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| the agony of eros byung chul han: The Agony of Eros Byung-Chul Han, 2017-04-07 An argument that love requires the courage to accept self-negation for the sake of discovering the Other. Byung-Chul Han is one of the most widely read philosophers in Europe today, a member of the new generation of German thinkers that includes Markus Gabriel and Armen Avanessian. In The Agony of Eros, a bestseller in Germany, Han considers the threat to love and desire in today's society. For Han, love requires the courage to accept self-negation for the sake of discovering the Other. In a world of fetishized individualism and technologically mediated social interaction, it is the Other that is eradicated, not the self. In today's increasingly narcissistic society, we have come to look for love and desire within the “inferno of the same.” Han offers a survey of the threats to Eros, drawing on a wide range of sources—Lars von Trier's film Melancholia, Wagner's Tristan und Isolde, Fifty Shades of Grey, Michel Foucault (providing a scathing critique of Foucault's valorization of power), Martin Buber, Hegel, Baudrillard, Flaubert, Barthes, Plato, and others. Han considers the “pornographication” of society, and shows how pornography profanes eros; addresses capitalism's leveling of essential differences; and discusses the politics of eros in today's “burnout society.” To be dead to love, Han argues, is to be dead to thought itself. Concise in its expression but unsparing in its insight, The Agony of Eros is an important and provocative entry in Han's ongoing analysis of contemporary society. This remarkable essay, an intellectual experience of the first order, affords one of the best ways to gain full awareness of and join in one of the most pressing struggles of the day: the defense, that is to say—as Rimbaud desired it—the “reinvention” of love. —from the foreword by Alain Badiou |
| the agony of eros byung chul han: The Agony of Eros Byung-Chul Han, 2017-03-31 An argument that love requires the courage to accept self-negation for the sake of discovering the Other. Byung-Chul Han is one of the most widely read philosophers in Europe today, a member of the new generation of German thinkers that includes Markus Gabriel and Armen Avanessian. In The Agony of Eros, a bestseller in Germany, Han considers the threat to love and desire in today's society. For Han, love requires the courage to accept self-negation for the sake of discovering the Other. In a world of fetishized individualism and technologically mediated social interaction, it is the Other that is eradicated, not the self. In today's increasingly narcissistic society, we have come to look for love and desire within the “inferno of the same.” Han offers a survey of the threats to Eros, drawing on a wide range of sources—Lars von Trier's film Melancholia, Wagner's Tristan und Isolde, Fifty Shades of Grey, Michel Foucault (providing a scathing critique of Foucault's valorization of power), Martin Buber, Hegel, Baudrillard, Flaubert, Barthes, Plato, and others. Han considers the “pornographication” of society, and shows how pornography profanes eros; addresses capitalism's leveling of essential differences; and discusses the politics of eros in today's “burnout society.” To be dead to love, Han argues, is to be dead to thought itself. Concise in its expression but unsparing in its insight, The Agony of Eros is an important and provocative entry in Han's ongoing analysis of contemporary society. This remarkable essay, an intellectual experience of the first order, affords one of the best ways to gain full awareness of and join in one of the most pressing struggles of the day: the defense, that is to say—as Rimbaud desired it—the “reinvention” of love. —from the foreword by Alain Badiou |
| the agony of eros byung chul han: Shanzhai Byung-Chul Han, 2017-10-06 Tracing the thread of “decreation” in Chinese thought, from constantly changing classical masterpieces to fake cell phones that are better than the original. Shanzhai is a Chinese neologism that means “fake,” originally coined to describe knock-off cell phones marketed under such names as Nokir and Samsing. These cell phones were not crude forgeries but multifunctional, stylish, and as good as or better than the originals. Shanzhai has since spread into other parts of Chinese life, with shanzhai books, shanzhai politicians, shanzhai stars. There is a shanzhai Harry Potter: Harry Potter and the Porcelain Doll, in which Harry takes on his nemesis Yandomort. In the West, this would be seen as piracy, or even desecration, but in Chinese culture, originals are continually transformed—deconstructed. In this volume in the Untimely Meditations series, Byung-Chul Han traces the thread of deconstruction, or “decreation,” in Chinese thought, from ancient masterpieces that invite inscription and transcription to Maoism—“a kind a shanzhai Marxism,” Han writes. Han discusses the Chinese concepts of quan, or law, which literally means the weight that slides back and forth on a scale, radically different from Western notions of absoluteness; zhen ji, or original, determined not by an act of creation but by unending process; xian zhan, or seals of leisure, affixed by collectors and part of the picture's composition; fuzhi, or copy, a replica of equal value to the original; and shanzhai. The Far East, Han writes, is not familiar with such “pre-deconstructive” factors as original or identity. Far Eastern thought begins with deconstruction. |
| the agony of eros byung chul han: Psychopolitics Byung-Chul Han, 2025-06-24 Exploring how neoliberalism has discovered the productive force of the psyche Byung-Chul Han, a star of German philosophy, continues his passionate critique of neoliberalism, trenchantly describing a regime of technological domination that, in contrast to Foucault’s biopower, has discovered the productive force of the psyche. In the course of discussing all the facets of neoliberal psychopolitics fueling our contemporary crisis of freedom, Han elaborates an analytical framework that provides an original theory of Big Data and a lucid phenomenology of emotion. But this provocative essay proposes counter models too, presenting a wealth of ideas and surprising alternatives at every turn. |
