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| the body lovers: The Body Lovers Mickey Spillane, 1967-09-30 The teasing, transparent nighties were so shredded they barely covered the bodies of the murdered beauties. The blonde wore black. The redhead, green. And now someone was combing the city for the same number in white. Two strange slayings and a very frightened model set Mike Hammer on a chase through the world of high fashion and UN cocktail parties to Village bars and sleazy hotels. Snarling Hammer hits pay dirt when he dives underground to a secret sex cult, and busts open a group of degenerate, but highly eminent kick-killers. “A breathless mystery of violence, death and the macabre machinations of international operation.”—Savannah News “A blockbuster finish. Spillane has applied his Midas touch to another thriller.”—Florida Times-Union “Mike Hammer at his best.”—Charlotte Observer |
| the body lovers: Plato and the Body Coleen P. Zoller, 2018-08-01 Offers an innovative reading of Plato, analyzing his metaphysical, ethical, and political commitments in connection with feminist critiques. For centuries, it has been the prevailing view that in prioritizing the soul, Plato ignores or even abhors the body; however, in Plato and the Body Coleen P. Zoller argues that Plato does value the body and the role it plays in philosophical life, focusing on Platos use of Socrates as an exemplar. Zoller reveals a more refined conception of the ascetic lifestyle epitomized by Socrates in Platos Phaedo, Symposium, Phaedrus, Gorgias, and Republic. Her interpretation illuminates why those who want to be wise and good have reason to be curious about and love the natural world and the bodies in it, and has implications for how we understand Platos metaphysical and political commitments. This book shows the relevance of this broader understanding of Plato for work on a variety of relevant contemporary issues, including sexual morality, poverty, wealth inequality, and peace. Zoller gives us a new way of going forward in Plato studies. Her reading of the Platonic conception of embodiment frees it from the negative associations of the past. Plato and the Body will radically shift the scholarly conversation. The book is truly an exhilarating read. Anne-Marie Schultz, author of Platos Socrates as Narrator: A Philosophical Muse |
| the body lovers: What the Body Cost Jane Blocker, 2004 Because performance is by its very nature ephemeral, it elicits a desire for what is lost more than any other form of art making. But what is the nature of that desire, and on what models has it been structured? How has it affected the ways in which the history of performance art gets told? In What the Body Cost, Jane Blocker revisits key works in performance art by Carolee Schneemann, Vito Acconci, Hannah Wilke, Yves Klein, Ana Mendieta, and others to challenge earlier critiques that characterize performance, or body art, as a purely revolutionary art form and fail to recognize its reactionary-and sometimes damaging-effects. The scholarship to date on performance art has not, she finds, gone far enough in locating the body at the center of the performance, nor has it acknowledged the psychic, emotional, or social costs exacted on that body. Drawing on the work of critical theorists such as Roland Barthes and Catherine Belsey, as well as queer theory and feminism, What the Body Cost reads against patriarchal and heteronormative tendencies in art history while providing a corrective to the established view that performance art is necessarily transgressive. Instead, Blocker suggests that the historiography of performance art is a postmodern lovers' discourse in which practitioners, historians, and critics alike fervently seek the body while doubting it can ever be found. Jane Blocker is assistant professor of art history at the University of Minnesota and author of Where Is Ana Mendieta? Identity, Performativity, and Exile (1999). |
| the body lovers: Whitman's Poetry of the Body M. Jimmie Killingsworth, 2016-08-01 This book combines literary and historical analysis in a study of sexuality in Walt Whitman's work. Informed by his new historicist understanding of the construction of literary texts, Jimmie Killingsworth examines the progression of Whitman's poetry and prose by considering the textual history of Leaves of Grass and other works. Killingsworth demonstrates that Whitman's poetry of the body derives its radical power from the transformation of conventional attitudes toward sexuality, traditional poetics, and conservative politics. The sexual relation, with its promise of unity, love, equality, interpenetration, and productivity for partners, becomes a metaphor for all political and social relationships, including that of poet and reader. The effect of the poems is protopolitical, an altering of consciousness about the body's relation to other bodies, a shifting of the categories of knowledge that foretells political action. Killingsworth traces the interplay in Whitman's poetry between sexual and textual themes that derive from Whitman's political response to the historical turbulence of mid-century America. He describes a subtle shift in Whitman's prose writings on poetics, which turn from a view of poetry in the early 1850s as morally and politically efficacious to a chastened romanticism in the postwar years that frees the poet from responsibility for the world outside his poems. Later editions of Leaves of Grass are marked by the poet's deliberate repression of erotic themes in favor of a depoliticized aestheticism that views art not as a motivator of political and moral action but as an artifact embodying the soul of the genius. |
