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| tauromaquia: La Tauromaquia Verna Posever Curtis, Selma Holo, 1986 |
| tauromaquia: Goya Juan Carrete Parrondo, Francisco Goya, 2007 |
| tauromaquia: The Civilising Process of Portuguese Bullfighting Fernando Ampudia de Haro, 2024-12-23 This book uses Norbert Elias’s theory of the civilising process to provide a sociological and historical study of Portuguese bullfighting. Its aim is to understand how bullfighting is historically configured according to the transformations undergone by the society in which it takes place. This means that bullfighting is approached in terms of its relationship with factors such as social structure, state power, the control of violence and the sensitivities and behaviours of different social groups. Its evolution and its construction as an activity can only be explained if we look at these factors from a sociological perspective that takes into account the passage of time. Such a view allows us to think of bullfighting in process and figurational terms. It means going back a thousand years and reconstructing a journey that, overall, cannot be described as a simple succession of facts, laws, dates and decisions by great personalities. On the contrary, this book argues it is a journey subject to the logic of changes in society, power relations and patterns of behaviour considered suitable for social life. And, as a path, it is not defined at random. It has a direction: bullfighting has been moving towards formalisation and pacification for centuries. This book is of special interest to students and scholars of sociological theory, historical sociology, Eliasian theory, and human-animal relations. |
| tauromaquia: Beyond Human Maryanne L. Leone, Shanna Lino, 2023-10-02 Chronicling sixteenth-century Spain to the present day, Beyond Human aims to decentre the human and acknowledge the material historicity of more-than-human nature. The book explores key questions relating to ecological equity, justice, and responsibility within and beyond Spain in the Anthropocene. Examining relations between Iberian cultural practices, historical developments, and ecological processes, Maryanne L. Leone, Shanna Lino, and the contributors to this volume reveal the structures that uphold and dismantle the non-human–human dichotomy and nature-culture divide. The book critiques works from the Golden Age to the twenty-first century in a wide range of genres, including comedia, royal treatises, agricultural reports, paintings, satirical essays, horror fiction and film, young adult and speculative literature, poetry, graphic novels, and television series. The authors contend that Spanish cultural studies must expose the material historicity that entangles today’s ecological crises and ecosocial injustices with previous, future, and contemporary entities. The book argues that this will require the simultaneous decentring of the human and of the Anthropocene as an ecocritical framework. By standardizing ecosocial analysis and widening avenues for ecopedagogical approaches, Beyond Human participates in the ecocentric transformation of Hispanic cultural studies. |
| tauromaquia: La Tauromaquia Francisco Goya, 1969 |
| tauromaquia: Great Goya Etchings Francisco Goya, 2012-10-09 This lavish volume presents prints from The Proverbs, La Tauromaquia, and The Bulls of Bordeaux. Its 78 etchings recapture the incomparable grandeur of Goya's art as well as the major themes of his works. |
| tauromaquia: Playing at Monarchy Corry Cropper, 2008-01-01 Playing at Monarchy looks at the ways sports and games (tennis, fencing, bullfighting, chess, trictrac, hunting, and the Olympics) are metaphorically used to defend and subvert, to praise and mock both class and political power structures in nineteenth-century France. Corry Cropper examines what shaped these games of the nineteenth-century and how they appeared as allegory in French literature (in the fiction of Balzac, M(r)rim(r)e, and Flaubert), and in newspapers, historical studies, and even game manuals. Throughout, he shows how the representation of play in all types of literature mirrors the most important social and political rifts in postrevolutionary France, while also serving as propaganda for competing political agendas. Though its focus is on France, Playing at Monarchy hints at the way these nineteenth-century developments inform perceptions of sport even today |
