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| the architecture of red vienna 1919 1934: The Architecture of Red Vienna, 1919-1934 Eve Blau, 1999 Encyclopedic in its coverage, this seminal work focuses on the architecture of Prague from the turn of the century to the end of the Second World War: a rich matrix within which to place the figures who created the powerful, innovative spirits of modern Czech architecture. The book documents the architects, structures, and theoretical underpinnings that helped to shape Prague's cultural heritage and present-day artistic spirit. |
| the architecture of red vienna 1919 1934: The Red Vienna Sourcebook Rob McFarland, Robert B. McFarland, Georg Spitaler, Ingo Zechner, 2020 An encyclopedic selection of original documents from the Austrian capital's pathbreaking, progressive interwar period, translated and with contextualizing introductions and commentaries-- |
| the architecture of red vienna 1919 1934: Red Vienna, White Socialism, and the Blues Robert B. McFarland, 2015 Reveals Ann Tizia Leitich, American correspondent for Austrian newspapers in the 1920s and 1930s, as an important cultural mediator between the two countries. |
| the architecture of red vienna 1919 1934: Understanding Marx, Understanding Modernism Mark Steven, 2021-01-14 A concentrated study of the relationships between modernism and transformative left utopianism, this volume provides an introduction to Marx and Marxism for modernists, and an introduction to modernism for Marxists. Its guiding hypothesis is that Marx's writing absorbed the lessons of artistic and cultural modernity as much as his legacy concretely shaped modernism across multiple media. |
| the architecture of red vienna 1919 1934: Interwar Vienna Deborah Holmes, Lisa Silverman, 2009 Although beset by social, political, and economic instabilities, interwar Vienna was an exhilarating place, with pioneering developments in the arts and innovations in the social sphere. Research on the period long saw the city as a mere shadow of its former imperial self; more recently it has concentrated on high-profile individual figures or party politics. This volume of new essays widens the view, stretching disciplinary boundaries to consider the cultural and social movements that shaped the city. The collapse of the Austro-Hungarian Empire resulted not in an abandonment of the arts, but rather led to new forms of expression that were nevertheless conditioned by the legacies of earlier periods. The city's culture was caught between extremes, from neopositivism to cultural pessimism, Catholic mysticism to Austro-Marxism, late Enlightenment liberalism to rabid antisemitism. Concentrating on the paradoxes and often productive tensions that these created, the volume's twelve essays explore achievements and anxieties in fields ranging from modern dance, theater, music, film, and literature to economic, cultural, and racial policy. The volume will appeal to social, cultural, and political historians as well as to specialists in modern European literary and visual culture. Contributors: Andrea Amort, Andrew Barker, Alys X. George, Deborah Holmes, Jon Hughes, Birgit Lang, Wolfgang Maderthaner, Therese Muxeneder, Birgit Peter, Lisa Silverman, Edward Timms, Robert Vilain, John Warren, Paul Weindling. Deborah Holmes is Researcher at the Ludwig Boltzmann Institute for the History and Theory of Biography in Vienna. Lisa Silverman is Assistant Professor of History and Jewish Studies at the University of Wisconsin-Milwaukee. |
| the architecture of red vienna 1919 1934: A Companion to Medieval Vienna , 2021-04-26 This volume offers a comprehensive introduction to the major political, social, economic, and cultural developments in Vienna from c. 1100 to c. 1500. It provides a multidisciplinary view of the complexity of the vibrant city on the Danube. The volume is divided into four sections: Vienna, the city and urban design, politics, economy and sovereignty, social groups and communities, and spaces of knowledge, arts, and performance. An international team of eighteen scholars examines issues ranging from the city’s urban environment and art history, to economic and social concerns, using a range of sources and reflecting the wide array of possible approaches to the study of medieval Vienna today. Contributors are: Peter Csendes, Ulrike Denk, Thomas Ertl, Christian Gastgeber, Thomas Haffner, Martha Keil, Franz Kirchweger, Heike Krause, Christina Lutter, Paul Mitchell, Kurt Mühlberger, Zoë Opačić, Ferdinand Opll, Barbara Schedl, Christoph Sonnlechner, and Peter Wright. |
| the architecture of red vienna 1919 1934: Paradise Planned Robert A.M. Stern, David Fishman, Jacob Tilove, 2013-12-03 Paradise Planned is the definitive history of the development of the garden suburb, a phenomenon that originated in England in the late eighteenth century, was quickly adopted in the United State and northern Europe, and gradually proliferated throughout the world. These bucolic settings offered an ideal lifestyle typically outside the city but accessible by streetcar, train, and automobile. Today, the principles of the garden city movement are once again in play, as retrofitting the suburbs has become a central issue in planning. Strategies are emerging that reflect the goals of garden suburbs in creating metropolitan communities that embrace both the intensity of the city and the tranquility of nature. Paradise Planned is the comprehensive, encyclopedic record of this movement, a vital contribution to architectural and planning history and an essential recourse for guiding the repair of the American townscape. |
| the architecture of red vienna 1919 1934: Modernism, Space and the City Andrew Thacker, 2019-01-22 This innovative text examines the development of modernist writing in four European cities: London, Paris, Berlin and Vienna. |
