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| sunset blvd screenplay: Sunset Boulevard Billy Wilder, 1999-06-24 Sunset Boulevard (1950) is one of the most famous films in the history of Hollywood, and perhaps no film better represents Hollywood's vision of itself. This facsimile edition of the screenplay provides intriguing background information about Wilder and the film's casting and production. |
| sunset blvd screenplay: Close-up on Sunset Boulevard Sam Staggs, 2003-02-04 Billy Wilder's Sunset Boulevard, a classic film noir and also a damning dissection of the Hollywood dream factory, evokes the glamour and ruin of the stars who subsist on that dream. It's also one long in-joke about the movie industry and those who made it great-and who were, in turn, destroyed by it. One of the most critically admired films of the twentieth century, Sunset Boulevard is also famous as silent star Gloria Swanson's comeback picture. Sam Staggs's Close-Up On Sunset Boulevard tells the story of this extravagant work, from the writing, casting and filming to the disastrous previews that made Paramount consider shelving it. It's about the writing team of Billy Wilder and Charles Brackett-sardonically called the happiest couple in Hollywood-and their raucous professional relationship. It's about the art direction and the sets, the costumes, the props, the lights and the cameras, and the personalities who used those tools to create a cinematic work of art. Staggs goes behind the scenes to reveal: William Holden, endlessly attacked by his bitter wife and already drinking too much; Nancy Olson, the cheerful ingenue who had never heard of the great Gloria Swanson; the dark genius Erich von Stroheim; the once famous but long-forgotten Waxworks; and of course Swanson herself, who-just like Norma Desmond-had once been the greatest star of them all. But the story of Sunset Boulevard doesn't end with the movie's success and acclaim at its release in 1950. There's much more, and Staggs layers this stylish book with fascinating detail, following the actors and Wilder into their post-Sunset careers and revealing Gloria Swanson's never-ending struggle to free herself from the clutches of Norma Desmond. Close-Up On Sunset Boulevard also chronicles the making of Andrew Lloyd Webber's musical production of Sunset Boulevard and the explosive diva controversies that dogged it. The book ends with a shocking example of Hollywood life imitating Hollywood art. By the last page of this rich narrative, readers will conclude: We are those wonderful people out there in the dark. |
| sunset blvd screenplay: On Sunset Boulevard Ed Sikov, 2017-06-14 On Sunset Boulevard, originally published in 1998, describes the life of acclaimed filmmaker Billy Wilder (1906-2002), director of such classics as Sunset Boulevard, The Lost Weekend, The Seven Year Itch, and Sabrina. This definitive biography takes the reader on a fast-paced journey from Billy Wilder's birth outside of Krakow in 1906 to Vienna, where he grew up, to Berlin, where he moved as a young man while establishing himself as a journalist and screenwriter, and triumphantly to Hollywood, where he became as successful a director as there ever was. Double Indemnity, Sunset Boulevard, Some Like It Hot, and The ApartmentWilder's cinematic legacy is unparalleled. Not only did he direct these classics and twenty-one other films, he co-wrote all of his own screenplays. Volatile, cynical, hilarious, and driven, Wilder arrived in Hollywood an all-but-penniless refugee who spoke no English. Ten years later he was calling his own shots, and he stayed on top of the game for the next three decades. Wilder battled with Humphrey Bogart, Marilyn Monroe, Bing Crosby, and Peter Sellers; kept close friendships with William Holden, Audrey Hepburn, Jack Lemmon, and Walter Matthau; amassed a personal fortune by way of blockbuster films and shrewd investments in art (including Picassos, Klees, and Mir's); and won Oscars--yet Wilder, ever conscious of his thick accent, always felt the sting of being an outsider. On Sunset Boulevard traces the course of a turbulent but fabulous life, both behind the scenes and on the scene, from Viennese cafes and Berlin dance halls in the twenties to the Hollywood soundstages of the forties and the on-location shoots of the fifties and sixties. Crammed with Wilder's own caustic wit, On Sunset Boulevard reels out the story of one of cinema's most brilliant and prolific talents. |