| tauromaquia: The Music of Simon Holt David Charlton, 2017 Duende y Duelos : the Andalusian spirit in the Lorca settings / Anthony Gilbert -- An interplay of passion and spirit : The nightingale's to blame / Richard E. McGregor -- Images in sound : movement, harmony and colour in the early music / Philip Rupprecht -- Myth and narrative in 3 for Icarus / Edward Venn -- Sound, sense and syntax : the Emily Dickinson settings / Steph Power -- Piano music / Stephen Gutman -- Redefining the cello's voice : musical agency in feet of clay / Rebecca Thumpston -- Performance and reflections : Holt's music for oboe and cor anglais / Melinda Maxwell -- Shaking the bars : the yellow wallpaper / Steph Power -- Listening to the river's road : stance, texture and space in the concertos / David Beard -- Orchestral works in performance / Thierry Fischer -- Oblique themes and still centres : a conversation between / Julia Bardsley and Simon Holt -- Sketching and idea-gathering / Simon Speare -- Art, conceptualism and politics in Holt's music / David Charlton |
| tauromaquia: 50 Reasons to Defend the Corrida Francis Wolff, 2014-05-01 This is the first such work available in English translation of Francis Wolff, professor of Philosophy at the École Normale Supérieur of Paris. In addition to his writings on Classical, Western and Contemporary philosophy, he has published several volumes on tauromaquia in France and Spain. In 2011 he participated in the drafting of the charter to petition the inscription of tauromaquia for inclusion on the list of French cultural immaterial heritage. “It is a text that, as its title indicates, advocates the bullfight, giving 50 reasons which are explained in detail from ethical, historical, cultural, humanistic and ecological points of view”. Prologued by Anabel Moreno Muela, President of the Plaza de Toros de la Real Maestranza de Sevilla. Translated from the French by Barbara Ann Skowronski Sapp |
| tauromaquia: Goya’s Graphic Imagination Mark McDonald, Mercedes Cerón-Peña, Francisco J. R. Chaparro, Jesusa Vega, 2021-02-08 This book presents the first focused investigation of Francisco Goya's (1746–1828) graphic output. Spanning six decades, Goya’s works on paper reflect the transformation and turmoil of the Enlightenment, the Inquisition, and Spain's years of constitutional government. Two essays, a detailed chronology, and more than 100 featured artworks illuminate the remarkable breadth and power of Goya's drawings and prints, situating the artist within his historical moment. The selected pieces document the various phases and qualities of Goya's graphic work—from his early etchings after Velázquez through print series such as the Caprichos and The Disasters of War to his late lithographs, The Bulls of Bordeaux, and including albums of drawings that reveal the artist’s nightmares, dreams, and visions. |
| tauromaquia: Goya in the Metropolitan Museum of Art Colta Feller Ives, Susan Alyson Stein, Metropolitan Museum of Art (New York, N.Y.), 1995 Goya is the most original artist of his generation & the best known Spanish painter of all time. This study offers the reader an insightful introduction to the painter & his great talent. It includes 43 color & black & white photographs of Goya's work as displayed in the Metropolitan Museum of Art. |
| tauromaquia: Death and Money in The Afternoon Adrian Shubert, 1999-06-03 Bullfighting has long been perceived as an antiquated, barbarous legacy from Spain's medieval past. In fact, many of that country's best poets, philosophers, and intellectuals have accepted the corrida as the embodiment of Spain's rejection of the modern world. In his brilliant new interpretation of bullfighting, Adrian Shubert maintains that this view is both the product of myth and a complete misunderstanding of the real roots of the contemporary bullfight. While references to a form of bullfighting date back to the Poem of the Cid (1040), the modern bullfight did not emerge until the early 18th century. And when it did emerge, it was far from being an archaic remnant of the past--it was a precursor of the 20th-century mass leisure industry. Indeed, before today's multimillion-dollar athletes with wide-spread commercial appeal, there was Francisco Romero, born in 1700, whose unique form of bullfighting netted him unprecedented fame and wealth, and Manuel Rodriguez Manolete, hailed as Spain's greatest matador by the New York Times after a fatal goring in 1947. The bullfight was replete with promoters, agents, journalists, and, of course, hugely-paid bullfighters who were exploited to promote wine, cigarettes, and other products. Shubert analyzes the business of the sport, and explores the bullfighters' world: their social and geographic