| the agony of eros byung chul han: Topology of Violence Byung-Chul Han, 2018-04-20 One of today's most widely read philosophers considers the shift in violence from visible to invisible, from negativity to excess of positivity. Some things never disappear—violence, for example. Violence is ubiquitous and incessant but protean, varying its outward form according to the social constellation at hand. In Topology of Violence, the philosopher Byung-Chul Han considers the shift in violence from the visible to the invisible, from the frontal to the viral to the self-inflicted, from brute force to mediated force, from the real to the virtual. Violence, Han tells us, has gone from the negative—explosive, massive, and martial—to the positive, wielded without enmity or domination. This, he says, creates the false impression that violence has disappeared. Anonymized, desubjectified, systemic, violence conceals itself because it has become one with society. Han first investigates the macro-physical manifestations of violence, which take the form of negativity—developing from the tension between self and other, interior and exterior, friend and enemy. These manifestations include the archaic violence of sacrifice and blood, the mythical violence of jealous and vengeful gods, the deadly violence of the sovereign, the merciless violence of torture, the bloodless violence of the gas chamber, the viral violence of terrorism, and the verbal violence of hurtful language. He then examines the violence of positivity—the expression of an excess of positivity—which manifests itself as over-achievement, over-production, over-communication, hyper-attention, and hyperactivity. The violence of positivity, Han warns, could be even more disastrous than that of negativity. Infection, invasion, and infiltration have given way to infarction. |
| the agony of eros byung chul han: Good Entertainment Byung-Chul Han, 2019-10-08 A philosopher considers entertainment, in all its totalizing variety—infotainment, edutainment, servotainment—and traces the notion through Kant, Zen Buddhism, Heidegger, Kafka, and Rauschenberg. In Good Entertainment, Byung-Chul Han examines the notion of entertainment—its contemporary ubiquity, and its philosophical genealogy. Entertainment today, in all its totalizing variety, has an apparently infinite capacity for incorporation: infotainment, edutainment, servotainment, confrontainment. Entertainment is held up as a new paradigm, even a new credo for being—and yet, in the West, it has had inescapably negative connotations. Han traces Western ideas of entertainment, considering, among other things, the scandal that arose from the first performance of Bach's Saint Matthew's Passion (deemed too beautiful, not serious enough); Kant's idea of morality as duty and the entertainment value of moralistic literature; Heidegger's idea of the thinker as a man of pain; Kafka's hunger artist and the art of negativity, which takes pleasure in annihilation; and Robert Rauschenberg's refusal of the transcendent. The history of the West, Han tells us, is a passion narrative, and passion appears as a killjoy. Achievement is the new formula for passion, and play is subordinated to production, gamified. And yet, he argues, at their core, passion and entertainment are not entirely different. The pure meaninglessness of entertainment is adjacent to the pure meaning of passion. The fool's smile resembles the pain-racked visage of Homo doloris. In Good Entertainment, Han explores this paradox. |
| the agony of eros byung chul han: The Scent of Time BYUNG-CHUL. HAN, Han, 2017-09-08 |
| the agony of eros byung chul han: The Burnout Society Byung-Chul Han, 2015-08-12 Our competitive, service-oriented societies are taking a toll on the late-modern individual. Rather than improving life, multitasking, user-friendly technology, and the culture of convenience are producing disorders that range from depression to attention deficit disorder to borderline personality disorder. Byung-Chul Han interprets the spreading malaise as an inability to manage negative experiences in an age characterized by excessive positivity and the universal availability of people and goods. Stress and exhaustion are not just personal experiences, but social and historical phenomena as well. Denouncing a world in which every against-the-grain response can lead to further disempowerment, he draws on literature, philosophy, and the social and natural sciences to explore the stakes of sacrificing intermittent intellectual reflection for constant neural connection. |
| the agony of eros byung chul han: The Expulsion of the Other Byung-Chul Han, 2018-01-08 The days of the Other are over in this age of excessive communication, information and consumption. What used to be the Other, be it as friend, as Eros or as hell, is now indistinguishable from the self in our narcissistic desire to assimilate everything and everyone until there are no boundaries left. The result is a 'terror of the Same', lives in which we no longer pursue knowledge, insight and experience but are instead reduced to the echo chambers and illusory encounters offered by social media. In extreme cases, this feeling of disorientation and senselessness is compensated through self-harm, or even harming others through acts of terrorism. Byung-Chul Han argues that our times are characterized not by external repression but by an internal depression, whereby the destructive pressure comes not from the Other but from the self. It is only by returning to a society of listeners and lovers, by acknowledging and desiring the Other, that we can seek to overcome the isolation and suffering caused by this crushing process of total assimilation. |