| the architecture of red vienna 1919 1934: Reading the Architecture of the Underprivileged Classes Nnamdi Elleh, 2016-04-01 The expansion of cities in the late C19th and middle part of the C20th in the developing and the emerging economies of the world has one major urban corollary: it caused the proliferation of unplanned parts of the cities that are identified by a plethora of terminologies such as bidonville, favela, ghetto, informal settlements, and shantytown. Often, the dwellings in such settlements are described as shacks, architecture of necessity, and architecture of everyday experience in the modern and the contemporary metropolis. This volume argues that the types of structures and settlements built by people who do not have access to architectural services in many cities in the developing parts of the world evolved simultaneously with the types of buildings that are celebrated in architecture textbooks as 'modernism.' It not only shows how architects can learn from traditional or vernacular dwellings in order to create habitations for the people of low-income groups in public housing scenarios, but also demonstrates how the architecture of the economically underprivileged classes goes beyond culturally-inspired tectonic interpretations of vernacular traditions by architects for high profile clients. Moreover, the essays explore how the resourceful dwellings of the underprivileged inhabitants of the great cities in developing parts of the world pioneered certain concepts of modernism and contemporary design practices such as sustainable and de-constructivist design. Using projects from Africa, Asia, South and Central America, as well as Austria and the USA, this volume interrogates and brings to the attention of academics, students, and practitioners of architecture, the deliberate disqualification of the modern architecture produced by the urban poor in different parts of the world. |
| the architecture of red vienna 1919 1934: After Work Helen Hester, Nick Srnicek, 2023-07-18 A timely manifesto for a feminist post-work politics Does it ever feel like you have no free time? You come home after work and instead of finding a space of rest and relaxation, you’re confronted by a pile of new tasks to complete – cooking, cleaning, looking after the kids, and so on. In this ground-breaking book, Helen Hester and Nick Srnicek lay out how unpaid work in our homes has come to take up an ever-increasing portion of our lives – how the vacuum of free time has been taken up by vacuuming. Examining the history of the home over the past century – from running water to white goods to smart homes – they show how repeated efforts to reduce the burden of this work have faced a variety of barriers, challenges, and reversals. Charting the trajectory of our domestic spaces over the past century, Hester and Srnicek consider new possibilities for the future, uncovering the abandoned ideas of anti-housework visionaries and sketching out a path towards real free time for all, where everyone is at liberty to pursue their passions, or do nothing at all. It will require rethinking our living arrangements, our expectations and our cities. |
| the architecture of red vienna 1919 1934: Architecture and the Welfare State Mark Swenarton, Tom Avermaete, Dirk van den Heuvel, 2014-09-15 In the decades following World War Two, and in part in response to the Cold War, governments across Western Europe set out ambitious programmes for social welfare and the redistribution of wealth that aimed to improve the everyday lives of their citizens. Many of these welfare state programmes - housing, schools, new towns, cultural and leisure centres – involved not just construction but a new approach to architectural design, in which the welfare objectives of these state-funded programmes were delineated and debated. The impact on architects and architectural design was profound and far-reaching, with welfare state projects moving centre-stage in architectural discourse not just in Europe but worldwide. This is the first book to explore the architecture of the welfare state in Western Europe from an international perspective. With chapters covering Austria, Belgium, France, Germany, Italy, The Netherlands, Sweden and the UK, the book explores the complex role played by architecture in the formation and development of the welfare state in both theory and practice. Themes include: the role of the built environment in the welfare state as a political project the colonial dimension of European welfare state architecture and its ‘export’ to Africa and Asia the role of welfare state projects in promoting consumer culture and economic growth the picture of the collective produced by welfare state architecture the role of architectural innovation in the welfare state the role of the architect, as opposed to construction companies and others, in determining what was built the relationship between architectural and social theory the role of internal institutional critique and the counterculture. Contributors include: Tom Avermaete, Eve Blau, Nicholas Bullock, Miles Glendinning, Janina Gosseye, Hilde Heynen, Caroline Maniaque-Benton, Helena Mattsson, Luca Molinari, Simon Pepper, Michelle Provoost, Lukasz Stanek, Mark Swenarton, Florian Urban and Dirk van den Heuvel. |
| the architecture of red vienna 1919 1934: When Buildings Speak Anthony Alofsin, 2006 The canonical inventors of International Style have long dominated studies of modern European architecture. But in this text, Anthony Alofsin broadens this scope by exploring the rich yet overlooked architecture of the late Austro-Hungarian Empire and its successor states. |
| the architecture of red vienna 1919 1934: The Decorated Tenement Zachary J. Violette, 2019-04-30 Winner of the International Society of Place, Landscape, and Culture Fred B. Kniffen Award A reexamination of working-class architecture in late nineteenth-century urban America As the multifamily building type that often symbolized urban squalor, tenements are familiar but poorly understood, frequently recognized only in terms of the housing reform movement embraced by the American-born elite in the late nineteenth century. This book reexamines urban America’s tenement buildings of this period, centering on the immigrant neighborhoods of New York and Boston. Zachary J. Violette focuses on what he calls the “decorated tenement,” a wave of new buildings constructed by immigrant builders and architects who remade the slum landscapes of the Lower East Side of Manhattan and the North and West Ends of Boston in the late nineteenth century. These buildings’ highly ornamental facades became the target of predominantly upper-class and Anglo-Saxon housing reformers, who viewed the facades as garish wrappings that often hid what they assumed were exploitative and brutal living conditions. Drawing on research and fieldwork of more than three thousand extant tenement buildings, Violette uses ornament as an entry point to reconsider the role of tenement architects and builders (many of whom had deep roots in immigrant communities) in improving housing for the working poor. Utilizing specially commissioned contem-porary photography, and many never-before-published historical images, The Decorated Tenement complicates monolithic notions of architectural taste and housing standards while broadening our understanding of the diversity of cultural and economic positions of those responsible for shaping American architecture and urban landscapes. Winner of the International Society of Place, Landscape, and Culture Fred B. Kniffen Award |