origins, careers, and social status. Here also are surprising revelations about the sport, such as the presence of women bullfighters--and the larger gender issues that this provoked. From the political use of bullfighting in royal and imperial pageants to the nationalistic great patriotic bullfights of the late 19th and early 20th centuries, this is both a fascinating portrait of bullfighting and a vivid recreation of two centuries of Spanish history. Based on extensive research and engagingly written, Death and Money in the Afternoon vividly examines the evolution of Spanish culture and society through the prism of one of the West's first--and perhaps its most spectacular--spectator sports. |
| tauromaquia: The Print-collector's Quarterly , 1940 |
| tauromaquia: General Catalogue Bernard Quaritch, 1880 |
| tauromaquia: Andalucia, Ronda and Granada, Murcia, Valencia, and Catalonia; the portions best suited for the invalid Richard Ford, 1855 |
| tauromaquia: The Print Collector's Quarterly A. H. Stubbs, John H. Bender, 1940 |
| tauromaquia: 1000 favorite websites Julius Wiedemann, 2002 Advertising - Architecture - Art - Design - Digital - Fashion and beauty - Movies and animation - Photography - Cool and more. |
| tauromaquia: Violence and Harm in the Animal Industrial Complex Gwen Hunnicutt, Richard Twine, Kenneth Mentor, 2024-11-12 This book grapples with multispecies violent exploitations embedded in corridors of power within the animal-industrial complex (A-IC). The A-IC is a useful framework for understanding how exploitative human-animal relations are central to capitalist relations and profit accumulation. ‘A-IC-related-violence’ – killing animals for economic gain – has a ripple effect which results in profound consequences for humans as well. This collection of international scholarship explores topics as varied as how A-IC-related-violence is reproduced and sustained through rapidly changing discursive strategies, ideological architecture, and particular cultural forms that elide and legitimize animal cruelty. Several chapters expose collusion between governments, corporations, and academia as central to maintaining dominance of A-IC-related-violence. Other scholars explore the trouble with making the conditions of “meat” production visible – of de-fetishizing meat commodities. The scholarship critically explores dynamic components of an apparatus that enables A-IC-related-violence and harm but is situated within the capitalist order and charts A-IC-related-violence as the key profit-generating practice in select domains of the A-IC. The book unmasks inherent cruelties in a proliferation of social forms that ultimately reflect a socioeconomic system that centralizes capitalist life characterized by endless growth, competitiveness, and profligate consumption. This is essential reading for those engaged in critical criminology, green criminology, violence studies, peace and conflict studies, critical animal studies, or animal rights-oriented scholars. |
| tauromaquia: The Print-collector's Quarterly Fitz Roy Carrington, Campbell Dodgson, Georges Derry, Alfred Fowler, A. H. Stubbs, John H. Bender, William Edwin Rudge, 1940 |
| tauromaquia: A General Catalogue of Books Offered to the Public at the Affixed Prices by Bernard Quaritch ... , 1882 |
| tauromaquia: Tauromaquia Lena Herzog, Ignacio de Cossio, Juvenal Acosta Hernández, J Acosta, 2002 Divided into three chapters - breeding, at the gate and arena - this photographic collection covers the three stages of tercios of the classical bullfight, emphasizing the festival's central importance to Spanish culture. |
| tauromaquia: Francisco de Goya and the Art of Critique Anthony J. Cascardi, 2023-01-10 An innovative study of Goya's unprecedented elaboration of the critical function of the work of art Francisco de Goya and the Art of Critique probes the relationship between the enormous, extraordinary, and sometimes baffling body of Goya’s work and the interconnected issues of modernity, Enlightenment, and critique. Taking exception to conventional views that rely mainly on Goya’s darkest images to establish his relevance for modernity, Cascardi argues that the entirety of Goya’s work is engaged in a thoroughgoing critique of the modern social and historical worlds, of which it nonetheless remains an integral part. The book reckons with the apparent gulf assumed to divide the Disasters of War and the so-called Black Paintings from Goya’s scenes of bourgeois life or from the well-mannered portraits of aristocrats, military men, and intellectuals. It shows how these apparent