| sunset blvd screenplay: "It's the Pictures That Got Small" Charles Brackett, 2014-12-16 “Brackett’s diaries read like a funnier, better-paced version of Barton Fink.” —Newsweek Screenwriter Charles Brackett is best remembered as the writing partner of director Billy Wilder, who once referred to the pair as “the happiest couple in Hollywood,” collaborating on such classics as The Lost Weekend and Sunset Boulevard. He was also a perceptive chronicler of the entertainment industry, and in this annotated collection of writings from dozens of Brackett’s unpublished diaries, film historian Anthony Slide clarifies Brackett's critical contribution to Wilder’s films and enriches our knowledge of Wilder’s achievements in writing, direction, and style. Brackett’s diaries re-create the initial meetings of the talent responsible for Ninotchka, Hold Back the Dawn, Ball of Fire, The Major and the Minor, Five Graves to Cairo, The Lost Weekend, and Sunset Boulevard, recounting the breakthroughs and the breakdowns that ultimately forced these collaborators to part ways. In addition to a portrait of Wilder, this is rare view of a producer who was a president of the Academy of Motion Picture Arts and Sciences and the Screen Writers Guild, a New Yorker drama critic, and a member of the Algonquin Round Table. With insight into the dealings of Paramount, Universal, MGM, and RKO, and legendary figures such as Alfred Lunt, Lynn Fontanne, Edna Ferber, and Dorothy Parker, this book reveals the political and creative intrigue at the heart of Hollywood’s most significant films. “A fascinating look at Hollywood in its classic period, and a unique and indispensable must-have for any movie buff.” —Chicago Tribune “This feels as close as we can get to being in the presence of Wilder’s genius, and he emerges as the cruelest as well as the wittiest of men.” —The Guardian “Not only rare insight into their often-stormy partnership but also an insider’s view of Hollywood during that era.” —Los Angeles Times “Very entertaining.” —Library Journal |
| sunset blvd screenplay: The Best Christmas Pageant Ever Barbara Robinson, 1983 The six mean Herdman kids lie, steal, smoke cigars (even the girls) and then become involved in the community Christmas pageant. |
| sunset blvd screenplay: I Liked It, Didn't Love It Rona Edwards, Monika Skerbelis, 2009-09-07 I liked it, didn't love it. It's the most often heard line in Hollywood.What happens to your screenplay or novel when it leaves your hands and is submitted to a studio, network or production company? What happens to it after it's optioned or sold? What does in development really mean? Rona Edwards and Monika Skerbelis shed light on all of those questions and more for those new to the business, and to those already journeying through the storied halls at a film studio, television network, or production company. They tackle how to find new ideas, what it takes to be a development exec or a story analyst, how to work with producers and writers, and tips for pitching. |
| sunset blvd screenplay: What Makes Sammy Run? Budd Schulberg, 1941 Realistisk tidsbillede fra 1930'erne om en barsk skildring af en hensynsløs stræbers kamp for at nå til tops i Hollywoods glitrende filmverden |
| sunset blvd screenplay: Sunset Boulevard. , 1997 Starring Gloria Swanson and William Holden. Norma Desmond, the flamboyant silent movie star makes a pitiful attempt to stage a comeback to the silver screen through her friendship with the luckless Hollywood scriptwriter, Joe Gillis, in this classic portrait of Hollywood life. This 'Oscar' winning film has been specially adapted for the radio and performed in front of a live studio audience by many of the original film stars. |
| sunset blvd screenplay: All About "All About Eve" Sam Staggs, 2001-06-23 To millions of fans, All About Eve represents all that's witty and wonderful in classic Hollywood movies. Its old-fashioned, larger-than-life stars--including Bette Davis, Marilyn Monroe, Anne Baxter, George Sanders, and Celeste Holm--found their best roles in Eve and its sophisticated dialogue has entered the lexicon. But there's much more to know about All About Eve. Sam Staggs has written the definitive account of the making of this fascinating movie and its enormous influence on both film and popular culture. Staggs reveals everything about the movie--from who the famous European actress Margo Channing was based on to the hot-blooded romance on-set between Bette Davis and costar Gary Merrill, from the jump-start the movie gave Marilyn Monroe's career and the capstone it put on director Joseph L. Mankeiwicz's. All About All About Eve is not only full of rich detail about the movie, the director, and the stars, but also about the audience who loved it when it came out and adore it to this day. |