| the agony of eros byung chul han: Non-things Byung-Chul Han, 2022-05-10 We no longer inhabit earth and dwell under the sky: these are being replaced by Google Earth and the Cloud. The terrestrial order is giving way to a digital order, the world of things is being replaced by a world of non-things – a constantly expanding ‘infosphere’ of information and communication which displaces objects and obliterates any stillness and calmness in our lives. Byung-Chul Han’s critique of the infosphere highlights the price we are paying for our growing preoccupation with information and communication. Today we search for more information without gaining any real knowledge. We communicate constantly without participating in a community. We save masses of data without keeping track of our memories. We accumulate friends and followers without encountering other people. This is how information develops a form of life that has no stability or duration. And as we become increasingly absorbed in the infosphere, we lose touch with the magic of things which provide a stable environment for dwelling and give continuity to human life. The infosphere may seem to grant us new freedoms but it creates new forms of control too, and it cuts us off from the kind of freedom that is tied to acting in the world. This new book by one of the most creative cultural theorists writing today will be of interest to a wide readership. |
| the agony of eros byung chul han: Saving Beauty Byung-Chul Han, 2017-11-13 Beauty today is a paradox. The cult of beauty is ubiquitous but it has lost its transcendence and become little more than an aspect of consumerism, the aesthetic dimension of capitalism. The sublime and unsettling aspects of beauty have given way to corporeal pleasures and 'likes', resulting in a kind of 'pornography' of beauty. In this book, cultural theorist Byung-Chul Han reinvigorates aesthetic theory for our digital age. He interrogates our preoccupation with all things slick and smooth, from Jeff Koon's sculptures and the iPhone to Brazilian waxing. Reaching far deeper than our superficial reactions to viral videos and memes, Han reclaims beauty, showing how it manifests itself as truth, temptation and even disaster. This wide-ranging and profound exploration of beauty, encompassing ethical and political considerations as well as aesthetic, will appeal to all those interested in cultural and aesthetic theory, philosophy and digital media. |
| the agony of eros byung chul han: All and Nothing Martin Burckhardt, Dirk Hofer, 2017-10-06 Why 1 = presence and 0 = absence and the digital world formula is x = xn: an exploration of meaning in a universe of infinite replication. In the beginning was the Zero, and the Zero was with God, and God was the One. —All and Nothing In 1854, the British mathematician George Boole presented the idea of a universe the elements of which could be understood in terms of the logic of absence and presence: 0 and 1, all and nothing—the foundation of binary code. The Boolean digits 0 and 1 do not designate a quantity. In the Boolean world, x times x always equals x; all and nothing meet in the formula x = xn. As everything becomes digitized, God the clockmaker is replaced by God the programmer. This book–described by its authors as “a theology for the digital world”—explores meaning in a digital age of infinite replication, in a world that has dissolved into information and achieved immortality by turning into a pure sign. All and Nothing compares information that spreads without restraint to a hydra—the mythological monster that grew two heads for every one that was cut off. Information is thousand-headed and thousand-eyed because Hydra's tracks cannot be deleted. It shows that when we sit in front of a screen, we are actually on the other side, looking at the world as an uncanny reminder of the nondigitized. It compares our personal data to our shadows and our souls, envisioning the subconscious laid out on a digital bier like a corpse. The digital world, the authors explain, summons forth fantasies of a chiliastic or apocalyptic nature. The goal of removing the representative from mathematics has now been achieved on a greater scale than Boole could have imagined. |
| the agony of eros byung chul han: The Transparency Society Byung-Chul Han, 2015-08-19 Transparency is the order of the day. It is a term, a slogan, that dominates public discourse about corruption and freedom of information. Considered crucial to democracy, it touches our political and economic lives as well as our private lives. Anyone can obtain information about anything. Everything—and everyone—has become transparent: unveiled or exposed by the apparatuses that exert a kind of collective control over the post-capitalist world. Yet, transparency has a dark side that, ironically, has everything to do with a lack of mystery, shadow, and nuance. Behind the apparent accessibility of knowledge lies the disappearance of privacy, homogenization, and the collapse of trust. The anxiety to accumulate ever more information does not necessarily produce more knowledge or faith. Technology creates the illusion of total containment and the constant monitoring of information, but what we lack is adequate interpretation of the information. In this manifesto, Byung-Chul Han denounces transparency as a false ideal, the strongest and most pernicious of our contemporary mythologies. |
| the agony of eros byung chul han: The Three Christs of Ypsilanti Milton Rokeach, 2011-04-19 On July 1, 1959, at Ypsilanti State Hospital in Michigan, the social psychologist Milton Rokeach brought together three paranoid schizophrenics: Clyde Benson, an elderly farmer and alcoholic; Joseph Cassel, a failed writer who was institutionalized after increasingly violent behavior toward his family; and Leon Gabor, a college dropout and veteran of World War II. The men had one thing in common: each believed himself to be Jesus Christ. Their extraordinary meeting and the two years they spent in one another’s company serves as the basis for an investigation into the nature of human identity, belief, and delusion that is poignant, amusing, and at times disturbing. Displaying the sympathy and subtlety of a gifted novelist, Rokeach draws us into the lives of three troubled and profoundly different men who find themselves “confronted with the ultimate contradiction conceivable for human beings: more than one person claiming the same identity.” |
| the agony of eros byung chul han: Carnal Thoughts Vivian Sobchack, 2004-10-02 A group of sophisticated essays on how we experience film with all fives senses--and our sense of history . |
