Symbolists And Decadents

  symbolists and decadents: Symbolists and Decadents John Christian, 1977
  symbolists and decadents: Dreamers of Decadence Philippe Jullian, 1971 Many of these artists - Moreau; Toorop, the brilliant half-Balinese, half-Dutch painter and draftsman; the French Odilon Redon, the great master of Symbolist art; the Viennese Klimt; and the Belgian Khnopff --
  symbolists and decadents: Symbolists and Decadents John Milner, 1971
  symbolists and decadents: Symbolists and Decadents , 1985
  symbolists and decadents: Julio Herrera y Reissig and the Symbolists Bernard Gicovate, 2023-04-28 This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1957.
  symbolists and decadents: Decadence and the 1890s Ian Fletcher, 1980
  symbolists and decadents: The Brush and the Pen Dario Gamboni, 2011 French symbolist artist Odilon Redon (1840–1916) seemed to thrive at the intersection of literature and art. Known as “the painter-writer,” he drew on the works of Poe, Baudelaire, Flaubert, and Mallarmé for his subject matter. And yet he concluded that visual art has nothing to do with literature. Examining this apparent contradiction, The Brush and the Pen transforms the way we understand Redon’s career and brings to life the interaction between writers and artists in fin-de-siècle Paris. Dario Gamboni tracks Redon’s evolution from collaboration with the writers of symbolism and decadence to a defense of the autonomy of the visual arts. He argues that Redon’s conversion was the symptom of a mounting crisis in the relationship between artists and writers, provoked at the turn of the century by the growing power of art criticism that foreshadowed the modernist separation of the arts into intractable fields. In addition to being a distinguished study of this provocative artist, The Brush and the Pen offers a critical reappraisal of the interaction of art, writing, criticism, and government institutions in late nineteenth-century France.
  symbolists and decadents: A Forest of Symbols Andrei Pop, 2019-10-18 In this groundbreaking book, Andrei Pop presents a lucid reassessment of those writers and artists in the late nineteenth century whose work merits the adjective “symbolist.” For Pop, this term denotes an art that is self-conscious about its modes of making meaning and he argues that these symbolist practices, which sought to provide more direct access to the viewer by constant revision of its material means of meaning-making (brushstrokes on a canvas, words on a page), are crucial to understanding the genesis of modern art. The symbolists saw art not as a social revolution, but a revolution in sense and in how we conceptualize the world. At the same time, the concerns of symbolist painters and poets were shared to a remarkable degree by theoretical scientists of the period, especially by mathematicians and logicians who were dissatisfied with the strict empiricism dominant in their disciplines, and which made shared knowledge seem unattainable. A crisis of sense made art and science look for conceptual foundations underlying the diverging subjective responses and perceptions of individuals. Unlike other studies of this period, Pop’s focus is not on how individual artists may have absorbed bits of scientific theories, but rather on the philosophical questions that were relevant to both domains. The problem of subjectivity in particular, of what in one’s experience can and cannot be shared, was crucial to the possibility of collaboration within science and to the communication of artistic innovation. Pop’s brilliant close readings of the literary and visual practices of Manet and Mallarmé, of drawings by Ernst Mach, William James and Wittgenstein, of experiments with color by Bracquemond and Van Gogh, and of the philosophical systems of Frege and Russell add up to a startling but coherent picture of the symbolist heritage of modernity and its consequences.
  symbolists and decadents: The Symbolist Movement in Literature Arthur Symons, 2020-08-14 Reproduction of the original: The Symbolist Movement in Literature by Arthur Symons
  symbolists and decadents: Decadent Poetry Lisa Rodensky, 2006 The poems collected in this volume are expressions of a spirit of self-indulgence, eroticism and moral rebelliousness that emerged in the late Victorian age. They deal with eternal themes of transition, artifice and the ravages of time. It presents the works of writers as Oscar Wilde, Arthur Symons, Rosamund Marriott Watson, and W B Yeats.
  symbolists and decadents: Decadents, Symbolists, & Æsthetes in America Edward Halsey Foster, 2000 Poetry. Prose. DECADENTS, SYMBOLISTS, & AESTHETES IN AMERICA brings together works by various late nineteenth and early twentieth century American and Canadian poets: Conrad Aiken, Walter Conrad Arensberg, Ambrose Bierce, Gelett Burgess, Bliss Carman, Madison Cawein, Stephen Crane, Gertrude Hall, Richard Hovey, James Huneker, Ludwig Lewisohn, Stuart Merrill, Edgar Saltus, and Vance Thompson to give a fuller sense of literary life and values in fin-de-siecle America. American literature and life could be much more colorful (and European) than history commonly admits.