contradictions offer us a gateway into Goya’s critical practice vis-à-vis a European modernity typically associated with the Enlightenment values dominant in France, England, and Germany. In demonstrating Goya’s commitment to the project of critique, Cascardi provides an alternative to established readings of Goya’s work, which generally acknowledge the explicit social criticism evident in works such as the Caprichos but which have little to say about those works that do not openly take up social or political themes. In Francisco de Goya and the Art of Critique, Cascardi shows how Goya was consistently engaged in a critical response to—and not just a representation of—the many different factors that are often invoked to explain his work, including history, politics, popular culture, religion, and the history of art itself. |
| tauromaquia: Boston Museum of Fine Arts, Bulletin, 22-26, 1924-28 Museum of Fine Arts, Boston, 1924 |
| tauromaquia: Bulletin Museum of Fine Arts, Boston, 1926 |
| tauromaquia: Gordon's Print Price Annual , 1993 |
| tauromaquia: Framing Majismo Tara Zanardi, 2016-03-08 Majismo, a cultural phenomenon that embodied the popular aesthetic in Spain from the second half of the eighteenth century, served as a vehicle to “regain” Spanish heritage. As expressed in visual representations of popular types participating in traditional customs and wearing garments viewed as historically Spanish, majismo conferred on Spanish “citizens” the pictorial ideal of a shared national character. In Framing Majismo, Tara Zanardi explores nobles’ fascination with and appropriation of the practices and types associated with majismo, as well as how this connection cultivated the formation of an elite Spanish identity in the late 1700s and aided the Bourbons’ objective to fashion themselves as the legitimate rulers of Spain. In particular, the book considers artistic and literary representations of the majo and the maja, purportedly native types who embodied and performed uniquely Spanish characteristics. Such visual examples of majismo emerge as critical and contentious sites for navigating eighteenth-century conceptions of gender, national character, and noble identity. Zanardi also examines how these bodies were contrasted with those regarded as “foreign,” finding that “foreign” and “national” bodies were frequently described and depicted in similar ways. She isolates and uncovers the nuances of bodily representation, ultimately showing how the body and the emergent nation were mutually constructed at a critical historical moment for both. |
| tauromaquia: Las tauromaquias europeas Frédéric Saumade, 2006 |
| tauromaquia: Subject Index of Modern Works Added to the Library of the British Museum in the Years 1881-1900 British Museum. Department of Printed Books, 1902 |
| tauromaquia: Manet/Velázquez Gary Tinterow, Geneviève Lacambre, Metropolitan Museum of Art (New York, N.Y.), Musée d'Orsay, 2003 Here approximately two hundred works by French and Spanish artists chart the development of this cultural influence and map a fascinating shift in the paradigm of painting, from Idealism to Realism, from Italy to Spain, from Renaissance to Baroque. Above all, these images demonstrate how direct contact with Spanish painting fired the imagination of nineteenth-century French artists and brought about the triumph of Realism in the 1860s, and with it a foundation for modern art.--BOOK JACKET. |
| tauromaquia: A General Catalog of Books Offered to the Public at the Affixed Prices Bernard Quaritch (Firm), 1882 |
| tauromaquia: Construir el estado, inventar la nación Juan Carlos Garavaglia, 2007 |
| tauromaquia: Framing Borders in Literature and Other Media Werner Wolf, Walter Bernhart, 2006 This book is both a contribution to an interdisciplinary study of literature and other media and a pioneering application of cognitive and frame-theoretical approaches to these fields. In the temporal media a privileged place for the coding of cognitive frames are the beginnings while in spatial media physical borders take over many framing functions. This volume investigates forms and functions of such framing spaces from a transmedial perspective by juxtaposing and comparing the framing potential of individual media and works. After an introductory theoretical essay, which aims to clarify basic concepts, the volume presents eighteen contributions by scholars from various disciplines who deal with individual media. The first section is dedicated to framing in or through the visual arts and includes discussions of the illustrations of medieval manuscripts, the