| the architecture of red vienna 1919 1934: Elastic Architecture Stephen J. Phillips, 2017-04-07 Twentieth-century architect Frederick Kiesler's innovative multidisciplinary practice responded to the ever-changing needs of the body in motion, anticipating the research-oriented practices of contemporary art and architecture. In 1960, the renowned architect Philip Johnson championed Frederick Kiesler, calling him “the greatest non-building architect of our time.” Kiesler's ideas were difficult to construct, but as Johnson believed, “enormous” and “profound.” Kiesler (1890–1965) went against the grain of the accepted modern style, rejecting rectilinear glass and steel in favor of more organic forms and flexible structures that could respond to the ever-changing needs of the body in motion. In Elastic Architecture, Stephen Phillips offers the first in-depth exploration of Kiesler's innovative and multidisciplinary research and design practice. Phillips argues that Kiesler established a new career trajectory for architects not as master builders, but as research practitioners whose innovative means and methods could advance alternative and speculative architecture. Indeed, Kiesler's own career was the ultimate uncompromising model of a research-based practice. Exploring Kiesler's formative relationships with the European avant-garde, Phillips shows how Kiesler found inspiration in the plastic arts, experimental theater, early animation, and automatons to develop and refine his spatial concept of the Endless. Moving from Europe to New York in the 1920s, Kiesler applied these radical Dadaist, constructivist, and surrealist practices to his urban display projects, which included shop windows for Saks Fifth Avenue. After launching his innovative Design Correlation Laboratory at Columbia and Yale, Kiesler went on to invent new houses, theaters, and galleries that were meant to move, shift, and adapt to evolutionary changes occurring within the natural and built environment. As Phillips demonstrates vividly, although many of Kiesler's designs remained unbuilt, his ideas proved influential to later generations of architects and speculative artists internationally, including Archigram, Greg Lynn, UNStudio, and Olafur Eliasson. |
| the architecture of red vienna 1919 1934: The Equitably Resilient City Zachary B. Lamb, Lawrence J. Vale, 2024-10-01 Twelve global planning and urban design interventions—and what they reveal about equity-centered urban resilience in the face of climate change. Hillside favelas in South America imperiled by landslides. Flood-threatened mobile home parks on the American Gulf Coast. Canal-side settlements facing eviction in megacities in Southeast Asia. Too often the places most vulnerable to climate change are the ones that are home to people with the fewest economic and political resources. And while some leaders are starting to take action to reduce climate risks, many early adaptation schemes have actually made preexisting inequalities worse. In The Equitably Resilient City, Zachary Lamb and Lawrence Vale ask how cities can adapt to climate change and other threats while also doing right by disadvantaged residents. Lamb and Vale’s model for the equitably resilient city includes four central domains: (1) environmental safety and vitality; (2) security from displacement; (3) stable and dignified livelihoods; and (4) enhanced self-governance. These principles represent the four LEGS (Livelihoods, Environment, Governance, and Security) of equitable resilience. To illustrate these core principles, the book draws on 12 case studies from settlements facing a range of hazards across diverse geographies in the Global North and South, from heat stress in Paris to drought in Bolivia to floods in Bangkok and New Orleans. Offering concrete strategies in the form of planning, community action, and design interventions, Lamb and Vale show that equitable urban resilience is not a pipe dream nor an abstract ethical proposition but an achievable reality grounded in struggle and solidarity. |
| the architecture of red vienna 1919 1934: Urban Visions Carmen Díez Medina, Javier Monclús, 2018-06-23 This book is a useful reference in the field of urbanism. It explains how the contemporary city and landscape have been shaped by certain twentieth century visions that have carried over into the twenty-first century. Aimed at both students and professionals, this collection of essays on diverse subjects and cases does not attempt to establish universal interpretations; it rather highlights some outstanding episodes that help us understand why the planning culture has given way to other forms of urbanism, from urban design to strategic urbanism or landscape urbanism. Compared with global interpretations of urbanism based on socioeconomic history or architectural historiography, Urban Visions. From Planning Culture to Landscape Urbanism, aims to present the discipline couched in international contemporary debate and adopt a historic and comparative perspective. The book’s contents pertain equally to other related disciplines, such as architecture, urban history, urban design, landscape architecture and geography. Foreword by Rafael Moneo. |
| the architecture of red vienna 1919 1934: Encyclopedia of Twentieth Century Architecture R. Stephen Sennott, 2004 For more information including the introduction, a full list of entries and contributors, a generous selection of sample pages and more, visit the Encyclope dia of 20th Century Architecture website. Focusing on architecture from all regions of the world, this three-volume set profiles the twentieth century's vast chronicle of architectural achievements, both within and well beyond the theoretical confines of modernism. Unlike existing works, this encyclopedia examines the complexities of rapidly changing global conditions that have dispersed modern architectural types, movements, styles, and building practices across traditional geographic and cultural boundaries. |
| the architecture of red vienna 1919 1934: Erasures and Eradications in Modern Viennese Art, Architecture and Design Megan Brandow-Faller, Laura Morowitz, 2022-09-23 Erasures and Eradications in Modern Viennese Art, Architecture and Design challenges the received narrative on the artists, exhibitions, and interpretations of Viennese Modernism. The book centers on three main erasures—the erasure of Jewish artists and critics; erasures relating to gender and sexual identification; and erasures of other marginalized figures and movements. Restoring missing elements to the story of the visual arts in early twentieth-century Vienna, authors investigate issues of gender, race, ethnic and sexual identity, and political affiliation. Both well-studied artists and organizations—such as the Secession and the Austrian Werkbund, and iconic figures such as Klimt and Hoffmann—are explored, as are lesser known figures and movements. The book’s thought-provoking chapters expand the chronological contours and canon of artists surrounding Viennese Modernism to offer original, nuanced, and rich readings of individual works, while offering a more diverse portrait of the period from 1890, through World War II and into the present. The book will be of interest to scholars working in art history, history, design history, architectural history, and European studies. |