  symbolists and decadents: Decadence and Catholicism Ellis Hanson, 1997 Romantic writers had found in Christianity a poetic cult of the imagination, an assertion of the spiritual quality of beauty in an age of vulgar materialism. The decadents, a diverse movement of writers, were the climax and exhaustion of this romantic tradition. In their art, they enacted the romance of faith as a protest against the dreariness of modern life. Ellis Hanson teases out two strands--eroticism and aestheticism--that rendered the decadent interest in Catholicism extraordinary. More than any other literary movement, the decadents explored the powerful historical relationship between homoeroticism and Roman Catholicism. Why, throughout history, have so many homosexuals been attracted to Catholic institutions that vociferously condemn homosexuality? This perplexing question is pursued in this elegant and innovative book. Late-nineteenth-century aesthetes found in the Church a peculiar language that gave them a means of artistic and sexual expression. The brilliant cast of characters that parades through this book includes Oscar Wilde, Charles Baudelaire, J.-K. Huysmans, Walter Pater, and Paul Verlaine. Art for these writers was a mystical and erotic experience. In decadent Catholicism we can glimpse the beginnings of a postmodern valorization of perversity and performativity. Catholicism offered both the hysterical symptom and the last hope for paganism amid the dullness of Victorian puritanism and bourgeois materialism.
  symbolists and decadents: Russian Opera and the Symbolist Movement Simon Morrison, 2002-08-05 An aesthetic, historical, and theoretical study of four scores, Russian Opera and the Symbolist Movement is a groundbreaking and imaginative treatment of the important yet neglected topic of Russian opera in the Silver Age. Spanning the gap between the supernatural Russian music of the nineteenth century and the compositions of Prokofiev and Stravinsky, this exceptionally insightful and well-researched book explores how Russian symbolist poets interpreted opera and prompted operatic innovation. Simon Morrison shows how these works, though stylistically and technically different, reveal the extent to which the operatic representation of the miraculous can be translated into its enactment. Morrison treats these largely unstudied pieces by canonical composers: Tchaikovsky's Queen of Spades, Rimsky-Korsakov's Legend of the Invisible City of Kitezh and the Maiden Fevroniya, Scriabin's unfinished Mysterium, and Prokofiev's Fiery Angel. The chapters, revisionist studies of these composers and scores, address separate aspects of Symbolist poetics, discussing such topics as literary and musical decadence, pagan-Christian syncretism, theurgy, and life creation, or the portrayal of art in life. The appendix offers the first complete English-language translation of Scriabin's libretto for the Preparatory Act. Providing valuable insight into both the Symbolist enterprise and Russian musicology, this book casts new light on opera's evolving, ambiguous place in fin de siècle culture.
  symbolists and decadents: Symbolism Robert Goldwater, 2018-02-02 This encyclopedic guide explores the rich and varied meanings of more than 2,000 symbols?from amethyst to Zodiac.
  symbolists and decadents: The Symbolist Movement in the Literature of European Languages Anna Balakian, Anna Elizabeth Balakian, 1984 Edited by Anna Balakian, this volume marks the first attempt to discuss Symbolism in a full range of the literatures written in the European languages. The scope of these analyses, which explore Latin America, Scandinavia, Russia, Poland, Hungary, Serbia, Czechoslovakia, and Bulgaria as well as West European literatures, continues to make the volume a valuable reference today. As René Wellek suggests in his historiographic contribution, the fifty-one contributors not only make us think afresh about individual authors who are “giants,” but also draw us to reassess schools and movements in their local as well as international contexts. Reviewers comment that this “copious and intelligently structured” anthology, divided into eight parts, traces the conceptual bases and emergence of an international Symbolist movement, showing the spread of Symbolism to other national literatures from French sources, as well as the symbiotic transformations of Symbolism through appropriation and amalgamation with local literary trends. Several chapters deal with the relationships between literature and the other arts, pointing to Symbolism at work in painting, music, and theatre. Other chapters on the psychological aspects of the Symbolist method connect in interesting ways to a vision of metaphor and myth as virtually musical notation and an experimental emphasis on the play afforded by gaps between words. The volume is “a major contribution” to “the most significant exponents” and “essential themes” of Symbolism. The theoretical, historical, and typological sections of the volume help explain why the impact of this important movement of the fin-de-siècle is still felt today.