| the body lovers: A Mickey Spillane Companion Robert L. Gale, 2003-05-30 At one time, Mickey Spillane had authored seven of the top ten bestsellers in history, and may have been the most widely read author in the world. Spillane masterful storytelling grabs his readers with his first paragraph and leads them spellbound toward his climax. Along with Dashiell Hammett, Raymond Chandler, and Ross Macdonald, he remains one of America's greatest mystery writers. This book is a convenient guide to his works. An opening chronology lists the chief events in his life and career. The bulk of the volume presents several hundred alphabetically arranged entries on his writings. Lengthier entries summarize the plots of his works, including I, the Jury; My Gun Is Quick; Vengeance Is Mine!; and The Long Wait. Shorter entries identify his numerous characters, including his particularly memorable detective, Mike Hammer. Select entries list works for further reading, and the volume concludes with a brief bibliography. |
| the body lovers: What Philosophy Can Tell You about Your Lover Sharon M. Kaye, 2012 Be warned--in your journey through this volume you will encounter many true stories. Some will make you laugh, others could make you cry, and all are enough to thoroughly embarrass the authors. These stories would never be allowed to see the light of day if they did not open the door to important truths about love. The authors speak to you, sometimes in their own voices, sometimes through dialogue, and sometimes through fiction. You will recognize yourself in their struggles and triumphs. Can the good life be attained without true love? What is jealousy? Is it possible to be a feminist and a heterosexual lover at the same time? What is the logic of the lovers' quarrel? Is rough sex immoral? Is pornography a great lover's friend or a foe? What did Plato, Aristotle, Kant, Nietzsche, Russell, Beauvoir, and other great geniuses of Western history have to say about what goes on under the boardwalk? Is there any freedom in love? Is erotic desire a function of body or spirit? What is the best kind of love? Is there such a thing as a soul mate? You will have to face these questions and more when you dare to ask what philosophy can tell you about your lover. Everyone who has experienced it knows that romantic love truly is a crazy little thing. It keeps us awake at night and makes us do things we would never have dreamed we were capable of. In this volume twenty-five philosophy professors are gathered together to discuss various connections between romantic love and philosophy. They have left their tweed jackets and spectacles behind. It is as though you have run into them by chance at a bar in some far away city where they are at ease, ready to tell you what they really think. Perhaps you have taken a few philosophy classes, or perhaps you always kind of wanted to. This is your chance to enjoy some deep reflection on one of life's greatest mysteries without any of the scholarly jargon, the academic pretenses, or the impossible exams. This volume will explain the lasting value of their ideas in simple, modern terms without the use of a single footnote. |
| the body lovers: Born Again Bodies R. Marie Griffith, 2004-10-04 Fat People Don't Go to Heaven! screamed a headline in the tabloid Globe in November 2000. The story recounted the success of the Weigh Down Workshop, the nation's largest Christian diet corporation and the subject of extensive press coverage from Larry King Live to the New Yorker. In the United States today, hundreds of thousands of people are making diet a religious duty by enrolling in Christian diet programs and reading Christian diet literature like What Would Jesus Eat? and Fit for God. Written with style and wit, far ranging in its implications, and rich with the stories of real people, Born Again Bodies launches a provocative yet sensitive investigation into Christian fitness and diet culture. Looking closely at both the religious roots of this movement and its present-day incarnations, R. Marie Griffith vividly analyzes Christianity's intricate role in America's obsession with the body, diet, and fitness. As she traces the underpinning of modern-day beauty and slimness ideals—as well as the bigotry against people who are overweight—Griffith links seemingly disparate groups in American history including seventeenth-century New England Puritans, Progressive Era New Thought adherents, and late-twentieth-century evangelical diet preachers. |
