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| swift satire on science in gulliver travels: Gulliver's Travels Jonathan Swift, 2011-08-01 |
| swift satire on science in gulliver travels: Swift's Satire on Science in Gulliver's Travels Michael J. Larsen, Dalhousie University. Department of English, 1968 |
| swift satire on science in gulliver travels: Politics vs. Literature George Orwell, 2021-01-01 George Orwell set out 'to make political writing into an art', and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell's essays seeks to bring a wider selection of his writing on politics and literature to a new readership. Politics vs. Literature, the fourth in the Orwell's Essays series, is, at heart, a review of Jonathan Swift's Gulliver's Travels. Having been given a copy of the book on his eighth birthday, Orwell knows it inside out, and thinks highly of it; it is 'pessimistic', though, he says – 'it descends into political partisanship of a narrow kind,' designed to 'humiliate man by reminding him that he is weak and ridiculous.' Using the book as an example of enjoying a book whose author one cannot stand, Orwell goes on to say that he considers Gulliver's Travels a work of art, leaving the reader to reconsider the books on their own shelves. |
| swift satire on science in gulliver travels: Gulliver's Travels Jonathan Swift, 2006 An Englishman becomes shipwrecked in various lands on four different voyages. |
| swift satire on science in gulliver travels: The New Atlantis , 2005 |
| swift satire on science in gulliver travels: Philosophy Between the Lines Arthur M. Melzer, 2014-09-09 “Shines a floodlight on a topic that has been cloaked in obscurity . . . a landmark work in both intellectual history and political theory” (The Wall Street Journal). Philosophical esotericism—the practice of communicating one’s unorthodox thoughts “between the lines”—was a common practice until the end of the eighteenth century. Despite its long and well-documented history, however, esotericism is often dismissed today as a rare occurrence. But by ignoring esotericism, we risk cutting ourselves off from a full understanding of Western philosophical thought. Walking readers through both an ancient (Plato) and a modern (Machiavelli) esoteric work, Arthur M. Melzer explains what esotericism is—and is not. It relies not on secret codes, but simply on a more intensive use of familiar rhetorical techniques like metaphor, irony, and insinuation. Melzer explores the various motives that led thinkers in different times and places to engage in this strange practice, while also exploring the motives that lead more recent thinkers not only to dislike and avoid this practice but to deny its very existence. In the book’s final section, “A Beginner’s Guide to Esoteric Reading,” Melzer turns to how we might once again cultivate the long-forgotten art of reading esoteric works. The first comprehensive, book-length study of the history and theoretical basis of philosophical esotericism, Philosophy Between the Lines is “a treasure-house of insight and learning. It is that rare thing: an eye-opening book . . . By making the world before Enlightenment appear as strange as it truly was, [Melzer] makes our world stranger than we think it is” (George Kateb, Professor of Politics, Emeritus, at Princeton University). “Brilliant, pellucid, and meticulously researched.” —City Journal |
| swift satire on science in gulliver travels: Gulliver's Travels Jonathan Swift, 2010 Gulliver's Travels by Jonathan Swift is one of the greatest satirical works ever written. Through the misadventures of Lemuel Gulliver, his hopelessly modern protagonist, Swift exposes many of the follies of the English Enlightenment, from its worship of science to its neglect of traditional philosophy and theology. In Swift's eighteenth century, as in our twenty-first, a war being fought between the ancientsand the moderns, between those rooted in the traditions of the West and those seeking to uproot tradition to make way for dangerous and ultimatcly destructive new ideas. Swift's satire on the threats posed by the Enlightenment and the embryonic spirit of secular fundamentalism makes Gulliver's Travels priceless reading for today's defenders of tradition. Yet Swift's subtlety has bemused many modern critics, with the lamentable of result that this classic of western civilization is often misread and misunderstood. This new critical edition, edited by Dutton kearney of Aquinas College in Nashville, contains detailed notes to the text, bringing it to life for today's reader, and a selection of tradition-oriented essays by some of the finest contemporay Swift scholars. The Ignatius Critical Editions Series represents a tradition-oriented approach to reading the Classics of world literature. While many modern critical editions have succumbed to the fads of modernism and post-modernism, this series concentrates on critical examinations informed by our Judco-Christian heritage as passed down through the ages---the same heritage that provided the crucible in which the great authors formed these classic works. Edited by acclaimed literary biographer Joseph Pearce, the lgnatius Critical Editions ensure that readings of the works are filtered through the richness of Western tradition, meeting the authors in their clement, instead of the currently popular method of deconstructing a classic to fit a modern mindsct---a lamentable flaw that often proliferates in other series of critical editions. The Series is ideal for anyone wishing to understand the great works of Western Civilization, enabling the modern reader to enjoy these classics in the company of some of the finest literature professors alive today. |