| sunset blvd screenplay: Mental Traveler W. J. T. Mitchell, 2020-09-01 How does a parent make sense of a child’s severe mental illness? How does a father meet the daily challenges of caring for his gifted but delusional son, while seeking to overcome the stigma of madness and the limits of psychiatry? W. J. T. Mitchell’s memoir tells the story—at once representative and unique—of one family’s encounter with mental illness and bears witness to the life of the talented young man who was his son. Gabriel Mitchell was diagnosed with schizophrenia at age twenty-one and died by suicide eighteen years later. He left behind a remarkable archive of creative work and a father determined to honor his son’s attempts to conquer his own illness. Before his death, Gabe had been working on a film that would show madness from inside and out, as media stereotype and spectacle, symptom and stigma, malady and minority status, disability and gateway to insight. He was convinced that madness is an extreme form of subjective experience that we all endure at some point in our lives, whether in moments of ecstasy or melancholy, or in the enduring trauma of a broken heart. Gabe’s declared ambition was to transform schizophrenia from a death sentence to a learning experience, and madness from a curse to a critical perspective. Shot through with love and pain, Mental Traveler shows how Gabe drew his father into his quest for enlightenment within madness. It is a book that will touch anyone struggling to cope with mental illness, and especially for parents and caregivers of those caught in its grasp. |
| sunset blvd screenplay: Billy Wilder, Movie-Maker Karen McNally, 2010-12-16 Billy Wilder's work remains a masterful combination of incisive social commentary, skilled writing and directing, and unashamed entertainment value. One of Hollywood's foremost emigre filmmakers, Wilder holds a key position in film history via films that represent a complex reflection of his European roots and American cultural influences. This wide-ranging collection of essays by an international group of scholars examines the significance of Wilder's filmmaking from a variety of original perspectives. Engaging with issues of genre, industry, representation and national culture, the volume provides fresh insights into Wilder's films and opens up his work to further exploration. |
| sunset blvd screenplay: Stalag 17 Billy Wilder, 1999-06-24 A facsimile edition of the screenplay of Billy Wilder's film set in an Austrian prisoner of war camp. With a new introduction by biographer Jeffrey Meyers. |
| sunset blvd screenplay: Sideways Rex Pickett, 2010-04-01 A raucous and surprising novel filled with wonderful details about wine, Rex Pickett's Sideways is also a thought-provoking and funny book about men, women, and human relationships. The basis for the 2004 comedy-drama road movie of the same name starring Paul Giamatti and Thomas Haden Church. Sideways is the story of two friends-Miles and Jack-going away together for the last time to steep themselves in everything that makes it good to be young and single: pinot, putting, and prowling bars. In the week before Jack plans to marry, the pair heads out from Los Angeles to the Santa Ynez wine country. For Jack, the tasting tour is Seven Days to D-Day, his final stretch of freedom. For Miles--who has divorced his wife, is facing an uncertain career and has lost his passion for living-the trip is a week long opportunity to evaluate his past, his future and himself. |
| sunset blvd screenplay: Selling Your Screenplay Ashley Scott Meyers, 2007 Selling Your Screenplay is a step-by-step guide to getting your screenplay sold and produced. Learn how to get your script into the hands of the producers and directors who can turn your story into a movie. |
| sunset blvd screenplay: William Holden Michelangelo Capua, 2016-03-22 William Holden was a Hollywood star whose career spanned four decades, more than 70 films and three Academy Award nominations. Golden Holden won an Oscar for his role in Stalag 17 and, after films like Sunset Blvd., he became one of Hollywood's most powerful stars in the late 1950s. His personal life included international adventures and romances with such stars as Audrey Hepburn and Grace Kelly, yet he suffered from alcoholism and clinical depression. This biography covers his entire life and career, from boyhood through his greatest successes, short decline, re-emergence in The Wild Bunch, and his legacy of support for African wildlife. |