| the body lovers: The Land of the Body Sarah Pearce, 2007 This book presents the first extended study of the representation of Egypt in the writings of Philo of Alexandria. Philo is a crucial witness, not only to the experiences of the Jews of Alexandria, but to the world of early Roman Egypt in general. As historians of Roman Alexandria and Egypt are well aware, we have access to very few voices from inside the country in this era; Philo is the best we have. As a commentator on Jewish Scripture, Philo is also one of the most valuable sources for the interpretation of Egypt in the Pentateuch. He not only writes very extensively on this subject, but he does so in ways that are remarkable for their originality when compared with the surviving literature of ancient Judaism. In this book, Sarah Pearce tries to understand Philo in relation to the wider context in which he lived and worked. Key areas for investigation include: defining the 'Egyptian' in Philo's world; Philo's treatment of the Egypt of the Pentateuch as a symbol of 'the land of the body'; Philo's emphasis on Egyptian inhospitableness; and his treatment of Egyptian religion, focusing on Nile veneration and animal worship. |
| the body lovers: Pathologies of Love in Classical Literature Dimitrios Kanellakis, 2021-08-02 Do you believe in love at first sight? The Greeks and the Romans certainly did. But far from enjoying this romantic moment carefree, they saw it as a cruel experience and an infection. Then what are the symptoms of falling in love? Are there any remedies? Any form of immunity? This book explores the conception of love (erôs) as a physical, emotional, and mental disease, a social-ethical disorder, and a literary unorthodoxy in Greek and Latin literature. Through illustrative case studies, the contributors to this volume examine two distinct, yet historically and poetically interrelated traditions of ‘pathological love’: lovesickness as/similar to disease and deviant sexuality described in nosologic terms. The chapters represent a wide range of genres (lyric poetry, philosophy, oratory, comedy, tragedy, elegy, satire, novel, and of course medical literature) and a fascinating synthesis of methodologies and approaches, including textual criticism, comparative philology, narratology, performance theory, and social history. The book closes with an anthology of Greek and Latin passages on pathological erôs. While primarily aimed at an academic readership, the book is accessible to anyone interested in Classics and/or the theme of love. |
| the body lovers: Oxford Studies in Ancient Philosophy, Volume 59 Victor Caston, 2021-09-02 Oxford Studies in Ancient Philosophy is a volume of original articles on all aspects of ancient philosophy. The articles may be of substantial length, and include critical notices of major books. OSAP is now published twice yearly, in both hardback and paperback. 'Have you seen the latest OSAP?' is what scholars of ancient philosophy say to each other when they meet in corridors or on coffee breaks. Whether you work on Plato or Aristotle, on Presocratics or sophists, on Stoics, Epicureans, or Sceptics, on Roman philosophers or Greek Neoplatonists, you are liable to find OSAP articles now dominant in the bibliography of much serious published work in your particular subject: not safe to miss. - Malcolm Schofield, Cambridge University OSAP was founded to provide a place for long pieces on major issues in ancient philosophy. In the years since, it has fulfilled this role with great success, over and over again publishing groundbreaking papers on what seemed to be familiar topics and others surveying new ground to break. It represents brilliantly the vigour--and the increasingly broad scope--of scholarship in ancient philosophy, and shows us all how the subject should flourish. - M.M. McCabe, King's College London |
| the body lovers: Sculpture, weaving, and the body in Plato Zacharoula Petraki, 2023-08-21 Plato’s Timaeus is unique in Greek Antiquity for presenting the creation of the world as the work of a divine demiurge. The maker bestows order on sensible things and imitates the world of the intellect by using the Forms as models. While the creation-myth of the Timaeus seems unparalleled, this book argues that it is not the first of Plato’s dialogues to use artistic language to articulate the relationship of the objects of the material world to the world of the intellect. The book adopts an interpretative angle that is sensitive to the visual and art-historical developments of Classical Athens to argue that sculpture, revolutionized by the advent of the lost-wax technique for the production of bronze statues, lies at the heart of Plato’s conception of the relation of the human soul and body to the Forms. It shows that, despite the severe criticism of mimēsis in the Republic, Plato’s use of artistic language rests on a positive model of mimēsis. Plato was in fact engaged in a constructive dialogue with material culture and he found in the technical processes and the cultural semantics of sculpture and of the art of weaving a valuable way to conceptualise and communicate complex ideas about humans’ relation to the Forms. |
| the body lovers: Plato's Symposium Frisbee Sheffield, 2006-07-20 Frisbee Sheffield argues that the Symposium has been unduly marginalized by philosophers. Although the topic - eros - and the setting at a symposium have seemed anomalous, she demonstrates that both are intimately related to Plato's preoccupation with the nature of the good life, with virtue, and how it is acquired and transmitted. For Plato, analysing our desires is a way of reflecting on the kind of people we will turn out to be and on our chances of leading a worthwhile and happy life. In its focus on the question why he considered desires to be amenable to this type of reflection, this book explores Plato's ethics of desire. |
