Advertisement
| straight makeup theatre: Theatre as Human Action Thomas S. Hischak, 2019-04-04 This book engages students—particularly those who may not be very familiar with many plays—in the theatre experience by focusing on just four plays: the tragedy Macbeth, the landmark African American drama A Raisin in the Sun, the American comedy classic You Can't Take It with You, and the contemporary hip-hop musical Hamilton. |
| straight makeup theatre: Straight Makeup for the Stage Barbara Murphy York, 1980 |
| straight makeup theatre: Theatrical Makeup Bert Broe, 1984 |
| straight makeup theatre: Stage Makeup Herman Buchman, 1989 Comprehensive and detailed for performer, teacher or student. |
| straight makeup theatre: The Complete Make-up Artist Penny Delamar, 2003 This fully revised second edition is essential for anyone who wants to become a successful make-up artist. It offers a personal guide to the exacting and exciting world of media make-up. A dedicated website features topic summaries and questions to test your knowledge and understanding. |
| straight makeup theatre: Special Makeup Effects for Stage and Screen Todd Debreceni, 2013 Transforming an actor into a character for film or theater takes a great deal of skill, prowess, and creativity, and in this new edition, author Todd Debreceni empowers you with just those qualities. From his years of film, TV, and theatrical experience, he shows you tips and techniques that will have you applying your own makeup effects like a pro in no time. Along with walking you through genre-specific considerations (horror, fantasy, sci-fi, and so on) Todd also teaches you about the gear you will need, how to maintain your kit, how to take care of the actor's skin, how to airbrush properly when HD is involved, and so much more. Learn how to sculpt and mold your own makeup prosthetics, with a focus on how human anatomy relates to sculpture, to create the most realistic effects. Recipes scattered throughout the book show you exactly what you need and how to use it, helping you to create the best SFX makeup applications. Case studies feature some of the world's top makeup effects artists including Steve Wang, Thom Flouts, Ve Neill, Neill Gorton, Greg Nicotero, Kazuhiro Tsuji, Jordu Schell, Howard Berger, Matthew Mungle, Christien Tinsely, Vittorio Sodano, and Tami Lane. Put your new techniques into practice right away and see how some of the looks from the book were achieved with the step-by-step tutorials on the companion website, www.focalpress.com/cw/debreceni. New to this edition: * Animatronics * Specialty contact lenses * Collapsible core molds * Contoured or conforming molds * Making resin and silicone eyes * Even MORE information about silicone rld's top makeup effects artists including Steve Wang, Thom Flouts, Ve Neill, Neill Gorton, Greg Nicotero, Kazuhiro Tsuji, Jordu Schell, Howard Berger, Matthew Mungle, Christien Tinsely, Vittorio Sodano, and Tami Lane. Put your new techniques into practice right away and see how some of the looks from the book were achieved with the step-by-step tutorials on the companion website, www.focalpress.com/cw/debreceni. New to this edition: * Animatronics * Specialty contact lenses * Collapsible core molds * Contoured or conforming molds * Making resin and silicone eyes * Even MORE information about silicone |
| straight makeup theatre: Theatre, a Contemporary Introduction Jerry V. Pickering, 1981 |
| straight makeup theatre: Ethnotheatre Johnny Saldaña, 2016-06-16 Ethnotheatre transforms research about human experiences into a dramatic presentation for an audience. Johnny Saldaña, one of the best-known practitioners of this research tradition, outlines the key principles and practices of ethnotheatre in this clear, concise volume. He covers the preparation of a dramatic presentation from the research and writing stages to the elements of stage production. Saldaña nurtures playwrights through adaptation and stage exercises, and delves into the complex ethical questions of turning the personal into theatre. Throughout, he emphasizes the vital importance of creating good theatre as well as good research for impact on an audience and performers. The volume includes multiple scenes from contemporary ethnodramas plus two complete play scripts as exemplars of the genre. |
| straight makeup theatre: Stage Makeup Richard Corson, James Glavan, Beverly Gore Norcross, 2019-05-14 Widely referred to as the bible of stage makeup, the timely revision of this classic text addresses principles and techniques in the use of makeup for the contemporary performer. This extensive exploration of the application and use of stage makeup and makeup for a variety of performance venues covers all aspects in detail and contains over 1000 photographs, drawings, and diagrams demonstrating step-by-step procedures. Thoroughly updated and revised, this classic text remains accurate and comprehensive, providing information from which all readers – whether students new to the field or seasoned, professional makeup artists – will benefit. New to this edition: Updated full-color photography throughout Expanded information on makeup design and application 48 new step-by-step instructions in color Expanded chapter on modeling with highlights and shadows New chapter on cross-gender makeup New instruction on making dentures, noses, and face casting New instructions for creating zombies, animals, aging effects, and trauma Expanded information on makeup for television and film Up-to-date information on Special Effects makeup Up-to-date information on prosthetic makeup Updated chapters on facial hair and wigs Updated resources for products, advanced training, and health and safety |