| sunset blvd screenplay: Billy Wilder on Assignment Billy Wilder, 2021-04-27 Before Billy Wilder (1906-2002) left Europe for the United States in 1934 and became a filmmaker, he worked as a newspaper reporter, first in Vienna and then in Weimar Berlin. This book, edited and introduced by Noah Isenberg and translated by Shelley Frisch, collects about 65 articles Wilder published in Austrian and German newspapers in the 1920s. The collection includes reported pieces on urban life, from a first-person account of Wilder's stint as a taxi dancer to an article about street sweepers; profiles of writers, movie stars and poker players; and dispatches from the international film scene, from reviews to interviews with such figures as Charlie Chaplin and Erich von Stroheim. Isenberg provides an introduction that gives biographical details and places the writings in context, emphasizing their historical moment and their connections to Wilder's later career-- |
| sunset blvd screenplay: Four Screenplays Syd Field, 1994-08-01 Yes, you can write a great screenplay. Let Syd Field show you how. “I based Like Water for Chocolate on what I learned in Syd's books. Before, I always felt structure imprisoned me, but what I learned was structure really freed me to focus on the story.”—Laura Esquivel Technology is transforming the art and craft of screenwriting. How does the writer find new ways to tell a story with pictures, to create a truly outstanding film? Syd Field shows what works, why, and how in four extraordinary films: Thelma & Louise, Terminator 2: Judgement Day, The Silence of the Lambs, and Dances with Wolves. Learn how: Callie Khouri, in her first movie script, Thelma & Louise, rewrote the rules for good road movies and played against type to create a new American classic. James Cameron, writer/director of Terminator 2: Judgement Day, created a sequel integrating spectacular special effects and a story line that transformed the Terminator, the quintessential killing machine, into a sympathetic character. This is how an action film is written. Ted Tally adapted Thomas Harris's chilling 350-page novel, The Silence of the Lambs, into a riveting 120-page script—a lesson in the art and craft of adapting novels into film. Michael Blake, author of Dances with Wolves, achieved every writer's dream as he translated his novel into an uncompromising film. Learn how he used transformation as a spiritual dynamic in this work of mythic sweep. Informative and utterly engrossing, Four Screenplays belongs in every writer's library, next to Syn Field's highly acclaimed companion volumes, Screenplay, The Screenwriter's Workbook, and Selling a Screenplay. “If I were writing screenplays . . . I would carry Syd Field around in my back pocket wherever I went.”—Steven Bochco, writer/producer/director, L.A. Law, Hill Street Blues |
| sunset blvd screenplay: West of Sunset Stewart O'Nan, 2015-01-13 A “rich, sometimes heartbreaking” (Dennis Lehane) novel of F. Scott Fitzgerald’s last years in Hollywood, from the acclaimed author of Emily, Alone and Henry, Himself In 1937, F. Scott Fitzgerald was a troubled, uncertain man whose literary success was long over. In poor health, with his wife consigned to a mental asylum and his finances in ruins, he struggled to make a new start as a screenwriter in Hollywood. By December 1940, he would be dead of a heart attack. Those last three years of Fitzgerald’s life, often obscured by the legend of his earlier Jazz Age glamour, are the focus of Stewart O’Nan’s gorgeously and gracefully written novel. With flashbacks to key moments from Fitzgerald’s past, the story follows him as he arrives on the MGM lot, falls in love with brassy gossip columnist Sheilah Graham, begins work on The Last Tycoon, and tries to maintain a semblance of family life with the absent Zelda and daughter, Scottie. Fitzgerald’s orbit of literary fame and the Golden Age of Hollywood is brought vividly to life through the novel’s romantic cast of characters, from Dorothy Parker and Ernest Hemingway to Humphrey Bogart. A sympathetic and deeply personal portrait of a flawed man who never gave up in the end, even as his every wish and hope seemed thwarted, West of Sunset confirms O’Nan as “possibly our best working novelist” (Salon). |
| sunset blvd screenplay: Fear and Loathing in Las Vegas Hunter S. Thompson, 2003-04-07 This is a reissue of the novel inspired by Hunter S. Thompson's ether-fuelled, savage journey to the heart of the American Dream: We were somewhere around Barstow on the edge of the desert when the drugs began to take hold... And suddenly there was a terrible roar all around us and the sky was full of what looked like huge bats, all swooping and screeching and diving around the car, which was going about a hundred miles an hour with the top down to Las Vegas. |