| the architecture of red vienna 1919 1934: Narrating the City Wladimir Fischer-Nebmaier, Matthew P. Berg, Anastasia Christou, 2015-09-01 In recent decades, the insight that narration shapes our perception of reality has inspired and influenced the most innovative historical accounts. Focusing on new research, this volume explores the history of non-elite populations in cities from Caracas to Vienna, and Paris to Belgrade. Narration is central to the theme of each contribution, whether as a means of description, a methodological approach, or basic story telling. This book brings together research that both asks classical socio-historical questions and takes narration seriously, engaging with novels, films, local history accounts, petitions to municipal authorities, and interviews with alternative cinema activists. |
| the architecture of red vienna 1919 1934: Campus Medius: Digital Mapping in Cultural and Media Studies Simon Ganahl, 2022-03-07 Campus Medius explores and expands the possibilities of digital cartography in cultural and media studies. Simon Ganahl documents the development of the project from a historical case study to a mapping platform. Based on the question of what a media experience is, the concepts of the apparatus (dispositif) and the actor-network are translated into a data model. A time-space of twenty-four hours in Vienna in May 1933, marked by a so-called »Turks Deliverance Celebration« (Türkenbefreiungsfeier), serves as an empirical laboratory. This Austrofascist rally is mapped from multiple perspectives and woven into media-historical networks, spanning from the seventeenth century up to the present day. |
| the architecture of red vienna 1919 1934: Josef Frank Christopher Long, Josef Frank, 2002 Architect, designer, and theorist Josef Frank (1885-1967) was known throughout Europe in the 1920s as one of the continent's leading modernists. Yet despite his important contributions to the development of modernism, Frank has been largely excluded from histories of the movement. Josef Frank: Life and Work is the first study that comprehensively explores the life, ideas, and designs of this complex and controversial figure. Educated in Vienna just after the turn of the century, Frank became the leader of the younger generation of architects in Austria after the First World War. But Frank fell from grace when he emerged as a forceful critic of the extremes of modern architecture and design during the early 1930s. Dismissing the demands for a unified modern style, Frank insisted that it was pluralism, not uniformity, that most characterized life in the new machine age. He called instead for a more humane modernism, one that responded to people's everyday needs and left room for sentimentality and historical influences. He was able to put these ideas into practice when, in 1933, he was forced to leave Vienna for Sweden. There his work came to define Swedish (or Scandinavian) modern design. For more than thirty years he was the chief designer for the Stockholm furnishings firm Svenskt Tenn, producing colorful, cozy, and eclectic designs that provided a refreshing alternative to the architectural mainstream of the day and presaged the coming revolt against modernism in the 1960s. In this sensitive study of one of the twentieth century's seminal architects and thinkers, Christopher Long offers new insight into Josef Frank's work and ideas and provides an important contribution to the understanding of modernist culture and its history. |
| the architecture of red vienna 1919 1934: Architecture and Collective Life Penny Lewis, Lorens Holm, Sandra Costa Santos, 2021-10-28 This book addresses the complex relationship between architecture and public life. It’s a study of architecture and urbanism as cultural activity that both reflects and gives shape to our social relations, public institutions and political processes. Written by an international range of contributors, the chapters address the intersection of public life and the built environment around the themes of authority and planning, the welfare state, place and identity and autonomy. The book covers a diverse range of material from Foucault’s evolving thoughts on space to land-scraping leisure centres in inter-war Belgium. It unpacks concepts such as ‘community’ and ‘collectivity’ alongside themes of self-organisation and authorship. Architecture and Collective Life reflects on urban and architectural practice and historical, political and social change. As such this book will be of great interest to students and academics in architecture and urbanism as well as practicing architects. |
| the architecture of red vienna 1919 1934: Freedom and the Cage Leslie Topp, 2017-03-28 Spurred by ideals of individual liberty that took hold in the Western world in the late nineteenth century, psychiatrists and public officials sought to reinvent asylums as large-scale, totally designed institutions that offered a level of freedom and normality impossible in the outside world. This volume explores the “caged freedom” that this new psychiatric ethos represented by analyzing seven such buildings established in the Austro-Hungarian monarchy between the late 1890s and World War I. In the last two decades of the Habsburg Empire, architects of asylums began to abandon traditional corridor-based plans in favor of looser formations of connected villas, echoing through design the urban- and freedom-oriented impulse of the progressive architecture of the time. Leslie Topp considers the paradoxical position of designs that promoted an illusion of freedom even as they exercised careful social and spatial control over patients. In addition to discussing the physical and social aspects of these institutions, Topp shows how the commissioned buildings were symptomatic of larger cultural changes and of the modern asylum’s straining against its ideological anchorage in a premodern past of “unenlightened” restraint on human liberty. Working at the intersection of the history of architecture and the history of psychiatry, Freedom and the Cage broadens our understanding of the complexity and fluidity of modern architecture’s engagement with the state, with social and medical projects, and with mental health, psychiatry, and psychology. |