| straight makeup theatre: AFROCENTRIC THEATRE Carlton W. Molette and Barbara J. Mole, 2013 Afrocentric Theatre updates the Molettes' groundbreaking book, Black Theatre: Premise and Presentation, that has been required reading in many Black theatre courses for over twenty-fi ve years. Afrocentric theatre is a culturally-based art form, not a race-based one. Culture and values shape perceptions of such phenomena as time, space, heroism, reality, truth, and beauty. These culturally variable social constructions determine standards for evaluating and analyzing art and govern the way people perceive theatrical presentations as well as fi lm and video drama. A play is not Afrocentric simply because it is by a Black playwright, or has Black characters, or addresses a Black theme or issue. Afrocentric Theatre describes the nature of an art form that embraces and disseminates African American culture and values. Further, it suggests a framework for interpreting andevaluating that art form and assesses the endeavors of dramatists who work from an Afrocentric perspective. |
| straight makeup theatre: The Future of Post-Human Performing Arts Peter Baofu, 2013-01-03 Are the performing arts really supposed to be so radical that, as John Cage once said in the context of music, “there is no noise, only sound,” since “he argued that any sounds we can hear can be music”? (WK 2007a; D. Harwood 1976) This radical tradition in performing arts, with music as an example here, can be contrasted with an opposing view in the older days, when “Greek philosophers and medieval theorists in music defined music as tones ordered horizontally as melodies, and vertically as harmonies. Music theory, within this realm, is studied with the presupposition that music is orderly and often pleasant to hear.” (WK 2007a) Contrary to these opposing traditions (and other views as will be discussed in the book), performing arts, in relation to both the body and its presence, is neither possible nor desirable to the extent that the respective ideologues on different sides would like us to believe. Needless to say, the challenge to these opposing traditions in performing arts does not imply that performing arts are worthless human endeavors, or that those fields of study related to performing arts like aesthetics, acoustics, communication studies, psychology, culture studies, sociology, religion, morality, and so on should be rejected too. Of course, neither of these extreme views is reasonable. Instead, this book provides an alternative, better way of understanding the future of performing arts, especially in the dialectic context of the body and its presence—while learning from different approaches in the literature but without favoring any one of them or integrating them, since they are not necessarily compatible with each other. In other words, this book offers a new theory (that is, the transdisiciplinary theory of performing arts) to go beyond the existing approaches in a novel way. If successful, this seminal project will fundamentally change the way that we think about performing arts, from the combined perspectives of the mind, nature, society, and culture, with enormous implications for the human future and what the author originally called its “post-human” fate. |
| straight makeup theatre: Theatre Marsh Cassady, 1997 Greek and Roman theatre - Medieval theatre - Renaissance in theatre - Elizabethan England - 17th and 18th century theatre - Romanticism - Melodrama - Realism - Playwrights - Diversity of modern theatre - Dramatic structure - _Dramatic style and genre - Actor, director and designer - Business side of theatre - _Critiquing a theatrical production_______________ |
| straight makeup theatre: The Billboard , 1926 |
| straight makeup theatre: An Introduction to the Theatre Frank M. Whiting, 1978 |
| straight makeup theatre: Theatre Steven Archer, Cynthia Gendrich, Stephen M. Archer, Woodrow Hood, 2003 Theatre: Its Art and Craft is intended for use in theatre appreciation and introduction to theatre courses. This new edition features updated statistics and references that keep the text current. The first chapter of the text introduces readers to the broad issues of artistic practice, while the second chapter inspects the specific area of live theatre. The remainder of chapters examine in detail the various functionaries of the theatre (audience, critics, playwrights, directors, actors, designers, historians, and dramaturgs). As in previous volumes, readers are encouraged to examine the complex interaction of all theatrical elements. Just as in music some instruments supply the basic structure and some embellish that structure, so in the theatre the elements of script, directing, acting, and design interact in shifting configurations to offer a new work of art at every performance. Examining these relationships will enrich the theatrical experience. A Collegiate Press book |