| sunset blvd screenplay: Groundhog Day Ryan Gilbey, 2019-07-25 It is becoming clearer and clearer that Groundhog Day (1993), directed by Harold Ramis, is one of the masterpieces of 1990s Hollywood cinema. One of the first films to use a science-fiction premise as the basis for romantic comedy, it tells the story of a splenetic TV weatherman, Phil Connors (Bill Murray at his disreputable best), who finds himself repeating indefinitely one drab day in the milk-and-cookies town of Punxsutawney, Pennsylvania. At first glance it seems like a feel-good parable in the tradition of Frank Capra's It's a Wonderful Life (1943). But on closer inspection it is a deeply ambivalent fable, with strong echoes of Samuel Beckett: before he finds redemption Phil must plumb the depths of suicidal despair - and even after he has survived this, the film offers no guarantees that he will live happily ever after. Ryan Gilbey begins his account of Groundhog Day with the long and unlucky gestation of the script by Danny Rubin (who was interviewed specially for this book) which formed the basis of the finished film. Gilbey celebrates the inspired casting of Murray, alongside Andie MacDowell and less well-known actors such as Stephen Tobolowsky (who plays the reptilian sa |
| sunset blvd screenplay: The Castle on Sunset Shawn Levy, 2020-01-23 For nearly ninety years, Hollywood's brightest stars have favoured the Chateau Marmont as a home away from home. Filled with deep secrets but hidden in plain sight, its evolution parallels the growth of Hollywood itself. Perched above the Sunset Strip like a fairy-tale castle, the Chateau seems to come from another world entirely. An apartment-house-turned-hotel, it has been the backdrop for generations of gossip and folklore: 1930s bombshell Jean Harlow took lovers during her third honeymoon there; director Nicholas Ray slept with his sixteen-year-old Rebel Without a Cause star Natalie Wood; Anthony Perkins and Tab Hunter met poolside and began a secret affair; Jim Morrison swung from the balconies, once nearly falling to his death; John Belushi suffered a fatal overdose in a private bungalow; Lindsay Lohan got the boot after racking up nearly $50,000 in charges in less than two months. Much of what's happened inside the Chateau's walls has eluded the public eye - until now. With wit and prowess, Shawn Levy recounts the wild parties and scandalous liaisons, creative breakthroughs and marital breakdowns, births and untimely deaths that the Chateau Marmont has given rise to. Vivid, salacious and richly informed, the book is a glittering tribute to Hollywood as seen from the suites and bungalows of its most hallowed hotel. |
| sunset blvd screenplay: Film Noir Reader 3 Alain Silver, 2001 Departing from the approach of its Film Noir Reader predecessors, this third volume in the series assembles a collection of interviews with film noir directors and a cinematographer, few of whom are alive today. Interviewees include Billy Wilder (Double Indemnity and Sunset Boulevard), Otto Preminger (Laura), Joseph Lewis (Gun Crazy and The Big Combo), Curtis Bernhardt (Possessed and A Stolen Life), Edward Dmytryk (Murder, My Sweet and Crossfire), and Fritz Lang (Scarlet Street and The Woman in the Window). |
| sunset blvd screenplay: The Big Goodbye Sam Wasson, 2021-10-07 |
| sunset blvd screenplay: Conversations with the Great Moviemakers of Hollywood's Golden Age at the American Film Institute George Stevens, Jr., 2009-05-27 ONE OF THE HOLLYWOOD REPORTER'S 100 GREATEST FILM BOOKS OF ALL TIME • The first book to bring together interviews of master moviemakers from the American Film Institute’s renowned seminars, Conversations with the Great Moviemakers, offers an unmatched history of American cinema in the words of its greatest practitioners. Here are the incomparable directors Frank Capra, Elia Kazan, King Vidor, David Lean, Fritz Lang (“I learned only from bad films”), William Wyler, and George Stevens; renowned producers and cinematographers; celebrated screenwriters Ray Bradbury and Ernest Lehman; as well as the immortal Ingmar Bergman and Federico Fellini (“Making a movie is a mathematical operation. It’s absolutely impossible to improvise”). Taken together, these conversations offer uniquely intimate access to the thinking, the wisdom, and the genius of cinema’s most talented pioneers. |
| sunset blvd screenplay: Scandals of Classic Hollywood Anne Helen Petersen, 2015 A collection of shocking clashes and controversies from Hollywood's Golden Age, featuring notorious personalities including Judy Garland, Cary Grant, Jean Harlow, and more-- |
| sunset blvd screenplay: Water by the Spoonful Quiara Alegría Hudes, 2013 THE STORY: Somewhere in Philadelphia, Elliot has returned from Iraq and is struggling to find his place in the world. Somewhere in a chat room, recovering addicts keep each other alive, hour by hour, day by day. The boundaries of family and communi |