| the architecture of red vienna 1919 1934: Karl Langer , 2021-12-30 Despite a European training and an early career working with Peter Behrens, a migration from Vienna to the Australian state of Queensland positioned the architect Karl Langer (1903-1969) at the very edge of both European and Australian modernism. Confronted by tropical heat and glare, the economics of affordable housing, fiercely proud and regional architectural practices, and a suspicion of the foreign, Langer moulded the European language of international modernism to the unique climatic and social conditions of tropical Australia. This book will tell Langer's story through a series of edited essays focused on key themes and projects. Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, it is both an examination of an architect's work and international legacy, and also a case study in the trans-global dissemination of design ideas. Studying the architect's built and proposed work, both regional and metropolitan, the scale and reach of Langer's practice will be considered for the first time, showing how, given his continued influence on the contemporary culture of tropical design, Langer has been unjustly ignored by the historiography of both Australian and Modernist architecture to date. |
| the architecture of red vienna 1919 1934: Imperial Cities in the Tsarist, the Habsburg, and the Ottoman Empires Ulrich Hofmeister, Florian Riedler, 2023-08-24 This book explores the various ways imperial rule constituted and shaped the cities of Eastern Europe until World War I in the Tsarist, Habsburg, and Ottoman empires. In these three empires, the cities served as hubs of imperial rule: their institutions and infrastructures enabled the diffusion of power within the empires while they also served as the stages where the empire was displayed in monumental architecture and public rituals. To this day, many cities possess a distinctively imperial legacy in the form of material remnants, groups of inhabitants, or memories that shape the perceptions of in- and outsiders. The contributions to this volume address in detail the imperial entanglements of a dozen cities from a long-term perspective reaching back to the eighteenth century. They analyze the imperial capitals as well as smaller cities in the periphery. All of them are imperial cities in the sense that they possess traces of imperial rule. By comparing the three empires of Eastern Europe this volume seeks to establish commonalities in this particular geography and highlight trans-imperial exchanges and entanglements. This volume is essential reading to students and scholars alike interested in imperial and colonial history, urban history, and European history. The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license. |
| the architecture of red vienna 1919 1934: Peter Behrens and a New Architecture for the Twentieth Century Stanford Anderson, 2002-08-23 The complete story of Behrens' contribution to the history oftwentieth-century architecture. |
| the architecture of red vienna 1919 1934: Screening Transcendence Robert Dassanowsky, 2018-05 During the 1930s, Austrian film production companies developed a process to navigate the competing demands of audiences in Nazi Germany and those found in broader Western markets. In Screening Transcendence, film historian Robert Dassanowsky explores how Austrian filmmakers during the Austrofascist period (1933–1938) developed two overlapping industries: Aryanized films for distribution in Germany, its largest market, and Emigrantenfilm, which employed émigré and Jewish talent that appealed to international audiences. Through detailed archival research in both Vienna and the United States, Dassanowsky reveals what was culturally, socially, and politically at stake in these two simultaneous and overlapping film industries. Influenced by French auteurism, admired by Italian cinephiles, and ardently remade by Hollywood, these period Austrian films demonstrate a distinctive regional style mixed with transnational influences. Combining brilliant close readings of individual films with thoroughly informed historical and cultural observations, Dassanowsky presents the story of a nation and an industry mired in politics, power, and intrigue on the brink of Nazi occupation. |
| the architecture of red vienna 1919 1934: Arieh Sharon and Modern Architecture in Israel Eran Neuman, 2023-11-30 Arieh Sharon and Modern Architecture in Israel: Building Social Pragmatism offers the first comprehensive survey of the work of Arieh Sharon and analyzes and discusses his designs and plans in relation to the emergence of the State of Israel. A graduate of the Bauhaus, Sharon worked for a few years at the office of Hannes Mayer before returning to Mandatory Palestine. There, he established his office which was occupied in its first years in planning kibbutzim and residential buildings in Tel Aviv. After the establishment of the State of Israel in 1948, Arieh Sharon became the director and chief architect of the National Planning Department, where he was asked to devise the young country’s first national masterplan. Known as the Sharon Plan, it was instrumental in shaping the development of the new nation. During the 1950s and 1960s, Sharon designed many of Israel’s institutions, including hospitals and buildings on university campuses. This book presents Sharon’s exceptionally wide range of work and examines his perception of architecture in both socialist and pragmatist terms. It also explores Sharon’s modernist approach to architecture and his subsequent shift to Brutalist architecture, when he partnered with Benjamin Idelson in the 1950s and when his son, Eldar Sharon, joined the office in 1964. Thus, the book contributes a missing chapter in the historiography of Israeli architecture in particular and of modern architecture overall. This book will be of interest to researchers in architecture, modern architecture, Israel studies, Middle Eastern studies and migration of knowledge. |
| the architecture of red vienna 1919 1934: Sitte, Hegemann and the Metropolis Charles Bohl, Jean-François Lejeune, 2009-06-02 These essays, from leading names in the field, weave together the parallels and differences between the past and present of civic art. Offering prospects for the first decades of the twenty-first century, the authors open up a broad international dialogue on civic art, which relates historical practice to the contemporary meaning of civic art and its application to community building within today’s multi-cultural modern cities. The volume brings together the rich perspectives on the thought, practice and influence of leading figures from the great era of civic art that began in the nineteenth century and blossomed in the early twentieth century as documented in the works of Werner Hegemann and his contemporaries and considered fundamental to contemporary practice. |