  symbolists and decadents: Romantic Roots in Modern Art August K. Wiedmann, 1979
  symbolists and decadents: Plays John Davidson, 1894
  symbolists and decadents: Against Nature Joris K. Huysmans, 2018-11-14 Duc Jean des Esseintes, the wealthy last survivor of a once-powerful family, has retreated from his bourgeois life in Paris. Overwhelmed by the absurdities and grotesqueries of human affairs, he dwells in an isolated villa, spending his days in intellectual and aesthetic contemplation. In an environment of ascetic medievalism and hermit-like seclusion, des Esseintes reviews the compendium of human experience. Color, food and drink, literature, art, music, philosophy, and religion—all are scrutinized, sifted, and analyzed according to his delicate, highly selective tastes. Filled with weird images, manifestations of a bizarre imagination, and biting wit, this novel scandalized Victorian critics with its break from naturalism and embrace of fin-de-siècle decadence. It nevertheless exerted considerable influence over French and English writers and remains a classic account of the quest for enlarged experience and new sensations. This edition includes a Preface written by the author 20 years after the book's original 1884 publication.
  symbolists and decadents: Decadence Alex Murray, 2020-11-30 Decadence, that flowering of a mannered literary style in France during the Second Empire, and last two decades of the nineteenth century in Britain, holds an endless fascination. Yet the ambiguity of the term 'decadence' and the challenges of identifying its practitioners makes grasping its contours difficult. From the obsession with Classical cultures, to the responses to the HIV/AIDS crisis of the 1980s and 1990s, this book offers one of the most comprehensive histories of literary Decadence. The essays here interrogate and expand the formal, geographical, and temporal frameworks for understanding Decadent literature, while offering a renewed focus on the role played by women writers. Featuring essays by leading scholars on sexuality, politics, science, translation, the New Woman, Russian and Spanish American Decadence, the influence of Decadence on cinema and much more, it is essential reading for all those interested in the literature of the 1890s and Oscar Wilde.
  symbolists and decadents: Australian Symbolism Denise Mimmocchi, 2012 Catalogue to accompany exhibition investigating two main streams of Symbolist art in Australia: works by artists who trained or lived overseas and drew directly from European Symbolist genres; and works by artists in Australia who referenced Symbolism to define a local experience.
  symbolists and decadents: Decadence Richard Gilman, 1980
  symbolists and decadents: Decadence and Literature Jane Desmarais, David Weir, 2019-08-22 Decadence and Literature explains how the concept of decadence developed since Roman times into a major cultural trope with broad explanatory power. No longer just a term of opprobrium for mannered art or immoral behaviour, decadence today describes complex cultural and social responses to modernity in all its forms. From the Roman emperor's indulgence in luxurious excess as both personal vice and political control, to the Enlightenment libertine's rational pursuit of hedonism, to the nineteenth-century dandy's simultaneous delight and distaste with modern urban life, decadence has emerged as a way of taking cultural stock of major social changes. These changes include the role of women in forms of artistic expression and social participation formerly reserved for men, as well as the increasing acceptance of LGBTQ+ relationships, a development with a direct relationship to decadence. Today, decadence seems more important than ever to an informed understanding of contemporary anxieties and uncertainties.
  symbolists and decadents: Realism, Naturalism & Symbolism: Modes of Thought & Expression in Europe, 1848-1914 NA NA, 2016-01-09
  symbolists and decadents: Romantic Image Frank Kermode, 2002 This classic work, back in print for the first time in over a decade, questions the public's harsh perception of the artist, while at the same time gently poking fun at the artists' own, often inflated self-image.
  symbolists and decadents: Decadent Genealogies Barbara Spackman, 2018-03-15 Barbara Spackman here examines the ways in which decadent writers adopted the language of physiological illness and alteration as a figure for psychic otherness. By means of an ideological and rhetorical analysis of scientific as well as literary texts, she shows how the rhetoric of sickness provided the male decadent writer with an alibi for the occupation and appropriation of the female body.
  symbolists and decadents: Baudelaire in Russia Adrian Wanner, 1996 The works of French poet Charles Baudelaire (1821-1867), a revolutionary figure in European literature and one of the most influential figures in the Symbolist movement, were translated into Russian earlier than any other language. Long before the decadents made him a champion of their cause, he had been appropriated in Russia by the revolutionary left. This book analyzes Baudelaire's reception in Russia from 1852 (the date of the first Russian translation of his work) to the end of the Soviet era in 1991. It discusses his impact on Marxists, Russian populists, decadents, Symbolists, acmeists, and on the modernist avant-garde within a general European context, and it argues that Baudelaire became a many-faceted mythical presence in Russian literature.