| sunset blvd screenplay: Pretty Woman , 2019-02 For voice and piano, with chord symbols and guitar chord diagrams. |
| sunset blvd screenplay: Screenwriting Andrew Horton, Julian Hoxter, 2014-08-23 Screenwriters often joke that “no one ever paid a dollar at a movie theater to watch a screenplay.” Yet the screenplay is where a movie begins, determining whether a production gets the “green light” from its financial backers and wins approval from its audience. This innovative volume gives readers a comprehensive portrait of the art and business of screenwriting, while showing how the role of the screenwriter has evolved over the years. Reaching back to the early days of Hollywood, when moonlighting novelists, playwrights, and journalists were first hired to write scenarios and photoplays, Screenwriting illuminates the profound ways that screenwriters have contributed to the films we love. This book explores the social, political, and economic implications of the changing craft of American screenwriting from the silent screen through the classical Hollywood years, the rise of independent cinema, and on to the contemporary global multi-media marketplace. From The Birth of a Nation (1915), Gone With the Wind (1939), and Gentleman’s Agreement (1947) to Chinatown (1974), American Beauty (1999), and Lost in Translation (2003), each project began as writers with pen and ink, typewriters, or computers captured the hopes and dreams, the nightmares and concerns of the periods in which they were writing. As the contributors take us behind the silver screen to chronicle the history of screenwriting, they spotlight a range of key screenplays that changed the game in Hollywood and beyond. With original essays from both distinguished film scholars and accomplished screenwriters, Screenwriting is sure to fascinate anyone with an interest in Hollywood, from movie buffs to industry professionals. |
| sunset blvd screenplay: Swanson on Swanson Gloria Swanson, 1980 |
| sunset blvd screenplay: Buster Keaton James Curtis, 2022-02-15 **One of Literary Hub’s Five “Most Critically Acclaimed” Biographies of 2022** From acclaimed cultural and film historian James Curtis—a major biography, the first in more than two decades, of the legendary comedian and filmmaker who elevated physical comedy to the highest of arts and whose ingenious films remain as startling, innovative, modern—and irresistible—today as they were when they beguiled audiences almost a century ago. It is brilliant—I was totally absorbed, couldn't stop reading it and was very sorry when it ended.—Kevin Brownlow It was James Agee who christened Buster Keaton “The Great Stone Face.” Keaton’s face, Agee wrote, ranked almost with Lincoln’s as an early American archetype; it was haunting, handsome, almost beautiful, yet it was also irreducibly funny. Keaton was the only major comedian who kept sentiment almost entirely out of his work and . . . he brought pure physical comedy to its greatest heights.” Mel Brooks: “A lot of my daring came from Keaton.” Martin Scorsese, influenced by Keaton’s pictures in the making of Raging Bull: “The only person who had the right attitude about boxing in the movies for me,” Scorsese said, “was Buster Keaton.” Keaton’s deadpan stare in a porkpie hat was as recognizable as Charlie Chaplin’s tramp and Harold Lloyd’s straw boater and spectacles, and, with W. C. Fields, the four were each considered a comedy king--but Keaton was, and still is, considered to be the greatest of them all. His iconic look and acrobatic brilliance obscured the fact that behind the camera Keaton was one of our most gifted filmmakers. Through nineteen short comedies and twelve magnificent features, he distinguished himself with such seminal works as Sherlock Jr., The Navigator, Steamboat Bill, Jr., The Cameraman, and his masterpiece, The General. Now James Curtis, admired biographer of Preston Sturges (“definitive”—Variety), W. C. Fields (“by far the fullest, fairest and most touching account we have yet had. Or are likely to have”—Richard Schickel, front page of The New York Times Book Review), and Spencer Tracy (“monumental; definitive”—Kirkus Reviews), gives us the richest, most comprehensive life to date of the legendary actor, stunt artist, screenwriter, director—master. |
| sunset blvd screenplay: Screenwriter's Resource Bible Ron Bechtel, 2006-04 A comprehensive listing of literary agents, managers, entertainment attorneys, production companies, TV shows, and power actors as well as what types of scripts production companies are buying this year. |