| the architecture of red vienna 1919 1934: A History of Austrian Literature 1918-2000 Katrin Maria Kohl, Anne Fuchs, Florian Krobb, Ritchie Robertson, 2006 New essays examine 20th-c. Austrian literature in relation to history, politics, and popular culture. 20th-century Austrian literature boasts many outstanding writers: Schnitzler, Musil, Rilke, Kraus, Celan, Canetti, Bernhard, Jelinek. These and others feature in broader accounts of German literature, but it is desirable to see how the Austrian literary scene -- and Austrian society itself -- shaped their writing. This volume thus surveys Austrian writers of drama, prose fiction, and lyric poetry; relates them to the distinctive history of modern Austria, a democratic republic that was overtaken by civil war and authoritarian rule, absorbed into Nazi Germany, and re-established as a neutral state; and examines their response to controversial events such as the collusion with Nazism, the Waldheim affair, and the rise of Haider and the extreme right. In addition to confronting controversy in the relations between literature, history, and politics, the volume examines popular culture in line with current trends. Contributors: Judith Beniston, Janet Stewart, Andrew Barker, Murray Hall, Anthony Bushell, Dagmar Lorenz, Juliane Vogel, Jonathan Long, Joseph McVeigh, Allyson Fiddler. Katrin Kohl is Lecturer in German and a Fellow of Jesus College, and Ritchie Robertson is Taylor Professor of German Language and Literature and a Fellow of The Queen's College, both at the University of Oxford. |
| the architecture of red vienna 1919 1934: Saving Europe Tammy M. Proctor, 2025 Saving Europe offers a transnational and intersectional history of American intervention in Europe between 1914 and 1924, a period when the United States simultaneously tightened its borders and expanded its reach. I argue that in the crucial decade following the outbreak of World War I, Americans saw themselves in a novel role abroad as protectors of European cultural heritage and as rescuers of vulnerable populations. This experience had important long-term implications for later US and United Nations humanitarian aid programs-- |
| the architecture of red vienna 1919 1934: A New Europe, 1918-1923 Bartosz Dziewanowski-Stefańczyk, Jay Winter, 2022-03-03 This set of essays introduces readers to new historical research on the creation of the new order in East-Central Europe in the period immediately following 1918. The book offers insights into the political, diplomatic, military, economic and cultural conditions out of which the New Europe was born. Experts from various countries take into account three perspectives. They give equal attention to both the Western and Eastern fronts; they recognise that on 11 November 1918, the War ended only on the Western front and violence continued in multiple forms over the next five years; and they show how state-building after 1918 in Central and Eastern Europe was marked by a mixture of innovation and instability. Thus, the volume focuses on three kinds of narratives: those related to conflicts and violence, those related to the recasting of civil life in new structures and institutions, and those related to remembrance and representations of these years in the public sphere. Taking a step towards writing a fully European history of the Great War and its aftermath, the volume offers an original approach to this decisive period in 20th-century European history. |
| the architecture of red vienna 1919 1934: The Austrian Revolution Otto Bauer, 1925 |
| the architecture of red vienna 1919 1934: The World of Prostitution in Late Imperial Austria Nancy M. Wingfield, 2017-06-30 This study of prostitution addresses issues of female agency and experience, as well as contemporary fears about sexual coercion and the forced movement of girls/women, and police surveillance. Rather than treating prostitutes solely as victims or problems to be solved, as so often has been the case in much of the literature, Nancy M. Wingfield seeks to find the historical subjects behind fin-de-siècle constructions of prostitutes, to restore agency to the women who participated in commercial sex, illuminate their quotidian experiences, and to place these women, some of whom made a rational economic decision to sell their bodies, in the larger social context of late imperial Austria. Wingfield investigates the interactions of both registered and clandestine prostitutes with the vice police and other supervisory agents, including physicians and court officials, as well as with the inhabitants of these women's world, including brothel clients and madams, and pimps, rather than focusing top-down on the state-constructed apparatus of surveillance. Close reading of a broad range of primary and secondary sources shows that some prostitutes in late imperial Austria took control over their own fates, at least as much as other working-class women, in the last decades before the end of the Monarchy. And after 1918, bureaucratic transition did not necessarily parallel political transition. Thus, there was no dramatic change in the regulation of prostitution in the successor states. Legislation, which changed regulation only piecemeal after the war, often continued to incorporate forms of control, reflecting continuity in attitudes about women's sexuality. |
| the architecture of red vienna 1919 1934: Margarete Schütte-Lihotzky. Architecture. Politics. Gender. Marcel Bois, Bernadette Reinhold, 2023-06-19 A pioneer of architectural history Margarete Schütte-Lihotzky (1897–2000) entered the modernist canon with her “Frankfurt Kitchen.” She is also considered a pioneer of social architecture, a women’s rights activist, and, last but not least, a heroine of the resistance to the Nazi dictatorship. In this book, available in English for the first time, recent research in the fields of art history, contemporary history, pedagogy, and gender studies provides a nuanced picture of Schütte-Lihotzky, whose estate is archived at the University of Applied Arts Vienna. The volume explores her rich architectural oeuvre, her transnational experiences and professional networks, her political development as a Communist, and her current reception. It breaks through the mythology to present a rounded picture of Schütte-Lihotzky, an icon of architectural history. First comprehensive publication on Margarete Schütte-Lihotzky in English Cross-disciplinary research contributions by renowned authors; foreword by Juliet Kinchin Illuminates Schütte-Lihotzky’s fascinating work alongside the Frankfurt Kitchen |