| the agony of eros byung chul han: The Interior Silence Sarah Sands, 2022-03-03 Inspirational - The Daily Mail Sarah Sands has written about stillness with an eloquence that fizzes with vitality and wit. This wonderful book charts a journey to some of the most beautiful and tranquil places on earth, and introduces us to people whose inner peace is a balm for our troubled times. I loved every page of it. - Nicholas Hytner Suffering from information overload, unable to sleep, Sarah Sands, former editor of the BBC's Today programme, has tried many different strategies to de-stress... only to reject them because, as she says, all too often they threaten to become an exercise in self-absorption. Inspired by the ruins of an ancient Cistercian abbey at the bottom of her Norfolk garden, she begins to research the lives of the monks who once resided there, and realises how much we may have to learn from monasticism. Renouncing the world, monks and nuns have acquired a hidden knowledge of how to live: they labour, they learn and they acquire 'the interior silence'. This book is a quest for that hidden knowledge - a pilgrimage to ten monasteries round the world. From a Coptic desert community in Egypt to a retreat in the Japanese mountains, we follow Sands as she identifies the common characteristics of monastic life and the wisdoms to be learned from them; and as she discovers, behind the cloistered walls, a clarity of mind and an unexpected capacity for solitude which enable her, after years of insomnia, to experience that elusive, dreamless sleep. |
| the agony of eros byung chul han: The Mind-body Problem D. M. Armstrong, 2018-03-05 The relation of mind to body has been argued about by philosophers for centuries. The Mind-Body Problem: An Opinionated Introduction presents the problem as a debate between materialists about the mind and their opponents. After examining the views of Descartes, Hume, and Thomas Huxley the debate is traced through the twentieth century to present day. The emphasis is always on the arguments used and the way one position develops from another. By the end of the book the reader is afforded both a grasp of the state of the controversy and how we got there. |
| the agony of eros byung chul han: The Philosophy of Zen Buddhism Byung-Chul Han, 2022-11-14 Zen Buddhism is a form of Mahāyāna Buddhism that originated in China and is strongly focused on meditation. It is characteristically sceptical towards language and distrustful of conceptual thought, which explains why Zen Buddhist sayings are so enigmatic and succinct. But despite Zen Buddhism’s hostility towards theory and discourse, it is possible to reflect philosophically on Zen Buddhism and bring out its philosophical insights. In this short book, Byung-Chul Han seeks to unfold the philosophical force inherent in Zen Buddhism, delving into the foundations of Far Eastern thought to which Zen Buddhism is indebted. Han does this comparatively by confronting and contrasting the insights of Zen Buddhism with the philosophies of Plato, Leibniz, Fichte, Hegel, Schopenhauer, Nietzsche, Kierkegaard, Heidegger and others, showing that Zen Buddhism and Western philosophy have very different ways of understanding religion, subjectivity, emptiness, friendliness and death. This important work by one of the most widely read philosophers and cultural theorists of our time will be of great value to anyone interested in comparative philosophy and religion. |
| the agony of eros byung chul han: Thus Spoke Zarathustra Friedrich Nietzsche, 2024-08-27 Thus Spake Zarathustra is a foundational work of Western literature and is widely considered to be Friedrich Nietzsche’s masterpiece. It includes the German philosopher’s famous discussion of the phrase ‘God is dead’ as well as his concept of the Superman. Nietzsche delineates his Will to Power theory and devotes pages to critiquing Christian thinking, in particular Christianity’s definition of good and evil. |
| the agony of eros byung chul han: The Global Shelter Imaginary Andrew Herscher, Daniel Bertrand Monk, 2021-06-01 Examines how the humanitarian order advances a message of moral triumph and care while abandoning the dispossessed Prompted by a growing number of refugees and other displaced people, intersections of design and humanitarianism are proliferating. From the IKEA Foundation’s Better Shelter to Airbnb’s Open Homes program, the consumer economy has engaged the global refugee crisis with seemingly new tactics that normalize an institutionally sanctioned politics of evasion. Exploring “the global shelter imaginary,” this book charts the ways shelter functions as a form of rightless relief that expels recognition of the rights of the displaced and advances political paradoxes of displacement itself. |
| the agony of eros byung chul han: A Tractate on Japanese Aesthetics Donald Richie, 2009-02-01 Sure to be a classic, Donald Richie's concise, profound insights into the mysteries of Japanese |
| the agony of eros byung chul han: The Radical Fool of Capitalism Christian Welzbacher, 2018-04-20 A fresh interpretation of Jeremy Bentham, finding that his “radical foolery” embodied a social ethics that was revolutionary for its time. Jeremy Bentham (1748–1832) is best remembered today as the founder of utilitarianism (a philosophy infamously abused by the Victorians) and the conceiver of the Panopticon, the circular prison house in which all prisoners could be seen by an unseen observer—later seized upon by Michel Foucault as the apotheosis of the neoliberal control society. In this volume in the Untimely Meditation series, Christian Welzbacher offers a new interpretation of Bentham, arguing that his “radical foolery” (paraphrasing Goethe's characterization of Bentham) actually embodied a social ethics that was new for its time and demands proper historical contextualization rather than retroactive analysis from the vantage point of late capitalism. Welzbacher provides just such an analysis, offering an account of the two great utilitarian projects that occupied Bentham all his life: the Panopticon and the Auto-Icon. Welzbacher rescues the Panopticon from the misapprehensions of Foucault, Orwell, and Lacan, arguing that Bentham saw the Panopticon as a pedagogical instrument incorporating the tenets of reason; construction and function, plan and influence, architecture and politics are brought into alignment. Bentham extolled the discovery in words that could easily be ascribed to Le Corbusier, Bruno Taut, or any other modernist architect. The Auto-Icon expressed Bentham's theories that the dead should benefit later generations; these theories were effectively sealed when Bentham decided to have his body preserved and put on display. (It can be seen today in a cabinet at University College London.) He also donated his inner organs to science—a practice outlawed at the time—and posthumously stage-managed his own ceremonial autopsy. Welzbacher reveals a Bentham who raised questions that feel familiar and current, invoking topoi that would come to define the modern era and that reverberate to this day. |