| sunset blvd screenplay: Jerome Robbins Christine Conrad, 2000-10 An illustrated book of Jerome Robbins' life & work including previously unpublished excerpts from Robbins' personal journals & private letters. In theatre, dance & film, Jerome Robbins had one of the most significant & sustained creative careers of the 20th century. |
| sunset blvd screenplay: Hell on Neptune Robert J. Rogers, 2016-03-23 When the teenage son of a retired Army Ranger turns a blue-laser telescope into a ray gun, all hell breaks loose forcing the family to flee. The FBI want it and will use rendition to get it. An Army General wants it but must contend with the boy's father who he knows all too well. The local Police Chief wants it to settle an old score. And SETI wants it because they think the teenager found alien life, which he did. But what everyone doesn't realize , this family is armed with a weapon far more powerful than any gun. And Dad shows his sons how to use it from one end of the country to the other. |
| sunset blvd screenplay: The Godfather Book Peter Cowie, 1999-09 The Godfather and its sequels redefined the gangster movie, transcending the genre to become a complex study of power, violence, and ethnic solidarity. Winner of nine Academy Awards, the trilogy is revived continually on television and remains a staple of the video marketplace. Now, for the first time, film critic Peter Cowie has brought to life the whole story behind the creation of the three Godfather movies. Cowie gained exclusive access to Francis Ford Coppola's archives to research the book, and interviewed Coppola himself, novelist Mario Puzo, and scores of other key personalities. He tells a riveting story of violent personality clashes, financial and technical crises, and a roller-coaster ride from apparent disaster to eventual triumph. Cowie also offers a masterful account of the themes and historical inspiration that underpin the trilogy, demonstrating how Coppola drew on certain central themes to give the movies their timeless and universal appeal. |
| sunset blvd screenplay: Some Like It Wilder Gene D. Phillips, 2010-02-05 One of the most accomplished writers and directors of classic Hollywood, Billy Wilder (1906–2002) directed numerous acclaimed films, including Sunset Boulevard (1950), Sabrina (1954), The Seven Year Itch (1955), Witness for the Prosecution (1957), and Some Like It Hot (1959). Featuring Gene D. Phillips's unique, in-depth critical approach, Some Like It Wilder: The Life and Controversial Films of Billy Wilder provides a groundbreaking overview of a filmmaking icon. Wilder began his career as a screenwriter in Berlin but, because of his Jewish heritage, sought refuge in America when Germany came under Nazi control. Making fast connections in Hollywood, Wilder immediately made the jump from screenwriter to director. His classic films Five Graves to Cairo (1943), Double Indemnity (1945), and The Lost Weekend (1945) earned Academy Awards for best picture, director, and screenplay. During the 1960s, Wilder continued to direct and produce controversial comedies, including Kiss Me, Stupid (1964) and The Apartment (1960), which won Oscars for best picture and director. This definitive biography reveals that Wilder was, and remains, one of the most influential directors in filmmaking. |
| sunset blvd screenplay: Sunflower Tex Gresham, 2021-11-04 A screenplay that predicts the future. A terrorist cult destined to destroy something they can't remember. A projectionist trying to find her way through a story she's suddenly aware she's living. A loser who always seems to be in the wrong place at the right time. And the disparate particles and people populating a slowly-collapsing, not-so-far-from-now world where movie theaters no longer exist, one percent of the population is dead, and everything we do is surveilled and advertised. This is Sunflower -- the final film by Simeon Wolpe. Readers of Sunflower, Tex Gresham's brilliant new novel, will probably find themselves thinking of Gravity's Rainbow, House of Leaves, and Infinite Jest. But in truth, Sunflower is something else, a beast with its own distinct brand of madness. Bluntly satirical of Trump-era politics, Sunflower takes you on an acid trip disguised as a conspiracy theory, working with equal skill in realist, absurdist, and metafictional modes to make sure you're lost in a funhouse you won't want to leave. In Gresham's fictional universe, the world might end while you're watching a movie about the end of the world, and maybe you wrote the script or maybe your double wrote the script, and even if the theater is filled with people who won't hesitate to blow your brains out if you laugh at all the wrong moments, it won't make any