| swift satire on science in gulliver travels: Gulliver's Travels - Jonathan Swift, New Edition Harold Bloom, 2009 Presents a collection of essays analyzing Jonathan Swift's Gulliver's travels, including a chronology of the author's works and life. |
| swift satire on science in gulliver travels: The Annotated Jonathan Swift, 1980 The voyages of an Englishman carry him to such strange places of Lilliput, a land of people six inches high, Brobdingnag, a land of giants, and Glubbdubdrib, an island of sorcerers. |
| swift satire on science in gulliver travels: Jonathan Swift Leo Damrosch, 2013-11-05 From a master biographer and leading scholar of eighteenth-century literature comes an award-winning new portrait of the greatest satirist in the English language Jonathan Swift is best remembered today as the author of Gulliver’s Travels, the satiric fantasy that quickly became a classic and has remained in print for nearly three centuries. Yet Swift also wrote many other influential works, was a major political and religious figure in his time, and became a national hero, beloved for his fierce protest against English exploitation of his native Ireland. What is really known today about the enigmatic man behind these accomplishments? Can the facts of his life be separated from the fictions? In this deeply researched biography, Leo Damrosch draws on discoveries made over the past thirty years to tell the story of Swift’s life anew. Probing holes in the existing evidence, he takes seriously some daring speculations about Swift’s parentage, love life, and various personal relationships and shows how Swift’s public version of his life—the one accepted until recently—was deliberately misleading. Swift concealed aspects of himself and his relationships, and other people in his life helped to keep his secrets. Assembling suggestive clues, Damrosch re-narrates the events of Swift’s life while making vivid the sights, sounds, and smells of his English and Irish surroundings.Through his own words and those of a wide circle of friends, a complex Swift emerges: a restless, combative, empathetic figure, a man of biting wit and powerful mind, and a major figure in the history of world letters. |
| swift satire on science in gulliver travels: Voyage to Kazohinia Sandor Szathmari, 2012-07-24 A page-turning dystopian classic that stands alongside Brave New World and Gulliver's Travels. Voyage to Kazohinia is a tour de force of twentieth-century literature--and it is here published in English for the first time outside of Hungary. Sándor Szathmári's comical novel chronicles the travels of a modern Gulliver on the eve of World War II. A shipwrecked English ship's surgeon finds himself on an unknown island whose inhabitants, the Hins, live a technologically advanced existence without emotions, desires, arts, money, or politics. Soon unhappy amid this bleak perfection, Gulliver asks to be admitted to the closed settlement of the Behins, beings with souls and atavistic human traits. He has seen nothing yet. A massively entertaining mix of satire and science fiction, Voyage to Kazohinia has seen half a dozen editions in Hungary in the seventy years since its original publication and remains the country's most popular cult classic. From the Trade Paperback edition. |
| swift satire on science in gulliver travels: Swift as Nemesis Frank T. Boyle, 2000 With much of the intellectual discourse of the last several decades concerned with reconsiderations of modernity, how do we read the works of Jonathan Swift, who ridiculed the modern even as it was taking shape? The author approaches the question of modernity in Swift by way of a theory of satire from Aristotle via Swift (and Bakhtin) that eschews modern notions that satire is meant to reform and correct. Linking satire to Nemesis, the goddess of righteous vengeance, Swift as Nemesis develops new readings of Swift's major satires. From his first published work, Swift associates the modern with the new science and represents modernity as a pernicious strain of narcissism that devalues humanistic discourse. In his early satires, he compiles a profane history of the modern in which the new philosophy is an extension of the methodology of alchemists, the debased Roman Catholic Church, and the various Puritan sects. This history culminates in A Tale of a Tub with an assault on the intellectual basis of that most formidable of all modern works, Newton's Principia. In Gulliver's Travels, Swift attacks modern culture while aiming at individual readers. Novelistic identification with Gulliver's narcissism (beginning with masturbation and