| the agony of eros byung chul han: The Double Flame Octavio Paz, 1996 A collection of essays examines the themes of love and sex in literature, from Plato to modern fiction. |
| the agony of eros byung chul han: Infocracy Byung-Chul Han, 2022-07-19 The tsunami of information unleashed by digitization is threatening to overwhelm us, drowning us in a sea of frenzied communication and disrupting many spheres of social life, including politics. Election campaigns are now being waged as information wars with bots and troll armies, and democracy is degenerating into infocracy. In this new book, Byung-Chul Han argues that infocracy is the new form of rule characteristic of contemporary information capitalism. Whereas the disciplinary regime of industrial capitalism worked with compulsion and repression, this new information regime exploits freedom instead of repressing it. Surveillance and punishment give way to motivation and optimization: we imagine that we are free, but in reality our entire lives are recorded so that our behaviour might be psychopolitically controlled. Under the neoliberal information regime, mechanisms of power function not because people are aware of the fact of constant surveillance but because they perceive themselves to be free. This trenchant critique of politics in the information age will be of great interest to students and scholars in the humanities and social sciences and to anyone concerned about the fate of politics in our time. |
| the agony of eros byung chul han: German Philosophy Alain Badiou, Jean-Luc Nancy, 2018-09-18 Two eminent French philosophers discuss German philosophy—including the legacy of Kant, Hegel, Nietzsche, Adorno, Fichte, Marx, and Heidegger—from a French perspective. In this book, Alain Badiou and Jean-Luc Nancy, the two most important living philosophers in France, discuss German philosophy from a French perspective. Written in the form of a dialogue, and revised and expanded from a 2016 conversation between the two philosophers at the Universität der Künste Berlin, the book offers not only Badiou's and Nancy's reinterpretations of German philosophers and philosophical concepts, but also an accessible introduction to the greatest thinkers of German philosophy. Badiou and Nancy discuss and debate such topics as the legacies of Kant, Hegel, and Marx, as well as Nietzsche, Adorno, Fichte, Schelling, and the unavoidable problem of Heidegger and Nazism. The dialogue is contentious, friendly, and often quotable, with strong—at times passionate—positions taken by both Badiou and Nancy, who find themselves disagreeing over Kant, for example, and in unexpected agreement on Marx, for another. What does it mean, then, to conduct a dialogue on German philosophy from a French perspective? As volume editor Jan Völker observes, “German philosophy” and “French philosophy” describe complex constellations that, despite the reference to nation-states and languages, above all encompass shared concepts and problems—although these take a range of forms. Perhaps they can reveal their essential import only in translation. |
| the agony of eros byung chul han: Hegel in A Wired Brain Slavoj Žižek, 2020-06-25 Slavoj Žižek gives us a reading of a philosophical giant that changes our way of thinking about our new posthuman era. No ordinary study of Hegel, Hegel in a Wired Brain investigates what he might have had to say about the idea of the 'wired brain' – what happens when a direct link between our mental processes and a digital machine emerges. Žižek explores the phenomenon of a wired brain effect, and what might happen when we can share our thoughts directly with others. He hones in on the key question of how it shapes our experience and status as 'free' individuals and asks what it means to be human when a machine can read our minds. With characteristic verve and enjoyment of the unexpected, Žižek connects Hegel to the world we live in now, shows why he is much more fun than anyone gives him credit for, and why the 21st century might just be Hegelian. |
| the agony of eros byung chul han: The Terror of Evidence Marcus Steinweg, 2017-04-07 Meditations, maxims, aphorisms, notes, and comments address topics that range from pathos and genius to careerism and club sandwiches. Marcus Steinweg's capacity to implicate the other is beautiful, bright, precise, and logical, grounded in everyday questions, which to him are always big questions. —from the foreword by Thomas Hirschhorn The houses of philosophy need not be palaces. —Marcus Steinweg, “House,” The Terror of Evidence This is the first book by the prolific German philosopher Marcus Steinweg to be available in English translation. The Terror of Evidence offers meditations, maxims, aphorisms, notes, and comments—191 texts ranging in length from three words to three pages—the deceptive simplicity of which challenges the reader to think. “Thinking means getting lost again and again,” Steinweg observes. Reality is the ever-broken promise of consistency; “the terror of evidence” arises from the inconsistency before our eyes. Thinking is a means of coping with that inconsistency. Steinweg is known for his collaborations with Thomas Hirschhorn and the lectures and texts he has provided for many of Hirschhorn's projects. This translation of The Terror of Evidence includes a foreword by Hirschhorn written especially for the MIT Press edition. The subjects of these short texts vary widely. (“The table of contents is in itself excessive and ambitious,” writes Hirschhorn.) They include pathos, passivity, genius, resentment, love, horror, catastrophe, and racism. And club sandwiches (specifically, Foucault's love for this American specialty), blow jobs, and dance. Also: “Two Kinds of Obscurantism,” “Putting Words in Spinoza's Mouth,” “Note on Rorty,” and “Doubting Doubt.” The Terror of Evidence can be considered a guidebook to thinking: the daily journey of exploration, the incessant questioning of reality that Steinweg sees as the task of philosophy. |