practice of framing pictures from the Middle Ages to Magritte and contemporary American art as well as framings in printmaking and architecture. The second part deals with literary texts and ranges from studies centred on framings in frame stories to essays focussing on the use of paratextual, textual and non-verbal media in the framings of classical, medieval and modern German and American narrative literature; moreover, it includes studies on defamiliarized framings, e.g. by Julio Cortázar and Jasper Fforde, as well as an essay on end-framing practices. Sections on framings in film (including the trailers of Tolkien's The Lord of the Rings) and in music (operatic overtures and Schumann's piano pieces) provide perspectives on further media. The volume is of relevance to students and scholars from various fields: intermedia studies, cognitive approaches to the media, literary and film studies, history of art, and musicology. |
| tauromaquia: Catalogues of Sale Sotheby & Co. (London, England), 1983 |
| tauromaquia: Sol e sombra Victor Andrade de Melo, Paulo Donadio, 2024-01-31 Aos touros! Aos touros! Quem imaginaria que o Rio de Janeiro já foi palco de touradas? Este livro traz à luz o contexto histórico que emoldura a ocorrência das touradas na então capital do Brasil, num período que vai do século XVII ao início do XX. Relações conturbadas entre colônia e metrópole, divergências de opinião acerca do caráter bárbaro do espetáculo, polêmicas sobre o comportamento do público: Sol e sombra levará o leitor a um universo adormecido e desconhecido de muitos – a tauromaquia em terras cariocas. |
| tauromaquia: Museum of Fine Arts Bulletin Museum of Fine Arts, Boston, 1923 |
| tauromaquia: Goya in the Norton Simon Museum Juliet Wilson-Bareau, 2016-01-01 This book is the first to examine the extraordinary Goya collection--which includes more than 1,400 prints, a drawing, and three paintings--in the Norton Simon Museum. The collection includes prints from various series and editions treating a range of subjects, such as religious iconography, landscapes, portraits, and social satire. Lushly illustrated and authored by a distinguished Goya scholar, this catalogue is an essential guide to a treasure trove of the artist's works-- |
| tauromaquia: Exhibition of Painter Etchings and Engravings of the XIXth Century Metropolitan Museum of Art (New York, N.Y.), 1917 |
| tauromaquia: Tres salas del Museo Romántico Madrid (Spain). Museo Romántico, Angel Vegue y Goldoni, Francisco Javier Sánchez Cantón, 1921 |
| tauromaquia: Las figuras del mal en "2666" de Roberto Bolaño Arndt Lainck, 2014 |
Tauromaquia - Wikipedia, la enciclopedia libre
La tauromaquia (del idioma griego ταῦρος, taūros 'toro', y μάχομαι, máchomai 'luchar') la define la RAE como 'el arte de lidiar toros', [1] tanto a pie como a caballo. Sus antecedentes se …
Tauromaquia - Qué es, origen, historia y críticas - Concepto
La tauromaquia es la disciplina, fiesta o espectáculo que consiste en lidiar toros, es decir, burlarlos, esquivarlos o enfrentarlos. Es una tradición ancestral típicamente española, …
¿QUÉ ES LA TAUROMAQUIA? - La Tierra Del Toro
Según la Real Academia Española, La Tauromaquia, también conocida como el toreo o la fiesta brava, « es el arte de lidiar toros». Es un espectáculo cultural que se basa en la lidia de un …
Tauromaquia - Qué es, historia, definición y concepto
La tauromaquia es la disciplina que consiste en mantener una especie de contienda con un toro. Un hombre, de a pie o a caballo, molesta al animal para enfurecerlo y luego demuestra su …
Tauromaquia: lo que ocurre en el cuerpo del toro antes de morir
Mar 6, 2024 · Tauromaquia: lo que ocurre en el cuerpo del toro antes de morir Los estudios demuestran que el animal sufre tanto por el daño físico como por el estrés al que es sometido …
Todo sobre la Tauromaquia: ¿Qué es, quién la inventó y en qué …
May 13, 2024 · La Tauromaquia, que abarca el conjunto de conocimientos y actividades artísticas, creativas y productivas, incluyendo la crianza y selección del toro de lidia, que …
Tauromaquia - Ecured
La tauromaquia, corrida de toros o lidia es un espectáculo en el que, apelando al «arte» y a la «valentía», se tortura y mata «artísticamente» a un toro en una plaza para regocijo de quienes …
Tauromaquia - PATRIMONIO CULTURAL INMATERIAL DE …
En nuestro ordenamiento jurídico, la Tauromaquia, entendida como el conjunto de conocimientos y actividades artísticas, creativas y productivas, incluyendo la crianza y selección del toro de …
La tauromaquia: historia, eventos y críticas de una controvertida ...