| straight makeup theatre: The Art of Theatrical Make-Up Cavendish Morton, 2018-11-08 This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| straight makeup theatre: Introducing Theatre Joy H. Reilly, 1999 Entering its sixth edition, Introducing Theatre remains an excellent and informative text, perfect for use in introductory theatre courses. The book covers the entire history of theatre and all its forms, including those of today. Written from years of experience by two of The Ohio State University's leading professors of theatre, Joy H. Reilly and M. Scott Phillips, Introducing Theatre, 6e is sure to inspire students to take an active and life-long interest in the theatre |
| straight makeup theatre: An Introduction To--the Art of Theatre Marsh Cassady, 2007 Offers a comprehensive overview to the art of theatre, exploring every aspect of theatre history, production, role in cultures around the world, business aspects, major eras, and future potential. |
| straight makeup theatre: Theatre Milly S. Barranger, 1995 Presenting the experience of theatre; who sees, what is seen, where and how it is seen largely from the viewpoint of audiences exposed to a complex, living art that involves people, spaces, plays, designs, staging, forms, language, and productions. The text takes students through this complete experience of theatre in a four-part organization: Part I (Seeing Theatre) provides a basic introduction to theatre as well as discussing traditional and alternative theatrical spaces; Part II (The Image Makers: Playwright) introduces students to the craft of playwriting; Part III (The Image Makers: Artists and Producers) covers the roles of actors and behind-the-scenes personnel in the theatre; Part IV (Reimaging Theatre) discusses Theatrical Diversity and criticism. |
| straight makeup theatre: Foundations of Stage Makeup Daniel C Townsend, 2024-11-29 Foundations of Stage Makeup, Second Edition is a comprehensive exploration into the creative world of stage makeup. Step-by-step makeup applications paired with textual content create an enriching experience for future performers and makeup artists. Students will learn relevant history, color theory, makeup sanitation processes, and the use of light and shadow to engage in discussions about the aspects of professional makeup. Those foundations are then paired with a semester’s worth of descriptive, engaging makeup applications. Old age makeup, blocking out eyebrows, gory burns, and creating fantastical creatures are just a few of the rewarding techniques found in Foundations of Stage Makeup. This new edition features new chapters on basic prosthetic appliction and animal makeup, new information on historical makeup use, updates pertaining to industry-wide standards and practices, new images, and updated supporting material. This is the perfect book to use in Introduction to Stage Makeup courses. Foundations of Stage Makeup is complemented by makeup tutorials, a printable makeup chart, and an instructor’s manual with example assignments and tips to teaching each chapter, available at www.routledge.com/9781032664200. |
| straight makeup theatre: The Art of Theatrical Makeup for Stage and Screen Michael G. Westmore, 1973 |
| straight makeup theatre: Makeup for Theatre, Film & Television Lee Baygan, 1989 |
| straight makeup theatre: The Art of Stage Dancing Ned Wayburn, 1925 |
| straight makeup theatre: Theatre Stephen Archer, Cynthia M. Gendrich, Woodrow B. Hood, 2009-11-15 Theatre: Its Art and Craft is an introductory theatre text focusing on theatre practitioners and their processes. Using an accessible tone and a focused exploration of how theatre artists work, the book covers playwrights; directors, actors; designers of sets, costumes, props, lights, sound, and new technology; as well as the varying roles of scholars, critics, and dramaturgs. Appropriate for beginning theatre majors, minors, or nonmajors, Theatre: Its Art and Craft helps students understand how theatre happens, who makes it, and what they do. The sixth edition has been updated with new statistics, references, and photographs. It also features an extensively revised design section, which the authors have divided into two parts: one focused on the tactile elements of design (sets, costumes, props) and the second on the temporal elements (lights, sound, and new technologies). |
| straight makeup theatre: Special Makeup Effects for Stage and Screen Todd Debreceni, 2023-12-20 With this new edition of Special Makeup Effects for Stage and Screen, author Todd Debreceni presents the latest techniques and special effects in what has become an industry bible. In addition to genre-specific considerations, Debreceni covers the latest gear you will need and details how to maintain your kit, how to take care of the actor's skin, how to airbrush for HD, and much more. With in-depth, step-by-step tutorials, learn how to sculpt and mold your own makeup prosthetics, focusing on human anatomy to create the most realistic effects. This new and expanded edition features updated information on lifecasting, prosthetics made using 3D printing, advanced airbrushing techniques, and new artist profiles, and includes updated images and illustrations throughout. A companion website contains artist profiles that showcase some of the world’s top makeup effects artists, including Ve Neill, Matthew W. Mungle, and many others. Also included are detailed tutorials led by experts in the field, such as Matthew Mungle, Adrian Rigby, Stuart Bray, and of course, the author himself. |
| straight makeup theatre: Theatre Magazine , 1920 |