| the agony of eros byung chul han: Disappear Doppelgänger Disappear Matthew Salesses, 2020-08-11 From the bestselling author of The Hundred-Year Flood comes an incredibly entertaining and profoundly affecting tour de force about a Korean American man's strange and ordinary attempts to exist. Matt Kim is always tired. He keeps passing out. His cat is dead. His wife and daughter have left him. He's estranged from his adoptive family. People bump into him on the street as if he isn't there. He is pretty sure he's disappearing. His girlfriend, Yumi, is less convinced. But then she runs into someone who looks exactly like her, and her doppelgänger turns out to have dated someone who looks exactly like Matt. Except the other Matt was superior in every way. He was clever, successful, generous, and beloved--until one day he suddenly and completely vanished without warning. How can Matt Kim protect his existence when a better version of him wasn't able to? Or is his worse life a reason for his survival? Set in a troubling time in which a presidential candidate is endorsed by the KKK and white men in red hats stalk Harvard Square, Disappear Doppelgänger Disappear is a haunting and frighteningly funny novel about Asian American stereotypes, the desires that make us human, puns, and what happens to the self when you have to become someone else to be seen. |
| the agony of eros byung chul han: Letting Go David R. Hawkins, M.D., Ph.D., 2014-01-15 This groundbreaking bestseller describes a simple and effective way to let go of challenges from world-renowned author, psychiatrist, clinician, spiritual teacher, and researcher of consciousness, David R. Hawkins, M.D., Ph.D. “Letting Go” is a guide to helping to remove the obstacles we all have that keep us from living a more conscious life, it is truly a life-changing book. Many of us have trouble Letting Go in our lives even though it can have profound impact on our life.” —Wayne Dyer During the many decades of Dr. David Hawkins’, clinical psychiatric practice, the primary aim was to seek the most effective ways to relieve human suffering in all of its many forms. In Letting Go, he shares from his clinical and personal experience that surrender is the surest route to total fulfillment. This motivational book provides a mechanism for letting go of blocks to happiness, love, joy, success, health, and ultimately Enlightenment. The mechanism of surrender that Dr. Hawkins describes can be done in the midst of everyday life. The book is equally useful for all dimensions of human life: physical health, creativity, financial success, emotional healing, vocational fulfillment, relationships, sexuality and spiritual growth. It is an invaluable resource for all professionals who work in the areas of mental health, psychology, medicine, self-help, addiction recovery and spiritual development. Letting go is one of the most efficacious tools by which to reach spiritual goals. — David Hawkins, M.D., Ph.D. This profound self-development book offers a roadmap to release emotional burdens, unlock inner peace, and embrace a life of fulfillment. It is a classic that will help you break free from limitations and unlock your true potential. Learn how to navigate challenges with grace and emerge as a stronger, more resilient version of yourself. By incorporating the principles of surrender, Letting Go provides practical tools for personal growth and transformation. This consciousness-expanding book will help you: · Release past traumas, negative beliefs, and self-imposed limitations. · Experience a newfound sense of freedom, joy, and authenticity. · Recover from addiction · Enhance your personal relationships · Achieve success in your career Join millions who have experienced profound transformations through the principles outlined in Letting Go. Letting Go is a must-read for anyone on a quest for personal growth, spirituality, and self-improvement. Whether you're new to the realm of self-help books or a seasoned seeker, Dr. David Hawkins' insights will inspire you to embrace a life of conscious living, emotional well-being, positive thinking, and unlimited possibilities. Experience the transformative power of letting go and unlock a life of healing, success, and spiritual growth. |
| the agony of eros byung chul han: Meditations and Other Metaphysical Writings René Descartes, 2003-08-28 Of all the works of the man claimed by many as the father of modern philosophy, the MEDITATIONS, first published in 1641, must surely be Rene Descartes' masterpiece. This volume consists of not only a new translation of the original Latin text and the expanded objections and replies, but also includes selected correspondence and other metaphysical writings from the period 1641-49. |
| the agony of eros byung chul han: On Hitler's Mein Kampf Albrecht Koschorke, 2017-04-07 An examination of the narrative strategies employed in the most dangerous book of the twentieth century and a reflection on totalitarian literature. Hitler's Mein Kampf was banned in Germany for almost seventy years, kept from being reprinted by the accidental copyright holder, the Bavarian Ministry of Finance. In December 2015, the first German edition of Mein Kampf since 1946 appeared, with Hitler's text surrounded by scholarly commentary apparently meant to act as a kind of cordon sanitaire. And yet the dominant critical assessment (in Germany and elsewhere) of the most dangerous book of the twentieth century is that it is boring, unoriginal, jargon-laden, badly written, embarrassingly rabid, and altogether ludicrous. (Even in the 1920s, the consensus was that the author of such a book had no future in politics.) How did the unreadable Mein Kampf manage to become so historically significant? In this book, German literary scholar Albrecht Koschorke attempts to explain the power of Hitler's book by examining its narrative strategies. Koschorke argues that Mein Kampf cannot be reduced to an ideological message directed to all readers. By examining the text and the signals that it sends, he shows that we can discover for whom Hitler strikes his propagandistic poses and who is excluded. Koschorke parses the borrowings from the right-wing press, the autobiographical details concocted to make political points, the attack on the Social Democrats that bleeds into an anti-Semitic conspiracy theory, the contempt for science, and the conscious attempt to trigger outrage. A close reading of National Socialism's definitive text, Koschorke concludes, can shed light on the dynamics of fanaticism. This lesson of Mein Kampf still needs to be learned. |