difference, since the book is filled with all the right moments. --Stephen-Paul Martin, author of The Ace of Lightning If a bodybuilder were to astral project herself into both Werner Herzog's cameraman/cinematography and Middlemarch, it would produce a morbidly rakish sunflower of the same heliotropic anti- equivalent as Tex Gresham's Sunflower. And, if an intern were to work in Gresham's library of chapters and deleted scenes, it would confuse The Library of Congress for Netflix. -Vi Khi Nao, author of Fish In Exile and The Vegas Dilemma Tex Gresham has blurred the line between satirical deconstruction of postmodern novels and sentimental love letters to cinema. Simultaneously hilarious and heartbreaking, Sunflower is an intricate mystery that will leave readers seeking to mend their broken relationships and their humanity through a shared fondness for the silver screen. Sunflower is this summer's biggest literary blockbuster hit! You'll laugh. You'll cry. You'll dissolve. --Dan Eastman, author of Watertown Sunflower is virtuosic, gargantuan, totally unafraid. Experimental and wild, beautiful and heartbreaking, serious and hilarious--I think Tex is here to stay. --Lindsay Lerman, author of I'm From Nowhere and What Are You If Paul Thomas Anderson wrote a novel based on a film by David Foster Wallace with a screenplay by Thomas Pynchon about dark Hollywood, mind-bending conspiracy, the slapstick horror of America and sheer insanity of existence, these would be some in a long line of flavors the sum total of which might come partway to encapsulating Sunflower. Hilarious, repulsive, enthralling, shocking, breathtaking, masterful-Tex Gresham's magnum opus is a novel you will use all your adjectives attempting to describe; a dense, multi-character tale in which each place and person, every moment and word, are connected through myriad layers across space and time. The effect is staggering. This book will swallow you whole then spit you back out, dazed, bewildered, transformed-hungering for more. --Philip Elliot, author of Nobody Move and Porno Valley I've tried to make Sunflower into a feature--not a Netflix series--and people called me a moron. So the least I can do is say, Read this book and imagine it as a really good movie that I would make. Because it's so good that I wanted to make it into a movie--not a Netflix series. --Alan Smithee, legendary Hollywood direct |
| sunset blvd screenplay: The Garden on Sunset Martin Turnbull, 2011 Right before talking pictures slug Tinsel Town in the jaw, a luminous silent screen star converts her private estate into the Garden of Allah Hotel. The lush grounds soon become a haven for Hollywood hopefuls to meet, drink and revel through the night. George Cukor is in the pool, Tallulah Bankhead is at the bar, and Scott Fitzgerald is sneaking off to a bungalow with Sheilah Graham, while Madame Alla Nazimova keeps watch behind her lace curtains. But the real story of the Garden of Allah begins with its first few residents, three kids on the brink of something big. Marcus Adler has a lot to prove after his father catches him and the police chief's son with their pants down. He flees Pennsylvania for Hollywood with his mouth shut and his eyes open, and begins to write the lines all those starlets will say out loud. Kathryn Massey's childhood was a grinding routine of auditions, but she couldn't care less about being a movie star. When she takes off with her typewriter, determined to become a newspaper reporter, she finds that breaking into the boys' club is tougher than breaking free of her bossy mother. To make it in this town, she'll need some serious moxie. Gwendolyn Brick is a sweet Southern beauty who's come a long way to try her luck on the big screen. She's hoping the same succulent lips the guys want to kiss will land her more than a bit part on a casting couch. She's going to need some help keeping everyone in line. Nobody gets a free pass in Hollywood, but a room at the Garden on Sunset can get your foot in the door. The Garden on Sunset is the first in Martin Turnbull's series of historical novels set during Hollywood's golden age. |
| sunset blvd screenplay: Adrian Christian Esquevin, 2008 This book highlights and showcases many of Adrian great costume and fashion designs from the 1920s through the 1950s. Not only are his timeless glamour gowns, period costumes, and amazing show-girl costumes shown from the movies, but also his impeccable suits and beautiful gowns from his private label. The ten years of Adrian Ltd. are summarized year-by-year, and his life with Janet Gaynor and his taste for decorating and art are described. |
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