| straight makeup theatre: Elements of Stagecraft James W. Baker, 1978 |
| straight makeup theatre: Players Magazine , 1924 |
| straight makeup theatre: Instructor's Edition for Theatre Milly S. Barranger, 2001-08 |
| straight makeup theatre: Theatre Magazine W. J. Thorold, Arthur Hornblow, Arthur Hornblow (Jr.), Perriton Maxwell, Stewart Beach, 1920 |
| straight makeup theatre: Careers in Technical Theater Mike Lawler, 2010-06-29 Want to make it big on Broadway—as a techie? Or how about working in smaller regional theater? Careers in Technical Theater explains more than twenty different careers from the perspective of successful theater artists. Included are specialties that have been around for decades, as well as those still emerging in the field. Concise information is provided on job duties, estimated earnings, recommended training, examples of career paths, and the insights are given of working pros in management, scenery, audio/visual, costumes, video and projection, engineering, and theatrical systems. There’s even a detailed appendix on finding on-the-job training as an intern, apprentice, or paid worker. For anyone interested in a behind-the-scenes life in the theater,Careers in Technical Theater is a priceless resource. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers. |
| straight makeup theatre: Theatre Design & Technology United States Institute for Theatre Technology, 1995 |
| straight makeup theatre: Theatre Design and Technology , 1997 Issues for 1965- include Recent publications on theatre architecture, no. 13/14- |
| straight makeup theatre: Bowker's Complete Video Directory , 2000 |
| straight makeup theatre: The Theatre Crafts Book of Make-up, Masks, and Wigs C. Ray Smith, 1974 |
| straight makeup theatre: Theatre Technology & Design , 1984 |
| straight makeup theatre: Catalog of Educational Captioned Films/videos for the Deaf , 1990 |
| straight makeup theatre: Timeless Makeup Rae Morris, 2012-03-01 In Timeless Makeup, leading international makeup artist, Rae Morris, shows you how to create a classic, ageless look that will enhance your best features, regardless of your age. |
| straight makeup theatre: Theatre Arts: The Dynamics of Acting, Student Edition Dennis Caltagirone, 1997 Provides an overview of the theatrical production process with a focus on practical acting skills. |
| straight makeup theatre: The World of Theatre Mira Felner, Claudia Orenstein, 2006 Focus on diversity and globalism, integrating coverage of multicultural, international and experimental theatre throughout. -- Back cover. |
Knowledge Base for S918U1 - Straight Talk
Browse Straight Talk Knowledge Base, tutorials and FAQ's for your S918U1
Knowledge Base for iPhone SE (3rd Gen) - Straight Talk
Why should I use Straight Talk Cloud? The fear of losing personal data is growing rapidly as more and more of consumers' digital lives are stored on mobile devices. The Straight Talk Cloud …
Tutorials & Guides for Your Blu phone - Straight Talk
Select the model of your Blu phone to get help and browse tutorials, FAQ's and Guides
Knowledge Base for My Account - Straight Talk
Browse Straight Talk Knowledge Base, tutorials and FAQ's for your My Account
Get Customer Support on Common Topics & Questions - Straight …
Knowledge Base for K500HPEL - Straight Talk
After completing your Activation, please call 1-855-343-2255 to receive your phone number. If this is the first call made from your device, you will be asked to choose your preferred language.
Knowledge Base for S115DL - Straight Talk
Browse Straight Talk Knowledge Base, tutorials and FAQ's for your S115DL Selected Product: S115DL ...
Knowledge Base for XT2163DL - Straight Talk
Browse Straight Talk Knowledge Base, tutorials and FAQ's for your XT2163DL
Knowledge Base for iPhone 16 Plus - Straight Talk
Browse Straight Talk Knowledge Base, tutorials and FAQ's for your iPhone 16 Plus
Straight Talk
/en/brands/Apple/STAPI11G/tutorial/download-the-straight-talk-my-account-app/
Knowledge Base for S918U1 - Straight Talk
Browse Straight Talk Knowledge Base, tutorials and FAQ's for your S918U1
Knowledge Base for iPhone SE (3rd Gen) - Straight Talk
Why should I use Straight Talk Cloud? The fear of losing personal data is growing rapidly as more and more of consumers' digital lives are stored on mobile devices. The Straight Talk Cloud …
Tutorials & Guides for Your Blu phone - Straight Talk
Select the model of your Blu phone to get help and browse tutorials, FAQ's and Guides
Knowledge Base for My Account - Straight Talk
Browse Straight Talk Knowledge Base, tutorials and FAQ's for your My Account
Get Customer Support on Common Topics & Questions - Straight …
Knowledge Base for K500HPEL - Straight Talk
After completing your Activation, please call 1-855-343-2255 to receive your phone number. If this is the first call made from your device, you will be asked to choose your preferred language.
Knowledge Base for S115DL - Straight Talk
Browse Straight Talk Knowledge Base, tutorials and FAQ's for your S115DL Selected Product: S115DL ...
Knowledge Base for XT2163DL - Straight Talk
Browse Straight Talk Knowledge Base, tutorials and FAQ's for your XT2163DL
Knowledge Base for iPhone 16 Plus - Straight Talk
Browse Straight Talk Knowledge Base, tutorials and FAQ's for your iPhone 16 Plus
Straight Talk
/en/brands/Apple/STAPI11G/tutorial/download-the-straight-talk-my-account-app/