| the agony of eros byung chul han: Some Beheadings Aditi Machado, 2017 A stunning debut collection that examines the geophilosophy of lyric poetry |
| the agony of eros byung chul han: Secrets of Space Clearing Denise Linn, 2021-01-26 Learn mystical methods for clearing and uplifting the energy in your home, including feng shui, clearing clutter (physical, emotional, or spiritual), essential oils, and crystals. Space clearing is the art of cleansing and harmonizing the energy within an environment. This ancient practice has the power to not only make your home feel good but also help those within to feel more positive and energetic, to bring balance to relationships, and to remove blocks for increased abundance, creativity, and well-being. In this comprehensive guide to space clearing, internationally best-selling author Denise Linn distills more than 50 years of experience as a leading authority in energy healing to guide you through sacred ceremonies and modern techniques for regaining control of the energy in any environment, including your home and your body. You'll learn how to transform any space using feng shui, clutter clearing, prayer, crystals, essential oils, mystic mudras, holy water, pendulums, and more! |
| the agony of eros byung chul han: The Romance of Grace Jim Iii McNeely, 2013-02 |
| the agony of eros byung chul han: Lyric Time Sharon Cameron, 1979 Lyric Time offers a detailed critical reading of a particularly difficult poet, an analysis of the dominance of temporal structures and concerns in the body of her poetry, and finally, an important original contribution to a theory of the lyric. Poised between analysis of Emily Dickinson's poetic texts and theoretical inquiry, Lyric Time suggests that the temporal problems of Dickinson's poems are frequently exaggerations of the features that distinguish the lyric as a genre. It is precisely the distance some of Dickinson's poems go toward the far end of coherence, precisely the outlandishness of their extremity, that allows us to see, magnified, the fine workings of more conventional lyrics, writes Sharon Cameron. Lyric Time is written for the literary audience at large—Dickinsonians, romanticists, theorists, anyone interested in American poetry, or in poetry at all, and especially anyone who admires a risky book that succeeds. |
| the agony of eros byung chul han: Two Concepts of Liberty Isaiah Berlin, 1961 |
| the agony of eros byung chul han: Sex God Method - 2nd Edition Daniel Rose, |
| the agony of eros byung chul han: Architecture in the Age of Pornography Nadir Lahiji, 2021-09-30 Architecture, and its pedagogy in the academy, is dominated by the technology of image production that veils the ‘naked power’ behind its operation. It conforms to the principles of cultural logic of the society of the spectacle, consistent with neoliberal capitalism. The problem with this dominant pedagogy is that it violates the fundamental ethical imperative, putting architecture in direct contradiction with the ‘common good’. In addition, it has let architecture enter the brothel of pornographic capitalism which turns every object into an object of obscene gratification of the senses. In this book, Nadir Lahiji adopts Alain Badiou’s thesis from The Pornographic Age to demonstrate that contemporary architecture is in absolute complicity with the pornographic present. The traits that Badiou identifies in this age are manifestly visible in architectural surfaces which are subordinated to the same ‘regime of images’. Similarly to Badiou’s political indictments of the society which has given rise to the pornographic present, the book condemns the architecture that has lent its service to the same society with a license to consummate its transgression to better cater to the imperative of the ‘regime of images’. Transposing the conceptual categories in Badiou’s analysis to the critique of architecture’s pornographic turn in contemporary society, the book constructs a conceptual framework by which to demonstrate the specific manifestations of pornography in building. The book is aimed at architecture students at higher graduate and post-graduate levels. |
| the agony of eros byung chul han: In the Swarm Byung-Chul Han, 2017-04-07 A prominent German thinker argues that—contrary to “Twitter Revolution” cheerleading—digital communication is destroying political discourse and political action. The shitstorm represents an authentic phenomenon of digital communication. —from In the Swarm Digital communication and social media have taken over our lives. In this contrarian reflection on digitized life, Byung-Chul Han counters the cheerleaders for Twitter revolutions and Facebook activism by arguing that digital communication is in fact responsible for the disintegration of community and public space and is slowly eroding any possibility for real political action and meaningful political discourse. In the predigital, analog era, by the time an angry letter to the editor had been composed, mailed, and received, the immediate agitation had passed. Today, digital communication enables instantaneous, impulsive reaction, meant to express and stir up outrage on the spot. “The shitstorm,” writes Han, ”represents an authentic phenomenon of digital communication.” Meanwhile, the public, the senders and receivers of these communications have become a digital swarm—not a mass, or a crowd, or Negri and Hardt's antiquated notion of a “multitude,” but a set of isolated individuals incapable of forming a “we,” incapable of calling dominant power relations into question, incapable of formulating a future because of an obsession with the present. The digital swarm is a fragmented entity that can focus on individual persons only in order to make them an object of scandal. Han, one of the most widely read philosophers in Europe today, describes a society in which information has overrun thought, in which the same algorithms are employed by Facebook, the stock market, and the intelligence services. Democracy is under threat because digital communication has made freedom and control indistinguishable. Big Brother has been succeeded by Big Data. |