| the architecture of red vienna 1919 1934: Becoming Austrians Lisa Silverman, 2012-06-19 The collapse of Austria-Hungary in 1918 left all Austrians in a state of political, social, and economic turmoil, but Jews in particular found their lives shaken to the core. Although Jews' former comfort zone suddenly disappeared, the dissolution of the Dual Monarchy also created plenty of room for innovation and change in the realm of culture. Jews eagerly took up the challenge to fill this void, and they became heavily invested in culture as a way to shape their new, but also vexed, self-understandings. By isolating the years between the World Wars and examining formative events in both Vienna and the provinces, Becoming Austrians: Jews and Culture between the World Wars demonstrates that an intensified marking of people, places, and events as Jewish accompanied the crises occurring in the wake of Austria-Hungary's collapse, with profound effects on Austria's cultural legacy. In some cases, the consequences of this marking resulted in grave injustices. Philipp Halsmann, for example, was wrongfully imprisoned for the murder of his father years before he became a world-famous photographer. And the men who shot and killed writer Hugo Bettauer and philosopher Moritz Schlick received inadequate punishment for their murderous deeds. But engagements with the terms of Jewish difference also characterized the creation of culture, as shown in Hugo Bettauer's satirical novel The City without Jews and its film adaptation, other texts by Veza Canetti, David Vogel, A.M. Fuchs, Vicki Baum, and Mela Hartwig, and performances at the Salzburg Festival and the Yiddish theater in Vienna. By examining the lives, works, and deeds of a broad range of Austrians, Lisa Silverman reveals how the social codings of politics, gender, and nation received a powerful boost when articulated along the lines of Jewish difference. |
| the architecture of red vienna 1919 1934: Modern Apartment Design Guy Marriage, 2021-12-13 Modern Apartment Design provides guidelines to the design of modern apartment buildings as well as a summation of current cutting-edge practice in engineered timber construction. The book covers a brief history of apartment buildings around the world, with a broad outline of different types of apartment blocks. It has a strong focus on the design and actual construction of apartment buildings, especially those utilising mass timber, such as cross-laminated timber and laminated veneer lumber. It also features six Case Study chapters from industry-leading practitioners in the area, enabling best practice in architecture and engineering of these new apartment building types to be more widely understood and propagated worldwide. The fully illustrated, full-colour case studies span the globe and include: Clearwater Quay in Christchurch, New Zealand (Pacific Environments NZ); Wynyard Central East 2 in Auckland, New Zealand (Architectus); Dalton Works in London, UK (Waugh Thistleton Architects); Mjøstårnet, Brumunddal, Norway (Voll Arkitekter); Brock Commons Tallwood House student housing in Vancouver, Canada (Acton Ostry Architects); and Regensbergstrasse apartments in Zurich, Switzerland (Dreicon). The book will be of great interest to architects and architecture students. |
| the architecture of red vienna 1919 1934: Culture and Politics in Red Vienna Modern Humanities Research Association, 2006 An annual journal reflecting sustained interest in the distinctive cultural traditions of the Habsburg Empire and the Austrian Republic. It publishes a wide range of articles in English, together with a selection of book reviews. It aims to make research accessible to a broadly based international readership. |
| the architecture of red vienna 1919 1934: The Social Project Kenny Cupers, 2014-04-01 Winner of the 2015 Abbott Lowell Cummings prize from the Vernacular Architecture Forum Winner of the 2015 Sprio Kostof Book Award from the Society of Architectural Historians Winner of the 2016 International Planning History Society Book Prize for European Planning History Honorable Mention: 2016 Wylie Prize in French Studies In the three decades following World War II, the French government engaged in one of the twentieth century’s greatest social and architectural experiments: transforming a mostly rural country into a modernized urban nation. Through the state-sanctioned construction of mass housing and development of towns on the outskirts of existing cities, a new world materialized where sixty years ago little more than cabbage and cottages existed. Known as the banlieue, the suburban landscapes that make up much of contemporary France are near-opposites of the historic cities they surround. Although these postwar environments of towers, slabs, and megastructures are often seen as a single utopian blueprint gone awry, Kenny Cupers demonstrates that their construction was instead driven by the intense aspirations and anxieties of a broad range of people. Narrating the complex interactions between architects, planners, policy makers, inhabitants, and social scientists, he shows how postwar dwelling was caught between the purview of the welfare state and the rise of mass consumerism. The Social Project unearths three decades of architectural and social experiments centered on the dwelling environment as it became an object of modernization, an everyday site of citizen participation, and a domain of social scientific expertise. Beyond state intervention, it was this new regime of knowledge production that made postwar modernism mainstream. The first comprehensive history of these wide-ranging urban projects, this book reveals how housing in postwar France shaped both contemporary urbanity and modern architecture. |
| the architecture of red vienna 1919 1934: Spatial Agency: Other Ways of Doing Architecture Nishat Awan, Tatjana Schneider, Jeremy Till, 2013-09-13 This book offers the first comprehensive overview of alternative approaches to architectural practice. At a time when many commentators are noting that alternative and richer approaches to architectural practice are required if the profession is to flourish, this book provides multiple examples from across the globe of how this has been achieved and how it might be achieved in the future. Particularly pertinent in the current economic climate, this book offers the reader new approaches to architectural practice in a changing world. It makes essential reading for any architect, aspiring or practicing. |
Multifamily - Forum Architecture & Interior Design Inc.