encompassing various scatological observations) implicates readers in the larger cultural critique in which Gulliver, paralleling Narcissus, rejects cultures he encounters until he embraces a cultural image that destroys him. The wider cultural implications of Swift's work are evident in the way he uses travel as a metaphor to link the inhuman consequences of European imperialism with the discoveries of the new science. Finally, Swift's works, like the mirror Nemesis uses to destroy Narcissus, are shown to return the narcissistic projections of critics. Recognizing that Narcissus and Echo have become important to the critique of modernism, the author argues that readers will find it useful now to turn to the contextualizing role of Nemesis. She emerges from Swift's critically irreducible satire with an ironic claim on modernity itself. |
| swift satire on science in gulliver travels: Swift's Angers Claude Rawson, 2014-10-23 A study of the brilliant satirist and polemicist Jonathan Swift, by one of the foremost scholars of our time. |
| swift satire on science in gulliver travels: The Spectacle of the Growth of Knowledge and Swift's Satires on Science Beat Affentranger, 2000 This is a revisionist study of seventeenth- and eighteenth-century satires on science with an emphasis on the writings of Jonathan Swift and, to a lesser degree, Samuel Butler and other satirists. To say, as some literary commentators do, that the satirists attacked only pseudo-scientists who failed to employ the empirical method properly is to beg a crucial question: how could the satirists possibly have distinguished the genuine scientist from the crank? By a failsafe set of Baconian principles perhaps? No, the matter is more complicated. I read the satiric literature on early modern science against a totally different understanding of what science is, how it came into being, and how it developed. Satire has a decided advantage over scientific discourse. It can rely on common sense; scientific discourse often cannot. There is always a counter-intuitive element in the genuinely new. New knowledge is in some ways always at odds with received assumptions of what is possible, reasonable, or probable. Satire on science, I suggest, can be seen as a systematic exploitation of that gap of plausibility. Natural philosophers of the late seventeenth- and early eighteenth-century were keenly aware of their discursive disadvantage and at times even hesitated to publish their material. They feared the satirists and the wits, who they knew would find it easy to debunk their work on commonsense grounds. But commonsense and laughter are unreliable yardsticks for measuring scientific merit. Ironically, the satirists and the natural philosophers shared some of the most fundamental epistemological assumptions of early English empiricism, for instance, the stereotypical Baconian assumption that knowledge about nature would come to us unambiguously once the mind was freed from preconception and bias. It is an assumption about scientific method that is decidedly hostile towards speculative hypothesising. Indeed, the motto of the day was not bold speculation and learning from error, but avoiding error at all costs. Yet in practice, error (or what appeared to be erroneous) was of course frequent; for science is an essentially speculative enterprise. Natural philosophers of the early modern period, however, were embarrassed by their failures and tried to explain them away. The satirists, on the other hand, could prey on these mistakes and conclude that the work of the natural philosophers was purely speculative. The reason for this rigid, anti-speculative epistemological stance, I argue, was a religious one, having to do with the conception of nature as a divine book that could be read like Scripture. This conflation of the epistemological and the theological is especially obvious in Swift. In both his satirical and non-satirical writings, he is obsessed with proposing proper standards of interpretation, and with criticising those whom he thought had corrupted these standards. Dissenters and religious enthusiasts are taken to task for their misreading of Scripture, for their corrupt religious doctrine which they erroneously claim to be based on Scripture and reason. The natural philosophers are accused of some similar hermeneutic sin; only, they have committed their interpretive transgressions against the proper interpretive standard of the book of nature. Where the natural philosophers claim to have found a new, more accurate way of reading the book of nature, Swift, I argue, sees only mis-readings. Rhetorically, Swift's satires on religious dissent perpetuate the typically Tory High-Church insinuation of sectarian and heretical sexual promiscuity. In his satires on science, Swift makes the same insinuation with respect to natural philosophers, most vividly so in A Tale of a Tub and the flying island of Laputa. The study concludes with a fresh look at Swift's rational horses in part four of Gulliver's Travels. |
| swift satire on science in gulliver travels: A Tale of a Tub Jonathan Swift, 1920 |