  symbolists and decadents: A Companion to T. S. Eliot David E. Chinitz, 2014-02-03 Reflecting the surge of critical interest in Eliot renewed in recent years, A Companion to T.S. Eliot introduces the 'new' Eliot to readers and educators by examining the full body of his works and career. Leading scholars in the field provide a fresh and fully comprehensive collection of contextual and critical essays on his life and achievement. It compiles the most comprehensive and up-to-date treatment available of Eliot's work and career It explores the powerful forces that shaped Eliot as a writer and thinker, analyzing his body of work and assessing his oeuvre in a variety of contexts: historical, cultural, social, and philosophical It charts the surge in critical interest in T.S. Eliot since the early 1990s It provides an illuminating insight into a poet, writer, and critic who continues to define the literary landscape of the last century
  symbolists and decadents: How Robert Frost Made Realism Matter Jonathan N. Barron, 2016-07-06 Robert Frost stood at the intersection of nineteenth-century romanticism and twentieth-century modernism and made both his own. Frost adapted the genteel values and techniques of nineteenth-century poetry, but Barron argues that it was his commitment to realism that gave him popular as well as scholarly appeal and created his enduring legacy. This highly researched consideration of Frost investigates early innovative poetry that was published in popular magazines from 1894 to 1915 and reveals a voice of dissent that anticipated “The New Poetry” – a voice that would come to dominate American poetry as few others have.
  symbolists and decadents: The Legend of the Decadents Gustave Leopold Van Roosbroeck, Joseph Warren Beach, 1927
  symbolists and decadents: Spectrum of Decadence (Routledge Revivals) Murray Pittock, 2014-08-01 The 1890s, the Naughty Nineties, was an exciting and flamboyant time in British life and literature. First published in 1993, this title traces the genesis of the literary culture of the 1890s through some of the popular novels and literary texts of the period. By examining works by such writers as Oscar Wilde, Bram Stoker, W. B. Yeats, and Walter Pater, Murray Pittock analyses the nature of the ‘Decadent era’ and the artistic theories of Symbolism and Aestheticism. Significantly, he provides a full assessment of the lasting impact that the thought of the period has had on our own understanding of our cultural past. Spectrum of Decadence explores the confrontations between art and science, sex and mortality, desire and virtue, which, the author argues are as much a part of modern society’s fin-de-siécle as they were of the nineteenth century’s. This reissue bridges the gap between literary texts, historical context, and contemporary critical theory.
  symbolists and decadents: What is Symbolism? Henri Peyre, 2010-03-14 This book centers on the revolutionary French symbolist movement of the last part of the 19th century, translated by Emmett Parker. Peyre gets to the heart of the subject, through provocative lines.
  symbolists and decadents: Symbolism Michael Gibson, Gilles Néret, 2006-01-01
  symbolists and decadents: Modernism and the Reinvention of Decadence Vincent B. Sherry, 2015 This volume explores the idea of decadence through readings of major modernist writers such as Ezra Pound and T. S. Eliot.
  symbolists and decadents: Fantastic Art Walter Schurian, 2005 This book brings together a colorful mixture of various works focusing on themes of the fantastic and surreal, starting with B?cklin's Toteninsel and including Dorothea Tanning, Max Ernst, Hans Bellmer's dolls, the Australian painter Sidney Nolan, Giger's monsters, Cattelan's pope, and the Chapman brothers? hybrids, as well as surreal painting from Magritte and Delvaux, the mystical and sensual work of Gustav Klimt, and Frida Kahlo's dreamlike self-portraits. Artists featured: Balthus, Hans Bellmer, Arnold B?cklin, Fernando Botero, Maurizio Cattelan, Jake and Dinos Chapman, Salvador Dal?, Paul Delvaux, Peter Doig, Alfred Kubin, James Ensor, Max Ernst, Ernst Fuchs, Frida Kahlo, Gustav Klimt, Joan Mir?, Sidney Nolan, Odilon Redon, Dorothea Tanning, Franz von Stuck, Andrew Wyeth.
  symbolists and decadents: Literature and the Politics of Post-Victorian Decadence Kristin Mahoney, 2015-06-09 In Literature and the Politics of Post-Victorian Decadence, Kristin Mahoney argues that the early twentieth century was a period in which the specters of the fin de siècle exercised a remarkable draw on the modern cultural imagination and troubled emergent avant-gardistes. These authors and artists refused to assimilate to the aesthetic and political ethos of the era, representing themselves instead as time travelers from the previous century for whom twentieth-century modernity was both baffling and disappointing. However, they did not turn entirely from the modern moment, but rather relied on decadent strategies to participate in conversations concerning the most highly-vexed issues of the period including war, the rise of the Labour Party, the question of women's sexual freedom, and changing conceptions of sexual and gender identities.