| the body lovers: Book Lovers Emily Henry, 2022-05-03 “One of my favorite authors.”—Colleen Hoover An insightful, delightful, instant #1 New York Times bestseller from the author of Beach Read and People We Meet on Vacation. Named a Most Anticipated Book of 2022 by Oprah Daily ∙ Today ∙ Parade ∙ Marie Claire ∙ Bustle ∙ PopSugar ∙ Katie Couric Media ∙ Book Bub ∙ SheReads ∙ Medium ∙ The Washington Post ∙ and more! One summer. Two rivals. A plot twist they didn't see coming... Nora Stephens' life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby. Which is why she agrees to go to Sunshine Falls, North Carolina for the month of August when Libby begs her for a sisters’ trip away—with visions of a small town transformation for Nora, who she’s convinced needs to become the heroine in her own story. But instead of picnics in meadows, or run-ins with a handsome country doctor or bulging-forearmed bartender, Nora keeps bumping into Charlie Lastra, a bookish brooding editor from back in the city. It would be a meet-cute if not for the fact that they’ve met many times and it’s never been cute. If Nora knows she’s not an ideal heroine, Charlie knows he’s nobody’s hero, but as they are thrown together again and again—in a series of coincidences no editor worth their salt would allow—what they discover might just unravel the carefully crafted stories they’ve written about themselves. |
| the body lovers: The Body Royal Mark W. Hamilton, 2005-11-01 The present volume seeks to identify the underlying code of meanings about the Israelite king operating in various ways in texts and other artifacts surviving from the culture. The focus is upon the (living) body of the king, its anatomical characteristics, its constitution through ritual, and the conventions concerning its proper self-display by the king. This study combines careful linguistic and historical-critical analysis of the texts considered (both biblical and ancient Near Eastern, the latter used comparatively where appropriate) with a critical use of contemporary approaches to the study of signs in language, objects, and movements (semiotics), in general, and the study of the body, in particular. This book argues that the royal psalms contain a set of officially sanctioned notions about the royal body and its use. The king was thought to have an outsized, superhuman body owing to his being the son of the deity, a status he attained upon his coronation. Other texts, often from circles outside the royal court, significantly altered these notions. The king's body was thus for ancient Israelites the locus of reflection on power, gender, religion, and even international relations. Through careful historical analysis, it is possible to reconstruct the terms of an Iron Age intellectual inquiry that still influences our contemporary world. |
| the body lovers: Neoplatonic Pedagogy and the Alcibiades I James M. Ambury, 2024-05-31 Many philosophers in the ancient world shared a unitary vision of philosophy – meaning 'love of wisdom' – not just as a theoretical discipline, but as a way of life. Specifically, for the late Neoplatonic thinkers, philosophy began with self-knowledge, which led to a person's inner conversion or transformation into a lover, a human being erotically striving toward the totality of the real. This metamorphosis amounted to a complete existential conversion. It was initiated by learned guides who cultivated higher and higher levels of virtue in their students, leading, in the end, to their vision of the Good, or the One. In this book, James M. Ambury closely analyses two central texts in this tradition: the commentaries by Proclus (412–485 AD) and Olympiodorus (495–560 AD) on the Platonic Alcibiades I. Ambury's powerful study illuminates the way philosophy was conceived during a crucial period of its history, in the lecture halls of late antiquity. |
| the body lovers: The Body Has a Mind of Its Own Sandra Blakeslee, Matthew Blakeslee, 2008-09-09 Your body has a mind of its own. You know it’s true. You can sense it, even though it may be hard to articulate. You know that your body is more than a vehicle for your brain to cruise around in, but how deeply are mind and body truly interwoven? Answers can be found in the emerging science of body maps. Just as road maps represent interconnections across the landscape, your many body maps represent all aspects of your bodily self. Your self doesn’t begin and end with your physical body but extends into the space around you. When you drive a car, your personal body space grows to envelop it. When you play a video game, your body maps automatically track and emulate the actions of your character onscreen. If your body maps fall out of sync, you may have an out-of-body experience or see auras around other people. The Body Has a Mind of Its Own explains how you can tap into the power of body maps to do almost anything better: play tennis, strum a guitar, ride a horse, dance a waltz, empathize with a friend, raise children, cope with stress. Filled with illustrations, wonderful anecdotes, and even parlor tricks that you