| swift satire on science in gulliver travels: Jonathan Swift: The Reluctant Rebel John Stubbs, 2017-02-28 A rich and riveting portrait of the man behind Gulliver’s Travels, by a “vivid, ardent, and engaging” (New York Times Book Review) author. One of Europe’s most important literary figures, Jonathan Swift was also an inspired humorist, a beloved companion, and a conscientious Anglican minister—as well as a hoaxer and a teller of tales. His anger against abuses of power would produce the most famous satires of the English language: Gulliver’s Travels as well as the Drapier Papers and the unparalleled Modest Proposal, in which he imagined the poor of Ireland farming their infants for the tables of wealthy colonists. John Stubbs’s biography captures the dirt and beauty of a world that Swift both scorned and sought to amend. It follows Swift through his many battles, for and against authority, and in his many contradictions, as a priest who sought to uphold the dogma of his church; as a man who was quite prepared to defy convention, not least in his unshakable attachment to an unmarried woman, his “Stella”; and as a writer whose vision showed that no single creed holds all the answers. Impeccably researched and beautifully told, in Jonathan Swift Stubbs has found the perfect subject for this masterfully told biography of a reluctant rebel—a voice of withering disenchantment unrivaled in English. |
| swift satire on science in gulliver travels: A Companion to World Literature Ken Seigneurie, 2020-01-10 A Companion to World Literature is a far-reaching and sustained study of key authors, texts, and topics from around the world and throughout history. Six comprehensive volumes present essays from over 300 prominent international scholars focusing on many aspects of this vast and burgeoning field of literature, from its ancient origins to the most modern narratives. Almost by definition, the texts of world literature are unfamiliar; they stretch our hermeneutic circles, thrust us before unfamiliar genres, modes, forms, and themes. They require a greater degree of attention and focus, and in turn engage our imagination in new ways. This Companion explores texts within their particular cultural context, as well as their ability to speak to readers in other contexts, demonstrating the ways in which world literature can challenge parochial world views by identifying cultural commonalities. Each unique volume includes introductory chapters on a variety of theoretical viewpoints that inform the field, followed by essays considering the ways in which authors and their books contribute to and engage with the many visions and variations of world literature as a genre. Explores how texts, tropes, narratives, and genres reflect nations, languages, cultures, and periods Links world literary theory and texts in a clear, synoptic style Identifies how individual texts are influenced and affected by issues such as intertextuality, translation, and sociohistorical conditions Presents a variety of methodologies to demonstrate how modern scholars approach the study of world literature A significant addition to the field, A Companion to World Literature provides advanced students, teachers, and researchers with cutting-edge scholarship in world literature and literary theory. |
| swift satire on science in gulliver travels: A Modest Proposal and Gulliver's Travels (GoodVibeRead Edition) Jonathan Jonathan Swift, 2021-11-20 This Hardcover edition includes two books: A Modest Proposal and Gulliver's Travels ! Jonathan Swift's A Modest Proposal is a satirical essay written to mock the callous and indignant attitude of Ireland's rich towards the poor. In the essay, Swift argues Ireland's economic problems could be lessened by selling poor Irish children as food to the wealthy. First published in 1729, Swift's essay gained international attention as a satire unlike any other published to-date. A Modest Proposal helped bring international attention to rising economic uncertainty in Ireland and the plight of the less fortunate. Gulliver's Travels was published in 1726 and is probably the most famous work by Jonathan Swift. It was an instant hit--selling out within a week--and has never been out of print, as well as having been adapted many times. Lemuel Gulliver, an English surgeon on the Antelope, is shipwrecked and washed up on the island of Lilliput, where the inhabitants are less than six inches tall. This part of the book is a thinly veiled attack on the political classes of the time, as the Lilliputians focus on the minutiae of life, most notably the rift which has developed according to which end of a boiled egg gets opened at breakfast--the big end or the little end. On his second recorded journey he is abandoned on an island of giants where he is paraded as a curiosity at local markets and fairs. On his third journey he is marooned by pirates and is rescued by the inhabitants of a floating island devoted to music, mathematics and astronomy. On his final journey he meets the Houyhnhnms, a race of talking horses who have subdued the Yahoos, creatures who resemble humans. On his return to England, Gulliver has a very different outlook on life and views the human race in a very different way. A True Classic that Belongs on Every Bookshelf! |
