: The Canterbury Tales: Seventeen Tales and the General Prologue (Third Edition) (Norton Critical Editions) Geoffrey Chaucer, 2018-06 “This book has been more helpful to the students—both the better ones and the lesser ones—than any other book I have ever used in any of my classes in my more than a quarter century of university teaching.” —RICHARD L. KIRKWOOD, University of Wisconsin–Eau Claire This Norton Critical Edition includes: • The medieval masterpiece’s most popular tales, including—new to the Third Edition—The Man of Law’s Prologue and Tale and The Second Nun’s Prologue and Tale. • Extensive marginal glosses, explanatory footnotes, a preface, and a guide to Chaucer’s language by V. A. Kolve and Glending Olson. • Sources and analogues arranged by tale. • Twelve critical essays, seven of them new to the Third Edition. • A Chronology, a Short Glossary, and a Selected Bibliography. About the Series Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts, and criticism—helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need. |
| tales the muses told: The Classical Weekly , 1925 |
| tales the muses told: The Classical World , 1924 |
| tales the muses told: The Concept of History Dmitri Nikulin, 2017-01-26 The Concept of History reflects on the presuppositions behind the contemporary understanding of history that often remain implicit and not spelled out. It is a critique of the modern understanding of history that presents it as universal and teleological, progressively moving forward to an end. Although few contemporary philosophers and historians maintain the view that there is strict universality and teleology in history, the remnants of these positions still affect our understanding of history. But if history is not universal and singular, evolving toward an objective universal end, it should be possible to admit of multiple histories, some of which we appropriate as our own. An another important aspect of this book is that if provides an account of history that is itself both historical and rooted in attempts to narrate and explain history from its inception in antiquity. The book seeks to establish features or constituents of history that might be found in any historical account and might themselves be considered historical invariants in history. |
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I've heard tales of people seeing ghosts in that house. 我听说有人在那栋房子里见到过鬼。 牛津词典
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posthumous是什么意思_posthumous的翻译_音标_读音_用法_例句…
Dead men hear no tales; posthumous fame an Irish bull. 死人无耳, 死后的名声等于风马牛. 期刊摘选
tales是什么意思_tales的翻译_音标_读音_用法_例句_爱词霸在线词典
爱词霸权威在线词典,为您提供tales的中文意思,tales的用法讲解,tales的读音,tales的同义词,tales的反义词,tales的例句等英语服务。
tale是什么意思_tale的翻译_音标_读音_用法_例句_爱词霸在线词典
I've heard tales of people seeing ghosts in that house. 我听说有人在那栋房子里见到过鬼。 牛津词典
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Dead men hear no tales; posthumous fame an Irish bull. 死人无耳, 死后的名声等于风马牛. 期刊摘选