can use to reconfigure your body sense, The Body Has a Mind of Its Own will change the way you think about what it takes to have a conscious mind inside a feeling body. Praise for The Body Has a Mind of Its Own NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST BOOK WORLD “You’ll never think about your body–or your mind–in the same way again.” –Daniel Goleman, author of Social Intelligence “A fascinating exploration of senses we didn’t even know we had.” –Jon Kabat-Zinn, author of Coming to Our Senses “A delightfully original, understandable, and mind-stretching work.” –William Safire, columnist, The New York Times Magazine “A marvelous book.” –V. S. Ramachandran, M.D., director, Center for Brain and Cognition, University of California, San Diego “[An] accessible, practical overview of an important scientific story.” –Antonio Damasio, author of Descartes’ Error |
| the body lovers: Feminist Approaches to the Body in Medieval Literature Linda Lomperis, Sarah Stanbury, 1993 Feminist Approaches to the Body in Medieval Literature forges a new link between contemporary feminist and cultural theory and medieval history and literature. The essays establish crucial historical connections between feminist theorizing about the body and specific accounts of gendered bodies in medieval texts. |
| the body lovers: Theology of the Body Explained Christopher West, 2003 Christopher West makes John Paul II's theology of the body available for the first time to people at all levels within the Christian community. Love, sexuality, and human flourishing are inseparable. Those who doubted this will find West's book a transforming experience, and those who have been wounded will find liberation and peace. A wonderful education on the meaning of being human. Christopher West teaches the theology of the body and sexual ethics at St John Vianney Theological Seminary in Denver. He is also visiting faculty member of the John Paul II Institute for Studies on Marriage and Family in Melbourne, Australia. |
| the body lovers: Pursuits of Wisdom John M. Cooper, 2013-08-25 This is a major reinterpretation of ancient philosophy that recovers the long Greek and Roman tradition of philosophy as a complete way of life--and not simply an intellectual discipline. Distinguished philosopher John Cooper traces how, for many ancient thinkers, philosophy was not just to be studied or even used to solve particular practical problems. Rather, philosophy--not just ethics but even logic and physical theory--was literally to be lived. Yet there was great disagreement about how to live philosophically: philosophy was not one but many, mutually opposed, ways of life. Examining this tradition from its establishment by Socrates in the fifth century BCE through Plotinus in the third century CE and the eclipse of pagan philosophy by Christianity, Pursuits of Wisdom examines six central philosophies of living--Socratic, Aristotelian, Stoic, Epicurean, Skeptic, and the Platonist life of late antiquity. The book describes the shared assumptions that allowed these thinkers to conceive of their philosophies as ways of life, as well as the distinctive ideas that led them to widely different conclusions about the best human life. Clearing up many common misperceptions and simplifications, Cooper explains in detail the Socratic devotion to philosophical discussion about human nature, human life, and human good; the Aristotelian focus on the true place of humans within the total system of the natural world; the Stoic commitment to dutifully accepting Zeus's plans; the Epicurean pursuit of pleasure through tranquil activities that exercise perception, thought, and feeling; the Skeptical eschewal of all critical reasoning in forming their beliefs; and, finally, the late Platonist emphasis on spiritual concerns and the eternal realm of Being. Pursuits of Wisdom is essential reading for anyone interested in understanding what the great philosophers of antiquity thought was the true purpose of philosophy--and of life. |
| the body lovers: Poetics of the Body C. Cucinella, 2010-04-26 Poetics of the Body examines representations of the body in the work of four important twentieth-century poets: Edna St. Vincent Millay, Elizabeth Bishop, Marilyn Chin, and Marilyn Hacker. Drawing on both past and present discussions regarding the place of the body in relation to Western philosophy, gender, sexuality, desire, creative production, and narrative, this study reveals how the poetic bodies in the poetry of these women negotiate the intersecting ideologies that attempt to regulate the body, its characteristics, and its behaviors. Ultimately, this dynamic book considers what it means to possess a body. |
| the body lovers: Photography and the Body in Nineteenth-century France Anne E. Linton, Raisa Rexer, 2021-01-01 The first Yale French Studies issue on photography, examining French photography's place in art, identity, and society through a lens of diversity and interdisciplinary investigation In its first issue on photography, this volume of Yale French Studies presents multiple avenues of interdisciplinary investigation designed to intersect and open up new areas of inquiry in the twenty-first century. These intersections push beyond traditional geographic and gender boundaries, exploring women's photography, new cultural contexts, trans orientalism, and minority and marginalized bodies. As they do so, they ask us to reconsider the way that we conceive of photography's place in the past and in our lives today. |