| swift satire on science in gulliver travels: Gulliver's Travels and Other Writings Jonathan Swift, 1984-09-01 Nominated as one of America’s best-loved novels by PBS’s The Great American Read “It is universally read, from the cabinet council to the nursery,” remarked Alexander Pope when Gulliver's Travels was published in 1726. One of the unique books of world literature, Swift's masterful satire describes the astonishing voyages of one Lemuel Gulliver, a ship's surgeon, to surreal kingdoms inhabited by miniature people and giants, quack philosophers and scientists, horses endowed with reason and men who behave like beasts. Written with great wit and invention, Gulliver's Travels is a savage parody on man and his institutions that has captivated readers for nearly three centuries. As bestselling author and critic Allan Bloom observed: “Gulliver's Travels is an amazing rhetorical achievement. Swift had not only the judgment with which to arrive at a reasoned view of the world but the fancy by means of which he could re-create that world in a form which teaches where argument fails and which satisfies all while misleading none.” This representative collection of Swift’s major writings includes the complete Gulliver’s Travels as well as A Tale of a Tub, “The Battle of the Books,” “A Modest Proposal,” “An Argument Against Abolishing Christianity,” “The Bickerstaff Papers,” and many more of his brilliantly satirical works. Here too are selections from Swift’s poetry and portions of his Journal to Stella. Swift’s savage ridicule, corrosive wit, and sparkling humor are fully displayed in this comprehensive collection. |
| swift satire on science in gulliver travels: The Butter Battle Book Dr. Seuss, 1984-01-12 The Butter Battle Book, Dr. Seuss's classic cautionary tale, introduces readers to the important lesson of respecting differences. The Yooks and Zooks share a love of buttered bread, but animosity brews between the two groups because they prefer to enjoy the tasty treat differently. The timeless and topical rhyming text is an ideal way to teach young children about the issues of tolerance and respect. Whether in the home or in the classroom, The Butter Battle Book is a must-have for readers of all ages. |
| swift satire on science in gulliver travels: The Odyssey of Love Paul Krause, 2021-07-08 Tolle Lege, take up and read! These words from St. Augustine perfectly describe the human condition. Reading is the universal pilgrimage of the soul. In reading we journey to find ourselves and to save ourselves. The ultimate journey is reading the Great Books. In the Great Books we find the struggle of the human soul, its aspirations, desires, and failures. Through reading, we find faces and souls familiar to us even if they lived a thousand years ago. The unread life is not worth living, and in reading we may well discover what life is truly about and prepare ourselves for the pilgrimage of life. |
| swift satire on science in gulliver travels: Gulliver's Travels By Jonathan Swift NA NA, 2016-04-30 This work includes the complete authoritative text with biographical & historical contexts, critical history and essays from five contemporary critical perspectives. |
| swift satire on science in gulliver travels: Augustan Studies Douglas Lane Patey, Timothy Keegan, 1985 Fifteen essay span the whole of the Augustan period (1660-1800). The volume concludes with a checklist of Ehrenpreis's published works. |
| swift satire on science in gulliver travels: Jonathan Swift's Gulliver's Travels Roger D. Lund, 2013-12-16 An extremely complex, yet widely studied text, Jonathan Swift’s Gulliver’s Travels ranks as one of the most scathing satires of British and European society ever published. Students will therefore welcome the publication of Roger Lund’s sourcebook, which provides a clear way through the wealth of contextual and critical material that surounds the text. This indispensable guide presents: extensive introductory comment on the contexts and many interpretations of the text, from publication to present annotated extracts from key contextual documents, reviews, critical works and the text itself cross-references between documents and sections of the guide, in order to suggest links between texts, contexts and criticism suggestions for further reading. Part of the Routledge Gudies to Literature series, this volume is essential reading for all those beginning detailed study of Swift’s controversial novel. |
| swift satire on science in gulliver travels: Structural Fabulation Robert Scholes, 1975 |
| swift satire on science in gulliver travels: God, Gulliver, and Genocide Claude Julien Rawson, 2002 We are obsessed with 'barbarians'. They are the 'not us', who don't speak our language, or 'any language', whom we depise, fear, invade and kill; for whom we feel compassion, or admiration, and an intense sexual interest; whose innocence or vigour we aspire to, and who have an extraordinaryinfluence on the comportment, and even modes of dress, of our civilised metropolitan lives; whom we often outdo in the barbarism we impute to them; and whose suspected resemblance to us haunts our introspections and imaginings. They come in two overlapping categories, ethnic others and home-grownpariahs: conquered infidels and savages, the Irish, the poor, the Jews. This book looks afresh at how we have confronted the idea of 'barbarism', in ourselves and others, from 1492 to 1945, through the voices of many writers, chiefly Montaigne, Swift and, to a lesser extent, Shaw. |