| the agony of eros byung chul han: Positive Nihilism Hartmut Lange, 2017-10-06 A German writer's aphoristic, poetic, and difficult reflections on Heidegger's Being and Time. There is a beyond of reason and unreason. It is the human psyche. —Positive Nihilism Like many German intellectuals, Hartmut Lange has long grappled with Heidegger. Positive Nihilism is the result of a lifetime of reading Being and Time and offers a series of reflections that are aphoristic, poetic, and (appropriately, considering his object of study) difficult. Lange begins with an abyss (“There is an abyss of the finite. It is temporality”) and proceeds almost immediately to extremity: “The twentieth century was governed by psychopaths. They collapsed the boundaries of moral reason and refuted Kant's analysis of consciousness.” He reflects further: “But who shall punish whom? One man's virtue is another man's crime. Thus Hitler could feel unwaveringly, as he wiped out entire populations, the starry sky above him and the moral law within him, as stipulated by Kant.” He considers the concept of civilization (“misleading”; “how should one oppose the remedies of civilization to the egomania, the murderous appetites of such outright psychopaths as Stalin or Pol Pot?”), the act of thinking (a fata morgana), the psyche, and Heidegger's Dasein. Positive Nihilism can be considered a pocket companion to Being and Time. “Heidegger's understanding of Being is nihilistic,” Lange writes, and then explains his assertion. He draws on Kant, Nietzsche, Kierkegaard, and Shakespeare's Othello for supporting arguments and illustrations. “Everyone is possessed of the courage to have angst about death. The question is whether this courage necessarily secures those vital advantages Heidegger alleges”–that “self-understanding [is] the mental anticipation of death.” Lange wrestles with Heidegger's position, calling on Tolstoy, Georg Trakl, Herman Bang, and Heinrich von Kleist to argue against it. |
AGONY Definition & Meaning - Merriam-Webster
The meaning of AGONY is intense pain of mind or body : anguish, torture. How to use agony in a sentence. Did you know? Synonym Discussion of Agony.
AGONY | English meaning - Cambridge Dictionary
A trial would prolong the agony of the victim's family. Four players had to endure the agony of missing a penalty. His two daughters were in agonies of embarrassment. Not knowing what …
AGONY definition and meaning | Collins English Dictionary
4 meanings: 1. acute physical or mental pain; anguish 2. the suffering or struggle preceding death 3. → See pile on the agony.... Click for more definitions.
agony noun - Definition, pictures, pronunciation and usage notes ...
Definition of agony noun from the Oxford Advanced Learner's Dictionary. extreme physical or mental pain. in agony Jack collapsed in agony on the floor. in an agony of something She …
Agony - definition of agony by The Free Dictionary
agony - intense feelings of suffering; acute mental or physical pain; "an agony of doubt"; "the torments of the damned"
Agony - Definition, Meaning & Synonyms - Vocabulary.com
The noun agony means acute pain — either mental or physical, but people often use the word hyperbolically: "This paper cut is agony."
AGONY Synonyms: 106 Similar and Opposite Words - Merriam-Webster
Synonyms for AGONY: nightmare, misery, torture, horror, torment, murder, hell, curse; Antonyms of AGONY: heaven, joy, pleasure, delight, recreation, entertainment, fun, paradise
AGONY Definition & Meaning | Dictionary.com
Agony is extreme pain or suffering, especially the kind that lasts for a long time. The word anguish is a close synonym. Agony can be physical or emotional.
What does Agony mean? - Definitions.net
Agony is a state of extreme physical or mental pain, suffering, or distress. It can also refer to an intense or violent struggle or conflict.
Meaning of agony – Learner’s Dictionary - Cambridge Dictionary
AGONY definition: extreme suffering, either physical or mental: . Learn more.
AGONY Definition & Meaning - Merriam-Webster
The meaning of AGONY is intense pain of mind or body : anguish, torture. How to use agony in a sentence. Did you know? Synonym Discussion of Agony.
AGONY | English meaning - Cambridge Dictionary
A trial would prolong the agony of the victim's family. Four players had to endure the agony of missing a penalty. His two daughters were in agonies of embarrassment. Not knowing what …
AGONY definition and meaning | Collins English Dictionary
4 meanings: 1. acute physical or mental pain; anguish 2. the suffering or struggle preceding death 3. → See pile on the agony.... Click for more definitions.
agony noun - Definition, pictures, pronunciation and usage notes ...
Definition of agony noun from the Oxford Advanced Learner's Dictionary. extreme physical or mental pain. in agony Jack collapsed in agony on the floor. in an agony of something She …
Agony - definition of agony by The Free Dictionary
agony - intense feelings of suffering; acute mental or physical pain; "an agony of doubt"; "the torments of the damned"
Agony - Definition, Meaning & Synonyms - Vocabulary.com
The noun agony means acute pain — either mental or physical, but people often use the word hyperbolically: "This paper cut is agony."
AGONY Synonyms: 106 Similar and Opposite Words - Merriam-Webster
Synonyms for AGONY: nightmare, misery, torture, horror, torment, murder, hell, curse; Antonyms of AGONY: heaven, joy, pleasure, delight, recreation, entertainment, fun, paradise
AGONY Definition & Meaning | Dictionary.com
Agony is extreme pain or suffering, especially the kind that lasts for a long time. The word anguish is a close synonym. Agony can be physical or emotional.
What does Agony mean? - Definitions.net
Agony is a state of extreme physical or mental pain, suffering, or distress. It can also refer to an intense or violent struggle or conflict.
Meaning of agony – Learner’s Dictionary - Cambridge Dictionary
AGONY definition: extreme suffering, either physical or mental: . Learn more.