| the body lovers: Written on the Body Lexie Bean, 2018-03-21 Lambda Literary Award Finalist - LGBTQ Anthology Written by and for trans and non-binary survivors of domestic violence and sexual assault, Written on the Body offers support, guidance and hope for those who struggle to find safety at home, in the body, and other unwelcoming places. This collection of letters written to body parts weaves together narratives of gender, identity, and abuse. It is the coming together of those who have been fragmented and often met with disbelief. The book holds the concerns and truths that many trans people share while offering space for dialogue and reclamation. Written with intelligence and intimacy, this book is for those who have found power in re-shaping their bodies, families, and lives. |
| the body lovers: The Culture of the Body Dalia Judovitz, 2011-05-06 What is the body? How was it culturally constructed, conceived, and cultivated before and after the advent of rationalism and modern science? This interdisciplinary study elaborates a cultural genealogy of the body and its legacies to modernity by tracing its crucial redefinition from a live anatomical entity to disembodied, mechanical and virtual analogs. The study ranges from Baroque, pre-Cartesian interpretations of body and embodiment, to the Cartesian elaboration of ontological difference and mind-body dualism, and it concludes with the parodic and violent aftermath of this legacy to the French Enlightenment. It engages work by philosophical authors such as Montaigne, Descartes and La Mettrie, as well as literary works by d'Urfé, Corneille and the Marquis de Sade. The examination of sexuality and the emergence of sexual difference as a dominant mode of embodiment are central to the book's overall design. The work is informed by philosophical accounts of the body (Nietzsche, Foucault, Merleau-Ponty), by feminist theory (Butler, Irigaray, Bordo), as well as by literary and cultural historians (Scarry, Stewart, Bynum, etc.) and historians of science (Canguilhem, Pagel, and Temkin), among others. It will appeal to scholars of literature, philosophy, French studies, critical theory, feminist theory, cultural historians and historians of science and technology. Dalia Judovitz is Professor of French, Emory University. She is also author of Unpacking Duchamp: Art in Transit and Subjectivity and Representation in Decartes: The Origins of Modernity. |
| the body lovers: The Platonic Art of Philosophy George Boys-Stones, Dimitri El Murr, Christopher Gill, 2013-08-15 This is a collection of essays written by leading experts in honour of Christopher Rowe, and inspired by his groundbreaking work in the exegesis of Plato. The authors represent scholarly traditions which are sometimes very different in their approaches and interests, and so rarely brought into dialogue with each other. This volume, by contrast, aims to explore synergies between them. Key topics include: the literary unity of Plato's works; the presence and role of his contemporaries in his dialogues; the function of myth (especially the Atlantis myth); Plato's Socratic heritage, especially as played out in his discussions of psychology; and his views of truth and being. Prominent among the dialogues discussed are Euthydemus, Phaedo, Phaedrus, Republic, Theaetetus, Timaeus, Sophist and Laws. |
| the body lovers: The Body and the Song Marilyn May Lombardi, 1995 In this original contribution to Elizabeth Bishop studies, Marilyn May Lombardi uses previously unpublished materials (letters, diaries, notebooks, and unfinished poems) to shed new light on the poet’s published work. She explores the ways Bishop’s lesbianism, alcoholism, allergic illnesses, and fear of mental instability affected her poetry—the ways she translated her bodily experiences into poetic form. A cornerstone of The Body and the Song is the poet’s thirty-year correspondence with her physician, Dr. Anny Baumann, who was both friend and surrogate mother to Bishop. The letters reveal Bishop’s struggles to understand the relation between her physical and creative drives. Dr. Anny also helped Bishop unravel the connections in her life between psychosomatic illness and early maternal deprivation—her mother was declared incurably insane and institutionalized in 1916, when Bishop was five years old. Effectively an orphan, she spent the rest of her childhood with relatives. In addition to these letters, Lombardi uses Bishop’s unpublished notebooks to demonstrate the poet’s resolve to face the facts—to confront her own emotional, intellectual, and physical frailties—and translate them into poetry that is clear-eyed and economical in its form. Lombardi argues that in her subtle way, Bishop explores the same issues that preoccupy the current generation of women writers. A deeply private artist, Bishop never directly refers to her homosexuality in her published work, but the metaphors she draws from her carnal desires and aversions confront stifling cultural prescriptions for personal and erotic expression. In choosing restraint over confession, Bishop parted company with her friend Robert Lowell, but Lombardi shows that her reticence becomes a powerful artistic strategy resulting in poetry remarkable for its hermeneutic potential. Informed by recent gender criticism, Lombardi’s lucid argument advances our understanding of the ways the material circumstances of life can be transformed into art. |