| swift satire on science in gulliver travels: The Battle of the Books Jonathan Swift, 1908 |
| swift satire on science in gulliver travels: Travels into several remote nations of the world. By Lemuel Gulliver, etc Jonathan Swift, 1771 |
| swift satire on science in gulliver travels: The Floating Island , 2006-08-22 When Charles Magnus Ven Polypheme begins his long-awaited journey, he gets lost at sea, is attacked by pirates and then held captive by those who think he can lead them to a mystical island and the Water of Life. |
| swift satire on science in gulliver travels: Critical Companion to Jonathan Swift Paul J. DeGategno, R. Jay Stubblefield, 2014-05-14 Provides a comprehensive alphabetical reference to the life and work of Jonathan Swift. |
| swift satire on science in gulliver travels: The Genres of Gulliver's Travels Frederik N. Smith, 1990 A reevaluation of Swift's masterpiece and a test of the usefulness of examining a text through the perspective of genre. Gulliver is explored from the standpoint of picaresque, history, novel, children's literature, illustrated book, scientific prose, science fiction, philosophical treatise, and satire. |
| swift satire on science in gulliver travels: Newton's Gift David Berlinski, 2000 In this portrait of scientist Isaac Newton, the author explores Newton's childhood, his intellectual competitions, his political escapades, and how his discoveries unlocked the system of the world. |
| swift satire on science in gulliver travels: Swift as Priest and Satirist Todd C. Parker, 2009 The essays in this volume cover four broad categories: (1) Essays that historicize his relationship to the Church of Ireland and to the bruising world of eighteenth-century theological discourse in general. (2) Essays that examine how Swift represents religious figures and controversies in his poetry and prose, including a A Tale of a Tub. (3) Essays that theorize the relationships between religious and literary genres. (4) Essays that articulate the links between Swift's satires and contemporary religious, philosophical, and scientific discourse.--BOOK JACKET. |
| swift satire on science in gulliver travels: The Cambridge Companion to Gulliver's Travels Daniel Cook, Nicholas Seager, 2023-10-19 The definitive guide to Swift's controversial satirical masterpiece, Gulliver's Travels, demonstrating its complexity and enduring legacy. |
| swift satire on science in gulliver travels: Swift and Science G. Lynall, 2012-05-22 It is thought that Swift was opposed to the new science that heralded the beginning of the modern age, but this book interrogates that assumption, tracing the theological, political, and socio-cultural resonances of scientific knowledge in the early eighteenth century, and considering what they can reveal about Swift's imagination. |
| swift satire on science in gulliver travels: The Little Everyman Deborah Needleman Armintor, 2011-10-01 Eighteenth-century English literature, art, science, and popular culture exhibited an unprecedented fascination with small male bodies of various kinds. Henry Fielding's Tom Thumb plays drew packed crowds, while public exhibitions advertised male dwarfs as paragons of English masculinity. Bawdy popular poems featured diminutive men paired with enormous women, and amateur scientists anthropomorphized and gendered the minute bodies they observed under their fashionable new pocket microscopes. Little men, both real and imagined, embodied the anxieties of a newly bourgeois English culture and were transformed to suit changing concerns about the status of English masculinity in the modern era. The Little Everyman explores this strange trend by tracing the historical trajectory of the supplanting of the premodern court dwarf by a more metaphorical and quintessentially modern little man who came to represent in miniature the historical shift in literary production from aristocratic patronage to the bourgeois fantasy of freelance authorship. Armintor's close readings of Pope, Fielding, Swift, and Sterne highlight little recognized aspects of classic works while demonstrating how the little man became an everyman. |
| swift satire on science in gulliver travels: How Beowulf Can Save America Robin R. Bates, 2012-07-25 Imagine a society ... seething with resentment because of the perception that certain groups receive special treatment ... beset by grief about the decline of its glory days ... grown hard and callous, with miserly leaders unwilling to redistribute the country's wealth. Sound familiar? This is the world of 9th Century England, where a society facing the constant threat of decimation finds guidance in the great English epic Beowulf. The poem understands how rage, taking the form of monstrous resentment, vengeful grieving, and venomous greed, can tear a society apart. The monsters in Beowulf are no less present in America today, taking up habitation in the extreme right, their enablers in the political class, and the cynical and self-absorbed 1%. By examining the poem's namesake, and his monster-fighting tactics, literature professor Robin Bates shows how the poem provides a blueprint for combating the great challenges facing America today and for reclaiming the promise of a society that insures justice, equality, and the promise of a good life for all. |