Multifamily . Experience is essential in multifamily design. The complexity of issues surrounding a multifamily project must be completely assessed in order to find the most viable, functional and …
Home - Forum Architecture & Interior Design Inc.
Forum Architecture & Interior Design is a full-service commercial and residential architectural firm specializing in planning, architecture, and interior design throughout the United States. As a …
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In 1986, Forum founders R. Norman Stoehr and James B. Black instilled a simple business philosophy that still guides us today: Deliver world-class architecture and design at the highest …
Interior Design - Forum Architecture & Interior Design Inc.
Consistently top-ranked by the Orlando Business Journal, Forum’s Interior Design department has created project designs from New Jersey to Texas. The Interior Design department is …
Statehouse Woodward - Forum Architecture & Interior Design Inc.
Situated right next door to the Florida State University campus, this luxury student housing apartment project is the place to be. Statehouse Woodward has numerous amenities that …
Specialization - Forum Architecture & Interior Design Inc.
Forum Architecture & Interior Design helps clients create a distinct expression of their commercial brand or personal style. From master plans and cost analysis, to architectural and interior …
Parramore Oaks Phase II - Forum Architecture & Interior Design Inc.
There’s a lot to love at Parramore Oaks, Downtown Orlando’s latest affordable housing project. The prime location makes it key for walkability - steps from ZL Riley Park and a playground …
Hospitality - Forum Architecture & Interior Design Inc.
Forum’s experience in the resort and hotel design market has enabled us to be recognized as one of the top architectural design firms in the nation by Hotel Design and the Hotel Business …
Fletcher Black Apartments - Forum Architecture & Interior Design …
Steps away from 27 miles of the pristine Panama City beaches is Fletcher Black, an affordable living development in Florida’s panhandle. The original property was demolished after …
Multifamily - Forum Architecture & Interior Design Inc.
Multifamily . Experience is essential in multifamily design. The complexity of issues surrounding a multifamily project must be completely assessed in order to find the most viable, functional and …
Home - Forum Architecture & Interior Design Inc.
Forum Architecture & Interior Design is a full-service commercial and residential architectural firm specializing in planning, architecture, and interior design throughout the United States. As a …
Contact - Forum Architecture & Interior Design Inc.
FORUM Architecture & Interior Design 237 S. Westmonte Drive, Suite 220 ...
Team - Forum Architecture & Interior Design Inc.
In 1986, Forum founders R. Norman Stoehr and James B. Black instilled a simple business philosophy that still guides us today: Deliver world-class architecture and design at the highest …
Interior Design - Forum Architecture & Interior Design Inc.
Consistently top-ranked by the Orlando Business Journal, Forum’s Interior Design department has created project designs from New Jersey to Texas. The Interior Design department is …
Statehouse Woodward - Forum Architecture & Interior Design Inc.
Situated right next door to the Florida State University campus, this luxury student housing apartment project is the place to be. Statehouse Woodward has numerous amenities that …
Specialization - Forum Architecture & Interior Design Inc.
Forum Architecture & Interior Design helps clients create a distinct expression of their commercial brand or personal style. From master plans and cost analysis, to architectural and interior …
Parramore Oaks Phase II - Forum Architecture & Interior Design Inc.
There’s a lot to love at Parramore Oaks, Downtown Orlando’s latest affordable housing project. The prime location makes it key for walkability - steps from ZL Riley Park and a playground …
Hospitality - Forum Architecture & Interior Design Inc.
Forum’s experience in the resort and hotel design market has enabled us to be recognized as one of the top architectural design firms in the nation by Hotel Design and the Hotel Business …
Fletcher Black Apartments - Forum Architecture & Interior Design …
Steps away from 27 miles of the pristine Panama City beaches is Fletcher Black, an affordable living development in Florida’s panhandle. The original property was demolished after …