| the body lovers: The Body and the Book , 2015-06-29 The stimulating mix of academics and practising poets that have contributed to this volume provides an unusual and illuminating integration of critical and creative practice and a vibrantly diverse approach to questions of poetry and sexuality. Each section of essays is complemented by poems which creatively illustrate or develop the theme with which the essays critically engage. Rather than being limited to a specific genre, tradition, time or place, this collection seeks to make a virtue of contrast, comparison and juxtaposition. The collection is arranged into sections that range broadly across the thematic ground of dichotomies, traditions and revisions, microscopic and macroscopic perspectives, women and embodiment, and the notion of play and performance. Positioning eighteenth-century tinkers ballads alongside medieval Hebrew lyrics and the Blues of Gorgeous Puddin’, or making Dionysus rub shoulders with Sharon Olds and Mrs Rochester provides new perspectives on familiar material and valuable insights into more obscure work and the nature of sensual poetry as a mode of expression. As the editors suggest, the essays and poems presented collectively argue that writings about sexuality are always already about the way poets see and represent our bodies, the world and poetic language itself. |
| the body lovers: The Works of Aurelius Augustine Saint Augustine (of Hippo), 1873 |
| the body lovers: Histories of Emotion Rüdiger Schnell, 2020-11-23 This study addresses two desiderata of historical emotion research: reflecting on the interdependence of textual functions and the representation of emotions, and acknowledging the interdependence of studies on the premodern and modern periods in the history of emotion. Contemporary research on the history of emotion is characterised by a proliferation of studies on very different eras, authors, themes, texts, and aspects. The enthusiasm and confidence with which situations, actions, and interactions involving emotions in history are discovered, however, has led to overly direct attempts to access the represented objects (emotions/feelings/affects); as a result, too little attention has been paid to the conditions and functions of their representations. That is why this study engages with the emotion research of historians from an unashamedly philological perspective. Such an approach provides, among other things, insights into the varied, often contradictory, observations that can be made about the history of emotion in modernity and premodernity. |
| the body lovers: Conjunctions of Mind, Soul and Body from Plato to the Enlightenment Danijela Kambaskovic, 2014-09-25 This book examines the nexus between the corporeal, emotional, spiritual and intellectual aspects of human life as represented in the writing of the Middle Ages and the Renaissance. Authors from different fields examine not only the question of the body and soul (or body and mind) but also how this question fits into a broader framework in the medieval and early modern period. Concepts such as gender and society, morality, sexuality, theological precepts and medical knowledge are a part of this broader framework. This discussion of ideas draws from over two thousand years of Western thought: from Plato in the fifth century BC and the fourth century Byzantine dialogues on the soul, to the philosophical and medical writings of the early 1700s. There are four sections to this book: each section is based on where the authors have found a conjunction between the body and mind/soul. The work begins with a section on text and self-perception, which focuses on creative output from the period. The second conjunction is human emotions which are described in their social contexts. The third is sex, where the human body and mind are traditionally believed to meet. The fourth section, Material Souls, engages with bodies and other material aspects of existence perceived, studied or utilised as material signs of emotional and spiritual activity. |
| the body lovers: A Body of Vision R. Bruce Elder, 2006-01-01 Elder examines how artists such as Brakhage, Artaud, Schneemann, Cohen and others have tried to recognize and to convey primordial forms of experiences. He argues that the attempt to convey these primordial modes of awareness demands a different conception of artistic meaning from any of those that currently dominate contemporary critical discussion. By reworking theories and speech in highly original ways, Elder formulates this new conception. His remarks on the gaps in contemporary critical practices will likely become the focus of much debate. |
| the body lovers: The Fortunate Lovers Queen Marguerite (consort of Henry II, King of Navarre), 1887 |