| swift satire on science in gulliver travels: The Kingdom of Science Paul A. Olson, 2002-01-01 The Kingdom of Science examines Baconian utopias as blueprints for a scientific sociologyøof knowledge that founded a new social and economic world in the seventeenth century. Looking backward, Paul A. Olson begins with More's Utopia and Shakespeare's The Tempest, static state utopias designed to woo us toward a moral as opposed to a scientific reform. To these, Olson then contrasts the primary subjects of his study?Bacon's New Atlantis, the Commonwealth educational utopias, and the utopianism of Adam Smith and his Utilitarian followers. These later utopias increasingly point to an ideal world to be dominated by a science linked to technology, compelled education, and competitive capitalism. They posit as their end the conquest of nature and use as their means the routinizing of research and education. Their visions, Olson argues, lie at the center of the educational models adopted by mainstream British and American policymakers in the last century and a half?despite the warnings of both conservative and radical critics concerning their potential consequences for the environment and for culture. The challenge Olson presents for those responsible for forging our social future is creating visions sufficient to energize human groups while allowing both for the critical reflection necessary for constructive policy debate and for the action necessary to prevent environmental chaos and cultural disruption. The Kingdom of Science is a companion to Olson's earlier book, The Journey to Wisdom, and carries the assumptions of that patristic-medieval study into the early-modern and modern periods. |
| swift satire on science in gulliver travels: The Cambridge Companion to Jonathan Swift Christopher Fox, 2003-09-11 The Cambridge Companion to Jonathan Swift is a specially commissioned collection of essays. Arranged thematically across a range of topics, this 2003 volume will deepen and extend the enjoyment and understanding of Jonathan Swift for students and scholars. The thirteen essays explore crucial dimensions of Swift's life and works. As well as ensuring a broad coverage of Swift's writing - including early and later works as well as the better known and the lesser known - the Companion also offers a way into current critical and theoretical issues surrounding the author. Special emphasis is placed on Swift's vexed relationship with the land of his birth, Ireland; and on his place as a political writer in a highly politicised age. The Companion offers a lucid introduction to these and other issues, and raises questions about Swift and his world. The volume features a detailed chronology and a guide to further reading. |
| swift satire on science in gulliver travels: Fail Safe Eugene Burdick, Harvey Wheeler, 1999-07-10 Something has gone wrong. A group of American bombers armed with nuclear weapons is streaking past the fail-safe point, beyond recall, and no one knows why. Their destination -- Moscow. In a bomb shelter beneath the White House, the calm young president turns to his Russian translator and says, I think we are ready to talk to Premier Kruschchev. Not far away, in the War Room at the Pentagon, the secretary of defense and his aides watch with growing anxiety as the luminous blips crawl across a huge screen map. High over the Bering Strait in a large Vindicator bomber, a colonel stares in disbelief at the attack code number on his fail-safe box and wonders if it could possibly be a mistake. First published in 1962, when America was still reeling from the Cuban missle crisis, Fail-Safe reflects the apocalyptic attitude that pervaded society during the height of the Cold War, when disaster could have struck at any moment. As more countries develop nuclear capabilities and the potential for new enemies lurks on the horizon, Fail-Safe and its powerful issues continue to respond. |
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ios - How to make HTTP request in Swift? - Stack Overflow
Mar 7, 2023 · Cezar's answer is outdated (since Swift 3) and the interface of Alamofire is a lot nicer than that of URLSession and consorts. Also, acceptance is not a measure of some …
银行电汇号码（Swift Code）是啥？ - 知乎
1. 什么是银行Swift Code码？ Swift Code由电脑可以自动判读的八位或是十一位英文字母或阿拉伯数字组成，用于在Swift电文中明确区分金融交易中相关的不同金融机构。 Swift Code的十一 …
How to create directory using Swift code (NSFileManager)
Nov 14, 2014 · Swift 4 // DB Directory and Path lazy var applicationDocumentsDirectory: URL = { let urls = FileManager.default.urls(for: .documentDirectory, in: .userDomainMask) let ...