La tauromaquia es una tradición que combina el arte, la cultura y el espectáculo, y se centra en la lidia de toros bravos. Consiste en una serie de eventos y rituales que culminan con la muerte …
Las culturas del toro - | Ministerio de Cultura
La Tauromaquia, entendida como el conjunto de conocimientos y actividades artísticas, creativas y productivas, incluyendo la crianza y selección del toro de lidia, que confluyen en la corrida de …
Tauromaquia - Wikipedia, la enciclopedia libre
La tauromaquia (del idioma griego ταῦρος, taūros 'toro', y μάχομαι, máchomai 'luchar') la define la RAE como 'el arte de lidiar toros', [1] tanto a pie como a caballo. Sus antecedentes se …
Tauromaquia - Qué es, origen, historia y críticas - Concepto
La tauromaquia es la disciplina, fiesta o espectáculo que consiste en lidiar toros, es decir, burlarlos, esquivarlos o enfrentarlos. Es una tradición ancestral típicamente española, …
¿QUÉ ES LA TAUROMAQUIA? - La Tierra Del Toro
Según la Real Academia Española, La Tauromaquia, también conocida como el toreo o la fiesta brava, « es el arte de lidiar toros». Es un espectáculo cultural que se basa en la lidia de un …
Tauromaquia - Qué es, historia, definición y concepto
La tauromaquia es la disciplina que consiste en mantener una especie de contienda con un toro. Un hombre, de a pie o a caballo, molesta al animal para enfurecerlo y luego demuestra su …
Tauromaquia: lo que ocurre en el cuerpo del toro antes de morir
Mar 6, 2024 · Tauromaquia: lo que ocurre en el cuerpo del toro antes de morir Los estudios demuestran que el animal sufre tanto por el daño físico como por el estrés al que es sometido …
Todo sobre la Tauromaquia: ¿Qué es, quién la inventó y en qué …
May 13, 2024 · La Tauromaquia, que abarca el conjunto de conocimientos y actividades artísticas, creativas y productivas, incluyendo la crianza y selección del toro de lidia, que …
Tauromaquia - Ecured
La tauromaquia, corrida de toros o lidia es un espectáculo en el que, apelando al «arte» y a la «valentía», se tortura y mata «artísticamente» a un toro en una plaza para regocijo de quienes …
Tauromaquia - PATRIMONIO CULTURAL INMATERIAL DE …
En nuestro ordenamiento jurídico, la Tauromaquia, entendida como el conjunto de conocimientos y actividades artísticas, creativas y productivas, incluyendo la crianza y selección del toro de …
La tauromaquia: historia, eventos y críticas de una controvertida ...
La tauromaquia es una tradición que combina el arte, la cultura y el espectáculo, y se centra en la lidia de toros bravos. Consiste en una serie de eventos y rituales que culminan con la muerte …
Las culturas del toro - | Ministerio de Cultura
La Tauromaquia, entendida como el conjunto de conocimientos y actividades artísticas, creativas y productivas, incluyendo la crianza y selección del toro de lidia, que confluyen en la corrida de …