| the body lovers: Body Double Lucy Fischer, 2013-01-15 Body Double explores the myriad ways that film artists have represented the creative process. In this highly innovative work, Lucy Fischer draws on a neglected element of auteur studies to show that filmmakers frequently raise questions about the paradoxes of authorship by portraying the onscreen writer. Dealing with such varied topics as the icon of the typewriter, the case of the writer/director, the authoress, and the omnipresent infirm author, she probes the ways in which films can tell a plausible story while contemplating the conditions and theories of their making. By examining many forms of cinema, from Hollywood and the international art cinema to the avant-garde, Fischer considers the gender, age, and mental or physical health of fictionalized writers; the dramatized interaction between artists and their audiences and critics; and the formal play of written words and nonverbal images. By analyzing such movies as Adaptation, Diary of a Country Priest, Naked Lunch, American Splendor, and Irezumi, Fischer tracks the parallels between film author and character, looking not for the creative figure who stands outside the text, but for the one who stands within it as corporeal presence and alter-ego. |
| the body lovers: Filming the Body in Crisis Davina Quinlivan, 2015-09-29 How does film affect the way we understand crises of the body and mind and how does it manifest other kinds of crises levelled at the spectator? This book offers vital scholarly analysis of the embodied nature of film viewing and the ways in which film deals with the question of loss, the healing body and its material registering of trauma. |
| the body lovers: To Our Bodies Turn We Then Felecia Wright McDuffie, 2005-05-06 From his early love poetry to his late religious writing, John Donne speaks of the human body as a book to be read and interpreted. Unlike modern thinkers who understand the body as a purely material phenomenon or post-modern critics who see in it a text produced by culture, Donne understands the body as a (scriptural) text written by God. In this study, McDuffie offers a comprehensive interpretation of Donne's reading of the body. In Donne's imaginative universe, the human person lies at the center of the great interconnected web of God's signs and acts. As such, he makes it the touchstone of his own theology. While his anthropology is basically orthodox, the emphasis Donne places on the body and the role it plays in his religious poetics are distinctive. Refusing to restrict God's revelation to the written words of Scripture, Donne turns habitually to the book of the human body as a collection of signs that indicate God's nature, his intent, and the human condition. He also, at times, represents the human body not as a mere sign but as sacrament: a seal of the promises of God that conveys his presence and grace. In his reading of the book of the body, Donne discerns the narrative of salvation history: the trajectory proceeding from creation, through fall to redemption and resurrection. He sets the body and salvation history into a dialogical relationship, always reading one in terms of the other. Donne reads in the body God's great love for the material, the ravages of the Fall, God's redemptive action in Christ and in the lives of the saints, and the literal and figurative deaths that serve as gateways to resurrection and eschatological fulfillment. |
| the body lovers: The Cambridge Companion to the Body in Literature David Hillman, Ulrika Maude, 2015-05-26 This Companion offers the first systematic analysis of the body in literature, from the Middle Ages to the present day. |
| the body lovers: The Basket, Or, The Journal of the Basket Fraternity Or Lovers of Indian Baskets and Other Good Things , 1903 |
| the body lovers: Dead Lovers are Faithful Lovers Frances Newman, 1928 Dead Lovers Are Faithful Lovers is a tale of stifling passions, marital infidelity, and the empty conventionality of relations between the sexes in Jazz Age America. Set mainly in Atlanta and Richmond, its minimal plot unfolds through a stream-of-consciousness rendering of the thoughts and emotions of two women in love with the same man. |
| the body lovers: Writing Lovers Méira Cook, 2005 Is it possible to capture something as ephemeral as love with mere words? Méira Cook draws on Lacan, Derrida, Barthes, and Kristeva to wrestle with the theoretical problems of representing the unrepresentable. In Writing Lovers she searches for a language adequate to articulating the discourse of passion, desire, and longing in the love poetry of Dionne Brand, Elizabeth Smart, Daphne Marlatt, Dorothy Livesay, Kristjana Gunnars, and Nicole Markotic.In writings by the French post-structuralists, rhetorical tropes such as speechlessness, fragmentation, and deflection testify to the writer's difficulty in broaching the subject of love. Similarly, Cook shows that love poetry proceeds out of a profound failure of language resulting from the opacity of discourse, its lack of neutrality, or the fugitive transparency of reference. Writing Lovers also explores race, ethnicity, age, and sexual identity within the context of the passionate excesses of amatory discourse. |
| the body lovers: The Story of a Lover Hutchins Hapgood, 1919 |
| the body lovers: The Study of Nature and the Vision of God George John Blewett, 1907 |
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