  symbolists and decadents: The Oxford Handbook of Decadence Jane Desmarais, David Weir, This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online.
  symbolists and decadents: Sex, Symbolists and the Greek Body Richard Warren, 2019-11-14 This book explores Symbolist artists' fascination with ancient Greek art and myth, and how the erotic played a major role in this. For a brief period at the end of the 19th century the Symbolist movement inspired artists to turn inwards to the unconscious mind, endeavouring to unveil the secrets of human nature through their symbolic art. But above all their greatest interest, and fear, was man (and woman's) sexuality. Building upon the traditions of Academic neoclassicism, but fired with a new zeal, they turned back to Greek art and myth for inspiration. That classical legacy was once again a vehicle for artists to express their dreams, ideas and revelries. And so too their anxieties. For at times the frightening spectre of the sexual unconscious drove them to a new and innovative engagement with antiquity, including in ways never before tried in the history of the classical tradition. The unnerving sirens of Gustave Moreau, unearthly heroines of Odilon Redon, or leering fauns of Felicien Rops all played their role, among others, in this novel and unprecedented chapter in that tradition. This book shows how in their painting, drawing and sculpture the Symbolists re-invented Greek statuary and transposed it to new and unwonted contexts, as the imaginary inner worlds of artists were mapped onto the landscapes of Greek myth. It shows how they made of the Greek body, whether female, male, androgyne or sexual other, at once an object of beauty, desire, fear, and - at times - of horror.
  symbolists and decadents: Decadence in the Age of Modernism Kate Hext, Alex Murray, 2019-07-16 The first holistic reappraisal of the significance of the decadent movement, from the 1900s through the 1930s. Decadence in the Age of Modernism begins where the history of the decadent movement all too often ends: in 1895. It argues that the decadent principles and aesthetics of Oscar Wilde, Walter Pater, Algernon Swinburne, and others continued to exert a compelling legacy on the next generation of writers, from high modernists and late decadents to writers of the Harlem Renaissance. Writers associated with this decadent counterculture were consciously celebrated but more often blushingly denied, even as they exerted a compelling influence on the early twentieth century. Offering a multifaceted critical revision of how modernism evolved out of, and coexisted with, the decadent movement, the essays in this collection reveal how decadent principles infused twentieth-century prose, poetry, drama, and newspapers. In particular, this book demonstrates the potent impact of decadence on the evolution of queer identity and self-fashioning in the early twentieth century. In close readings of an eclectic range of works by Virginia Woolf, James Joyce, and D. H. Lawrence to Ronald Firbank, Bruce Nugent, and Carl Van Vechten, these essays grapple with a range of related issues, including individualism, the end of Empire, the politics of camp, experimentalism, and the critique of modernity. Contributors: Howard J. Booth, Joseph Bristow, Ellen Crowell, Nick Freeman, Ellis Hanson, Kate Hext, Kirsten MacLeod, Kristin Mahoney, Douglas Mao, Michèle Mendelssohn, Alex Murray, Sarah Parker, Vincent Sherry
  symbolists and decadents: French Decadent Tales Stephen Romer, 2013-05-09 'He had become the dandy of the unpredictable.' A quest for new sensations, and an avowed desire to shock possessed the Decadent writers of fin-de-siècle Paris. The years 1880-1900 saw an extraordinary, hothouse flowering of talent, that produced some of the most exotic, stylized, and cerebral literature in the French language. While 'Decadence' was a European movement, its epicentre was the French capital. On the eve of Freud's early discoveries, writers such as Gourmont, Lorrain, Maupassant, Mirbeau, Richepin, Schwob, and Villiers engaged in a species of wild analysis of their own, perfecting the art of short fiction as they did so. Death and Eros haunt these pages, and a polymorphous perversity by turns hilarious and horrifying. Their stories teem with addicts, maniacs, and murderers as they strive to outdo each other. This newly translated selection brings together the very best writing of the period, from lesser known figures as well as famous names. Provocative and unsettling, these extraordinary, corrosive little tales continue to cast a cold eye on the modern world. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
  symbolists and decadents: Decadent Ecology in British Literature and Art, 1860–1910 Dennis Denisoff, 2021-12-16 Decadent Ecology illuminates the networks of nature, paganism, and desire in 19th- and early 20th-century decadent literature and art. Combining the environmental humanities with aesthetic, queer and literary theory, this study reveals the interplay of art, eco-paganism and science during the formation of modern ecological and evolutionary thought.
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