Swift - How to replace characters in a String? - Stack Overflow
This answer has been updated for Swift 4 & 5. If you're still using Swift 1, 2 or 3 see the revision history. You have a couple of options. You can do as @jaumard suggested and use …
请教大佬们，中国银行（香港）的储蓄卡号，14个数字，哪几个数 …
知乎，中文互联网高质量的问答社区和创作者聚集的原创内容平台，于 2011 年 1 月正式上线，以「让人们更好的分享知识、经验和见解，找到自己的解答」为品牌使命。知乎凭借认真、专业 …
国际结算系统 SWIFT 是什么？ - 知乎
swift的角色是制定跨境清算信息的标准，并向相关机构进行传递，而不是直接从事清算或者结算的机构。也就是说swift不对银行账户做任何划拨，对银行账户进行资金划拨的是清算业务和结算业务，这 …
Can you run and compile Swift code on Windows? - Stack Overflow
Apr 15, 2019 · Silver is a free implementation of Apple's Swift programming language. With Silver, you can use Swift to write code directly against the .NET, Java, Android and Cocoa APIs. …
如何系统地自学 Swift 语言并学会 iOS 开发？ - 知乎
Swift 允许全局编写 Swift 代码，实际上 clang 会自动将代码包进一个模拟 C 的函数中。Swift 也能够指定入口点，比如 @UIApplicationMain 或 @NSApplicationMain，UIKit 启动后生命周期管理是 …
How do I concatenate strings in Swift? - Stack Overflow
Jun 4, 2014 · From: Matt Neuburg Book “iOS 13 Programming Fundamentals with Swift.” To combine (concatenate) two strings, the simplest approach is to use the + operator : let s = …
Add an element to an array in Swift - Stack Overflow
Swift 4.2 var myArray: NSArray = [] let firstElement: String = "First element" let secondElement: String = "Second element" // Process to add the elements to the array …
ios - How to make HTTP request in Swift? - Stack Overflow
Mar 7, 2023 · Cezar's answer is outdated (since Swift 3) and the interface of Alamofire is a lot nicer than that of URLSession and consorts. Also, acceptance is not a measure of some abstract …
银行电汇号码（Swift Code）是啥？ - 知乎
1. 什么是银行Swift Code码？ Swift Code由电脑可以自动判读的八位或是十一位英文字母或阿拉伯数字组成，用于在Swift电文中明确区分金融交易中相关的不同金融机构。 Swift Code的十一位数字或字 …
How to create directory using Swift code (NSFileManager)
Nov 14, 2014 · Swift 4 // DB Directory and Path lazy var applicationDocumentsDirectory: URL = { let urls = FileManager.default.urls(for: .documentDirectory, in: .userDomainMask) let ...
Swift - How to replace characters in a String? - Stack Overflow
This answer has been updated for Swift 4 & 5. If you're still using Swift 1, 2 or 3 see the revision history. You have a couple of options. You can do as @jaumard suggested and use …
请教大佬们，中国银行（香港）的储蓄卡号，14个数字，哪几个 …
知乎，中文互联网高质量的问答社区和创作者聚集的原创内容平台，于 2011 年 1 月正式上线，以「让人们更好的分享知识、经验和见解，找到自己的解答」为品牌使命。知乎凭借认真、专业、友善的社区 …
